Marche Au Supplice (Movt. IV Symphonie Fantastique - Berlioz)

Introduction
1-1
G minor
1 - 2 horns
Syncopated
Cut Common time =2/2 - 2

minim beats
1 - 4 per bar.
(Like a march)
Sextuplet - 16- 5notes in the

time of 4
G minor block chords on divided 'Cellos

establish a foreboding beat
1-3
Dynamics begin
v soft and
2-1
build to ff
3-1
Exposition
Descending theme
3-8
G melodic minor
scale descending
Range 2 Octaves, 2 bar rhythm x3
3-2
Descending
ThemeMonophonic
3-3
Bassoon countermelody
-5
2 bar motif3 played
x3 in
Polyphonic
3-4
rising sequence
From3 -intro!
7
Melody higher on
3-9
Violins
3-6
In octaves
Violas take over - too low for

3 - 10
violins
Repeated but ends

in G minor
4-1
Busy countermelody on Bassoons

5-2
Melody back on 'Cello & Double Bass

Extended this time
Played pizz.
5-1
Other strings playing inverted version - Ascending

5-3
March Theme
6-4
Bb Major
Tonic (Bb)
6-3
Octaves in Tuba
6-1
Rising scale
6-2
March
Theme
6-5
Dotted Rhythm
Syncopation
March Theme repeated

8-2
String scale added

8-3
Ends on F chord (dominant)

8-1
Ends on Bb this time

9-1
18 - 1
Development
2
Repeated crotchets with grace notes

19 - 1
Repeated sextuplet motif

19 - 2
Diminution
19 - 3
Diminution: shortening the note values. Here the descending theme is

19 - 4 (Opposite= Augmentation)
played using shorter rhythms.
Compositional technique
Rising sequence
20 - 2
Rising chromatic scale

20 - 1
Descending
Theme
in G
20 - 3
minor
Tremolos
20 - 4
Enharmonics: C#= Db
21 - 1
Perfect
22 - 1
cadence
23 - 1
Repeated 3 note dotted motif

23 - 2
V - i
23 - 3
V - i
24 - 1
Descending Scale
25 - 1
Antiphonal Texture
26 - 1
Db - G minor = tritone
26 - 2
Sign of evil in music
Descending scale in
27 - 2
triplets
D maj
27 - 1
Examples of programme music in Movt. 4

2 beats in a bar like a march
Ide fixe (represents his love) is played solo to reflect the artist
feels alone before being executed and his last thoughts are of
30 - 1
her.
The ide fixe is cut short by the g minor (guillotine) block
chord to represent the execution.
G major chords and timpani rolls represent the blood thirsty
crowd cheering as the head rolls into the basket
Notes
1 - 1 Aisling Mc Guire's iPad Nov 05, 2013 15:06
Introduction G minor
Syncopated horns
G minor block chords on divided 'Cellos establish a foreboding beat

Cut Common time =2/2 - 2 minim beats per bar. (Like a march)
Sextuplet - 6 notes in the time of 4

Dynamics begin v soft and build to ff

Exposition
Descending Theme
Monophonic
Polyphonic
Bassoon countermelody 2 bar motif played x3 in rising sequence

In octaves
From intro!
Descending theme G melodic minor scale descending Range 2 Octaves, 2 bar rhythm x3
3 - 9 Aisling Mc Guire's iPad Dec 13, 2013 09:25
Melody higher on Violins

Violas take over - too low for violins

Repeated but ends in G minor

Melody back on 'Cello & Double BassExtended this timePlayed pizz.

Busy countermelody on Bassoons
Notes
Other strings playing inverted version - Ascending

Octaves in Tuba
Rising scale
Tonic (Bb)
March Theme Bb Major

March ThemeDotted RhythmSyncopation

Ends on F chord (dominant)

March Theme repeated

String scale added

Ends on Bb this time

Development 2
Repeated crotchets with grace notes

Repeated sextuplet motif

Diminution
Diminution: shortening the note values. Here the descending theme is played using shorter
rhythms. (Opposite= Augmentation) Compositional technique
Rising chromatic scale

Rising sequence
Descending Theme in G minor
Notes
Tremolos
Enharmonics: C#= Db
Perfect cadence
Coda
Repeated 3 note dotted motif

V-i
V-i
Descending Scale
Antiphonal Texture
Db - G minor = tritone Sign of evil in music

D maj
Descending scale in triplets

Examples of programme music in Movt. 4 2 beats in a bar like a march Ide fixe
(represents his love) is played solo to reflect the artist feels alone before being executed and
his last thoughts are of her. The ide fixe is cut short by the g minor (guillotine) block
chord to represent the execution. G major chords and timpani rolls represent the blood
thirsty crowd cheering as the head rolls into the basket

Marche Au Supplice (Movt. IV Symphonie Fantastique - Berlioz)

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Marche Au Supplice (Movt. IV Symphonie Fantastique - Berlioz)

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Introduction

Cut Common time =2/2 - 2

Sextuplet - 16- 5notes in the

G minor block chords on divided 'Cellos

Violas take over - too low for

Repeated but ends

Busy countermelody on Bassoons

Melody back on 'Cello & Double Bass

Other strings playing inverted version - Ascending

March Theme repeated

String scale added

Ends on F chord (dominant)

Ends on Bb this time

Repeated crotchets with grace notes

Repeated sextuplet motif

Diminution: shortening the note values. Here the descending theme is

Rising chromatic scale

Repeated 3 note dotted motif

Examples of programme music in Movt. 4

G minor block chords on divided 'Cellos establish a foreboding beat

Sextuplet - 6 notes in the time of 4

Dynamics begin v soft and build to ff

Bassoon countermelody 2 bar motif played x3 in rising sequence

Melody higher on Violins

Violas take over - too low for violins

Repeated but ends in G minor

Melody back on 'Cello & Double BassExtended this timePlayed pizz.

Busy countermelody on Bassoons

Other strings playing inverted version - Ascending

March Theme Bb Major

March ThemeDotted RhythmSyncopation

Ends on F chord (dominant)

March Theme repeated

String scale added

Ends on Bb this time

Repeated crotchets with grace notes

Repeated sextuplet motif

Rising chromatic scale

Descending Theme in G minor

Repeated 3 note dotted motif

Db - G minor = tritone Sign of evil in music

Descending scale in triplets

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