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Flöte

Präludium und Fuge

(Nr. 22 aus dem Wohltemperierten Klavier, Teil I)

Präludium q = 40

Johann Sebastian Bach, BWV 867

Bearbeitung: Thomas A. Schneider

         
          
         
  
   
4
      
    
  
        
  
 
 
12
           
  
     
     
       
  
17
 
 
   
           
      
  
20
       
          
  
         
      
Fuge
h = 66
    
  
   
    
 
 
   
7
 
  
        
       
      
 
  
13
 
    
 
  
    
22
  
    
 
  
29
  
  
  
  
38
  
 
    
 
    
 
  
   
45
   
       
  
 
52

   
 
  
   
 
  
70
 
 
 
 
  


© 2011 by Thomas A. Schneider

Oboe

Präludium und Fuge

(Nr. 22 aus dem Wohltemperierten Klavier, Teil I)

Präludium q = 40

Johann Sebastian Bach, BWV 867

Bearbeitung: Thomas A. Schneider

    
          
   
  
 
4
   
   
   
   
         
  
7
          
  
     
 
          
10
  
 
  
   
       
     
13
   
  
   
  
  
17
 
 
  
  
 
 
 
19
  
 
  
        
   
  
22
  
  
    
  
     
    

© 2011 by Thomas A. Schneider

2

Oboe

Fuge
h = 66
  
   
  
   
  
    
9
 
  
 
  
   
 
 
 
 
  

15

   
 
  

22

  
 
  
  
 
 
29
  
  
37
  
  
  
 
 
44
  
   
 
       
 
 
 
50
  
  
  
   
57
 
 
     
 
 
 
  
63
  
  
70
  
 
   
 
 

   


© 2011 by Thomas A. Schneider

Klarinette (B)

Präludium und Fuge

(Nr. 22 aus dem Wohltemperierten Klavier, Teil I)

Präludium q = 40

Johann Sebastian Bach, BWV 867

Bearbeitung: Thomas A. Schneider

  
       
      
  
   
  
   
6
        
  
       
   
         

10

           
          
         
13
        
       
        
       
17
         
      
     
22
    
 
 
 
    
  
     
Fuge
h = 66
 
   
 
    
   
   
17
 
   
  
 
25
 
   
   
   
33
  
 
 
     
 
       
   
 
 
41
     
   
   
 
   
 
54
  
   
   
   


61

   
 

   
 

   
   
67
 
 
  
   
  

© 2011 by Thomas A. Schneider

Horn ( F)

Präludium und Fuge

(Nr. 22 aus dem Wohltemperierten Klavier, Teil I)

Präludium q = 40

Johann Sebastian Bach, BWV 867

Bearbeitung: Thomas A. Schneider

 
 
  
  
  
4
 
   
 
   
   
 
 
        
7
   
    
   
  
         
        
11
  
 
         
    
     
14
      
 
   
   
   
 
 
17
 
    
 
  
19
 
 
 
     
   
      
22
 
   
 
        
  
 

© 2011 by Thomas A. Schneider

2

Horn ( F)

Fuge
h = 66

 
 
   
 
 
16
 
  
 
 
 
 
 

22

 
  
  
 
31
 
 
 
   
 
  
     
 
37
 
 
42
 
 
   
 
   
 
  
 
47
 
  
          
 
55
 
  
 
 
 
 
61
 
 
 
 
   

68
 

  
  

© 2011 by Thomas A. Schneider

Fagott

Präludium und Fuge

(Nr. 22 aus dem Wohltemperierten Klavier, Teil I)

Präludium q = 40

Johann Sebastian Bach, BWV 867

Bearbeitung: Thomas A. Schneider

      
       
    
  
8
         
          
        
       
  
 
12
   
      
 
  
 
 
  
    
16
  
    
  
          
          
  
20
     
       
   
      
        
    
Fuge
h = 66

   
   
   
   
   
   
22
 
 
  
34
 
 
     
 
  
 
  
  
48
 
 
  
  
55
 
 
 
 
 
  
62
   
 
 
  
    
69
 
      
 
  
  


© 2011 by Thomas A. Schneider