Documente Academic
Documente Profesional
Documente Cultură
Ceramic
Technology
Volume II
Copyright 2005 SACMI IMOLA s.c. a r.l.
Via Selice Provinciale 17/A - 40026 Imola (BO) Italy
Tel. 0542/607111 - Fax 0542/642354
www.sacmi.com
e-mail: sacmi@sacmi.it
All rights reserved. Translation, electronic storage, reproduction or adaptation by any means
(microfilm and photocopy included), whole or partial, is prohibited.
ISBN 88-88108-55-6
Editrice La Mandragora s.r.l.
Via Selice 92 - Cas. Post. 117 - 40026 Imola (Bo) Italy
Tel. 0542/642747 - Fax 0542/647314
e-mail: info@editricelamandragora.it
INDICE
Introduction ................................................................................................................................ 13
Evolution of ceramic tile production technology ............................................................. 13
Evolution of ceramic tile plant engineering ....................................................................... 16
Grinding ....................................................................................................................................... 17
Pressing ........................................................................................................................................ 19
Porcelain tiles and production line innovations ................................................................. 22
Firing ............................................................................................................................................ 25
INTRODUCTION
The developments seen in the ceramic industry since the end of the Second World
War, have, quite simply, been extraordinary. The way in which building bricks, sani-
taryware, tableware and ceramic tiles are produced has changed radically. This is
especially true of tiles, where production plants and markets have been revolution-
ised; on the one hand, this has come about as a result of the enormous demand for
industrial and residential building materials and, on the other, continuous efforts to
increase productivity and improve health and safety standards for workers in the ce-
ramic industry itself.
Not so long ago the ceramic industry was an almost craft-like affair (fig. 1) that
depended on an abundant supply of manual labour. Progressively, yet rapidly, it
soon became a mechanised industry, thus eliminating much of the pure physical toil.
From here rationalisation of the work process led to gradual replacement of com-
plex control and organisational activities via the application of electronic automation.
Generally speaking, such changes have resulted in uniformity of output and the
transformation of the human role, the latter now largely being limited to supervision
and control of highly automated even robot-controlled processes.
Fortunately, more uniform production results have been counterbalanced by
extremely keen interest in the development of new tile shapes, new decorations and
new products, thus avoiding the blandness of standardisation altogether.
ORGANIZZAZIONE ARTIGIANALE
CRAFT-LIKE ORGANISATION
MECHANISATION
MECCANIZZAZIONE
RATIONALISATION
RAZIONALIZZAZIONE AUTOMATION
AUTOMAZIONE
UNIFORMITÀ DIOF
UNIFORMITY PRODUZIONE
OUTPUT
MANUAL
LAVORO WORK
MANUALE SUPERVISION
ATTIVITÀ DI SUPERVISIONE
Fig. 1.
13
Applied Ceramic Technology
In fact, this demand for ever-better aesthetics has driven technological deve-
lopment onwards and upwards. Plant engineers and machine designers have been
forced to elaborate more and more complex manufacturing solutions to meet the
fast-rising demand for a creative finish.
The three most important factors that have led to attainment of high-perfor-
mance, attractive tiles and consequently high product sales are (fig. 2):
the machines, that have succeeded in meeting ever-more demanding tolerance,
automation and performance requisites.
extremely attentive selection of raw materials as a function of the increasing
sophistication of production machinery and rising demand for high performan-
ce tiles.
the role of human resources, which, because of reductions in the number of workers
per unit of output caused by increased automation, has been modified significan-
tly: todays workers, for example, need specialist training, especially in the electro-
nic control field. Forward planning has become vital: continuous efforts need to
be made to identify new technological solutions and, today more than ever, to
give ones products a qualitative edge through constant refinement of product
aesthetics and functionality.
The result of this revolutionary expansion of the ceramic tile industry is well
known and has allowed some nations, particularly Italy, to become undisputed lea-
ders in terms of overall output, quality and worldwide exportation.
GROWTH FACTORS
MACHINES
RAW MATERIALS
HUMAN RESOURCES
Fig. 2.
14
Introduction
PRODUCTION
PRODUZIONEPLANT / MACHINERY
DI IMPIANTI OUTPUT
E MACCHINE
ITALY
ITALIA AZIENDE
COMPANIES
ADDETTI
EMPLOYEES
190190
7,2007.200
SALES
FATTURATO 1.6 billion
3.100 miliardi
EXPORT
EXPORT 65%65%
Tableware
Stoviglieria
Sanitari
Brick Sanitaryware 0,8
Laterizi
10,3 2,5 Refrattari
Refractories
0,3 Piastrelle
Tiles
85,5
Fig. 3.
15
Applied Ceramic Technology
The way in which the industry evolved towards such innovation was typical of
the Italian economy; the industry was able to rely upon a high number of suitably
sized companies that were willing and able to experiment the new technology inter-
nally. Those companies also had the knowledge, skill and drive needed to interpret
and guide the experimentation.
As already mentioned, there were also a great many mechanical engineering
companies with autonomous research capacity and, finally, an intense exchange of
ideas and experiences within the industry.
The outcome was that Italian tile manufacturers were the first in the world to
gain possession of a new product single-firing ceramic that would prove to be
extremely competitive in terms of both quality and price with respect to other floor
tile types.
Compression of energy and labour costs not only made this new innovation
profitable, it also made traditional systems, market niches aside, rapidly obsolete.
In this scenario, then, the characterising aspect of output was the ceramic body
while aesthetics, conditioned by poor familiarity with the new techniques, was cha-
racterised by matt or rustic glazes designed to give an impression of strength.
Consequently there was soon a levelling out of both the domestic and export markets
for these products.
Once again, the quest for qualitative advantage gave new impetus to research
into aesthetics, giving rise to the use of new decorations, grains and granulates and
the creation of products with a glossier, more intricately decorated finish that re-
quired more and more applications and silk screen printings.
Technology suppliers reacted accordingly, providing ever-more sophisticated tile
pressing and automatic handling machines and giving manufacturers the bonus of
reduced waste, improved quality and greater production plant flexibility.
Ceramic tiles, then, began to gain ever-larger world markets not only because
their raw materials are found all over the globe and the production process is consi-
dered to be a relatively easy one but, above all, because new technologies based on
reliable machines were able to provide finished products of excellent quality.
The dynamism of the industry also played a key role, acting as a catalyst for
continuous evolution of both process and product. Beginning in the 70s and 80s
(depending on the country and the degree of industrial development, see fig. 4) a
general switch-over from traditional double firing to rapid double and single firing
was witnessed.
That changeover was accompanied by the increasingly widespread use of wet
grinding, larger and larger tile sizes and fast-improving aesthetic/decorative resul-
ts; such changes clearly involved important technological changes in mills, presses
and glazing lines.
16
Introduction
ITALY 632
SPAIN 620
TURKEY 150
GERMANY 65
PORTUGAL 60
FRANCE 50
CZECH REPUBLIC 31
POLAND 30
RUSSIA 20
Fig. 4.
Grinding
Just twenty years ago the majority of ceramic manufacturers still used pen-
dulum mills or pin crushers. Nowadays, as a result of increased output require-
ments and demand for particle size distributions that pivot around the 10 micron
mark, with 63 µm screen residues equal to zero (and 45 µm residues of just a few
percentage points), there has been a widespread conversion to large, continuous wet
grinding mills. For at least ten years now this tried and tested solution has had all
the characteristics of a mature technology.
While, in the production of low-performance red body tiles, it might still be
possible to consider using dry grinding technology, the increasing demand for light
coloured bodies of complex formulas, together with the improved technological
characteristics of the finished tile, has oriented the market towards more and more
extensive use of wet grinding where the excess water is evaporated in spray driers.
These changes, of course, are driven by the improved quality of the semi-finished
tiles and the improved production flexibility such technology offers.
Continuous wet grinding mills (fig. 5) are also used extensively, and have been
for many years, in the worlds mining industries.
In addition to technical advantages continuous grinding has also yielded techno-
logical, energy and management advantages with respect to discontinuous grinding
because:
it is possible to weigh and formulate the bodies continuously and automatically,
thus providing more consistent physical-chemical slip characteristics and easier
repeatability as and when necessary.
it is possible to reduce the quantity of water in the mill because continuous emp-
tying and the higher temperature (higher by as much as 60 °C) of the usually
thixotropic slip make it possible to use suspensions that are denser but just as easy
17
Applied Ceramic Technology
Fig. 5.
CONTINUOUS
GRINDING PLANT
VANTAGGI DELLA
ADVANTAGES OF MACINAZIONE CONTINUA
CONTINUOUS GRINDING
+17,4%
+17.4% -14,8%
–14.8% -14,8%
–14.8% -80%
–80% -50%
–50%
INCREASED
AUMENTO ENERGY
CONSUMO SPECIFIC
CONSUMO LABOUR
PERSONALE REQUIRED
AREA
PRODUCTIVITY
PRODUTTIVITÀ CONSUMPTION
ENERGETICO ELECTRICITY
ELETTRICO REQUIREMENTS
RICHIESTO SPACE
RICHIESTA
CONSUMPTION
SPECIFICO
DISCONTINUOUS CONTINUOUS
MACINAZIONE
GRINDING MACINAZIONE
GRINDING
DISCONTINUA CONTINUA
Fig. 6.
18
Introduction
to unload: this results in evident energy savings at the subsequent spray drying
stage (consumption about 15% lower).
while system output capacity has been increased, the grinding department is
now more compact than in the past and the low number of employees makes for
easier management.
Pressing
Recent product innovations have seen so-called porcelain tiles gain ever-greater
market shares. Such innovations have also yielded technological improvements at
other stages of the production process. For example, enormous progress has been
made in pressing, where machines and accessory systems have been completely re-
designed to meet demand for larger tiles without reducing specific pressure (which,
has, in truth, increased).
The 30 × 30 cm and 40 × 40 cm tiles now account for more than half of total
output and sizes of 90 × 180 cm and beyond, mere oddities up until just a short time
ago, now form part of the standard product range (fig. 7).
This trend towards large tiles means that for the same surface area a smaller
number of pieces are handled; also, silk-screen printing and dry grain application
techniques make decoration much more effective and, thanks to the extensive sur-
face area of the tile, easier. Such decoration techniques now allow manufacturers to
imitate a whole range of natural stones almost perfectly. Moreover, the initial in-
vestment is amortised quickly on account of the considerable added value of these
products.
Such production plants are more exploitable in that there has been no slowing
down of production cycles, only increased productivity in terms of square metres
produced. The market has accepted these larger tiles willingly, not only because of
their superb aesthetics, but also because they are more economic to lay even where
used in raised flooring or outdoor building facades (fig. 8) and involve fewer inter-
tile joints.
Yet none of this would have been possible without the press and die develop-
ments that followed in the wake of fast-changing manufacturer needs.
19
Applied Ceramic Technology
Fig. 7.
Fig. 8.
At present, presses used to make large tiles have very high pressing forces (up to
7,000 tons - fig. 9), with die cavities now rapidly nearing 1000 × 2000 mm. The
construction parameters for such machinery must thus take into account the need
for rigidity, precision of alignment and absence of torsion etc.: those needs have
been met through the application of a various construction solutions capable of
producing non-welded, suitably pre-loaded structures.
20
Introduction
Fig. 9.
Filling systems have also changed much in recent years: they now involve a
large number of multiple operations and provide excellent filling homogeneity, even
with specially shaped die cavities.
With regard to the actual pressing phase itself, no summary of recent develop-
ments would be complete without mentioning the introduction of pressure-com-
pensating or isostatic dies (fig. 10) in which an incompressible fluid occupies a space
separating a rigid part of the punch from a flexible part that comes into contact
with the powders to be pressed: during pressing, then, this compensates for the
density differences caused by the non-uniformity of the powder filling.
ISOSTATIC PUNCH
Fig. 10.
21
Applied Ceramic Technology
The advantages offered by this simple solution (derived from the production of
technical ceramics), especially in the case of large tiles, include, among other things, a
drastic reduction in sizing variations, the disappearance of a host of other dimensio-
nal defects (often evident only after firing) and increased press efficiency.
Fig. 11.
22
Introduction
Plastic Clay
Kaolin
Quartz
Talc
KAOLIN
PLAS. CLAY
FELDSPAR
QUARTZ
TALC
Fig. 12.
23
Applied Ceramic Technology
Fig. 13.
Such innovations have also permitted the re-introduction of glazing lines spe-
cially designed for porcelain tiles.
Given the possibility and need, as is often the case in full-body products like
porcelain tiles, of effecting post-firing polishing to increase the tiles aesthetic
qualities, there has been intense development of both application-type decoration
and decoration with pigmented substances dispersed in appropriate vehicles (wa-
ter, glycols, PEG, polycarboxylic acids etc.). The latter are absorbed in a control-
led manner into the semi-finished product (tiles that have been pressed and dried
or pre-fired at 900-1000 °C), and colour it from within the body. This has resulted
in a far-reaching reassessment of aesthetic aspects, allowing, for example, the re-
introduction of silk-screen printing decoration (fig. 14), without in any way alte-
ring the body and, above all, surface features of the material.
Furthermore, final polishing can now be performed as a function of just how far
the pigments are absorbed into the ceramic body and as a function of the need to
obtain the shading effects that give the finished tile a natural look.
These new needs, all aimed at enhancing the aesthetic quality of the product,
have stimulated enormous innovation within the accessory machines field; these
carry out tasks such as granulation, re-granulation, micronization, multiple die ca-
vity filling on the press, application, decoration. Such needs have also driven intense
research into precursors, raw materials, pigment and soluble pigmenting salts etc.
(fig. 15).
Fast-growing demand for a wider range of products and better aesthetics has, in
very recent years, resulted in the widespread reappearance of surface glazing tech-
niques for porcelain tiles; this is largely performed with special glazes or glass-
ceramics that are extremely resistant to chemical aggression, staining and exhibit
very good bending strength. This form of decoration, together with a seemingly
endless flood of imaginative solutions put forward by designers and applicators, has
gone hand in hand with the increasingly diffused utilisation of porcelain tiles on
24
Introduction
PORCELAIN TILE
DECORATED WITH SALTS
Fig. 14.
SPRAY-DRIED
DRY GROUND
MICRONIZED
PIGMENTS
RE-GRANULATES
FLAKES
GRAINS
PELLETS
Fig. 15.
walls as well as floors. Porcelain tiles now provide a high quality touch in many
public buildings (outdoors and indoors) and are sometime used on external facades
where their technical and geometric qualities (porcelain tiles can be ground to size
and chamfered) are ideal.
Firing
The popularity of large tiles and high-density, almost fully sintered materials
has inevitably produced changes in that most critical stage of the production pro-
cess, firing.
Firing has undoubtedly been affected by more technical innovations and plant
engineering developments than most other stages of the production process, espe-
25
Applied Ceramic Technology
cially over the last few decades. As mentioned in the introduction, this has also
involved the development of specially formulated bodies suitable for the new firing
cycles.
The advent of single-layer roller kilns, which began to appear in the mid-70s,
shortened firing cycles to 25-65 minutes for a whole range of items, from the sim-
plest double fired product to the densest, thickest porcelain tile body. Moreover,
flexibility in terms of load and regulation allowed manufacturers to adjust firing
curves to suit tile size and thickness and the glaze type.
While the reader will certainly be aware of much more recent developments
concerning flexibility, electronic control, energy consumption, productivity and
adaptability to certain products, it is nevertheless worth taking a brief look at the
latest innovations which have provided manufacturers with even better performance.
In particular, there has been much progress in the optimisation of temperature
distribution across the cross-section and length of the kiln via the use of tubed or
boxed burners (fig. 16).
In addition to supplying a mix of convective and radiated heat, these also allow
the heat to be directed to more sensitive sections of the kiln, such as side walls or at
the centre of the chamber as required.
Moreover, these devices make it possible to programme temperature regulation
during initial preheating of the tiles by using low temperature air. Fine regulation
of cooling zones clearly advantageous where large or high mass tiles are pro-
duced is also being developed.
The ability to adjust temperatures and times allows for the creation of special
cycles that yield certain colouring effects (where iron, manganese and other colouring
elements are present) in glaze applications or special body compositions.
The innovative technological aspects illustrated here represent just a few exam-
ples of a continuous upgrading process that involves everything and everyone in
INNOVATIVE BURNERS
Fig. 16.
26
Introduction
the ceramic industry from raw materials to rheological and silk screen printing
additives, from glaze manufacturers to tile producers. Suppliers of complete plants
and machinery are especially committed in this regard as they play an ever-greater
role as vehicles of know-how and are a driving force in the industrys R&D sector.
Recent efforts aimed at optimising sorting, packaging and storage lines (fig. 17)
illustrate this point perfectly: sophisticated electronic control systems using intelli-
gent vision systems that effect on-line product classification are increasingly com-
mon as are automatic laser or wire-guided tile transfer systems etc. (fig. 18).
So far nothing has been said about key innovations in glazing and screen printing,
now available as continuous systems or about the huge efforts that have been made to
bring the industry into compliance with environmental standards; this last aspect is
Fig. 17.
Fig. 18.
27
Applied Ceramic Technology
particularly important in highly industrialised areas and is a key factor when it comes
to designing a new product or production line.
This second volume examines each stage of the ceramic tile production process,
from grinding all the way to sorting and packaging. Its aim is to provide clear,
concise, comprehensive and updated explanation of production technology and com-
plete the preliminary information on materials, products and reactions provided in
the first volume.
28
Grinding
Chapter 1
GRINDING
Properties of solids
Solid materials have certain properties that significantly influence the efficiency
of the grinding process. The most important of these are:
c) Hardness
This is one of the most important parameters in grinding.
It is essential to have an understanding of:
compression resistance: especially important in the dry grinding of hard mate-
rials.
29
Applied Ceramic Technology
impact resistance: comes into play in the dry grinding of clays and wet grind-
ing of hard materials.
abrasion resistance: important in the wet grinding of hard materials.
d) Material structure
May be compact or heterogeneous, with casual fracture planes or well determi-
ned cleavage fractures.
Clays generally have a compact structure but some often have fracture planes.
The ceramic industry also uses schistose clays with evident, well defined cleavage
fractures.
Hard materials are generally compact; these include materials such as quartzites,
feldspars, chemical sedimentary limestones and highly fissured metamorphic rocks
such as homogeneous-sedimentation calcites and dolomites that have not been exces-
sively modified by diagenesis.
e) Specific weight
Not a particularly important factor in the grinding of compact solid materials.
However, in the case of natural mixes or blends with particles of different miner-
alogical composition, specific weight takes on more significance regarding the possi-
bility of segregation during transportation within the plant.
There follow some specific weights for several ceramic materials:
30
Grinding
CLAYS
• MINERALOGICAL NATURE
• PLASTICITY
• ELECTROSTATIC INTERACTION WITH WATER
NON-CLAYEY MATERIALS
• SIZE AND PARTICLE SIZE DISTRIBUTION
• BASE STRUCTURE
d) abrasion
e) cutting.
All the machines used in the grinding process involve the above-listed principles.
Comminution can be sub-divided into two main phases:
crushing, the range of which extends from the rough blocks extracted in the
quarry to pieces just a few millimetres in size. Crushing itself may be divided
into primary crushing (or pre-crushing), effected on materials that range from
the tout-venant quarry blocks to pieces about 100 mm in size, and secondary
crushing that produces grains with a size of about 10 mm.
grinding, instead, has a field of application that extends down into the microns.
31
Applied Ceramic Technology
– SECONDARY CRUSHING
- FRANTUMAZIONE SECONDARIA 5-10 mm
• GRINDING
MACINAZIONE: IN OUT
5-10 mm < 50 µmm
MAYPUÒ
BE SUB-DIVIDED INTO:IN:
ESSERE SUDDIVISA
– PRIMARY GRINDING
- MACINAZIONE PRIMARIA ~ 0.5 mm
– SECONDARY GRINDING
- MACINAZIONE (FINE)(FINE)
SECONDARIA 20-100 µm
– MICRONIZATION
- MICRONIZZAZIONE < 50 µm
In the case which is of most interest to us (i.e. grinding of raw materials for
ceramic tile bodies), it should be born in mind that highly heterogeneous materials
are often used; these may be heterogeneous from both a mineralogical and a physi-
cal standpoint. Certain necessities thus need to be taken into account:
dispersion of the various components in the clay or mix must be all but perfect.
some mineralogical components need to be ground to different degrees.
certain impurities contained in the raw materials need to be removed from the
mix before grinding it.
The raw materials used in ceramic bodies can be ground using either dry or wet
grinding technology.
As a rule it can be said that wet grinding is preferred as it reduces in-mix particle
size greatly and provides better homogenisation. Dry grinding technology may be
used where raw materials are homogeneous from both a morphological and hard-
ness standpoint, when the final product is of modest quality or with double-firing
products in general.
With wet grinding the raw materials are initially ground together as a suspen-
sion of solids to reduce the size of the natural particles even further. The substance
obtained at the end of this grinding process is called slip. Chemical deflocculants
(which can also reduce the quantity of water in the slip, thus providing economic
gains) allow manufacturers to produce particles with a diameter of even less than
one micron (almost zero residue on a 63 µm screen).
32
Grinding
The choice of grinding technology, however, depends only in part on the degree
of particle fineness needed to obtain a certain final product; other factors need to be
taken into account. Dry grinding, in fact, is used for mixes made up of a maximum
of two or three clays that are similar to each other in terms of both mineralogical
constitution and physical characteristics.
Any silt, sand or coarse residue must only be present in very limited quantities.
Dry grinding can thus be used to produce double fire biscuit (i.e. to be fired a
second time) and in the production of wall tiles (majolica). Its application in the
production of floor tiles (e.g. porcelain tiles) or monoporosa is somewhat limited as
wet grinding is generally preferred.
Wet grinding is used with natural mixes of clays and hard materials, that is, with
heterogeneous blends sized in such a way as to make their refinement with even the
most efficient dry grinding systems impractical; bodies are, above all, prepared using
wet grinding technology where ceramic compositions consist of various compo-
nents, specific weights and particle sizes.
Wet grinding is also preferable where clays contain impurities that need to be
eliminated from the bodies: the preferred procedure is to disperse them and then
sieve the slip through a suitable mesh.
Finally, wet grinding is preferred for the manufacture of vitrified products or
those utilising very fast firing cycles, in that the wet process makes composition
corrections easier and provides powders that, once spray dried, have good fluidity.
Fluidity is important as it ensures good die cavity filling performance at the pres-
sing stage (fig. 3).
From the above, then, it is evident, from a purely technological viewpoint, that
there can be no real competition or dualism between dry and wet grinding: they
exist only as separate alternatives. Once the raw materials have been analysed and
the technical characteristics of the tile to be produced have been taken into account,
only one technology will prove feasible.
Primary crushing reduces the size of the incoming materials from about 20 cm
to about 6 cm max. This is normally done in pin-type or toothed-wheel crushers.
Subsequent crumbling (secondary crushing) is performed in impact crushers; here,
the material is reduced to a maximum particle size of 5 mm.
Grinding itself is carried out in centrifugal pin mills, fixed or mobile hammer
mills and, above all, in pendulum mills, depending on the required degree of parti-
cle fineness.
33
Applied Ceramic Technology
From the above it follows that no one machine is able to perform all the required
functions: production plants therefore use a range of machines to deal with specific
situations as and when they occur.
34
Grinding
Pre-crushers
PIN-TYPE LUMP CRUSHERS
Crushers
JAW CRUSHERS
IMPACT CRUSHERS
HAMMER MILL
Refiner mills
PIN CRUSHERS
ANNULAR GAP MILL
PENDULUM MILL
VERTICAL ROLLER PULVERIZER
All the machines used in the grinding process perform one or more of the above-
listed actions. Fig. 4 shows particle size distribution ranges for the dry ground
powder and compares it to the granulate obtained from spray drying.
The clays can be dissolved with the aid of high speed or turbo dispersers and con-
tinuous or discontinuous drum mills.
Hard raw materials, instead, are normally ground in continuous or discontin-
uous drum mills.
35
Applied Ceramic Technology
Fig. 4. Particle size range of semi-finished products with dry and wet grinding.
There are various grinding theories, all of which tend to explain machine opera-
tion in terms of laws expressed as mathematical formulas; the most important of
these are Kicks law and Rittingers law:
a) Kicks law: states that the energy needed to crush a solid material to a specified
fraction of its original size is the same, regardless of the original size of the feed
material.
This energy is also proportional to the logarithm of the ratio between the initial
and final diameters of the material. The law can be expressed mathematically as
follows:
W = κk lg (D/d)
where
W = required energy
Kk = constant dependent on type of material
D = average size of particles before grinding
d = average size of particles after grinding.
For example, the quantity of energy needed to reduce a given weight of mate-
rial from 1 cm3 to 0.5 cm3 is equal to the energy needed to reduce the same weight
of material from 0.5 cm3 to 0.25 cm3 and so on.
36
Grinding
b) Rittingers law: states that the energy needed to reduce the size of a solid particle
is directly proportional to the resultant increase in surface area. The law can be
expressed mathematically as follows:
W = κr (1/d - 1/D)
where
W = required energy
Kr = a constant dependent on particle shape and energy per unit of surface
d = average side length of particles after grinding
D = average side length of particles before grinding.
In other words, the quantity of energy needed to reduce the size of a given
weight of material still depends on the initial and final size of the ground product.
For example, it can be estimated that, if it takes 2.5 hours to grind the material from
1 mm to 100 µm (reduction ratio 10:1), in another 2.5 hours the material will pass
from 100 µm to just 53 µm (reduction ratio 2:1) because the change in surface area
remains the same.
It should, however, be observed that, in practice, the amount of energy absorbed
by the machines is always greater than the amount of energy calculated via the
above formulas because the work also involves:
1) Energy needed to overcome the cohesion linking the particles in the pieces being
ground.
2) Deformation energy (plastic and elastic deformation).
3) Energy absorbed in attrition between grinding media.
4) Energy absorbed by vibration.
5) Energy lost as heat.
More recently a further theory has been developed by Bond. He observed that
the energy required to reduce a material from an initial size of d0 to a final size of d1
is defined by the difference between the total quantities of energy needed to pass
from a theoretically infinite size to sizes d0 and d1 respectively. This evaluation has
given rise to the identification of a Work Index: an example of values obtained
semi-experimentally is given below:
37
Applied Ceramic Technology
These figures give a good idea of how the grindability of a material depends
not only on its hardness or abrasion resistance.
The purpose of wet grinding is, as mentioned earlier, not only to reduce the
particle size of the raw materials in the bodies to a few microns but also to achieve
perfect homogenisation and dispersion of the various components throughout the
mix.
Wet grinding is almost exclusively performed in Alsing or ball mills (fig. 5).
This type of mill has a discontinuous work cycle. The entire work cycle is divi-
ded into three phases:
1) Loading of raw materials, water and rheological additives (usually defloccu-
lants).
2) Grinding.
3) Unloading of the obtained slip.
Proper grinding and good mill performance depend on the observance of basic
rules and the understanding of some basic concepts. The most important of
these are:
a) Mill speed
A mill of diameter D metres, rotating at n revolutions per minute has a peri-
pheral speed of:
v = (π/60) D n = metres/sec.
38
Grinding
The speed of the mill exerts a centrifugal force on the pebbles (i.e. the grinding
media) lying against the drum wall; this force raises the pebble of mass m by an
angle α with respect to the horizontal: this is the point at which the force of gravity
is equal to the opposing centrifugal force.
cf = m v2 (D/2) = mgsen α
This equality indicates that the angle to which the pebble is raised is indepen-
dent of the mass m of the pebble and depends only on the rotation speed of the
mill.
Once the lift angle α is exceeded the pebbles up against the drum wall fall away
from it because, at this point, gravity overcomes the centrifugal force. They thus fall
back into the mill, tracing a parabola as they do so. The angle β that the pebbles
achieve beyond the lift angle α is known as the cascade angle.
The pebbles that are not against the drum wall but located closer to the axis of
rotation have a lower peripheral speed than the outermost ones, are not lifted as
high and are enveloped by more external layers as illustrated in fig. 6.
The overall motion of the grinding media in a mill thus consists of a cascade
drop plus a rolling action: these two movements cause grinding.
The angle of lift a can also be expressed as a function of mill RPM:
v = (π/60) D n metres/sec
Where acceleration ca is considerably lower than g the load is raised only a little
above the horizontal and the pebbles tend to slide backwards on the mill lining;
grinding action is low and the pebble wear rate high (fig. 7).
Tests have shown that grinding is optimised at an angle of 45° - 60° because the
pebbles then fall back into the drum in cascade mode, roll against each other and
thus maximise grinding; moreover, wear on the pebbles and the mill lining is mini-
mised.
Where acceleration ca is approximately equal to g, the pebbles closest to the mill
lining stick to it (partial centrifugation) while the inner layers of grinding media
trace a parabola and fall back against it.
The produced grinding action is still high but wear on both grinding media and
mill lining is intense.
The pebbles closest to the lining will, of course, continue to orbit the mill
without ever falling as they are subject to a centrifugal force equal and opposite to
the force of gravity.
The peripheral speed at which partial centrifugation begins and pebbles start
sticking to the lining is called critical speed (cs).
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Fig. 6.
Fig. 7.
40
Grinding
Tempo di time
Grinding
macinazione
VelocitàMill
del speed
Mulino
Fig. 8.
Fig. 9 shows critical and correct speeds as a function of the internal diameter of
the mill.
All the mills that run according to the graph in fig. 9 have a constant centripetal
acceleration = 50-75% of gravitational acceleration (g).
However, to apply the same acceleration values to mills of different diameters is
wrong; large-diameter mills are more efficient and acceleration can, and should, be
slightly reduced to make the lining and grinding media (subject to more stress than
in smaller mills) last longer. Mills are thus run not at constant centripetal accelera-
tion but at constant peripheral speed; at most, such speed will vary within a very
tight range. For example:
41
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Giri
RPM metri
metres
min’ min’
130 180
120 170
110 160 _
1 Vc = 133 √D m/min
100 150
90 140 2 Vk = 75% Vc
80 130 3 Vk = 50% Vc
70 120 _
4 nc = 42.3/√D
60 110
5 nk = 75% nc
50 100
40 90 6 nk = 50% nc
30 80
20 70
10 60
Fig. 9.
42
Grinding
RPM
Giri metres
metri
min’ min’
130 130
Vk = 125 m/min
120 120
110 110
100 100
Vk = 96 m/min
90 90
Vk = 85 m/min
80 80 _
1 nk = 42,3/√D RPM
70 70
_
60 60 2 nk = 40/√D RPM
_
50 50 3 nk = 30/√D RPM
_
40 40
4 nk = 27/√D RPM
30 30
A Porcellana-steatite
Porcelain-steatite
20 20 (densità
(density 2.4
2,4+2,75 gr/cm33))
- 2.75gr/cm
10 10 B Sintered
Allumina alumina
sinterizzata
(density 3,4+ gr/cm3)
(densità 3.4+
0.5 1.0 1.5 2.0 2.5
Effective mill diameter (m)
Fig. 10.
The higher the specific weight, the greater the kinetic energy freed during rol-
ling and falling (grinding media volume being equal) and the more effective the
grinding action.
Moreover, in wet grinding, because of hydrostatics, the force of gravity is pro-
portional to the difference pc-ps (between the specific weight of the media and the
43
Applied Ceramic Technology
Fig. 11.
specific weight of the product). The greater this difference, the greater the grin-
ding action. Fig. 12 shows how the specific weight of the grinding media influences
grinding times.
% di
of Residuo 10.000 mesh/cm 2
a 10,000
residue at
Maglie/cm3
100
90
1 Porcellana normale (densità = 2,4)
80 1 Residuo porcelain
Standard = 0 dopo (density
24 ore = 2.4)
2 Steatite=(densità
Residue = 2,6-2,7)
0 after 24 hours
70
2 Residuo
Steatite = 0 dopo
(density 20 ore
= 2.6-2.7)
60 3 Porcellana
Residue = 0 ad alto
after 20contenuto
hours
3 di Allumina
Porcelain with(densità
high = 2,7-2,76)
50 Residuocontent
alumina = 0 dopo 16 ore= 2.7-2.76)
(density
Residue = 0 after 16 hours
40
30
20
10
2 4 6 8 10 12 14 16
Tempo di macinazione
Grinding in Ore
time (hours)
44
Grinding
Grinding
time
Absorbed
power
Empty Full
Fig. 13. Grinding times and absorbed power as a function of grinding media load.
Note n. 1
The angle between the two tangents at the pebble-particle contact points is cal-
led the grip angle; it depends on the diameters S and p (of pebbles and particles
respectively, see fig. 15).
Calculations show the optimum grip angle to be about 17°: this means that the
diameter of the pebbles should be 90 times the average diameter of the particles.
For example, where particles have an average initial diameter of 0.7 mm, the peb-
bles should be approximately about 60 mm in diameter.
After a certain time, though, these pebbles will no longer provide efficient grin-
ding.
An assortment of pebbles is thus needed: the large pebbles grind the larger
particles into smaller ones and the small pebbles refine those smaller particles even
further. Pebble diameter should not, in any case, exceed 60-70 mm.
The real volume accounted for by the pebbles in a completely full mill is only
about 60% as the remaining 40% consists of the gaps between them.
Note n. 2
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Applied Ceramic Technology
Percentage del
Percentuale of mill volume
volume del Percentage
Percentuale delofdiametro
diameterdel
occupied
mulino occupato dalla carica di of mill taken
mulino raggiunto dalla carica
by pebble load up by pebble load
biglie delle biglie
5 10
15 21
25 30
35 38
45 46
55 54
65 62
75 70
85 79
95 90
100 100
Tab. 1.
55% of volume
50% of volume
b)
a)
54% D
46
Grinding
Fig. 15.
It thus follows that for a pebble load occupying 50% of mill volume, the real
volume of the pebbles is approximately 50 × 0.6 = 30% and the volume of the gaps
between the pebbles approximately 50 × 0.4 = 20% of mill volume.
Summing up:
Apparent volume Real volume Volume of gaps Free volume
50% 30% 20% 50%
55% 33% 22% 45%
Apparent pebble volume, real pebble volume and the level of the spheres in the
mill are interconnected as illustrated in fig. 16.
e
volume
vo n t
m
Free
le re
lu
bb pa
pe Ap
pebbles
of product
above
Volume
le
bb
l pe e
a m
Re volu
Volume
gaps
of
% of mill volume
volume
pebble
Real
Fig. 16.
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Once the load volume occupied by the pebbles is known it is easy to calculate the
weight per unit of volume, i.e. the so-called load ratio.
Fig. 17.
These load ratios are not always observed. It is common for mills to be loaded at
much lower ratios, such as 500 kg/m3, according to the well known formula: pebble
load in kg/m3 = mill volume in litres/2. This ratio is much too low because even
with high density porcelain the real pebble load is just:
This means an apparent volume of approximately 35% (as opposed to 50%) and
a level of about 37% of mill diameter (13% below the half-full line).
This ratio (even less favourable where medium and high density grinding media
are used), involves longer grinding times and wears both pebbles and lining faster.
Pebble size/assortment must be chosen on the basis of the following factors:
a) Mill size: mills of small volume must be loaded with a smaller-sized assortment
of pebbles than larger mills. An assortment of three different pebble sizes is
generally used, as follows:
45-50% smaller diameter pebbles
25-30% intermediate diameter pebbles
25-30% larger diameter pebbles.
b) Particle size distribution of the substance to be ground and the ground substance: where
the substance to be ground is made up of coarse particles large-diameter pebbles
will be needed. If that substance is to be fine-ground smaller-diameter pebbles
will be needed to increase the number of contact points and the total surface
area of the pebbles themselves.
48
Grinding
However, there should really be more product than this so as to cushion the
pebbles cascading back into the mill.
Bear in mind that the more excess product is added, the longer the grinding
time.
Fig. 18 shows how grinding time is influenced by product load P, expressed as a
percentage of mill volume.
The upper product load limit is given by the minimum free space that must be
left in the mill; this space represents approximately 25% of drum volume and the
upper product load limit is thus about 20 + 25 = 45% of mill volume.
Of course, if the mill is this full grinding times will be lengthy and grinding
output (kg of product ground per hour) low.
In some cases, though, manufacturers are not so much concerned with maxi-
mum grinding output as they are with the fact that the mill has to be run for a
certain time, perhaps because the product so requires or simply because the factory
does not always have personnel at hand to empty and reload the mill; hence it often
makes more sense to use the available mill volume completely.
Diameter of pebbles in mm 20 30 40 50 60
2
Surface area of pebbles in cm 12.56 28.27 50.26 78.54 113.10
Volume of pebbles in cm3 4.19 14.10 33.50 65.25 113.00
3
Number of pebbles per dm (1) 143.10 42.57 19.91 9.19 5.31
Number of contacts per dm3 (2) 858.70 255.42 107.46 55.15 31.85
Surface area of pebbles
in m2 per m3 179.73 120.34 90.01 72.20 60.05
(1) Calculated according to real volume = 60% of apparent volume, which represents a practical load factor,
owing to the average between best and worst possible pebble settling.
(2) Calculated according to tetrahedral stacking (with 6 contacts per pebble).
Tab. 2.
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Grinding time
Fig. 18.
f) Conclusions
The concepts described so far may be summed up as follows.
The main factors influencing grinding are:
mill speed.
50
Grinding
The pebble load level should be half the diameter of the mill or a little more (50-
55% by volume, that is 50-54% by diameter).
This involves the following load ratios:
700-800 kg/m3 of low density pebbles (2.4)
800-900 kg/m3 of medium density pebbles (2.7)
1000-1100 kg/m3 of high density pebbles (3.4).
The assortment of pebbles must be selected as a function of the initial and final
particle size distribution of the product; mill size also needs to be taken into
account.
As a rough guide, the assortment for silica pebbles should be as follows:
45-50% of smaller diameter pebbles (20-30 mm)
25-30% of intermediate diameter pebbles (40-50 mm)
20-25% of larger diameter pebbles (50-60 mm).
There should be at least enough product to fill all the empty gaps between the
pebbles (20-22% of mill volume): it is highly advisable to add some excess pro-
duct (up to a maximum of 25% with respect to mill volume).
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The load for body grinding can be calculated with the following formula:
where
Vu = effective mill volume
d = slip density kg/l
y = dry material percentage in slip
0.55 = filling coefficient of mills with silica grinding media
0.67 = filling coefficient of mills with alumina grinding media.
The mill to be loaded and the slip to be prepared have the following characteri-
stics:
mill capacity = 30,000 l
silica lining
silica grinding media
effective volume 24,000 l
slip density 1.6 kg/l
dry material in the slip 64% (water = 36%)
Weight of dry material X = (% of dry material X in the body) x (Mill dry load)
i.e. where X is china Clay its weight is 12% of 13,500 = 1,620 kg
Since raw materials stored in the factory are seldom dry, it will be necessary to
determine moisture content and bear this in mind during batching via the propor-
tion
Wet batch weight = Dry weight × 100 / (% of dry content in raw material)
This calculation provides the sum of the weights of the individual raw materials
which, depending on their moisture content, will exceed the theoretical weight cal-
52
Grinding
culated as mill capacity: loading moist raw materials means loading water. The pre-
sence of such water will have to be taken into account when calculating the quanti-
ty of grinding water. This is calculated as follows:
therefore:
Z - [(Ytot Total weight moist materials) (Xtot Total weight dry materials)] =
kg or litres of H2O to be added
Rheological additives (deflocculants) are normally added together with the wa-
ter in appropriate quantities, calculated in the laboratory as described in Volume 1;
in any case such quantities represent only a small percentage (0.2-0.4%) of the total
weight of the dry raw materials.
Recent years have seen a steady increase in the number of continuous wet grin-
ding plants being installed.
These plants use tubular mills. Raw materials (body components and water) are
fed continuously from one end of the mill while the slip exits from the opposite end.
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Applied Ceramic Technology
Fig. 19.
At the mill outlet the slip is first passed through a sieve with a mesh size of a few
mm to trap any large, solid lumps (including small pebbles); a smaller-mesh sieve
set follows.
The sieving residue is carried away by the pre-batched water to be recycled into
the mill while the slip is sent to a constantly stirred holding tank.
From here it is pumped directly into the spray drier or put through a colouring
process.
Generally, all the raw materials (clay and non clay) making up the body are fed at
the pre-mixer stage and subsequently to the mill.
However, in some cases a part of the clay (generally the wettest most plastic
part) and any colourless unfired scrap is dispersed in a turbo mixer.
Possible system configurations associated with this technology (fig. 19) are,
essentially:
configuration in which a part of the clayey components by-pass the mill; the mill
is fed with a mix rich in components that are hard with respect to the formula-
tion of the body, but containing a certain percentage of plastic raw material for
suspension purposes.
configuration with pre-dispersed clayey materials (and any unfired scrap), fed
into the mill after mixing with the other slip components.
These solutions are particularly appropriate in cases where the body has a sub-
stantial proportion of very plastic, very moist clays (moisture greater than 15-20%),
54
Grinding
as they are difficult to mix with other body components and can lead to aggregation
phenomena which reduce grinding efficiency.
Constant research into innovative control equipment has resulted in the deve-
lopment of precise, highly reliable weighing and batching systems (raw materials,
deflocculants, water).
Such microprocessor-controlled systems have led to the introduction of conti-
nuous mills in the body preparation plant.
Consequently, manufacturers are now able to provide excellent consistency of
slip characteristics such as composition, water content, density, viscosity and, last
but by no means least, grinding residue.
The reasons behind the ceramic tile industrys adoption of the continuous pro-
cess already used in the mining industry extensively are twofold: technological
and technical-managerial.
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The bases are made of high-strength, precision-made cast iron on the cylinder
connection flanges and the bearing drive fits.
A series of supports, made of steel profiles and thick sheet metal, are anchored
rigidly and partially sunk into the cement foundations.
Mill supports are equipped with bearings of the double roller type to sustain rol-
ling load adequately.
A drive unit made up of one or two DC (or AC) motors, which, via a series of
reducers, moves the mill cylinder: the reduction system may be of the gear or
belt type.
The continuous mill is, then, made up of a cylindrical sheet steel structure with
ports for inspection, maintenance and introduction of grinding media; bases featur-
ing ports for continuous infeed of raw materials and unloading of slip, a drive unit,
a series of oil/grease lubrication systems and a PLC control panel.
The anti-wear rubber lining on the interior of the cylinder usually incorporates
56
Grinding
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58
Grinding
Fig. 21. Continuous mill with cylindrical drum and helical classifying lining.
The operating principle of the conical mill is based on the fact that large grin-
ding media, thanks to gravity, rolling and centrifugal force, tend to move towards
the large mill diameter zone (feeding side). The main problem with this type is
lower efficiency of final refining near the outlet due to decreased diameter (and
volume) in this part of the mill.
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MILL SIZING
Mill productivity
a) Sizing
Continuous mill size and productivity are functions of a coefficient Ks that de-
pends on the type of body to be ground and is defined on a case-by-case basis.
This coefficient is assumed to be inversely proportional to the grinding time of
the body in question in a standard-compliant discontinuous mill.
It follows that the formulas for hourly output (H.O.) and mill size (effective vo-
lume) are:
H.O. = Vu × d × s × Ks/GT
where
Vu = effective mill volume in litres
H.O. = hourly output in kg/h
d = slip density in kg/l
s = % of dry material in the slip
Ks = coefficient
GT = grinding time in standard-compliant discontinuous mill where it mathe-
matically follows that:
H.O. × GT
Vu =
d × s × Ks
b) Grinding time GT
The time the body takes to reach the desired residue logically coincides with the
time it is left in the mill.
This time is defined as:
Vu × d × s × Kr
GT =
H.O.
where
GT = time in mill expressed in hours
Vu = effective mill volume in litres
d = slip density in kg/l
Kr = filling coefficient (ratio)
H.O. = hourly output in kg/h.
As already observed for discontinuous mills, there are also certain principles and
regulations for the efficient running of continuous mills:
60
Grinding
a) Rotation speed
To determine the correct speed at which a continuous mill should be run the
already-explained rules and formulas for discontinuous mills can be applied.
b) Lining shape
Previous descriptions of the grinding process refer to mills with an essentially
smooth lining in which there is no added lifting force between the lining and the
grinding media.
The point at which the grinding media detaches from the lining a key de-
terminant of grinding efficiency can be changed by modifying the profile of the
lining.
Continuous mills are normally fitted with rubber protrusions that aid lifting of
the grinding media.
The distance between the lifters is constant on all types of lining.
Generally speaking, the most widespread materials are rubber and steel, which
complement each other.
Fig. 23. Left: illustration of mill interior (note the diaphragm between the two chambers). Right: two
different lifter profiles.
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d) Grinding media
Bear in mind that ceramic bodies can be divided into two main categories: white
(or clear) firing and coloured firing.
White bodies must not in any way be contaminated by colouring substances
while, of course, there is less of a problem with coloured bodies. This distinction
influences the choice of grinding media, the specific weight and abrasion resistance
of which must be as high as possible.
There are two possible solutions:
1) White bodies: grinding media in alumina or silica.
2) Coloured bodies: grinding media in silica (or steel).
With coloured bodies, then, it is also possible to use steel grinding media, which
provides high grinding efficiency. However, trials have shown that only iron parti-
cles smaller than 100 microns do not cause contamination problems; hence use of
steel is only possible where the manufacturer has the equipment needed to eliminate
the coarser iron grains.
As far as linings are concerned a heterogeneous-profile rubber lining is prefer-
red for abrasion resistance and noise dampening purposes.
62
Grinding
The particle size distribution of a ceramic body drastically influences its beha-
viour during firing as it affects:
specific surface area and reactivity
shrinkage-vitrification curve
deformation
water absorption
black core
defects caused by contamination.
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The nature of the body, particle size distribution (especially as regards the clayey
particles), density, temperature and pH all have significant effects on viscosity.
Optimal viscosity is: 2.5-3 °E (250 - 400 cP).
Checking frequency: once/twice per shift, every mill.
d) Temperature
Influences viscosity of the slip and often improves its rheological characteristics.
Excessively high temperatures can:
cause intense thixotropic phenomena
damage the rubber lining.
Optimum temperatures are 50-60 °C for discontinuous mills, 70-80 °C for conti-
nuous ones.
Checking frequency: once/twice, every mill load.
64
Grinding
Ford Cup
Measurement corresponds to time taken for 100 cc to flow out of a Ford cup with a
∅ 4 mm nozzle
Mainly used with glazes and engobes.
Example: slip viscosity = 25 sec Ford cup.
°Gallenkamp
Measurement corresponds to return rotation degrees (generated by of a twisted
metal support wire) travelled by a cylinder that has been immersed in the slip and
rotated 360°.
Mainly used for casting slips (sanitaryware).
Example: slip viscosity = 320 °G.
cPoise (Brookfield)
A measure of viscosity effected with a fixed-speed rotating viscosimeter.
Example: slip viscosity = 300 cP
1 centiPoise (cP) = 1 milliPascal second (mPa s)
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Applied Ceramic Technology
APPENDICES
The continuous wet grinding mill and the porcelain tile industry
66
Grinding
The slip can be fluidised with the aid of solid additives such as sodium poly-
phosphate, introduced in quantities amounting to 0.3-0.4% of the dry body. Alter-
natively, where body type allows, liquid mixtures based on organic substances and
sodium silicates can be used; these are introduced in slightly higher percentages
(approximately 0.4-0.5%).
Liquid mixtures are advantageous in that they can be adapted to suit a certain
body and act faster thanks to the ease with which they are dispersed throughout the
aqueous vehicle; batching systems are also more reliable.
The water content of the slip generally falls within the 31-34% range. Bear in
mind that:
as a rule, the amount of deflocculant being equal, a higher in-body clay content
increases the amount of water needed to disperse the material.
high plasticity of clayey body components (e.g. montmorillonite clays) raises
viscosity, which must then be controlled by increasing water or fluidizer content
(white bodies, generally featuring a higher percentage of hard complementary
components and a clayey fraction of higher plasticity, are subject to the contra-
sting effects of the plasticity of the clays and their percentage in the body).
recycled water that has undergone chemical-physical clarification-flocculation
treatment and has consequently been enriched with flocculating ionic substances
may work against the effect of the fluidizer and increase the required quantity
of water.
using greater quantities of deflocculant allows the quantity of water to be re-
duced; consequently there are heat energy savings at the spray drying stage.
attaining a high degree of body refinement means dissipation of large amounts
of mechanical energy in the form of heat; the slip thus exits the mill at high
temperature (often higher than 70 °C), keeping viscosity low.
At room temperature, slip density varies between 1690 and 1740 g/l (at mill
outlet temperatures much lower densities are observed): the lowest densities are
generally observed in colourless bodies, the highest in white ones.
Viscosity generally falls between 2.5 and 3 °E, although slips outside this range
that can still be sieved easily are certainly not uncommon. The fluidity of a suspen-
sion, in fact, should also be viewed in light of its yield point and thixotropy.
In any case, good fluidity means good sieving on small-mesh screens (net aper-
tures of 130-160 µm), indispensable in ensuring body quality and preventing im-
perfections such as dimples and dots which only show up after firing.
Production line checks should, of course, be completed by particle size distribu-
tion data from laboratory tests, which, for the most part, consist of sieve residue
analyses. The reference figures usually adopted for porcelain tiles are:
0.7-1% of sieve residue with net mesh opening 63 µm
2.5-4% of sieve residue with net mesh opening 45 µm.
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More accurate, reliable analysis – obtained with the aid of a laser diffraction gra-
nulometer – allows the user to evaluate cumulative curves and the average numerical
diameter of samples. Results are generally as follows:
– average numerical diameter of particles: 17-20 μm.
– percentage of particles passing through at 20 μm: 70-75%.
The table below compares porcelain tile body production in continuous and di-
scontinuous mills (grinding media quality being equal):
Continuous mill Discontinuous mill
Gross capacity (l) 40,000 38,000
Volumetric ratio 1.053 1
Grinding media Silica/Silica/Silica Silica
Lining Rubber Silica
Dry output (kg/h) 3,500 -
N° of cycles (cycles/day) - 1
Slip load (l) - 17,000
Slip density (g/l) - 1,690
Water content (%) - 34
Dry load (kg) - 18,900
Daily dry output (kg) 3,500x24=84,000 18,900/1=18,900
Output/day per unit volume (kg) 84,000/1.053=79,800 18,900/1=18,900
Total consumption/ton 63.7 kW/h 103 kW/h (*)
(*) This considerable difference is caused by the silica/silica combination (which
is quite common). Where alumina is used, grinding times are halved and electricity
consumption remains similar.
Productivity ratio, gross volume and grinding media quality remaining equal:
79,800/18,900 ≅ 4.2 (in any case this figure will always be greater than 3).
Therefore, gross mill volume and grinding media being equal, at least 4.2. discon-
tinuous mills are needed to do the work of a single continuous one. Similarly, overall
gross mill volume and grinding media being equal, continuous mill productivity is
approximately 4.2 times higher than discontinuous mill productivity.
The nature of the grinding media influences efficiency considerably: sintered
aluminium media raises machine productivity but also raises costs. However, bea-
68
Grinding
ring in mind that the benefits of sintered alumina are largely perceived at the re-
finement stage, such additional costs can be mitigated by using such media in the
refinement zone only.
Significant economies can thus be obtained simply by changing the grinding
media, without excessively penalising productivity.
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70
Drying
Chapter II
Spray drying has been used in the foodstuff and pharmaceutical industries for
over a century; its introduction into the ceramic industry is a somewhat more re-
cent affair. In ceramics, spray-drying has simplified the overall production process
by replacing filter-pressing, drying, grinding, re-moisturising and classification (fig.
1) and has also reduced labour and maintenance requirements.
The slip obtained from grinding raw materials in an aqueous suspension is
dried by way of a continuous, automatic process that provides a product of con-
trolled moisture content, shape and particle size distribution that is ideal for pres-
sing.
Thanks to spray drying, these advantages have been available to the ceramic
RAW MATERIALS
PRE-TREATMENT
WET GRINDING
SIEVING
FILTER PRESSING
DRYING
RE-MOISTURISING
CLASSIFICATION
SILOS
PRESSES
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industry for some years now. Spray drying is carried out in machines called spray
drier atomisers, or, more simply, spray driers (see fig. 2).
Fig. 2.
72
Spray drying of ceramic slips
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A nozzle-type spray drier with compressed air atomiser is rarely used to dry
ceramic slips.
For products with a very high specific weight, or where very fine particle size
distribution is required, the centrifugal disc system is the most suitable.
Fig. 4 summarises the complete spray-drying process, from slip infeed to purifi-
cation of the exhaust gases.
How it works
In spray drying, continuous and automatic atomisation and hot air drying of the
slip produces powders of controlled particle size distribution and moisture content
that can then be pressed in a semi-dry state to make tiles.
The spray drier essentially consists of a chamber of shape and volume designed
to promote heat exchange between the finely sprayed slip and the hot air/com-
bustion fumes.
There are, as illustrated on the previous page, several different types of spray
drier: the one most commonly used in the ceramic industry is the mixed-flow type
where the air is directed downwards from the top of the chamber and the slip is
projected upwards from the base.
This solution maximises the time spent by the particles inside the drying cham-
ber: because they first encounter the hot air in counterflow and then in uniflow, heat
exchange efficiency is high (fig. 5).
74
Spray drying of ceramic slips
The finest powders in the spray drier chamber are first separated by cyclones,
then a dust collector. Finally, the fumes exit the stack.
The diagram in Fig. 6 illustrates a spray drier with nozzle-type atomisation and
shows the position of all the main devices.
The main body of the drier is cylindrical. Hot air is introduced into the chamber
from above and distributed tangentially; the initial counterflow stage of heat ex-
change takes place as this hot air meets the atomised slip being projected upwards
from the bottom of the cylinder via nozzles mounted on a ring which is concentric
to the chamber perimeter.
As the powders lose their momentum and fall back towards the lower, conical
section of the chamber the final uniflow stage of drying begins. Kinetic energy is
provided by a pair of piston pumps (which operate at 20-30 atm) that impart a
nozzle exit speed of about 30 m/sec, sufficient to overcome the low viscosity (about
3° Engler) of the slip, shear it into minute droplets and direct it upwards.
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The cone-shaped upward spray does not travel in a straight line but, rather,
spirals upwards on account of the movement imparted by internal devices, nozzles
and spirals of varying shape and size.
A simplified description of the overall drying process can be provided with the
aid of fig. 6: the slip is fed at constant pressure by the pump (1), passes through
the filters (2), and reaches the distributor ring (3) inside the tower (4).
The finely atomised slip jet is hit by a vortex of hot air produced by a natural
gas or LPG air-flow burner (8) and an intake fan (7) (or by a direct combustion
burner using liquid fuel).
The air is conveyed to the upper part of the tower via a heat-insulated steel duct
(9) and is set in rotation by the annular distributor (10). Dried powders are unloaded
via the outlet valve (5) onto a conveyor belt.
13
9
10
8
12
11 4
3
7
1 5
2
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Spray drying of ceramic slips
The fine powder residue that remains suspended in the air exhausted by the
main fan (11) is, in part, separated out by the cyclones (6) and, in part, by the wet
dust separator (12).
The exhausted air is then expelled via the stack (13).
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Atomisation nozzles
The nozzles are generally of the so-called coil type in which a spiral-shaped
insert causes the fluid, driven by the pressure behind it, to rotate in a way that
facilitates dispersion of the jet as it impacts with the air.
An exploded drawing of a nozzle is given in fig. 11.
The spiral is not the only important nozzle part: equally important are the disk
inserts with central holes.
The (upper) table in fig. 11 shows disc hole diameters and the lower table the
spiral heights.
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Spray drying of ceramic slips
Fig. 10. Cross section and plan of two different spray drier types: a) ring atomising nozzles b) with
lances.
In addition to the spirals and discs the other main nozzle parts are:
1. Head
13. Discs without hole
14. Distributor
15. Container with coupling
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Spray drying of ceramic slips
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82
Spray drying of ceramic slips
Fig. 14. Diagram illustrating flow routes within the fine powder separationcyclones.
Air-flow burners are suitable for gaseous fuels and forced-draught burners are
suitable for liquid fuels. In both cases the flame is adjusted via a system that modu-
lates the quantity of fuel as a function of required in-tower temperature.
Fig. 15 shows an air-flow burner. They provide excess combustion air (about
150% of stoichiometric air).
FLU-FIRE burners, instead, do not have their own combustion air fan.
Gas combustion thus occurs with process air, which must have a minimum oxy-
gen content.
Fig. 16 illustrates the structure of the FLU-FIRE burner.
These burners are also suitable in cogeneration plants and, depending on their
specific characteristics, may act as after-burners where standard generators are in-
stalled (fig. 17).
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The resulting air flow generates a vortex which facilitates heat exchange with
the slip (fig. 19).
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Spray drying of ceramic slips
Fig. 19. The hot air vortexes formed in the distributor (computer generated image).
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The wet abatement device is located downstream from the main fan. It constitu-
tes the second stage of dust separation and is where the finest dust particles are
removed.
The slip, which exits the mill at 20-70 °C, is pumped at a pressure of 20-30 bar
towards the spray drying system.
Pressure P1 in the drying tower is approximately -0.5/-1.5 mbar.
The hot air intake temperature is in the 550-650 °C range.
The temperature of the spray-dried powder is generally in the 40-70 °C range.
fume temp.
with abatement unit 60-80 °C
without abatement unit 80-120 °C
fume outlet
gate
gate
slip
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Spray drying of ceramic slips
The air directed towards the cyclones (T1) falls within the 80-120 °C tempera-
ture range.
The partial vacuum inside the cyclone is in the order of 10/20 mbar.
The temperature of the fumes exiting the stack may be 60-80 °C where a dust
separator device is installed or 80-120 °C where it is absent.
Stack smoke pressure is in the order of +10/+15 mbar.
Since the situation varies on a case by case basis all the above figures should be
viewed as approximate.
At the precise instant in which the slip is atomised into droplets, the latter are
split, projected upwards, captured in the turbulence generated by the downflow of
hot air and forced to follow trajectories that involve collisions, aggregations, new
splits and impacts against the tower walls.
Computer-generated flow models have allowed researchers to study just how a
spray drier works by examining the trajectory of the particles and how long they
remain in the chamber; researchers have also been able to investigate temperature
and humidity ranges both in the process area and the slip droplets themselves (see
fig. 21).
Like all interfacial phenomena, the relationship between mass (volume) and
surface area is crucial. Here, the phenomenon of evaporation is directly propor-
tional to the droplet surface area available for exchange and the temperature, sur-
face tension and other parameters.
Fig. 21. Computer generated image of particle trajectories inside a spray drier.
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At the same time, the size of the droplets and the direction and speed of
the atomised flow dictate the suitability of the type and size of the drying
chamber.
In the ceramics industry droplets generally range in size from just a few microns
to 900-1000 microns with a classic statistical distribution centred around 300-400
microns.
During the average life of a droplet (5-6 seconds, the contact time between the
two phases) high-energy heat exchange at the liquid interface, with air that has
been heated to over 500 °C (maximum air temperatures may be as high as 650 °C),
causes evaporation of the water in the droplet and thickening of the particles sus-
pended in it.
The size and shape of the dried product obviously depend on the nature of the
solid phase (note that the case in hand refers to a ceramic body where the percenta-
ge of inert material is very high with respect to the clayey parts).
Depending, then, on the size of the droplets, the generated granule types may be
classified as follows (see fig. 22):
a) For droplet diameters up to 70 microns drying is absolute and the finest parti-
cles, in the form of powder, are captured by the outgoing air flow and then re-
covered by the powder collection device. The smallest particles consist of indivi-
dual grinding residue particles.
b) For measurements in the 70-400 micron range drying conforms to average over-
all moisture content values and generates a granule, already spherical in shape
with a cavity of varying size, that drops into the conical cooling/collection zone
of the spray drier.
c) Over 400 microns, drying produces a granule with a moisture content higher
than the overall average; this is because, on account of its volume, it spends
Fig. 22. Possible particle size distribution of a spray dried body and morphological aspect of grains of
different sizes.
88
Spray drying of ceramic slips
less time in the drying chamber. This large granule nearly always has the clas-
sic shape described above yet also has a net tendency towards agglomeration
and inclusion of particles as a result of its high residual moisture content (fig.
23).
At this point the parameter which determines the final form is the duration of
heat exchange between the two phases. If this time is too short the water vapour
formed inside the droplet, unable to exit the already hardening film, shatters the
grain which, on microscopic examination, takes on the appearance of a split-apart,
layered, thickly walled egg shell.
If the heat exchange lasts longer, the water vapour forming in the interior can
leave the droplet through its rear, which is cooler and has a film still at the forma-
tion stage (thinner and less compact). This is why the rear wall collapses inwards
and the grain takes on the characteristic hollow sphere appearance, maintaining a
residual moisture content.
Of course, not all the grains take on the classic spherical shape as there may be
small percentages of agglomerates and other, finer particles.
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It is the spherical fraction that provides the best results in terms of uniformity,
average composition and good flow performance.
It is interesting to note that the particle size distribution of the spray dried
grains compared to that of the wet sprayed droplets is smaller by about one third.
Starting with a slip having a litre weight of 1.6-1.7 Kg, total evaporation of the
water yields a solid with an apparent weight of about 1 Kg/l on account of the
empty gaps within the granules and between them (corresponding to the contrac-
tion undergone by the droplets as they dry).
While the solid parts contained in the initial droplet end their passage through
the spray drying system here, the liquid fraction, which has been transformed into
water vapour, is exhausted together with the air in the chamber (now cooler after
yielding the heat necessary for evaporation). After passing through the cyclones
and the wet separators, the so-called fumes exit via the stack at controlled tempera-
ture and humidity, taking with them any residual solid particles compatible with
environmental protection laws. Transformation of the relevant phases is illustrated
in fig. 26.
The final powder added to the fine powder recovered by the cyclones is sieved: it
is then stored in silos.
After an ageing period, which homogenises moisture content and temperature
throughout the silo, the powder can then be drawn off and sent to the pressing
department.
90
Spray drying of ceramic slips
Fig. 25.
Fig. 26. Characteristics of materials and fumes (phases) entering and exiting the spray drier.
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The spray dried grain is, then, more or less spherical in shape with a hollow
dimple of varying size; it contains the residual moisture necessary for pressing
and this is generally found inside the hollow. Fig. 27 compares the grain morpholo-
gy of a spray dried powder with that of a dry-ground powder. The spray dried
powder (left) appears as a set of spherical grains of varying size while the dry
ground powder (right) is an agglomerate of needle-like, acicular particles.
This difference clearly implies different mould filling characteristics at the pres-
sing stage: the best results are generally obtained with spray dried powders.
Grain size
Spray dried powder grains are generally of a diameter in the 100-600 micron
range, with much of the statistical distribution falling inside the 180-300 micron
band. Maximum particle concentration, though, is generally found in the 250-300
micron range (fig. 22).
The three factors
grain morphology
residual moisture content
particle size distribution
are extremely important in defining the flow characteristics of the powder, which
play a key role in mould filling.
Spray dried powders derived from different bodies, such as vitrified single-firing
(white and red), porous single-firing, and porcelain tile bodies have, on the whole,
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Spray drying of ceramic slips
similar particle size distribution since it depends more, in fact, on the physical cha-
racteristics of the slip (viscosity and density) than it does on the composition of the
body.
Tab. 1 shows spray dried particle size distribution ranges for different bodies
commonly used in the ceramic industry.
1 2 3 4
GRANULOMETRIA:
PARTICLE SIZE DISTRIBUTION:
mgl/cm22
mesh/cm µum
m
sopra
above 100 600 2 6 2 1
“ 196 425 10 20 13 9
“ 400 300 11 13 13 10
“ 576 250 43 41 44 42
“ 1050 180 15 12 14 17
“ 2500 125 12 7 9 14
below
sotto 2500 125 7 2 6 7
Disperso
Lost 0 0 0 0
Total
Totale 100 100 100 100
Approx. average
Diam. medio diam.(µm)
approx. (µm) 283 344 295 272
Powder flowability
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Tests carried out on spray dried powders obtained from different bodies made by
different producers show very similar fluidity/volume and fluidity/mass values.
It has also been observed that the most important factor influencing powder
flowability is the residual moisture content of the spray dried powder; note that
flowability decreases as residual moisture increases (see tab. 2).
Slightly different flowability values are seen in laboratory-prepared mixtures,
obtained by mixing together very different granulometric fractions (tab. 3).
Observation of the table shows that a mix consisting of a preponderance of
medium particles flows better than other mixes classified as coarse or fine.
Umiditàmoisture
Powder delle polveri % %
content 3.2 5.1 5.9
Fluidità rel.
Fluidity rel. to
al VOLUME
VOLUME
3
16.1 16.1 14.8
cm3/s
cm /s
Fluidità rel.
Fluidity rel. to
alla MASSA g/s
MASS g/s 17 16.9 15.3
3
Densità apparente
Apparent density g/cm
g/ cm3 1.06 1.05 1.03
Angolo
Angle ofdi caduta °
fall (°) 30 29 31
Tab. 2. Flowability values for spray dried powders of different residual moisture content.
94
CAMPIONE SAMPLE T.Q. COARSE
GROSSO MEDIUM
MEDIO FINE
FINE C+M
G +M M+F
M +F C+F
G +F
PARTICLE
GRANULOMETRIA:SIZE DISTRIBUTION:
mgl/cm2 um
95
below
sotto 2500 125 7 0 0 21 0 10 10
disperso
lost 1 0 0 0 0 0 0
Total
Totale 100 100 100 100 100 100 100
Approx. average
Diam. medio approx.diam. (mm)
(µm) 267 456 275 162 365 218 308
Spray drying of ceramic slips
POWDER
UMIDITÀ POLVERI
MOISTURE CONTENT % % 4.2
FLUIDITY
FLUIDITÀ rel. VOLUME
rel.altoVOLUME cm3cm
/s 3/s 17.0 15.3 17.7 16.5 16.2 17.4 16.4
FLUIDITY
FLUIDITÀ rel. to MASS
rel.alla MASSA g/s g/s 18.4 15.8 18.8 18.0 17.2 19.1 18.8
APPARENT DENSITY
DENSITÀ APPARENTE g/ 3cm3
g/cm 1.08 1.03 1.06 1.09 1.06 1.10 1.15
ANGLE
ANGOLO OFDIFALL
CADUTA (°) (°) 27 30 27 28 29 27 28
Tab. 3. Flowability measurements of a spray dried powder and artificially produced grain blends (dif-
Applied Ceramic Technology
Volumetric flow
flowrate
Portata volumetri
Volumetric ca
rate á pressione pompa
pump pressure
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Spray drying of ceramic slips
Fig. 29. Variables which control and condition the spray drying process.
Output comparison
Confronto between
tra produzione slip andewater
tra barbottina acqua
- spacers15-7
-Torrette 15-7spirale
coil 13-6
13-6Pp=
= 20
20 bar
25
x 10
20
ratex 10
15 Slip
Barbottina
Portata
10 Water
Acqua
Flow
0
1 2 3 4
Nozzle
Diametro diam.
ugelli
Outputproduzione
Confronto comparison with
con slip
barbottina
-- spacer
Torretta15-7
15 - 7Pp=
= 20 bar
bar
70
60
Angoloangle
cono
50
40 coil 10-4
spirale 10 -4
Cone
30 coil 13-6
spirale 13-6
20
10
0
1 2 3 4
Nozzle diam.
Diametro ugello
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Flow rates increase as coil clearance increases. Fig. 30 shows flow rates (y co-
ordinate) with coils of different heights in relation to the adoption of nozzles of
different diameters (x coordinate).
Energy consumption
The optimisation of energy costs during the spray drying process depends on a
number of plant engineering and technological factors.
The most important of these are:
size and type of spray drier
continuity of operation
conditions on the machine and essential devices such as burners, fans, insulation
systems
optimisation of overall working conditions
technological characteristics of slip (density, viscosity, droplet drying rate).
The minimum relative specific consumption (Kcal/kg) and its output capacity
expressed in Kg/h - essentially depends on two factors:
percentage of solid contained in the slip hence the proportion of water to be
evaporated
hot air inlet temperature.
Fig. 32 illustrates the heat (energy and material) balance in the spray drier. Note
that the heat effectively used for evaporation of the water accounts for little more
than half of the total heat introduced into the chamber; the rest is, instead, heat
loss, mainly through the walls and with the exhaust air and, to a far lesser extent,
with the dried product.
As tab. 4 illustrates, optimum specific fuel consumption is, on average, about 370
Kcal/kg.
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Spray drying of ceramic slips
Fig. 32. Heat (energy and material) balance in the spray drier.
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The parameters and data which need to be taken into account in evaluating ener-
gy consumption are given below (tab. 4).
G e, A .Q
qA = = 372.7
438.5 kcal/kg
Gp
ATM
Ub l/kg Umidità
Slip della barbottina
moisture content 0.35
Consumospecific
Average specificoheat
medio di energia
energy consumption
Q Kcal/l 850
1000
per litreper
termica of water evaporated
litro d’acqua evaporata
Consumospecific
Average specificoheat
medio di energia
energy consumption
Q Kcal/kg qA
per Kg of
termica perpressing powder
kg di polvere per pressatura
Tab. 4.
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Spray drying of ceramic slips
Of all the spray drier parameters, evaporation rate is the one that provides the
most immediate information as regards its efficiency and the one that will lead to
full exploitation of its potential.
Table 5 shows a series of formulas with which it is possible to calculate the
amount of water evaporated by the spray drier.
H 2O ev. = Pf × Y
Ui% − Uf%
Y =
100 − Ui%
Key to symbols:
Ui% Water contained in the slip (%)
Uf% Water contained in the spray dried product (%)
Pf Final spray dried product, including residual moisture (kg/h)
H2O ev. Water evaporated (litres/h)
Y Coefficient for calculation of evaporated water (see also table 5)
There is often a need to know data as regards the output the spray drier will
effectively be expected to provide; such data is used to size the machine in line with
effective production plant needs and to run checks on production during routine
operation.
The following two examples show how some of the sizing questions can be
resolved.
1 - If hourly wet powder output is known the quantity of water to be evaporated by the
spray drier can be determined.
a) Known data
Qp quantity of spray dried powder = 6800 kg/h
Up powder moisture content = 6%
H2O slip water content = 38%
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Tab. 5. Table for calculation of evaporative capacity of a spray drier and the quantity of spray dried
product.
b) Calculation
Determining the quantity of dry powder produced (Qs)
Where 94 is given by 100% of water in the spray dried powder (i.e. the 94 is the
% of solids of the powder derived from the 6% water needed to press it).
It is also known that the quantity of water in the powder and thus not evapor-
ated by the spray drier is:
Determining the quantity of water contained in a slip with a 38% water con-
tent and 6392 Kg of dry material
38 : 62 = × : 6392
× = 3917 l H2O/h
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Spray drying of ceramic slips
where
38 = % of water in the slip
62 = % dry material in the slip.
N.B. This calculation is also used to establish the required drying capacity of a
spray drier to be installed in a plant of specific capacity.
2 - If the evaporative capacity of the spray drier is known the quantity of moist spray
dried powder produced can be determined.
a) Known data
spray drier evaporative capacity = 3500 l/h
spray dried powder moisture content = 6%
slip water content = 38%
b) Calculation
Determination of the apparent dry percentage and the water in the slip
Where 94 is given by 100% of water in the spray dried powder (94% dry mate-
rial in the powder and 6% water).
Energy savings
Energy savings at the spray drying stage can be obtained by varying the working
conditions of the machine and the technological parameters of the slip.
The main variables which have a significant effect on energy savings are:
a) incoming hot air temperature
b) difference in temperature between incoming air and outgoing air
c) air recycling
d) increase in the slip solids content.
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b) Effect of the difference in temperature between inlet air and outlet air
The greater the difference between the inlet and outlet air temperatures, the
lower the energy consumption per unit of product output.
This difference can be widened either by increasing the temperature of the inlet
air or decreasing that of the outlet air.
Fig. 33. Specific consumption of a spray drier as a function of hot air inlet temperature.
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Spray drying of ceramic slips
Recycling a part of the outlet air (from 10 to 50%) could provide considerable
energy savings.
However, recycling more than 50% of outlet air could, instead alter in-chamber
hygrometric parameters to the extent that the drying speed of the atomised drop-
lets is reduced.
Trials have shown that energy savings of up to 20% can be obtained by re-
cycling outlet air with a temperature of 120 °C.
Energy recovery
Where the size and power of the spray drying system allow, the plant can be
integrated with a cogeneration system. This uses the excess heat produced by an
electricity generator (smoke from turbine or combustion engine) as hot air for the
spray drier. The electricity can thus be used internally or, if there is a surplus,
reintroduced into the mains grid. Recent legislation has provided incentives in this
regard.
Moreover, it is evident that where a cogeneration system provides a flow of hot
air, a recovery system will be able to provide (necessary air temperature and flow
rate remaining equal), a considerable reduction in fuel consumption per unit of heat
generated.
105
Chapter III
PRESSING
Introduction
Pressing is that stage of the production cycle in which ceramic products are
formed by compacting semi-dry granular powders.
Compared to other forming systems (extrusion, casting, etc.) pressing has consi-
derable advantages:
high productivity
excellent repeatability of size parameters
pressed pieces are easy to dry
limited drying and firing shrinkage.
Pressing systems
Flowability largely depends on the shape of the grain and thus on how the powder
was prepared, that is:
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Toggle press
Friction press
Of simple design, it is also easy to maintain. Its limitations lie in the difficulties
of maintaining constant, uniform pressing.
Hence it has now largely been abandoned in favour of more reliable hydraulic
pressing systems.
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Pressing
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Hydraulic presses
The hydraulic press functions by way of a fluid that exerts a pressure inside a
cylinder. The operating principle is based on the pressure increase obtained when
the pressure exerted by a narrow column of fluid is connected to a cylinder with a
piston of much larger cross sectional area. The greater the differential between the
area of the two cylinders the greater the total force on the larger one compared to
the narrow one.
Modern presses, which use oils with special viscosity characteristics, have a
hydraulic control unit that supplies the oil under pressure: once the oil is introduced
into the circuit it exerts the compression force of the accumulator and multiplier
through the cylinder on the material. This unit consists of two independent cir-
cuits, a high pressure one which feeds the actual pressing mechanism and a low
pressure one which serves auxiliary units. A single or double-action cylinder unit
is installed on the upper structure of the press; this shifts the cross-beam vertically
as required and exerts high pressure on the punches at just the right moment.
Summing up, the pressing action is effected by transforming hydraulic pressure
into a deformation force as per the following formula:
F=S×P
where
F = Deforming force (in Kg)
S = Surface area (in cm2)
P = Oil pressure (in Kg/cm2).
The above characteristics make hydraulic presses especially suitable for use in
highly automated production plants and as regards final product technical re-
quirements in the pressing of products with high levels of firing shrinkage.
110
Pressing
be automated
be flexible
be extremely precise at every stage of the cycle
maximise energy savings
be versatile.
Versatility refers to the possibility of choosing between a work cycle with max-
imum energy savings and a cycle with maximum speed.
For a detailed description of the main parts of a press system it is best to refer
to the specific technical manuals which accompany every machine. Nevertheless,
note that a dry-pressing machine essentially consists of the press itself and equally
important complementary devices such as:
filler box feed devices
die cavity loading devices
dies
powder removal devices.
Generally speaking, ceramic tile manufacturers use three different machine ran-
ges for the following purposes:
1. Presses for small tiles and trims. Low tonnage machines (< 500 tons) with sophisti-
cated control devices and precision cross-beam movement, filler box movement
etc. Moulds are complex and ejection of the formed piece may involve move-
ment of the die box. Powder filling and pressing force can also be applied hori-
zontally, with the mould closed. Installed power is generally low (20 or 30 kW).
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2. Presses for modern standard size pieces, i.e. single fire floor or wall tiles of up to
40×40 cm.
These presses account for the bulk of the market and have maximum pressure in
the 600-4000 ton range; characterised by very high productivity (up to 18-20
complete cycles per minute) and flexibility to meet the ever-increasing variabili-
ty of production lots, often involving several size changeovers per week. For this
reason die changeover, filler box or feed unit adaptation and machine adjustment
tasks need to be as fast and simple as possible. A powder loading system that
uses a filler box with a traditional grating (grid) is already seen as obsolete and
can now be replaced by floating gratings supported directly by the die box anti-
friction inserts. Thus the filler box and load hopper effectively form a single unit
and all that needs to be changed during a tile size changeover is the grating (figs.
5 and 6).
3. Presses for medium-large sizes. This range covers larger tiles (e.g. 30×60, 60×60
cm or larger) or tiles decorated on the press itself and not glazed downstream;
these items require slower cycles and it is important that energy efficiency is not
sacrificed.
This is why more suitable, lower productivity presses have been developed, es-
112
Pressing
pecially now that medium-large tiles of this type are steadily becoming more
popular.
As a rule, hydraulic systems use proportional valves, or servovalves, and not the
on-off circuiting seen on earlier models. This means that electronic setting sys-
tems can be used, thus guaranteeing precision and quality. The load-bearing
structure is normally of the column and/or welded type. Presses in the 600-
1500 ton range have column structures, either of the pre-stressed type (to counter-
act lengthening of the structure at the moment of maximum load) or arch-like
ring frames (made with rings either welded together or linked with threaded
bars).
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4. Presses for large tiles (fig 7). Pressing forces range from 4000 to 7000 tons and
beyond [specific loads are generally in the order of 400-650 Kg/cm2 depending
on the overall surface area being pressed. Higher pressures are only used on very
lean (non-plastic) bodies or very dense granules]. Such presses are characterised
by very wide clearance and, of course, sophisticated accessory systems (filler
boxes, dies etc.).
They are not used to make tiles as such but, rather, very large ceramic slabs (e.g.
120×180 cm); hence reliability takes precedence over speed. Feed systems are
specially designed to ensure even distribution of the powder. The dies are made
of several parts so that they can be moved around the plant with standard fork-
lift trucks (they would otherwise be too bulky). Production cycles may be lower
than 10 cycles per minute.
Machine devices
Ejector
Newly designed piston ejectors have played a key role in making presses more
flexible: recent years have, in fact, seen a switch from traditional ejectors, installed
underneath the press, to ejectors fitted on the press bed directly beneath the die
itself. Because this new design has shorter pistons movement is more precise. More-
over, proportional hydraulics and a greater number of lift points (where there used
to be one there are now at least two) give more accurate ejection. To ensure maxi-
mum production flexibility, ejectors have even been integrated into the individual
dies. This means that the latter can be adjusted outside the press, thus reducing
plant downtime.
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Pressing
Machine structure
1 Load bearing
structure
2 Mobile cross-beam
3 Fixed cylinder
support beam
4 Hydraulic piston
5 Mould air filter
6 Traditional ejector
(SMU ejector on
more modern
machines)
7 Multiplier
8 Hydraulic SMU
ejector (traditional
ejector on older
machines)
9 Filler box support
10 Filler box
11 Hopper
14 Filler box drive
15 Mechanical buffer,
guards
16 Aspiration hood
17 Spring dampener
18 Hydraulic hoses
19 Hydraulic leak fluid
container
20 Logic elements plate
21.1 Valve bank
21.2 Braking unit
22 Ejector and filler box
control
27 Hydraulic control
unit
28 Cooling pump
29 Guards
30 Electrical wiring
31 Electronic control
unit
32 Electrical cabinet
33 Cross-beam position
controller
34 Mould/die
35 PLC keyboard
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There are several traditional types of tile forming die, each of which have well-
defined operating principles. Two such types are the entering punch die and the
mirror die.
Fig. 9. Cut-away diagram of an entering punch die: 1) upper punch, 2) lower punch, 3) die box.
Mirror dies
In this case, instead, the upper punch contacts the top of the die box, which is, in
turn, mobile with respect to the die as it is connected to the lower part by elastic
systems (fig. 10).
The key characteristic of a mirror die, then, is that the die box is shifted by the
force exerted by the upper punches on the die box itself.
The resulting advantage is that as the tile is made the right way up the top (or
face) side of the tile no longer scrapes along the die box. However, it is no longer
possible to produce tiles with edge spacers either. Upper punches and box liners last
much longer than they do on entering punch dies.
Undoubtedly more complex from an engineering viewpoint, the mirror die is
also more costly and relatively more difficult to assemble than an entering punch
die.
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Pressing
Fig. 10. Cut-away diagram of a mirror die: 1) upper punch, 2) lower punch, 3) die box, 4) base plate,
5) pusher.
Fig. 10a. Cut-away diagram of an upper forming press: 1) upper punch, 2) lower punch, 3) upper die
box, 4) lower die box, 5) pusher.
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pusher
lower
die box punch
box liners
hydraulic
support piston
press bed
Isostatic dies
For some time now special isostatic (or, more properly, isostatic-effect) die sets
have been used to optimise filling homogeneity right across the surface of the die
cavity; isostatic dies have reduced finished tile defects considerably.
Compression is achieved by way of a punch with a rigid back and a hard, yet
deformable polymer front that comes into contact with the powders to be pressed; a
chamber between the punch and the polymer membrane contains an incompressible
fluid. Fig. 12 illustrates the operating principle behind these punches.
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Pressing
Oil
Powder
Isostatic punch
A general description of the filling, pressing and ejection sequence for the va-
rious kinds of die follows.
The pressing cycle begins with ejection of the tile formed during the previous
pressing; this ejection consists of the tile being raised by the lower punches from
the bottom of the cavity until it is above and level with the surface of the die box.
Figures 14, 15 and 16 illustrate the different stages of the pressing cycle (filling-
pressing-ejection) for entering punch, mirror and upper forming dies respectively.
The cycle is as follows: the grating-equipped filler box moves forwards and shunts
the just-formed tiles away from the die box. Then the lower punches drop (first fall)
and the cavities are filled with powder; the filler box returns to its home position.
The lower punch then drops further (second fall) and the mobile cross-beam begins
its descent. Initial first compression of the material then takes place: this is not
violent, as its main function is to expel the air from the powder particles (de-airing)
The second compression gives the tile its definitive shape and brings the material to
the required degree of compaction. The cycle then recommences, with ejection of
the pressed tile and a new filling of the die cavities.
Electrical impulses emitted by proximity sensors installed at certain points on
the press allow precision control and thus automation of all press movements by
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way of a feedback system. The impulses are sent to an electronic controller which
recognises the process being carried out at that moment, calculates the next move-
ment and relevant execution times and, in turn, transmits the necessary impulses to
the hydraulic control unit which governs the pressing sequence.
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Pressing
For a more detailed explanation of parts the reader should consult the specific
machine handbooks.
There follows an overview of the main characteristics that distinguish the various
types of pressing punch.
Isostatic punch
A tile back punch with a membrane on its face which uses the incompressible
nature of the oil in its internal channels to compensate for uneven cavity filling.
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The main causes of such variations are uneven die cavity filling and changes in
press performance.
To meet the requisites in points a) and b) the characteristics of the spray dried
powder and the working conditions of the press must be correct and comply with
accepted standards.
The main factors influencing pressing are thus:
a) Characteristics of the powder being pressed.
b) Characteristics of the pressing cycle.
Definition of terms
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Pressing
Powder characteristics
BULK DENSITY
Weight per unit of volume of powder; includes solid phase, porosity (internal
air gaps) of individual grains and air between individual particles.
TAPPED DENSITY
The bulk density of a known volume of powder after controlled vibration.
Dv
I.H.
H.I. =
Da
where
Dv = tapped density (g/cm3)
Da = bulk density of powder (g/cm3).
BULK DENSITY
Ratio between mass and apparent volume (M and V).
M M
Bulk dens. = =
V tot Vpores + Vsolid
REAL DENSITY
Ratio between mass (i.e. quantity of material) and actual occupied volume.
M
Real dens. =
V solid
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TOTAL POROSITY
Ratio between pore volume and total volume.
OPEN POROSITY
Ratio between the volume occupied by the open pores (i.e. those connecting with
the outside) and total volume.
CLOSED POROSITY
Ratio between the volume occupied by the closed pores (i.e. those not connecting
with the outside) and total volume. This value is negligible.
COMPRESSION RATIO
Ratio between apparent and compacted volume.
Mass
V app. Dapp. D compacted
Compressio n ratio = = =
V compacted Mass D apparent
D compacted
In turn, the above factors determine and condition the properties and technolo-
gical characteristics of the powders, namely:
bulk density
fluidity
compression ratio
friction angle of the powders.
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Pressing
be expelled during pressing or a thicker powder filling layer has to be used. Both
cause difficulties in the pressing cycle.
The bulk density of a powder depends on the volume of the intergranular spa-
ces and the density of the granule or agglomerate. This value is determined by
weighing a known volume of powder.
Agglomerate density depends on how the powder was prepared (dry grinding,
re-granulation, spray-drying) and on the shape and size distribution of the par-
ticles in the agglomerate.
Bulk density values for different powders (granulates or spray dried powders) of
specific grain size are given in fig. 17 and table 1.
They illustrate that spray-dried grains have lower densities than agglomerates.
Note also that re-granulate density increases slightly as grain size increases while
for spray-dried powders the opposite is true because of the existence of the hollows
inside the particles, which increase as particle size increases. Such cavities depend
on particle shape and size distribution.
The agglomerates obtained from dry grinding do not have any such cavities.
Table 1 shows bulk density values for:
spray dried powder
dry ground powder (traditional)
re-granulated powder.
Fig. 17. Bulk densities for different (granulates and spray-dried) semi-finished products.
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APPARENT
DENSITÀ TAPPED
DENSITÀ PER
MOISTURE
UMIDITÀ APPARENTE VIBRAZIONE
DENSITY DENSITY
(%)
(g/cm 3) (g/cm3)
Regranulated
Granulato body 5.90-6.0 1.1-1.15 1.470-1.480
Spray dried body
Atomizzato 5-7 0.33-1.00 1.240-1.260
Dry ground
Macinato bodytradizionale
a secco 6-10 0.75-0.8 1.320-1.350
Tab. 1. Bulk densities for different types of powder (spray dried, dry ground and re-granulated for a
given composition).
Powder fluidity
Flow speed is defined as the time taken for a certain volume of powder to flow out
of a funnel-shaped container via a calibrated orifice and is expressed in cm3/sec.
The Hausner index is based on the increased density of powder on vibration. The
higher the inter-particle fluidity the higher the tapped density and the Hausner
index.
Although this is the most suitable scale for characterisation of powder fluidity, it
is not generally used in routine powder characteristic checks.
The effect of residual moisture content and grain size on powder fluidity is illu-
strated in figs. 18 and 19.
In Figure 18 note that fluidity falls as moisture content rises, especially in the 5-
8% range. A similar graph is obtained with agglomerates prepared using dry grin-
ding methods.
Fig.19 shows the effect of specific diameter for powders prepared by spray drying
and granulation. In both cases smaller grain sizes give lower fluidity. With dry
ground granulates particles that are less than 200 microns in diameter reduce flow
speed to nearly zero. Those between 200 and 500 microns produce the optimum
flow speeds.
With spray dried powders higher fluidity levels are seen where particles are in
the 125-400 micron range. Both spray dried powders and granulates are affected by
the presence of low percentages of small grains.
Fig. 20 shows the particle size distribution of a dry ground powder after granu-
lation while fig. 21 gives that of a spray dried powder.
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Pressing
Fig. 18. Variations in powder flow speed against changes in the moisture content of a spray dried
powder.
FLOW SPEED (cm3/s)
Fig. 19. Changes in fluidity for spray dried and granulated powders of specific diameter.
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Pressing
Note that the granulate (dry ground and re-granulated) has a relatively high
content of particles in the low-fluidity band (i.e. less than 200 microns). Compared
to the spray dried powder (usually around 5% below 125 microns) the differences
produced by the two powder production processes are very significant.
Evaluating how pressing pressure and powder moisture content interact in the
compaction of spray dried powders is of great interest to ceramic manufacturers. It
is, however, complex and difficult to interpret.
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Fig. 22. Variations in bulk density, tapped density and Hausner index as a function of residual moistu-
re content (spray dried powder).
Fig. 23. How variations in particle size influence bulk density, tapped density, and fluidity in a spray-
dried powder.
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Pressing
Fig. 24. Influence of particle size distribution on bulk density, tapped density and powder fluidity (dry
ground re-granulated powder).
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Fig. 26. How changes in moisture content affect fluidity (Hausner scale) in spray dried, dry ground
powders.
During pressing, powders, whether spray dried or dry ground, tend to resist
external forces as illustrated in fig. 27 which shows how bulk density changes as
forming pressure increases (pressure is expressed on a logarithmic scale).
Here, medium-low pressures result in almost uniform densities while higher
pressures result in steadily increasing bulk densities.
With simple ceramic powders the above relationship is generally a linear one.
Whether the product is dry or includes lubricants or binders, during the press-
ing cycle, at lower pressures, the particles or grains are rearranged, while at higher
pressures there may be elastic and plastic deformation, sliding and abrasion or even
actual fracturing and grinding of the particles or grains.
This evidently involves the actual simple strength of the material itself hence
the cited density-strength relationship.
Powder compaction curves (e.g. fig. 28) may therefore show changes in gradient
against pressure for different products, namely:
dry ground powder (V)
re-granulated powder (G)
spray dried powder (A).
Here, the first change in gradient (near-linear tract) for powders G and A occurs
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Fig. 27. Relationship between forming pressure and unfired density (logarithmic scale).
Fig. 28. Compaction diagram for different semi-finished products - (A) spray dried powder, (G) re-
granulated powder, (V) dry ground powder.
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where bulk density of the compacted powder Pt, corresponds to a forming pressure
of Pf.
At this point re-arrangement of the grains is nearly complete (end of phase I)
and fracturing and/or deformation of the grains begins (phase II). The flow pres-
sure is considered to be a measure of the simple strength of the agglomerate. The
second evident change (where the gradient drops towards the end of the graphs)
takes place when the pressed spray dried granules, as a whole, reach densities close
to those of the individual granule (Pg, see fig. 28).
In this state the pores on the outside of the granule have been all but eliminated
(end of phase II) and reduction of intergranular porosity begins (phase III new
flattening out of the curves).
The compaction diagram is one of the most appropriate tools for checking the
behaviour of a granulate material during the compaction phase.
Normally, though, to see how the characteristics of the spray dried powder (par-
ticle size distribution and moisture content) influence powder behaviour during com-
paction, simpler checks are run.
Results from tests with a spray dried powder for the production of low porosity
floor tiles are shown below.
Tab. 2 shows its particle size distribution.
The spray dried powder was separated into several particle size bands to evalua-
te the impact of a specific size band on the degree of compaction at the pressing
stage.
Tab. 3 shows these bands together with the average granule density (Pg) and
bulk density compacted by vibration (Pv).
The increase in bulk density was determined by plotting the compaction curve
using the following variables:
forming pressure of up to 600 Kg/cm2
changes in residual moisture content from 3 to 10%
semi-finished powders of different particle size distribution.
As far as the mechanics of powder compaction are concerned, observe the fol-
lowing:
1. Increased bulk density of spray dried powders during compaction is in line with
the models that have been put forward, studied and perfected in the case of non-
plastic agglomerates.
2. Flow resistance (or flow pressure) Pf falls linearly as average particle size de-
creases and moisture content increases (fig. 31).
3. The compaction pressure (Pj) of the agglomerate decreases as moisture content
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Pressing
Dimensione grano
Grain size (%)
(µm)
>750 0.5
750-500 2.5
500-400 11
400-300 23
300-200 31
200-125 25
<125 7
Tab. 2. Particle size distribution of the spray dried powder on which tests were carried out.
Grain density
Densità (Pg) and
del granulo (Ρg)bulk density
e densità of spray
apparente dried powdersemicompattato
dellatomizzato semi-compactedper
byvibrazione
vibration (Ρv)
(Pv)
Fraction
Frazione Ρg (g/cm3) Ρv (g/cm3)
Mix (I)(I)
Miscela - 1.110
125 - 200 µm (F) 2.047 1.130
Tab. 3. Grain density (Pg) and bulk density of spray dried products, semi-compacted by vibration, of
uniform particle size.
increases (exponentially). The size of the particles is less significant for a given
standard moisture content (fig. 32).
4. The behaviour of the spray dried agglomerate at the compaction stage and the
bulk density of the pressed tile essentially depend on the residual moisture con-
tent of the powders (figs. 29 and 33); grain size is less significant (where medium-
low forming pressures are applied)(fig. 30).
Fig. 27 illustrated how the bulk density of the pressed material is generally
linked linearly to the logarithm of forming pressure.
These theoretical considerations aside, it is, at this point, important to quote
some data obtained from experience at a semi-industrial level; such data concerns
the pressing of spray dried powders for vitrified single fire tiles. The graphs in
fig. 33 show the pressed tile modulus of rupture at different forming pressures
and moisture contents. They illustrate how pressing force and moisture content
act synergistically on the bulk density values of the pressed materials, thus al-
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Fig. 29. Changes in bulk density (d) as a function of pressing force and powder moisture content.
Fig. 30. Bulk density as a function of pressing force and particle size distribution.
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Pressing
2 4 6 8
Fig. 31. Changes in flow pressure (Pf) of a powder as a function of its particle size distribution and
moisture content.
2 4 6 8 10
Fig. 32. Changes in compaction pressure (Pj) as a function of particle size distribution and moisture
content.
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PRESSURE
PRESSURE
PRESSURE
PRESSURE
MOISTURE (%)
Fig. 33. Relationship between moisture content and green breaking load.
The graphs on the preceding pages show the relationship between forming pres-
sure and bulk density.
However, in order to illustrate the full complexity of the problem, it is, at this
stage, important to introduce data on the relationship between semi-finished pro-
duct characteristics, conditions at the press and the final product that has been ob-
tained in laboratories and test plants.
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Pressing
Density
Moisture
content
Fig. 34.
Moisture
Moisture
content
content
350
Pressure (Kg/cm2) Pressure (Kg/cm2)
Fig. 35.
Observations and data refer to vitreous bodies, where the relationship between
the above parameters is more evident.
Fig. 36 shows vitrification curves for materials of different bulk density at diffe-
rent firing temperatures.
Note that for any given firing temperature higher bulk densities correspond to
lower shrinkage and water absorption values.
Other observations:
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Dbulk
Dbulk
Dbulk
Dbulk
SHRINKAGE %
WA %
TEMPERATURE °C
Fig. 36. Vitrification curves for vitrifiable bodies of different bulk density.
Fig. 37 highlights the relationship between unfired tile density and linear shrinka-
ge even more clearly.
Yet variations in density are not dependent on pressing force alone. A change in
moisture content in the order of 1.5% is equivalent to a change in dry bulk density
of 0.03 g/cm3.
Another factor that causes variations in pressed tile bulk density is pressing speed
(see fig. 38).
Different bulk densities in different zones on the same tile a variation attributa-
ble to non-uniform filling or other factors discussed previously may cause uneven
shrinkage within the same tile and thus dimensional defects.
Fig. 39 gives a quantitative example of shrinkage variation where samples of
different bulk densities are fired at the same temperature. Note that differences in
bulk density of 0.06 gr/cm3 correspond to shrinkage differences in the order of
about 0.3%; on a 330×330 mm tile this means up to 1 mm variation on the length of
a side.
Fig. 40 illustrates the problems that arise where a press cavity is incorrectly
filled, resulting in different bulk densities over the tile.
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Pressing
SHRINKAGE %
TEMPERATURE °C
Fig. 37. Relationship between unfired bulk density and linear shrinkage.
Pressure (Kg/cm2)
Fig. 38. Variations in bulk density as a function of pressing speed.
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Current trends (2001) indicate that demand for very large, rectangular tiles
with aesthetic characteristics ever-more similar to those of natural stone is set to
increase further.
On the manufacturing side this is sure to mean increased demand for larger
pressing areas and higher tonnages so that even larger slabs can be produced: ever-
more sophisticated on-press decoration is likely to involve widespread use of body/
coloured granule mixes, glaze grains and other dry decoration techniques. In this
regard there already exists a new technology that uses a double pressing process.
This consists of a relatively simple first press, which forms and, where required,
decorates the slab at a preliminary level of compaction; the slab is then conveyed to
a small-scale dry decoration line before being compacted in a second press to give a
green tile of the required definitive compaction.
The advent of larger slabs, which realistically resemble natural stone, has also
led to the appearance of new production technologies, which, in a certain sense,
have much in common with the technology used in the cutting and preparation of
natural materials. For example, there is no longer any need for a spacer gap or
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Pressing
chamfered edge as the slabs are laid without an inter-tile gap. In fact, the idea of
producing mainly large slabs is beginning to gain consensus: this is because diffe-
rent tile sizes can be produced by cutting the green slab with specially designed
conveying and cutting systems, thus allowing the manufacturer to by-pass compli-
cated and costly die changeovers. This technology is also likely to have a signi-
ficant impact on die manufacturing technology as slab-size dies need to be extremely
long lasting.
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Further improvements are also expected on the units that feed the powder into the
die, while hydraulic circuits have already been optimised to confine high pressure to
the main circuit only and thus prevent overloading of more delicate components: this
reduces unscheduled maintenance, a factor that can seriously undermine production
line efficiency.
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Pressing
APPENDICES
In dry grinding the (very finely) ground powders are treated to aid agglomera-
tion of the particles.
This is done with the aid of:
standard wetting machines
re-granulators.
The observations and data below refer to tests that aim to compare the post-pres-
sing characteristics of differently prepared materials (all intended for the manufactu-
re of the same product). The following preparation methods were used:
cycle with traditional dry grinding, wetting and re-granulation
cycle with dry grinding and grain selection
cycle with wet grinding and spray drying.
Figures 41 and 42 compare the particle size distributions of dry ground powders
to be wetted and granulated respectively.
As mentioned, the fine particle size of dry ground powders has a considerable
(and sometimes negative) influence on downstream production processes. While, in
fact, fineness generally improves firing conditions because of the increased specific
surface area, pressing conditions are generally worsened on account of the excess-
ive quantity of very fine talc-like powders; this can lead to considerable de-airing
problems (lamination).
These difficulties disappear with granulation as the fine particles are agglomer-
ated.
Both granulation and spray drying agglomerate the particles obtained from grind-
ing. The particle size distributions of the respective agglomerates are, nevertheless
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Fig. 41. Particle size distribution of dry ground powders destined for wetting and granulation.
Fig. 42. Particle size distribution of spray dried powder and grains.
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Pressing
(with the machinery and under the conditions in question) quite different: fig. 42
clearly shows that the particle size distribution of the spray dried material is largely
concentrated around the middle of the spectrum (0.125-0.5 mm) while that of the
granulate is, instead, spread more widely across it.
Observe that:
tiles made from spray dried powders have the lowest penetrometer imprint depths
(generally around 0.8 mm, against an overall average of 1.2 mm for the other
types of pressed tile). The former are thus more compact.
tiles made from spray dried powders are not only more compact, they also featu-
re a compaction that is more uniform; the source of this greater uniformity is
not attributable to different press management or control methods but, rather,
the morphological and structural characteristics of the spray dried powder its-
elf (more homogeneous cavity filling).
This data confirms the superior quality of spray dried powders and their posi-
tive influence on compaction performance: that superiority stems from the optimal
Penetration (mm)
Fig. 43. Distribution of penetrometer readings for different body preparation technologies.
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die cavity filling offered by the spherical shape and physical characteristics of the
granules.
The entity and distribution of penetrometer readings on tiles made from dry
ground and granulated powders differ only marginally.
On the other hand, permeability measurements on dried tile samples give a some-
what different picture (see fig. 44).
Forming pressure remaining equal, the permeability readings for dried tiles made
from granulated powder are higher (i.e. outflow times are shorter) than those ob-
tained on tiles made with dry ground and spray dried products (N.B. flow time
refers to the time taken for air compressed at 6 Atm to flow through the entire
thickness of the tile: outflow time is inversely proportional to permeability). Once
again, then, granulated powder is shown to produce tiles that are relatively less
compact than their spray dried counterparts.
Yet another important aspect regards the uniformity of permeability distribution
and, therefore, compaction. Readings for granulates are, in this regard, very similar
to those for the spray dried product, yet the dry ground tile is characterised by
much greater discrepancies between the readings taken on different parts of the
same tile; the tile is, in fact, generally more compact at the centre than at the sides.
The fact that the granulate tends to be similar to the spray dried product in this
regard can be attributed to the shape, particle size distribution and consistency of
the granules, which provide good die filling performance. While this does not deci-
sively and definitively show the granulate to be of high quality, it is, nevertheless,
an aspect of some importance.
Fig. 44. Distribution of permeability readings for different raw material preparation technologies.
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Pressing
Green bending load is important not only as an indicator of the achieved degree
of compaction but also as a performance parameter: it is an important qualitative
requisite for tiles that will be moved and handled in their unfired state (as in single
firing processes).
Fig. 45 shows, for the three materials in question, green and dry bending strengths
as a function of forming pressure; the diagram clearly illustrates the superior perfor-
mance of the spray dried product, especially for dried tiles. At pressures of 230-240
Kg/cm2, the dried tile made with spray dried powder has a breaking load of 4 N/mm2,
against approximately 3 N/mm2 for tiles made from granulate and 2 N/mm2 for tiles
made from dry ground material.
Once again the data seems to indicate that spray dried powders are of higher
quality than granulates and that granulates are of much higher quality than dry
ground materials.
(N/mm2 2)
VALUE(n/mm
LOADVALUE
BREAKINGLOAD
BENDING )
Fig. 45. Green and dry bending strengths as a function of forming pressure for the three material
types.
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Fig. 46. Water absorption (WA%)values for pressed tiles made with spray dried powder, powder granu-
lates and dry ground material.
BREAKING LOAD VALUE (N/mm2)
Fig. 47. Bending loads of fired tiles as a function of forming pressure for the three material types.
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Pressing
The best porosity values are obtained with spray dried powder, then powder
granulates and, finally, dry ground powder.
Only at very high forming pressures (over 250 Kg/cm2) do the tiles made with
dry ground powder feature a porosity similar to that attainable with granulates.
Bending strength tells a similar story: the best results are obtained with spray
dried powders, then powder granulates and, finally, dry ground powder.
As with porosity, the bending strength of tiles made from dry ground materials
only begins to near the performance obtained with granulates where forming pres-
sures are higher than 250 Kg/cm2.
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152
Spray drying of ceramic slips
Chapter IV
DRYING
The drying process, then, involves transfer of heat energy from the surrounding
environment to the ceramic piece and simultaneous transfer of water in the opposite
direction.
The heat (energy) needed for the former may be received by the piece by way of
convection, radiation or conduction: normally all three are involved. The most com-
mon of the above three hot air convection can, as a rough guide, be broken down
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Vapour tension mm Hg
Temperature °C
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Drying
occurs by conduction (note that a pressed tile generally has very low thermal
conductivity). Heating speed is generally adjusted by modifying air temperature
and flow rate.
For a given material of defined porosity, the time needed for attainment of uni-
form heating temperatures that result in proper diffusion kinetics essentially depends
on tile thickness.
The drying cycle, of course, is influenced not only by thickness but by moisture
content. Extruded or cast products, on account of their high moisture content, go
through the phases of shrinkage drying, diminishing-shrinkage drying and zero-
shrinkage drying; drying of pressed tiles only involves a fraction of the second
phase and the entire third phase.
Overall shrinkage is therefore much lower and the risk of tension caused by
heterogeneous shrinkage thus relatively low.
Such low moisture contents and the correlating shrinkage insensitivity, have,
in recent years, resulted in the development of machines that employ extremely
high heating rates.
The purpose of this approach is to counteract natural shrinkage (which can cau-
se fractures) with the opposite tendency of the material to expand when heated
intensely: the tile is thus kept in a sort of dynamic equilibrium that allows use of
extremely fast drying cycles (lasting just a few minutes).
Technological considerations
Surface evaporation. This is the kinetics of the process and actually involves two
elementary processes:
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Thus water evaporation and vapour removal rates increase as air temperature
and flow speed increase and are aided by low air humidity.
Good quality drying is achieved when the two processes (diffusion and evapora-
tion) have kinetics that allow the quantity of water evaporated per unit of time to
be replaced by an equal quantity of water from the interior of the pressed tile
(evaporation rate = diffusion rate); under standard process conditions the slower of
the two is internal diffusion.
For any given material (of established geometry, permeability, moisture) the only
diffusion parameter that can be adjusted (via heating) is water viscosity.
Drying speed = flow of water per unit of pressed tile surface area [Kg/(m2h)].
This last observation illustrates the direct relationship between temperature and
pressure (or vapour pressure). At the above equilibrium the vapour is referred to as
saturated vapour; if the pressure is below the equilibrium point the vapour is said
to be unsaturated.
In the case of saturated vapours pressure is merely a function of temperature.
To shift the equilibrium a certain quantity of heat energy equal to the latent heat of
the substance being evaporated needs to be applied to the system. This heat is pecu-
liar to every substance and is defined as the heat needed to transform a standard
unit of weight.
Vapour condensation causes the latent heat to show up as calorific energy. The
heat of vaporisation is very high if one considers that, theoretically, 605 Kcal are
needed to evaporate 1 Kg of water once the water temperature has been raised to
100 °C.
Water evaporation obviously diminishes as the degree of saturation of the space
overlying the water increases.
In ceramics evaporation problems are related to the fact that the water to be
evaporated is combined with solids, thus restricting evaporation. The water forms a
sort of reticule made up of numerous capillaries that wind their way in between the
solid particles.
The problem is how to transport this water from the interior of the piece, through
the capillaries, to the surface where it can evaporate freely.
To resolve this problem two factors and their respective speeds need to be
taken into account: diffusion and evaporation. The problem of drying can said to
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Drying
have been largely resolved when the evaporation speed does not exceed the speed
with which the water is diffused from the interior of the piece to the surface and
thus the water can evaporate at a speed that is high enough to be economically
viable yet not so fast as to cause product damage.
Drying is thus piloted by the DIFFUSION SPEED of the water in the interior
of the pressed tile and the subsequent EVAPORATION SPEED.
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During shrinkage the capillaries narrow and some of them are sealed off, thus
increasing resistance to diffusion of the water through the mass of the tile. Accord-
ing to some researchers this resistance is inversely proportional to the fourth power
of the diameter of the capillaries.
However, it has been found that the shape of a capillary affects diffusion more
than its size and that this shape depends on the size and structure of the surround-
ing particles.
Finally, diffusion can only occur if there is evaporation on the surface of the
piece.
Since evaporation depends on the ratio between the surface tension of the liquid
and the atmospheric vapour pressure overlying the system, it is obvious that diffu-
sion speed also depends on this ratio.
Control of air volume, temperature and speed is made easier if its hygrometric
state is known.
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Drying
Glossary
ABSOLUTE HUMIDITY
the quantity of water per Kg of dry air.
VAPOUR PRESSURE
The vapour pressure in equilibrium with liquid pressure.
SURFACE TENSION
The force that acts on the surface of a liquid, tending to minimise its area.
HEAT OF VAPORISATION
The quantity of heat energy needed to evaporate a unit of liquid, at constant
pressure and temperature. Also known as enthalpy of vaporization, heat of eva-
poration and latent heat of vaporization.
SPECIFIC HEAT
The quantity of heat needed to increase the temperature of a material by 1 °C,
without any chemical or phase changes.
From the above it is evident that the drying process is conditioned by the hygro-
metric state of the air at different temperatures. Rational use of a drier thus re-
quires that air humidity, especially in critical zones, be monitored carefully. Since
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Drying
Thus the main parameters that need to be taken into consideration in body for-
mulation are:
percentage of plastic raw materials: these increase the cohesive strength of dried
objects, but also increase shrinkage.
mineralogical nature of the clays: deflocculated clays in their natural state form
a compact, impermeable tissue during drying. They adsorb cations with some
difficulty, thus forming more open, permeable structures that allow faster
drying.
percentage of non-plastic raw materials: these worsen unfired bending strength but
help contain shrinkage (especially where particle size distribution is fine).
water content: increases shrinkage and plasticity. Particle fineness is, in fact, pro-
portional to the hygroscopic value of the body.
forming pressure: influences drying behaviour in that higher pressures reduce per-
meability and water diffusion.
piece geometry: this is very important. Drying is faster for high surface area/volume
ratios (thinner tiles dry faster).
Machines
The driers used in the ceramic tile industry are of both the horizontal and verti-
cal type. Although the technological principles behind them are essentially the same,
the dynamics are somewhat different in that variations in the cycles significantly
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alter the times over which shrinkage, increased bending strength etc. exert their
effect.
Working conditions on the machine and air parameters (maximum temperature,
speed, volume and hygrometric values) are, therefore, necessarily different on the
two drier types.
High performance rapid vertical driers are ideal for automatic tile production
lines. They are designed to provide optimum technological results: low residual
moisture content, uniform tile temperatures, good product bending strength and
low energy consumption (fig. 3).
An automatic vertical drier is essentially made up of a vertical framework in
which a chain drive system moves a series of racks (or baskets), which consist of a
set of rollers to carry the tiles.
Tiles are loaded automatically without touching each other onto the racks by
the rollers as they rotate.
An air flow generated by burners and fans dries the tiles by convection; this
process yields a product that is suitable for the subsequent stages of the production
process (glazing, firing etc.), that is, one which has:
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Drying
The diagram below (fig. 4) illustrates the main parts of a vertical drier.
Fig. 5, instead, shows a plan for a vertical drier with a pre-ventilation unit and a
cooling unit at the outlet.
Operative conditions in the drier (air temperature, humidity and flow rate)
are controlled by three independent units that form three differentiated drier
zones.
In the first zone (where the material enters the drier and is lifted) the tiles are
exposed to an air flow, produced by a fan and burner, which runs parallel to the
tile surface. Intake and outlet gratings are used to distribute the air and direct it
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SECOND
ZONE FIRST
ZONE
COOLING
ZONE
STABILISATION
ZONE
to the various rack levels throughout the drier. Once the air has traversed the
racks, it is re-aspirated into the internal ducting where most of it is re-circulated
by the fan and a small (adjustable) portion is expelled by the exhaust fan into the
atmosphere.
The circuit in the second zone (where the tiles are lowered) is similar to that in
the first zone yet independent from it, in that it has its own fan, burner and external
air intake damper.
A further fan controls the stabilisation zone, the last area dedicated to the actual
drying cycle. Significant resources have been channelled into the development and
perfection of this section and so meet the need for uniform tile temperatures.
To achieve stabilisation the tiles need to be exposed to a correctly directed flow
of constant-temperature air, obtained by mixing cold external air in quantities
batched by a modulating valve with the hot air exiting the second zone.
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Drying
Where tiles are somewhat fragile the cycle can be modified accordingly: this is
achieved by creating (via dampers) an initial tile heating zone with reduced air flow
that allows temperature to rise gradually.
To obtain very low outgoing tile temperatures (below 65 ºC), the drier can also be
equipped with two axial fans that introduce ambient temperature air into the lower
drier zone. It is also possible to reach an outgoing tile temperature of 40-50 °C.
Smooth tile loading and unloading and versatile tile size accommodation are
provided by infeed and outfeed rollers, precise on-rack tile arrangement, a twin
roller drive system which prevents slippage and the encoder which controls rota-
tion.
Rack movement is controlled by an inverter on the chain drive motor; this system
provides maximum precision and also protects against overloads. Furthermore, guides
placed along the entire rack route ensure proper positioning at all times.
The racks are supported by special arms fixed to the chain: these make move-
ment friction-free and thus reduce energy absorption.
Thick insulation reduces heat loss to a minimum. The potential of these driers is
illustrated in the following graphs and tables (fig. 6 and tab. 1).
Drying time (minutes)
6 rows
5 rows
4 rows
3 rows
2 rows
1row
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UNFIREDCRUDO
FORMATO SIZE (mm.)
(mm) TEMPO DI ESSICCAMENTO
INDICATIVO
APPROX.DI RIFERIMENTO
DRYING TIME (min.)(min.)
larghezza
width lunghezza
length Spessore
thickness
161 161 6 30
161 215 7 35
215 215 7 35
269 269 8 41
215 323 8 44
323 323 8 44
355 355 9 49
323 430 9 50
430 430 10 53
538 538 11 58
645 645 12 64
Horizontal driers
Experience acquired with the first fast driers has led to a greater understanding
of some fundamental concepts vis-à-vis drying of pressed tiles with very low re-
sidual moisture content (4-7%).
1. Ventilation: air flow must be as parallel to the tile faces as possible to ensure that
heating is homogeneous and vapour is efficiently removed from the tiles.
2. Drying air temperature: plays a key role in evaporation speed.
3. Water evaporation speed: less influenced by speed and relative humidity of air than
on vertical driers.
Horizontal driers can have from just one to as many as five layers of rollers
(channels).
They are enclosed in an insulated chamber fed with hot air generated by dedi-
cated burners and/or exhaust air recovered from the kiln (see figs 7 and 8).
Figures 9, 10 and 11 chart the influence of the main tile drying variables. These
are:
W = Tile moisture percentage by weight
V = Speed of air over the flat tile surface
Wr = Relative humidity of the drying air
T = Temperature of the drying air.
Note: the term drying speed refers to the weight (Kg) of water freed from the
surface of one square metre of tile surface in one hour.
The graphs show that drying speeds are much higher where samples have a very
high water content (e.g. 12%).
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Drying
Note also that where pressed tile water content is quite low (5-7% or lower) the
relative humidity of the drying air is no longer significant.
This is an advantage since fast driers sometimes operate discontinuously and
relative air humidity can vary considerably, especially during drier start up and
stoppages.
In (fast cycle) horizontal drying the tile behaves, from a technological viewpoint,
more or less as described in the theoretical explanation of drying given in Volume
1.
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Fig. 9. Relationship between air speed and drying speed expressed in Kg/m2h (W = tile moisture %).
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Drying
It may be the case, however, if pressed tile moisture content is very low, that
evaporation can be accelerated using a non-standard drying cycle that raises tile
temperature to over 100 °C, changing the water into steam while it is still in the
capillaries.
Evaporating conditions
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Fig. 12, instead, indicates in graph form how maximum evaporation speed
(Ve max, Kg/m2h) changes as a function of treatment temperature.
By taking into account drying speeds attainable for tiles of different size and
thickness, it may be affirmed that high evaporation speeds can be obtained without
any damage to the tile using hot air alone, without having to use other drying
systems (described below).
Infrared rays
Rather than drying, this is simply heating, because when electromagnetic ra-
diation with a wavelength of 0.8-3 microns encounters a ceramic body it only
penetrates a few tenths of a millimetre as even water blocks rays of this wave-
length.
The surface of the tile thus heats up more quickly than the interior as heat is
diffused inside by conduction.
While actual drying always requires an air flow to remove the water vapour, it
can only take place quickly where the temperature of the tile is high enough to
reduce the water viscosity in the capillaries significantly.
However, this method has two major drawbacks: firstly, it uses high temperature
radiation sources that can cause the material to overheat should the tile stop under
the source and, secondly, electricity costs are prohibitive.
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Drying
Microwaves
Ceramic bodies could be heated with microwaves in the 2.5 GHz range. These
are directed at the material via specially designed wave deflectors.
Water molecules, which behave as resonating dipoles, dissipate energy and it is
thus possible to heat the whole of the piece at once (albeit heterogeneously as there
is the side effect to take into consideration).
The thus-generated vapour is carried away by a hot airflow.
Drawbacks:
a) Very high plant investment costs.
b) Very high drying costs in that the energy, although used efficiently, necessarily
requires an electrical source.
c) Possible safety and environmental hygiene problems in that radiation leaks can, at
such wavelengths, be harmful in many ways and damage the human central ner-
vous system.
Technological aspects
The technological aspects of fast horizontal driers are, on the whole, similar to
those of vertical driers.
As before, body formulation needs to take into account the aspects described
previously and the main drying parameters (drying cycle times, speed, humidity
and temperature of drying air).
As with vertical machines, drying requires:
attentive evaluation of thermo-hygrometric process parameters
proper body formulation
The parameters to be taken into account for correct body formulation are the
same as those listed for vertical drying.
Drier size and drying cycle duration depend, to a large extent, on the dimen-
sions of the tiles. Pilot plant tests and comparisons with results obtained on an
industrial scale have led to the establishment of a simple formula which gives
appropriate drying cycle times as a function of tile thickness and longest side
length.
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These formulas are given below and refer to two different lay-outs:
where
Teo : drying time in minutes
Ko : coefficient of material: 0.40 white and red single fire
0.45 white and red monoporosa
0.55 porcelain tile (soluble salts)
S : total thickness mm
Lm : longest side in mm
where
Teo : drying time in minutes
Ko : coefficient of material: 0.50 porcelain tile (plain, salt and pepper)
0.55 porcelain tile (large grains)
S : total thickness mm
Lm : longest side in mm.
General observations
It is possible, then, to use very high evaporation speeds without damaging the
product.
Hence there is a clear temptation to build driers with very fast cycles. Yet, on
modern driers, the most desirable technological parameter is not so much short
cycle duration as constant temperature of the outgoing pieces.
This is because any variations in this parameter can seriously compromise glaz-
ing results.
Utilisation of air at temperatures that provide control via special thermoregu-
lation devices over outgoing piece temperature, even where the process has been
complicated by lengthy stoppages, is only possible where the drying cycle is of a
certain duration.
From a thermodynamic viewpoint, the use of very high temperature air would
force manufacturers to operate with very high vapour contents so as to prevent
excessive loss at the stack but this could result in undesirable condensation on the
pieces themselves.
The key requirements with this type of drying are, then:
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Drying
1) Drying cycles must be suitable for tile thickness and temperatures must not be excessively
high.
2) Outgoing piece temperature needs to be controlled.
3) Specific energy consumption must be contained.
4) Mechanics must be simple and the machine compact.
Generally speaking, all types of press have their own matching drier with an
inlet frequently designed to accept twice the number of tiles produced at each
pressing cycle; this results in less costly, simpler feed units. Moreover, less space
is needed.
Installation of machines with wider cross-sections has been made possible
thanks to a device that allows roller removal even where very little side space is
available.
The multi-layer horizontal drier system is hardly an original one as it has been
used by the heat treatment industry for decades and, moreover, had already been
adopted (in part) on vertical tile driers in split ventilation models (i.e. the drier is
designed as a series of ventilations cells as illustrated in fig. 13).
Fig. 13. Multi-layer horizontal drier (the diagram illustrates air flow routes).
Here, each cell is, from a thermo-hygrometric point of view, fully independent as
it is equipped with its own circulation fan, hot air generator, air intake and extrac-
tion port (which carries exhaust air to the stack).
Re-circulation air enters and exits the cell via hopper-like ducts through the side
walls opposite the drive units, thus providing more space and a well balanced air
feed on the different levels.
The system also employs an upside down emission/intake system over the full
length of the drying cell.
Air flows through openings of variable aperture while specially positioned ducts
and deflectors ensure uniform cross-flow.
During drying the tiles are exposed to an air flow parallel to their faces; each
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drier level is bordered by a series of removable metal sheets that define the treat-
ment cell.
The exhaust air is extracted at a point designed to yield maximum thermodyna-
mic efficiency (i.e. where the enthalpy or total heat of the re-circulation air is at
its minimum).
Machines of this kind thus make it possible to construct proper drying curves
that include a final stabilisation zone, extremely useful for the control of outgoing
piece temperature.
In the event of a glazing line stoppage the material may halt inside the drier.
This could cause temperature fluctuations on outgoing tiles so regulation logic
sets a holding temperature, attained via settable gradients; moreover, internal
temperatures can be lowered quickly by servomotor-operated ambient air intake
valves.
Roller drive units, of the traditional type used on kilns, feature helical gears in
closed oil-bath casings. This system is very reliable and is virtually maintenance-
free.
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Drying
Chapter V
Glaze preparation
The department may be producing many different glazes at any one time, re-
quiring at least 2 agitator-equipped tanks (each capable of holding two mill loads)
for every ball mill.
This allows grinding to be carried out mainly at night, thus reducing energy
costs and noise-related problems.
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Fig. 1. Alsing mill: cross-section, internal view and close-up showing grinding media and lining.
2) The machines
Preparation departments usually have the following:
Alsing mills, of various capacities. While the 5,000 litre models are the most
common, mills can range from the small 300 litre units used for experimental or
control tests to the 12,000 litre units for large-scale production runs. Generally
equipped with sintered alumina grinding media (which wears at a rate of 500-
2000 g/ton of ground glaze) and a sintered alumina lining that lasts about 20,000
hours.
Rubber and silica are no longer employed in this field. The discharge plug must
be made of stainless steel.
Energy consumption is in the order of 10 kW/ton of ground glaze per grind-
ing hour at 17 RPM.
Agitator tanks. Available in a range of types: octagonal, plastic or tile-lined ce-
ment, stainless steel cylinder. Average holding capacity is 5 m3 (approximately
equivalent to the contents of two 5,000 litre mills). Tanks must be covered and
are equipped with agitators to prevent settling: these consist of a gearmotor
mounted directly on the shaft that supports the glaze stirring device.
The agitators rotate slowly (about 20 RPM) and sometimes discontinuously (from
10' to 20'/h).
Hence the gearmotor system must be designed to withstand the stress caused by
repeated restarts.
Modern agitators feature inverters that allow RPM to be adjusted as and when
desired.
A splash pan should be installed between the gearmotor and the shaft to catch
any leaking oil and thus prevent contamination of the glaze.
The agitator blades should be shaped and sized so that they pass as close to the
sides and, most importantly, the bottom of the tank as possible: this prevents sedi-
mentation or, even worse, solidification.
Helix and turbine agitators also exist, but these are generally employed as mo-
bile units.
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Glaze and decoration application techniques
As these run at high RPM they must be used cautiously because the glaze could
overheat or air bubbles could get into it, with serious consequences vis-à-vis rheolo-
gical behaviour.
There must be enough tanks to allow proper storage of the glaze. Generally
speaking, there should be one tank for current use (from which the glaze is withdrawn
and sent to the application stations) and a holding tank, where checking and correc-
ting are done.
Emptying operations are best performed with the aid of flex hoses and rapid ball
couplings with butterfly valves as these are less likely to jam. Couplings and valves
should be made of stainless steel: anything containing copper, bronze or brass must
be avoided.
Pumps. Several types are used. The most common are:
Diaphragm pumps for low pressure glaze emptying and transfer operations.
These have the advantage of being very safe, having no electrical system and
a wide range of flow rates.
Peristaltic pump. Squeezes the slip through a wear-resistant rubber flex hose
by way of a rotor with three or more spokes, each tipped with a roller. Has
a less marked pulse than the diaphragm pump and is self-priming. Has be-
come very popular over the last decade thanks to good performance even
under difficult conditions and low maintenance costs.
Centrifugal pump. The most economic type. Rubber lined and stainless steel
versions are available to prevent contamination. Not self-priming. High pres-
sure unattainable. Frequent, yet inexpensive maintenance required.
Mono pumps of the displacement type. Pressure is provided by a spiral steel
screw rotating inside a rubber seat.
They must never be run empty and require rather a lot of maintenance.
Now used sparingly for both glaze and slip transfer because of high costs.
Suitable for long distance transfers on account of high pressures (from 5 to
7 Atm).
Vibrosieve. High efficiency circular vibrosieves are now the norm. Efficiency de-
pends on sieve diameter and vibration frequency, which can be optimised throu-
gh use of an inverter.
However, as yet, there are no machines capable of sieving efficiently between 80
and 90 microns at high flow rates and densities. By using the largest diameters
available (about 120 cm) it is just possible to reach 110 microns, and even then
not for every kind of glaze.
Magnetic separators. Removal of magnetic impurities from the glaze is essen-
tial. While progress has been made on the technological side, much still de-
pends on the attentiveness and skill of the worker. If, in fact, static magnetic
separators are not washed at the right moment they can actually cause the
every damage they are intended to prevent: this is because tiny particles,
harmless on their own, can agglomerate to form needles, which, once they
reach a certain size, could detach and be carried away by the glaze flow, thus
damaging output.
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There are several types of iron remover. The most common are:
Bars. Generally consist of cartridges, with three cylindrical, magnetic bars welded
to its cover. Limited contact area, but can be installed in groups or series. Easy to
clean and inspect.
Honeycomb. These provide more surface area. Made up of permanent magnets in
the form of overlaid perforated discs. More difficult to clean.
Roller. The most recently developed and most costly solution. Consists of a
roller (diameter 250 mm, length 800 mm) partially immersed in the glaze. The
electromagnetic roller rotates on its own axis and extracts magnetic impurities
from the glaze; these are then removed by a scraper. Operation is continuous.
On more recent models the 3000 gauss electromagnetic roller, which heats up
and loses efficiency to the point where it supplies just 1500 gauss, has been replaced
by a 5000 gauss permanent magnet. Magnetic separator efficiency is, of course,
inversely proportional to glaze flow rate and viscosity.
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methodically at least once every six-months. It is best not to remove the smaller
grinding elements via sieving at this time as this would disturb equilibrium, alter
grinding times and modify particle size distribution. Broadly speaking, grinding
times are regulated by setting mill running time or revolutions and depend on the
type of glaze being ground.
One of the most delicate stages of grinding is mill start-up, when the transmis-
sion belts are subject to maximum stress. Over the first 30 minutes this stress may
actually increase and if the belts are not properly tensioned, they can slip and wear
very fast. They can even overheat and catch fire, a scenario to be avoided at all costs
as the consequences are extremely costly. Hence mills must be started under the
control of qualified personnel. Anti-slip products to be sprayed on the belts at the
time of mill start are best avoided as they actually damage the belts.
Above all, when grinding coloured glazes, it is good practice to stop the mill and
clean any coarse residue from the fissure between hatch and lining as this traps
unground particles that can act as a contaminant.
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Glaze and decoration application techniques
(the first washing will already have recovered some 99% of the trapped glaze).
More thorough washing is only necessary following the grinding of very strong
colours.
With monoporosa and double fire glazes the use of only moderate quantities of
wash water is essential as these glazes must be applied at high density.
The glaze is then pumped into a holding tank and checked.
7) Glaze storage
All glazes especially alkaline glazes are subject to hydrolysis. The migration
of soluble salts from the frits may cause serious defects on the finished tile. This
sometimes occurs on monoporosa and fast double firing products, yet can also gener-
ate various degrees of pin-holing on other glazes.
Glues also deteriorate rapidly, losing their characteristics and thus causing ser-
ious application difficulties.
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For many glazes, then, high temperatures (during summer) and lengthy storage
times are the ceramists feared enemies.
Hence it is best not to rely too much on leftover glazes that have been in stock for
a long time just because they were all right before. Overstocking certain glazes is
therefore inadvisable and manufacturers must always make sure that glazes are used
in the order they were produced.
Recovery of altered glazes is, in monoporosa and fast double firing plants, ex-
tremely difficult.
The altered glaze can usually be mixed with fresh-prepared glaze to reduce solu-
ble salts.
Recent years have seen the widespread adoption of screen printing techniques.
First used with glossy single fire glazes, screen printing soon spread to rustic pro-
ducts, its popularity being aided by the rapid evolution of graphics.
Screen printing and, for some years now, flexography, provide excellent repeata-
bility and let manufactures renew their product ranges with relative ease.
Over time screen printing has come to be characterised by a constant reduction
in applied weights: before such improvements the most commonly used floor tile
screens fell in the 30-50 wires/cm range and wall tile screens were generally 50
wires/cm. This meant high glaze consumption and the appearance of black core
problems on single fire products caused by the presence of organic vehicles.
This in turn, meant slower firing cycles and poor decoration definition (especial-
ly with graduated shades).
Serigraphic paste preparation techniques were very approximate. The ground
base was generally purchased from colour suppliers and then, once mixed in with
the vehicle and the necessary additives, passed through a grinder. From here it was,
at best, screened in a rotating scraper sieve at 5-6,000 mesh/cm2 (75-80 microns)
before being deemed ready for use.
More sophisticated serigraphic techniques and materials will be discussed in
greater depth further on.
The glazing department is usually situated between the pressed tile drier outlet
and the kiln feeders (or, in double firing, between the two fires, possibly being pre-
ceded after the first fire and followed before the second fire by storage systems).
Proper spacing apart of the various application stations along the glazing line is
essential.
The floor, which must have a non-slip surface, must slope towards drainage chan-
nels so that glaze spills are collected. Lighting must be adequate.
The department must also be equipped with shelving for storage of the seri-
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Glaze and decoration application techniques
graphic screens, the visual check panels (one per line) on which production samples
and standard tiles are displayed, and an area for small spare parts storage and minor
maintenance work.
In a properly managed glazing department, the fast flow of defect information is
essential. Defects do not necessarily show up on selected test samples, hence moni-
toring at the kiln outlet is also required as is continuous statistical tracking of such
defects.
Other important elements in a glazing department include:
Electrical system
The power supply on the glazing line itself should not exceed 50 V (if no diffe-
rential safety device is used).
The lines are supplied from overhead 380 or 60 V cables.
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Speed
Conveying speeds are in the order of 20-25 m/min, but may reach 60 m/min
along certain tracts (e.g. the gap preceding the box storage system).
Once prepared, glazes can be applied to dried, single fire tiles (now almost
universal) or biscuit (double fire) tiles in a variety of ways. The successful out-
come of unfired tile glazing largely depends on dried tile bending strength, as the
tile must be strong enough to withstand multiple applications/decorations without
breaking.
Applying an engobe (a semi-glaze composition) under the glaze is useful in that
it limits degassing phenomena and also prevents the glaze coming into contact with
contaminants in the body.
A uniform film of suitable engobe is sometimes applied to the back of the
tiles to stop direct contact with rollers and so reduce the rate at which dirt
builds up on them.
Generally speaking, a glazing line consists of a belt conveyor: a feeder is instal-
led at one end of the conveyor and a collection unit at the other, with the application
stations in between.
Tiles are conveyed on trapezoidal cross-section belts, preferred because they are
easy to clean, have a limited tile-belt contact area and are versatile.
The belts are supported by pulleys mounted on a metal support frame. This
conveying system works as a series of interconnected sections each independent
from the other in terms of speed (e.g. different speeds may be required during tile
preparation, glaze application, decoration operations etc.).
In addition to actual application units, conveyor lines may also include auxiliary
equipment items such as compenser units (which automatically allow tile collection
and release), turntables to rotate the tiles 90°, spacers, side guides, tile cleaning
devices (fans, brushes, suction units), scrapers, etc.
The main glaze application devices are:
a) bell unit
b) waterfall unit
c) rotating discs
d) spray guns
e) drop feeders
f) dry application units.
Bell unit
Essentially a convex metal dome. As the glaze runs off its surface it forms a
constant, uniform waterfall-like curtain. Glaze is applied to the tiles by passing
them through the curtain
The glaze, which can be relatively dense and viscous (1950-2000 g/l) tends to
deposit in slightly greater quantities on the sides of the tile.
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Glaze and decoration application techniques
The size of the bell on an individual glazing station depends, of course, on the
size of the tile being produced (fig. 2).
Bell units are the most widely adopted continuous application solution, allowing
manufacturers to obtain very smooth surfaces, a prime requisite for certain tile types.
The glaze flows out of the apex of the bell, with feed parameters being adjusted
to suit the characteristics of the glaze being applied.
A circular ring bordering the top of the bell allows the user to apply one or two
coats simultaneously.
Once set up, the unit generally requires little monitoring but it does involve
numerous parameters.
One of the most common defects is the formation of bubbles or depressions
on the glaze surface. This defect has a number of possible causes: bubbling in
glaze transfer and agitation, erroneous fluidification, unsuitable viscosity and
density.
As the variables in play are so many, there is no easy solution to bell application
problems.
For example, high glaze density makes sieving difficult. It is now possible to
sieve as the glaze returns to its container using large-diameter 4000 mesh vibro-
sieves. The latter remove the lumps that sometimes detach from the figure-of-eight
container or from recycled glaze. Another problem is that bell units are adversely
affected even by slight vibration, so the bell support pole must be isolated from the
rest of the line.
Waterfall unit
Consists of a triangular hopper: the glaze flows out through a slot of adjustable
aperture, thus creating a waterfall.
Tiles are glazed by passing them underneath the waterfall. These units come in
different lengths to cover the full range of tile sizes.
Fig. 2. Bell unit (note at right the erroneous flow of glaze highlighted by the hole in the veil).
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The glaze feed unit is similar to the one used on bell systems: vibrosieve, hopper,
feed tube with flow adjuster.
Performance is sometimes undermined by waterfall obstruction problems, espe-
cially lumps in the glaze and air bubbles.
An excessively liquid glaze can also cause problems (irregular stripes): this de-
fect can be corrected by reducing the in-hopper load and narrowing the waterfall
slot.
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Glaze and decoration application techniques
intake; may also derive from a low feed rate, inadequate for the size of the pack,
thus allowing the glaze to dry on the discs.
stripes: weight too low, irregular disc rotation, erratic feed.
Attempts to prevent the formation of drops and lumps have, over the years, led
to the construction of booths of every possible shape and size (fig. 3).
The discs are fed at a constant flow rate by way of an aperture that is regulated
by an overflow control system and an adjuster valve.
The glaze is passed through mesh filters on the feed line and through vibro-
sieves on the return circuit.
Drop device
Applies rather large drops (approximately 1 cm in diameter) to obtain certain
(e.g. rustic) aesthetic effects. Drop applicators may be of the tube or cup type.
Tube feeders resemble disc units, but instead of a disc pack there is a 3-4 cm
cylindrical holed tube.
Cup feeders, instead, feature small, continuously fed crenelated cups, which
rotate around a vertical axis, throwing the glaze against the tiles in a way that
depends on the characteristics (density and viscosity) of the glaze itself, the shape
of the cups, their height, rotation speed and drive speed.
Spray gun
Allows the application of small quantities of glaze via an atomiser. Flashing
effects can be obtained by oscillating the guns (sometimes two differently oriented
guns are used in the same booth). Intensity could be varied by way of an inverter on
the feed pump.
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Where uniform flashing effects are required, constant glaze feed rates are essen-
tial.
Spray gun glazes, generally used at low densities, require certain rheological
properties to prevent the formation of lumps and drops.
With spray guns the main inconveniences are deformation of the jet (nozzle
dirty or damaged) and droplets which either run off the booth walls onto the tiles
or are carried away by the turbulence generated by the injected air.
To combat these defects a variety of differently shaped booths have been desi-
gned in line with a host of volumetric theories, thus leading to changes in wall
angles, positioning of intake ducts etc.
Air pressure, which needs to be kept constant, is generally kept in the 2-6 Atm
range.
High atomisation pressures provide finer droplets but also tend to pressurise
the booth, thus creating considerable extraction problems, with the aerosol (har-
mful to both workers health and the environment in general) exiting the apertu-
res.
Dry applicators
These are used to apply granular glazes (grains) with a vast range of particle
size distributions or various kinds of sands. The grains are re-circulated by way of
a pneumatic loop or a sealed-in cup elevator (the latter creates less dust).
The grains are loaded into a hopper; this is fitted with an extractor which causes
the glaze to fall as a uniform veil onto a roller, belt or distributor sieve (fig. 4). If
stripes or steaks defects often stemming from errors at the hopper loading stage
are to be avoided, the grain distribution system must work perfectly.
Before reaching the grain applicator, specific areas of the tile surface are coated
with a glue or wet glaze.
As the grains fall onto the tiles they adhere to the glue-coated areas only; excess
grains are then blown off the tile surface and returned to the feed circuit.
Because they mimic granite almost perfectly and most manufacturers feel that a
thick layer of glaze generally provides the product with a certain added value,
grain applicators are very popular (1985-2000).
Universal grain/powder applicators which provide streaked effects by using rol-
lers or embossed belts are also available.
Wetting unit: in the traditional version, connected directly to the water mains, or
pneumatic version (minimum constant water pressure at least 1 bar). Mainly used on
double firing or airless-type single firing lines. A pump feeds up to 3 different appli-
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Glaze and decoration application techniques
cation points. Used on monoporosa and single fire lines where the engobe or glaze
is applied with a bell.
Glaze scraper module: this module is inserted some 12-15 metres after the last bell
application, thus allowing the glaze to dry.
The module consists of 2 glaze scraper stations (which scrape parallel sides of
the tile), 2 turntables and 1 fan.
Manufacturers use different glaze scraper types for single and double firing
operations. With the former, any flashing is cleaned off the sides with felt discs so
as not to wet the edges, while the latter employs water-bath rubber discs.
Screen printing modules: standard screen printing modules are 6-9 metres long
and consist of a fixative spray gun (traditional or airless), a compenser and the
screen printing unit.
The module may incorporate several drive units and usually has two air feed
points, one water feed point and a suction intake.
Tile back engobe applicator: applies engobe to the back of the tile; fitted on a mo-
dule about 3 m long. Recommended for use with all production technologies as it is
an effective way of protecting the kiln rollers.
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Other units
Rustic effect brushing unit: mostly used on lines producing single fire and porcelain
tiles with structured or relief surfaces.
The device consists of several abrasive discs or brushes generally positioned at
least 6 m downstream from a spray gun unit.
Bark effect discs: these may be modified traditional discs (the disc pack is replaced
with a holed tube) or special booths designed to confer a granito look.
MONOPOROSA LINES
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Glaze and decoration application techniques
Printing machines
Screen printing is the most common tile decoration system used by the ceramic
industry.
Its popularity stems from the fact that it allows manufacturers to obtain a large
number of identical pieces at high output rates.
Generally involving the use of a fabric screen, the system works by squeez-
ing the ink through the mesh of the open part of the fabric (which forms the
pattern) by means of a scraper blade, thus reproducing the same pattern on the
tile surface.
It is a technique that can be used both on fired tiles and dried pressed tiles (where
they have sufficient bending strength), above or below the glaze.
A silk screen printing station must have the following characteristics:
high piece/minute output to match the output capacity of the latest generation
of presses
versatility with regards to pattern/decoration types
low running costs
limited manpower requirements
faithful image reproduction.
This is the blade that pushes the ink through the mesh of the fabric and brings
the latter into direct contact with the tile surface (except where the contact tech-
nique is used).
The scraper blade (or squeegee) is a flexible resin strip attached to a rigid support;
the profile of its edge (i.e. the part that touches the fabric) depends on the printing
technique.
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Imprint angles, which depend on scraper flexibility, the pressure exerted and the
profile of the scraper edge, have an important influence on the quantity of applied
ink.
In particular, the lower the angle of imprint (soft, round-edged squeegees) the
more ink is deposited.
On flat screen machines the scraper can move both parallel and at right angles to
the glazing line during printing and pushes down hard on the screen as it not only
has to squeeze the colour through the fabric but also bring the latter into contact
with the tile surface (no-contact screen printing, see fig. 5).
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Glaze and decoration application techniques
Fig. 5. Flat screen printing technique: 1) scraper blade, 2) ink, 3) screen, 4) frame, 5) tile.
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T) conveyor belts
L) line belts
FT) photocell.
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Glaze and decoration application techniques
attached to the cylinder. This technique can be used with all rotary printers and
combines the excellent print definition typical of flat screens with the versatility
and durability of rotary systems.
Since its introduction, rotary screen printing has evolved steadily and now al-
lows manufacturers to make prints that are as true as possible to the originals.
Roller decoration
Here, the images to be reproduced are engraved into a polymer or silicon cylin-
der with a laser; faithful reproduction of the original image is provided by digital
processing of the laser-engraved image, giving fine resolution, excellent uniformity
of colour shade, high quality definition and constant repeatability over time. Re-
petitive patterns, shaded effects and infinite reproduction of the original design
can all be obtained.
Development of standard laser engraving processes has led to the creation of
the High Definition (HD) system, a new technique that allows an image to be repro-
duced on a tile without a base screen or tilts as it is reconstructed point by point.
The absence of a screen eliminates all colour overlap problems and allows the origi-
nal image to be reproduced in the finest detail.
In fact, the main advantage of the HD system is that detail, instead of being lost,
is enhanced; moreover, softness of colour gradation makes this type of incision
especially suitable for marble-like effects, the detailed nuances of natural stone and
geometric patterns.
With rotary roller systems, the tile is decorated as it comes into direct contact
with the surface of the roller; they both move at exactly the same speed so there is
no need to stop the tile, thus speeding up the decoration process and reducing the
corner damage, cracking and other defects often associated with start-stop systems.
It is, then, a decoration system in which movement of all components cylinder,
colour, pressed tile is synchronised.
Silicon roller engraving creates cavities that contain the colour to be applied to
the tile; at every turn of the roller, even before it touches the tile, a scraper removes
any excess printing paste.
Two mechanisms release the colour from the cavity: the first is assisted gravity
whereby the low viscosity colour is transferred to the surface of the tile quickly by a
combination of gravity and the centrifugal action of the rotating roller; the second,
much more important, mechanism depends on the fact that the colour, when it comes
into contact with the tile, is absorbed by it and thus sticks.
Another key advantage of this system is roller durability, itself influenced by a
number of factors such as scraper pressure (silicon abrasion) and the nature of the
glaze (e.g. coarse glazes increase friction between cylinder and tile), especially its
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moisture content. A still-moist glaze can provide efficient lubrication for the silicon,
thus extending the working life of the cylinder.
Whether flat screen or rotary systems are used, it is the mesh that provides the
support for the image to be printed and the mesh which ultimately determines the
level of definition.
To be suitable for high quality printing, a mesh must have the following cha-
racteristics:
a) uniform weave.
b) high abrasion/wear resistance to withstand the mechanical stresses of the print-
ing process.
c) high tensile strength to withstand the stresses of print frame construction.
d) a fabric appropriate to the type of pattern/decoration and the quality of the tile
being produced (this involves such factors as mesh density, mesh aperture and
mesh thickness).
e) resistance to the chemical products used in printing (e.g. screen printing pastes,
water, degreasing agents).
f) elasticity so that the screen reverts to its original position after being stretched
by the scraper blade.
g) resistance to pressure and impact.
h) the mesh threads must swell as little as possible in order to prevent changes in
aperture and thus paste flow-through parameters.
i) it should adhere well to all photosensitive emulsions.
The range of meshes the instruments by which passage and deposition quan-
tity of colour are controlled is extensive, giving the user a vast choice in terms of
fabric, fibre and mesh density.
The most important factor characterising fabric type is mesh density (the number
of threads per unit of linear measure, usually per centimetre). It should always be
born in mind that colour deposit and consumption are influenced by mesh density
directly as the colour has to pass through the mesh.
As the mesh is the only support for the image, it must be of a density able to repro-
duce even the finest details. Thread diameter is also an important factor in this regard.
Another factor to be taken into consideration when choosing the fabric is mesh
aperture: this becomes crucial when using pastes with very coarse particles.
Fabric type is determined by thickness, a value that is a combination of mesh
density, thread diameter and on-frame fabric assembly.
Theoretical parameters regarding the maximum amount of colour (expressed
in cubic centimetres per square metre) left on the tile after the passage of the scra-
per blade, are referred to as theoretical volume of colour.
This varies from fabric to fabric and depends on mesh aperture and fabric thick-
ness.
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Glaze and decoration application techniques
Fabric types
The following section takes a look at the fabrics most commonly used by screen
manufacturers, products with synthetic fibres capable of withstanding the mecha-
nical, physical and chemical strains of printing (fig. 7).
a) Polyester fabric
This fibre has good tensile strength and, consequently, has limited thread stretch,
thus making it ideal for high definition printing, where alignment accuracy is crucial.
It has excellent heat resistance and limited sensitivity to sharp changes in tempera-
ture and humidity. Polyester also has very good resistance to abrasion, solvents, min-
eral/organic acids and is insensitive to light. Monofilament (single wire) polyesters
provide excellent colour passage performance thanks to the smoothness of the threads,
hence screens last a long time.
It should also be pointed out that specially developed technical polyesters also
exist; these innovative products offer:
homogeneous results that remain constant over time
a longer screen life thanks to improved emulsion adhesion
excellent uniformity and smoothness of the applied emulsion
optimum image resolution and definition
reduced work times as the fabric is self-lubricating, reducing screen cleaning
requirements considerably.
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nylon is the fact that its tensile strength and stretch diminish as temperature in-
creases.
Highly resistant to abrasion, it is nevertheless, a material that absorbs moisture
easily, causing it to swell.
On account of their excellent elasticity, monofilament nylon meshes are espe-
cially suitable for printing on irregular surfaces.
The frame
The frame provides the necessary support for both flat and rotary printing scre-
ens and has a direct influence on screen quality (i.e. uniformity and constancy of
tension).
As it is subject to continuously changing chemical and mechanical forces, it is
best made of stainless alloy so rust does not cause catalytic damage to the mesh.
Two types are available:
a) steel, which offers the advantages of high specific weight, durability (where pro-
perly protected), relatively low costs and good mechanical strength; on the down-
side steel frames are difficult to handle where large and, unless coated with paint
or varnish, may rust.
b) aluminium, which has the advantage of being light, easy to handle, rust-resistant
and highly suitable for small and medium size frames; however, aluminium offers
only limited resistance to acids and alkalis, and is somewhat less appropriate for
large sizes in that it is not always rigid enough to withstand the tension of the
mesh itself. Aluminium frames are also relatively expensive.
Tensioning
This is one of the most important tasks in the preparation of a printing screen
frame, as it has a direct influence on final results. Only a correctly tensioned screen
will provide the desired outcome, namely:
good mechanical strength
optimum adhesion of the emulsion
good image colour.
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Glaze and decoration application techniques
Good printing results depend on uniform tensioning of the screen right across
the entire area enclosed by the frame.
Workers can measure screen tension during frame preparation via the pressure
gauge on the pneumatic pincer tensioner: the pincers are worked by a pressure re-
gulator and the gauge itself.
Note that mesh producers supply fabrics complete with tensioning data tables:
this information is used to calibrate the tensioning machines accordingly. Tension-
ing measurements are expressed in atmospheres (bar).
More commonly, a tensometer is used. This is a small electronic or mechanical
instrument equipped with a blade that comes into contact with the mesh and measu-
res its tension (in Newton/cm).
Improper tensioning can lead to defects such as lack of multi-colour printing
alignment precision, shifting about of the screen, a stretched out image, premature
mesh wear and heterogeneous colours etc.
Emulsion
The emulsion (or gelatine) is a key component in the screen printing process. It
is spread over the tensioned screen with the aid of a scraper blade and the design is
impressed on it using a photoengraving procedure.
Note that until the mid-80s meshes for the ceramic industry were made with a
chrome emulsion; this cost less but offered little resistance to the strains of the
printing process and was a source of serious water pollution. Since then, as part
of an effort to reduce environmental impact and meet the growing demand for
innovation, a diazo gelatine (a photosensitising agent) has been introduced into
the production cycle and adapted to the special printing needs of the ceramic
industry.
Still used for the production of printing screens, this article offers good photo-
sensitised product duration, high definition and is much more environmentally
friendly.
Technological and graphic developments in the ceramic sector, greater openness
to new applications and the need to respond to ever-greater demand for high quali-
ty have all led to the development of new emulsions with good printing resistance
and high definition.
These highly light-sensitive photopolymers provide fast incision, excellent defini-
tion and good resistance to the glazes.
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Photoengraving
Once the emulsion has been applied the frame-mesh assembly is left to dry be-
fore being photoengraved.
Exposure has a direct influence on definition, resolution of the finest details,
thickness and the chemical/mechanical resistance of the pattern produced in the
emulsion.
Correct exposure depends on two important factors:
exposure time, essential in conferring quality and resistance
intensity and quality of the light.
Keeping the light at the right distance during the photoengraving process re-
sults in homogeneous distribution over the entire surface area. However, if the light
source is too close the light tends to be concentrated in the middle, with diminished
intensity at the sides. Likewise, a light source that is too far away causes underexpo-
sure and areas with poor mechanical/solvent resistance.
Results also depend on photograph image density (which must maintain the fin-
est details), the thread density of the screen fabric and the characteristics of the
photosensitive emulsion (on the basis of which the exact UV exposure time needed
for complete emulsion penetration is calculated).
The most appropriate exposure time can, however, be found by effecting a series
of positive test exposures, increasing or decreasing exposure times until results are
optimum.
Another factor influencing exact reproduction of the design on the screen print-
ing frame is the subsequent development, which influences mesh aperture and thus
the passage of colour onto the tile.
A catalysing stage follows to reinforce the fabric.
These are pastes or liquids of varying viscosity, made up of solid particles dis-
persed in a fluid vehicle and any complementary substances that may be required.
Easily transferred onto the tile, they are deposited in layers about one tenth of a
millimetre thick.
The solid part consists of colorants that change into glass during firing.
Essentially crystalline or fluxing blends with oxidants and pigments, they are
prepared via a wet grinding/drying process.
The liquid part, which acts as a vehicle for the colorants, generally consists of
products such as glycol and polyethylene glycol, characterised by extensive tile co-
vering capacity.
Vehicles must have good binding, plastifying and stabilisation qualities; those
vehicles with better adhesive performance, especially suitable for use with single
fire products, can be prepared with carboxymethyl cellulose in solution, to which
polyvinyl alcohol, glycols or polyglycols are added.
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Glaze and decoration application techniques
The solid base is generally prepared by way of a wet grinding method similar to
that used with glazes; it is then dried gradually (using an optimised thermal cycle),
powdered and stored.
Thus obtained, the powder is then mixed and homogenised with the liquid vehi-
cle.
Mixing usually takes place in an agitator, with a certain powder weight being
added to a pre-determined quantity of vehicle.
The paste is then put through final refinement, a procedure that may involve a
series of machines (sieving units, cylindrical refiners or roll mills, grinding refiners
or micro-ball mills).
Once each of its components has been accurately weighed, the paste must be
homogenised before it can be put through the refinement procedure.
Mixing takes place in simple cylindrical containers equipped with slow-stir pad-
dles and outflow valves on the bottom.
Examples of various screen printing paste compositions used with different pro-
duction technologies are given in the table below.
Refinement
Performed with the aid of several different machines. Refined pastes must have
the following characteristics:
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Refinement of the screen printing paste (or ink), once carried out in simple grind-
ing units which did not always provide efficient dispersion, is now carried out in
more sophisticated machines such as micro-ball mills. The latter are made up of:
a cylindrical tank with a sealed lid.
a grinding chamber lined with hard alumina containing 5 mm grinding balls.
a sealed motor, the shaft of which has two rotors positioned at different heights
in the tank; the bottom of the grinding chamber acts as a centrifuge.
The roughly mixed screen paste is introduced into the tank and from here is
aspirated into the grinding chamber via a circular aperture.
Most grinding takes place in the peripheral zone, where grinding energy is max-
imised by the centrifugal forces acting on the balls and the paste. Driven by the
centrifugal force, the paste is circulated through helical fissures on the bottom of
the tank.
The ceramic quality of the ink is checked by way of sampling procedures which
involve both individual raw materials (frits, colorants) and the paste: the latter gen-
erally requires adjustment to maintain desired chromatic effects.
The vehicle acts as an ink solvent, transforming the powdered colours into a
fluid suspension.
From a ceramic viewpoint, such substances are of extremely limited importance
in that they do not actually influence the final product. Yet from a printing stand-
point they play a key role in establishing the characteristics of the ink and ensuring
good image reproduction.
The most commonly used vehicles are glycols and polyglycols with an ethylene
oxide, propylene and polymer base.
These commercially available chemical composites have high powder wetting
capacity, are optimum binders and disperse the colour perfectly, creating a mass of
good flowability that sticks to tile surfaces well. Vehicles are mixed with dry powders
in ratios that depend on the specific application technology.
Optimum print conditions must be tested in a production context.
The dry base/vehicle ratio can be varied within the following intervals:
flat or rotary screen printing: base 20-100, vehicle 100.
roller screen printing: base 80-120, vehicle 100.
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Glaze and decoration application techniques
On-glaze decoration
The most important factor influencing this type of decoration is the moisture
content of the glazed surface on which the image is to be printed; if it is excessive
it may cause stickiness between glaze and screen, resulting in clogging of the
mesh.
If, instead, the glaze is too dry, it diminishes cohesion between the glaze and the
underlying layers, causing the former to dust the screen (i.e. stick to it); fixatives
normally provide an easy solution to this problem.
Glazed surface moisture content largely depends on the time that elapses be-
tween glaze application and printing (line length and conveying speed), the nature
of the glaze (composition and particle size distribution), the porosity of the tile and
the presence of under-glaze decorations.
Drying times are best modified by adjusting line speed (maximum speed is defined
as the speed at which tile breakages begin to occur) and glaze composition: to adjust
the latter the percentage of plastic substances (kaolin, clay) is usually altered, or addi-
tives are used.
Drying times can also be adjusted by making slight changes to glaze grinding
parameters, taking care not to alter post-firing properties. In any case, this approach
is much less effective than the first two.
In addition to the moisture content of the glazed surface, another factor which
influences on-glaze decoration is scraper blade pressure; if it is too low decoration
may be imprecise or incomplete; if excessive the first colour may stick to the screen
of the second application; if inconsistent it may lead to deposits of varying thick-
ness that result in non-uniform colour shades.
Identical defects may have a number of different causes; for example, a colour
may stick to the underside of the next screen if application stations are too close
together or if the first ink has an excessively long drying time. Imprecise/incom-
plete decoration may be caused by faulty screens, an excessively wide screen-tile
gap or improperly levelled tile guides.
Variations in decoration thickness are caused by differences in squeegee speed,
tiles of non-uniform thickness, worn screens and variations in the composition and/
or viscosity of the ink.
Other possible defects include the differences associated with use of colour re-
agents (caused by absence of parallelism between the screen planes and the scraper
blade) and streaks or stripes (blunt scraper blade or worn screen).
Under-glaze decoration
This type of decoration is applied directly to the tile, which must be cleaned and
sprayed with a thin film of water beforehand so as to even up wettability and water
absorption.
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It is also good practice to apply a preparative undercoat to provide a base for the
screen printing ink.
In addition to the above-described defects (encountered with on-glaze decoration)
small dimples, holes or cracks may appear at decoration points, especially where deco-
ration layers are very thin.
These problems may be caused by excessively large grains (inefficient powder
grinding) or very slow drying which causes the ink to be repelled.
Colour gradation
Plain tiles
When a large number of tiles are to be printed all the same colour, the surface
on which the colour is to be applied must be perfectly uniform, clean and free from
even the slightest defects.
If printing on top of the glaze it is essential that the latter does not transfer dust
onto the screen.
A dust-contaminated tile surface can cause colour variations, shadows and/or
pin-holing.
Once again, polyester screens are to be preferred on account of their dimensio-
nal stability over time (density should not exceed 77 threads/cm).
Silk screen printing pastes should have good flow properties so that the spaces
corresponding to thread cross-overs are filled in.
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Glaze and decoration application techniques
Colour overlap
Overlapping two colours will evidently produce a third one. Screen printing al-
lows manufacturers to take advantage of this simple concept and thus generate a
number of colours far greater than the number of actual application stations.
In general, decorations of diminishing thickness in any case very thin (60-70
threads/cm) are applied so as to aid drying and allow the use of soft scraper
blades; fluxing colours are sometimes used on top of refractory colours.
When printing directly on the surface of the tile it is possible to overlap two
colours and insert a layer of transparent glaze (crystalline) between them.
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Glaze and decoration application techniques
Chapter VI
FIRING
General
Firing is, perhaps, the most important stage of the whole production process as
it actually creates the ceramic material by transforming the raw materials in the
body into new crystalline and vitreous compositions that confer key properties: in-
solubility and solidity to maintain shape, bending strength, porosity or impermea-
bility, resistance to chemicals etc.
Firing also causes the vitreous coating to melt and form a continuous layer that
is solidly anchored to and interlocked with the tile body, thus providing the required
chemical, physical and aesthetic characteristics.
Firing consists of heating, and thus transferring energy, to the pressed, dried tile,
up to a fixed temperature for a set time, so that chemical and physical transformations
cause the body and glaze to acquire the properties required of the final product. In
the past the target temperature, the firing time and the firing methods were decided
on the basis of experience; nowadays the same parameters are established on the
basis of chemical knowledge, an understanding of the technical behaviour of the
relevant raw materials and preliminary analyses of the latter, especially thermal
analyses (see Volume 1).
The equipment available to the modern producer allows him to control manu-
facturing conditions ever-more precisely and effect the finely-tuned firing cycles
that are indispensable for standardised mass production.
Firing takes place by introducing heat into the kiln interior and thus into the
ceramic products themselves.
Heating increases the vibration amplitude of the atoms in the material, thus
causing it to expand.
The extent of this expansion depends on the chemical nature of the material, its
crystalline or vitreous structure, their relative quantities and the transformations
that take place during heating; it has been demonstrated that crystalline composi-
tions expand more than vitreous ones, just as compact structures expand more than
porous ones.
As firing progresses, certain compounds in the materials disappear and new ones
are created; these changes show up as expansion or shrinkage.
The exact nature of such phenomena depends on the initial composition of the
body, the transformations that occur, and in-kiln temperature; this explains why
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bodies can behave so differently during the first and second firings even where the
achieved final temperature is the same: the thermal expansion generated during a
first firing is irreversible while that of a body which has already been fired and
heated is reversible (fig. 1).
Another physical transformation that takes place during firing is the melting of
the fluxes in the body and glaze compositions. In the ceramic industry eutectic mixes
are melted to allow the creation of a liquid phase at temperatures lower than those
actually needed to melt the individual materials; it has been shown that the more
numerous and complex the eutectics among the oxides supplied by the raw mate-
rials, the more easily the composition melts.
When melting takes place, it counteracts the previously described expansion,
and causes a series of closely correlated transformations: reduced porosity à in-
creased density à solid-solid and solid-liquid reactions à improved technological
properties.
As temperature rises so the quantity of molten material increases steadily, si-
multaneously resulting in a reduction of system viscosity. Gradual softening of the
tiles and a series of events associated with the formation of the liquid phase follow:
infiltration of the liquid into the cavities of the mass, solution of the granules,
diffusion of dissolved material throughout the rest of the liquid phase, crystalliza-
tion of the solute in equilibrium with the solvent once saturation point has been
reached.
Simultaneously, there is an increase in reactions caused by the reduced viscosity
of the piece, making control of the material vitrification curve (shrinkage and ab-
sorption of water as a function of temperature) more difficult and possibly leading
Expansion (‰)
Expansion (‰)
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Firing
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above approximately 900 °C: thermal dissociation of other salts such as sulpha-
tes and fluorides.
if temperatures exceed 1000 °C some body and glaze components such as alka-
line oxides, lead oxide, zinc oxide and boric oxide may evaporate.
During cooling the molten materials provide both body and glaze with cohesion
and solidity.
This consolidation may depending on the components in the molten material
and the cooling parameters lead to the formation of vitreous and/or crystalline
structures. In ceramics, the two circumstances usually co-exist in that the molten
material is made up of several components. The ions of certain molten materials,
owing to the loss of solubility caused by the drop in temperature, settle according
to the geometry of their crystalline structure, while the rest of the liquid solidifies
to form a vitreous phase in that cooling times, while lengthy, are not long enough to
allow its complete crystallisation.
With glazes the molten glass becomes progressively more viscous and takes on a
paste-like aspect; simultaneously, it contracts.
Yet because it has attacked and penetrated the surface porosities of the tile it
remains securely anchored to it. Initially the glaze shrinks but, as it is highly vis-
cous it adapts to the tensions that arise between it and the tile; once the vitreous
transition point has been passed, the glass locks and if its shrinkage subsequently
fails to match that of the tile, tensions may arise and generate defects such as cra-
zing or flaking. Such tensions sometimes remain hidden and only show up later
(latent crazing).
Another physical phenomenon caused by increased temperature is the reversible
polymorphous transformation that changes quartz α into quartz β (at 575 °C) and
then, at even higher temperatures, into tridymite and cristobalite. These trans-
formations entail structural rearrangements, expansive during heating, contractive
during cooling.
While the overall structure of the tile is, during heating, still elastic and loose
enough to absorb expansion without too much difficulty, the contraction associated
with the quartz β à quartz α transformation during cooling takes place in a tile
that is already rigid and rich in new fragile phases: cooling cycles therefore need to
be planned carefully, especially around these temperatures.
The same argument applies to materials that have already been fired to a high
degree of vitrification and are then fired a second time: in this case similar pre-
cautions need to be taken during pre-heating.
Applying heat energy to the raw materials causes them to decompose; the
compounds that arise from these reactions then become the reagents responsible
for the formation of the minerals that constitute the final ceramic article: these
changes occur at different temperatures as a function of the energy needed to
trigger them.
Such reactions can lead to the formation of compounds in a gaseous state, which
have a tendency to escape via intergranular interstices: a suitable degree of tile
compaction is, then, essential, as it not only optimises sintering but also provides
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Firing
the permeability needed for expulsion of these pyrolysis and oxidation gases while
allowing gaseous exchange with the in-kiln atmosphere (especially the air and the
oxygen it contains).
In fact, the gases cointained in the in-kiln atmosphere can react with materials
in the body, the glaze and even the products of those same reactions.
The air is usually directed so as to steer reactions in the desired direction; for
those transformations that generate gas or require oxygen air flows are designed to
aid gaseous turnover and create an oxidising atmosphere.
Vice versa, when an oxygen-poor atmosphere is required, or when the level of
oxides needs to be reduced, air circulation can be decreased and/or substances that
produce reducing gases such as CO and H2O are introduced into the firing atmo-
sphere.
This can be done by varying air inflow via regulation of the burners secondary
air ducts or by modifying the relative gas pressure settings in the various kiln sec-
tions (keeping settings stable by increasing or decreasing pressure in different parts
of the kiln).
For example, as seen, organic substances burn between approximately 300 and
850 °C, producing carbon dioxide and water vapour; if heating is gradual, air circu-
lation is good, surface vitrification does not take place and combustion is completed
at around 800 °C, resulting in minimum residues and fine porosity.
Vice versa, if heating is too fast the organic substances could undergo distilla-
tion accompanied by the production of carbon and other reduction products, which
blacken the tile (black core defect).
Only at higher temperatures does the carbon react with the surrounding oxides
which reduce as follows (Me = generic metal):
These reactions involve gaseous formation of carbon monoxide and cause a colour
change towards grey-black, local increase of volume in the mass and local over-firing.
Within the same temperature interval (350-500 °C) oxidation of the pyrite (possibly
present as an impurity) begins, being completed at higher temperatures:
If the atmosphere is oxidising the sulphur dioxide changes into SO3 and, in re-
acting with the basic oxides (CaO) of the body and the glaze, sulphates may be
formed:
The presence of calcium sulphate in the fired tile is damaging as it could dis-
solve in the water contained inside the body and appear as saline efflorescence: this
emerges on the surface of the pre-fired biscuit and can also cause glaze detachment.
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212
Firing
The mullite formed in a porcelain body - S primary mullite, A secon- Viscosity of feldspars as a function
dary mullite formed from the feldspathic vitreous phase, V vitreous of T.
phase, Q dissolving quartz granule.
Fig. 3.
other cases dissolution of the materials takes place without them undergoing chem-
ical transformations (e.g. frit to which compounds such as zirconium silicate and
quartz have been added). The most significant chemical reactions concern the form-
ation of new compounds which crystallise in the vitreous mass (making the glass
opaque or the surface matt) or those that give rise to formation of colorants or
certain decorative effects.
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214
Firing
Heating/cooling rates are slowed down only within critical temperature in-
tervals (as explained above) while for other intervals steep gradients can be
used.
Kilns are now made of refractory materials of low thermal inertia which accu-
mulate little heat, the latter being well distributed throughout the kiln by a series of
burners.
Thanks to these modifications manufacturers are able to keep output levels high.
Firing can be performed in a variety of ways that depend on the sort of product
being manufactured.
Firing may involve the tile body, the glaze and decorations or glaze and body
together.
The first involves firing of the dried tile, the second the firing of the glaze as
part of a double firing process and the third the single fire process (fig. 4).
Body firing involves attainment of temperatures that determine the final quali-
ties of the product (i.e. bending strength, porosity or impermeability, colour). For
certain items such as terracotta, refractory, red gres, unglazed klinker and unglazed
porcelain tile this fire is the first and final one.
In the double firing process the first fire represents only the initial stage of heat
treatment, conferring the solidity, bending strength and chemical-thermal inertia
needed at the glaze application stage.
Once the glaze has been applied the tile can be re-fired at even lower temperatu-
res (usually 30-40 °C less, to prevent the vitreous glaze being affected by any reac-
tions originating from the body).
This process concerns faience, earthenware and soft porcelains (i.e. wall tiles and
low compaction/cohesion tableware).
Single firing allows manufacturers to obtain the desired body and glaze proper-
ties simultaneously.
This technique offers significant advantages, both economic (faster production
process, lower capital investment, energy and labour requirements) and technical
(during firing an intermediate layer forms between glaze and body, thus improving
body-glaze adhesion).
However, the advent of this new firing technique, back in the 70s, necessitated
changes to both plant hardware and body/glaze formulation.
The body necessitates a composition that is, already in its unfired dried state,
solid and strong enough to withstand the stresses of moulding/pressing, glazing
and decorating; during firing it must release a minimum quantity of gas before the
glaze becomes completely molten so as to prevent the formation of bubbles and
pin-hole defects.
The body must also maintain open porosity up to about 800-850 °C to allow
gaseous exchange with the in-kiln atmosphere and thus prevent black core pro-
blems.
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Lower zone
Upper zone
Finally, the body must be formulated so as to minimise the shrinkage that can
cause distortion of decorations.
The glaze, which also includes decoration, must be of a composition that ma-
tures at the same temperature at which the body attains its final characteristics,
must melt when the body has already ceased to generate gases and must spread and
level quickly so as to coat the tile evenly; moreover, it should not be affected by the
gases/steam in the kiln and must be aggressive enough to react with the body and
form the intermediate layer.
The hardware changes brought about by single firing largely involve the kiln
and automation both upstream and downstream from it.
For instance, storage and handling systems for glazed-decorated materials
(waiting to be fired) and kiln feeding/unloading units have been extensively auto-
mated.
Fuels
The heat needed to fire the tiles is normally produced by burning solid, liquid or
gaseous fuels or even by using electricity.
Combustion is a fast oxidation reaction and thus exothermic enough to be used
for the production of heat. Because of this reaction the fuel, made up of compounds
such as carbon, hydrogen, sulphur, carbon monoxide, hydrocarbons, combines (follow-
ing ignition) with oxygen in the air to produce reaction products and heat.
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Firing
C + O2 → CO2↑ + 94.2
94,2 kcal/mole
CH4 + 2O2 → CO2↑+ 2H2O↑ + 192 kcal/mole
H2 + ½O2 → H2O↑ 58.6 kcal/mole
+ 58,6
The heat triggers and continues the combustion. In terms of commercial worth,
the main thing that differentiates fuels is their calorific value; this depends on the
composition of the fuel and is defined as the quantity of heat (kcal) liberated on
complete combustion of 1 Kg of solid or liquid fuel or 1 m3 of gaseous fuel (see tab.
1).
During combustion some substances may subtract heat by activating endother-
mal processes such as changes of state (e.g. liquid-gas) or simply by heating up (e.g.
the nitrogen in the combustion air).
For the fuel to express its full calorific value it needs to be mixed as well as
possible with the combustion air; the latter must also be present in quantities at
least equal to the theoretical values indicated by the combustion reaction.
In practice, apart from situations that require a reducing atmosphere, imperfect
mixing with combustion air can be compensated for by adding excess air: this sur-
Tab. 1. Properties of gases involved in combustion under normal conditions (0 °C, 760 mm Hg, dry).
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plus is in the order of 40-150%, 25-60% and 10-50% for solid, liquid and gaseous
fuels respectively.
Gaseous fuels are particularly advantageous in that they blend completely with
the air, hence combustion can occur with air quantities only slightly above theoreti-
cal levels. Moreover, they can be burnt close to the products without causing any
damage, do not produce ash, do not need preheating and thus burners of relatively
simple design can be used.
Gaseous fuels provide very high temperatures because of their high calorific
value and because pre-heated air can be used; they also make control of heating and
the in-kiln atmosphere more efficient.
Natural gas is a mix of methane, ethane and limited quantities of other light
hydrocarbons: it is found both in gas-only deposits and in oil deposits as a gaseous
phase.
Having a calorific value of around 8500 kcal/m3, it burns with a very pure flame
and contains negligible quantities of sulphur. It is thus the most commonly used
fuel in open flame kilns (where combustion gases come into direct contact with the
product).
Generally supplied to factories via pressurised piping, it goes through an inter-
mediate decompression stage before reaching the burners.
Liquid fuels also have certain advantages: easier batching and distribution through-
out the various kiln sections, good mixing with the combustion air by way of atomisa-
tion, limited ash production, small efficient burners.
To ensure efficient combustion two fuel-air mixing methods may be used:
atomisation of the liquid in a fan-blown air stream (the most widespread sys-
tem)
the liquid is vaporised by using a part of its own combustion heat.
The liquid is atomised by pumping it into a duct which ends in a nozzle. Burners
may be fitted on the walls or the roof of the firing chamber; in the latter case
burners that inject a given quantity of fuel at set time intervals are used.
Ceramic kilns can also use liquid fuels such as the so-called light oils and oil
distillates, generally available as either kerosene or naphtha: the latter is usually
preferred on account of its price. Combustion is generally good, yet the combustion
system as whole is an expensive one and maintenance is more frequent than with
natural gas systems.
At ambient temperature heavy oils generally have the consistency of tar and
must therefore be preheated to at least 60 °C to make them fluid enough to circulate
through the ducts and then heated to at least 110 °C to ensure good atomisation.
Combustion is poorer and produces a considerable quantity of carbon residues, sul-
phur dioxides and other pollutants.
Because of these problems heavy oils are only used where better fuels are either
unavailable or unaffordable.
Where fuels of better quality are unavailable, it may also be possible to use poor
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Firing
gases of low calorific value, such as gases derived from the treatment of coke, or
mixtures of hydrogen, methane and CO etc.
The most suitable liquid fuel for modern burners is undoubtedly liquid petro-
leum gas (LPG). It is clean, of high calorific value and, in most cases, requires
burners similar to those used with natural gas; however, storage and distribution
systems are required, and a good understanding of its technological behaviour is
necessary as it is commercialised in liquid form but used as a gas. This necessitates
the installation of special vaporising units (electrical or with burner). Feeding the
fuel that spontaneously evaporates inside the tank directly to the kiln is not feasible
as it is impossible to keep the composition of the gas consistent (the more volatile
elements evaporate first).
To stop the fuel entering the distribution network while still in its liquid state
and prevent any ice forming when the fuel is decompressed to the standard 500-600
mm H2O, it is good practice to follow the values given in the following tables (tables
2 and 3).
3 3
Gas (m ) produced by the stoichiometric combustion of 1 m
Gas of gas with (dry/humid) air.
CO 2 N2 H 2O Totale
Methane 0.998 / 0.998 7.470 / 7.470 1.934 / 2.046 10.491 / 10.603
Ethane 2.011 / 2.011 13.174 / 13.174 2.924 / 3.121 18.266 / 18.463
Propane 3.052 / 3.052 19.041 / 19.041 3.945 / 4.229 26.265 / 26.549
Butane 4.147 / 4.147 25.226 / 25.226 5.025 / 5.401 34.698 / 35.074
Example: if the LPG is made up of 30% Propane and 70% n-Butane, and the pressure
in the feed line is 1 bar, the temperature of the incoming gas must not be less than 20 °C for
the safety margin to be acceptable. With the same composition at a pressure of just 0.5 bar, a
temperature of 12 °C would be sufficient.
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Where LPG is used its by-weight composition is not always known and varies
over time: hence it is always advisable to use pressures of around 0.5 bar to prevent
the formation of liquid phases or ice in the equipment or system.
Heat exchange
The kiln is the machine in which the tiles are fired to obtain the desired product
characteristics. During the various stages of firing heat exchange takes place between
the heat sources, the fluids, the kiln structure, the products being fired and the at-
mosphere surrounding them: this involves conduction (of limited importance), con-
vection (the main form of heat transmission) and radiation (relevant only in the
high temperature zones).
Convection transports the heat via air circulation (hot air rises, cool air descen-
ds), transmitting a quantity of heat which, other conditions remaining equal, is:
Q = ρ . S . ∆T
where S is the surface area in contact with the heat, ∆T is the temperature diffe-
rence between ceramic body and gas and P represents a convection coefficient whi-
ch varies widely depending on circumstances: this coefficient also indicates how
heat exchange depends, to a limited extent, on the temperature difference between
the air and the heated solids, while controlling the movement of that air is, instead,
very important for heat exchange. Air circulation depends on the position of the
heat source with respect to the fume intake duct, high speed burners and forced-
draught circulation fans.
Convection is also aided by loading the tiles so that the air can circulate freely
between them; also, mounting high-speed burners on opposing kiln walls in a stag-
gered pattern aids convection by producing turbulence and gas circulation at right
angles to the direction of product feed.
Heat is also propagated by way of radiation, transmitted via the infra red rays
emitted by all hot bodies. The quantity of heat emitted depends on temperature as
per the following equation:
Q = σ (T24 T14)
where T2 and T1 are the temperature of the emitting (usually flame or in-kiln
walls) and the receiving material (usually tiles or cooling air) respectively.
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Firing
Logically, the higher the kiln temperature the more important this phenomenon,
to the extent that in some cases, especially where flames are in the immediate vicini-
ty of the tiles, their surfaces are protected with refractory material. Heat transmis-
sion by radiation is typical of muffle kilns and where products are contained in
saggars. It is, in fact, the refractory material that radiates its accumulated heat to the
tiles.
Radiation can also be used to accelerate cooling of items that have been fired at
high temperature. In this case the radiation given off by the bodies is captured by
silicon carbide tubes (with a high infrared absorption capacity) through which am-
bient air is circulated.
Kiln construction
Today, the most common type of tile firing kiln is the single layer type, where just
one layer of material is passed through the kiln on a set of rollers. Its length corre-
sponds to the required firing time. Double layer roller kilns are still used as they
require less space (fig. 5).
On entering the kiln the tiles are fed through zones of steadily increasing temp-
erature (preheating) until they reach the maximum temperature zone. Subsequently
the tiles enter a fast cooling zone where the gradient flattens out a little to prevent
problems associated with the presence of quartz and steepens again until the kiln
outlet, where temperatures vary between 40 and 60 °C. The firing cycle is defined
as the time taken by the tiles to travel from one end of the kiln to the other and,
together with cross sectional load capacity and number of channels, is a key deter-
minant of output capacity.
The tiles usually pass through the kiln at constant speed.
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Generally, tiles are transported through the kiln on rollers. The kiln is divided
into modules, each about 2 metres long, assembled end to end; they are made of
tubular frames and sheet metal panels which support the insulating layer, made of
refractory brick and insulating mortar on the floor and refractory slabs and Z-blocks
on the walls and roof. Fig. 6 shows how kiln insulation consists of layers of diffe-
rent materials and illustrates the resulting insulation performance.
Module composition varies enormously depending on production requirements:
in general, single fire tile production involves kilns 60-120 m long, with effective
cross sections of 1.3-3 m (usable area of 80-360 m2), sub-divided, approximately, as
follows:
Pre-kiln (10% of total kiln length)
Preheating (31%)
Firing (19%)
Fast cooling (6%)
Slow cooling (20%)
Final cooling (14%)
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Firing
Fig. 7 shows side view, plan and cross-sections for a typical single layer kiln of
the latest generation.
This diagram also illustrates the efficient use of combustion gas; in most kilns
the firing zone is characterised by a flow of fumes that runs against the direction
of tile feed, the fumes being exhausted through the main stack located in the kiln
entrance zone.
This set-up is of prime energy management importance because it allows the
heat generated in the firing zone to be used for preheating purposes; where toxic or
undesired emissions are present in the preheating zone, they are sent to the stack
directly for depuration treatment.
Combustion system
Gaseous or gassified fuels such as methane and LPG are burnt directly in the
combustion chamber and then expelled as fumes into the kiln interior. The burners
mix the fuel with air drawn in through ducts by fans. Such air may be defined as
either primary (the burner comburent air) or secondary (used to fine-tune the firing
atmosphere).
In most cases, however, fuel-air mixing takes place directly at the nozzles: by
varying the diameter of the primary combustion chamber outlet different cross-
sectional heat distribution patterns can be obtained.
The extreme temperatures in the combustion chamber necessitate utilisation of
specially designed materials, such as silicon carbide (SiC) or sometimes SiSiC. Adju-
sting the air flow makes it possible to obtain hot gases that exit the burner at
speeds of 100 m/s and more, producing directional jets than maintain uniform
temperature along almost their entire length, which usually corresponds to kiln
width. As the burners are arranged in an alternating, staggered pattern above and
below the rollers, fume turbulence is maximised, thus ensuring maximum heating
uniformity.
The traditional burner modulation systems are:
fixed air / modulated gas
modulated air / modulated gas.
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Fig. 7. Side view and plan of single layer kiln showing how cross section changes from zone to zone.
Firing
In the former the quantity of air arriving at the burner, once adjusted, remains
constant independently of changes in load or anything else which might alter the
temperature in the firing zone: temperature settings are maintained via gas modula-
tion only. With this system, it is obvious that the burner will operate at a correct
gas/air stoichiometric ratio only within a narrow operating range, as the most com-
mon situation is one of excess air. This system is of simple design, gives good
pressure stability in the kiln where there are gaps in the load, yet is costly in terms
of fuel consumption.
In the latter both gas and air can be modulated (at a constant ratio) to compensa-
te for gaps in the in-kiln tile load or other factors that might alter temperatures in
the zone.
Temperature is maintained by varying air and gas flows simultaneously and con-
sequently acting on the volumes inside the kiln. Note also that with this system the
burners generally operate at a stoichiometric ratio which optimises fuel consump-
tion.
However, negative aspects such as pressure instability caused by gaps in the load,
greater constructive complexity and difficulties in avoiding temperature peaks can
cause serious problems, especially where kilns are particularly wide and long.
High output (wide infeed) kilns and very fast firing cycles demand narrow tile
size tolerances. Consequently the use of pulse-type systems with burners stagge-
red on opposing kiln walls and adjustable flame distribution systems, which use
refractory ducts or deflectors, are becoming increasingly common. Both these solu-
tions optimise heat control, which, thanks to the development of ever-more reliable
control electronics and measuring systems, limit temperature fluctuation to just a
few degrees Celsius, thus providing excellent results in terms of wall to wall hea-
ting homogeneity.
To sum up our description of the combustion system it should be pointed out
that enormous efforts have been made to reduce energy consumption. This is high-
lighted by the simple fact that in 1980 it took 967 Kcal to produce 1 Kg of 300 ×
300 mm glazed tiles with a water absorption of 5-6%, while today just 450-500 Kcal
are needed.
One simple, highly effective solution in this regard is use of pre-heated combu-
stion air. Even where air is heated to just 100 °C fuel savings are in the order of 5-
6%. More radical heat recovery (from the cooling zone) allows combustion air to be
used at temperatures as high as 230-250 °C, resulting in savings of some 12-14%
(see tab. 4). Without entering into the merits of different plant layouts, the fol-
lowing table shows specific consumption for a kiln with a 2.5 m wide infeed and a
total length of 110 m, a 47 minute firing cycle, Tmax 1220 °C for the firing of porce-
lain tiles, shrinkage 8%, weight 20 Kg/m2, output 6400 m2/day (5350 Kg/h fired
product):
The heating sequence and the corresponding kiln structure can be described in
terms of the reactions that occur at certain temperatures. The following paragraphs
chart the progress of the tile through the various kiln zones.
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COMBUSTION
TEMPERATURA
AIR
ARIA 30 °C 100 °C 160 °C 220 °C
TEMPERATURE
COMBURENTE
SPECIFIC
CONSUMO
CONSUMPTION
SPECIFICO 485 456 440 420(-(13.4%)
420 13,4 %)
Kcal/Kg unfired)
(Kcal/Kgcrudo)
Tab. 4. Specific consumption in a single layer kiln as a function of combustion air temperature.
1 - Pre-kiln
This is the kiln inlet, designed to eliminate any residual hygroscopic water left
behind by the drying process, picked up during glazing or absorbed following unsu-
itable storage: maximum permitted water content is 2% by weight. Here, elimina-
tion of the zeolite water in the clay also begins.
This part of the kiln does not usually have its own heating apparatus, but relies,
instead, on transfer of fumes from the downstream firing zones via stack ducts
located above and below the pre-kiln rollers. Temperature is monitored by a ther-
mocouple in the roof.
Pre-kiln temperatures range from 200 to 500 °C, but considering the speed of
the cycle and the endothermal nature of evaporation the material itself reaches
temperatures of just 50-200 °C.
The only temperature regulation device is an air intake located in the roof and
floor of the pre-kiln, adjustable by way of a gate valve. The vertical height of the
kiln interior at the early end is minimised so as to accelerate fume speed and conse-
quently increase fume-tile heat exchange.
Both walls and roof are insulated with rigid slabs made of special fibres, ancho-
red to the metal frame of the module. The floor, instead, is shielded with harder
insulating bricks capable of withstanding the wear generated by the periodic re-
moval of tile debris.
2 - Pre-heating
Here, the key event is the degassing of the ceramic body, indispensable for the
prevention of swelling, bubbling and cratering of the glaze/body and colour alte-
rations.
The relevant temperature range depends on the type of product being fired and,
even more importantly, the type of glaze. Conceptually, preheating ends where glaze
melting begins and the surface porosity of the tile begins to drop, causing a sudden
fall in gas permeability.
Pre-heating temperature ranges may be in the order of 500-700 °C or, if the
glaze is of good quality, 500-1000 °C. For exceptionally high-fluxing bodies and
glazes it may extend as far as 1100 °C.
Pre-heating also involves the delicate allotrope transformation of quartz α in
quartz β. This must be completed without the tension generated by the sudden
increase in the volume of the ceramic body causing any breakages: in short, prehe-
ating must be efficient and suited to the characteristics of the tile.
The pre-heating zone has a series of burners, mounted on the walls above and
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Firing
below the rollers. Kilns for the second glaze fire do not have burners below the
rollers, except in the firing zone. The burners are sub-divided into several multi-
burner sets on two kiln modules, staggered symmetrically along the right and left-
hand sides of the kiln.
Burner sets above and below the rollers are always adjusted separately.
Compared to the pre-kiln, the pre-heating section is higher and modules are
larger as they require thicker insulation. The innermost layer of the walls is made
of insulating brick and a secondary layer of fibre. The roof is lined with lightwei-
ght refractory blocks, anchored by metal couplings to the tubular structure on the
module frame. In addition to the blocks there is also a second layer of refractory
fibres and a third layer of insulating cement.
The floor consists entirely of various types of insulating brick or compressed
refractory. To shield it from any mechanical impact, the floor is lined with thin, dry-
mounted tiles made of dense refractory materials. Wall insulation is completed by
plugging the roller seats with insulating fibre.
3 - Firing
This is where temperatures breach the 1000 °C barrier and are at their maxi-
mum.
Insulation: the innermost layers of the wall are made of refractory-insulating
bricks of maximum refractory performance; insulating fibres complete the shiel-
ding. Note that insulation thickness varies as a function of the temperatures re-
quired for specific product characteristics. To insulate properly at temperatures of
1100-1250 °C three different layers of insulation are used, thus providing good kiln
performance at optimised running costs.
The entire firing zone is equipped with wall-mounted burners both above and
below the rollers.
It is in the firing zone that virtually all the final size, flatness, vitrification and
glaze characteristics of the tile are established. Hence fine temperature control and
a perfectly flat roller plane are essential, as tiles can soften considerably.
The influence of the adjoining cooling zone also needs to be attenuated: this is
achieved by inserting two barriers at the end of the firing zone, each consisting of
a wall that cuts off the lower part of the firing channel between floor and rollers
and rigid insulating fibre slabs (chicanes) inserted through an aperture in the kiln
roof to divide the channel above the rollers.
Inserting similar barriers in the firing or pre-heating zones, while often a source
of frequent and sometimes costly maintenance work, rarely gives appreciable re-
sults. Hence they are only installed where essential (e.g. in very short kilns or kilns
for products with special requirements).
4 - Rapid cooling
This phase covers the interval between maximum firing temperature and about
600 °C.
The process is designed to cool the tiles as fast as possible, but must not continue
to the point at which allotrope transformation of quartz takes place (573 °C).
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Because this stage involves a sharp drop in temperature and the return of both
body and glaze to a solid state, it is undoubtedly one of the most critical in the
entire firing process. Rapid cooling is achieved by way of blower pipes housed in the
walls, both above and below the rollers: the air exits the pipes and enters the kiln
chamber where required via a series of aligned holes, which ensure even air distri-
bution over the load and are generally made of austenitic steel or, where exposed to
very high temperatures, silicon carbide.
Temperature control in the fast cooling zone is provided by thermocouples in-
stalled both above and below the rollers.
Equally important is the heat exchanger, consisting of a series of steel pipes
running transverse to the kiln below the roof; the air flowing through these pipes is
actually the combustion air on its way to the burners.
Hence the exchanger has the dual function of cooling the tiles and pre-heating
the burner combustion air, normally to 100-120 °C.
At these temperatures the air is already sufficiently expanded, is moisture-free
and thus will not damage the kiln interior in the event of a burner shutdown.
Wall insulation in the rapid cooling zone consists of an initial layer of refractory-
insulating brick and then a layer of insulating fibre. Insulation is thinner here as a
result of the relatively low temperatures.
5 - Slow cooling
This is the stage at which the highly delicate allotrope transformation of quartz
takes place, an event that involves a sharp decrease in the volume of the ceramic
body.
As the above subtitle implies, cooling must proceed slowly and gradually so that
this transformation takes place simultaneously throughout the tile: otherwise the ten-
sions generated in the already-rigid ceramic tile can easily reproduce the characteri-
stic cracking which, in medium-high vitrification, gives the fracture a smooth, shiny,
conchoid look with sharp edges.
Temperatures in this part of the kiln are in the order of 600-450 °C, correspon-
ding to actual tile temperatures of 700-500 °C.
Heat exchange is provided by a nest of tubes running widthways beneath the
roof of the kiln; a fan draws in cold ambient air and circulates it through the tubes.
The flow is routed so that air in adjoining tubes flows in opposite directions. Some
tubes can be excluded by closing valves on the hot air ducts.
As in the pre-kiln, the roof of the kiln is lower and the modules are smaller
because lower temperatures require thinner insulation. The roof chamber is insula-
ted with rigid fibre slabs anchored to the module frame while the walls are insulated
with brick on the innermost layer and then fibre; the floor is made of insulating
brick.
In this part of the kiln the refractory plays a secondary heat insulation role, by
ensuring that temperatures remain sufficiently high when there are gaps in the tile
flow. The end of the slow cooling zone is marked by two transverse barriers, po-
sitioned closely together.
Both consist of a wall sectioning off the below-roller level and austenitic steel
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Firing
slabs slotted through apertures in the kiln roof above it; the extremities of these
chicanes are hinged so that accidentally overlapped pieces can pass through.
The purpose of these barriers is to control air counter-flow in the final cooling
section.
6 - Final cooling
At this point the tile has passed the critical quartz transformation point. Final
cooling is thus designed to lower the latent heat of the product as much as possible.
Cold air is introduced directly above and below the tiles by blower sets consi-
sting of holed triple-tubes running widthways. Flow rates on individual sets can be
adjusted by means of a gate valve on the air feed system.
A second fan withdraws the air that inevitably heats on contact with the tiles,
removing it via ducts in the kiln roof fitted with adjustable throttle valves.
These intakes extend into the slow cooling zone: one is positioned between the
two barriers separating the slow and final cooling zones and another is located
upstream from the barriers themselves: this last intake is useful when the kiln is
being heated and in establishing the necessary equilibrium regarding air volumes
flowing towards the firing zone.
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can be adjusted by servomotors (controlled via the kiln control panel) or frequency
modulators (inverters) on the fan itself: these systems may also include an automa-
tic kiln pressure adjustment device.
An ambient air intake on the fume stack is also present: this is usually a manual
throttle valve and allows fume temperatures to be lowered when excessively high
for the fan; it also acts as a fine adjuster of exhaust fume quantities.
However, the systems which distribute fume suction between the above-roller
and under-roller sections are of limited efficiency: even when some 10-12 metres
from the intakes the fumes already tend to follow the natural route above the
rollers. This tendency is aided by the intercommunication afforded by the inter-
roller gaps (where uncovered by tiles).
The exact amount of combustion air supplied to the burners (quantities usually
vary between 5 and 35 m3/h) depends on requirements. Dilated by the high tempe-
ratures, this air represents a significant proportion of the volumes that need to be
evacuated.
To these volumes at least a part of the fast cooling air is added; the air blown
into the fast cooling section is partially or wholly exhausted by the fume fan or the
hot air intakes in the final cooling section.
Where removed by the fume fan this air has a positive effect on fuel consumption
because it is already heated (so less cold air is fed to the burners) and provides good
oxygenation in the kiln interior (fig. 9).
Where, instead, it flows towards the final cooling zone in the same direction as
the tiles, this air can be of considerable importance in keeping the kiln interior hot
in the event of extensive gaps in the tile load; this protects the leading row of tiles
in the kiln from the effects of the volume changes associated with the quartz tran-
sformation (fig. 8).
The quantity of air introduced is modulated automatically so as to maintain
correct temperatures in the fast cooling zone; consequently, especially where tile
feed is discontinuous and thermoregulator default parameters are not optimal, kiln
pressure may oscillate. The final cooling air is blown in through widthways blower
ducts arranged both above and below the rollers. The air exits through blowholes
positioned perpendicular to the tile load.
This final cooling arrangement optimises efficiency and enhances the opportuni-
ties for energy recovery as air volumes at 110-160 °C are easily employed elsewhere.
Pressure is important for kiln regulation purposes but does not, in itself, have
much influence on firing results (except for planarity).
230
Firing
When a kiln pressure reading is taken it only refers to a single point in the entire
firing channel: bear in mind that pressure is at its minimum at the fume extraction
points in the pre-kiln and at maximum in the fast cooling zone on account of the
large volumes of air being introduced. Within a given zone, pressure is higher at
the roof level, minimum at floor level, the differences often being considerable. For
purposes of convenience, kiln pressure is detected at the burner level, above the
rollers just before the last firing zone module.
Another, less technical yet more practical and meaningful method consists of
localising the ± 0 pressure point between the partial vacuum of preheating and the
pressure of the firing zone.
The following diagram illustrates how pressure changes from zone to zone
(fig. 10).
In any case, kiln pressure should not exceed a limit of approximately 0.3 mm
and draught should be balanced so that fumes produced in the firing zone are not
drawn towards the kiln tile outlet: the latter can increase fuel consumption and
cause degassing problems in pre-heating.
cooling
Slow
air
Pre-heated
air
Combust.
stack
To the
cooling
Final
cooling
Fast
air output
Cooling
pressure
partial vacuum
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Controls
232
Firing
rences can be translated into temperature via a conversion table. However, such
measurements are of limited use as they depend heavily on the amount of time
taken for the rings to pass through the kiln, thus giving a relative rather than an
absolute indication of temperature.
Nevertheless, they are useful monitors of cross sectional temperature stability.
Bear in mind that the unfired ring diameter is not calibrated so the effective diffe-
rence between unfired and fired diameters must be recorded accurately, without
conclusions being drawn on the basis of fired diameters only.
Finally, specially shielded recorders can be passed through the kiln together with
the tiles. Throughout the firing cycle, these receive and record signals from various
connected thermocouples.
Correct positioning of the thermocouples thus provides valuable information on
the thermal inertia of the tiles and how temperature is distributed between their
interior and exterior.
An in-depth treatise of optimal kiln management, especially specific fuel and
electricity consumption etc., is beyond the scope of this volume.
However, the reader will undoubtedly find the heat balances in figures 11 and 12
useful as they provide a good overview of how energy is distributed and consumed.
The diagrams illustrate tile manufacturing situations with combustion air at am-
bient temperature (fig. 11) and preheated to 200 °C (fig. 12).
Hot air
Structural Endo- 12 Kg
1.62 Kg of
dispersion thermic
fumes + air
70 reactions T= 126 °C
T=250 °C
89 Kcal/kgp kcal/kgP 276
50 Kcal/kgp
Kcal/kgp
1 Kg of fired
mat. 3%
1 Kg of mat T= 90°C
Roller Kiln 15 Kcal/kgp
to be fired
Combustion Fuel
air
500 Kcal/kgp
T=30°C
e=1.10
Fig. 11. Approximate heat balance for a roller kiln with combustion air at 30 °C.
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Hot air
10.4 Kg
Structural Endother
0.82 Kg of 240
dispersion mic
fumes + air Kcal/kgp
reactions
45 Kcal/kg 70
T=250 °C T= 126 °C
Kcal/kgp 50
Kcal/kgp
Kcal/kgp
1 Kg of fired
mat. 3.5%
1 Kg of mat T= 90°C
to be fired. Roller Kiln 15
T=30 °C
Combustion Fuel
air 420 Kcal/kgp
0.74 kg
56 Kcal/kg
T=230 °C
e=1.10
Fig. 12. Approximate heat balance for a roller kiln with combustion air at 200 °C.
Rollers
The roller is one of the most important components in the kiln. Like the kiln
itself, it has changed much in recent years.
As firing temperatures have risen, kiln infeed widths have increased and firing
cycles become faster, so there has been a gradual switch from metal rollers to cera-
mic rollers.
It was the advent of firing temperatures above 1160-70 °C that led to the wide-
spread abandon of metal rollers as they deteriorate quickly at such temperatures,
even when made of expensive, quality steels such as lNCONEL 601.
Moreover a comprehensive range of rollers is now available.
Formulas, which may be both oxidic and non-oxidic, are optimised for the var-
ious kiln zones.
Ceramic rollers provide excellent quality at relatively contained cost, thus making
metal rollers virtually obsolete (they are, though, sometimes used at the kiln outlet).
Metal rollers
Initially, then, roller kilns used only metal rollers, from the simple Mannesman
roller to the stainless steel roller, with rollers of increasing quality being used towards
and in the firing zone.
234
Firing
Of course, metal rollers have been abandoned because they also have several
disadvantages:
cost: generally three/four times more expensive than ceramic rollers.
durability: limited where kiln atmospheres are chemically aggressive; sulphur com-
pounds are particularly damaging as they react with the nickel in the steel to
form low fluxing nickel sulphide; in extreme scenarios this reaction can perfora-
te the roller in just 72 hours.
impossibility of use at high temperatures on account of the fast deterioration and
bending that takes place above 1160 °C, thus excluding their use in the manufac-
ture of single fire wall tiles and porcelain products in general.
impossibility of use in wide kilns as the rollers flex even under lightweight loads.
As the disadvantages clearly outweigh the advantages recent years have seen
almost total abandonment of metal rollers, except in:
porous biscuit for double fire tile manufacture, in which the characteristics of
the body materials (without sulphurs) cause them to stick to the rollers very
quickly in the preheating zone.
the last low-temperature part of the cooling zone, where the environment is
clean, to increase tile separation on the rollers and facilitate the work of un-
loading machines.
Since the above represent such a narrow range of the industrys output manu-
facturers generally prefer to optimise the bodies, improve tile underside cleaning
performance and improve overall kiln control so as not to have to resort to the use
of metal rollers.
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Ceramic rollers
As expense logically varies from one category to another, it has become common
practice to use different types of roller in different kiln zones so as to contain instal-
lation costs.
Manufacturers use raw and semi-finished materials of high quality, which have a
considerable influence on final cost.
The following tables show standard compositions for the most commonly used
rollers:
ROLLER COMPOSITION
MATERIE
ROLLER PRIME
RAW RULLO
MATERIAL STANDARD
STANDARD STANDARD
COR- STANDARD SEMITECNICO o
MULLI- SEMI-TECHNICAL
CORDIERITICO
DIERITIC ROLLER MULLITICO
TIC ROLLER TECNICO
/TECHNICAL
ALLUMINE
ALUMINA 50 55 60 65 50 55
MULLITE ZIRCONIO
ZIRCONIA-MULLITE - - 10 - 15
CLAYS
ARGILLE 10 15 10 20 10 15
KAOLIN
CAOLINO 10 15 15 20 10 15
TALC
TALCO 5 10 - -
Tab. 5.
236
Firing
Tab. 6.
Firing the rollers at different cycles and temperatures causes crystalline phases
to form in different quantities and qualities, thus determining the characteristics of
the finished roller.
Mechanical problems
Being made of ceramic, rollers are rather fragile and mechanical stresses such as
knocks or excessive pressure can damage them even when new.
Hence they must be handled with care, starting with their removal from the
packaging. Another task requiring due care and attention is cleaning: this is done
using a special machine, which needs to be adjusted accurately so at not to stress the
roller. There is also a risk of breakage when the roller is inserted in the kiln: if it has
not been thoroughly dried the sudden release of water could seriously damage it.
Fatigue
As mentioned above, commercially available rollers differ in terms of mineralogical
constitution and maximum working temperature. Roller manufacturers supply tables
that illustrate these limits: yet temperature is really no more than an indicator as to
operational limits as the latter also depend on roller load, kiln characteristics and
the nature of the material being fired.
Mechanical stress on the roller can be calculated by way of the following for-
mula:
σ (N/mm2) = M/W
where
M = (P1 L/8) + [P2 (2L-I)/8]
W = 32 (
π De4-Di4
De )
M = static moment (Nmm)
W = modulus strength (mm3)
P1 = roller weight between supports (N)
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Chemical aggression
This is the main cause of early roller breakage and can occur inside the kiln
during routine operation, when rollers are extracted for cleaning purposes, in the
event of an emergency stop or during a scheduled maintenance stop. The damage
generally takes the form of a longitudinal crack a few tens of centimetres long or
transverse cracks which separate the roller into several cylinders, each 15-20 cm
long.
Breakage usually occurs in a kiln section some 10 m long, located between the
preheating zone and the start of the firing zone, where temperatures range from 680
°C to about 880 °C and salt deposits may be observed both on the roof and the walls.
The composition of these salts, mostly K2SO4 and K3Na(SO4)2, indicate the presence
of alkaline and sulphur vapours in the kiln atmosphere: the former originate from the
material being fired while the latter have their origin mainly in the fuel.
In-depth studies where the raw materials were clays with a high soluble salt
content, made up of sodium sulphate and lesser quantities of calcium sulphate
and complex potassium and sodium salts (SO3 = 0.8%), have been carried out. The
rollers were attacked by the alkalies, mainly potassium, resulting in the formation
of crystalline phases such as leucite, kalsilite and sanidine, totally absent in the
rollers before use. Some theories sustain that alkaline aggression occurs when the
potassium sulphate is deposited on the exposed surface and the pores of the rol-
lers where it reacts with the mullite contained therein as follows:
Precautions
Under normal working conditions roller duration can be maximised and perfor-
mance optimised simply by observing the following.
Always dry the rollers in as uniform a manner as possible before introducing
them into the kiln. It is advisable to dry them in the pre-kiln as placing them
above or next to the kiln is inadequate.
To prevent moisture infiltration always store rollers in a warm, dry place, never
outdoors.
To ensure homogeneous heating along the entire length of the roller, insert it
into the kiln module as fast as possible; insertion must only be carried out by
properly qualified personnel.
To prevent dispersion of heat via the kiln exterior or when it is necessary to
degas the roller itself, it is good practice to plug it, at one end only (drive side),
with ceramic fibre.
238
Firing
– Hot roller rotation speed during extraction and insertion should be as close as
possible to routine running speed. After extraction the roller should be kept
turning for a few minutes.
– Extracted rollers must not come into contact with cold metal parts; they should
be handled with tools insulated with ceramic fibre. To stop rollers, especially
technical rollers, cooling too quickly, they should be blanketed with ceramic
fibre.
– In maximum temperature zones, rollers removed for cleaning purposes should
be replaced with new ones. Cleaned rollers should always be re-inserted towards
the beginning of the firing zone, taking the place of still-clean rollers that can
then be shifted to maximum temperature zones. Ideally, the temperature of the
roller should not drop below 500 °C during these tasks.
The chemical aggression caused by the “chimney effect” inside the hollow roller
interior can be attenuated by plugging it with ceramic fibre.
– To minimise roller cleaning and limit (as far as is possible) the formation of crusts,
the rollers could be engobed. The back of the tiles, instead, must be engobed. The
following types of engobe may be used.
Back engobe for carbonate base porous tiles and porcelain tiles (can also be used
for roller engobing):
ANHYDROUS ALUMINA 80.0%
KAOLIN 20.0%
Tile back engobe for vitrified tiles (only to be used for tiles, never rollers):
ANHYDROUS ALUMINA 12%
MAGNESITE (MgCO3) 88%
N.B.: Preparation and application methods are similar for all types of engobe:
– Grinding residue: 1.0% on 45 micron mesh
– Glue: 0.3% of CMC
– Water: 70-90%
– Application density: 1100-1200 g/litre
Firing zone
The material moves forwards as illustrated in fig. 13.
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Cooling zone
The material is conveyed as illustrated in fig. 14, or worse still, overlapped. The
problem can be resolved by acting either on the firing zone or the cooling zone.
Firing zone
Here, two kinds phenomena can slow down the material in the middle of the kiln
with respect to the material at the sides. The first is a natural, temperature-related
effect where pyroplasticity causes the roller to sag. Even a variation of just a few
tenths of a millimetre will slow down product feed in the centre of the kiln. This
behaviour worsens at higher temperatures.
The other phenomenon stems from the way in which the rollers themselves are
manufactured; the rollers are fired in a suspended, vertical position. At high tempe-
ratures this arrangement can cause the material to flow downwards and give a rol-
ler cross section of the type illustrated in fig. 15.
The roller is then cut (as illustrated by the dotted lines) to obtain the desired
length.
The difference in central tile speeds in the firing and cooling zones can compen-
sate for each other and produce a more even line of tiles at the exit.
If the new roller arrangement still fails to produce the desired results (i.e. im-
proper tile feed), biconical rollers which maximise peripheral speed at the centre
and reduce it at the sides can be used. These rollers should be used in sets of 5-8
pieces per module towards the firing zone, for a total maximum of 30-40 rollers,
starting from the zone where central slowing is first observed.
240
Firing
Cooling zone
With regard to direct air cooling a situation of the following type may occur (see
fig.16).
Differences in temperature above and below the rollers cause their deformation
(bending upwards), thus creating an effect opposite to that observed in the firing
zone. It follows that the tiles will then advance faster at the centre of the kiln than
at the sides.
Homogenising cooling above and below the rollers should limit the problem.
T2
Where T2 >T1
T1
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242
Sorting, packaging and palletizing lines
Chapter VII
Introduction
Before analysing the machines and devices used in the sorting department it is
important to point out the following: it is located at the end of the actual tile manu-
facturing process, after the tile has already acquired all its physical and aesthetic
characteristics and does not in any way influence these characteristics as it exists
only for control and classification purposes.
The sorting department allows the product to be sub-divided and packaged on
the basis of both qualitatively objective and subjectively settable parameters accor-
ding to the ceramic companys position in the market.
In other words, the parameters which form the basis of tile classification have
much to do with commercial considerations that vary from one company to the
next, thus making them relative rather than absolute.
For a long time much of the work was manual, being entrusted to the skill of
the individual because of the difficulties of designing and building reliable, efficient
artificial vision systems; in recent years the latter have been the focus of intense
technological research, with new image acquisition systems and ever-more sophi-
sticated sensors being developed.
Hence it is extremely difficult to forecast how sorting will develop in the near
future.
Visual checks:
to highlight tile defects
to allow sub-division according to shade.
It is thus necessary to distinguish between a defect (i.e. that changes the fi-
nished tile price) and dimensional or colour differences; the latter do not actually
alter the value of the tile provided sorting produces lots or packs of similar shade
and size.
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Feed lines
Connection to upstream machines may consist of either a direct link to the kiln(s)
or to fired material storage systems; in both cases the product is fed by conveyors
which do not necessarily provide a consistent flow, so at the sorting infeed point,
other devices modify this into one which is smooth and uniform, eliminating dis-
continuities or non-uniformities and producing a continuous, homogeneous gap-
free tile flow.
Achieving this is essential, as any glitches in the flow will if the sorting rate is
to be maintained need to be compensated for by increasing the speed of the tile
conveyor, with obvious problems for the human sorter who consequently has less
time to examine the tile.
Furthermore, the feed line usually features other devices such as pressure wheels
to remove weak tiles (usually at the kiln outlet), brush and fan cleaning systems, tile
turntables (to position rectangular tiles correctly) and vertical compensators to
manage brief sorting line stoppages.
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Sorting, packaging and palletizing lines
Aesthetic criteria
1st QUALITY
The surface of the tile must be completely intact; aesthetic evaluation must be carried
out on a sample of at least 1 m2 or a minimum number of tiles as established by
standards.
It must involve observation of the surface of the tile at a distance of 1 m under 300 lx
lighting conditions. The result is expressed as the percentage of defective tiles.
2nd QUALITY
Must involve a test sample of at least 1 m2 or 30 tiles. Evaluation must involve observa-
tion of the surface of the tile at a distance of 2 m under 300 lx lighting conditions.
3rd QUALITY
Tiles of 3rd Quality are defined as those that do not meet 1st and 2nd Quality requisites.
Functional criteria
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Given the need to employ different workers and considering the vast number of
variables, classification of output according to parameters that are not always objec-
tive but of great commercial importance is extremely delicate.
This human factor is highlighted when an increase in output makes it neces-
sary to employ two observers at a sorting station; here, the product is fed along two
lines, each assigned to a different worker; the problem here is that their separate,
subjective evaluations are blended at the packaging stage.
Manual defect and shade sorting, then, is an essential yet tricky task yet one for
which a reliable automated alternative has yet to found. However, human error can
lead to mistakes or slow down production: the output rate of a sorting line is, in fact,
not so much dictated by automated cycle speeds but, rather, by human limitation.
It should thus come as no surprise that the ceramic industry is following the
development of automatic tile control systems with keen interest.
Dimensional control
Immediately downstream from the sorting bench comes the automatic dimen-
sional and geometric control unit, consisting of two different sections (fig. 3):
a device for the control of size and geometric defects
a flatness control device.
The former checks tile dimensions and classifies them within ranges set by the
machine operator: variations in tile size do not, in themselves constitute defects and
do not necessarily alter the technical specifications or commercial value of the pro-
duct.
The important thing is to sub-divide them so that tiles of significantly different
size are not laid next to each other.
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Sorting, packaging and palletizing lines
Optic fibres and digital linear sensors take a snapshot of the tile, which is then
compared to a master sample; precision is in the order of 0.1 mm and repeatability
is good, as is stability, despite the movement generated by the conveying system.
Other measurement solutions use photodiodes and encoders that give time/speed
readings, which are then interpolated to calculate a distance: precision is again in
the order of a tenth of a millimetre.
Measurements are carried both longitudinally and transversely (fig. 4).
Measurements X1, X2 and X3 identify the sides parallel to the direction of tile
travel, while measurements Y1, Y2 and Y3 concern sides perpendicular to it. Thus
not just one measurement but a whole series of them are made; these are processed
to attribute a single size value to the tile so that it can then be assigned to a group
(i.e. a calibre class) of similarly sized tiles.
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Central sizes
Tile
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
Test method
12345678901234567890123
12345678901234567890123 Size class
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
12345678901234567890123
Column maximum
248
Sorting, packaging and palletizing lines
Tenths of millimeter
Column maximum
Tab. 2.
Here, four different size classes have been set (top row).
The minimum out-of-size value is 12, the lower central size is chosen and the tile
is thus assigned to C2 (4493).
The class size of the tile is simply given by the interval to which the above-
calculated value belongs.
Modern control units allow the user to set any one of the above test methods as
desired.
Flatness defects are detected via telemetric sensors, calibrated with a master
plate to provide an ideal reference: its comparison with the actual tile surface re-
veals defects and deviations (both statistical and local) and the tile is classified
accordingly (i.e. deviation from master plate planarity constitutes a defect).
The limits of deviation for each class of tile can be set by the operator.
The figure below illustrates the most common defects detected by the above-
described unit (fig. 7).
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Tile
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890 Test method
12345678901234567890 Size Size class
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
12345678901234567890
Classification threshold
Determination of the size class requires the introduction of classification thresholds with
the following characteristics:
– thresholds must form consecutive intervals that determine the size class.
– the number of classification thresholds is equal to the number of programmed size clas-
ses minus one.
• Determining size:
The size of the tile is calculated as the average of the tile size measurements:
size = (X1+X2+X3+Y1+Y2+Y3)/6
All that needs to be done is to assign the calculated size to the relevant interval. As the
table shows, size classes C1 and C6 are open-ended intervals: all tiles smaller than S1 and
larger than S5 will be class C1 and class C6 respectively.
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Sorting, packaging and palletizing lines
Diagonal and edge Diagonal and edge Warpage (global Deformation range
concavity convexity coefficient) on sides
+/- readings
Fig. 8. Apparatus for measuring size, squareness and edge shape as per standards.
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Introduction
For some years now industrial automation has been synonymous with improved
product quality and savings in terms of time and money.
The ceramic floor and wall tile industry is no exception to this rule and has
extensively automated just about every stage of the production process.
Sorting remains the only stage of that process to remain almost exclusively
manual, with inspectors classifying tiles according to shade and defects.
Workers are usually seated at an inspection station upstream from the actual
sorting line, where they can examine all the tiles moving past them.
A panel in front of the selector shows samples of the current product with diffe-
rent colour shades against which the tiles are compared and classified.
At the same time the worker also has to pick out defects which will influence the
quality category.
On the basis of his/her judgement, the worker then marks the tile with a code:
this is read by a downstream sorting machine which automatically packages the
tiles accordingly. Hence inspection and classification outcomes are entirely depen-
dent on the workers skill and intelligence.
To start with, it is evident that the operators capacity to perform this monoto-
nous task lies in his/her ability to focus on anomalies and defects while ignoring
that which is correct. The human intelligence factor is often a discerning one,
allowing identification of small and sometimes new defects, even on tiles that
have complex decorations and/or surfaces, where the distinction between what is
acceptable and what is a defect is far from obvious.
Yet human control is also inherently problematic, not so much because people
are incapable of detecting faults but, rather, because it is difficult to maintain con-
centration (i.e. objectivity and performance) over time.
The introduction of automatic shade control and defect detection systems has
the evident advantage of eliminating the above problems while raising quality and
lowering costs. This explains why, since the early 90s, several specialist companies
and consortiums have been focussing their efforts in this direction.
The goal that these companies have set themselves is an ambitious and difficult
one, as the current trend is towards tiles that mimic the aesthetics and performance
of natural stone, or tiles of a deliberately random, heterogeneous pattern and tex-
ture that are often difficult to distinguish from actual defects.
An automatic tile sorting machine is obviously intended to mimic the tasks per-
formed by the inspectors, who, by careful observation, extract global information
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Sorting, packaging and palletizing lines
about the tile to identify the shade, and local information, used to track down
defects.
As the tiles pass by the inspector needs to maintain a certain level of concentra-
tion: if anomalies are detected concentration levels are suddenly heightened.
However, in some cases, reliance on sight alone can trick the worker and distort
his/her performance. Particles, dust, detritus or drops of liquid can sometimes fall
onto the tile along the conveyor. At first such tiles appear sub-standard, but more
accurate inspection will show that the defect can simply be wiped off.
In this event the inspector usually counter-checks by running his/her gloved
hand over the surface of the tile.
Nevertheless, the most important human faculty in tile inspection remains sight,
occasionally helped, in borderline cases, by touch. This visual information allows
the inspector to evaluate the tile and assign it to a certain class.
Automation of this process, then, involves imitating these human senses and
replicating certain intellectual functions: hence the employment of vision systems
that see the objects being examined and subsequently take the necessary sorting
decisions.
A standard vision system uses cameras, which, suitably piloted, can, in fact, ac-
quire an image of the item being inspected and then send it to a processing unit for
evaluation.
However, standard vision systems cannot emulate a sense of touch and can thus
easily be led astray by tiles that are dirty when they pass under the cameras. As this
can lead to errors and wastage, a vision system requires installation of a tile clean-
ing unit upstream from the actual point of inspection.
The complexities of designing and building an efficient, automated vision sys-
tem the ultimate goal of which is to replace the human operator and reproduce
his/her decision-making skills requires expertise in fields such as optics, image
processing and artificial intelligence.
Yet despite these difficulties, automatic tile sorting systems have been available
for some years now and numerous ceramic production plants have installed them to
good effect.
The first task of any vision system designed to replace a human operator is,
then, to replicate the human faculty of sight with cameras.
High resolution video cameras are required in order to acquire the detailed ima-
ges needed for accurate detection of often small defects on sometimes very large
tiles.
The second step is the decisional one, carried out by a processor; here, through
utilisation of complex algorithms, the machine attempts to imitate the human deci-
sion-making process.
The third step is to communicate the processing outcome for every single
image to the automatic packing devices. To do this the inspection system marks
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the tiles with codes similar to those applied by human sorters which are easily reco-
gnisable by standard reading machines on the line.
Whatever the employed technical, optical and image processing solutions, nearly
all tile inspection systems have several aspects in common.
Since tile classification takes into account both shade differences and defects it
follows that inspection systems are generally separated into two separate modules.
This distinction stems from the fact that these different problems need to be
dealt with in different ways.
An understanding of how inspectors evaluate shade differences and defects
requires an analysis of the lighting conditions under which the tiles are obser-
ved.
Similarly, an automatic system needs to acquire, via the camera, images which
contain information useful for identification of certain characteristics and/or tile
surface defects. Hence a proper combination of lighting conditions and optics is
essential: a wrong choice can seriously compromise the efficiency of the vision sys-
tem.
During shade control, the inspector observes the tiles from above and lighting is
diffused. This overhead view allows him/her to evaluate overall shade while picking
out details that constitute decoration defects.
Automated systems generally employ the same principle.
The shade analysis module generally features diffused lighting and the camera is
mounted perpendicularly over the tile conveyor (fig. 9). This set up is largely ex-
plained by the desire to reproduce the same conditions that work so well for the
human eye.
Classification of tiles according to shade is a colorimetry problem (i.e. measure-
ment of tile colour and subsequent identification of shade as belonging to a defined
class).
In processing the camera-acquired image, a tile sorting vision system must also
be able to replicate the human faculty of colour perception.
Similarly to the human eye, automated systems perceive colour via the three
parameters of hue, saturation and intensity, which define the so-called HSI space re-
presenting colour.
In speaking of colour we are really speaking of hue. Hue allows us to distin-
guish between colours such as green and yellow. Hue is nothing more than the
perception of colour experienced by an observer when he/she is exposed to diffe-
rent wavelengths of reflected light.
Image perception begins in the eye (fig. 10). The muscles in the eyeball modify
the lens of the cornea to focus the image on the retina (i.e. the membrane lining the
interior of the eyeball).
The retina contains millions of photoreceptors, of which there are two types
with different image perception functions.
These photoreceptors convert brightness and colour information into impulses
that pass along the optic nerve to the brain where they are perceived as images.
Light-sensitive photoreceptors which allow you to see even under dim lighting
conditions are called rods. These do not contribute to colour recognition: that task,
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Sorting, packaging and palletizing lines
instead, is performed by the receptors concentrated in the fovea, the cones. There
are three types of cone (known, in simplified terms, as red, green and blue), each of
which responds to different wavelengths of light.
The intensity of cone response vis-à-vis wavelength is illustrated in fig. 11. Note
that the response peak of the cones does not always correspond to the colour with
which they are identified.
Figure 11 shows that the prevailing perception for wavelengths between 430
and 480 nanometres is blue, between 500 and 550 nanometres green and over 610
nanometres red.
The concept of saturation refers to the degree of purity of the colour (i.e. non-
mixing with white light). A non-saturated colour appears wan and faded while a
saturated colour is intense and vivid. For example, red is a high-saturation colour
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Wavelength (nm)
Fig. 11. Wavelengths of principle light components detected by the cones in the human eye.
and pink a very low one. For pure colours, that is, those that do not contain white
light, the degree of saturation ranges from 0 to 100%.
Intensity, instead, expresses the quantity of light reflected and perceived by the
observer.
Analysis of these parameters, then, allows recognition of shade and identifica-
tion of any shift away from a shade.
The colour video cameras used in tile inspection vision systems supply images
that are expressed as an RGB (red, green, blue) mix. These need to be converted
into HSI (hue, saturation e intensity) format as it is the latter which lead to accu-
rate identification of the shade.
More importantly for the tile manufacturer, analysis of local variations in hue,
saturation and intensity makes identification of colour defects such as stains, impur-
ities or glaze droplets possible.
An automatic shade sorting system has many advantages compared to manual
sorting.
For example, a worker is usually able to identify even slight differences in colour
between two tiles that appear within his field of vision simultaneously, yet not always
able to judge or remember the colour of the tile in absolute terms.
An automatic system, instead, ensures consistent shade identification judgement.
This consistency is also guaranteed by the fact that many of the available sys-
tems feature calibration mechanisms which ensure that tiles are seen by the came-
ras under conditions that allow constant reproduction of colour over time. This is
why automatic shade sorting is characterised by a stability and objectivity unattain-
able with manual sorting.
On the module dedicated to the detection of surface defects, instead, the best
results are obtained by viewing the tiles under direct reflection.
Fig. 12 illustrates how the light emitted by an artificial source normally (i.e.
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Sorting, packaging and palletizing lines
Fig. 12. Surface defect and the consequent light scatter effect.
where there are no defects) reflects off a tile surface and how the light is, instead,
scattered by a surface defect.
When it comes into contact with a defect the light is diverted from its normal
reflection route and only a fraction of it is reflected into the camera lens. Thus an
optical anomaly in the acquired image is used to identify a shape surface defect.
Once again, machine developers have attempted to mimic the mechanisms em-
ployed by human operators, where sorters perceive the presence of surface defects
as anomalous reflections of the light used to illuminate the tiles on the sorting
bench.
A selector will often shift his/her viewpoint of the tile so as to catch defects by
looking at the reflected light from different angles.
From the above it follows that automatic systems need to adopt two different
illumination-image acquisition modules: one for shade analysis and the other for
defect analysis.
The defects module uses simple black/white high-definition cameras so as to
identify imperfections even small ones such as lumps and pin-holes even on
large tiles.
Where defect classification is done manually the results depend on the opera-
tors skill and speed.
The ever-pressing need for higher output rates means that selectors are very
often forced to work under conditions that compromise their efficiency. For exam-
ple, the product is often conveyed across the sorting bench at a speed that gives
them very little time to analyse shade and discover defects (especially on smaller
tiles). Moreover, the tiles on the conveyor belt are often very close to each other and
the operator sees them pass by without any intervening gaps as if the control pro-
cess were a continuous one; consequently, he/she is unable to inspect the tile edges.
Even where tiles are properly separated when they reach the sorting bench it is
still impossible to inspect all the edges.
Some automatic systems get round this problem by using special optical arrange-
ments to acquire images which, through utilisation of special algorithms, allow iden-
tification of glaze shrinkage, chipping and flaking at the corners, even where such
defects are small and can escape the attention of a hard-pressed selector. These sys-
tems also help manufacturers pick out damage invisible from above which does not
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compromise the aesthetics of the tile but can compromise bending strength (i.e. small
cracks on edges).
Just as workers are put through a training period before they are allowed to
inspect specific products, so automatic systems have to be taught how to perform
certain tasks.
Machine training consists of acquiring a set of representative samples of a
certain shade; subsequently the machine can automatically extract those characteri-
stic parameters that identify the product in question and which will be used by the
image processing algorithms during inspection.
The automatic sorting machine supervisor has the task of setting shade and
defect tolerances (minimum size, minimum contrast, declassification thresholds etc.).
It is also possible to monitor any drifting away from the shade and set the machi-
ne so that it issues a shade warning when a certain threshold is reached, thus al-
lowing the supervisor to intervene.
The entire system can be controlled via a user-friendly graphic interface that
does not require personnel with specialised computer skills.
From the above it is clear that the best place to install an automatic tile sorting
system is on the sorting line itself in place of the traditional selection station,
upstream from the packaging machines.
If there are some products for which automatic sorting is as yet unsuitable then
both automatic and manual sorting units will be required. In this event the manual
inspection station should be installed downstream from the automatic system so
that all sorting operations can be transferred to manual (machine off) or the unit
can assist the manual workers (machine on). This arrangement allows the inspector
to see the marking deposited by the automatic system and correct, where necessary,
any evaluation errors.
Whatever the layout, insertion of an automatic system on an existing sorting
line must take into account the available space. Compatibility of system dimensions
with available space is obviously less problematic where the system is part of a new
sorting line.
Generally speaking, nearly all automatic sorting systems have their own tile feed
belts because the tiles must flow under the image acquisition units under specific
conditions (i.e. at constant speed and as undisturbed as possible by the vibration
produced by the rest of the line).
Definition of relative speeds between infeed/outfeed conveyors and the automa-
tic sorting system conveyor must ensure that the tiles are spaced apart properly so
that the cameras can acquire a separate image for each incoming tile.
Separation can be achieved mechanically by running the sorting system con-
veyor belt faster than the infeed belt so that tiles on the upstream conveyor can still
be conveyed up against each other but as soon as they reach the sorting system belt
they are accelerated to produce the necessary gap.
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Sorting, packaging and palletizing lines
Both surface defects and shade errors are generally classified in terms of type
and severity. Within the context of a single image a defect is usually detected as an
anomalous contrast and/or alteration in the chromatic content of the image.
Yet there are limits to this defect detection capacity.
One such limit is the minimum size of the defect, dependent on the resolution
with which the image is acquired.
Each image is a matrix of pixels (or points), each of which corresponds to an
actual physical dimension on the cameras field of vision. If, for example, the field
captured by the camera in one direction (e.g. transverse to tile motion) is 600 mm
long and the corresponding number of pixels is 2000 then the image resolution in
this plane will be 0.3 mm.
The same reasoning can be applied to the length parallel to the direction of
motion. On the basis of these two resolutions every pixel corresponds to a certain
surface area. Logically, defects any smaller than this area cannot be seen in the
image.
In general it can be said that a defect, in order to be detectable, must cover an
area of at least 0.5 mm2.
Another limit is represented by defect contrast. The higher the contrast of the
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defect the more likely it is to be detected. Reliable defect detection is therefore linked
to the contrast that such defects generate on the image under optimum lighting
conditions.
Moreover, the more complex the surface of the tile the higher the complexity of
the algorithms needed to detect defects: for example, heavily structured tiles may
have rough and/or smooth zones deliberately intermingled with matt and/or gloss
zones.
The same argument holds for the detection of colour defects where tile decora-
tion has an extensive chromatic component mixed in with random elements.
Just as size and contrast are key identification factors, so is the type of defect.
Difficulties can arise when only a part of the defect, not all of it, is detected.
This may happen when only a portion of it generates sufficient contrast. To obviate
this difficulty special algorithms which allow the defect to be reproduced in its enti-
rety are used.
Once the tile has been inspected and all the detected and identified defects have
been evaluated, the system assigns the tile to a category on the basis of the user-
applied settings.
Size
(side parallel to direction
of travel, in cm) 20 25 30 33 40 45 50
Vision system 125 115 100 90 80 60 50
Operator on single bench 120 96 85 75 65 52 45
The average values in the above table compare manual and automatic sorting
system performance.
Given the continuous progress in both the hardware and software fields the pro-
blem of inspection speed is negligible. Despite the complexity of image processing
operations, utilisation of more and more powerful microchips in parallel with arti-
ficial intelligence algorithms allow high-speed analysis of every single tile.
The widespread availability of such enormous computing potential means that
there are now many systems capable of examining even complex tiles. The product
types which best lend themselves to automatic inspection are:
glazed single and double fire tiles with repetitive, random, marble-like patterns
on smooth or structured surfaces
porcelain tiles (glossy, polished and rough)
natural stone.
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Sorting, packaging and palletizing lines
Because automated sorting can be applied to an extensive product range, with all
the consequent advantages, the ceramic industry has obviously shown great inte-
rest in such systems; their commonplace installation would inevitably revolutionise
what is still the most labour-intensive part of the production process.
When a ceramic plant begins a production run the ideal outcome would, of course,
be production of 1st Quality tiles only. However, the reality of manufacturing is
somewhat different. For reasons that are evident, the tiles that reach the sorting
department may well be 2nd Quality, 3rd Quality or even rejected. The higher the
percentage of low quality tiles the lower the earning capacity of the plant: lower
earnings, wasted raw materials and energy, waste disposal and stock management
problems all combine to reduce profitability. The more frequently this happens the
greater the need to identify and eliminate the causes of defects at source. Of course,
end-of-line systems do not actually solve problems of low plant efficiency: by the
time the tiles reach them the production process is already over.
However, installing automatic sorting systems downstream from specific stages
of the production process lets manufacturers identify errors before they can com-
promise the final outcome. Hence a sort of distributed quality control system can
be built up along the entire production line.
For example, an automatic sorting system might be positioned downstream from
the drier to check dried, unfired tiles or downstream from the first kiln in a double
fire plant. Such systems must be able to detect mechanical defects such as cracks,
corner chipping, edge imperfections and surface faults such as contamination, sunken
and raised areas, and remove such sub-standard pieces from the cycle. Consequen-
tly, the manufacturer avoids wasting any further energy/raw materials on tiles that
would certainly have been rejected at the end of the production process. Note also
that the sooner the defective pieces are identified, the greater the chance of re-
cycling them: an unfired tile is 100% recyclable, while disposing of a rejected, finished
tile is time-consuming and costly.
By analysing defects at different stages of the production process manufacturers
can track down their causes and increase production profitability by making correc-
tions and eliminating them at intermediate stages of the production cycle.
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When it exits the control area every aspect of the tile has been examined and,
whether by manual or automatic means, has been classified according to shade and
quality (the order of classification might be shade A 1st Quality, Shade B 1st Quality,
Shade A 2nd Quality, shade B 2nd Quality, 3rd Quality, Reject).
The dominant shade is not usually marked by the operator, only those shades
which deviate from it. A photocell upstream from the stacking zone, reads and de-
codes the markings.
The size measuring device assigns the tile a size and a quality class.
The planar device assigns the tile a quality class.
At this point the control and management station has all the necessary tile clas-
sification information: the final category will depend on the more negative of the
evaluations: for example, a tile deemed to be of 1st Quality shade and 1st Quality
flatness that has, however, failed to meet size criteria, will be rejected; likewise, a tile
that is perfect in terms of size and flatness will be rejected if declassed because of
surface defects.
The classified tile is conveyed to the stacking zone by two lateral feed belts (ca-
pable of carrying different sizes).
Here, the tiles are sub-divided according to the quality classes in the table above.
All tiles of the same class are directed to the same stacker, which extracts them
from the feed belts and produces a stack that can then be sent to the downstream
packaging station.
Stacking generally involves one of two different methods:
direct stacking
indirect stacking.
In the former the tile is usually extracted from the belts by a pair of pneumati-
cally-driven push pads that deposit it on the underlying stack being formed; the tile-
to-stack drop gap is, at this point, no further than the thickness of a single tile (see
fig. 13).
Coordinated movement of the pneumatic cylinder and the stacker plate ensures
both maximum productivity and a soft tile landing, in that the relative speed betwe-
en tile and underlying stack is minimized to prevent any detrimental impact or
scraping, especially for delicate materials. Precision of movement is provided by
sophisticated software which eliminates the need for any interposing buffer betwe-
en stack and tile.
The latest direct stacking machines have replaced DC motors with standard
3-phase motors controlled by an inverter; this solution maintains high perfor-
mance standards yet provides greater simplicity of operation and more readily
available spare parts.
In indirect stacking the tile is still removed from the belts by (2 or 4) pads opera-
ted by a pneumatic cylinder, but the tile is not dropped directly onto the stack from
a minimal height. It is, instead, handled by intermediate loaders which cover the gap
between extraction height and the placement height a gap that is much wider than
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3rd Quality * +
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with direct stacking. Drive units are generally of the DC step-by-step type.
Another characteristic of these devices regards the number of stacking stations.
There may be:
lines with dynamic stackers: in this case the number of stackers is equal to the
number of quality classes + 2 reserve stackers used during unloading. A turret
arrangement ensures that all stations take the various quality classes alternately,
thus dividing the work load and spreading wear evenly among the stackers.
lines with stacking stations which feature double autonomous movements: once
one stack is complete that same station is immediately ready to take new tiles; in
this type the number of stations is equal to the number of quality classes.
Whatever the methods of tile extraction, stack formation and on-conveyor pla-
cement the precise function of the machine is always the same: to gather classifica-
tion information and proceed with subdivision of the tiles into stacks of the same
class that can then be sent to the downstream packaging station.
Packaging
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Fig. 14. Wrap around packaging: the 4 and 5-point gluing systems.
800000
700000
636804 COVER
600000
500000 512656
440896
419904
400000 404128 WRAP-
342720 AROUND
315240 302984 302984
300000 BOX
277300
BLANK
200000
100000
0
150 200 300 400 500 600
TILE SIZE
Fig. 15. Comparison of wrap-around and cover packaging performance.
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Another important factor concerns the type of glue used to seal the cases: de-
pending on the temperature of the tiles themselves, either cold or hot-glue units
are used.
The most common of the two, hot-gluing, consists of units which melt the glue
and guns which apply it at the required points; adhesion is excellent, the system is
easy to keep clean and performance is steady and reliable.
However, it needs to be used at temperatures that bring the glue to the softening
phase, otherwise good adhesion between the materials being joined is compromised;
the limitations of this method are highlighted when packaging is carried out imme-
diately downstream from the kiln outlet and the tiles are still quite hot (maximum
60-65 °C). Under these circumstances cold vinyl glues applied with high-pressure
spray guns are used; in this case adhesion times are faster than the previous solu-
tion, yet as results are, in any case, inferior to those obtained with hot glue, cold
gluing needs to carried out in a pressing tunnel in which the flaps, once sprayed, are
squeezed by special devices to ensure good adhesion and thus prevent any subse-
quent opening of boxes and the resulting downtime.
Whatever the sealing method, the packaging machine will provide the manufac-
turer with a box of tiles that is ready to be coded and palletised.
On exiting the packaging machine the box is transferred to the printing zone
where it is marked with essential product data, as required by standards.
This information is generally printed on a part of the box where it can be read
after the boxes have been stacked on the pallet (usually on the side of a rectangular
or square box or on the upper side of the box).
An ink-jet printer is generally used. Black ink is preferred as it is less likely to
fade in sunlight (this is important as boxes may be left in the sun for some time).
On-box information generally includes a description of the product, its class
(size, shade, quality) and sometimes a bar code that is used either by the ceramic
company itself or later on at the distribution stage.
Bar code application requires more sophisticated devices: either the code is prin-
ted on self-adhesive labels which are then applied to the boxes or special high defi-
nition printers apply the bar code on the box directly; as application and, more
importantly, reading results cannot be guaranteed, a photocell is usually position-
ed immediately downstream from the bar code printer for an immediate check: a
warning is given where the code cannot be read.
Palletizing zone
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To complete the classification process begun during the stacking phase, all boxes
of the same code are deposited on the same pallet. Hence the number of palletizing
stations will be equal to the number of product classes, plus a reserve station which
allows the process to continue uninterrupted when a pallet is full and needs to be
removed with the aid of a manual transpallet or automatic shuttle.
Generally speaking, there are two types of palletization unit: those that run on
floor rails and those on overhead rails. The former are more widespread as they can
be adapted to the changing needs of the ceramic market more easily and at lower
cost (i.e. the length of the rails is directly proportional to the number of quality
classes on the sorting line).
The boxes are transferred to the palletizing zone by conveyors with controlled-
speed motors that allow accumulation of packs, synchronisation of different infeed
rates and consequently smooth pick-and-place operations. The box is usually tran-
sferred the same way up as it was packed (i.e. resting stably on the side of greatest
surface area): on reaching the pick-up point the boxes are rotated to the vertical
(90°), a more suitable pick-and-lift and palletization position (fig. 20).
Note that there is both a need to provide maximum box stability and, at the
same time, to deposit the tiles on their edges so that other boxes stacked on top do
not damage them: pallet loading may be seen as the art of compromise between
these two needs. Hence the two key factors are tile size and pack width. If, for
example, we take a pack containing ten 300 × 400 mm tiles, each 10 mm thick, it
will be placed on the pallet on its 400 × 100 side to give a pack height of 300. The
pack stability equation is empirically given by H (mm) × 0.2 + 40 = (mm of pack
width). Thus, in this case, we have 300 × 0.2 + 40 = 100 although other non-
geometrical factors (such as the type and quality of the pallet on which the pro-
duct is to be loaded) come into play. Packs cannot, of course, be deposited
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Sorting, packaging and palletizing lines
widthways individually as they could topple. In this case and this generally
involves tiles larger than 330 × 330 mm configuration is dictated not only by
the palletizer but also the upstream sorting line, on which a divider and stacker
unit is installed to produce a stack of tiles twice as high as normal: this is split
into two equal parts that are then packaged adjacently and given the same code.
Immediately downstream from this point another unit stacks the two boxes and
joins them together either with glue or a plastic strap (fig. 21).
Another, much less widespread alternative to turning the pack 90° at the fixed
pick-up point is to turn it to the ideal palletization position immediately at the start
of the roller conveyor on the palletizer station; the palletizer thus moves towards
the pack and lifts it only when it is as close to the destination pallet as possible;
while this method tends to speed up loading operations it requires a more extensive
base to ensure good pack stability during movement in front of the line of pallets
(sometimes tens of metres long). Moreover, this logic is unsuitable for simultane-
ous lifting of packs with different codes as they obviously need to be released in
different places.
Going back to the pick up and deposit process in a more general sense, the
pack is lifted, turned (where necessary) and then deposited on the pallet so that
the printed product information and the top of the tile face outwards and is thus
visible.
Pallet load layout varies as a function of product type, characteristics, size, tran-
sport and presentation requirements. This clearly complicated task is managed by
the sorting computer, specifically designed for simplicity, speed and user-friendli-
ness (fig. 22).
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The above information largely concerns standard sizes. With much larger tiles,
sometimes defined as slabs (600 × 900, 900 × 900, 600 × 1200 mm), the packaging
and palletizing processes are less standardised. When it comes to packaging, some
of these products are packed individually and manually. Subsequently the tiles are
laid directly on the pallet; overlaying them would produce stacks of considerable
weight requiring specially designed heavy duty palletizers.
Note that while palletization may, in many production plants, rely on utilisation
of semiautomatic systems, there are plenty of factories where the use of dedicated
labour makes sense, thus making all those rotation, tilting and automatic pack cou-
pling mechanisms quite unnecessary. Human intelligence is, in fact, perfectly capa-
ble of evaluating, on a case by case basis, just what needs to be done to ensure pack
or pallet load stability and should not be underestimated.
Data exchange between sorting unit and palletizer usually occurs by way of
clean contacts and the triggering of a FIFO (First In First Out) mechanism: each
pack exiting the packaging machine is entered into a memory (the FIFO memory),
while each pack picked by the palletizer exits that memory (i.e. leaves the FIFO). In
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Sorting, packaging and palletizing lines
other words the palletizer knows, for example, that there are 10 incoming packs,
that the first of these is code 1, that the second is also code 1, that the third is code...
and so on; every time a pack exits the packaging machine the relative class code is
sent to the robot which adds it to the chain, just as it removes it from the chain when
it picks and places it. The palletizer must be informed of every change in the memo-
rised chain otherwise loading errors will occur and packs of different characteristi-
cs will be mixed together.
The limitations of this system show up where the conveying line between sorting
and palletizing is particularly long, as this makes it easier for the above-described
errors to creep into the process.
Such problems can be prevented by controlling the type of material to be palle-
tised directly: packs exiting the packaging machine are marked with an inkjet prin-
ter (usually a high contrast spot a few millimetres in diameter) and the spot is then
scanned at the pick-up point to provide class code information.
Alternatively a bar code containing all the palletizing data can be applied and
read by a scanner at the pick-up point. If the latter system is adopted both printer
and scanner will need to be of much higher quality than those used with the spot
method.
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Lines with automatic packaging and palletizing units are a more complex affair
in which the human contribution is limited to the selection station; here the opera-
tor observes the tiles passing by him/her and evaluates their shade and quality,
classifying them with an on-tile mark (for more detailed information on the impor-
tance of this process and the general lack of objectivity vis-à-vis evaluation of
shade and surface faults see the chapter on defects).
Establishing a priori how many tiles an operator can analyse per minute is no
easy task: it depends on tile size (yet is not strictly proportional to total surface
area), on the type of defects being sought out, on attentiveness in shade evalua-
tion, on the need to check any variation in shade, on product type, on the com-
panys strategic goals and priorities (maximum attentiveness to defects or mini-
misation of waste) plus many other variables that are too numerous to be listed
here.
Bearing this in mind a selection speed of 20 m/min should only be taken as a
rough upper limit (assuming continuous, uniform flow, with averagely skilled workers
and average sorting criteria).
Given this, manufacturers should configure sorting and palletizing lines so as to
make the most of the individual selectors abilities (or pair of selectors where there
are dual tile feed lines or two stations). The best configuration is the one which
allows optimum employment of human skills without under-utilisation of automa-
tic units.
The manufacturer also needs to decide whether or not it is appropriate to install
devices such as stack dividers, glue/strap box joiners, turn-and-pair pick up units,
double palletizing pickers and empty pallet transfer units. The right combination
is the one that works best as a team, providing plant simplicity, maximisation of
efficiency and minimisation of both general and specific running costs.
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2
3
4
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This device avoids early wear of the wrap-around unit as the tiles transit without
rubbing against the box closure mechanisms. The stacks are then sent to the palle-
tizer which picks them (but does not, of course, rotate them) and positions them on
a pallet which is subsequently transferred to the polishing station: thus palletising
of both packaged tiles and those to be polished is performed simultaneously.
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Firing
Chapter VIII
POLISHING
Introduction
Ceramic tiles, whether porous or vitrified, floor or wall, are increasingly subject
to various edge grinding, flattening and polishing operations at the end of the tra-
ditional production cycle; the aim is to enhance the aesthetics of the tile and add
value.
The tiles most likely to be put through such processes are:
PORCELAIN TILES:
GLAZED (including single fire products)
UNGLAZED
POROUS WALL TILES:
GLAZED (single and double fire).
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that same individuality as the gaps between tiles still highlight the fact that they
have been made using modern manufacturing techniques.
With machines for traditional tile sizes the focus is on productivity: todays
manufacturers require lines capable of polishing 200-250 m²/h (1600-2000 m²/
shift), a figure that looks set to increase.
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Polishing
some 80,000 100,000 m². New diamond-tipped rims are provided by specialist
suppliers and old ones can be regenerated.
The latest machines allow the abrasive tools to be changed and maintained safely
without stopping production since all zones in each roller station are independent
and have a system which raises the chucks well clear of the tiles.
The above is true for all lines up to and including fine polishing: hence they are
usually equipped with several heads more than are strictly necessary; alternatively
the machine work programs feature machine speed adjustment mechanisms that
calculate current machine requirements and optimise the qualitative-quantitative
efficiency of the system.
Because there is a gap of 2-3 mm between the ends of the rollers and the outer
tile edge parallel to the direction of product feed (this clearance is necessary be-
cause if the roller were the same width as or wider than the tile it would wear
unevenly and inevitably chip the tile) it is necessary to flatten the two strips of tile
at the edges parallel to the direction of product feed. This can be done by: a) rota-
ting the tile 90° on a turntable after the first few rollers and then continuing through
the second group or b) inserting a coarse grinding disc head between the roller sta-
tions (see fig. 2a). Solution a), given the same number of rough flattening stations,
takes up more space.
A rough flattening machine producing 1200 m²/shift normally consists of:
3 diamond-tipped coarse grinding rollers
1-2 diamond-tipped flat plane satellites
3 diamond-tipped finishing rollers.
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COARSE GRINDING-POLISHING
A combined system of flat plane satellites or conical heads + tangential heads
(fig. 3).
The aim of coarse grinding/polishing is to eliminate any surface roughness that
may have been caused by rough flattening.
The polishing heads must be perpendicular to the tile surface. Flat plane rota-
ting disc units (from 5 to 7) oscillate slightly, allowing them to adapt to irregulari-
ties without exerting excessive pressure or working at the wrong angle; they are
thus not perfectly perpendicular but may tilt by 0.5° - 1° vertically and to a same or
different degree horizontally.
Each tool traces a different concentric area with respect to the vertical above-
tile axis and so only a portion of each tool is in contact with the surface at any one
time.
This helps keep it clean and stops it being clogged by the removed material.
To ensure that homogeneous removal also takes place at the sides parallel to the
direction of feed the support or, rather, the upper tool-holder beam, must oscillate
across the path of the tiles.
Where heads with diamond-tipped tools are used, the first coarse grinding sta-
tions are in the order of 50/60, 60/80, 80/100 mesh. If, instead, abrasive SiC tool
heads are used the coarse grinding grain may start at 46 mesh.
Generally speaking, coarse grinding-polishing ends with a grain size sequence
of 120, 150, 220 mesh.
Feed rates range from 5 to 10 m/min, depending on the material, the thickness
of the removed layer, tile size and line type.
A coarse grinding-polishing station with an output of 1200 m²/shift usually
consists of:
2-3 flat plane rotary discs
9-10 tangential heads.
278
Polishing
Fig. 3. Machine for coarse grinding and polishing followed by fine polishing; the figure below illu-
strates different types of head (tangential, cylindrical and satellite).
POLISHING
Polishing employs tangential heads to give the tile a mirror-like finish without
any scratches, shadows or signs of machining.
Tangential heads are similar to those used for coarse grinding, but the abrasive
material is of much finer grain size (starting at 400 mesh and ending with an ex-
tremely fine 1200-1500 mesh; the polishing tools are usually made of composite
mortar based on sintered oxides).
Polishing is generally performed in the second section of the coarse grinding-
polishing machine. As in the initial section, the support top or tool-holder beam
oscillates transversely to the direction of product feed.
Tiles are fed through the machine at a speed of about 6-7 m/min.
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280
Polishing
281
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Main characteristics:
high quantities of material removed from the sides (sometimes more than 1 cm
per side, thus reducing overall size by 2 cm)
squaring with diagonal tolerances of 0.1-0.2 mm
perfect side finishing (no glaze chipping)
small, adjustable-angle chamfer
high productivity (tile feed 22-24 m/min, output greater than 5000-5500 m² per
20 h day)
versatility (number and type of grinding wheels can be varied).
Initially, attempts were made to perform this task with cutting machines but
poor results led to the introduction of more powerful squaring machines, concep-
tually similar to those used for porcelain tiles.
Standard configuration for each grinding side:
3 diamond-tipped tangential grinding wheels for the removal of large quantities
of material
1 diamond-tipped frontal grinding wheel
1 diamond-tipped resinoid grinding wheel
1 chamfer grinding wheel, capable of following surface irregularities and adjust-
able so that shallow, almost horizontal chamfers can be made without removing
the entire glaze layer.
These machines have been designed for small (10 × 30 cm) and medium (60 × 60
cm) tile production lines with output rates higher than 600 m²/shift. They carry
out:
mirror-like POLISHING of the relief on third fire glazed materials. Individual
(not flat-plane disc) frontal heads, featuring shock absorption and SiC or dia-
mond-tipped tools with diameters of 150-180 mm are used. Polishing requires
the upstream presence of diamond-tipped rough flattening heads.
SEMIPOLISHING: consists of small imperfectly flat movable polishing heads
as opposed to mirror-like polishing of glazed, unglazed and especially relief
surfaces: the frontal SiC or diamond-tipped tools oscillate to adapt to the surface
outline.
SATIN FINISH-LAPPING of unglazed porcelain tiles and non-gloss glazed
materials: this technique enhances lustre by reducing surface roughness, but does
not provide a mirror-like finish. The frontal heads mount semi-rigid rubber bru-
shes impregnated with SiC.
282
Polishing
While these lines aim to provide flexibility, both in terms of performance and
tile size, they are generally less productive than their porcelain tile counterparts.
Designed to partially process (i.e. lap or mirror polish only a portion of the
surface area) medium-large tiles (60 × 60 cm); output rates are not high enough to
allow full-tile polishing of medium sizes (30 × 30 cm).
Appendices
283
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mental and an economic viewpoint. New waste disposal legislation in Italy has re-
cently forced the ceramic industry to meet certain requirements, namely: preven-
tion and reduction of the quantity and hazardous nature of refuse, to be achieved
by using clean technologies, economic incentives, environmental certification, eco-
compatible products and containment of waste disposal activities, all to be carried
out in compliance with strict safety standards.
Polishing sludge
Being a wet process, polishing produces very large quantities of aqueous su-
spension (e.g. a line producing 70 m2/hour of 60 × 60 cm tile requires 1800 l/min).
Environmental benefits arise from reduced consumption as a result of recycling
waste water after clarification, flocculation and settling; the recycling plant is essen-
tially made up of two parts: one for purification of waste waters (clarifier) and
another for treatment and drying of sludge (filter press). During clarification the
particles in the water sediment out; this process is accelerated by the use of chemi-
cal coagulants (ferric chloride and aluminum chloride) that cause the particles to
agglomerate and flocculating agents (organic polyelectrolyte) that cause those ag-
glomerates to grow, creating flakes (or flocs) of a size that inevitably drop out of
suspension. Subsequently, the sediment is filter-pressed to reduce its moisture con-
tent to around 40% and then dried.
The sludge is a by-product of wet grinding the porcelain tile surface with abra-
sive silicon carbide elements (grinding wheels). The resulting residue consists of
dust from the tile body (quartz, mullite, zirconium silicate where used as an opaci-
fier agent) and calcite, silicon carbide and alkaline-earth oxides from the grinding
wheels themselves and wash water. The material has the consistency of mud or
slush, about 2-3 kg of sludge being produced for each square metre polished. On
account of its composition, not environmentally harmful, sludge is classified as
special inert residue.
Chemical analysis (see tab. 1) shows a composition similar to that of the tiles
themselves (note the high alumina and silica content). The high percentages of
calcium and magnesium oxides derived from the bonding agent in the polishing
wheels is accompanied by a high percentage of carbon (elementary chemical analy-
sis) thus indicating the presence of SiC. Loss on ignition is high owing to decompo-
sition of the hydroxides and the hydrated derivates of the divalent metals.
X-ray diffractometry analysis highlights the main crystalline phases. Some of
these are representative of the materials used in the porcelain tile body: particularly
evident are the peaks associated with quartz (SiO2), zirconium silicate (ZrSiO4) and
mullite (3Al2O3.2SiO2). Also evident are other crystalline phases such as silicon car-
bide (SiC), calcite (CaCO3) and soluble magnesium compounds such as magnesium
oxychloride (MgOHCl) and periclase (MgO), which can be traced to the bonding
agents in the abrasive wheels.
Mineralogical analysis (see tab. 2) highlights the presence of the compounds
associated with the bonding agent magnesite (MgCO3), magnesium sulphate
284
Polishing
OXIDES (% weight)
COMPONENTI
COMPONENTS (%weight)
(% peso)
MgCO3 55
SiC 14
MgCl2 28
MgSO4 2
pomice 1
Tab. 2. Mineralogical analysis of the abrasives analysed.
(MgSO4), magnesium chloride (MgCl2) and the actual abrasive: silicon carbide
(SiC) and pumice.
Analysis of abrasives with different grain sizes has highlighted the correlation
between grain size and binding agent chloride content. The percentage of chloride,
in fact, is inversely proportional to the size of the silicon carbide grains embedded
in the wheels (see tab. 3).
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Porcelain tile polishing sludge cannot simply be recycled into the production
cycle because it is a source of undesirable side effects:
1) increased apparent viscosity and thixotropy of slips during wet grinding on
account of the soluble salts (mostly chlorides).
2) increased fusibility and deformation during firing on account of calcium and
magnesium compounds derived from the grinding wheel binding agent (magne-
sium oxychloride cement).
3) high porosity stemming from the considerable quantities of gas generated at
1100-1150 °C following decomposition of the silicon carbide.
4) emission of volatile chlorine compounds during firing.
286
Polishing
identified, it may also be possible to modify the binding agents, switching to those
with a low magnesium oxychloride content.
If it is not possible to change the type of grinding wheels it might be possible to
separate out the material produced during the first (diamond-tipped) stage of sur-
face treatment, which does not contain silicon carbide or magnesium compounds,
thus reducing the volumes in play.
Alternatively, the sludge could be used to produce low temperature refractory ma-
terials. Some research programs have focussed on the possibility of recovering this
inert sludge via heat treatment to produce new, high porosity insulating materials.
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288
The environmental impact of the ceramic industry
Appendix 1
Like all industries involved in the transformation and processing of raw mate-
rials, the ceramic industry inevitably has an effect on the surrounding environment.
In other words, a ceramic production plant is an open system which draws on
the environment for its supply of:
raw materials
water
fuels
electricity
and introduces the following back into it:
finished products
gaseous emissions
solid and slurry waste
waste waters
heat energy
noise.
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NOISE Gaseous
emissions
FILTRATION
Raw materials
CERAMIC
TILE Finished
Water product
PRODUCTION
PROCESS
Fuel
Energy
Electricity
Filtration
Fig. 1. Incoming-outgoing material and energy flows in a ceramic tile plant (from Piastrelle Ceramiche
& Ambiente - EdiCer 1995).
Technological innovation deserves much of the credit for this progress: for exam-
ple, the widespread adoption of rapid cycle roller kilns has controlled and reduced
the fluorine compound emissions associated with the firing of clayey materials. The
introduction of these kilns also led to reformulation of glazes and significantly
lower lead content in frits.
The involvement of plant engineers and colour manufacturers has resulted in a
rational subdivision of roles and responsibilities, essential if ambitious environ-
mental protection and workplace health goals are to be achieved.
Anti-pollution measures can be taken at different levels, both upstream and down-
stream from the actual process that generates the pollutants.
290
The environmental impact of the ceramic industry
The most efficient control system remains effective monitoring and long term
recording of key pollution data:
pollutant emission factors upstream and downstream from separation units per
unit of output.
pollutant concentration in production process effluent.
abatement system efficiency.
Bear in mind that a serious approach should focus not only on specific pollutants
(mainly dust, fluorine, lead and boron), but also needs to take into account problems
that affect the world as a whole (energy resources, greenhouse gases etc.).
Finally, companies would also be well advised not to underestimate the competi-
tive advantages to be gained from a serious pollution control policy, as such efforts
enhance corporate image and provide additional advertising leverage; this is espe-
cially so in fast-growing markets where customer awareness and quality perception
evolves almost daily.
SILICA: found just about everywhere in the ceramic factory, as most raw mate-
rials are rich in SiO2. From a toxicological point of view silica can, where particles
of a certain size are inhaled, give rise to chronic illnesses (silicosis).
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Pollutants in glazes
ORGANIC SUBSTANCES: fixers and fluidisers, vinyl resins, CMC, ...screen prin-
ting vehicles: solvents (glycols and ethylene and propylene polyglycols); thickeners (wa-
xes, glycerol starch, other starches); fluidizers (polyacrylates); fixers: (CMC, polyvinyl
alcohol, starches).
These vary in nature, depending on the raw materials in the body and the glaze, the
type of fuel used in the kiln and drier and the applied firing/drying curves. Fig. 2
provides a summary of their characteristics (PV = dusts). Most emissions are pro-
duced during the firing process: dispersion of most of the above substances in the
form of gas-carried solid particles (fumes) is possible, as is direct vaporisation of the
low-fluxing substances. Firing, of course, involves fuel combustion, and that means
emission of gaseous products such as nitrogen oxides and carbon oxides. Where natu-
ral gas is used, CO2 emissions are in the order of 0.23g/Kcal. If small quantities of
sulphur are also contained in the fuel, sulphur oxide emissions can become substantial.
292
The environmental impact of the ceramic industry
Dry grinding
Body raw mat.
Wet grinding
prep.
Spray drying
Pressing
Drying
Ceramic tiles
Glaze grinding
Glaze prep.
and glazing Glazing
Porcelain tiles
Biscuit only
Firing
Glaze only
Single fire
Smoothing
Polishing
Fig. 2. Gaseous emission pollutants (from Piastrelle Ceramiche & Ambiente - EdiCer 1995).
BORON COMPOUNDS
Present in frits, boric acid (H3BO3) evaporates during firing. Boron compounds
can deposit in chimneys, causing encrustation.
ARSENIC COMPOUNDS
Small quantities are found in fumes separated with bag filters: they accumulate
in the solid reagent (to be disposed of) and sometimes exceed legal limits (according
to Italian legislation, this could result in separated residues being reclassified as
toxic harmful waste as opposed to special waste, thus increasing waste disposal costs
significantly).
AMMONIUM COMPOUNDS
Generated from nitrogen-containing organic substances and, it is thought, from
the NOx produced during firing. Some (e.g. NH4Cl) compounds condense and form
deposits in chimneys.
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CHLORINE COMPOUNDS
These mainly consist of the chlorines freed during firing following the decom-
position of chlorine compounds in raw materials (mostly clays).
ORGANIC SUBSTANCES
Aldehydes, benzenes, xylenes, 1,4-dioxanes, n-derivates, alcohols, ketones, esters.
The presence of organic substances in fumes, mainly introduced during glazing, is
linked to the in-kiln counterflows. Organic substances evaporate during preheating
(and may crack), mixing with the fumes without actually becoming hot enough to
burn. Such substances may be carcinogenic (aromatics) or, more often, produce an
odour that is perceived even at extremely low concentrations.
Atmospheric pollution
A ceramic plant, then, releases many different substances into the air, and in
widely varying quantities; their significance as regards environmental impact and
thus prevention and containment correlates closely to their degree of toxicity.
Proper evaluation of the impact these emissions have on the area surrounding the
factory requires more than just observance of the standards in force and demands
application of strict procedures. More than just simple pollutant measurements,
these procedures need to define:
1. Specific stack or chimney outflows (Nm3/kg product)
2. Temperature (for hot emissions)
3. For each of the pollutants:
MASS FLOW = mass of pollutant emitted per unit of time (g/h).
EMISSION FACTOR (EF) of a pollutant = the mass of pollutant emitted per
unit of product (kg): defined by the relationship between Mass Flow of the
pollutant (g/h) and hourly output (kg/h).
Key parameters:
UEF = Average emission factor upstream from separation plant (g/kg product).
DEF = Average emission factor downstream from separation plant (g/kg product).
i = efficiency in terms of % reduction in the separation plant.
c = concentration of pollutant in the separated emissions (mg/Nm3).
Limits for the main pollutants in gaseous emissions take into account toxicity.
Limits according to Italian law (1995) are as follows:
294
The environmental impact of the ceramic industry
3
Emissions
MaxConc.
post-treatment
Max. dopoconcentration ) 3)
(mg/Nm
depuraz. (mg/Nm
Emissione Polveri
Powders Pb F
Grinding - Pressing
Macinazione-Pressatura 30 -- --
Spray-drying
Atomizzazione 30 -- --
Smaltatura
Glazing 10 -- --
Cottura
Firing 5 0.5 5
FritForni fusori
melting kilns 30 5 5
CLASSIFICAZIONE
CLASSIFICATION INQUINANTE
POLLUTANT FLUSSO
MASSDI MASSA
FLOW LIMITE (mg/Nm33))
LIMIT (mg/Nm
Be ≥ 0.5 g/h 0.1
As ≥ 5 g/h 1
Sostanze cangerogene,
Carcinogenic, teratogen, Cr6+ ≥ 5 g/h 1
teratogene
mutagene/osubstances
mutagene Co ≥ 5 g/h 1
Ni ≥ 5 g/h 1
Acrilonitrile
Acrylonitrile ≥ 25 g/h 5
Cd ≥ 1 g/h 0.2
Se ≥ 5 g/h 1
Sb ≥ 25 g/h 5
Cr3+ ≥ 25 g/h 5
Inorganic substances
Sostanze inorganiche
mainly in powder form Mn ≥ 25 g/h 5
presenti prevalentemente
come polveri
Pb ≥ 25 g/h 5
Cu ≥ 25 g/h 5
Sn ≥ 25 g/h 5
V ≥ 25 g/h 5
F ≥ 50 g/h 5
Sostanze substances
Inorganic inorganichein NH3 ≥ 2 Kg/h 250
presenti
gaseoussotto forma diform
or vapour gas o NOx ≥ 5 Kg/h 500
vapori SOx ≥ 5 Kg/h 500
Acetaldeide
Acetal ≥ 0.1 Kg/h 20
Formaldehyde
Formaldeide ≥ 0.1 Kg/h 20
Sostanze organiche Acreoline
Acreolina ≥ 0.1 Kg/h 20
Organic substances
Propionaldeide
Propionaldehyde ≥ 2 Kg/h 150
Methyl alcohol
Alcol metilico ≥ 2 Kg/h 150
Acetone ≥ 4 Kg/h 600
PolveriTotal
totali powders ≥ 0.5 Kg/h 50
≥ 0.1 Kg/h < 0.5 150
Emissions limits (as per Italian law): the above limits are minimums; maximum values are double that
figure. For carcinogenic substances etc. the indicated limits represent both minimums and maximums.
Preventing the emission of dust and gaseous effluents into the atmosphere be-
gins with proper selection of raw materials and plant engineering solutions. Both
should be chosen so as to minimise environmental impact, contain pollutant disper-
sion and optimise the exhaustion of gasses in a way compatible with workplace
health/safety and optimal energy consumption.
Production plants should therefore feature closed conveying/transfer and
exhaust systems, specially designed and built to minimise dust dispersion, and
kilns specifically designed to reduce fuel consumption (and thus combustion emis-
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sions) to a minimum: where necessary, kilns should also have systems for the re-
covery/combustion of the vapours released during preheating etc.
Of course, in a competitive industrial context, these goals are not easily achieved:
hence the use of filtration plants is inevitable.
Gaseous emission filtration systems are designed to:
abate dust
purify fumes
abate the organic substances produced by combustion.
While a detailed description of the machines used to achieve these goals is beyond
the scope of this book, a summary of the main working principles behind them is
undoubtedly useful; for example, in dust abatement it is possible to use:
Dust abatement
Bag filters
Given their versatility, they are used extensively by the ceramic industry: they
can also be used at quite high temperatures (about 170 °C).
With bag filters, one of the most important parameters is the inevitable drop in
filtered vapour flow rate, caused by the increasing resistance opposed by the filtration
element. That resistance has two components: the resistance of the fabric itself (con-
stant) and the resistance offered by the layer of dust that gradually builds up on the
bag interior. To ensure proper filter performance that layer is periodically removed
using mechanical shakers, flow inverters, compressed air etc.
Bag filter sizing/performance is summarised in the following table:
296
The environmental impact of the ceramic industry
Fume filtration
This includes filtration plants capable of trapping both the gaseous (e.g. fluori-
ne) and solid particulate (e.g. lead, dust) pollutants contained in industrial gaseous
emissions. The latter are treated as per the above-described dust abatement metho-
ds while gaseous pollutants are generally treated in systems that ensure their wet
or dry absorption in an active reagent (sometimes just water).
The contact reactor may take the form of a nebulisation tower, a dynamic Ventu-
ri-type system, a plate tower or other system in which fumes exiting the stack are
scrubbed with water (to which suitable reactive absorbents are often added); such
systems should have as extensive an exchange surface area as possible and prevent
the spray or liquid particulate exiting the filtration unit itself being drawn in. In
dry systems the gas exiting the stack is passed between suitably sized particles of
chemical absorbent, or through filters of extensive surface area (honeycomb struc-
tures or similar) that react intensely with the gaseous pollutant.
A typical example of this is entrapment of fluorine via dry or wet calcium
hydroxide/calcium carbonate absorbents (the absorbent outnumbering the pol-
lutant by a ratio of at least 3:1).
The main problem with these filtration methods, whether wet or dry, lies in
difficult control of the reaction products (calcium hydroxides or calcium carbonates
enriched with calcium fluoride); recycling them back into ceramic bodies is difficult
because of rheological side effects and the presence of calcium carbonate, which
alters the fusibility characteristics of the body.
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Instead, because of the extremely high heating rate inside ceramic kilns, the
combustion process forms a series of organic compounds that, on account of their
toxicity or because they have an easily perceived unpleasant smell, need to be trap-
ped and eliminated.
Entrapment can usually be carried out using a dry-bed or fluid-bed process via
absorbent (or active) carbon, or by way of chemical reactant aqueous solutions in
scrubbers, in which the vapours to be purified meet a counter-flow water surface.
However, these absorption systems provide low performance and are too complex
to be used effectively by the ceramic industry.
Post-combustion is a much more efficient method of pollutant removal, yet is
complicated from a plant engineering viewpoint on account of the high fume flow
rate and is costly. It involves capturing the fumes to be treated (or, at least, a part of
them) and burning them at high temperature so as to cause complete combustion of
any remaining organic substances. A part of the heat energy used in this process
can nearly always be recovered and used for other purposes. While abatement is
never perfect, efficiency ratings of 85-95% can be achieved, depending on the orga-
nic substance in question. This does not, of course, guarantee the complete de-
struction of odorous substances, which can still be perceived at the parts per billion
(ppb) level and even lower.
Generally speaking, where the problem of organic pollutants is a pressing one
(e.g. bricks lightened with polystyrene or wood chippings), a reduction in the pollu-
tant content of the fumes is best achieved via careful kiln design: the vapours rele-
ased during preheating (400-600 °C) should be partially recuperated and directed to
the actual firing zone where they dissociate completely.
Water pollution
298
The environmental impact of the ceramic industry
Both the composition and flow rate of such water emissions are extremely varia-
ble, being influenced by the quantity/type of output, glaze type, glaze application
system and other difficult-to-quantify factors (organisation of production, depart-
mental layout, extent of automation in washing etc.).
This explains why there is no linear correlation between specific water consump-
tion and output type and/or potential. Water inflow/outflow balances are, rather,
influenced by the type of production technology, especially as regards raw material
grinding.
Fig. 3 shows a hypothetical water inflow/outflow balance for a generic produc-
tion cycle, while fig. 4 is more specific and shows how water is used in a ceramic
production plant.
Note how waste waters can largely be traced back to glaze preparation and ap-
plication, as the waste waters from the raw material wet grinding mill (and spray
drier) and press cooling water are already fully recycled.
The evident economic and ecological advantages of recycling are highlighted by
comparing filtration water flow rates and overall factory water requirements. Full-
scale recycling reduces water supply requirements by 86% in double fire processes
and 48% in single fire ones. In the latter, nearly all companies use recycled water,
even where only partially filtered, for wet grinding of bodies.
In double firing with dry grinding, recycled water is used to wet the raw mate-
rials and, above all, to wash glazing lines. In this case, though, the percentage of
companies making use of full-scale water recycling is lower.
Before waste waters from the various stages of the production process can be
discharged into the environment surrounding the factory (streams, rivers etc.) or
re-utilised, they must be clarified.
Observation of the parameters determining discharge acceptability (maximum
concentration in the effluent) (tab. 1) provides information as to the pollutants that
need to be removed by such treatment.
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KEY
Gaseous
effluent The W symbols
indicate specific flow
rates in m3/1000 m2 of
tile for a production
Water process:
requirement
WT: water requirement.
Outgoing
Water Water used both as
material
raw material and
process fluid.
Production process WMi: water contained in
incoming material.
WG: water formed by
Incoming chemical reactions
material Water during the production
for production process.
WV: outgoing water, as
vapour in gaseous
effluents or dispersed
as vapour in work-
Waste place.
water WMu: outgoing water
contained in finished
product.
Ws: Waste waters.
Water balance in a production process:
Fig. 3. Water inflow/outflow in a manufacturing cycle for ceramic tiles and glaze products (from Pia-
strelle Ceramiche & Ambiente - EdiCer 1995).
300
The environmental impact of the ceramic industry
Water Water
used as: released as:
Vapour in
Raw Process Waste
Prod. Phase Main operations gaseous
material fluid waters
effluent
Dry grinding -
Wetting
Body raw Wet grinding W
material prep.
Spray drying W
Pressing C
Drying
Ceramic tiles
Glaze grinding W
Glaze prep. and
application Glazing W
Tile blowing
Porcelain tiles
Biscuit only
Firing
Glaze only
Single fire
Smoothing
W C
Polishing
Products for glazes
Frit production W
(from glaze
suppliers)
compound
prod. Spray dying C
Fig. 4. How water is used and recycled in the ceramic tile production process (W = washing, C =
cooling. From Piastrelle Ceramiche & Ambiente - EdiCer 1995).
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Chemical-physical pH
parameters
Aluminium, Al (mg/l)
Boron, B (mg/l)
Cadmium, Cd (mg/l)
Chromium III, Cr (mg/l)
Chromium VI, Cr (mg/l)
Iron, Fe (mg/l)
Manganese, Mn (mg/l)
Metals and non-metals
Nickel, Ni (mg/l)
is solution
and suspension Lead, Pb (mg/l)
Copper, Cu (mg/l)
Selenium, (mg/l)
Tin, Sn (mg/l)
Zinc, Zn (mg/l)
Fluorines in solution, F (mg/l)
Chlorines in solution, CI (mg/l)
302
The environmental impact of the ceramic industry
Gravel 1 second
Coarse sand 10 seconds
19 seconds
8 minutes
Fine sand 2 hour
Bacteria 8 day
Clay 2 years
Colloidal substances 200 years
Grating
Waste Accumulation
waters
Pre-sedimentation
Homogenisation
Sludge
Purified waters
Claro-flocculation
REAGENTS:
1. Neutriliser [Ca(OH)2]
2. Coagulant (e.g. FeCI 3)
3. Flocculant Sludge
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In the claro-flocculation section the flakes grow and settle out from the ascen-
ding water current; this process is aided by the filtration effect of the sludge layer
that forms beneath because the water slows down as it rises until it equals the
sedimentation speed of the larger suspended particles; these thus reach a dyna-
mic equilibrium and form a filtrating layer capable of withholding the smaller
particles too.
The thus-purified water exits the upper section of the settling tank (normally by
way of a drop spillway); sludge, instead, is periodically removed from the bottom of
the separator and may be reintroduced into accumulation tanks where it can thicken
further.
The type of plant shown in the figure is the most widespread type, although
many others exist.
Such plants generally provide manufacturers with relatively good heavy metal
separation performance.
However, given the high incoming concentrations, that performance does not
always guarantee compliance with legal limits.
The parameter which seems to have the greatest effect on heavy metal separa-
tion efficiency is pH (in addition, of course, to retention time, which depends on the
size of the plant).
In 90% of cases, infeed pH oscillates between 7.5 and 8.5, owing to the basic
hydrolysis of the raw materials contained in the water. The pH is carefully regula-
ted by adding reactants so as to control concentration of, for example, lead and zinc
in the filtered waters.
As pH increases, Zn (OH)2, present as precipitate, tends to re-dissolve, passing
into solution as a zincate anion, while for acid-level pH solubilisation of the Zn salts
with formation of Zn2+ occurs.
Lead behaves similarly: in acid environments it is in solution as a cation, while
for decidedly basic pH values re-dissolution of the precipitated lead hydroxide oc-
curs and plumbites form.
Optimum pH levels for precipitation of Pb and Zn lie between 8 and 9, especially
with regard to zinc. Where pH values are higher than 9 undesirable post-reactions
can occur, and where higher than 10 the re-dissolution of precipitates becomes
commonplace.
The main technical limit in this sort of plant is an almost total ineffectiveness
against boron and its compounds.
Boron control is a tricky problem in that separation systems specifically desi-
gned to tackle this pollutant, such as those which use ionic exchange resins, are
difficult to apply to the ceramic production process and would not, in any case,
provide cost-effective reliability or duration.
In addition to high investment and running costs, utilisation of such systems is
hampered by the need to install resin regeneration equipment and dispose of the
eluates containing high concentrations of boron. As an alternative, it may be possible
to use easily removable ionic exchange units, which can be regenerated by specialist
enterprises, although the usual disposal method for boron-containing waste water is
to use it for wet grinding of the body.
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The environmental impact of the ceramic industry
Porcelain tiles
Over recent years, management and purification of waste waters has been made
even more difficult by the increasingly common practices of polishing and edge-
rectifying the fired tile. These operations require considerable quantities of water
(800-1000 m3 of water/m2) and the sludge separated from the resulting effluent is
difficult to reuse in that it contains a lot of fired, very hard ceramic material, and
large quantities of abrasive granules (artificial diamond, corundum, SiC) and mate-
rials from the abrasive blocks (metal or MgCl2-based), all in quantities ranging from
2.5 to over 10 g/l.
Moreover, demand for surface smoothing/polishing of glazed products is on the
increase, thus complicating re-utilisation of sludge and recycling of purified water
even further (see Chapter 8, Water treatment and recycling).
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Refuse/residue
Frit, glaze leftovers and scrap etc. Concentrated boron solutions from
water filtration (ionic exchange
Glaze trimmings/scrapings process eluates, concentrated by
membrane processes)
physical plant)
Production leftovers
Exhausted calcium hydroxide from
Colorant and fume filtration
compound prod.
Tab. 2. Classification of refuse by stage of production cycle (from Piastrelle Ceramiche & Ambiente -
EdiCer 1995).
This is important because the latter have a marked effect on the rheology of the
suspensions into which they are introduced, on body and glaze colour, on surface
appearance and body vitrification curves.
Outsourced recycling, while complicated by strict standards governing the han-
dling and transport of toxic-harmful waste, may be worthwhile: however, outsourcing
is more commonplace in the production of brick (where recycled waste accounts for
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The environmental impact of the ceramic industry
5-20% of the body), expanded clay (60-90%) and cement (not more than 2% but
total quantities are very high).
Where recycling internal or external is impossible, refuse and solid waste
must be disposed of properly in a dump. Where such waste does not contain toxic
substances it is stocked directly, yet where, as is more likely, it contains more than
the allowed amount of toxins, it undergoes stabilisation/solidification treatment;
this consists of acid digestion followed by mixing with cement, which fixes the
components in a sort of chemical-mechanical bond via a gradual crystallisation and
polymerisation process.
The flow diagram below provides an indicative illustration of the solid waste
treatment cycle:
CERAMIC
TILE
PRODUCTION
PROCESS Recycled
back into
the
production
process
Refuse/residue
Controls
Storage
Refuse Residue
Pre-treatment
Transport
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308
The environmental impact of the ceramic industry
Appendix 2
PRODUCTION CONTROLS
With non-plastic materials samples can be prepared by mixing them with a stan-
dard quantity (e.g. 30%) of a standardised illite clay: this is sometimes preferable to
the practice of adding an organic binder (usually CMC in wetting water) to the
non-plastic material.
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L2 - L1
% E = × 100
L1
where
E = Post-pressing expansion
Expansion is considered to be low when less than 0.4%, medium between 0.4 and
0.7% and high above 0.8%.
3×P×L
BS =
2 × h2 × b
where
BS = bending strength (N/mm2)
P = reading on scale (N)
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Production controls
Samples dried at 110 °C in laboratory ovens are tested for the following:
L3 -L2
% Re = × 100
L2
where
Re = Drying size variation
The dried samples are then fired in (electric muffle) kilns at various tempera-
tures (1060°-1220 °C) or in a gradient kiln at one hour cycles at suitable tempera-
tures (e.g. 1100-1150-1200 °C).
P1-P2
% PF = × 100
P1
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L4 - L1
% R = × 100
L1
where
R = Firing size variation
P2 - P1
% WA = × 100
P1
where
WA = water absorption
The results of all the above tests are then summarised on the raw material re-
port cards. These should be filed carefully and updated as necessary (via periodic
structural, chemical, particle size distribution, thermal analyses etc. effected by ex-
ternal facilities).
Non-plastic raw materials, instead, are put through routine chemical analysis
and sometimes X-ray diffractometry, softening point and heating microscope mel-
ting behaviour tests (see tab. 1 - tab. 8).
The record cards illustrated on the following pages summarise the main physical
and mechanical characteristics of the plastic and hard materials used to produce
ceramic tiles.
Of course, attaining consistency in terms of product characteristics, plant effi-
ciency, product performance and in-depth understanding of the technical character-
istics of the raw materials will require (in the factory test lab or in external facilities)
a routine programme of regularly performed controls on all semi-finished items at
every stage of the production cycle.
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Production controls
SACMI (laboratory)
PLASTIC CLAY
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SACMI (laboratory)
Tab. 2. White firing plastic clay, with fairly refractory firing characteristics.
314
Production controls
Tab. 3. Clays with good unfired characteristics. Vitrification is gradual without sudden melting.
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Tab. 4. Clay with limited plastic properties. Low unfired bending strength. Refractory during firing.
316
Production controls
FELDSPATHIC SAND
Tab. 5. Non-plastic materials, with medium potassium and sodium oxide values.
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POTASSIUM FELDSPAR
Tab. 6. Non-plastic materials, with high potassium oxide content (feldspathic rock with a high ortho-
clase concentration).
318
Production controls
SODIUM FELDSPAR
Tab. 7. Non-plastic material with high sodium oxide content (feldspathic rock with a high albite con-
centration).
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QUARTZ
320
Production controls
To maximise plant efficiency and optimise output the Quality Control staff should
carry out regular checks and tests in the body preparation department.
2a) Residue
Two hundred g of slip is sieved at 10,000 mesh/cm2 (equal to 63 µm or even
finer for glazes, using 16.000 mesh/cm2, equal to 45 µm). The residue is dried to
constant weight, then weighed:
2d) Viscosity
For information on the rheological properties of aqueous suspensions such as
viscosity, shear stress, thixotropy etc., refer to Chapter 6 in Volume 1. Note that
comparison between different outflow viscosity measurements can be affected by
thixotropy.
For production line controls a Gallenkamp or Engler viscometer should be used;
this is used to calculate the ratio between the time it takes the slip to flow out of a
high precision outflow funnel/cup (fig. 2) via a calibrated hole (usually 4 mm) and
fill a 100 cm3 graduated cylinder and the time it takes for water to do the same:
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Fig. 2. Viscosity measuring apparatus (Ford Cup: can be used to measure Engler viscosity).
°E = T1 / T2
where
°E = viscosity in degrees Engler
T1 = slip outflow time, in seconds (this value is equal to Ford cup viscosity and
used for glazes)
T2 = water outflow time, in seconds.
Other instruments are available: for example special weighing scales with fast
infrared or microwave heaters allow the moisture content of spray dried powder
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Production controls
samples (taken from the feeder belt or press hopper) to be measured in just a few
minutes. IR or MW technology also allows use of continuous control, contact-free
instruments.
Control frequency: every half hour.
Maintenance of optimum plant efficiency and output requires that press depart-
ment staff carry out the following controls:
Powder controls
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It is then necessary to re-check the particle size distribution of the body using the
vibrating set of sieves (as this may have altered during silo storage, sieving or tran-
sport on conveyor belts).
Tile controls
4c) Thickness
A gauge is used to measure thickness on all 4 sides (marked A, B, C, D) of all the
tiles from a pressing cycle. Comparison gives information on die cavity filling and
punch settling performance. If defects are detected more accurate controls can be
carried out with the aid of a penetrometer.
Control frequency: once every two hours.
324
Production controls
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P2-P1
% MC = × 100
P2
D1-D2
% Re = × 100
D1
326
Production controls
where
Re = Drying shrinkage
D1 = post-pressing size
D2 = post-drying size.
P2 - P1
% WA = × 100
P1
L2 - L1
% R = × 100
L1
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Control Laboratory staff should carry out periodic checks to maintain plant
efficiency and optimise production.
7a) Glaze density and Ford cup viscosity (as described above in 2b and 2d).
328
Production controls
The results of the above controls, carried out at various stages of the production
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cycle, are generally recorded monthly and filed by the Technological Laboratory for
reference purposes.
All the controls described below must be carried out in parallel and under the
same conditions with a standard laboratory sample. The laboratory must therefore
have a comprehensive sample set consisting of all currently used materials.
With both viscous and fluxing frits it is advisable to carry out controls on seve-
ral samples from several bags in proportion with supplied amounts.
If, instead, frits are produced internally by the ceramic company, constant con-
trols (every 2-4 cycles for rotary melting kilns or every 4-6 hours for continuous
tank melting kilns with a capacity of 2-3 tons) are advisable. If considerable diffe-
rences, visible to the naked eye, are found it may be necessary to increase control
frequency.
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Production controls
The percentage of the raw material to be introduced into the frit depends on the
employed frit, firing temperature and firing cycle.
This value must be sufficient to bring the frit to the gloss-matt hardening tran-
sition point and allow evaluation of the contaminants of the raw material.
9e) Wollastonite
Wollastonite (calcium silicate) is a low temperature matting agent. It is this mat-
ting property which needs to be controlled. This test is effected by introducing
Wollastonite into a zirconium opacified glossy frit in percentages of 20-25% (mini-
mum value in which it starts to matt, sufficient to evaluate contaminants).
9f) Kaolin
Two types of control are recommended for this material:
1st test: suspending power test. Methodology: introduce 5% of kaolin into a frit,
grind and empty into a graduated cylinder. Agitate and check sedimentation
every 15 minutes.
2nd test: particle size distribution and purity test. Methodology: screen 200 g of
kaolin (dispersed in about 1 litre of water) at 16,000 mesh/cm2, run a visual
check for impurities, dry and weigh the residue.
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9l) Carbonates: Ca - Mg - Ba - Sr
Checks on these raw materials require measurement of the quantity of CO2. A
test using 15-20% of the tested material in an opaque glossy glaze is useful to verify
the presence of contaminants.
9o) Raw materials soluble in water or in any case used only in melting
These materials are checked by means of grain size distribution or a melting
test. Two laboratory melting cycles are carried out: in the first all the raw materials
are standard and in the other all the raw materials except those being tested are
standard. The thus-obtained frits are used to glaze two tiles. Check results visually.
General criteria for quality control tests on raw materials for glazes
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Defects
Appendix 3
DEFECTS
All production processes are interlinked. Items carry with them a history from
earlier processes which will influence their subsequent performance.
In this sense, firing, being the last of a series of processes (edge grinding and
polishing aside) and the one in which key physical, chemical and structural changes
take place, highlights both earlier latent defects as well as those induced by firing
itself.
Being able to recognise a defect, at any stage of the production process, and
knowing how to identify its causes are skills that are largely acquired by experience:
they depend on extensive hands-on experience and a capacity to see the whole pro-
duction line from raw material storage to sorting as a single organism and
require both global and specific knowledge of the production plant and a truly
wide-spectrum understanding of ceramics.
Acquisition of such abilities is essential to the rapid elimination of production
problems; identification of a defect and rapid deduction of its origin allows manu-
facturers to act fast through carefully targeted machine adjustments and thus limit
the costs associated with product rejection or declassing.
In general (especially on fired tiles), defects are of the following sort:
structural: flatness, orthogonality, cracks, laminations
surface: wrinkles, holes, bubbles, particles, flakes, crazing
aesthetic: stains, shade or decoration defects
process: defects associated more with the handling and flow of materials than the
product itself - overlapping tiles, chipping, sticking, jamming etc.
While any defect can usually be traced to a specific stage of the production
process, it generally has a series of concomitant causes, which, beginning with the
choice of raw materials, contribute to its emergence.
A rough summary of how such causes are interlinked is given in the following
table (tab.1).
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DEFECT CAUSE
PREPARATION Black core Low grinding residue
Size Incorrect particle size distribution
(grinding residue)
High H2O absorption Low Grinding too coarse, insufficient
bending strength moisture
Stains, cratering, specks Screening or iron removal errors
PRESSING Black core Pressure too high or not
homogeneous
Small side cracks Ejection too fast or imbalanced
Size Incorrect filling
Dimensional defects Incorrect press settings
Low bending strength Low pressing force. Low moisture
content
Explosions at kiln inlet Pressing force too high, lamination
DRYING Cracks Incorrect regulation, high
temperature
Explosions at kiln inlet Residual moisture content high,
incorrect regulation
Glaze defects Incorrect drier outlet temperature
Soluble salt stains Unsuitable drying cycle
GLAZING Cracks Unsuitable temperatures, tiles
knocked along line
Explosions at kiln inlet Excessive wetting
Cracks in middle of tile Unfired tile stored too long
Stains, holes, cratering Incorrect application, glaze not
aged correctly
Planarity defects Poor glaze-body thermal expansion
match
Colour, surface defects Engobe of poor quality
FIRING Side cracks Pre-heating too fast
Side cracks cooling cracks Cooling too fast
Explosions at kiln inlet High kiln inlet temperature
Planarity defects Poor temperature control
Black heart, glaze defects Unsuitable cycle, erroneous
atmosphere
Size Incorrect temperature distribution
Surface stains Accumulations of glaze condensate
Craters, holes etc. Preheating temperature too high
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Defects
To help understand the causes and effects in the above table the following pages
provide a more in-depth explanation of defects and how they correlate with the
various stages of the production process.
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This phenomenon, where concentrated and localized, may form a hole of a very
distinctive shape (fig. 2).
When, instead, the defect is more generalized and diffused, latent tile expansion
can cause adhesion failure of the tile after laying.
Fig. 2.
After grinding, it is possible to check for the presence of coarse calcite and/or
dolomite particles by screening (e.g. via a 200 micron mesh) and then analysing the
washed residue under a microscope.
Adding a drop of diluted hydrochloric acid can also confirm the presence of
carbonates. The exact nature of the particles can be determined precisely by analy-
sing the area with an electron microprobe (SEM) or using more traditional chemi-
cal analyses.
In this case, the exact nature of the elements in the agglomerate can be identi-
fied and the mineral can be identified.
To eliminate or reduce the frequency and presence of such defects, it is good
practice to minimize the percentage of calcite and/or dolomite particles larger than
120 microns.
Using a suitable engobe as an interface between the tile body and the glaze may
also be very effective.
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Defects
Pyrite particles
Pyrite, an iron sulphide, may be present as an impurity in some types of clayey
materials.
The most probable defect associated with coarse particles of this mineral is speck-
like colouring of the body and/or glaze (fig. 3).
The decomposition reaction of pyrite during firing is:
Fig. 3.
Where thermal gradients are shallow, decomposition occurs between 400 and
500 °C.
Where, instead, firing cycles are rapid, and if there is insufficient oxygen in the
firing atmosphere, oxidation remains incomplete and different reactions may occur.
In both slow traditional firing and fast single-firing, the defects associated with
the presence of coarse pyrite particles take the form of atypical coloured specks.
If, in the case of fast firing, the oxidation reactions remain incomplete, or if the
formed sulphur dioxide causes condensate inside the kiln, problems may be caused
by the gas attacking the vitreous surface of the tiles (brightness loss).
This problem does not, though, depend on the morphology (size) of the pyrite
particles but the total amount of pyrite and conditions inside the kiln.
As with carbonate particles, coarse particles of this mineral can be identified by
washing the grinding residue left on a 80 mesh (approx. 180 micron) screen and
analysing it.
In most cases, this defect can be prevented by lowering the size of the pyrite
particles to below 180 micron through use of suitable slip preparation sieves.
As above, an intervening layer of engobe between tile body and glaze may be
effective in solving the problem.
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Pyrolusite particles
Pyrolusite (manganese dioxide) and goethite (iron hydroxide), when present as
coarse grains, lead to the formation of spots on the surface of the glaze (fig. 4).
As above, the particles can be identified with a microscope after screening and
washing, again on a 80 mesh sieve. Final results can, as with the above minerals, be
improved by using suitable slip screening sieves (i.e. those able to separate 180 mi-
cron particles). A layer of engobe between tile body and glaze may be effective in
reducing the severity and frequency of this problem.
Fig. 4.
Carbon particles
Coarse particles of carbon in the post-grinding residue can cause concentrated
specks similar to those caused by carbonates.
These defects stem from combustion of the carbon during firing and the forma-
tion of CO2 or CO as per the following reactions:
C + ½ O > CO
CO + ½ O2 > CO2
Fe2O3 + C > 2FeO + CO
The carbon monoxide formed reduces the iron minerals in the composition and
produces, together with silica and alumina, dark coloured glasses (fig. 5).
In fast double firing, the defect may be arise from incomplete combustion of the
largest carbon particles, which could finish burning during the second fire and so
produce cratering or small dark holes.
Identification of the carbon particles that cause the above defects involves washing
and screening the grinding residue (at 230 mesh/63 micron) for consistency and
then observing it under a microscope.
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Defects
Fig. 5.
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Fig. 6.
Other impurities
Other types of contaminant such as paint, grease, oil, wood or rubber particles
can occur throughout the process (fig. 7).
Where spray dried powders contain traces of unburned fuel (naphtha), the appe-
arance of a defect, consisting of raised dots (some mm in diameter) over a certain
area of the tile, is likely (fig. 8).
This defect becomes more evident when fluxing glazes and firing cycles with
very brief preheating times are used.
As above, there are no general solutions to these problems, which will have to be
analysed and the appropriate action taken.
Fig. 7.
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Defects
Fig. 8.
More widespread defects caused by the presence of other kinds of impurities, such as
organic matter and soluble salts.
Organic material
Clayey materials may contain various percentages of organic matter up to 5% or
more.
When ceramic tiles with compositions containing a significant percentage of
organic matter are fired, a dark centre known as black core may appear (fig. 9).
In single fire floor (and wall) tiles this defect often occurs when very fast firing
cycles or very high pressing pressures are used.
Fig. 9.
Silk-screen printing can augment the defect as it involves the use of organic-
based vehicles (glycols or polyglycols), thus increasing the amount of organic mat-
ter.
As stated above, black core problems depend both on the firing cycle and the
characteristics of the raw materials. This chapter mainly focuses on how the pro-
blem is influenced by the nature of the raw materials and the impurities contained
in them.
The black core problem results in a multitude of effects:
tile swelling (bubbles in the interior)
pyroplastic deformation
deterioration of the technical and aesthetic characteristics of glazes
shade changes in the body and glaze.
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Tile swelling
Depending on its severity the defect is either localised or present right across
the tile (fig. 10).
It mostly affects vitrified materials and is caused by the low temperature forma-
tion of vitreous phases in the body such as the reduction of ferric to ferrous oxide
in red firing materials or surface melting, which prevents the escape of the gases
that develop inside the piece (CO2 and CO), and areas of the surface are deformed.
Fig. 10.
If these organic materials oxidize prior to formation of the vitreous phase, the
defect is not seen.
With white firing materials, instead, where there is little iron in the body (< 1%),
deformation is largely caused by the presence of gases (CO2 and CO) that are una-
ble to escape because of melting at the surface (or the use of glazes with a low
melting point).
In addition to swelling, trapped gases inside the tile may form reduced phases
close to the glaze surface grey or black in colour.
Pyroplastic deformation
Shows up as both tile geometry and flatness deformations of varying severity.
As mentioned above, black core defects derive from the joint presence of a liquid
phase and trapped gasses.
It can also be said that in areas where black core appears the percentage of liquid
phase is higher and viscosity is lower than in other areas of the tile.
For that reason, pyroplastic deformation occurs more often in vitrified products
where porosity is lower than 3%.
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Defects
Fig. 11.
The chemical reactions, as well as the sequential dynamics of the black core
formation are as follows:
Loss of clay crystallization water
Hydroxyl (OH) groups, which are freed at different temperatures depending on
the kind of clayey mineral, can act as reducers.
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where
R-COOH = organic molecule with carboxyl functional group
R-OH = organic molecule with hydroxyl functional group
RH = product of the decomposition reaction
g = gaseous substance.
If heating continues, the resulting solid residue (coke-like coal) reacts vigorou-
sly between 500 and 700 °C and produces a nuclei polycondensation reaction.
Above 700 °C the following reactions may occur:
where
R-H = is the result of the initial decomposition reactions
R-R = is the result of the dehydrogenation reaction.
where
CmH2m+2 = a hydrocarbon formed from the decomposition reactions
s = solid material.
Without oxygen, the steam generated by previous reactions may combine with
hydrocarbons or the existing free carbon.
Oxidation temperature and rate will depend on the type of carbon and on the
organic matters in the clayey raw materials.
As a consequence of the above reactions, when clayey mixtures containing orga-
nic impurities are progressively heated, first the clay crystallisation lattice water
344
Defects
and then, starting from 550-600 °C, a mixture of gases made up of H2O, CO2, CO
and H2 are released.
At approximately 400 °C iron hydroxide changes into ferric oxide, which is sta-
ble in an oxidizing atmosphere (assuming the partial pressure of oxygen to be hi-
gher than its decomposition pressure).
Without oxygen, hematite can, instead, progressively decompose and lose oxy-
gen:
On the other hand, Fe2O3 iron oxide, with carbon oxide and hydrogen (CO and
H2) can be reduced even further at temperatures above 550 °C.
In this case too, coming up with specific solutions that aid the development of
high permeability lattices and thus the escape of reaction gases is no easy task.
Nevertheless, the production process must adopt all those measures, where compa-
tible with other parameters, that help bring about this situation.
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Efflorescences
Efflorescences are salt concentrations which appear on the surface of fired tiles
when more than a certain percentage of soluble salts is present in the body.
High concentrations are caused by migration of salty solutions through the po-
rous lattice of the tile, causing their accumulation, over-saturation and precipita-
tion in areas where water evaporation is fastest.
Soluble salt concentrations remaining equal, the problem is more evident on
tiles with more permeable bodies.
Soluble salts have various origins: they may be an intrinsic element in the raw
materials or form during firing as chemical reactions take place among the different
components or between the latter and the combustion gases surrounding the tiles.
Generally speaking, the soluble salts that cause efflorescences are already pre-
sent in the clayey raw materials or originate from:
gases produced by combustion (SO3)
water used in production (sulphides, chlorides, nitrates).
In addition to the most soluble sulphates and chlorides in the raw materials, even
low-solubility sulphates such as Ca and Mg and others can cause efflorescences.
Manufacturing defects attributable to the presence of soluble salts appear as
yellow-brownish stains, holes or bubbles on the surface of the glaze or, in some
cases, as detachments of the glaze from the body (fig. 12).
Yellow-brownish staining may be caused by the presence of iron and manganese
soluble salts.
Fig. 12.
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Defects
A proper treatise of this complex subject is beyond the scope of this volume:
problems associated with technological aspects of the body differ widely depending
on the product (floor or wall tiles) and the employed technology (double or single-
firing).
Nevertheless, the following pages summarise some of the more general con-
cepts associated with the various product families below:
A) White firing vitrified floor tiles
B) Red firing vitrified floor tiles
C) Porcelain floor tiles
D) White firing porous wall tiles
E) Red firing porous wall tiles.
Product families A, B and C are generally obtained through single fire techno-
logy.
Families, D and E can, instead, be produced using either double or single fire
processes; the problems will differ.
The most frequent problems affecting the different body types are:
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Pressing problems
Affecting all groups.
While actual defects may be different their technological causes are generally
similar:
mineralogical origin of the clays making up the bodies
excessively fine particle-size distribution of the clays or other minerals
particles flat (two dimensional), acicular or fibrous
plasticity or non-plasticity of the body
causing:
lamination or peeling
low bending strength values
dirty moulds.
Lamination involves powder stratification, which prevents the release of the air
contained in the powders themselves and therefore inhibits pressing performance.
Low post-pressing bending strength results in frequent tile breakages in both double
and single fire plants. Excessively dirty moulds result in costly cleaning-related stop-
pages, common with steel dies but relatively rare with rubber-lined or resin ones.
Drying problems
These differ depending on production technology (single or traditional double
firing).
However, their causes are generally to be found in:
the nature of the clayey minerals
the excessively fine particle-size distribution of the clays
atypical behaviour of pressed tiles during the drying phase (high expansion and low
bending strength).
These aspects or conditions of the raw materials making up the body may lead
to the following production problems:
excessive shrinkage during drying
low post-drying bending strength.
The defect is more evident where single fire technology is used as the tile is
exposed to more mechanical stress, especially on the glazing lines.
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Defects
Problems associated with the nature of the raw materials that appear
after firing
Like much of the previous subject matter, an in-depth treatise of these problems
would require a book in itself. The variables that depend on sintering or vitrifica-
tion are many and their interaction is highly complex. Hence only a general de-
scription is given. Good vitrification or sintering of the body evidently depends on
the quality of the raw materials, their ratios and reactivity among the different
components (oxides). It is obvious the characteristics such as:
high bending strengths
low shrinkage
product-compatible porosity
wide firing range
mainly depend on the origin of the raw materials and their reactivity.
Low dimensional stability during the firing process is, without doubt, more fre-
quent in vitrified materials (groups A, B, C) where dimensional variations are more
evident. The associated problems are ones of geometry (orthogonality), dimensio-
nal variation, sides (squareness) etc.
The narrower the firing range, the more evident the defects.
While the origin of the problem may also lie in the production process (pressing,
firing etc.), it is the nature of the raw materials (i.e. the organic content and clay
particle size) and thus body composition that play the key role.
The stability of a vitrifiable composition is, in fact, regulated by the extent of the
vitreous flows being formed and their viscosity. It is known that white firing bodies
have wider stability ranges than red firing ones because of the nature of the glasses
being formed and their higher viscosity. The phenomena is highly complex and de-
pendent on many interlinked chemical-physical factors. Body composition or, rather,
the nature of the raw materials, has much influence on the severity of the defect.
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to withstand the mechanical stress caused by shrinkage. For most pressed tiles the
dry shrinkage limit is around 0.25-0.30%.
This defect may result from clays extracted from different parts of a quarry or
from their insufficient homogenisation. Shrinkage can be checked via simple labora-
tory tests.
a) Insufficient grinding
The effects of insufficient grinding differ depending on whether the body has a
single component or is an actual compound.
In the former case there is a slight change in surface appearance and reduced
bending strength, in many cases only slight and difficult to detect.
The latter case is a more serious affair, with coarser particles delaying important
reactions (i.e. carbonate degassing).
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Defects
The usual outcome is that the tile falls outside required physical-mechanical to-
lerances.
Prevention and correction of this defect generally involves checking slip sieving
residues and, when possible, the particle size distribution pattern.
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h) Encrustation lumps
These appear because condensate forms in the storage silos, the elevators and
the hoppers. As moisture content and density in these lumps differ from those in the
rest of the powder, their firing behaviour is also different.
In the most evident cases, small cracks form around the lump on account of
shrinkage differences. In less evident cases small depressions form on the surface of
the glaze because of lower absorption in the areas affected by the lumps.
To eliminate the defect the powder is passed through finer mesh sieves prior to
the press feed point and efforts are made to prevent the lumps forming in the first
place.
Pressing defects
Dirty dies
The problem shows up as surface defects on the just-pressed product and can
remain after glazing and firing (fig. 13, left). The quality of the die surface is highly
important as any wear-induced roughness causes powder to stick to the die more
easily. Rubber-coated dies help prevent this problem and can drastically reduce the
frequency with which cleaning needs to be carried out.
Fig. 13.
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Defects
Lamination
The defect consists of foliated stratification of the material that can sometimes
be seen only after glazing and firing (fig. 14).
Fig. 14.
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tions carried out on the collecting station. It can occur on both the face and back of
the tile. The cause lies in excessive mould wear.
The flash that forms during pressing on the edges of the surface to be glazed is
usually removed by brushes, while the larger flashes on the back of the tile are
removed by scrapers.
Small bits of flash sticking on the surface to be glazed can cause visual defects
and selection losses (fig. 13, right).
Filling defects
Non-uniformity of filling depends on filler box regulation and causes different
densities at different points on the tile usually detected by thickness checks and bulk
density measurements with either a penetrometer or mercury densometer.
Fig. 15.
Excessive pressure
In the fast single fire process excessive pressure can cause black core.
The particles are packed so tightly that the gas produced by the (sometimes
incomplete) combustion of the organic substances is unable to escape.
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Defects
b) Lack of plasticity
Plasticity, where it refers to a glaze, is an improper term, yet one widely used
to indicate its capacity to adhere to a tile body.
The problem is often difficult to detect on the green tile as it generally appears
during the initial stages of firing, when the glaze first starts to shrink and then
melt; because it does not stick to the body properly, it tends to crawl away from
the body.
In single-firing, adhesives of the C.M.C. type often need to be used.
This adhesive is also useful in resolving glaze detachment problems in the dou-
ble fire process.
Plasticity can also be improved by using ball clays, kaolins (these can be added in
percentages of 8-10%) and bentonites (up to maximum 2%).
The above materials, in addition to exerting a plasticising action, also play an
important role as suspension agents. Proper suspension is important in that it en-
sures consistent application density and prevents separation of the larger particles
by settling.
d) Excessive fusibility
The origin of this problem lies in the composition of the glaze itself.
Excess fusibility can cause surface bubbling (pin holes) at the tile sides or where
the glaze layer is thinner.
It is thus important that the supplied frit be subject to in-factory quality control
checks.
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Application defects
a) Glaze detachment
The fired tile has areas of varying size where the glaze has crawled away from
the surface during firing. These zones are generally surrounded by a rounded, thick-
ened border. Such glaze movements can sometimes appear on the sides or edges of
the tile; in other cases they take the form of extensive, thickened slicks in the
midst of unglazed zones or may appear as circular holes of varying dimensions.
Factors in preventing this problem include the quantity of plastic material in the
glaze, application thickness, glaze-body adhesion, low grinding times and the un-
fired strength of the glaze.
b) Glaze shrinkage
Tensions between ceramic body and glaze may generate small fractures in the
latter.
Subsequently, where the melted glaze is highly viscous, these fractures are not
sealed; typical of majolica with a high zirconium silicate content, the problem is
much less frequent in most lead compound glazes.
Moreover, where melted glaze surface tension is high, the glaze shrinkage pro-
blem is proportionately high.
Glaze shrinkage (by way of surface tension) is attributable to:
improper type or quantity of plastic material
inclusion of special components.
The presence of materials such as zinc oxide, talc, magnesium carbonate, mar-
ble, aluminium hydrate, all characterised by extensive drying and firing shrinkage,
may be the source of such defects. These materials hold significant quantities of
water and influence glaze viscosity.
Over-grinding
Excessive grinding increases glaze shrinkage and causes loss of adhesion.
Overlapping applications
Glazes not normally subject to shrinkage may produce this problem when:
the base glaze is dusty or prevents the subsequently applied glaze adhering pro-
perly.
the second application re-wets the just-dried first layer and causes it to lift off
the body.
the two glazes are incompatible on account of surface tension and viscosity du-
ring firing.
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Defects
Incompatibility between body and glaze expansion coefficients can cause serious
defects.
During cooling molten glaze interacts with the body; if the thermal expansion
coefficients of body and glaze differ considerably tensions may arise, causing cracks
in the now hardened glaze (crazing-flaking).
b) Glaze-body interaction
Also deserving of mention are the expansion phenomena caused by interaction
between body and glaze. Acceptable reactivity between body, engobe and glaze is
indispensable if they are to adhere to each other properly and avoid separation due
to edge impact, more frequent with double fire than single fire tiles on account of
their lower reactivity.
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a3) Over-firing
Over-firing of the glaze can cause pin holing.
Glazes with a high alkaline or boron oxide content are particularly susceptible to
this defect. These oxides, in fact, tend to volatilise if over-fired, thus giving rise to
the offending bubbles.
a4) Salts
These are usually sulphates and carbonates (especially soluble ones), which can
originate from the body, the grinding water, the pigments, additives or the glaze
itself, and can cause pin holing.
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Defects
b) Depressions (dimples)
Glossy glazes, especially zirconium whites, often have their surface appearance
marred by evident dimples. Appearing as a shallow circular hollow, the defect is
rarely more than 5-6 mm in diameter.
Such imperfections may have their origins in frit grains of large particle size,
usually the result of imperfect sieving.
During melting these grains behave differently from the rest of the vitreous
mass.
On double fire tiles depressions may also be caused by significant variations of
water absorption in the body.
c) Relief grains
Grains standing out from the surface of the glaze are frequently a consequence
of contamination that occurs during the production process.
The defect may also stem from an in-mill addition of zirconium silicate or other
hard materials that have not been suitably ground. In this case the defect is cha-
racterised by easily visible, small, white, protruding specks.
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glossy glazes may be marred by duller areas. Earlier on we stated that devitrifica-
tion, while dependent on glaze composition, is also heavily influenced by the firing
cycle and, even more so, the cooling pattern.
Generally speaking, where manufacturers using conventional cycles intend to
prevent devitrification, the ratio between the SiO2 and basic oxides in the glaze
should be 3:1. Nevertheless, even where this ratio is maintained (and even where
ratios theoretically more efficient in preventing devitrification are used) the pro-
blem can still arise. This is because not all basic oxides behave the same way. Exces-
sive calcium, magnesium or zinc oxide contents are notorious causes of devitrifica-
tion.
Moreover, the behaviour of the various devitrifying oxides during cooling dif-
fers enormously. Alumina matt glazes, for instance, are highly sensitive to tempera-
ture differences at this stage. Hence these glazes or those with high ZnO, CaO or
TiO2 contents have a tendency, under certain conditions, towards non-uniform
surface mattness or glossiness. The most common scenario is where the matt finish
varies from one tile to another, an occurrence largely due to variation of the firing
curve in different sections of the kiln.
Slower cooling, in fact, gives complete devitrification while higher firing tempe-
ratures can increase shininess. This explains why gloss, satin and matt glazes all
appear sensitive to devitrification phenomena when firing cycles are unsuitable.
Other phenomena are closely correlated with devitrification problems. One of
the most common is found in single layer rapid firing kilns where the leading edge
of the tile has a markedly different appearance compared to the rest of it; with matt
or crystallised glazes it looks shiny or bubbled. While evidently connected to coo-
ling especially direct cooling this defect stems from the extreme sensitivity of
these glazes vis-à-vis variable cooling temperatures.
In such cases the thermal inertia of the kiln walls or even the tile mass itself
may be sufficient to cause that non-uniformity. Depending on circumstances, these
differences can then give rise to an overly rapid increase in viscosity with conse-
quent bubbling, lack of devitrification and the appearance of shiny areas on the tile.
e) Sulphur
The damaging effects of sulphates contained in the tile body, the raw materials,
the grinding water or the sulphur compounds in kiln fumes give rise to a whole
series of finished tile defects. The most common are opalescence, surface halos, pin
holes, bubbling, devitrification and creasing (wrinkling) at the sides.
These defects usually appear more frequently when highly alkaline compositions
are used.
The alkali are usually introduced into the glaze as frits. Nevertheless, when the-
se frits are insufficiently rich in silica, boric oxide or alumina, or if they have a
certain reactivity due to incomplete fritting, the alkali may remain open to attack by
any sulphur oxides.
Reactions of the above type (i.e. determined by sulphur in the composition or the
kiln fumes) are also likely to occur during fritting, although tests have yet to con-
firm this hypothesis.
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Defects
a) Volatilisation
Some colouring oxides are subject to volatilisation phenomena, giving rise to
numerous defects on the tile surface during firing.
Chromium oxides, for example, are used extensively in ceramics on account of
their excellent colouring power and relative stability. Nevertheless, pure chromium
oxide has a strong tendency to generate halos because of the sheer intensity of its
colouring power, despite the fact that its vapour pressure is low and its volatilisation
ratio not particularly high.
Halos can be eliminated via calcination and subsequent oxide washing.
b) Calcination
Calcination is a key phase in the pigment preparation, its purpose differing accord-
ing to the raw materials in question and the final product type. Generally speaking, it
can be said that, in its simplest form, calcination aims to decompose the constituent
components of a colour at high temperature, causing them to release gas. If non-
calcinated colours are used in glazes they inevitably cause numerous defects such as
specks, bubbling, halos etc.
Where combined with the formation of crystalline lattices, the calcination func-
tion is a much more complex one. These lattices are the product of well mixed raw
materials; during calcination the latter give rise (with the aid of catalysts) to cry-
stalline neo-structures inside which chromophore ions are present by way of ionic
exchange.
The calcination process can also be used to obtain solid oxide solutions with
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c) Washing
After calcination the colour may still contain a certain quantity of salts subject
to volatilisation. To eliminate these the finely ground oxide is washed, using water
and additives that aid leaching of the soluble compounds. In the above-described
case washing removes that part of the chromium oxide which would otherwise fail
to enter into formation of the solid solution and would be water-soluble, its diffu-
sion subsequently causing halos.
Washing is also indispensable when calcination aims to create a crystalline struc-
ture and uses excess amounts of catalyst and chromophore salts.
The production of zirconates is a classic example. With, for instance, turquoise
zirconate, the process begins with zirconium oxide, quartz, vanadium pentoxide
and catalysing agents.
At the end of calcination the crystalline zircon lattice forms, with ionic diffusion
of vanadium ions. This is usually achieved by introducing an excess of vanadium
pentoxide. This, together with the catalysts only, needs to be washed out after calci-
nation. If the catalysts are not removed they can reduce the colouring power of the
oxide and, because they are usually soluble salts, can cause the relevant defects when
added to the glazes as described above.
Equally detrimental are vanadium salts that have failed to bond inside the lattice.
As vanadium is a powerful fluxing agent, concentration of its salts during drying
generates aggregation zones; when fired, the latter have different fusibility cha-
racteristics compared to the surrounding vitreous mass. Hence glazes with a high
percentage of colours containing vanadium salts may be damaged by post-firing
dimples and non-uniform colour. If the surface is screen printed reactivity is accen-
tuated and some zones may be poorly coloured.
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Defects
of the affected zone. These defects are usually caused by inefficient removal of iron
from the glaze. Use of magnets and the addition, in small percentages, of oxidants
such as cerium oxide usually resolve the problem.
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This defect can be eliminated, or at least limited, by properly sieving the glaze on
the feed line and that recycled from recovery trays. Glaze containers should also be
covered to ensure no contaminants get in.
A similar problem is waves on the glaze surface, straight with the waterfalls
and slightly curved with bell units.
They may be-caused by:
low glaze density or viscosity
drop speed too high for tile transit speed
glazing machine frame or floor vibration.
Air bubbles in the glaze tear the veil and cause oval-shaped voids.
With highly plastic glazes washing needs to be carried out at least twice a day to
eliminate the crusts that form on ducts and sieves.
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Defects
3) If a low density glaze is used less glaze may be deposited on the leading and
trailing edges of the tile. To get round this problem the tiles can be arranged as
a continuous carpet under the cup drop device.
4) Slightly arched streaks may be noticed crosswise to the direction of tile transit.
This usually occurs either because the cup is not perfectly centred or because tile
transit speed is excessive with respect to cup rotation speed. Decreasing transit
speed or increasing cup rotation speed and adjusting weight usually solves the
problem, although this does slightly alter the shape of the drop.
5) Drops parallel to tile motion. Mainly caused by too acute an angle of on-tile
drop impact; reducing rotation speed, lifting the cup or inserting diaphragms
along the drop fall trajectory usually resolves the problem.
6) If preparation glazes with intense colours are used or silk-screen printing is
carried out prior to application of a very liquid glaze (scorza), application should
be carried out at considerable distances so that it dries well and avoids any con-
tamination of the glaze used for the cup. Moreover, consistent application of the
glazed requires that absorption be kept constant before it is actually applied.
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Defects
Decoration defects
Recent years have seen intense development of screen printing techniques, with
associated ink preparation problems and difficulties in finding suitable vehicles for
machines that have very different operating principles.
A whole subset of defects is linked to these difficulties. The main ones, for flat
screen printing, are:
N.B. Above-tile screen clearance is usually set to 4-5 mm but this can vary as a
function of:
Screen tension
Screen fabric
Screen printing paste viscosity.
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a) Temperature differences
Usually associated with tunnel kilns, but can easily occur on other kiln types.
The result is differences in tile shade or, sometimes, variations in glaze surfaces.
The problem is a serious one because it causes almost imperceptible shade diffe-
rences between adjoining tiles.
This makes sorting particularly difficult.
b) Lack of oxidation
This does not mean that ambient air in the kiln is completely reducing, but,
rather, that there is not enough excess kiln air to ensure so-called scrubbing (air
washing). Hence fume passage zones form, often sufficiently concentrated to cause a
defect; this generally consists of eggshell or bubbles on tile corners.
There may also be zones where the air stagnates and is full of glaze vapours.
This nearly always causes surface opacity, sometimes accompanied by pinholes. In
both cases the defect can be corrected by increasing air turbulence and volumes,
thus increasing stack exhaust rates and, consequently, air intake.
d) Over/Under-firing of glazes
Excess and insufficient firing often generate similar outcomes (as with fusible and
refractory glazes); the former generates an outer cordon characterised by bubbles or
other defects while the latter can lead to the formation of matt or hammered-looking
surfaces.
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Defects
With floor tile glazes, the matter may be more complex as it is not always possi-
ble to establish whether the tile has been fired too much or too little. For a single
firing glaze with a high percentage of added coarse material and a highly fusible
vitreous base, for example, excessive firing can cause separation of the added mate-
rial, (which remains on the surface) from the glaze (absorbed by the body). The
result is a rough, hard surface, that initially brings to mind an under-firing defect.
In such cases a good understanding of glaze types and firing behaviour is requi-
red.
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Firing defects
Abrupt evaporation of water can cause tiles to explode. The problem originates
from excessive water content, be it residual after drying/glazing or reabsorbed du-
ring green tile storage. Firing with water contents above 2% is inadmissible; if
necessary, drying should be extended. As a guideline, drying temperatures in the
250-300 °C range are appropriate. However, such a degree of caution is only re-
quired in critical situations: pre-kiln temperatures are usually in the order of 350-
500 °C. To contain temperatures, which rise significantly when gaps appear in pro-
duction, the air intakes in the pre-kiln channel (through which the fan draws am-
bient air) can be opened.
The occasional explosions of just-glazed tiles with a high concentration of strati-
fied water just below the glaze is not particularly significant here, nor is the bursting
of pieces with de-airing defects (flaking or peeling).
Characterised by fracture lines with ragged edges running from the outer zones
of the tile towards its centre; the glaze tends to penetrate the fracture and round its
edges (fig. 16).
Breakage is caused by the cracking that occurs when edges heat up and shrink
faster than the rest of the tile.
Single fire breakages of this sort are relatively rare and are usually associated
with extreme thermal gradients.
The problem may also appear as cracks some 20-30 mm long; these are nearly
always multiple and never appear at the corners.
They tend to occur at points on the kiln cross-section where temperature in-
creases occur first. The critical range lies between 700 and 900 °C. Very hot flames
under the rollers are the most common cause.
Reducing the temperature of the first/second under-roller burner set by 20-30
°C usually resolves the problem; increasing air flow towards the burners also helps
as this cools the flame.
Fig. 16.
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Defects
Small, almost imperceptible cracks can also appear on lower tile edges at the sides
of the kiln load. These are usually the forerunner of much more evident cracking
during cooling. Pre-heating breakages can also occur at around 800-900 °C because
the load comes into direct contact with cold air. This happens when burners have been
shut down or when rollers have been removed and apertures inadvertently left open.
To all intents and purposes these are actually cooling breakages on already-stiff pie-
ces that have just passed through a critical temperature range.
Preheating damage may also take the form of multiple, tightly packed, short
cracks on the upper edges (fig. 17), sometimes almost covered by the glaze. This
defect sometimes involves the leading edge only (i.e. the part of the tile most ex-
posed to the flow of gasses towards the stack).
Fig. 17.
The problem lies in preheating gradients that are too steep for pieces already
made susceptible to such defects by sharp or ragged, poorly compacted edges, high
stratified moisture contents beneath the glaze and low body plasticity. Worn press
punches can also contribute to the problem, as can intense kiln reagulation for con-
cave deformation at the preheating stage.
Broken corners can also occur during preheating; the line of fracture often gives
the detached corner a characteristic pistol shape (fig. 18).
The point at which this defect occurs can be identified simply by inspecting the
bottom of the firing channel: a heap of broken pieces usually indicates where the
trouble lies. Lowering temperature a few tens of degrees usually solves the pro-
blem. Increasing air flow to the burners may also help as this cools the flame.
The broken pieces must be dropped to the kiln hearth through a trap to stop
them obstructing the load.
Fig. 18.
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Other defects also characterised by ragged fracture lines and rounded edge
glaze are often mistaken for preheating faults; their true cause, however, is gene-
rally found upstream from the firing process.
a) Long, curving, occasional cracks occurring randomly across the load (fig. 19).
Fig. 19.
b) Cracks some 10-30 mm long at the corners, occurring randomly across the load.
Usually caused by inter-tile collisions during row formation. An accumulation
of shards and corner chippings on the floor usually identifies the critical conveyor
point.
c) Cracks in the glaze, parallel to one or more sides of the tile (fig. 20).
d) Similarly, fissures may form inside the piece, again parallel to the sides (fig. 21).
Caused at the pressing stage during ejection of the piece from the die cavity.
e) Slightly divaricated cracks some 20-30 mm long, not localized at any particular
point of the kiln cross-section. Their emergence depends on how long the unfi-
red tiles have been stored. Often seen together with the longitudinal fissures
described in d) (fig. 22).
Fig. 20.
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Defects
Fig. 21.
Fig. 22.
The origin lies in longitudinal breakage that occurs during ejection from the die;
excess water applied during glazing stratifies in the longitudinal fissure and cracks
on the glazed surface then appear during the initial stages of preheating.
f) Small cracks on the glazed surface, often so small as to be confused with pin
holes or on-glaze depressions (fig. 23).
The cause lies in defective ejection from the press die cavity or, more frequently,
application of excess water during glazing.
Fig. 23.
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Fig. 24.
penetrates the full thickness of the tile, it may have been caused by an impact re-
ceived from below during conveying: for example a pulley with an overly small belt
will jolt against the underside of the tile as it passes over.
Fig. 25.
i) Cracks that look just like the preheating cracks described earlier (fig. 16). Where
they can all be traced to the same press cavity, the real cause lies in pressing.
Such defects do not correlate with any particular part of the kiln load but are
generally found on the same area of each tile. Check that the die cavity and/or
punch are in good condition.
Similar cracks can also be produced at the drying stage: they do not appear on
any particular zone of the kiln load but they are consistently localised on a specific
zone of the drier load. In this case the cracks can often be highlighted at the drier
outlet with liquid colorants (e.g. kerosene).
In second fire, complete tile breakage can occur; where this is at random across
the load and seen to intensify at certain moments, it is attributable to existing
lesions in the body that compromise resistance to the tensions generated during
preheating.
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Defects
Any attempt to correct cooling problems should take into account the following:
1 Temperatures detected by thermocouples in the firing kiln are much lower than
the actual temperature of the moving tiles.
2 Pieces at the outsides of the load cool down much faster than pieces in its middle:
this difference is accentuated by steep cooling gradients.
3 Temperatures at the sides of the tile are lower than in its middle; this difference,
accentuated by steeper cooling gradients, is the true cause of tile breakage.
4 Barriers (chicanes) separating firing and cooling zones must be intact; efficient
zone separation is essential for stable regulation of both firing and cooling.
If cooling breakages occur repeatedly in specific zones of the load and specific
situations the manufacturer is provided with useful information on the regulation
error being made.
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The above-roller thermocouple in the fast cooling zone usually gives a tempera-
ture reading of around 570-600 °C, temperatures being lower where cycles are
faster.
Tiles exiting rapid cooling can be checked for proper temperature with the aid
of a portable thermocouple; this is inserted inside the last roller of the zone. A
reading of 600-620 °C is ideal.
c) Breakages occur on the first tiles to enter the kiln after a significant gap in pro-
duct flow and persist for several minutes.
Gaps cause cooling temperatures to drop: a reduction of just 50-70 °C can cause
problems.
Check that, with the air modulation valve in the rapid cooling section closed, the
blowers are not excessively pressurised.
It may be necessary to reduce heat exchanger efficiency by partially opening the
by-pass valve.
Check the slow cooling section and make sure the heat dissipator modulating
valve closes completely when temperature drops.
Generally speaking, it is best to modify kiln volumes by aspirating large volumes
of hot air.
Check that the thermoregulators in rapid and slow cooling are working proper-
ly.
d) Breakages occur after significant load gaps, not on the first tiles but those fol-
lowing on some minutes after. The problem is usually transitory.
As per c). It is especially important to limit maximum air pressure in rapid cool-
ing.
Crazing
Similar in aspect but very different in origin and nature, crazing is often confu-
sed with cooling cracks. It takes the form of sharp-edged fracturing of the glaze
only and often shows up only with the aid of marker dyes or certain lighting condi-
tions.
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Defects
Crazing is not necessarily evident at the kiln outlet either; it can appear at a
much later stage during long-term de-tensioning, or during re-hydration of the
hygroscopic body. Crazing fracture patterns are highly distinctive: lines do not ne-
cessarily run from edge to middle and tile edges are often unmarred.
The cause of crazing lies not in cooling errors but a poor glaze-body expansion
match that stretches the glaze.
Tests can be carried out by putting samples through repeated autoclave cycles
according to a specific protocol. A more empirical way of identifying susceptibility
to crazing is to lay tiles with cement: if the glaze-body match is incorrect crazing
will appear. However, the test can take a long time and is not well controlled.
Attainment of uniform firing is especially difficult where kilns have wide inlets
and are used to produce large tiles. The extent of shrinkage and, more importantly,
the body vitrification range, are crucial in highlighting the effects of even small
temperature differences across the firing channel.
Temperature differences can be quantified and pinpointed by measuring pieces
pressed in the same die cavity and fired in different load positions (all tiles must be
oriented the same way with respect to the press outlet). After marking the tiles to
indicate their position (fig. 26) all the right and then all the left side pieces are
compared.
Fig. 26.
An indistinct comparison between right and left sides includes pressing errors
(0.4 mm on right-hand side of piece).
When checking the tile dimensions comparisons should be made between tiles
all across the kiln section and care should be taken to note any effect resulting from
pressing errors which overlap with firing variations.
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a) The most frequent occurrence is larger tiles in the cooler areas nearer to the
outside edges of the kiln cross-section. Several causes combine to create the
problem (fig. 27):
Fig. 27.
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Defects
Flame temperature at the nozzle is lower than further away where combustion is
complete.
Re-circulation of colder ambient air on account of the Venturi effect generated
by flame speed.
Fumes move more slowly near the walls than in the middle of the channel be-
cause of friction (flow towards chimney).
Stronger irradiation of centre of the load by perpendicular walls.
Outward dispersion of roller heat by conduction.
Aspiration of cold air via improperly plugged roller seats in the firing zone.
Low-speed cold air blow movement, especially above rollers.
Fig. 28.
Kiln pressure (see relevant paragraph) must be positive in the firing zone (at
roller height) so as to prevent cold air infiltration; however, pressure should not
be too high.
Insertion of one or more deflectors at the beginning and inside the firing zone
diverts more fumes towards the tiles near the walls.
Using a suitable number of burners with semi-radial dispersion above and be-
low the rollers is a tried and tested system that compensates for colder flame
areas near burner nozzles and any intake of colder ambient air.
To fine-tune, air can be dosed to the burners to modify flame temperature and
length.
Flame deflector screens can also be positioned in front of firing zone burners
beneath the rollers (fig. 29).
Here, despite the similarities with case a), erroneous flame geometry (especially
on burners above the rollers) is usually the culprit. Considerable modifications to
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Fig. 29.
Fig. 30.
flame speed and geometry are usually required. An easy and often effective solution
is to shut down a burner in those sets that markedly influence size; alternatively, the
flow of burner air can be modified.
c) Other, differently configured, irregularities can also occur; depending on the si-
tuation, their solution may require use of the above solutions or even their direct
opposites.
In terms of shine, satin effects, opacity, spread and shade the final outcome of
glazing essentially depends on the high temperature firing stage. Higher tempera-
tures or extended firing time results in more compact vitrification of the glaze and
thus improves shine. Longer times at relatively lower temperatures give a satin look
and better (flatter) spread. Much, of course, depends on the nature of the glaze, the
limitations of which are inevitably highlighted by pin holes and micro-bubbles if
temperatures are too high. The appearance of satiny effects (clouding of the glaze
at certain points of the load) indicates a combustion defect on one or more burners
in the high temperature zone; a check on (and possible increase in) the flow of
combustion air is generally required.
Shade changes across the load are the result of temperature gradients. Lustre
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Defects
applications, for instance, are particularly sensitive to overheating and can easily
vanish.
Where strongly reactive colouring oxides are used (iron, selenium etc.), longer
firing is known to disturb colour development. Hence iron oxide veers towards
green where firing lasts longer and red where firing is shorter and sharper.
These are caused by small gas bubbles that expand in the glaze and burst, leaving
a small crater on the surface. Gas bubbles have numerous causes.
Sectioning a defective tile and taking a close look at its interior can provide
valuable information. Using a magnifying glass or pocket microscope, it is good
practice to observe the glaze along the line of fracture, paying special attention to
the nature of the trapped bubbles.
Bubbles are very small, densely packed and close to the surface.
This defect stems from very low melting viscosity or over-firing, causing the
glaze to boil. Generally attributable to overly hot flames on the last above-roller
burners or, more simply, too high a firing temperature (fig. 31).
Fig. 31.
Bubbles observed in body of glaze only; bubbles that are forming, incomplete or
touching the body are not observed (fig. 32).
Fig. 32.
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In addition to those in the glaze, other bubbles are seen to be forming in the body
and rising off it (fig. 33).
Fig. 33.
The most likely cause in this case is incomplete degassing prior to glaze soften-
ing:
black core, especially if it is stratified near the glaze or takes the form of specks
scattered through the body.
carbonate degassing problems, an eventuality more or less limited to monoporo-
sa products: the defects are larger than pin holes and the underlying engobe is
frequently exposed.
pyrite degassing with SO2 emission: in this case the tiles need to be held at 1040-
1050 °C for several minutes (frequently solved by fine sieving of the body slip).
The samples are then re-fired: absence of bubbles in the glaze confirms that
body degassing was the cause.
There may also be larger holes in the glaze. These have various causes:
late degassing of body carbonates, especially where their particles are quite co-
arse. In this event the 920-980 °C firing time needs to be extended. Body grin-
ding and composition must be checked.
thin, compacted flakes of body, especially from the sides of the die box, work
their way into the tile body or flakes/powder stick to its surface at the time of
ejection from the press: in the kiln this causes micro-peeling.
The only solution is to ensure that dies are kept clean by suction/blower devices.
Pin holes, holes and bubbles in the glaze may also be caused by defects in the
glaze or its application:
grinding and sieving
viscosity and rheology
CMC deterioration
incompatible glaze-engobe melting points
382
Defects
In some cases extending the firing time towards 500-600 °C may be useful; it
will, in any case, be necessary to eliminate the cause of the problem by correcting
glaze and glazing technology.
Degassing
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Similarly, good fume draught is helpful. The first degassing benefit is not the
draught-induced vacuum, which might erroneously be thought of as sucking the
gases out of the tile, but the considerable quantities of hot volumes drawn in from
the firing zone; these allow a reduction in gas flow to the pre-heating burners (and
thus lower flame temperatures).
Since the biscuit has already been fired once the second fire is usually free from
degassing problems. Nevertheless, problems may arise with biscuits that have been
put through rapid firing cycles and then left on hold for some time after application
of the glaze. The problem may be caused by water (from glaze, or absorbed by hygro-
scopy) reacting with calcium oxide (CaO) residues left over from the first fire (in long-
term storage it could transform into CaCO3 again). The resulting defects take the
form of evident, foamy bubbles and bare sections of body, often confused with glaze
adhesion problems. In this event it is good practice to extend the preheating time
below 550-950 °C both by easing the temperature gradient and slowing the cycle.
Black core
This defect has already been dealt with in the section on defects associated with
raw materials (see Appendix 3: Defects, Organic material).
It takes the form of a halo, ranging in colour from yellow-green to grey or black,
in the tile interior. The problem can also appear as simple black specks dispersed
throughout the body. Black core is caused by incomplete combustion of organic
residues in the body or by subtraction of oxygen from iron oxides: in any case, it is
always a reduction phenomenon.
Black core would not, in itself, constitute a problem (often normal in extruded
products) were it not associated with other defects such as:
pin holes and bubbles in the glaze
glaze porosity and its stain resistance
differently shaded halos and spots
appearance of back pattern on the face of the tile
dimensional and planarity defects.
The most suitable firing range for elimination of black core generally lies between
880 and 960 °C. While the bulk of good quality glazes have a softening point of
around 980-1000 °C, note that a few low-fluxing glazes seal pores at just 680-700 °C;
where the latter are used the firing cycle will need to be slowed down considerably.
High-temperature glazes and bodies allow preheating to be extended towards
1100 °C. No less important than optimal temperature is duration of exposure to
effective degassing temperatures. Maximum efficiency is obtained by keeping tem-
peratures high at the start of preheating and low in the approach to the firing zone:
384
Defects
here, it may be useful to blow air through switched off burners (taking care not to
generate significant temperature differences above and below the rollers as these
can change tile planarity).
Good degassing requires abundant volumes, both from the firing and cooling
zones and the burners. Hence any cooling adjustment that exhausts a lot of hot air
(cooling stack) is to be avoided.
Degassing problems also raise energy costs. The use of more refined raw ma-
terials and tile technology should thus be attentively evaluated.
Glaze reaches its softening point too quickly and prevents degassing of the body.
Fig. 34.
Fig. 35.
A localised halo at the core of the tile that fades towards the glaze (fig. 36).
Fig. 36.
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Fig. 37.
Fig. 38.
The intensity of the phenomenon means that it cannot be resolved via kiln adjust-
ment. Swelling is usually caused by drops of machine oil, carbon particles formed
by poor spray drier combustion or other body contaminants (even very wet or high
density grains).
Planarity defects
386
Defects
sion) match between body, glaze and engobe is a frequent cause; alternatively, the
problem may be associated with heterogeneous tile density or the low structural
strength of very molten, very thin or specially shaped pieces.
However, that is certainly not to say that proper kiln adjustment never solves the
problem: it often does. Sometimes it merely attenuates the defect and sometimes it
has no effect at all: in any case, close collaboration between kiln operators and tech-
nologists is essential if an effective plan of action is to be developed.
Controlling tile planarity largely involves control of the consequences of linear
shrinkage during firing.
Imagine a tile cross-section: if the face of the tile is subject to higher temperatu-
res than the back then it will shrink more, causing the tile to bend and become
concave; vice versa, if the underside of the tile is exposed to more heat, the back
of the tile contracts more and makes the tile convex.
Only a small area of a convex/concave tile actually rests on the rollers. Once the
body reaches its softening point, the unsupported part of the tile, tends to col-
lapse under its own weight: this secondary deformation works in the opposite
direction to the initial one caused by temperature differences.
Because it takes time for the tile to soften and collapse, this secondary effect
takes place at the same time as the curvature effects of thermal expansions occur at
the beginning-middle of the firing zone.
Because the edges of the tile heat up faster than the middle, an appreciable tem-
perature difference during the brief final firing stage can accentuate concavity
or convexity at the corners.
Planarity problems can also result from non-uniform cooling of tile face and
back: this changes both the moment in which the glaze locks to the body and
influences the relationship between glaze and thermal body expansion.
Smooth, clean, straight rollers are essential for orderly in-kiln movement of
tiles and the prevention of mechanically-induced warping and planarity deforma-
tions. There follows a description of the most common planarity defects.
Downturned corners
All four tile corners droop (usually the outermost 3 cm or so); the rest of the
surface is essentially flat or slightly convex (fig. 39).
The defect is distributed throughout the load and is constant; deformation is
slightly reduced at the ends of the loaded tiles (head and tail).
Corrections should be made in the final firing zone by raising temperature above
the roller plane and reducing temperature below it.
Diagnosis should be effected with care as it is easy to confuse this defect with
others, different in nature, that are similar at first glance but quite different when
observed more closely (figs. 40-41).
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Fig. 39.
Fig. 40.
Fig. 41.
Upturned corners
All the tile corners are upturned (outermost 3 cm); the rest of the surface is
essentially flat or slightly concave (fig. 42).
Fig. 42.
The defect is distributed evenly throughout the load and is constant; deforma-
tion is slightly reduced at the ends of the loaded tiles.
Corrections should be made in the final firing zone, where it will be necessary to
lower the temperature above the roller plane and increase temperature below it.
Diagnosis requires caution as it is easy to confuse this defect with others, different
in nature, that are similar at first glance (figs. 43-44).
388
Defects
Fig. 43.
Fig. 44.
Convexity
Fig. 45.
One of the most frequent and difficult planarity problems as the defect stems
from glaze-body expansion incompatibility. Factors such as engobe, glaze-body thick-
ness ratio, tile density, tile size, degree of vitrification, back pattern and others all
influence this problem. The temperature curve in itself rarely causes convexity:
only a central-final firing zone characterised by higher below-roller temperatures is
capable of doing this.
However, this is not to say that kiln adjustment cannot provide solutions; in many
cases results are rather good. Nevertheless not all products respond to adjustment
the same way, hence the need to distinguish between different product types. For
instance, with single fire floor tile we can hypothesise:
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while sides at right angles to them are cooled from one end to the other as the
tile advances (fig. 46).
Fig. 46.
Meaningful correction results can only be achieved with properly designed final
cooling zones: there should be a fair concentration of blowers beneath the roller
planes, especially in the first section, and each blower must have a certain output
rate; it should also be possible to shut off corresponding above-roller blowers.
Additionally, more hot air can be aspirated into the cooling area; this air stratifies
above the rollers and keeps the glaze hot for longer, thus delaying its attachment to the
body. Removing the rollers immediately above the bottom blowers also helps. Avoid
overly dense packing of tiles in rapid cooling (i.e. maintain space between lines).
Similar results are also attainable with unglazed porcelain tiles, especially large
ones. However, no discernable advantages have been observed with porous pro-
ducts (monoporosa, biscuit, glazed double firing).
Considerable temperature differences (hot tiles on top of the rollers and cold air
under) can cause evident roller deformation. This, in turn, generates asymmetry
and overlapping of tiles. The only way out of this quandary is to use specially
designed rollers with high heat transmission coefficients.
Fig. 47.
Stage 1
Higher temperatures beneath the roller cause the bottom of the tile to shrink
faster than the top: the piece thus becomes convex (fig. 48).
390
Defects
- t°
– SHRINKAGE
+ SHRINKAGE
+ t°
Fig. 48.
Stage 2
In passing from one roller to another the convex tile rests on its leading and
trailing edges (black areas): the central section is suspended (fig. 49).
Fig. 49.
The whole of the weight rests on the points of contact (fig. 50).
~8cm
– SHRINKAGE
+ SHRINKAGE
Support zones
Fig. 50.
Stage 3
Firing continues: the face of the tile is now exposed to temperatures and shrinka-
ges similar to those on the back, thus causing concavity (fig. 51).
= t°
= SHRINKAGE
= t°
Fig. 51.
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Sides parallel to the rollers are rather more uniformly supported (or suspended)
and anti-convexity correction is visibly modest.
~8 cm
~8 cm
Fig. 52.
Fig. 53.
Excessive correction in this sense can, however, produce the priest hat effect
and produce upturned corners (fig. 54).
Fig. 54.
Concavity
392
Defects
Fig. 55.
Stage 1
Higher temperatures above the roller plane cause the face of the tile to shrink
sooner than the back: the piece thus becomes concave (fig. 56).
+ T°
Fig. 56. - T°
Stage 2
In passing from one roller to another, the concave tile rests on its middle; the
remaining peripheral areas are suspended (fig. 57).
Constantly suspended
part of tile (black areas)
Fig. 57.
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The whole weight of the tile is supported on the central part in contact with the
rollers (fig. 58).
Suspended areas
Fig. 58.
As the suspended areas press down the tile tends to flex and flatten out (fig. 59).
+ shrinkage %
– shrinkage %
Fig. 59.
Stage 3
Firing continues: the back of the tile is now exposed to temperatures and shrink-
ages similar to those on the face, thus causing convexity (fig. 60).
= T°
= shrinkage %
= T°
Fig. 60.
Fig. 61.
394
Defects
Excessive correction in this sense can, however, produce deformation (fig. 62).
downturned edges
Fig. 62.
Roller effect
3 cm
Fig. 63.
The defect only involves the sides of the tile at right angles to the rollers; the
two sides parallel to them are perfectly straight or only slightly convex.
A central area, generally flat or slightly concave, is bracketed by evidently upwar-
dly bent strips, some 8 cm wide, on the leading and trailing edges. The last 3 cm of
those strips curve downwards.
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1. Below-roller heating in the firing zone (or at least in its central and final sec-
tion) is excessive. The piece thus becomes convex on account of relatively
more intense underside shrinkage; as the tile advances only its leading and
trailing edges are supported by the rollers (fig. 64).
Fig. 64.
The now decidedly soft piece is unable to sustain its own weight and the central
section of the tile collapses.
If this is the case deformation is resolved by increasing temperature above the
rollers and decreasing temperature to the same extent below them: correction
should begin at the end of the firing zone and then retreat back towards its
beginning.
2. Greater below-roller heating at the start of the firing zone causes relatively great-
er shrinkage of the tile underside, thus making it convex (fig. 65).
- T°
SHRINKAGE
+ T°
Fig. 65.
8 cm 8 cm
Fig. 66.
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Defects
3 cm
Fig. 67.
Because the tiles remain in this section for only a short period correction in-
fluences the corners only, thus causing the outermost 3 cm of the leading and trai-
ling edges to become convex.
3. There is a somewhat rarer third scenario, limited to products fired at very high
temperatures. Known also as the ROLLER EFFECT, it is fairly evident but has
gentler curves (fig. 68).
Fig. 68.
Priest hat
Frequently observed where glaze and body expansion coefficients are significantly
different (i.e. mainly with glossy glazes and grains, especially where applied thickly,
in monoporosa and floor tile).
Characterised by a central convex area with a peak at the geometric centre of
the tile and upturned extremities, particularly over the last 3-4 cm at right angles to
the rollers (fig. 69).
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Fig. 69.
Where the defect is mild the ends appear flattened. The radius of the central,
convex curve remains unchanged (fig. 70).
Fig. 70.
Priest hat can also be caused by an attempt to resolve convexity (by increasing
above-roller temperatures at the end or in the central section of the firing zone).
In this event bringing the temperature differences back within more acceptable
limits and applying a more suitable anti-convexity stratagem will usually suffice.
May also be caused by excess temperatures below the rollers in the initial firing
zone. There are two possible approaches:
bring temperature differences back within more acceptable limits.
force the existing adjustment by increasing the temperature differential, exten-
ding it into the central firing zone and, if necessary, into the final firing zone
with higher below rollers temperatures.
Note that where such adjustment is performed on products without any particu-
lar expansion match problems, the end result is the roller effect (fig. 71).
Fig. 71.
Where priest hat develops at the start of firing there often follows asymmetric
warping caused by irregular feed, pieces bumping into each other and overlapping.
These secondary deformations tend to mask the priest hat itself and can delay its
identification.
Problem solving thus needs to be prioritised: first priest hat, then warping.
Given their associations, the two are often eliminated simultaneously.
398
Defects
Fig. 72.
The appearance of tiles like those in the illustrations should be taken as a warn-
ing sign that the rollers need cleaning: this is, in any case, always the first measure
that needs to be taken.
This defect always stems from tiles which are not lying flat on the rollers.
Fig. 73.
They thus tend to overrun the inter-tile gap (spacer) and bump into each other
or overlap.
The best approach is to adjust the temperature curve and eliminate or attenuate
the differences that caused tile deformation in the first place.
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It thus follows that where properly arranged, aligned, straight tiles jump from
a flexed or bent roller to a straight one and vice versa, asymmetric non-identical
deformations can result.
The problem is intensified by worn, dirty rollers and the random mixing of
rollers of different quality.
Solutions:
Adjust tile feed density so as to minimise inter-row gaps: a compact load makes
it harder for individual tiles to leave the formation and thus re-arrange it.
Depending on planarity priorities, use temperature settings that prevent conca-
vity in preheating, and avoid tiles moving around and becoming disordered or
out of line.
Use specially shaped rollers that are thicker in the middle: these correct and
compensate for the arch-shaped rows that stem from relatively higher speeds at
the sides of the kiln. A number of these rollers, properly distributed, can impro-
ve the situation considerably.
In the rapid cooling zone, the beginning of which is especially critical, the often
evident roller deformation produced by temperature differences between the he-
ated part of the load and the simultaneously cooled part can be disastrous. The
solution lies in reducing roller blowing to a minimum. Stability and reliability
can also be increased by using rollers of high thermal conductivity (in silicon
carbide or blends of silicon carbide and refractory) that deform little if at all.
Sometimes, the only answer is to replace a number of rollers with others of
better quality, especially in the firing zone (less bending under load).
Such defects have no easy diagnosis or solution. The best approach is to analyse
the situation from several angles and apply a blend of possible solutions.
Other deformations regard only porcelain tile manufacture. Well-defined strips
that droop at the leading and trailing ends (fig. 74) is one such example. This pro-
blem is more frequent with thin, highly vitrified products.
Fig. 74.
This defect is caused by intense softening and inter-roller distance: as the tile pas-
ses from one roller to the next, overhanging portions droop under their own weight.
The only solution is to drastically reduce below-roller temperature at the end of
the firing zone; this may involve shutdown of some burners and/or use of blown
air. Vitrification is affected only slightly.
A wide variety of evident, widespread warping is more likely to be seen on double
400
Defects
filling products (even where pressing results seem good); the problem, however, is
also seen with traditional die filling.
Rapid cooling, with abundant quantities of air blown through above-roller tubes
only, sometimes provides an effective solution.
Directing air jets upwards and compacting the load by slowing down roller speeds
increases the effectiveness of this adjustment.
Nevertheless, in other cases it may be useful to use only blowers below the rollers
and direct the jets upwards at the tiles.
Hard and fast rules are elusive and manufacturers will need to evaluate problems
and take action on a case by case basis.
Monoporosa
The complexities of the monoporosa firing process have yet to be fully under-
stood and are still a cause of much debate.
However, attentive observation in a variety of situations has already produced a
wealth of experience that allows the monoporosa technician to solve at least the
most common problems.
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EXPANSION %
C°
Fig. 75.
Correction in Preheating
The term PREHEATING usually refers to the low temperature zone in which
degassing occurs, as opposed to the high temperature zone where melting, shrink-
age and thus planarity control take place. With monoporosa that distinction is no
longer applicable because, between 920 and 1020 °C calcium carbonate decomposes
and generates considerable CO2 outflow and, at the same time, the most important
expansion event of the entire firing process takes place.
Anti-convexity measures generally involve application of higher temperatures
below the rollers, a measure that is most effective from 950 °C onwards.
Similar measures are often taken at lower preheating temperatures; rarely suc-
cessful on their own, they do provide considerable benefits in conjunction with other
adjustments. Planarity differences on sides parallel to the rollers are minimal, if
they exist at all. No substantial differences in results have been observed by in-
creasing/decreasing burner air volumes or increasing/decreasing flame speed.
However, a gradual approach towards 950-960 °C has proved moderately bene-
ficial.
Under such temperature conditions direct in-kiln observation shows that the
convex tiles pitch on the rollers (fig. 76).
Fig. 76.
402
Defects
Excessive temperature differences above and below the rollers can cause unac-
ceptable deformities; if they are excessive the tile will be deformed at the kiln outlet
as illustrated in fig. 77:
Fig. 77.
Fig. 78.
Immediately after CONVEX deformation the tile becomes visibly concave, a 30-
40 mm strip all the way round the perimeter of the tile appearing raised; the middle
of the tile is affected to a far lesser extent.
Correction in firing
Anti-convexity action here generally involves application of higher tempera-
tures above the rollers, a measure that essentially becomes effective after 1100 °C.
Temperature differences between the upper and lower kiln areas are in the order of
5-30 °C.
Results are fairly uniform over the four sides of the tile but a little less so over
the load cross-section. Applying these temperature differences influences the part
of shrinkage produced by high temperature sintering (fig. 79):
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EXPANSION %
C°
Fig. 79.
As with floor tiles, the top of the tile receives more heat and shrinks more, thus
making the piece concave (fig. 80):
+ Temperature
+ Shrinkage
– Temperature
– Shrinkage
Fig. 80.
Excessive temperature differences between the above and below-roller areas thus
causes exiting tiles to have the defect illustrated in fig. 81.
Fig. 81.
404
Defects
Fig. 82.
Fig. 83.
An identical technique can be applied with floor tiles, but later, during rapid
cooling.
Less efficient anti-convexity correction near the kiln walls is a common problem:
the more marked the corrective adjustments the more evident this drop in efficiency
becomes.
This is explained by the fact that, in preheating, temperature differences be-
tween the above and below-roller areas are attenuated by the empty spaces that
form near the walls (between tile load and wall) and, in the above-roller part of the
firing zone, by the fact that it is physically impossible for the burners to heat the
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area near the walls in exactly the same way as they heat the central zone. The sum
of these two phenomena thus reduces correction efficiency.
Solutions
a) Fairly high kiln pressures should always be maintained; ideal firing zone pressu-
res at burner level in the above-roller part of the firing zone are around 0.3-0.4
mm (water column). Note that this pressure must be generated by damping the
exhaust fume flow, not by limiting hot air intake in the cooling zone. In other
words, the solution works if there is an albeit modest flow from firing to cooling,
not vice versa.
b) Appropriate use of the chicanes fitted on the roof can improve matters; these
need to be in good condition and no higher than 80-100 mm. It is essential that
high temperature zones where higher above-roller temperatures have been set
be defined by lowered chicanes. Conversely, any transverse walls below the rol-
lers at the start of or inside the firing zone need to be eliminated.
c) Installing semi-radial burner units above the rollers in the firing zone also helps;
these must be arranged and adjusted so as not to compromise glazing results.
d) Generally speaking, gradual rapid cooling settings, with blowers emitting no
more air than is strictly necessary, are to be preferred.
The above also applies to double fire processes (first fire and second glost fire).
406
Defects
temperature expansion –
temperature +
shrinkage +
Edge expansion is
boosted by greater
residual expansion
SHRINKAGE
of centre
= the edge remains
EXPANSION
EXPANSION larger.
Fig. 84.
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It has yet to be understood why size defects are a constant with certain body
formulations and completely absent with others (fig. 85).
Fig. 85.
Production contamination
Cases vary considerably and tracing the cause of the defect is no easy task.
Analysis of the circumstances under which the phenomenon is more marked,
frequency and distribution across the load, glaze depth at which contamination is
found, size, shape and colour all provide useful clues. A small microscope will prove
indispensable.
In-kiln contamination may be sub-divided into the following groups.
a) Vitreous contamination
b) Ceramic contamination
c) Ferrous metal contamination
d) Non-ferrous metal contamination
e) Carbon contamination.
Note that a contaminant particle produced by the kiln can never sink below the
thickness of the glaze. Its exact position is found by sectioning the tile and exami-
ning the cross-section under the microscope. Contamination by grinding wheels,
welding machines and debris near the production line during assembly and mainte-
nance work is an altogether different matter.
408
Defects
a) Vitreous contamination
Appears as round blotches (drops) of considerable size (1-40 mm in diameter),
mostly yellow, green or brown. The phenomenon initially appears occasionally and
then becomes more frequent with each passing day. Increases in intensity following
significant gaps in the tile feed and substantial variations in the final preheating
zone.
Dependent on the presence of strong contaminants (mainly lead and boron) in
glazes and frits. The vapour from the frits condenses on the roof and walls of the
kiln at temperatures between 850 and 1000 °C.
Excessive accumulation or lower viscosity caused by high temperatures causes it
to drip onto the material in transit: the blotches have an evidently vitreous appear-
ance. Note that condensate formation cannot be prevented by kiln adjustment: signifi-
cantly increasing flow rates gives some improvement, but the practical benefits are
limited and the resultant increase in energy consumption is considerable. When vi-
treous contamination begins to compromise sorting yield, the roof must be cleaned.
The rate of condensate accumulation is sometimes high and frequent cooling of
the kiln for cleaning purposes (done by chiselling and scraping) is infeasible. The
alternative is to raise temperature (by 100-150 degrees C) in the 900-1000 degree
°C area for about 2 hours. This sharply decreases viscosity of the condensate, cau-
sing it to run off in large quantities. Needless to say, the underlying rollers must be
protected from the inevitable fouling and must thus be removed beforehand. How-
ever, if the rollers are in poor condition removal is inadvisable: in this event they
should be protected by a ballast (i.e. unglazed tiles) and the rollers should be moved
backward and forward for the entire cleaning period.
Be careful to switch the forward/backward movement on and off frequently enou-
gh to prevent activation of the relevant safety device that shuts off the gas valves.
To facilitate the increase in temperature, keep the final cooling fan running and, if
effective, stop the hot air suction fan. Monitor the kiln carefully, especially the
inlet where, because of the increase in pressure, there is a risk of damage (photo-
cells, cables, rubber rollers etc.). In any event, cleaning the roof by raising tempera-
ture is an expedient that should be used sparingly. In the long run, repeated heating
can compromise insulation because the refractory material becomes impregnated
(note that the refractory must be cleaned with the kiln cold and that impregnation
reduces cleaning efficiency).
In the long run, the only proper solution to the condensate problem is an intelli-
gent selection of compatible glazes.
Condensates of a powdery aspect may also be observed at low temperatures in
the pre-kiln and in preheating. Here, roof and walls can be cleaned with a jet of
compressed air passed through a metal tube: the latter is inserted through the side
wall hatches under the roof. Combining water with compressed air provides a more
efficient car-wash spray clean. Kiln cooling and roller extraction are unnecessary.
b) Ceramic contamination
Ceramic contamination appears as a relatively glossy, small, rounded dark spot,
perceptible when scratched with a fingernail.
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Pre-kiln
Kiln inlet door, above the load: brush and vacuum-clean.
Roof, fume outlets and walls above the roller plane should be cleaned with com-
pressed air (via a metal tube inserted through special hatches).
Edges of the ambient air intake in the roof at the end of the pre-kiln: brush and
vacuum-clean.
Burner
Only burners above the roller plane are involved. However, those below the rol-
lers still require regular cleaning to ensure their efficiency. Sand the heater and
electrodes and blow with compressed air.
Clean burner casing with compressed air, tap the air valve and the flex hose
fitting and clean with compressed air.
Rapid cooling
Where contamination originates here it is rigid or just partly molten, rough to
the touch and always on the surface.
Clean the blowers periodically: blow air through them simply by detaching the
flex hose from one side and knock them to detach contamination.
Blow air through the air regulation valve and the flex hose.
Directing the below-roller blowers downwards can lift dust and waste which ine-
vitably settles on the back of the tiles. However, such contamination ends immediate-
ly after the blowers are re-oriented.
In rare cases, and only in double fire operations, the unscraped, under-tile flash
410
Defects
produced by presses with worn punches tears off during the rapid cooling phase
and falls onto the still soft glaze.
This type of contamination takes the form of fragments of elongated shape
with ragged edges sticking to the still molten glaze.
Debris from exploded tiles and the waste produced when workers walk over the
kiln roof or adjust the chicanes and tube valves can also cause problems (but only
occasionally).
Blowing in final cooling is never a source of contamination as this area of the
kiln is already a long way from any molten glaze.
Rub down and brush the door. Pierce the piping insulation at several points and
tap with a hammer and chisel so that any unstable encrusting breaks off.
The rare event of oxidation inside the rapid cooling piping should be monitored
by placing special filters at the consumption points and inspecting pipes internally.
It is inadvisable to direct the above-roller blowers at tiles directly as contamina-
tion does not sink into the glaze and remains very rough to the touch.
Generally small particles which include body and condensate, these increase
markedly in intensity and density in post-gap loads as a consequence of the in-
crease in pre-kiln temperature.
Clean with compressed air, using a metal tube inserted through the doors.
As soon as the kiln cools brush thoroughly.
411
Applied Ceramic Technology
Burners
Particularly heavy duty working conditions can cause the heater to overheat and
deteriorate or wear out. Contamination produced in this manner is then put into
circulation by the fast flame.
Contaminant particles are always small and round, their frequency and diffusion
remaining constant and uniform.
The same applies to excessively long starting electrodes: in this case shortening
the electrodes, thus eliminating the part that shows signs of carbonisation, usually
suffices.
Heat exchanger
Only rarely a source of contamination, usually because of the care and attention
involved in its design. This type of contamination can easily be identified by the
shape of the metal flakes: lamellar with sharp edges. In this event it is necessary to
brush down the exchanger (with the kiln cold, of course).
412
Defects
e) Carbon contamination
Infrequent and limited to cases where use of fuels such as L.P.G. or liquid fuels
results in poor combustion and thus formation of carbon in the burners.
Appears as small black specks, opaque and ringless (without halo).
Regular cleaning of the burners is essential, as is monitoring and correction of
air-fuel regulation.
413
Printed September 2002
by Tipografia Moderna di Ravenna
for Editrice La Mandragora of Imola