1392012 Magnolia (1985) movie script - Screenplays for You ‘Screenplays for You - foe mole scxpis and screenplays ° ‘About Links Screenplays and move septs organized alphabetically 2RBCDEEGHIJKLMNOPQRSIUYNAYZ BOE Film TV Script R Script Reader backed by Paramount. Industry-trusted Pro Script Reader. IndustralScripts.co.uk/reader | acres > Magnolia (1999) movie script by Paul Thomas Anderson. Shooting draft, 1110798, Max nb abut tis mae oniMs cam OVER BLACK NARRATOR In the Now York Herald, November 26, year 1911, there is an’ account of the hanging of three men =~ cur Tor Danes Pitesti Black and White Lumiere Footage CLICK HERETO Three mea hung....bang. ..bang..-bang. Peretti cur Tor Nexspaper Headline cones inte focus; "Th fe Men dung." quick DrssoLv sup dead cones inte NING {Lumiere Footage Contd (1912) walks in the door. CAMERA DOLLIES IN gUICK as he takes is hat off, shakes snow, looks off -~ NARRATOR they died for the murder of SAE Edmond William Go s Edmund is greeted by his WIFE and two CILDREN. Husband, Father, Pharmacist and all around gentle-nan resident eXT. STREET - NIGHT CAMERA pushes in on the toun sign, reads sreenberry Hill, London. Population 1276 NARRATOR Greenberry Hill, London. Population as listed. cur 19; EXE. PHARMACY ~ NIGHT sfyruPscript=magnlia nee13/09/2012 Magnolia (1985) movie script - Screenplays for You EIGH ANGLE, looking down as Sir Fdnond comes out che door, locks up for the evening. CAMERA BOOS DOWN and PUSHES IN TOWARDS HIM, WHIPS RT TOARRDS NARRATOR He was murdered by three vagrants whose motive was simple robbery. They were identified ae: A COATED MAN standing in the shadows of the alley way nearby. NARRATOR Joseph Green..... CAMERA WHIPS RT. again, nearby ANOTHER MAN steps closer NARRATOR ++ sStanley Berry CAMERA WHIPS RT. one more time and PUSH IN cowards THE LAST MAN - and Nigel Hill... WIDE ANGLE, ABOVE SCENE. ‘he three men move in on Sir Edmond and start to knige hin to death, stealing his money and jewelry. CAMERA PULLS BACK and up to include the sign of the pharmacy now: "Greenberry Hill Pharmacy. cur to: LUMIERE FOOTAGE REPLAYED. ‘Taree men hug. Bang...bang.. bang. NARRATOR Green, Berry and HII). FREEZE FRAME On the Last hanging image. NARRATOR sssAnd I Would Like To Think This Was Only A Matter Of Chance. OPTICAL WIPE OF FIAWES FILL THE SCREEN, CAMERA PULLS BACK: EXT, FORREST/NEAR LAKE TAHOR ~ CHT (35nm/color/ananoxphic now) CAMERA is in the midst of @ large FORREST FIRE. CAMERA WHIPS RY TO SBE: THREE FIREMEN battling the flames. CAMERA FUSHES IN On then as they seeam and shout directions at each other: NARRATOR As reported in the Reno Gazzette, June of 1983 there is the story of a fire —-~ HIGH ANGLE, THE TREE TOPS. ‘he trees are on fire....moments later NARRATOR the water that it took to contain the ize ~ WATER FALLS DOWN. . Groped from a FIRE DEPARTMENT AIR TANKER. cor 19) styrupscriptemagnolo, 2nd13/09/2012 Magnolia (1985) movie script - Screenplays for You EXT. FORAEST/NEAR LAKE TAHOR - MORNING CAMERA pushes in towards FOUR FIREFIGHTERS as they survey the area. ‘Tae fire is out and they are walking through. The MAIN FIREFIGHTER steps into a close up and looks: and a scuba diver named Delmer Darion. PIREPIGHTER'S POV, THAT MOMENT: CAMERA dollies in’ and TILTS up towards the top of the tres te reveal ‘There is @ MAN IN SCUBA GEAR hanging high in the tree Ho is wearing his goggles and his tanks and his wet suit. FIRE FIGHTER (OC) What the fuck is that? ANGLE, CU, DELMER DARTON. He still has his mask and mouthpiece cur to: IND. PEPPERMILL CASINO - NIGHT - FLASHBACK CAMERA looks down on a blackjack game, BOOM DOWN and TILT UP fo reveal: DELMER DARION (408) NARRATOR ployee of the Peppermi2i Hote? and Casino, Reno, Nevada. Engaged as a blackjack dealer cur to: INP. CASINO/LOBBY - EARLY MORNING - FLASHBACK, CAMERA pushes in towards Delmer as he leaves for the nght, his uniform draped on a hanger over hie shoulder, he neds’ and motions twa fingers to his fellow WORKERS who say "so longer." (Note: He has a bandage over nis forehead.) NARRATOR well liked and well regarded as a physical, recreational and sporting sort ~. Deimer's' true passion was for the lake ~~ cor to: INT. LAKE TRHOE/UNDERWATER - DAY Delmer SPLASHES in and comes down towards the CAMERA. SOUND drops out, becomes very quiet... cor 19) EXT. LAKE TAHOE - THAT MOMENT ‘che FURE CEPARIVENT AIR TANKER cones flying in, heading towards the lake, coming directly at CAMERA.. cor to: INT, LAKE TAHOE/UNDERWATER - THAT MOMENT? Delner dives. Silent and peacefu cor to: EXT. LAKE TAHOE - THAT MOMENT OVERHEAD ANGLE Looks down on the calm lake....beat, the: styrupscriptemagnolo, ands13/09/2012 Magnolia (1985) movie script - Screenplays for You ‘THE MASSIVE ATR TANKER FILLS THE FRAME, TOUCHING DOWN ON THE WATER, PULLING IT'S BODY FULL OF WATER FROM THE LAKE. It enters CAMERA RT. and exits CAMERA LPT. ANGLE, THE ATR TANKER. Tt heads off ful) of water towards the raging forrest fire in the distance NARRATOR as reported by the coroner, Delmer died of = heart attack somewhere between the lake and the tree, But most curious side note is the suicide the next day of Craig Hansen cor to: EXT, RENO MOTEL - DAY - FLASHBACK Establishing shot. (03) cur to: IND, MOTEL - THAT MOMENT (CAMERA PUSHES IN SUPER QUICK towards @ MAN named CRAIG HANSEN (308) He shoves 2 RIFLE under his chin and pulls the trigger, blood and brains splatter the ceiling cor to: INT. AIR TANKER COCKPIT - FLASHBACK - DAY HANSEN flying the plane. HOLD CU. as he moves towards the lake NARRATOR volunteer firefighter, estranged father of four and a poor tendency to drink -- Mr. Hansen was the pilot of the plane that quite accidentally Lifted Delmer Darion out of the water -~ cor tor EXT. LAKE TAHOE - SHOT REPLAYED. Quick flashback to the footage of the PLANE lifting the water from the lake, SOUND CARRIZS OVER.... cur to: ANT. CASINO ~ NIGHT ~ FLASHBACK ‘The Blackjack table where DELMER Ie dealing. DOLLY AROUND to reveal 4 Grunk and obnoxious CRAIG HANSEN, screaming about the cards he's been dealt and taunting Delmer NARRATOR added to this, Mr. Hansen's tortured 1ife met before with Delmer Darien just te nights previous ~~ Hansen SPITS and PUNCHES at Delmer Darion's FACE for dealing the cards he's been dealt. SECURITY GUARDS attack and pull him to the ground. cur to: INT, MOTEL ROOM - DAY - BACK TO SCENE CRAIG EANSEN reading the paper, looking at the cover story, that has @ photo of DBLMER DARION. He's crying and mumbling to himself: styrupscriptemagnolo, anes13/09/2012 Magnolia (1985) movie script - Screenplays for You CRATG HANSEN sesh God. fuck...T!m eorry...ttm sorry. + NARRATOR The weight of the guilt and the neasure of coincidence so large, Craig Hansen took his life. Replay of Craig Hansen's suicide, except this time, right before he blows his head off we hear him say, through tears: CRAIG HANSEN forgive me. cor to: INT. CASINO - NIGHT - BACK TO SCENE Back to the Fight DELMER and CRAIG HANSEN are having: CAMERA DOLLIES IN QUICK TOWARDS Delner on the ground with blood coming from his nose FREBZE FRAME. NARRATOR And T Am Trying To Think This Was ALL only A Matter Of Chance. QUECK DISSOLVE To: INSERT, CLOSE UP HOTEL EVENTS BOARD. Th reads: elcome! ARES Awards Dinner and Reception Walnut Room 8px INP, HOTEL BANQUET ROOM - NIGHT (1961) CAMERA pushes in following two GUESTS through some double doors and reveals the DINNER RECEPTION. ANGLE, MAN BEHIND PODIUM. CAMERA pushes in quick then blends to 60fps on a man in glasses: DONALD HARPER, forensic scientist as he speaks into the microphone. NARRATOR Uhe tale told at 2 1961 awards dinner for the American Association Of Forensic Science by Dr. Donald Harper, president of the association, began with a simple suicide atcempt cor to: EXT, ROOPTOP - MORNING - FLASHBACK (1958) A seventeen year old kid SYDNEY BARRINGER steps up on to the roof of a nine story building and Looks down. NARRATOR Seventeen year old Sydney Barringer. In the city of Los Angeles on March 23, 1958. (CAMERA DOLLIES towards Sydney landing in a CLOSE UP of his fect fon the ledge, they wobble a bit -- he jumps, disappears from FRAME. BEAT. The following happens very quickly: ANGLE, looking up towards the sky...Sydney falls past CAMBRA.... ANGLE, looking down towards the street...Sydney continues to fall... ANGLE, a random window on the sixth floor of the building SMASHES.... styrupscriptemagnolo, sae13/09/2012 Magnolia (1985) movie script - Screenplays for You ANGLE, Sydney's stomach...@ BULLET rips into it as he falls...blood splatters and his body filnches. ANGLE, looking up towards the sky...Sydney's body and sone shattered glass FALL directly at Use CAMERA...which pulls back a little Lo reveal: 9 SAFETY NET in the foreground... .Sydney's body falls LIMP into the net... FREEZE FRAME. NARRATOR The coroner ruled that the unsuccessful suicide had suddenly becone a succesful homicide. To expla cur vor EXT. ROOPTOP - FLASHBACK Replay of shot. Sydney steps up on the rooftop, CAMERA pushes in towards him quickly, this time moving into Ris COAT POCKET ~~ NARRATOR The suicide was confirmed by a note, left in the breast pocke: of Sydney Barringer pIssouvE INTO: INT. CORT POCKET - THAT MOMENT CAMERA catches glimpses of the note, " i'm sorry... recand in this time..." "...80 2 will go" "...and be with NARRATOR At the same time young Sydney stood fon the ledge of this nine story building, an argunent swelled three stories below QUICK DISsoIvE To: INT. BUILDING/HALLWAY - THAT MOMENT CAMERA pushes in towards che door of ROOM 628. We hear sane screaming and yelling coning fram behind the doors NARRATOR The neighbors heard, as they usually did, the arguing of the tenants QUICK DISSOLVE To: INT. APARTMENT 4638 - THAT MomEN' An ELDERLY COUPLE (early 60s) are savagely fighting and throwing things. The OLDER MAN is backing away from the OLDER WOMAN who is coming at him with 2 SHOTGUN. NARRATOR and it was not uncommon for them ko threaten each other with a shotgun for one of the many handguns kept in the OLDER MAN Pot it down, put that fuckin’ thing down Fay ~ OLDER WOMAN I'TT fucking tell YOU. T'11 shoot you in the face and end this argument and we see who's right — styrupscriptemagnolo, nas13/09/2012 Magnolia (1985) movie script - Screenplays for You NARRATOR And when the shotgun accidentaly went off, Sydney just happend to pass ‘The OLDER WOWAW stumbles a bit on sone furniture and the SHOTGUN goes off -- FIRES past Use OLDER MAN's head -- and SMASHES the window behind him -- SYONSY falls past and gets shot in the stomach, then falls cut of FRAME -- (They're oblivious to this) OLDER MAN You CRAZY FUCKIN’ 8I7CH WHAT ARE YOU DOING? OLDER WOMAN SHUT THE FUCK UP. FREBZE FRAME on the two of them yelling and screaming: NARRATOR Added to this, the two tenants turned out to be: Fay and Artaur Barringer Sydney's mother and Sydney's father. cor to: INT, APARTMENT - DAY - LATER CAMERA moves through the scene as POLICEMAN and DETECTIVES question the OLDER COUPLE. Neighbors and lookie-lees around. NARRATOR When confronted with the charge, which took sone figuring out for the officers on the scene of the crine, Fay Barringer swore that she did not know that the gun was loaded. FAY BARRINGER I didn't know -- I didn't know -- ARDHUR BARRINGER She always threatens me with the gun, but I don't keep it loaded ~~ DETECTIVE and you didn't load the gun? ARTHUR BARRINGER Woy would T load the gun? cur to: INT, APARIMENT/HALLWAY — THAT MOMENT CAMERA moves through as OFFICERS are talking to and getting Stacenents from VARIOUS NEIGHBORS...CAMERA closes in on an EIGHT YEAR OLD BOY, speaking with a DETECTIVE. NARRATOR A young boy who lived in the building, sonetines a vistor and friend to Sydney Barringer said that he had seen, six days prior the loading of the shotgun -— ‘The DETECTIVE turns hig head and calls te another -~ DETECTIVE cineze a minute cur to: INT. APARTMENT - DAY - FLASHBACK styrupscriptemagnolo, 70813/09/2012 Magnolia (1985) movie script - Screenplays for You CAMERA moves into 2 bedroom area where we see a FIGURE from the back sitting on the bed =~ NARRATOR Tt seens that the arguing and the fighting and all of the violence was far too much for Sydney Barringer and knowing Ais mother and father's tendency to fignt, ne decided Lo do something —~ CAMERA reveals that it is Sydney Barringer who is loading the shotgun. The YOUNG BOY is sitting nearby, watching Sydney mumble to himself as he loads shells inte che shosgun cur vor INP. APARIMENT/HALLAAY — PRESENT CAMERA moves in on the YOUNG BOY, who looks INTO CAMERA YOUNG BOY He said he wanted them to kill each other, that all they wanted to do wae kill each other and he would nelp them if that's what they wanted to do ~~ cur to: EXT. BUILOING/ROOPTOP ~ DAY - FLASHBACK ‘This is a WIDE ANGLE REPLAY of the whole event. We see the whole building...Sydney starts to jump and the film suddenly slows down A diagram is made to reflect the narration...this is done like NFL coverage where the ¥'e and o's and arrows and lines are drawn to indicate placement and moves, etc.) An x appears on the top of the building over sydney, NARRATOR Sydney Barringer jumps from the ninth floor rooftop ~ His parents argue three stories below ~~ An o is marked to indicate their position. Image goes inte MOTION ith Sydney jumping...an ARRON ig drawn that displays the PATH of his fall -- NARRATOR Her accidental shotgun biast hits Sydney in the stomach as he passes the arguing sixth floor window =~ Freeze Frame shows Sycney, hanging mid-air -- the glass shattering and starting to fall to the ground -- an X marks the spot where he is hit NARRATOR Ho is killed instantly but continues to fall == only to find, three stories below a safety net installed three days prior for a set of window washers that would have broken his fall and saved nis life sf not for the hole in his stomach A squiggly Line with an arrow Le draxn from Sydney to the net to indicate the path -- UNFRESZE frame and watch Syoney fall into the net cor to: INT. APARTMENT - DAY CAMERA moves in on the PARENTS then over to some DETECTIVES and OFFICERS who are making sense of this, they nod to each other as if to say, styrupscriptemagnolo, ands13/09/2012 Magnolia (1985) movie script - Screenplays for You "well we know what we have to do.. NARRATOR So Fay Barringer was charged with the murder of her son and Sydney Barringer noted as an accomplice in his own death. CAMERA moves towards the Little EIGHT YEAR OLD 20Y as ne watches the older couple CRY and SCREAM as deLectives begin to cuff them —~ NARRATOR sand it ie in the humble opinion of this Aarrator that this is not just "something ‘That Happened." This cannot be "One of those things..." This, please, cannot be that. And for what 1 would like to gay, I can't. his Was Not Just A Matter Of Chance CAMERA pushes in towards the MOTHER as she screams and screams and the officer's fight to regain contro: of her -- in the scuffle, the apartment door is shut directly in the face of the CAMERA. cur To BrACK. NARRATOR obhhh. These strange things happen all the time. Main title que begins, then carries over following until noted: Mitte cara: New Line Cinema presents mitle card: a Joanne Sellar/Ghowlardi Film Company Production Title Card: a PLT. Anderson picture cor to: CAMERA DOLLIES IN Super Quick on a flower. (time lapse, bud blooms) Freeze Frame, continue w/optical Zoom and rotate 360 degrees:total blur, Flash title card: wagnolia CAMERA keeps soving in further and farther until the image gets incredibly blurry, then: cor to: INP. SUBURBAN HOME - DAY (Present Day, 1998) Sequence A CAMERA DOLLIES IN QUICK towards a TELEV=STON in a living Foon. It ig playing an infomerctal, shot on video with a hot shot guy FRANK T.J. MACKEY (30s) looking into the LENS. RANK In this big gane that we play it is not what you find and it's not «hs you deserve ~ It's what You Take. I'm Frank 7.J. Mackey, Master of the Muffin and author of the Seduce and Destroy System ©f audio and videocassettes that will teach you the techniques to have any hard-body blonde dripping to wet your dock! CAMERA moves INTO THE TELEVISION, QUICK DISSOLVE % INT. BAR SET/LOCATION - THAT MOMENT We are in the video (paneled 1.33) sales pitch/infomercial. Various settings: The bar, a supermarket, a bedroom, a parked car. Bach has a few semi-geeks talking to a bunch of sexy young girls. styrupscriptemagnolo, snes13/09/2012 Magnolia (1985) movie script - Screenplays for You FRANK (contd.) Botton line? Language. The magical key to unlocking any wonan'e analytical ability and tap directly into her hopes, wants, fears, desires ana panties. "Seduce and Destroy," creates an immediate sexual attraction in any muffin you meet. Learn how to make that lady - “friend” your sox-starving-servant. Create an instant, money-back guaranteed trance-like state that'll have any little so and so just begging for it. T don't care about how you look, what car you drive or what your last bank stateman: says: "Seduce and Destroy," is gonna teach you how to get that naughty sauce you want ~ fast! (dramatic stop, then:) Hey ~~ how many more tines do you reed to here the all too famous line of: "I just don't feel that way about you." cur to: INP, SMILING PEANUT BAR - NIGHT CAMERA moves in on a young woman CLAUDIA (208) sitting alone, bit drunk A vaguely creepy looking MIDDLE AGED GUY (40s) taxes a seat next to her! MIDDLE AGED GUY Hey cuauoza, cor to: INT. CLAUDIA'S APARTMENT - LATER A series of quick shots where the following happens; CLAUDIA and the MIDDLE AGED GUY sturble into her apartment. CAMERA DOLLIES in quick as she -norts a line of coke from her coffee cable....TILT up and 2AN over vo hin. MIDDLE AGED GUY cor to: INP, CLAUDIA'S BEDROOM - MOMENTS LATER CAMERA DOLLIES in quick as they're having sex. He's on top of her, she's below, CAMERA lands in a CLOSE UP of her face as she gets through the experience...CAMERA moves up and past her, finds the reflection of the TELEVISON ina picture frane on her walls... DISSOLVE T INT, TESEVISION IMAGE - CLIP - THAT MOMENT ‘This is a proxo for a game show called, "WEAT DO KIDS KNOW?" featuring the host JIMMY GATOR (60s) We see various clips of him over the years, hosting the show, at various clebrity events, etc. (Director's Note) PROMO ANNOUNCER For over thirty years, America has hung out and answered questions with Jimy Gator. An Arerican Legend and a Leue television icon, Jinny celebrates his 200, 000th hour of broadcast this week CLIP OF JIMMY speaking to an INTERVIEWER. styrupscriptemagnolo, ronas13/09/2012 Magnolia (1985) movie script - Screenplays for You one God, have T been around that long? IND, JIMMY GRTOR'S OFFICE - DAY Blind's closed, door locked. Jimmy and a YOUNG SHONGIRL [rom sone other show are having sex on his couch. CAMERA DOLLIES IN FAST. PROMO ANNOUNCER He's a family man who's been married for over forty years -- with two children and one grandchild on the way ~~ cu. PHOTOGRAPH, A family photo of JIMW, his wife ROSE, his son JIM, JR. and CLAUDIA. ‘This photo is cirea 1967. OPTICAL Z00M INTO photo that isolates Jimny and Claudia in the picture. cor To: INT. CEDARS SINAI MEDICAL CENTER - HALLWAY - PRESENT DAY TMM and ROSE (50s) walk doxn a hallway towards a door. PROMO ANNOUNCER (contd. We've tuned in each day to see the hunan interaction between vimmy and some very special kids over the years -~ cor to: INT, DOCTOR'S OFFICE - MOMENTS LATER CAMERA pushes in on JIMMY and ROSE as they enter, WHIPS over to a NURSE who locks up, smiles says "hello." PROMO ANNOUNCER (contd. and we hope there's thirty more years of watching that happen. onmr (to Nurse) inmy Gator... cor to: INP. SUBURBAN HOME - DRY CAMERA DOLLIES in towards the televison again. A quick highlight clip shows 2 ten year old kid named STANLEY SPECTOR answering question after question on the shox, "What Do Kids Know?" in a series of dissolves; STANLEY sesDonald W. Minnicott....1911,,.Mozth Ameziea... South America....the anexer 19 four. the anewer is 22...the answer ie grav: the answer is "The Life of Samuel Johnson.” cor tor INT, SPECTOR HOUSE - Day CAMERA is HAND HELD and moving around a small apartment, watching a ten year old kid STANLEY SPECTOR (dressed in a suit) as he dunps dog Food into two bowls for to dogs yapping around his legs while he simultaneously tries to gather his backpacks ~~ His father enter: RICK SPECTOR (late 30s) starts backing directions; RICK Let's gorlet's go, let's go, you shoulda done that ten minutes ago —— styrupscriptemagnolo, nna13/09/2012 Magnolia (1985) movie script - Screenplays for You STANLEY We need more dog food ~~ RICK talk in the car, talk in the car, moves your ass, c'mon ~~ Stanley grabs two BACKPACKS and puts then over each arm. Rick grabs another bag....heads for the door....Stanley is about Lo fall over with these two full packs, but reaches for another bag on the floor... RICK non, cmon, cron, that one to? STANLEY T need this one RICK Why the hell do you need all four bags of books to go to school each day? STANLEY T can't carry all of then. I nsed them. I need my books. T need then to go to school. cur to: EXT. SPECTOR HOUSE - MOMENTS LATER CAMERA pushes in quick as Rick sits in the car, engine running, watching Stanley struggle to get himself and the backpacks i RICK There's no reason for thi many backpacks. CAMERA LANDS IN CLOSE UP of STAN; as he slams the car door. cor 19) EXT. SCHOOL - MOMENTS LATER CAMERA PULLS BACK from the parked car in = new location as Stanley gets out of the car with his backpacks, Rick watches from the driver's seat; RICK Be ready at two STANLEY Should be one-thizty. Rick I got an audition, T won't make it here "ill two, c'mon, I'll see you later. Love you. STANLEY Love you too. Rick drives off real quick. Stanley locks around at his backpacks cor to: INT, 1960's SUBURBAN HOME - DaY CAMERA pushes in on an old television set playing a clip fron "Ahat Do Kids Know?" (1968) The clip shows a younger JIMMY GATOR asking questions to a ten year old kid named DONNIE SMITH. one Donnie, you have an answer? styrupscriptemagnolo, nas13/09/2012 Magnolia (1985) movie script - Screenplays for You DONNIE, Promethius. one rt ist TSLEVISION CLIP continues and we see DONNIE and two other KIDS receive a check from the younger JIMMY GATOR in the amounz of 100,000 dollars each, CU ~ Young Donnie Sith as he smiles, accepts check, shakes hands ich Jimny. ‘TITLE CARD reads: Quiz Kid Donnie smith - 1968 cur to: INT, DENTIST OFFICE/EXAMINING ROOM - MOMENTS LATER DONNIE SMITH, aged 40, is reclined back in a dentist chair. He has spiky hair, a Small stud earing and a bad grey suit TITLE CARD reads Quiz Kid Donnie Smith - Today DoNNTE his ie really exiting....bet you don't get many people my age getting braces -~ CU - Donnie opens wide and the pink gook-imprint is placed in his mouth. CU - A Nurse holds it in there and smiles, says? NURSE 41 You were really cute when you were fon that show — NURSE 42 you can't answer any questions right now though, hun? He-he-he. cU - Tooth. The gook imprint is taken out of his mouth. cur vor INT, DENTIST OFFICE/HALLMAY - LATER CAMERA pulls back as DONNIE and his dentist, DR. LEE (Asian, 40s) exit an examining room, smiling, through with their appointrent. OR. LEE So we're all set to go, Donnie. DONNIE, Great, great, great, so 7111 see you tommorrow morning: DR. LEE You're running around like crazy, huh? DoNNZE, I'm gonna be late for work. cor to: EXT, 7-11/PARKING LOT - NORTH HOLLYWOOD - DAY CAMERA pushes in towards Donnie as he pulls into the parking lot in Ris little HONDA ACCORD. He's smiling and singing along to a song’ as he pulls into a parking space... want Lo do well. And I want to help people. And I may get twenty bad calls a day. But one time I help someone, I Make A Save? I correct a wrong or right a situacions Then I'm a happy cop. And We Move Through This Life We should Try And Do Good. styrupscriptemagnolo, rena13/09/2012 Magnolia (1985) movie script - Screenplays for You WIDER ANGLE reveals that he is talking to himself. BEAT. HOLD JIM KURRING (sotto, to hinsels) sssDo Good. And If We Can’Do That...And Not Hurt Anyone Else.....Well, Ther... cur to: EXT. MAGNOLIA BOULEVARD ~ DAY CAMERA looks straight down on an intersection. Jim Kusring's POLICE CAR drives past....a little SUNLIGHT that hits the intersection goes away as if covered very quickly by a grey cloud....Bnd Title Que and Sequence A. cur To BLACK. TITLE CARD reads Partly Cloudy, 758 chance of rain FADE IN: INT. APARTMENT COMPLEX/NORTH HOLLYWOOD ~ DAY Sequence 8 CAMERA (STEADICAM) follows behing JIM KURRING. He walks through a courtyard, past some young mexican and black kids playing, up a staircase and arrives at a door that is half open TM KURRING Helle? He knocks, pushes the door open a bit, steps in: A very, very large Black woman, MARCIE (40s) appears, coming at him, ranting and ravings MARCTE What? wnat? What now? OTM KURRING Quietly, slew down, whoa ~ MARCIE you can't just come in here. O1M KURRING The door was oper, T got @ call MaARCTE You're just come in OTM KURRING calm down. eRcIE Tam calm. IM) KURRING I got a call to thie apartment, report of a disturbance MARCTE There's no disturbance. OTM) KURRING I got a call of a disturbance, you're door was open, I just wanna see what's goin’ on MARCIE ‘There's no distursance. OTM KURRING ‘Then you've got nothin’ to worry about. styrupscriptemagnolo, nas13/09/2012 Magnolia (1985) movie script - Screenplays for You MARCTE You don't tell me, I know my rights, just cone right in, you can't ~~ OTM KURRING bon't test me, you wanna talk about what the law book says, we can do chat, push me far enough and 1'11 Lake you to jail -- now calm down, MARCIE 1 aM CALM. IN) KURRING You're not calm. You're sereamin' and yellin' and I'm here to check on a disturbance that was reported and that's what I'm gonna do ~ now Bre you slone in here? MARCIE T don't have to answer your questions. OTM KURRING No you don't: But T'm gonna ask you one more tine: Are you alone in here? MARCIE What does it look Like? 1M KURRING No one else in here? MARCTE You're here. OTM KURRING OK. That's true. Ts anyone else, besides me and besides you in this house? MARCIE No. J said that. OTM KURRING Are you lyin’ to me? MARCIE I live alone. OTM KURRING Maybe 90, but I'm gonna ask you one more tine: Is Anyone Else In This House Right Now? MARCIE No I Said. OTM KURRING Ok. What's your rame? MARCIE Marcie. OTM KURRING Ok. Marice why don't you take a seat for me? MaRCIE I preffer to stand. OTM KURRING styrupscriptemagnolo, rsa13/09/2012 Magnolia (1985) movie script - Screenplays for You I'm not askin’, Marcie Marcle sits down MaRCIE I didn't do anything. OTM KURRING Maybe you didn't, but T'm here to find out about a disturbance. Sone neighbors called said they heard screaring and a loud crash. MARCIE I don't know a loud ezash. OTM KURRING And what’ about screaming? MARCIE I said: I DON'T KNOW. You can't just come in here and start pokin' around ~ IM KURRING What's this, how did this happen? INSERI, ECU. THE FLOOR. An ashtray has fallen on the floor, cigarette butts all around MARCIE An ashtray fell, I don't know, maybe last night, I just woke up. OTM KURRING You just woke up. And what'd you have a party last night, the way this place Looks? MARCTE E went out last night. ‘OTM KURRING Ok. Marcie. Starting now T want you ko have @ new attitude with me, The more you play games, the mere suspicious I'm gonna becone that you've been up to something. MARCIE It's a free country, you can think anything you want. 1 KURRING Yes I can, Marcie. And until you start givin’ me some straight answers: I'm gonna assume that some mischief has beer goin! on here. MARCIE Mischief? What the fuck you taikin’ about, mischief? 1M KURRING Bad and illegal behavior. That's what T mean. Ok? “Mischief, Now have you been doin! sone drugs today? MARCIE OTM KURRING You on any medication? styrupscriptemagnolo, ssnas13/09/2012 Magnolia (1985) movie script - Screenplays for You MARCIE ‘OTM KURRING Been drinkin’ today? MARCIE It's ten o'clock in the morning ‘There's a small THUMP noise OC. Jim turns his head quick and looks and Marcie freezes. ‘1M KURRING What was that? MARCIE I didn't hear anything, Marcle stands up. OTM KURRING No. No. Stay down, Marcie, sit back doen on that couch MARCIE T don't have to do a god damn thing. Kurring gets his handcuffs out and handcuffs her wrist to the couch, se goes crazy, screaming and yelling the whole tines MARCIE WHAT'S THIS? WHAT'S THIS? GOD DAMN BULLSHIT. BULLSHIT, DON'T PUT THOSE (OTM KURRING Marcie - CALM DO@N. CALM DOWN and don't do this. I want you to etay ~~ Continue with that until he's got her cuffed to the couch, He removes his REVOLVER from hie holster and starzs to move slowly down the hall to the back bedroom ~ MARCIE WHAT THE FUCK IS THIS BULLSHIT? WHAT THE FUCK ARE YOU 50:NG, MOTHERFUCKER? MOTHER-GOD-DAMN FUCKER. WHERE ARE YOU GOIN'? DON'T GO IN MY GOD DAMN BEDROOM. Kurring keeps moving slowly, gun drawn, CAMERA behind nim; TM KURRING whig is the LAPD. If anyone is back here T want you to come out and I want you to show yourself tome with your hands ip the air ~ MARCIE ‘THERE'S NO ONE IN THERE. STAY our OF MY MOTRERFUCKIN BEDROOM. Kurring moves into the BEDROOM now and sees that che CLOSET is closed and probably the only place for someone to be hiding: 1M KURRING ‘This is the LAPD, if anyone is in the closet T want you to cone out and show yourself to me, slowly and with your hands up —- MARCIE (0c) ‘THERE'S NO ONE IN THERE! styrupscriptemagnolo, 20nae13/09/2012 Magnolia (1985) movie script - Screenplays for You OTM KURRING Marcie - quiet down! Now if anyone is in the closet, come out now == MARCTE (0c) THERE'S NO ONE IN MY MOTHEREUCKIN CLOSET AND STAY OUT OF MY BEDROOM, STAY OUP OF MY GOD DAMN BEDROOM. ST KURRING do not do this ~~ my gun is dra and If I Eave To Open That Closet you will get shot -- Step Out Now. Jim inches towards the closet, flips it open real quick and stands back, ready for something to jump out ~~ nothing MARCIE T told you theze wae no one in there! Jim looks down the hall at Marcie who has physically deagged the large couch handcuffed behing hers IM KURRING Marcie - Do not drag that couch any further! JIM'S POV, CAMERA DOLLIES IN SLOWLY TOWARDS THE CLOSET. He pushes sore sheets aside and burries around to reveal: A DEAD SKINNY WHITE MAN (50s) curled up in a ball on the floor of the closet. He'd dead and he's been covered in dirty laundry. He has a gag around his mouth. HOLD on Jim for a moment, he panics a little and swings his REVOLVER towards Marcie: OTM KURRING What the hell is this Mazeie? MARCIE THAT'S NOT MINE. Jim swings the aim of his gun back at the dead body. cor to: INT. EARL'S HOUSE - LIVING ROOM - DAY Bari in bed, pretty out of it, but once in a while = couple clear moments. Phil sits next to the bed, paper and coffee nearby. ANT dowanna do this...sit here, T can see the things, y'know...it's gettin’ there that's the cocksucker. ..1ike...1 see that pen...I see it, I know it's there, I reach ove for if “- no ~ Ho mimes the action, gets nowhere near the pen. EARL no...no goddamn use (beat) T have a son, y'know? PEIL You do? EARL seca PEEL styrupscriptemagnolo, ane13/09/2012 Magnolia (1985) movie script - Screenplays for You Where is he? EARL I don't know...I mean, he's around, he's here, in town, y'know, but T don't know.,,he's 4 Lough one...very.. bo you have a girlfriend, Phil? PEIL No. EARL Get a girlfriend. PEEL Tim trying. EARL And do good things with her...chare the thing...all that bullshit is true, ylknow...find someone and hold on all that. iWhere's Linda? PEEL She went out, She said she went out to run some errands. she'l be EARL She's a good girl. she's a little nuts, but she's a good girl I think She's a little daffy. PREL She loves you. EARL sah. ..maybe...yeah...she's a good one: When was the last tine you talked to your son? EARL seeeT dune. ..0....maybe ten fack, fuck. ...thatts another t that goes ~ EARL ime Lines, y'know? I remember things but not so\-= right there -- y'know? PEEL vean. EARL wyoah." the fuck do you know? PEEL Tive seen it before EARL Other fuckin’ assholes 1ike me. PEIL There's no asshole like you EARL ss scocksucker.... styrupscriptemagnolo, nae13/09/2012 Magnolia (1985) movie script - Screenplays for You PRIL How cone every word you say is either "cocksucker," or "shitballs," or "fuck?" EARL Do me a personal favor ~~ PEIL Go fuck myselt? EARL You got it. EARL gets hit with something and starts to MOAN a bit pain hitting hin and he touches his hand te his face. EARL :I can't hold onto this anymore.. PREL I'll get you another pain pill. Another morphine pill =~ EARL agimme that fuckin’ phone: PEEL WWho are you gonna call? EARL I wanna see this...where is he, do you know? PEIL who? EARL gack PEEL Ts Jack your son? Bari doesn't answer. He's drifting a bit more now. PEEL You wanna call him on the phone? We can call him, T can dal the phone if you cah remenber the nunber -~ EARL Lute not him, it's not him He's the fuckin! asshole...Phil..ctmere.. Phil leans in closer to Earl. EARL This is so boring...so goddamn and dying wish and all that, old man on a bed...suck...wante ene thing: PEEL It's ok sharp Barl hallucinates a bit, cries a little, tries to form the sentences, EARL you why: Because I Am What 1 Believe. Tam what I teach, I do as 1 say, I live by these rules as religiously styrupscriptemagnolo, soa13/09/2012 Magnolia (1985) movie script - Screenplays for You as I preach then: And you wanna know what? I'm gettin’ pussy ‘eft, rig up, down, center and sideways cneNovIER I'm gonna start rolling ~~ FRANK go, go, go. I'm givin" pea And I'zt tell you samethin' else: Tim not succeding in the bush because I'm Frank TJ Mackey. If anything, there aze women out there that a to destroy me ~~ it makes it twice as hard for me, I run into some little muffin, knows who Tan, knows my schemes and plans =~ shit, she's gonna wanna fuck around, prove to her friends, say, "Yaddda-yadda-yacda, T saw that guy, be wasn't anything, didn’t get me." So me? I'm sunnin’ on full throttle the whole fuckin’ Lime. Dodging bullets left and right from terrorist blonde beauties. But I'II tell you this: The battle of the bush is being fought and won by Tean Mackey. Can I have a cigarette? 5 here. GnenovreR Ok. So, lemme just ask you a couple questions co start —- captain Muffy hands Frank @ cigarette, lights it for him. VIDEO CAMERA'S POV - It's zooms in to close up of Frank. He exhales; FRANK What do you want to know? cor 19) EXT, SMILING PEANUT BAR - THAT MOMENT CAMERA BOOMS DOWN and PUSHES IN ca Donnie Smith's Honda Accord, with damaged front end, as it pulls into a parking space. It's POURING RAIN. (dit.note) CAMERA lands in close, Donnie eite a moment. He plays his tape, "Dreams," sings along a bit, pep talks himself, does sone deep breathing, saysr Donne, Make it happen, make it happen and go,qo,go. He gets out of the car real quick -- cur tor INT, SMILING PEANUT BAR - THAT MOMENT CAMERA (STEADICAM) pushes in as Donnie enters this dark little bar. It's not too crowded, He takes off his wet coat, brushes his hair back a bit and walks to an empty corner table -~ Donnie takes his seat and looks over to the bar -- CAMERA swings a 180, heads avay from him -- it moves to the bar area and into: A young, handsome BARTENDER BRAD (20s) is pouring drinks. CAMERA picks up with a COCKTAIL WAITRESS (30s) who walks over and brings us back to Donnie's booth =~ COCKTALL WATTRESS styrupscriptemagnolo, suas13/09/2012 Magnolia (1985) movie script - Screenplays for You Hello. You're back again, huh? onNE, yeah, yes, hi, hello. COCKTAIL WAITRESS can I get you? DONNIE, Diet coke. She exits. Donnie Lights a cigarette -- CAERA blends from 24ps to 40fps — he looks across the room ~~ CAMERA swings 180 back towards the bar and pushes in towards -— Barvender Brad takes the order from the Cocktail Waitress. He nods, turns from her and smiles to reveal a full set of BRACES. ANGLE, DONNTE, CAMERA pushes in slow and he smiles, touches his hand to nis mouth. DONNIE'S POV ~ The Bartender pours the coke, turns his attention towards an old-freaky looking Thurston Howell/Truman Capoze/Dorothy Parker type guy (60s) at the end of the bar, who raises his glass, motions as if to say, “Another one of these, please," while waving sote money and smiling/flirting with Brad the Bartender. Donnie's face drops. CAMERA DOLLIES back a little bit and blends from 40fps to 2dfpe. The Cocktail Waitress arrives back: COCKTALL WAITRESS Diet coke. DONNIE, T want a shot of tequila too. COCKTAIL WAITRESS hat kind? DONNA, Tt doesn't matter. Donnie GLARES across the bar at BRAD and THURSTON as they flict. cor to: INT, TELEVISION STUDIO/HALLWAYS - THAT MOMENT CAMERA leads/follows the kids from the show; STANLEY, RICHARD (overweight, 12) and JULIA (child-star-type 11). They're led by CYNTHIA, down the corridors Lowarde Lhe main sel JULIA Do you still have to do homework? RICHARD Not as much ag I used to. Ever since we started, I haven't really gone in to School that much because I've been getting nore and more auditions STANLEY T don't have regular classes anymore. RICHARD What do you do? STANLEY They just let me have my own study-time, ny owa reading time in the library. RICHARD styrupscriptemagnolo, sora13/09/2012 Magnolia (1985) movie script - Screenplays for You That's pretty cool. unin Do you have an agent, Stanley? STANLEY JULIA You should get one, I'm serious, you could get a lot of stuff out of this ~ STANLEY Like what? RICHARD What do you mean, Like what?” you could get endersmeats and shit -~ cywnara, Richard. RICHARD Bite it, Cynthia. You could get free things from people that want you to endorse their products. JULIA Commercials, a sitcom, an MON or something. STANLEY Woat's won? JULIA Movie Of The Week. T went up for fone this morning with Alan Thicke and Corey Hain ~~ RICHARD Was it a call back? ounta No. But I probably will get a cell back. RICHARD If we beat the record, you might get a call back Unt T'll get it because I'm a good actress, Richard, RICHARD Saucy-saucy.. cxwrara, Cimon guys, settle down STANLBY cynthia? cxwraza, what? STANLEY How much time do we have? cywtaza Not enough, what de you want? STANLEY T should maybe go to the bathroom. styrupscriptemagnolo, ssa13/09/2012 Magnolia (1985) movie script - Screenplays for You cywnaza, can you held it? STANLEY I don't know. cxwraza, Just hold it, you'll be fine. ‘They arrive and enter onto the stage -- CAMERA swings around, branches avay from then and BOOMS UP to reveal the set: ‘There ie @ LIVE STUDIO AUDIENCE that's being settled into their seats. It's @ three-camera set up with a FLOOR DIRECTOR roaming around, shouting orders, ete. ‘There's a spot for the announcer, an old-pro named DICK JENNINGS (605) Dick is in the middle of doing bad-comedy warm up for the studio audience. He's had a few drinks, ete. ‘The STAGE itself is a cross between JEAPORDY/NENLEYWED GAME/PRICE 18 RIGHT, There's @ podium for Jimmy Gator. One panel holds "The Kids," and one panel holds, "Zhe Adulte." There are chaser-lights all around and some of the design feels left over from the early days of the show. CAMERA hangs out with the KIDS as they are ushered into their panel, which at this moment faces away from the audience and is behind a cain. Julia turns her head, sees something: ULTA Here they cone ‘The ADULT CHALLENGERS are brought out by an assistant type and loaded into thelr panel, The Adult Challengers are Black woman named MIM MacNEAL (40s) Waite guy with glasses TODD GERONIMO (205) Puerto Rican guy named 1UTS GUZMAN (403) ‘The Adulte give @ couple small glares over to tne Kids. RICHARD (sotto) Yeah, yeak, yeah, keep lookin’ tough-old folks: STANLEY ‘They look pretty smart, = think. JULIA No they don't ~~ RICHARD What are they gonna do ~~ beat us? STANLEY Maybe sunt We're not going out two days before we set the record, it's not gonna happen. RICHARD When they ant us done, they'll call in the Harvard $.W.A.T team or some shit CAMERA lands in CU on Stanley. HOLD. BEAT. THEN: cur to: INT. OIMMY'S OFFICE - THAT MOMENT styrupscriptemagnolo, sana13/09/2012 Magnolia (1985) movie script - Screenplays for You Jimny and 2 woman named PAULA (30s) sit in his office ON FACH thru scone; one You lock great. PAULA What the fuck is this, Jimmy? exer you know. PAULA Did your wife find out? one No. PAULA ‘Then what? om It's just...teo late for me to be fuckin’ around. I gotta stop. T gotta clean my brain of all the shit I've done that 1 shouldn't have done -- PAULA that you shouldn't have done? ‘hat you regret, what? This? What's this? Fuck, man, c'mon. Treat me Like an aeshole, put treat me like fan aschole. one I don't wanna have to Lie to anyone. T don't want to hurt anyone else, anymore. She doosn't respond. BEAT. THEN. one Thirty fuckin" years I've been with Rose, don't ~~ y*know ~~ with this, and I know what you think PAULA All your other fluzzies? onmy yeah. ves PAULA You're making me feel so dirty and shitty. I feel like a big piece of shit right now. Bear. PAULA Are you gonna tell her what you've dene? one ves. PAULA WLLL you say my camo? one Té she asks me any question I want to tell her. I want to tell her everything I've done. styrupscriptemagnolo, SLOW DOLLY IN ssa13/09/2012 Magnolia (1985) movie script - Screenplays for You PAULA Well can you do me one favor and don't do that Jinay doesn't answer PAULA cone and tell me it's over and 2/11 walk away, Jimmy. I've fucked you behind your wife's back for three years, and you've fucked teenage girls behind mine for the same amount of time -- I'11 walk away, you need something for your life, for your conscience, but don't put’me in the middle -- one T won't. PAULA What happend to you? oxime T got in trouble at school She stands and walks over to him, moves to give him a hug, PAULA Are you ok? omy Pack ne ‘There's a KNOCK at the door and then It's opened by BURT RANSEY (608) He's the producer of the shox? (WHIP TO HIN) BURT Ready to run, Paula PAULA Burt. Jimny takes a quick shot, moves to Paula, gives her a tap on the cheek and sayas orm (te Paula) You're a good one arentcha? cur to: INT, TELEVISION STUDIO/HALLMAY ~ MoMENTS LATER Burt and Jimey walking and talking (STEADICAM) ; BURT You enell Like trouble ~~ one Tim fuckin" hammered, Burt BURT You ok? one eoohhihhh no. BURT (re: cards) Good, You look these over? orm It's been the same fuckin! thing for styrupscriptemagnolo, seria13/09/2012 Magnolia (1985) movie script - Screenplays for You thirty years, Burt -—- BURT ‘These adults are tough enough, © think you'll be surprised ~~ the Mexican's abit of a question mark ~ Jimny FALLS STRAIGHT 70 THE FLOOR. BURT Fuck ~ fuck ~ fuck ~ Jimny - cor 19) INT. CLAUDIA'S APARTMENT - THAT MOMENT. ** Claudia finishes throwing her drugs into a dirty :-shirt and throwing that dirty t-shirt into her laundry basket. Jim Kurring bangs away at the door. SIM KURRING (OC) OPEN THE DOOR. CLAUDIA, I'm coming! She runs towards the door, takes @ smali fall on opens ups e way, recovers, cLAUIDR, Yeah, Hi. Hello. REVERSE, CLOSE UP - JIM KUARING - 40fps. CAMERA puches in on hima Little bit at his first sight of Claudia. OTM KURRING yeah... cuauora I'm sorzy, I had co get dressed Wider Angle reveals Jim Kurring, in a bit of a daze, standing with his BILLY CLUB renoved and at the ready. He stands back...they have SHOUT above the musics OTM KURRING you the resident here? CLAUIDA, ves. 10 KURRING You alone in there? cuauoza, ves. ‘STM KURRING No one else in there with you? cuaurpa, No, what's wrong? 1M KURRING You mind if I come in, check things? cuauoza For what? OTM KURRING ok. For one thing, we're gonna need to turn that music down so styrupscriptemagnolo, sina13/09/2012 Magnolia (1985) movie script - Screenplays for You we can talk, ok? cuauoza, Tim sorsy. She Lurng and dim Kurring moves to replace his billy club, bul misses che holster and it FALLS straight to the floor, siides down the steps. Claudia turns the music down, Luras back and sees that he is gone. Jim Kurring grabs his billy club from the bottom of the steps and bounces back up and into the apartment as if nothing happend; OTM KURRING You Live alone? CLAUIDA, ves. OTM KURRING What's your name? cuaurDa, claudia. ‘TM KURRING Claudia what? cuauoza, Witson, 1M KURRING ok, Claudia Wilson: You tryin’ to go deaf? cuauora what? OTM KURRING Did you hear what T said? cuauza, Yeah, but T don't know ~~ 1M KURRING Listenin! te that music so loud: You Tryin! To Damage Your Bars? cuauoza, OTM KURRING Well if you keep listenin! to the music that loud you're not only gonna danage your ears but your neighbors ears. cuauza, I didn't realize it was that loud. OTM) KURRING And that could be the sign of a damaged ear drum, you understand? cuauoza, Yeah. OTM KURRING You got the TY on too, keep those on at that sane time usually? canuora I don't know -- I mean. What is this? styrupscriptemagnolo, seas13/09/2012 Magnolia (1985) movie script - Screenplays for You OTM KURRING Have you been drinkin’ today, doin! sone drugs? cuauoza OTM KURRING I got a call of a disturbance, screaming and yelling, loud music. Has there been sone screaming and yelling? CLAUDIA, Yes. I had someone come to my door, someone I didn't want here and = told them to leave -- 80 -- it's no big deal They left. I'm sorry. OTM KURRING Was it a boyfriend of yours? cuaupra, OTM KURRING You don't have = boyfriend? cuauoza, 1M KURRING Who was it? cuauora I was...he's gone...1 mean it's nos. Tt's over, y'know —— Jim Kurring snoops bit, she rubs her nose, nervous. gin Kurring heads closer to bedroom 1 KURRING You mind if I check things back here? cuauoza, It's fine Jim Kurring heads into the bedroom, looks around, stands by the laundry basket —— cuauoza What are you lookin! for? OTM KURRING Claudia: Why don't you let me handle the questions and you handle the answers, ok? CLAUDIA, ok. OTM KURRING You just move in here? CLAUDIA, About two years ago. 1M KURRING Bit messy. cuauoza, vean. styrupscriptemagnolo, sonas13/09/2012 Magnolia (1985) movie script - Screenplays for You OTM KURRING Tim a bit of a slob myself CLAUDIA Yeah OTM KURRING You and your boyfriend have a party last night? cuauza I don't have a boyfriend BEAT. Jim Kurring looks at Claudia and she looks back. HOLD. cur to: INT, SMILING PEANUT BAR - THAT MOMENT. Donnie sits in his booth after to tequila's. He's slightly fucked up. He gets up, stumbles over Lo the bar and Lakes a seat unconfoctaply close to Thurston, who's new holding court among three or four other PATRONS. Brad the Sartender is washing glasses, keeps half an eye on things...Donnie to Thurston; DONNIE, You Look like you've got money in your pocket. THURSTON Maybe I'm just happy to see ny friend, Brad there. ‘The PATRONS laugh a bit, Brad nods, Donnie doesn't Laugh or look anynhere but Thurston: DoswaE, Just throw some money around. Money, money, moray. ‘THURSTON This sounds threatening. DONNIE, Do you have love in your heart? THURSTON I have love all over. I even have love for you, friend. BONNE Is it real Love? ‘THURSTON wenn DoNNtE, the kind of love that makes you feel that intagible joy. Pit of your stomach Like a bucket of acid and nerves running around and waking you hurt and happy and all over you're head over heels....? ‘TKURSTON ell you lost me with the last couple of cocktail words spoken, m'boy, but I believe it's that sort of love. Sounds nice to me. DoNWE, I have love. styrupscriptemagnolo, soa13/09/2012 Magnolia (1985) movie script - Screenplays for You THURSTON A very chatty-kid, you do, indeed, it seems. DONNIE, No. T mean, I'm telling you: I'm telling you that I have love. TEURSTON And I'm listening avidly, fellow. Dona, My name is Donnie smith and I have lot's of love to give, Bear. cor tor EXT, SHERMAN OAKS PHARMACY — THAT MOMENT CAMERA holds wide angle on a pharmacy, L's still POURING RAIN. INDA'S MERCEDES comes driving real fast into FRAME and slams it's brakes on, parks cor 19) INT, SHERMAN OAKS PHARMACY - THAT MOMENT, CAMERA pushes in on Linda as she enters, heads to the back for the perscription counter and a YOUNG PEARMACY KID behind the counter; YOUNG PHARMACY KID Hello. Linpa ai She hands over her three perseriptions. The Young Pharmacy Kid takes jong leck at them, gives her a suspicious glance. YOUNG PHARMACY KID Wow. Lot-o-stulf here, muh? Linda neds. He goes to the back to the eld-guy PHARMACIST and says a fey words, points to Linda. Another suspicious look or two from the both of them...che PHARMACTST guy gets on the phone. ANGLE, LINDA. $Lo#@ 200M IN. Blend from 24fps to 40fps She just holds her breath and tenper, looks down cor to: INT, TELEVISION STUDIO/STAGE - THAT MOMENT CAMERA PUSHES in on a oversized STOPWATCH and the FLOOR DIRECTOR nearby; FLOOR DIRECTOR Thirty Seconds. CAMERA With the announcer DICK JENNINGS who walks to his post. CAMERA with the ADULT CHALLENGERS who talk a bit amongst themselves, CAMERA Moves over to the KIDS, Richard Looks over to Stanley: RICHARD The fuck is wrong with you? STANLEY T gotta go to the bathroom sunt styrupscriptemagnolo,13/09/2012 Magnolia (1988) movie script - Screenplays for You Jesus Christ, Stanley. cor To: INT. PARENT'S GREEN ROOM - THAT MOMENT CAMERA pushes in on the Parents: RICK you cannot do that. You have to tone it. Don't be real agressive subtely abusive. You must say, " You are not leaving this house until that room is cleaned." ULTA'S MOM Julia's room ia the same way ULTA'S DAD Like a pig sty. But it's the outfits that we're getting into now SULTA'S MoM You should have seen what che had fon walking out the door JULTA'S DAD all dolled up. JULTA'S MoH I said: "No. No. No. We are not going to a fashion show. You are going to school.” RICHARD'S MoM It's not a fashion show, it's school. OULIA'S Mo Tt is not a fashion show CAMERA lands over on Rick, who's flipping through a brocheure for a new MERCEDES. RICK Let's make some fuckin! money, folks. ‘They all leck to the Monitor. uP vo: INT, TELEVISION STUDIO/STAGE - THAT MOMENT CAMERA pushes in on JIMMY and BURT, behind the curtain. Jimny drunk? BURT You okay? nuh? Jimny? orem And the book says: "We may by through with the past, but the past ain't through with us." BURT C'mon, Jinmy, snap up, snap up -- one In my sleep, Burt. CAMERA pushes in on the FLOOR DIRECTOR as he cou! FLOOR DIRECTOR And...three...two...one. + styrupscriptemagnolo, exes13/09/2012 Magnolia (1985) movie script - Screenplays for You He points his finger...CAMERA WHIPS over to DICK JENNINGS who says: DICK JENNINGS ive from Burbank, California it's: "What Do Kids Know? CAMERA WHIPS RT. to the APPLAUSE signs, then WHIPS again to the AUDIENCE that cheers, thén WHIPS again to see the "what Do Kids Know?" sign as it lowers over the stage. The THENE MUSIC kicks in and we're away; Director's Note: We move between their TV CAMERA'S POV and our 35mm CAMERA POV. DICK JENNINGS (vO) Going inte our thirty-third year on the air, it's America's longest running quiz show and the place where three kids get to challenge three adults and in the end see who's boss! "The Kids” panel ag it turns towards the Audience and Lights up. DICK JENNINGS (VO) Moving Lowards Lneir eighth consecutive week as champions we have the kids: Richard, Julia and Stanley. "rhe Adults" panel turns towards the audience and lights up. DICK JENNINGS (VO) And our new adult challengers today are Todd, luis, and Mim ANGLE - BACKSTAGE - THAT MOMENT Gimmy stands behind the curtain, CAMERA DOLLIES IN on his back. He holds his head down. DICK JENNINGS (vO) Please say hello and welcome to the always ready host of "wnat Do Kids Knox?" Your favorite: and my boss: Jimmy Gator! ‘The curtain opens -- a spotlight SHINES DIRECTSY INTO CAMERA ~ Jimny enters the stage. cor to: INT. EARL'S HOUSE - LIVING ROOM - THAT MOMENT Sequence D CAMERA pulls back from the TELEVISION and WHIPS to Phil watching. ‘The CAMERA pushes past him and over to Farl, asleep in the bed Jimny Gator's opening bit continues O¢ over the following: orm caToR (0c) Back again, again, again! I'm Jimmy Gator and believe it of not we are at the end of week seven, going towards eight for these three incredible kids ~~ HIP To: INP, HOLIDAY INN SUITE - THAT MOMENT CAMERA pushes in on Frank who's babbling away about "Seduce and Deszroy," (Director's Note) then NHIP over to Gwenovier and her video crew as they all listen. orm GATOR (oC) who nello-hello, aze just two days and two games from the “hat Do Kids Now?" record for the longest winning streak in this shows thirty three year history ~~ styrupscriptemagnolo, sae13/09/2012 Magnolia (1985) movie script - Screenplays for You ware Te INP, CLAUDIA'S APARTMENT - THAT MOMENT CAMERA pushes in on Jim Kurring then WHIP to Claudia as they talk and he snoops, etc. (Director's Note: Ref. note pages) commer caToR (0c) Wetre endorsed by the PTA and the North Anerican Teacher's Foundation and we are try ard do our best te hold Standards high =~ that's why we're the longest running quiz show in television aistory WHIP vo: INT, SMILING PEANUT - THAT MOMENT CAMERA WHIPS from the TELEVISION ahove the bar which is playing the quiz show and pushes over Donnie, staring al the monitor. He shots another Tequila. orm caToR (oc) And let me say: With these three kids right here, I wouldn't be surprised if we've got 4 while to go, but today is a dangerous day WHIP To: INT, SHERWAN OAKS PHARMACY - THAT MOMENT CAMERA whips a ZOOMS in slow on Tina, holding her temper as the Pharaney guy suspiciously glance at ner and make a call or two to check on her perscriptions. ormy GATOR (oC) for I have net the three adult challengers backstage and they are quite a challenge for our youngsters =~ SO LET'S GET THIS GAME OFF AND AMAY, EA? ‘aue To: INT, JIMMY GATOR'S HOUSE - THAT MOMENT (CAMERA pushes in on ROSE as she watches her husband. orm GATOR (0c) Let's fump right in, quick re-cap for those who don’: know: Round One. Three Categories. INT, POLICE STATION - THAT MoMENT CAMERA pushes in on MARCIE who's being processed and finger printed/ questioned. Two DETECTIVES nearby/9C throughout. A small portable TELEVISION in the b.g., plays the show. pereerive #1 be want to Know where your Son is, Marcie: DETECTIVE #2 Jerone Samuel Hall. Did he have @ fight with your husband? Where they sighting? Derective #1 Maybe they had 2 fight, maybe it was an accident. styrupscriptemagnolo, wanes13/09/2012 Magnolia (1985) movie script - Screenplays for You Maybe it was an accident? DereerivE #3 Help him out, and help us get there before something else ~~ bereerrve #2 Help us help your son, Marcie. INT, NORTH HOLLYWOOD APARIMEND - THAT MOMENT CAMERA pushes in on the little kid, DIMON, who gave Jim Kurring the rap earlier. Sitting around with the friends who we saw earlier in one of their apartments. They're glued to the TELEVISION that plays the show ‘The BACK OF A FIGURE (black male) enters FRAME and tapes Dixon's shotlder with a let's go" motion and Dixon gets up and follows... CAMERA keeps going in towards the television ~ stm GATOR (OC) Steals are OK, escelating point scale from 25 to 250 so Let's Co Categories! INT. EARL'S HOUSE - LIVING ROOM - THAT HOMENT CAMERA pushes in profile on PHIL. The DOORBELL RINGS and he jumps. ‘The DOGS go crazy barking. Phil heads for the door, opens up. It's the PINK Do? GUY PEIL ai PINK DOT GUY 315.24 ANGLE, EARL'S TELEVISION > THAT MOMENT. A small bank of VIDEO MONITORS pops up and displays sone categories; onmy GATOR We have, "Authors" "The Dee Blue" and "Chaos vs. Superstring” ANGLE, PHIL He hands over a twenty dollar bitl to the Pink D go crazy barking and he tries to calm them down. Guy. The Doss ANGLE, BARL'S TELEVISION Jimny benind the podium. ‘ormmy GATOR Adulte wor a coin toss backstage they'll have first choice: Todd. Topp TH take "Authors," Jimny ANGLE, PHIL He dumps the bag out and goes straight for che Porno Magazines He flips to the back of one, scaning quickly for sonething ~ XCU, his finger moves down the page, arrives at an AD for "seduce and Destroy" that has a picture of Frank with a girl in a bikini and says, "Gel Laid Now. PEIL Got it. ANGLE, BARL'S TELEVISION ~ THAT MOMENT styrupscriptemagnolo, 5/10813/09/2012 Magnolia (1985) movie script - Screenplays for You Jimny reads from his index cards. (tv siow zoom in} orm GATOR Pirst question for 25. This fenale author's most famous work "0! Pioneers" —— ANGLE, PHIL - THAT MOMENT CAMERA pushes in super-quick as Phil picks up the phone and starts to dial the 1-800 number iieted in che porno magazine. cur ror INT, GAME SHOW STAGE - TEAT MOMENT CAMERA does @ super fast WHIP and DOLLY in to STANLEY as he presses his buzzer: STANLEY Witla Cather. CAMERA PUSHES IN ON cIMMY. one For 28. Best known for the "tragedy and blood” genre, this author-playwright — CAMERA WHIPS and 2USHES IN ON STANLEY STANLEY (buzzes) ‘Thomas Kya. one This French playwright and actor joined the BeJart troupe of actors STANLEY (bu2z05) Moliere. one I'm gonna need a full name, Stanley. STANLEY Jean Baptiste Poquelin Meliere. CAMERA WHIPS to the adults who instantly look un-happy: LUIS (to Todd) What the fuck is this? cor To: INT. PARENTS GREEN ROOM - THAT MOMENT (CAMERA pushes in on Rick as he sits back and smiles. RICK My Little fucker -- I have no idea where he gets this stuff. cor To: INT, VAN NUYS OFFICE SPACE - THAT MOMENT (CAMERA pushes in on a geek named CHAD (20s) who answers a phone. He has a snall computer in front of him. This is the bolier-roon- answering-phones~for-orders headquarters for "Seduce and Destroy. Five or six other guys sit around desks, answering phones and working computers, etc. There are posters of rank all around and sone maps and some charts, etc. styrupscriptemagnolo, 6/10813/09/2012 Magnolia (1985) movie script - Screenplays for You CHAD (inte phone} "Seduce and Destroy," thisz Chad, can T have your home phone number with area code, please? cur to: INT. EARL'S HOUSE - KITCEEN - THAT MOMENT. CAMERA pushes in on Phil, on the phone. PEEL Wi, hello, great. This is Seduce and Destroy? cEAD Tt is, Can I have your home phone number with area code? PEIL Well I don't want to order anything, you see. T have a situation, a situation just come up that's really pretty serious and I'm not sure who 1 should taik to or what 1 should de but could you mayne put me in touch with the right person if T explain myself? cEAD I'm really only equipped to take orders -— PEIL Well can you connect me to someone else? cEAD Well what's the eituation? PEIL Well, ok. Lonme see how T explain this without it seeming kinda crazy, but here go: I'm, my name is Phil Parma and I work for a man named Sarl Partridge ~~ Mr. Sarl Partidge. I'm his nurse. He's a very sick man. Ho's a dying man and he's sick and he's asked me to help him, to help hin find his son -- Hello? Are you there, hello? cHAD I'm here, I'm listening PEIL 0K. See: Frank TU Macky is gat Partridge's son.. cor 19) INT, HOLIDAY INN SUITE - TAAT Mol 7 Frank and Gwenovier doing the interviews nen Where are you from originally? FRANK Around here. new the valley? FRANK Hollywood, mainly. styrupscriptemagnolo, rae13/09/2012 Magnolia (1985) movie script - Screenplays for You nen And what did your parents do? FRANK My father worked in televison. ky mother -- this Ls gonna sound silly to you -- she was a Librarian new Woy does that sound silly? FRANK Well 1 guess it doesn't. cnen does you mother still work? FRANK She's retired. HEN Are you close? FRANK She's my mother. nen What does she say about, "Seduce and Destroy." FRANK "Go Get ‘Bn, Honey." nen And your father? FRANK He passed away. nen I'm sozsy. FRANK people die. nen T wouldn'tve asked -~ FRANK Not a problem. nen And you ended up at UC Berkely -- PRANK From ‘84 to "89. nan Peychology m: FRANK Right. nen Do you have your masters? FRANK this close... new In five years? styrupscriptemagnolo, suas13/09/2012 Magnolia (1985) movie script - Screenplays for You He winks and clicks his teeth FRANK. Muffy, can I get another ciggy? cur to: INT. PEARMACY - TEAT MOMENT ‘The YOUNG PHARMACY KID is stacking some stuff away while waiting for the PHARMACIST to finish filling the perseripzion YOUNG PHARMACY KID cats and Dogs out there, huh? Linon nahn YOUNG PHARMACY KZD Must have alot goin’ on for all that stufs you got back there, eh? You could have quite a party all that stuff... Linda looks down. HOLD. EAL. SHEN YOUNG PHARMACY KID You been on Prozac long? Dexadrine? Lawpa Edontee.. YOUNG PHARANCY KID Interesting drugs. Dexadrine's basically speed in a pill. Y'know? But 2 guess a lot of doctors are balancing out the prozac with the dexadrine, eh? That Liquid Morphine'll knock you down, out, around, up and down someone's not careful.....can't mix those up, y'know... Must have a lot goin’ on in your life for All that stuee there. ‘Uhe Older Pharanacist DINGS his bell and the Young Phasmacy Kid gets the bag and starts to ring :t up. SLOW Z00M IN ON LINDA as he babies away YOUNG PHARAMCY KrD (0c) Strong, strong stuff here, boy.+-wow..++ What exactly you have wrong, you need this stuf: LINDA enaps. She starts to tremble and ery and build ~~ LINDA You motherfucker. . .you motherfucker... YOU FUCKING ASSHOLE, WHO THE FUCK ARE You? WHO TRE FUCK DO YOU THINK YOU ARE? YOUNG PHARMACY KID what-what-what, ma'am ~~ I —- anon I COME IN HERE - YoU DON'T KNOW, YOU DON'T KNOW WEO THE FUCK T AM OR WHAT MY LIFE TS AND YOU KAVE THE FUCKING BALLS, THE INDECENCY TO ASK MER QUESTION ABOUT MY LIFE. Linda PUSHES a large DISPLAY over on it's side, SMASHES things on the counter, throws things around, basically goes nuts. Tne Older Pharanacist cones rushing to the front to try and calm things ~~ OLDER PHARMACIST styrupscriptemagnolo, 9a13/09/2012 Magnolia (1985) movie script - Screenplays for You Please, lady, why don’t you just calm down ~~ Lawn And FUCK YOU 700. Don't you cail me "lady." I cone in with these things, I give it over to you, you doubl, you make your phone calis, check on me, look suspicious, ask questions, "I'm sick." I HAVE SICKNESS ALL AROUND ME AND YOU FUCKING ASK ME MY LIFE? WHAT'S WRONG? HAVE YOU SEEN DEATH IN YOUR BED IN YOUR HOUSE? And where is your fucking decency? That I'm asked questions "WHAT'S WRONG?" You suck my dick, that's what's wrong and you, you fucking call me "lady." You SHAME ON YOU. SHAME ON YOU, SHAME ON BOT OF YOU. She THROWS 2 crumpled STACK OF MONEY at them both, grabs the PERSCRIPTION and heads for the door cor to: INT. LINDA'S MERCEDS - MOMENTS LATER She slans the door. She's shaking and crying. CU = Pharmacy bag ripped open. CU = Bottle cap of Dexadrine popped off. CU - Linda's mouth as she swallows back the pills. cor to: EXT. PHARMACY/STREET - THAT MOMENT CAMERA BOOMS down on her Mercedes as it peel out and off ~ cor to: INT. EARL'S HOUSE/VAN NUYS OFFICE SPACE - THAT MOMENT Continue w/inteseut between Phil and Chad on the phone, BEAL, THEN: ckAD Why don't they have the same last name? They don't have the sane last nane. PRIL T know -- and T can't really explain that, but T have a feeling there's something, some situation between then, like they don't really know each other much or well, something Like they don't talk much anymore =" cEAD ub-hub. PRIL Does this sound weird? ckAD Well T'm not sure why you're calling me. PRIL There's no number for Frank in any of Earl's stuff and he'e pretty out of it -- I'mean, like I saia, he's dying, y'know. ‘Dying of Cancer. ckAD What kind of Cancer? PEEL Brain and Long. styrupscriptemagnolo, Tonas13/09/2012 Magnolia (1985) movie script - Screenplays for You cEAD My mother had breast cancer. PEIL Tits rough. I'm sorry, did she make it? cEAD ob, she's fine. PEIL Ob that's good. cEAD Tt was scary though PRIL It's @ helluva disease HAD Sure is. So why call me? CAMERA pushes in on Rarl, asleep in the bed, breaching becomes a bit irregular. EOLD on’ him. 30fps. Int, Frank and Geenovier doing the Interview, CAMERA DOLLIES IN SLOW ON EACH: PEEL I know this all seems silly. I knew that maybe I sound ridiculous, Like maybe this is the scene of the movie where the guy is trying to get ahold of the long-lost sen, but this is that scene. Y'know? I think they have those scenes in movies because they're true, because they really happen. And You gotta believe me: This 19 really happening. I mean, I can give you ny phone nunber and you can call me back LE you wanna check with whoever you can check this with, but don't leave me hanging on this -~ please -- please. See: See: See this is the scene of the movie where you help me out =~ cor to: HOLIDAY INN SUITE - THAT MOMENT GnENOVIER see, T thought you grew up here in the valley —~ FRANK Like 1 said, yeah new And you went to Van Nuys High, right? FRANK 1 don't how much I went -- but z was enrolled. I was such a loser back then. T was -- misguided, pathetic -- T was very fat. Not even close to what I am today, Not the Frank "J Mackey you're eager to talk to because Twas swinming in what was as opposed Lo T wanted, HEN Where does that name come fron? FRANK styrupscriptemagnolo, nna13/09/2012 int, Magnolia (1985) movie script - Screenplays for You What name? My name? nen Tt's not your given name, right? FRANK My mother's name, actually. Good question, You've done you're researen. nen and "Srank?" PRANK "Prank" was my mother's father. nen Ok. That's why. I had trouble locating your echool records at Berkely and UCLA. Your name change == they had no official, enrollment —~ FRANK oh, yeah. No, no, no. They wouldn't -~ new ‘They wouldn't? FRANK no, no, no. Certainly not. T wasn't officialy enrolled, that's right. as that unclear? nen Kind of. FRANK I wouldn't want that to be misunderstood: My enrollment was totally unoffical because T'was, sadly, unable to afford tuicion up there, Gut there were three wonderfal nen lho wore kind enough to let me sit in on their classes, and they're names are: Macready, Horn and Langtree among others. T was completely independent financially, and like I said: One Sad Sack A Shit. So what we're looking at here is = true rags to riches story and T think that's What most people respond to in "Seduce," And At The End Of The Day? Hey -- it may not even be about picking up chicks and sticking your cock in it ~~ it's about finding What You Can Be In This World. Defining it. Controling it and saying: I will take what ie mine. You Just happen to get a blow job out of it, then hey-what-the-fuck- why-not?he.he-he. cur to: GAME SHOW SET - THAT MOMENT CAMERA pushes in on Jimmy Gator. A BELL is ringing. ‘onImy GATOR End of Round One! Excellent work ladies and gers, let's see the scores on the boards: Kids up a leg with 2025, Adults down a b: with 1200. We'll be back for Round Two and a Ring-Dang-bo —~ A sudden and LOUD WISHTLE sounds. onimy GATOR styrupscriptemagnolo, nas13/09/2012 Magnolia (1985) movie script - Screenplays for You HELLO! Musical Bonus Question before we go to break and the lucky team is -~ Jimny opens an ENVELOPE and reads: ommmy GATOR Kids in the lead and they get a chance to pull further and farther ahead =~ with the following secret bonus musical question: T will read you a line from an opera and you are to give me the sane line in the language in which the opera was originaly written and for a bonus 25 you car sing it. Hera's the lire: "Love ig a rebellious bird that nobody can tane, and it’s all in vain to call it, Af it chooses to refuse." CAMERA PANS and DOLLIES over to the KIDS and moves in close on Stanley: STANELY Well that was..uk..in Feench...and that was in the opera, "Carmen." And that goes.. un... (sings) Btamour est un olseau rebelle Que nul ne peut apprivoiser, Bt cfest bien en vain qu’on 1 'appelie, Stil lui convient de refuser. ‘The AUDIENCE applauds and the "Carmen," que carries over the following scene; cor to: INT, CLAUDIA'S APARTMENT - THAT HOMENT Sequence £ Jim Kurring and Clavida continued. He walks into the KITCHEN area and sees a pot of coffee. OTM KURRING got gone coffee brewing, huh? CLAUDIA, Yeah...it's not...it's heen on for a bit ~ IM KURRING I like iced coffee, generally, but a day like this, rain and what aot, I enjoy 4 warm cup ~ CLAUDIA, do you wanna cup? OTM KURRING That's great, thank you. She starts heating/preparing him some coffee. cuauora I don't know how fresh it's gonna be ~ STM KURRING oh, it'll be fine, I'm sure, Claudia. cuauoza, You take cream or sugar? OTM KURRING That'd be fine. So, Claudia, lerme just say, 50 I can get my role of LAPD officer out of the way before we enjoy our styrupscriptemagnolo, ras13/09/2012 Magnolia (1985) movie script - Screenplays for You coffee (I never like to talk shop over coffee) T'm not gonna write you up or anything, Tim not gonna give you a citation here -~ but the real problem we have is that there faze people around hers, people the work fron their homes, people tryin’ to get Some work done, and if you're listenin’ to your music that loud: They're incovenienced by that. Tf you had a jeb you'd probably understand, but 1 see you like listenin’ to your music and that's fine, you're just gonna wanna keep it down at a certain volume, naybe menorize what number you see on the dial and just always put it to tha If it's the middle of the day -~ that's what T do -- Just put it on two and a half, and that's 2 good listening level, alrigt I eee you Like listenin’ to your music loud, but, hey forget about the neighbors, you end up damaging your own ears ok? cuauoza yeah. OTM KURRING Arlight, then. Cheers. ‘They clink coffee cups. He makes a sour face at the taste; 1M KURRING Is this boyfriend bothering you? CLAUDIA, I don't have a boyfriend. OTM KURRING The gentleman who cane to the door -~ cuauora is not my boyfriend. IM KURRING Many times, in damestic abuse situations the young lady is afraid to speak, but T have to tell you that, being a police officer, I've seen it happen: Young wonan afraid to speak, next. thing you know, T'm gettin’ a call on the radio, T got a 422 cuauoza It's not == what's a 4227 OTM KURRING It's where situations Like these lead, Claudia, unless you do something about it early, if and wnen the police call and cone for help. Now there are certain measures you can take ~~ cuauoza, Tt's not my boyfriend -- and it's not anything ~~ it's over. Really. Tt'e not, He won't came back, OTM KURRING I don't wanna have to come back here in an hour and find that there's been another disturbance. cuauoza, vou won't. You won't have to. styrupscriptemagnolo, Taras13/09/2012 Magnolia (1985) movie script - Screenplays for You OTM KURRING But T wouldn't mind comin! back Le an hour Just to see your pretty face! They Laugh. CLAUDIA, I'm gonna run Lo he batheoom zeal quick, OTM KURRING Okey-doke. She exits. HOLD A SEAT with nim. cor to: INT. CLAUDIA'S BEDROOM - MOMENT LATER She enters, gets the coke from the laundry basket -- and sets some up, storts it back cor to: INT, CLAUDIA'S KITCHEN NOOK - THAT MOMENT dim Kurring looks over hig shoulder and sees that she's gone He quickly moves to the kitchen and dumps che coffee in the sink and then quickly sits back down. End Carmen Que. cur tor INP. GAME SHOW SET - THAT MoMENT CAMERA on Sinty, behind the curtain, during the Commercial Break He takes 2 shot of Jack Daniels that Mary has brought out for hin. one T can't fuckin! do this. wary Are you alright? one Fuck. T think I'm gonna throw up, I think. (beat) T haven't thrown up since T was twenty years old. Jimny stumbles over to a corner a bity ANGLE, GAME SHOW SET. Stanley is trying to flag down Cynthia, who stands off in the wings, she finally cones ever; cywraza, Stanley, what's the problem? STANLEY T have to ga to the bathroom, Cynthia. cywnaza, Jesus Christ, Stanley, you can" go te the bathroom now. You have exactly one minute before we're back on the air, this is NOT the time te go Lo the bathzoon STANLEY I'm, T need to go, I'm gonna ~ RICHARD styrupscriptemagnolo, has13/09/2012 Magnolia (1985) movie script - Screenplays for You Why does this kinda shit always happen, sanley? ‘The Adult Challengers look over at the Kids section? Luis What's the problem over there? RICHARD Mind yer bussiness ~~ van Watch your mouth, Little man. unt Why don't you mind your own bussiness? cywnaza, Alright, stop it, cool down, cool it. Please. Now: Stanley, you wait until the next commercial break and you can go then -~ Just Hold It (to Adults) Don't taunt the kids Luis I just asked what was going on -- cywraza, Don't start trouble, Luis. ANGLE, BACKSTAGE. CAMERA pushes in on Jimmy from behind as he throws up in a comer. Mary pets his back. He throws up a lot of BLOOD. She snaps fingers toa stage hand to bring some tosles and 2 glass of water -- oc vorce ‘Two minutes, everyone, we're back in txo! cor to: EXT. LAW OFFICE BUILDING/PARKING STRUCTURE - THAT NOMEN? Linda's Mercedes pulls out of the rain and ve a parking structure, CAMERA PUSHES IN real fast, she cakes a ticket CU'S (Director's note ~three ecu's ticket cake green button) cor to: INT, LINDA'S MERCEDES ~ MOMENTS LATER CU's on Linda. She pops three or four more DEXADRINE. cor to: INT. LAN OFFICE BUILDING/HALLWAY - THAT MOMENT Linda off the elevators...CAMERA pushes in with her.... cor to: INT, LAWYER'S OFFICE - THAT MOMENT CAMERA whips around, RECEOTIONIS™ -- Lawpa I'm Linda Partridge to see Alan KLigman. cor to: INT. SEDUCE AND DESTROY CONDO - THAT MOMENT CAMERA pushes in quick on a young girl named JANGT. (This Is the GIRL from Frank's flashback's.) she answers the phone in this converted styrupscriptemagnolo, Teas13/09/2012 Magnolia (1985) movie script - Screenplays for You condo into office headquarters for "Seduce and Destroy." Frank 1 Mackey paraphenallia, propoganda and literature allover she place vavet seduce and Destroy," thisz Janet. INTERCUT: INT, VAN NUYS OFFICE SEACE - THAT MOMENT CAMERA pushes in on Chad, on the phones Hap Hey, Janet, it's Chad onwer What's wrong? cHAD Nothing's wrong, I just got some guy on the phone on my other Line, ne's says he works for this guy, this guy who's Frank's father ~~ vaver no,noyno what is this? who? What's this guy's name? cor 19) INT. EARL'S HOUSE - THAT MOMENT (CAMERA (HAND HELD) with 2nil, phone to his ear, on hold (we can hear Frank's commercial playing on the receiver, ref. notes.) Bari is MOANING in pain, the DOGS are barking at che noise. Earl continues to hallucinate and remains in major pain, but at the same tine he's very, very weak, There are moments of strength that pop and push into him and he's very angzy wich Phil, continues to scream for someone named, "Lily," and generally treats Phil like an enemy. EARL DIY, PUCK, LIL, PLEASE. LILY. Phil moves inte the kitchen and gets the bottle of MORPHINE PILLS. He drops ther, the crash on the floor, picks them all up, except one... sethich one of the Mutt Dogs waiks over to and eats. Sarl SCREAMS. cor to: INT. SEDUCE AND DESTROY CONDO - THAT MOMENT CAMERA on Janet on the phone, listens, says: saner nensnnnm. mmm. hn. Alright. Pat him through and lenne see what's goin’ on cur 19; INT. VAN NUYS OFFICE SPACE - THAT MOMENT CAMERA on Chad. Fe puts Janet on hold and clicks over Lo Phil cEAD Phil, you there? INTERCU styrupscriptemagnolo, nas13/09/2012 Magnolia (1985) movie script - Screenplays for You INT, EARL'S HOUSE - THAT MOMENT CAMERA on Phil, tending to Rarl, who moans away. (Bit less pain now. ‘The Matt/Morphine Dog is starting te get a bit wobbly. Yeah, hey. Chad. ckAD Alright, so I'm gonna transfer you over to Frank's assitant, Janet She's gonna see what she can do PEEL ‘Thank you, Chad, and good luck to you and your mother -- cHAD ‘Thank you. Thank you very much. Chad clicks @ line and confrences Janet and Phil vanet Helle? cEAD Ok, Janet you have Phil Parma ~~ vavet Hello, Phil. PRIL Hi, hi, thank you for taking my call ~ CAMERA holds with EARL for a quick BEAT, THEN: cor to: INT, GAME SHOW - BACKSTAGE - THAT MOMENT Jimny £inishes cleaning himself up and he looks to Mary: ontm GATOR T have Cancer, Mary. She doesn't know what to say. onimy GaToR T have about to months, T have no time. Tuts in my bones and T don't have a chance. and I'm fucked. I had a stroke last week — many Sinmy + ‘The OC call from FLOOR DIRECTOR. FLOOR DIRECTOR ‘Ten Seconds. Jimny walke from behind the curtain to the "Adult" contestants, takes his mark and waite for the countdown -- CAMERA moves over to Stanley who watches Jinmy closely and sees him stumble a bit, recognizes that something is wrong. Floor Director counts, 3-2-1 —- cor to: INT. SMILING PEANUT BAR - THAT MOMENT Sequence F CAMERA pulls back from the TELEVISION above the bar, playing the show. We sae Jimay start to chat w/and do incro's for the adults. styrupscriptemagnolo, rena13/09/2012 Magnolia (1985) movie script - Screenplays for You (Director's Note: This runs through scene and a complete script is avail/will be shot.) Donsie and Thurston and the Patrons continued: Doxa, do you know who I am? TEURSTON You're a friend of the family 1 presume? DoNwaE, What? What does that mean? ‘TEURSTON Nothing special, just a spoke in the wheel. DoNWaE, You talk in rhymes and riddles and ra...tub-adub --- but that doesn't mean anything to me, see....see...see T used lo be smart....T'm Quiz Kid Donnie Smith, Tim Quiz Kid Donnie smith from the ty —- TEURSTON Might of been before my time. ParRow #1 I remember you. I remember. In the 60's right? DONNIE, Tim Quiz Kid Donnie smith. THURSTON slike you said... PATRON #1 Snart Kid! Fuck, yeah, he-he, You got hit by Tighthing that one time, right? DoNNaE, 0 what? PATRON #1 T heard apout that. Parrow #2 pid it hare? DoNWIE, THURSTON But you're alright now, so what's DONNIE, what? ‘TKURSTON DONNIE, T used to be smart but now I'm just stupid. ‘TKURSTON Brad, dear? Brad turns and looks: THURSTON Who was it that sald: "A man of genius nae seldom been ruined but by himsel?." styrupscriptemagnolo, nas13/09/2012 Magnolia (1985) movie script - Screenplays for You DONNTE, (to himselt) Samuel Johnson BRAD 1 donte know. Donnie looks up at Brad. Srad smiles with his braces, Donnie locks away quick -- TEURSTON Tt was the lovely Samuel Johnson whe also spoke of a fella "#ho was not only Gull but a cause of dullness in others. oNNTE, "The" cause of dullness in others -- ‘TURSTON Picky, picky. DONNIE and lemme tell you this: Samuel Johnson never had his life shit on and taken from him and hig money stolen ~~ who took his Life and his money? His parents? His monry and daddy? Make him Live this life Like this -- "A man of genius" gets shit on asa child and that scara and it hurts and have you ever been hit by lighting? It hurts and it doesn't happen to everyone, it's an electrical charge that finds it's way across the universe and lands in your body and your head -- and as for "ruined but by himself,” not if his parents take nis friggin’ life and his money and tell you to do this and do chat and Af you don't? well, what ~ PALRON #1 You're parents took your money you won fon that game show? DONNIE, Yes they aid. (turns quick to Thurston) What does that mean, "spoke in the wheel?™ ‘TRURSTON Things ge round ‘n round, don't they? BONNIE Yes they do, they do, but I'L make ny dreans cone true, you see? > will. TEURSTON This sounds Sad as a Weeping Willow. DONNIE, T used to be smart but now I'm just stupid. ‘TKURSTON Shall we drink to that? Donnie looks to the television for a moment, starcs to tear up, CAMERA pushes in slow to an EXTREME CLOSE UP. He repeats Line's from his days on "What Do Kide Snow?" and does his best Jinny Lenitations DONTE, "TE a brick weighs one pound plus one half brick ~~ how much does the brick weigh?” Well if subtracting the half of brick from styrupscriptemagnolo, sonae13/09/2012 Magnolia (1985) movie script - Screenplays for You the whole brick you got one half of brick, equals ene pound so therefore the brick equals two pounds --" "A little more than kin and less than kind," is Hamlet co Claudius the sins of the father laid upon the children," Ls Merchant of Venice bul borrowed from Exodus 20:5 and "win her with gifts if she respects not words," is Two Gentleman from Verona. Wheze? Who? How and Why, Kids? TEURSTON why don't you shut the fuck up," is me to you, Chapter Right llere, Verse Right’ Now. cur vor IND. GAME SHOW SET - THAT MoMENT CAMERA on the set with Jimmy walking over to the "Kids" panel; ‘onImy GATOR KIDS! Are you guys glued to those seats or what? Are you ever leaving? You're getting close to the record, do you get more nezvous as we go along? RICHARD A litte ~ unt yeah... onimy GaToR kids at school must be real excited for you, eh? ULTA Ob, yoah. . .yoah. RICHARD omimy GATOR Stanley the Man! How are you? STANLEY Tim fine, Yes. onimy GaToR You're fast becoming a celebrity. How are you handling it all? STANLEY bh, it's all fine, zt'e all. Nice, I'd just like to keep going....keep getting on.... ‘orm GATOR Sure, sure...that's fine, then...there...with... Jimny starts to loose his grip on the proceedings a bit, slows his pace doxn....Stanley notices. ommy GATOR Well you've got..many..things, many things happening and on the way... ANGLE, BURT CAMERA PUSHES IN on Burt as he sees Jinmy start to zone out a bit. cor 19) styrupscriptemagnolo, yas13/09/2012 Magnolia (1985) movie script - Screenplays for You INP. JIMMY GATOR'S HOUSE - THAT MOMENT CAMERA pushes in on Rose, sitting in the kitchen, watching the television. She holds ner breatn and tears a bit, noticing Jimay start to fade. cor to: INT, GAME SHOW STAGE - TEAT MOMENT Back to Stanley and Jimmy. Jinmy repeats himself; omy. What ware you saying, Stanley? STANLEY I was saying...thinking maybe I'd get ny own quiz show someday, cinmy. Just like you! ‘The AUDIENCE laughs. Jimmy clicks back with a chuckle and a isn't that cule,” smile Lo Lhe crowd and he walks over Lo his podiums CAMBRA’ stays for a moment with Stanley, notices him continue to grab his crotch and make @ face. 0K, OK, here we go: Steeper questions, bigger payoff, individua: challenges with musical and audio pockets, no-steal-lock-out's, let's get it on in Round two, Categories ar cor to: INT, HOLIDAY INN SUITE - THAT MOMENT Prank and Gxenovier doing the telvision interview. CAMERA DOLLIES IN SLOW ON EACH: that's right, chat's right, and what I'M saying, that none of my competitors can say is this: That there Is no need for insight or understanding. ‘Things of the past! Gone, Over, Done Do you realize how fucking miraculous this is? How fucking razor sharp and cutting edge and ahead of it's time this concept is? I'm talking about eliminating insight and understanding as human values. GOD DANN I'M GOOD. ‘There is no need for INSIGHT, There is no need for UNDERSTANDING. I have found a way co take any subjective human experience ~~ in other words -- all the terrible shit or all the great shit that you've had happen to you in your life -- and quickly and easily transform it ia the unconscious mind through the subtle and cunning use of language. The "listener-patient (in other words: The Chick) settles into a very Light, very delicate, conversationally induced state: NO? A TRANCE, mind you, but a STATS, A state that is brand new. The System's sate. What did I do? 1 REALIZED that concept and pul it into practical "get my dick hard and fuck it” use. T'm gonna build a state for the seducer and the seduce to live, vote, breath, pay takes and party. "till dawn. I'm gonna teach methods of language that will help anyone get a piece of ass, tit and tail -- GnenovrER Let's talk about ~ FRANK I just cealized this is for television, styrupscriptemagnolo, ante13/09/2012 Magnolia (1985) movie script - Screenplays for You ientt it? I can't ewear up and down like T just did. GhENOVEER It's fine, I can bleep it out. I warned you -- I get on a roll... GheNovEER let's talk more about your background ~ PRANK Marty -- coffee? Nutty moves to pour a cup, Gwen looks down at her clipboard, then: GhENOVIER T'm confused about your past is the thing. FRANK Is that still Lingering? GhenoviER just to clarify —- FRANK 30 boring, so useless ~~ GhENOVIER I would just want to clear sone things up: FRANK (iuffy delivers coffee) Thank you, Muffy. Funny thing ‘s ‘This is an important element of, jaduce and Destory:" Facing the past is an important way in not making progress,” that's something I tell my men over and’ over GhENOWEER his dea! meant ~ FRANK and I try and teach the students to ack: What is st in aid of? GhENOVIER Are you asking me that? ves. GhENOWTER Well, dust trying to figure out whe you are, and how you might have become ~~ FRANK Tn ald of what? GhENOVEER Tim saying, Frank, in trying te figure out’ who you are ~~ FRANK there's a lot more important things T'd like to put myself into cnenovzeR Tt's all important ~~ styrupscriptemagnolo, sae13/09/2012 BEAT. Magnolia (1985) movie script - Screenplays for You FRANK Not really. GhENOVEER Tt's not like I'm trying to attack you -- This is how you wanna spend the time, then go, go, go -- you'ze gonna be surprised at what a waste it is -- "Dhe most useless ching ©n the world As that which is behind me," Chapter Three —~ GhENOVIER We talked earlier about your mother. And we talked about your father and his death. And I don't want to be challenging or defeatist here, but T have to ask and T would want to clarify something ~~ something that I understand -~ FRANK Tim not sure I hear a question in cnenovzeR bo you remember 2 Miss Sinms? FRANK I know alotta women and i'm sure she remenbers me. GnenovrER She does. From when you were a boy. FRANK kine me cnENOvIER She Lived in Tarzana. FRANK An old stomping ground ~-is this the "attack” portion of the interview, I figured this was coming sooner or later -- Is "the girl" coming in for the kill? GhENOVIER No, this is about getting something Fight and clarytying one of your answers to an earlier question —- FRANK Go ahead and waste your time GnenovrER Twas told that your mother died. hat your mother died when you were young PRANK And that's what you've heard? cnENOvEER I talked to Miss Sinma. Mies Sinms was your caretaker and neighbor after your mother died in 1980. Frank goes silent GnenovrER In my research I nave you listed as the only son of Earl and Lily Partridge. (beat) And what I learned from Mee. Sinms is chaz styrupscriptemagnolo, anae13/09/2012 Magnolia (1985) movie script - Screenplays for You your mother passed away in 1980. (beat) See: it's my understanding that the information supplied by you and your company and answers to question's I've asked are incorrect, Frank. And if T'd Like to get te the bottom of who you are and why you are then I think your family history ~~ you're accurate family history...well: Uhis seems important...Frank. VIDEO CAMERA POV - THAT MOMENT Frank lights his cigarette. CAMERA zooms into CU. FRANK Are you asking me a question? nen Well T guess the question is this: Do you renerber Miss Simms? BEAT. HOLD, THEN: cor to: INT. GAME SHOW SET - THAT MOMENT Jimay asks questions. Stanley is visibty uncomfortable: orm Kids, Adults, I'd Like you to put yourself at a picnic. Place yourself There with your family and friends Sf you'd like =~ you'll hear three musical notes and you are to tell me what it might represent that you'd Find at a plenic -- The First Three Notes: OC we hear three musical notes, The "Adu: ‘Todd answers: " panel Lights up, TODD Well, Jinny, 1 know this, T have perfect pitch, you see ~~ and that would be A-D-8. And that would represent lemonade one For 250. Next notes, pleas 0 musical notes: B-G-6. TODD (buzzes) Got it. That's E-G-G which would be ~egg." Richard and Julia glance at Stanley, Like "why the fuck aren't you answering these questions?” He looks straight ahead, one For 500 and the Third Set of Note: 0c musical notes: BE-=E. ‘TODD (buzzes) BOE-E -- and don't get stung. ‘The "Adults" are now within 200 points of 1e "Kids," on the scoreboard cor to: INT. LAWYERS OFFICE - THAT MovENT Linda seated acoss from a lawyer, ALAN KLIGMAN (50s) She's visibly shaking and fucked up. styrupscriptemagnolo, a5uae13/09/2012 Int. Magnolia (1985) movie script - Screenplays for You KLIGMAN you don't want any water? LINDA Nows.T just... (starts crying a bit) I'm $0 Fucked up Rere Alan, I don's know,..there's so much...s0 many things KLIGYAN Are you or drugs right now? Liwpa If I talk to you...ytknow...if 2 tell you things...ther you're a lawyer, right? You can't say things, you can't tell anyone, it's like the privelage, right? Attornery-client, you understand? KLIGMAN Not exactly, Linda. I'm not sure where you're going with this ~~ LINDA Like a shrink, like if T go to see a shrink, T'm protected, T can say things -* fuck == T don't know I'm doing ~~ KLIGMAN Linda, you're safe. Ok. It's atright. You're my friend. You and Earl are my clients and what you need to talk about wor't leave this room, you have something you have to say -— Liwpa I have something so tell you. T have to tell you something. T want to change his will, can = change his will?...1 need to = KLIGMAN You can't change his wilt. only Earl can change his will, Lawpa No, no..-.no, you see...! never loved him. T hever loved him, Bari. When 7 started, when I met him, I'met him and 1 fucked hin and | married him because I anced his money, do you understand? (beat) I'm telling you this now...this I've never told anyore...I didn't love him And now....T know I'm in that will, T know, I has there with him, we wore all there together when we made that fucking thing and all the money I'IT get ~~ I don't want it -- Because I love hin so much now...I've fallen in love with hin row, for real, as he's dying, and I look at him and he's about to go, Alan, he's dead...he’s moments ‘eeat) I tock care of him through this, Alan. And What Now Then? cor to: GAME SHOW STAGE - TEAT MOMENT CAMERA pushes in on Jimmy. styrupscriptemagnolo, 60813/09/2012 Magnolia (1985) movie script - Screenplays for You one Let's listen ‘There's an OC VOICE that speaks the clue vorce "Hello, Mary. How are you and the seven kids? As you probably heard by know, we sure gave thal Pope a run for his money ==" ‘The Adults" buzz. Jimmy Looks to Mim. Pen) Well: That would ve Genezal Robert 2, Lee. Eis wife Mary Park Custiss, And he did have seven children and he would be talking about Pope, who he defeac: at the Battle of Menasses ~— cur to: INT, PARENTS GREEN ROOM — THAT MOMENT CAMERA pushes in on Rick, who sits back, starting to get real pissed that Stanley isn't answering these questions. RICK c'mon, c'mon, ¢tmon, snap out of it. cur tor INT. GAME SHOW STAGE - TKAT MoMENT CAMERA moves from the AUDIENCE over to the Stage, Listening to another question that is spoken by the OC voice -- this time in French; VOICE (in French) letlo, Josephine, T'm speaking from Egypt ‘The Adults buzz again and Mim answers: orm Mim mans Well that would be Napoleon speaking to Josephine. That's sight! ANGLE, BURT. He stands off, looking at the scoreboard as the Adults have now pulled ahead by 200 points...he mumbles and grumbles to himself. cor tor INT, LAWYER'S OFFICE - THAT MOMENT uinda continued with the lawyer, Xligman. Linpa I don't want him to die, I didn't love him when we met, and I've done so many bad Lnings to him that he doesn't know, things I wai to confess to him, but now I do: T love him. I love him so much and I can't stand -- he's going KLIGMAN styrupscriptemagnolo, sre13/09/2012 Magnolia (1985) movie script - Screenplays for You What kind of medication are you on right now, Linda that's -- Linpa This is not any fucking medication talking, this isn't += T don't know T don't know -- Can you give me nothing? You have power ef attorney, can you ses him, can you, in this final fucking moment, ga see him and make sure --- change the fucking will =- T don't want any money, I coulda's Live with myself, this thing I've done T've fucking done so many bad things ~ I fucked around. I fucked around on him, I fucking cheated on him, Alan. You're his lawyer, our layer, THERE, I'm his wife, We are married. I broke the conract of marriage, I fucking cheated or hin, many times over, I sucked other men's cocks and fuck - fuck - fuck — s-fack... Other Things I've Done... KLTGMAN Adultery isn't illegal -- it's not something that can be used in a court to diseredst the will or -- linda. Linda. cain down. LINDA 1 cante. KLIGMAN You don't have to change the will, Sf what you want to do is get nothing you can renounce the wil! when it's tine Linpa Where will the money go? KLTGMAN Well. Considering that there's no one else mentioned in the will...we'd have to go to the laws of intestacy, wich ig -- ag if someone died without a will ~~ Lawpa What does that mean? KLIGMAN ‘The money would go to Frank. The court would put the money in the hands of a relative ~~ that can't happen. Earl doesn want him to have the money, the things. KLIGMAN unless Frank is specifically omitted as a beneficiary that's what will happen. Lanpa This ig so over-the-top and fucked-up T can hardly stand ic. KLIGMAN Linda, you just have to take a moment and breath and one thing at a tine —~ Shut the fuck up. KLIGYAN I'm trying te help, Linda ~~ styrupscriptemagnolo, sate13/09/2012 Magnolia (1985) movie script - Screenplays for You Linpa Shut the fuck up. Shut the fuck up. RLIGMAN You need to sober up. LINDA Now you must really shut the fuck up, please. Shut The Fuck Up. KLIGMAN ainda LINDA T have to go. She heads for the door. KLIGMAN Let me call you a car, Linda. Shut the fuck up. She's out the door. cur ror INT. GAME SHOW STAGE - TEAT MOMENT ‘Three MEN in TUXEDOS and HARMONICAS have taken a place near the band. Jimny, reading from his cards, introduces them and asks the following question: (Nore: Jimmy's speech is starting to slur a bit more at this point, lis motor skills seem to be fad:ng quickly.) Imagine you are attending a jam session of classical composers and they have each done an arrangment of the classic favorite, "Whispering." Here are chree variations on the thene, as three classic composer's might have written it -- you are to name the composer. ‘The First: ‘The Harmonica Fella's play an arrangment....CAMERA pushes in close fon STANLEY and TITLS DOWN CLOSE TO HIS PANTS Stanley begins to piss his pants. He trembles and shakes and holds back tears ag the wet stain gets bigger. OC shrough this we hear the Adults answer che question: ‘ropD (oc) Well, Jimny that sounded to me Like’ Brahms, a bit like his llungarian Dance Nunber Six, I believe orm (0c) cellent. Next number ‘The Harmonica Fella's play another arrangnent of “Whispering” that sounds like Ravel's "Solero." Stanley moves his arms dow to his sides to cover his crotch ‘and pull at his pants -- and his BUZZER goes off with a brush cf the side of nis arm orem. Stanley the Man ~ answo! styrupscriptemagnolo, sonae13/09/2012 Magnolia (1985) movie script - Screenplays for You Stanley. HOLD. Fe starts to cry. Julia ard Richard look ever at him and see his pants and they start to laugs a bit. STANLEY cesT don't know the answer... Jimny starts to STUDDER and SHAKE 2 bit....nolds a tight grip on the podiums IM GATOR That is not right! That's not right, Stanley, the answer is..-Ravel...-Ravel xhikendlennop. .- CAMERA WHIPS and pushes over to the FLOOR DIRECTOR. FLOOR DIRECTOR Nhat the fuck is wrong with him? (into neadseat} What do you wanna do here, he's fading fast cur vor INT, BOOTH - THAT MOMENT ‘The main booth with monitors and board, ete. The DIRECTOR and and ASSITANT watch the monitors, DIRECTOR I need a hetter cutaway, go to the black chick, Canera Three, Camera Three the black chick A monitor sees the video camera zoom in on Mim as a cutaway but her face is like, "What the fuck is going on’ cor 19) INT. GAME SHOW SET - THE FLOOR - THAT MOMENT Jimny is, with a lot of trouble, trying the Harmonica Fella's with the next question... Burt walks over quickly to the Floor Director BURT Get the technical difficulty card up - - CAMERA pushes over Lo Stanley, who's crying and shaking... =.CAMERA pushes in on Jimmy, who stumbles back from his podium and falls to the ground....taking the podium with him... = -CAMERA pushes in on Burt and the Floor Director... BURT cut it, go to the card, go to the fucking card ~ cor to: INT, BOOTH - THAT MOMENT ‘The DIRECTOR snaps his fingers to an ASSISTANT at the board. DIRECTOR Go to the card, now cu MONITOR IMAGE. he card that reads, “echnical pifficuity," comes up and holds. styrupscriptemagnolo, sons13/09/2012 Magnolia (1985) movie script - Screenplays for You cur 19; INP, CLAUDIA'S APARTMENT - THAT MOMENT CAMERA pushes in real quick on Claudia SNORTING COKE from her hand in the bedroom -- she rushes back into the kitchen area — cuauoza Ok, ok. Em back. IM KURRING This is, for not a fresh cup, a great cup of Coffee, Claudia ~~ cuauoza, ‘Thank you She sits down, ready to talk, Lights a cigarette CLAUDIA What do you wanna talk about? cur vor INT, GAME SHOW STAGE - THAT MOMENT Burt, Mary and Assistants and folks run over to Jimmy. He stands, doesn't realize what's happend and mumbles, "what the fuck, what the. ‘The AUDIENCE is murmuring, standing and watching the scene. cur to: INT, HALLWAY - THAT MOMENT CAMERA leads RICK as he comes charging cut of the green room and races down the hallway —- cur vor INT. GAME SHOW SET - THAT MOMENT CAMERA with the "Kids" panel as Richard and Julia looking at Stanley. RICHARD Did you piss your fuckin* pants, Stanley? STANLEY shut up -- Shut up cynthia walks over; cywtaza What happend, what's going on? STANLEY NOTHING. NOTHING HAPPEND. GO AWAY. cywrara, Don't tell me to go away, Stanley. I am the Co-ordinator in this show and you will answer the questions that 1 ask, you understand? Rick comes over; Rick What's the problem, what's the problem here? STANLEY I'm fine, nothing. styrupscriptemagnolo, oye13/09/2012 Magnolia (1985) movie script - Screenplays for You RICK Why didn't you answer those questions? STANLEY I didn't know Lhe answer ~ RICK Bullshit, Bullshit. You know the answer to every goddamn question and I knew the answer to those questions and I'm not half as smart as you are so What Happened? STANLEY 1 dente know. RICHARD He pissed his pants RICK Did you == did you —- STANLEY T didn't I'm fine, I'm fine. RICK Stand up. STANLEY I eaid I'm fine Rick grabs Stanley a bit and sees 2 large WET STAIN in Stanley's pants. ANGLE, Rick oh Jesus, what the fuck...? STANLEY Tim fine, I'm fine, 1 just wanna keep playing ~ RICK Why did you do this? givere, THAT MOMENT. Jimny’ is sweating oxy I had a stroke, I think I had a stroke. BURT call 911, Cali 911 right now. one No, no, no. I'm fine. Tits smal, T wanna keap going ~~ BURT Ro, no, c'mon Jimmy we need to call this quits and you need to see a doctor. one T'm telling you right now, I'm fine. T lest my goddamn balance and T couldn't see # moment, but I'm ok BURT call 911, Mary, do is right now. one You fuckin’ don't do that. You don't do it, you cocksucker. I'll fuckin! ki2l you styrupscriptemagnolo, sane13/09/2012 Magnolia (1985) movie script - Screenplays for You with my barehands. Go. get the fuck fuck -- we're going back and we finish the show BURT Jimmy you look Like you're about to fuckin’ die right here —- one Shut it. Shut yer fuckin’ mouth. ANGLE, RICK and STANLEY RICK Are we gonna keep going with this game? STANLEY ves. Rick You're two fuckin’ days from the record, get through this and I'Zt do anything for you, you Just gotta get through this -- STANLEY Alright. Rick hang in there, ok. I love you Rick walks away with cyothia.. s:Dick Jennings has sobered up a bit and is doing bad, “calm down/conedy/everything's cool" stuff for the Audience.. = Jimny and Burt and Mary stand up and a MAKE UP person runs over with some water and cleans him up a bit. Burt moves away -- FLOOR DIRECTOR What are we doing? BURT This is fuckin’ stupidity, we'll get back on and go through it’-- ‘The Floor Director starts throwing directions in his headset and to the camera people, etc. cur to: INT, HOLIDAY INN SUITE - THAT MomENT Sequence ¢ CAMERA holds on Frank and starts @ SLOW DOLLY IN, Gwenovier zemaine OC. GhenovreR (0c) Frank...Frank...what are we gonna do here? Are we having a staring contest? (beat) Do you have anything to say? CAPTAIN MUFFY (oC) I think maybe we should rap this up, Chief ~~ Prank SNAPS his fingers and signals captain Muffy to stay quiet. GwENOVIER (0c) I'm not trying to attack you, Frank. I think that if you have sonsthing that needs to be cleared up...Well, then. (beat) I was told that your father, (your father styrupscriptemagnolo, 93a13/09/2012 Magnolia (1985) movie script - Screenplays for You is Bari Partridge,) that he left you and your mother and you were forced to take care of her during her Lllness...that you took care of your mother as ane struggled with Cancer... (beat) And Miss Simms became your caretaker after your mother died...Frank...Frank.. (beat) Frank, can you talk about your Mother? (beat) Frank....can you? (CAMERA LANDS CU. ON F ;ANK. HOLD, THEN: cur ror INP. CLAUDIA'S APARTMENT - THAT MOMENT Claudia and Jim Kurring talking. She's rubbing her Jaw, blabbing away and he's listening with a grins cuaupza yeah, yeah, T get in it in my ear. It's Id ss what it's called technically. Tm KURRING What's that stand for? cuauoza, ‘Tempural-sorething-mandibslar, thing with something, I dunno But it affects my ear, I don't ever know if I have TMI exactly but just very tight, like > it's iike a muscle spasm and it's just gets so clenched ~ She's interupted by the call on his RADIO. He takes the call. (Director's Note: Technical blak-blah-biah,etc.) IM KURRING This is my job. CLAUDIA We were just gettin’ warmed up. We were just getting started. OTM KURRING Well if you Listen’ to that music too loud again and that fella returns naybe we'll share another cup of coffes cuauoza, If you're not here for a 422 ~ ‘OTM KURRING No. No. Don't joke about that. That's not funny, Claudia. Please, now. CLAUDIA, Tim sorsy. OTM KURRING Ok, then. Keep your chin up and your music down, alright? CLAUDIA Yes. Iwill, It was nice to meet you officer gum. OTM KURRING gust gin. styrupscriptemagnolo, anes13/09/2012 Magnolia (1985) movie script - Screenplays for You CLAUDIA, yeah, good, ok. OTM KURRING Bye, bye, Claudia. CLAUDIA, Good bye She closes the door. HOLD. cur ror EXT, CLAUDIA'S APARTMENT - THAT MOMENT Jim Kurring stands outside the door for a moment. He hesitates a moment, then....he's about to knock....fis RADIO goes off...ne turns it down feal quick ~~ cor to: INT. CLAUDIA'S APARTMENT - THAT MOMENT Claudia hears the RADIO go off and stands back a bit from her door...hold a monent...then there's a KNOCK...sie opens upt CAMERA DOLLIES IN A LITTLE ON JIM KURRING. 1M KURRING I'm sorcy, Claudia. cuauoza, What is it? Did you forget something? OTM KURRING No, no. I was wondering...man oh man. I think I feel lake a bit of = scum-bucks doing this, considering that T cane here as an officer of the law and the situation and all this but 1 think i'@ be = fool Af T didn't do something I really want to do which is to ask you on a date. cuaUDrA, You wanna go on a date with me? OTM) KURRING Please, yes. CLAUDIA Well...is that illegal? JIM KURRING No. CLAUDIA, Then...t'd Like te go...Wthat do you want to do? OTM KURRING T don't know. T haven't thought about, it == you know hat -~ that's not true -- I have thought about it. I've thought about going on a date with you since you opened the door. CLAUDIA, Really? SIM KURRING Yeah CLAUDIA, styrupscriptemagnolo, 95/10813/09/2012 Magnolia (1985) movie script - Screenplays for You I thought you were flirting with me a little He laughs and she laughs and then: cuauoza Do you wanna go tonight? I mean, are you working? ‘SI KURRING No, I'm off tonight. I would lov-like, to go tonight, 1 can pick you up, T can pick you up here at about what time? What time? cuauoza, Bight o'clock? (OTM KURRING What about ten otclock, is that too late? I don't get off and then cuauora, ch sure yes, that's fine, late dinners aze good. Should I gat dressed up or ~~ ? 1M KURRING No, nop just casual maybe, maybe T thought =~ there's a spot I like te go, it's real nice that overlooks a golf course and the course is lit up at night -- CLAUDIA, Billingsley's? OTM KURRING Yeah, You know it? You know Billingsley's? cuauora It's my favorite place -- OT KURRING Oh, see? This is great. Ten o'clock. cuaUDIA, Great, bye OTM KURRING Bye She closes the door. cur tor INT. HOLIDAY INN/SEMINAR ROOM ~ THAT MOMENT CAMERA pushes in on DOC, who's speaking to a group of Frank's disciples. tle's blah-blah-blahing about Seduce and Destory, etc. oc Not true. Not true, And you know what? Sven if you don't get to pump her, you can still practice honing your skills on a fenenist -~ pIscreLe E know -~ oc and you need to do that DISCIPLE styrupscriptemagnolo, 9614813/09/2012 Magnolia (1985) movie script - Screenplays for You 1 will oc No, you need to do it His CEL PHONE rings and he excuses hinself. Doc [inte phone) Thisz Dee. INTERCUT: INT. SEDUCE AND DESTROY CONDO - ‘THAT MOMENT CAMERA on JANET. She's on the phone. It rings. vavet Doc it's Janet. boc What's up? I have to talk to Frank, is he n by? oc He's doing the interview with the lady ~~ vaner T need you to interupt him, I need to get him on the phone with me right away -~ boc What happend? waver Doc, go get lank and put him on the phone. cor 19) INT. HOLIDAY INN SUITE - THAT MOMENT CAMERA pushes in on Gwenovier and Frank. (Dead on Singles.) neNOvEER Cimon, Frank. What are you doing? FRANK What am I doing? GnENOVIER yeah. FRANK Tim quietly judging you. cur to: INT. GAME SHOW STAGE - TRAT MOMENT CAMERA pushes in on the FLOOR DIRECTOR again whe counts downs FLOOR DIRECTOR And. .three,,.two...one He points to Jinmy, who pope into shape, Looks into the IV CAMERA. orm GATOR What a day and what a round, going back and in for me and the final speed round to determine who's ho today -- scores on the board's Kids: styrupscriptemagnolo, o7nae13/09/2012 Magnolia (1985) movie script - Screenplays for You 9225. Adults: 11,000. And this game is not out of reach’ for the Xids...can they hang in there and break the record? (ete, ete} Elders! Who's the lucky so and 80? Mim fron the "Adults" speaks into her mic mau Tl's gonna be me, Jimmy. one c'mon down here, Mim. She stands up and crosses over to ginmy. ‘This is for a ONE ON ONE Final section speed round. One Kid vs. One Adult. ANGLE, STANLEY. CAMERA pushes in on him and lands in cD. He takes his shirt out of his pants and tries to pull it down enough to cover the large wet stain in his pants. ANGLE, JIMMY AND MW ‘They chat about the game so far, etc. "They're quite a challenge, etc ANGLE, STANLEY and RICHARD and JULIA. Stanley can't pull his shict down enough to cover. He turns to Richard and Julia; STANLEY T don't wanna go, I can't do it this tine. RICHARD the fuck are you talking about? ounta You have to go, Stanley. You're the snaztest STANLEY I don't wanna do i. Why can't one of you do it~ RICHARD Stanley if you don't fuckin stand up and go over there I'm gonna beat your ass -~ STANLEY I'm sick of being the one, the one who always has to do everything, I don't want to be the one always -— amy (0c) KIDS! Jimmy looks over to the "kide" panel. orm bo I even have to ask? Stanley, get your butt over here Stanley looks like 2 deer in headlights. The AUDIENCE applauds. cor To: INT, SMILING PEANUT BAR - THAT MOMENT ‘The TELEVISION above the bar holds this moment where Stanley won't move. DONNIE is seriously fucked up now and the CAMERA pushes in en him. He glances around, up the television, sees Stanley. BEAT hurston and the other folks around chat away, eter styrupscriptemagnolo, oauae13/09/2012 Magnolia (1985) movie script - Screenplays for You DONNIE, seeTlm giek, I'm sick here now... ‘They continue to chat, trying to ignore him now DONNIE, I confuse melancholy and depression sometimes... ‘THURSTON Ym. finn. bonne, You sce? ‘THURSTON Why don't you run along now friend, your dessert is getting cold. DONNIE, I'm sick ‘THURSTON Stay that way. DONNIE, I'm sick and I'm in love THURSTON You seen the sort of person who confuses DoNWE, That's right, That's the first time you're right, I CONFUSE THE Tao AND T DON'T CARE. Donnie looks te Brad, then: BONNIE, HEY. HEY. Brad looks. Donnie stands up, backs away from the bar as he talks; DowWaE, I love you. I love you and I'm sick. (beat) T'TT talk to you....1*11 talk te you tommorrow. I'm getting corrective oral surgery tomorrow. For my teeth. For my. teeth and for you....for you so we can speak. You have braces. Me Loo. Me too. T'm getting braces, too. For you. For you, dear Brad. And I don't have any money. And T don't have any money now but I'ZZ get it...r will for you, Brad. I love you, Brad. Brad the Bartender. (beat, crying ho) You wanna love me back? Love me back and I'LL be good to you. III be god dann good for you. And I won't be mad if you don't know who said what. T won't punish you if you get the answer wrong. T can teach and tell you: Samuel Johnson. THURSTON Brad, honey, you have a special secret crush over here I think, don't take hin too lovely -- he might get hurt ~ DONNIE, You mind your own bussines. ‘THURSTON Gently, son styrupscriptemagnolo, soa13/09/2012 Magnolia (1985) movie script - Screenplays for You DONNIE, Brad, 1 know you don't love me now -- THURSTON "Tits a dangerous thing to confuse chidiren with angels..." Dowie and you wanna know the common elenent for the entire group, like he asks...I'I1 tell you the answer: I'll tell you, ‘cause I had that question. T had that same question....carbon. In pencil ted, it's in the form of graphize and in coal, it's all mixed up with other impurities and in the diamond it's in hare form, (Jimny impersonation) “Well...all we were asking was the common element, Donnie. ..but thank you for all that unnecessary knowiedse...ahhh, Kids! Full of useless thoughts, eh?" Thank you. Thank you. (beat) And the book says: "We may be through with the past but che past iz not through with ua." (to Thurston) And NO IT'S NOT DANGEROUS TO DO THAT. Donnie has backed away, close to the bathroom. He heaves a bit, cries, turns and runs for the bathroom =~ cur tor IND, SMILING PRANUT/BATHROOM ~ THAT MOMENT OVERHEAD ANGLE, LOOKING STRAIGHT DOWN ONTO: Donnie bursts in the bathroom and starte to vomit and moan, ete. cor to: INP, POLECE CAR - MOVING - THAT NOMENT It's pouring RAIN still. Jim Kurring is talking to himself, doing "cops." (Dial: Ref. improv. notes/swaet girl/excized/date/job) Jim Kurring interupts himself and notices something (very blurry, through the RAIN) JIM'S POV: A young BLACK MALE (late 20s) is standing on the street, about to jay-walk. ‘The Young Black Male, at the site of Kurring, turns around and walks back the direction hé cane, deciding against the jay walk, Jim Kurring looks in his rear view mizcor and sees that the Young Black Male is now RUNNING back towards something ~. cur to: EXT, STREET - THAT MOMENT Jim Kurring's POLICE CAR makes a U-turn. cur 19; INP, CLAUDIA'S APARTMENT - THAT MOMENT Claudia snorts a line of coke, cones up and looks at her televisons it's playing, "What Do Kids Know?" cur to: INT. GAME SHOW SET - THAT MOMENT styrupscriptemagnolo, roonas13/09/2012 Stanley doesn't nove. He says te Zinn Magnolia (1985) movie script - Screenplays for You STANLEY I'm going to pass, Jinmy. ANGLE, JIMMY, ie doesn't know what to do and he's 2 bit out of i. BEAT. INT. one Stanley, passing te one of the other kids -— RICHARD We want Stanley to go, Jimmy. STANLEY 1 dente want to go. cor to: HOLIDAY INW/LOBBY - THAT MOMENT CAMERA (STEADICAM) follows/leads DOC as he walks from the seminar area fo the elevators...this i one continuous shot...ag he gets inte the elevator's and rides up, talking on the cel phone. ‘The Elevator doors DING and OPEN and > hallway towards the suite oc I'm walking towards the elevator's, Janet. JANET (00) Fine. Phil, you still there? PEIL (0c) Yeah T'm here. JANET (00) I wanna ask you one question, Phil: Have you talked to anyone e186 about this? About frank and Earl? PEEL (oc) Nor haver's. JANET (00) Alright, good, I'd like to keep it that’ way ~* all the security and what not, you understand? This could be a delicate situation for Frank and the fanily —~ poe toc) What happend? JANET (0c) Doc, just - don't, how ctose are you? boc toc) I'm about to get off the elevator -- ps out ~~ heads down the JANET (0C) Phil, hang in just one more minute ok? “I'm gonna put you on hold =~ Doc you still there? boc Yeah, I'm hers, I'm off the elevator, walking down the hall, now -~ styrupscriptemagnolo, roinas13/09/2012 Magnolia (1985) movie script - Screenplays for You cur to: INT. GAME SHOW SET - THAT MOMENT Stanley doesn't move. Jinmy tries te hold it all Richard, Julia, kids? dnat's as gonna be, xe need a player for one RICHARD We want Stanley to play, Jimny and we're not sure way he won't STANLEY I don't want to play 1 always play, I always answer the questions ‘and T don't wanna do it anymore CAMERA pushes in on Burt, who snaps at Cynchia: BURT What the fuck is he doing, what's wrong with hin? cywnaza, I have no idea. cor to: INT, HOLIDAY INN - HALLHAY - THAT NoMEND CAMERA (STEADICAM) following Doc as he walks swii hallway towards the suite -- y dows the cur to: INT. EARL'S HOUSE - THAT MOMENT CAMERA on Phil on the phone He sits watching Zarl. 30fps. PUSH IN. cor tor INT, EARL'S HOUSE - GARAGE - THAT MOMENT It's black. The GARAGE DOOR opens. out of the POURING RAIN, ANT. BOOTH - THAT MOMENT ‘The DIRECTOR and his ASSISTANT DIRECTOR This fuckin’ kid ain't up and we don't have a television, ladies and INT. PARENTS GREEN ROOM - THAT ‘The other parents snap at Rick OULTA'S MoH Linda's MERCEDES is pulling in cur to: and other folks in the booth; gettin’ show, Live gents =: cor To: MOMENT (CAMERA DOLLIES in on nim slow What the hell does he think he's doing? RICHARD'S DAD Ts this a point? is this a game? styrupscriptemagnolo, roanas13/09/2012 Magnolia (1985) movie script - Screenplays for You RICK GET TEE FUCK UP, KID. cor to: INT, HOLIDAY INN SUITE - THAT MOMENT CAMERA on Frank. He looks at his watch, then: FRANK Time's up. Thank you for the interview. GheNovEER So you sat it out, that's what you did? FRANK You requested my time and I gave it you, you called me a liar and made accusations. And’ you say, "If I'd known T wouldn't have asked," then it's not an attack? Well, Tdon't wanna be the sort of fella who doesn't. keep his word. I gave you my time, Biten. So fuck you now. Frank heads out of the room quick. CAMERA leading him in cv. GhENOVEER You're hurting a lot of people, Frank -~ FRANK fuck you. He's out the door with Cactain Muffy in tow. cor to: INT, AALLWAY - THAT MoveNT CAMERA moving quick with Doc towards the room. Frank and Captain Mufty step out of the room and Doc holds up the Cel Phone....stops. poe Prank, there's @ situation on the phone cor to: INT. EARL'S HOUSE - THAT MOMENT ‘The DOGS go crazy barking and Phil jumps 2 bit. They near the garage door and run towards it. The Morphine Dog runs inte a wall. Phil turns his head (40¢ps) cor to: IND. GAME SHOW SET - THAT MOMENT (CAMERA on Stanley. BEAT. HOLD. orm (00) T need a player, Kids....ctmon now. (0 Audience) The indescision of a chitd, ladies and germs! ‘The AUDIENCE laughs a bit and chuckles. STANLEY This isn't funny. This isn't "cute." Ginny == Sinny == we're not a toy =~ we're not dolls, here. This isn't fanny you see, the way we're looked at. styrupscriptemagnolo, r03as13/09/2012 Magnolia (1988) movie script - Screenplays for You if you think that we're cate Because what? What? I'm made to feel like a freak Af T answer questions and T'm smart or I have to go to the bathroom. What Is That? (starts to ery) And what is that, Jimny, I'm asking? I'm asking what is that, Jimny? I'm asking you that -- ? CAMERA pushes in a bit on hin. onmr Well I'm not sure, stanley. cur vor EXT. APARTMENT BUTLDING/IA RIVER - THAT MOMENT CAMERA (STEADICAM) follows Jim Kurring as he walks around the side of fan apartrent building, looking for the BLACK MALS....he snoops a bit, holding ais flashlight as it's just about dark....the side of the building runs alorg the £.A River....,he starts in Loards something. A very ZOUD GUNSHOT IS HEARD and HITS on the side wall of the apartment, right next to Jim Kurring's FACE sche ducks for cover, looses balance and falls down, in the mud, Sliding down the enbanknent next to the L.A. River =~ another GUN SHOT 18 heard... Kureing reaches for his REVOLVER which is rot in it's holster -~ cur to: INT, SMILING PEANUT/BATHROOM - THAT MOMENT CAMERA zooms in from overhead angle as Donnie coi throw up violently. cur vor INT. HOLIDAY INN - STATRWELL - THAT MOMENT (INTERCUT) CAMERA holds on Frank in close up, he's on the phone. Doc and Captain Muffy stand with him in the stairwell. JANET (00) Tim sorry, Frank. I didn't know what you would want here, what you would want me to do -- I'm ~~ I asked him all tke right questions, he's his nurse, he's sitting right there with him and he's -- 7 mean, I can hear him in the background — your father FRANK Is he at the house? JANET (00) 1 asked him the exact adress and he gave it -- I know that this must be hard, you having to hear this ~ FRANK Don't give me things, Janet just tell ne the thing, the information ~~ JANET (oC) I'm sozcy. cur tor styrupscriptemagnolo, roanas13/09/2012 Magnolia (1985) movie script - Screenplays for You INT, EARL'S GARAGE - THAT MOMENT Linda parks the car and leaves the ENGINE RUNNING. BEAT ie can hear the DOGS BARKING OC....KOLD. cor to: INT, GAME SHOW SET - THAT MOMENT Stanley is continuing. He's hyperventizating. STANLEY We are not on display. © am not # doll I Ag NOT A DOLL...1' M NOT SILLY AND CUTE. I'M SNART SO THAT SHOULDN'T MAKE ME SOMETHING, SOMETHING SO PEOPLE CAN WATCH HOW SILLY 17 IS THAT HE'S SMART? I KNOW. I KNOW THINGS. T KNOW, T HAVE TO GO TO THE BATHROOM T HAVE 70 GO TO THE BATEROOM AND I HAVE TO co. one Tim sorry, Stanley. Stanley embarresed nox. STANLEY I'm sorry, I'm sorry, I didn't mean to do this. cor to: INT, PARENTS GREEN ROOM - THAT MOMENT RICK ie standing now....he VIOLENTLY throws a chair against the wall and it SHATTERS into a hundred pleces -- RICK BUCK, FUCK. FUCK. FUCK. cur vor EXT. APARTNENT/LLA RIVER EMBANKMENT - THAT MOMENT It's FLOODING with AAIN....Jim Kurring is without gun and he's Scared snitieas....and he can't see...and he's running for cover in some bushes. ...CAMERA is HAND BLD and wild, following and falling with bim....MUD and RAIN and SHIT everyenere..... His POV...across a bridge...he sees the slight FIGURE as it flees... (could be the Black Male, but hard to tell in a quick glinpse) he then sees another SMALLER FIGURE scuttle away... He dosen't run.....he stays...holde. cor 19) INT, CLAUDIA'S APARTMENT - THAT MOMENT CAMERA pushes in on her cocaine on the table, TILTS up to her FACE, watching the show, then WHIPS RT. and pushes’ in towards the MONITOR. ON THE MoNTTOR. Stanley is crying... cor to: INT. GAME SHOW SET - THAT MOMENT CAMERA on Stanley. STANLDY I don't mean to cry, I'm sorry. styrupscriptemagnolo, 0sas13/09/2012 Magnolia (1985) movie script - Screenplays for You one Tt's okay, Stanley, it's alright. CAMERA with Buct as he walke to the Floor Director... Take us off the air, go to the the credits ‘The Floor Director starts to speak sone things into the headset. cor 19) INT. EARL'S GARAGE - THAT MOMENT Linda rolls down the windows in the closed garage with the engine running...fures start to fill the garage...she starts to cry and Lights a cigarrette...the bag of perseriptions sits next to her: cur to: INT, STATRWELL - THAT MOMENT (INTERCUT) Frank on the phone with Janet, Captain Muffy and Doc in stairwell. FRANK I haven't spoken to this asshole in ten yeazs....what did I do....? What did Ido today for this?’ For all of this? ....what...is this... teeede THI A Movie. cur to: INP. GANE SHOW SET - THAT MOMENT ‘The MONITORS in the place go to a Still Card that has the "What Do Kids Know?" logo...and the tities start to roll on it. Stanley notices and he RUNS from the podium, towards backstage... <-Jinny is standing next to Mim he holds on to her @ moment... ioosing his balance again... Burt and Cynthia rush the stage Stanley dissapears from the stage... cor To: INT, EARL'S HOUSE - THAT NOMEN Phil still on the phone, Earl is asleep. He stands up and heads for the garage ~~ hears the sound of the engine running -~ dogs are continuing to bark like crazy ~~ cor to: INT, GARAGE - THAT MOMENT Linda in CU. She nesitates a moment. THEN: She quickly shuts off the engine, GRABS the bag of LIQUID MORPHINE -— cor to: INT. EARL'S HOUSE - THAT MOMENT CAMERA leads/follows Linda as she enters, approaches Phil; PEEL hinds -~ styrupscriptemagnolo, rosnas13/09/2012 Magnolia (1985) movie script - Screenplays for You Linpa What are you doing? PEIL Tive got Frank. ..Frank Earl's son He's...he asked me to get him and I did LINDA Hang up the phone. PEEL No, Linda, you don't understan -- LINDA PUT THE FUCKIN’ PHONE DOWN, HANG TT UP. She SLAPS his FACE HARD, The PHONE FALLS co the ground cor to: INT. STATRWELL - EOLTOAY INW - THAT MOMENT (INTERCUT) Frank on the cel phone to Janet Put him on ~~ Janet clicks Frank over and there's a MOMENT of BLUR/NOTSE (Linda and Phil, screaming and static) and then it's gone —- cor to: INT. EARL'S HOUSE - THAT MOMENT Linda screaming at Phil LINDA You don't do that, you don't catl him, you don't know to get involved in the bussiness of his, of his of my family. this is the family, me and him do you understand? You understand? NO ONE ELSE. THERE 15 NO ONE ELSE. That man, his son does not exist. HE 1S DEAD. HE IS DEAD land WHO TOLD YOU TO DO THAT? PEEL Sarl asked me, Linda, please, Linda, Tim sorcy ~~ Earl asked me ~~ BULLSHIT. BULLSHIT HE DIDN'T ASK YOU, HE DOBSN'T NANT ETM, HE DOBSN'T WANT TO TALK TO EIM, SO PUCK YOU THAT HE ASKED THAT. THERE 1S NO ONE BUT ME AND aIM. She breaks down, nore, more, mora. cor To: INT. STAIRWELL - THAT MOMENT Prank listens on the phone to dead air....hold a long moment, then: He hands the phone back to Docs ‘There's no one there. Frank walks away quick. CAMERA leads hin out of the stairwell and down the hallway...HOLD ON BIS FACE CLOSE. styrupscriptemagnolo, 1074s13/09/2012 Magnolia (1985) movie script - Screenplays for You cor to: INT. GAME SHOW STAGE - THAT MOMENT CAMERA (STEADICAM) follows Mary as she runs over to Jinmy. one Take me outta here, Mary... gotta go, I gotta go home to Rose, please, pleas: She leads him away. CAMERA moves over to BURT who's dealing with the situation -- RICK comes running over, looking for Stanley. "Where is ha? Whers the fuck did he go?"’ Burt tries to calm him down CANERA moves over to Cynthia who's dealing with Richard and Julia and Mim and Luis and Todd. cxwraza, Let's go, c!mon, get up -~ RICHARD Did we win or lose, T mean cywtuza, T don't know, Richard, they need ko talk it over —~ wis You lost, kid. They go to the score at the time if was called — unt That's not an icial rule. Luis That's the way it goss. RICHARD Bullshit. Who says that, what rule book, in what sport? This is different, it's a quiz show, they don't go by sports rules ~~ vans Let's all just settle dos cywrara, Richard, shut it and keep it down RICHARD TE he hadn't pissed his pants, xe woulda von. We fucking had this game. Luis You didn't have shit, kid. CAMERA with Jinmy and Mary as they head off, down the HALLWAY and towards some elevators -- ile's really out of it —- cor to: INP. CLAUDIA'S APARTMENT - THAT MOMENT She site in front of the coke and in front of the television. CU. TELEVISION IMAGE - TEAT MoMENT A scill card with the "What Do Kids Know?" logo and the credits still running. At the end a logo that reads: ‘This has been a Big Barl Partridge Production styrupscriptemagnolo, rosnas13/09/2012 Magnolia (1985) movie script - Screenplays for You cur to: EXT. WASH AREA/APARTMENT - DAY CAMERA (HAND HELD) with Jim Kurring. He's searches around frantic for his revolver....looking everywhere...RAIN IS POURING. He does tearful "cops" dial. Ref: "I'm not goin’ back to the Station House without my god damn gun." etc. cur to: EXT. STREETS/BURBANK - THAT MOMENT CAMERA tracks with Stanley as he runs and runs down the streets in the RAIN. CAMERA holes a ECU as we nove. cor to: EXT, SMILING PEANUT/PARKING AREA - THAT MOMENT Donnie walks out and gets in his car ~~ he goes to stazt it, bur it won't start. HOLD outside the car. Rain pouring down. He gets out and walks. A Pedestrian walking in to the bar recognizes him and aniles, says: PEDESTRIAN Smart Kid Donnie Smith! Quiz Kid! Ke.He. Donnie keeps walking straight past. cur to: INT. EARL'S HOUSE - THAT MOMENT Linda is bedside with Earl. She cries her eyes out. she speaks to him in minbles about "...gorzy..." "...my Love. syou've Ilved a long, good life..." She prepares che bottle of liquid morphine and sets it next to the him...#OLD. Barl comes cut of it a bit, pets her head, mumbles a few words that don't make sense. Phil inthe b.g. Linda can't administer the drops, she turns quickly to Phil; Lino Listen...listen to me nox, Phil: I'm sorsy, sorry I slapped your face. because I don't knew what I'm doing Lllpden's know how to do this, y'know? You understand? y'know? T...T'm,..T do things and I fuck up and I fucked up....forgive me, ok? Can you just PEEL sitts alrignt.... Lanpa ‘ell hin I'm sorry, ok, yes, you do that, now, Tim sorry, tell him, for atl the things Tive done...1 fucked up and I'm sorry... And I'm Gonna Turn Away And Walk Now And Not Look At Him Not See My Man, My Farl, T'1L Leave now...and tell him it's ok and I'm ok. ‘The whole thing was ok with me -- and I know. She Lurns quick and walks out of the house. HOLD ON PAIL, He paces around a moment or two, looks at the side table. CU = THE BOTTLE oF LIQUID MORPHINE. It's ready to go. styrupscriptemagnolo, ro9nas13/09/2012 Magnolia (1985) movie script - Screenplays for You CU - PHIL, He looks at it. cor to: INT. HOLIDAY INN - SEMINAR ROOM - THAT NOMENT CAMERA holds on the image of a siide that reads: “Hlow To Fake Like You Are Nice And caring” Frank steps into FRAME. HOLD. OC we hear the audience applaud. FRANK Welcome back, Back from break. T hope you guys stayed away from those little nacho bits I saw oat there T know...T know...hey, you're not payin’ for the snacks. Slight laughter. Frank slows down. low To Fake Like You Are Nice and Caring." This is...cbviously...quite an important section... mean, let's face it...face the Facts...Men Are Shit, right? I’mean, that is what they all say. We've all done bad things...bad things that no woman hae ever done...that's what they say. Ne As Men are taught to apologize: "I've done wrong." "Tim sorry." "My needs as a man made me..." Something, sonething...bullshit....well what T would like to say. Prank references some note cards, a bit of a daze is clear now: FRANK Tf you feel, made to fee! like you need then, like “- like you can't live if you're without them or you need, what? They're pussy? They're love? Fuck that Self sufficient, gents. That's the truth. What you are ~~ we are -- you need them for what? To fucking make you a piece of snot rag? A puppett? nuh?) Hear them bitch and moan? bitch and moan -~ and we're taught one thing = go the other: Way -- there ia No Excuse I wil? give you, T'm not gonna apologize -- I'm not gonna apologize for my NEED my DESTRE...my, tne things that 1 need as a man to fecl confortable. You understand? You understand? You neea to say something, "ny monry hit me or daddy hit me or idn't let me play soccer, 50 now I make mistakes, cause a that -- something, so now I piss and shit’ on it and do this." Bullshit. T'm sorry. ok. yeah. no. fuck. go. fuck. alright. go make a new mistake, maybe not, T dunno...fuck.... Frank drops the microphone and walks off stage...Audience rumbles with confusion, ete. Doc and Captain Muffy frantic, etc. Frank heads off -- slight look across the reception hall to see Gwenovier ~ He's gone cor to: INT, EARL'S HOUSE - THAT MOMENT Sequence # CAMERA on Earl. He opens his eyes a bit....looks over to Phil. styrupscriptemagnolo, nionas13/09/2012 Magnolia (1985) movie script - Screenplays for You EARL Phil.. Phil. Phil comes over and takes a seat next to him. I'm onna try and talk...z'm atryan say sone thing some thing. Bari begins to talk. (Director's Note: Following is the story Earl tells, it is to be more broken and elliptical, factoring in Barl's state of mind and health, etc, but here's the concept Sn its entirety) EARL bo you know Lily? Phil..do you know her? PEIL EARL ceebilyee? PEIL EARL She's my love...my Life...love of it In school when you're 12 years In school, in six grade...-and and I didn't go to that school. And my friend knew her...t would say, viat's that girl?" “How's that Lily?” "oh, she's a bad girl...she sleeps with gays..." My friend would say this...but then scnetime...1 went to another school, you see? But then...when high school at the end, what's that? What Is that? When you get to the end? PEIL Graduation? EARL No, no, the grade...the grade that you're in? PEIL Twelve. EARL Yeah...So T go to her school for that for grade twelve...and we meet...she was fuckin...like a doll...poresiain doll...and the hips...child bearing hips. .y'know that? So beautitul. aut I didn't have sex with anyone, you know? T was not...1 couldn't do anything,..always scared, y'know. she was...she had some boyfriends. ..they Liked her y'know...but T didn't like that. T couldn't get over that T wasn't a man, but she was a woman. Yeee? Y'ese I didn't, rake her feel ok about that ‘would Say, “How many men you been with? She told me, I couldn't take it...cake that I wasn't a man....because if I hadn't had sex with woren., like ae many wonen as she had men...then I was weak...2 boy. But I loved her...you understand? sewell, of course, I wanted to have Sox with'her...and I did and we were together....we met...age twelve, bet then styrupscriptemagnolo, minas13/09/2012 ‘Through the following Phil tries te gi Magnolia (1985) movie script - Screenplays for You again...age seventeen...something, somethin. T didn't let her forget that T thought she was a bad...a slut.....a slut 1 would call her and hit her....1 Ait her for what sne did..-but we married...lily and me and we rartiod...put I cheaed on her..-over and over and over again...because 1 wanted to be aman and I couldn't let her be a woman... smart, free person who was something. ..my mind then, so fuckin" stupid, so fuckin....jesus christ, what would { think...did 1 think....?

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