CONTENTS INTRODUCTION .. Technique Book Format. Irprovisation ens 288 BASIC EXERCISES. Routine, Tips for Practice nnn Practicing by Limiting Practice in all Twelve Key. oernn Scales for Improvisation. Scale Practice ca Azpeggio & Broken Chord Practice A (Other Melodic Seale & Arpepgio Patterns eeneonn Patterns with 3+. Patterns with Neighbor Tones. Cyclical Quacruplets Diatonic Chords wos Diatonic Seventh Chords no (Chromatic Embellishment on. Diatonic Triads with Lower Neighbor Tone Embellishment Neighbor Tones Applied to Arpeggios & Broken Chords. Upper Neighbor Tones Lower Neighbor Tones von ‘Combining Upper & Lower Neighbor Tones on Arpeggio & Broken Chord Brxereises Enciscling Chord Tones with Upper & Lower Neighbor Tones Ses rend with Uppe: Lowes Neihior Tone Bacecng~ ‘Common Chromatic Approach... is — u. 7* & 9" CHORD ARPEGGIOS. Seventh Chords. Ninth Chords... “Arpegeios preceded with Upper & Lower Neighbor Tone Enciscling. [Comprebensive Technique jor Jag MusiciansContent I, TRIADS & GENERALIZATION ive, Pitch Hieratchy. Basic Elaborations of Triads... F Major Tria... F Minor Triad “Triad Motive Developed enum ‘Triadic Elaboration. Logo Vatiations.. ‘Triadic Generalization. “Tradie Musical Examples. Application of Triadic Generalization... Broken Chord BXt1Cist8 nnn Blues Lines. Blues Scale Musical Examples “Major Blues Scale Minor Blues Scale. Combination of Major & Minor Blues Scales. General Blues Exercises. Blues Lines & Fading Riffs IV. MELODIC MINOR SCALE EXERCISES. Melodie Minor Seales & Modes Seventh Mode: Superloctian $9-59.R-7 Pattesn, Minor 1-2-3-5 Pattern Major 1-2-3-5 Pattern nun Combination of 1-2-3-5 Patterns 7 Arpeagion over Aker Doron: 78 Lydian Dominant ne : Lydian Augmented... a Combination of Modes... Melodic Minor Exercises “Ampeggio Pattems from Melodic Minor 12.5.5 1-2.3-4.5 Patterns from Melodic Minor 12.35 Pattern Variations. Triads “Trtone Substitution & Melodic Minor Chords. Relatiooship of Altered Dominant, Lydian Dominants & Melodic Minor Seales Secondary Dominants & Tritone Substitution snssuinnennn v. DIMINISHED SCALE EXERCISES. ‘Whole-Half Diminished Scales _ — 98 Half.Whole Diminished Seales... intone, Diminished Scale Musical Examples sw. canes 100 Diminished Scale Exercises 105 Diminished Scale Lines over Traditional Harmony... 19 VI, MOTIVIC & PENTATONIC PATTERNS, 123 (C Major Pentaronic & its Relative A Minor Pentatonic. sw 1S C Major Pentatonie & its Parallel C Minot Pentatonic. meal Basic Pentatonie Exercises ‘ - 124 Diatonic Triads of the Major Pentatonic Seale... cameaasiigl aR Diatonic Triads of the Major Pentatonic Seale in All Inversions. 427 anata om MaContents Vu x Xi. xi. Diatonic Triads of the Major Pentatonic Seale in All Iaversi0n$ wnnoneusenncen 127 Superimposition Formulas... Side-Slipping & Planing ‘Quartal Sound: ares ua Exercises for Planing & Side-Sipping ‘Three Note Melodie Motives Four Note Melodic Motives. Five Note Melodic Motives.. Six Note Melodic Motives Eight Note Melodic Motives. Pentatonic Applications over Traditional Harmony... Motivic Development... ‘Motivie & Compositional Development Devices. 1-2-3-5 PATTERNS.. Major 1-2-3-5 & Minor 1.2.3.5 Patterns. Exercises ic Application to individual Chords... : Exerc 7 1-2:3-5 Exercises Applied to Harmonie Progressions. 1-2-3.5 Patterns in Cadences to Majoz. 42.3.5 Patterns in Cadences to Minor. 1.2.3.5 Pattems over Turnarounds. Exploring Mathematical Possibilities 1-2-3.5 Pattems Applied to Standard Jaza Compositions 1-2.3.5 Patterns Contradieting the Harmony. TRIADIC SUPERIMPOSITION Superimposition of Major Triads over Major 7 Chords... anc Superimposition of Major Triads over Minor 7 Chords. soa Superimposition of Major Triads over Dominant 7® Chords. ried TS Supetimporition of Minor Triads over Dominant 7% Chords pci 174 Superimposition of Major Triads aver Half & Full Diminished 7 Chords... ATA ‘Triad Super Imposition Exercises. ATS ‘Triad Superimposition Applied : ieee TED More Exercises. i LINEAR IMPLICATIONS OF HARMONY. Compound Melodies ennai soo se 83 EXTENSIONS & CONNECTIONS Extended Tertian Exercises seven 194 Axpeggio Extensions Exercises... eae ae 195 AUGMENTED SCALE EXERCISES. Augmented Scale Exercises. 205, QUARTAL EXERCISES. [omen Tec fr Jo MaasContents. Extended Quartal Arpeggios Applied co Harmonic Progression in Minor. it XII. DOMINANT CHORD CYCLES: 216 XIV, DEVELOPING JAZZ EXERCISES ... 221 XV. OUTLINE EXERCISES. Outlines over it? - V7 in Major ou sone 227 Outlines over iio? - V7 in Minor. os Ontline Exercises enn 20 ‘Outlines over Key Center Cyl. 1-230 ‘Outlines in Combinations ‘i 235 Common Chromatic Approaches Ms Outlines over Longer Progressions. 7 rn DAB Mote ii? - V7 - 1 &iio? - V7 ~ i Exercises. nnn B52 Developing & Practicing Outline Exercises... 261 How to Lear Exercise 15.114 in All Major Keys... Exercises with Quicker Harmonic Rhythm Outlines in Combinations Elaborated nn Excerpts from Solo Transcription. XVI. APPLICATIONS & ETUDES. Lear the Melody.. 5 , Agendas. iia “Application of Several Concepts over One Progression, Part One. Application of Several Concepts over One Progression, Patt Two Appleton of Sevenl Goceps over One Pogresion, Part Thee Enudes on Standard Progressions Enude No. 1 Etude No. 2. Etude No. 3... Blues Brades < Blues Etude No. 1 Blues Bude No, 2 Blues Etude No. 5. Blues Etude No. 4. Blues Etude No 5... Blues Fnude No. 6. Blues Etude No. 7. Mote xades on tna Progression Erade No. * Brude No. 5. Etude No. Etude No. " iia 270 273 CODA eons 7 ‘ siamese ES: “Campncensie Techni for Jax Musicians]