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  • Harmonic Sequences Reordering I V Vi IV

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    BladyPanoptico
    17 vizualizări1 pagină
    The document discusses four musical progressions using Roman numeral analysis. Progression I provides a sense of arrival, stability and release ending on chord I. Progression II is hopeful, ending on chord IV. Progression III has tension ending on chord V. Progression IV has a weaker sense of arrival ending on chord vi. It notes the different sensations of progressions ending on subdominant versus dominant chords and that progressions I and II are common as they start on relaxed chords. Progression III is more melancholic as it ends on a weaker chord, while progression IV is hymn-like as it closes on the very last chord.

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    harmonic sequences

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    Harmonic Sequences Reordering I v Vi IV

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    The document discusses four musical progressions using Roman numeral analysis. Progression I provides a sense of arrival, stability and release ending on chord I. Progression II is hopeful, ending on chord IV. Progression III has tension ending on chord V. Progression IV has a weaker sense of arrival ending on chord vi. It notes the different sensations of progressions ending on subdominant versus dominant chords and that progressions I and II are common as they start on relaxed chords. Progression III is more melancholic as it ends on a weaker chord, while progression IV is hymn-like as it closes on the very last chord.

    Drepturi de autor:

    © All Rights Reserved
    Descărcați ca PDF, TXT sau citiți online pe Scribd
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    17 vizualizări1 pagină

    Harmonic Sequences Reordering I V Vi IV

    Încărcat de

    BladyPanoptico
    The document discusses four musical progressions using Roman numeral analysis. Progression I provides a sense of arrival, stability and release ending on chord I. Progression II is hopeful, ending on chord IV. Progression III has tension ending on chord V. Progression IV has a weaker sense of arrival ending on chord vi. It notes the different sensations of progressions ending on subdominant versus dominant chords and that progressions I and II are common as they start on relaxed chords. Progression III is more melancholic as it ends on a weaker chord, while progression IV is hymn-like as it closes on the very last chord.

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    © All Rights Reserved
    Descărcați ca PDF, TXT sau citiți online pe Scribd
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    din 1

    I (HOME)!

    RELASE!
    ARRIVAL, STABILITY

    IV (SUBDOMINANT)!
    mild tension, Hopeful!
    OPEN

    V (DOMINANT)!
    TENSION

    vi (RELATIVE MINOR)
    weaker sense of arrival,
    release and stability

    C-5

    C7

    C3

    vi

    C-5

    C3

    vi

    But the sensation is different !


    as the Progression 1 ends !
    on a subdominant chord, !
    whereas progression 2 ends on a !
    Dominant chord.!

    C7

    I
    C7

    Both progressions are !


    Very Common: As they are starting on!
    Relaxed chords.!

    C-5

    IV

    IV

    IV

    vi
    C5

    C-5

    C3

    vi

    !
    !
    !

    C-5

    IV

    Progression 3, more melancholic ends on a


    weaker chord.!

    Progression 4 Hymn-like, closes in !


    the very last chord.

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