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Christopher ONeill
Unit 21 Single Camera techniques
Extreme Close up: This is a close up only much more close to the subject
showing much more detail. Here are 2 examples.
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Christopher ONeill
Unit 21 Single Camera techniques
Wide shot: This is whenever a subject or object takes up the entire of the
frame. Here are 2 examples.
Extreme Wide shot: this is typically a shot of the entire location that the
scene is taking place, a extreme wide shot is typically used as a
establishing shot to give the audience an idea about where the scene
takes place, the size of shot can also vary. Here are two examples.
Medium shot: this is typically a shot of a character in the movie from waist
up, usually during a scene conversation where dialogue is being
exchanged. This shot is used to let the audience know what the characters
facial expression as well as body movement is like during a scene. Here
are 2 examples.
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Christopher ONeill
Unit 21 Single Camera techniques
Point of view shot (POV): This shot is used whenever the filmmaker wants
the audience to see a scene from a characters perspective. Here are 2
examples.
Over the Shoulder shot: This is whenever the camera is placed over the
shoulder of a character, usually pointed at another character while a
conversation is taking place. Here are two examples.
Camera Angles
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Christopher ONeill
Unit 21 Single Camera techniques
Low angle: This is the opposite of the high angle, the camera is tilted
upwards at the subject, this shot is used to inspire fear or helplessness in
the viewer. Here are 2 examples.
Birds eye view: This is similar to the high angle only much more extreme,
as the camera is pointed directly down at the ground rather than just
tilted. This type of angle would be used to established scene location.
Here are 2 examples.
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Christopher ONeill
Unit 21 Single Camera techniques
Eye Level: Ths is whenever the camera is positioned at head level, this is a very
natural angle and would usually be used during normal conversatins that take
place during the film. Here re 2 examples.
Canted angle: This is whenever the camera is tilted to the side, this is also
known as the Dutch angle as it was first used in the 1920s horror film The
cabinet of Dr. Caligari, a revolutionary film which used this angle to
emphasize the themes of madness, it is still commonly used in horror
films to this day. Here are 2 examples
Camera Movement
Pans: This is whenever a camera is stationed on a tripod and either scans
a scene or follows the movement of the subject in the scene.
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Christopher ONeill
Unit 21 Single Camera techniques
Tilts: This is similar to a pan only the camera moves vertically rather than
horizontally.
Hand held shots: This is whenever the camera operator follows the action
carrying the camera, this can sometimes work well in a film is you are
trying to get a real visceral feel to the movie, but other times it can be
really noticeable to the audience as the camera operators body will
unintentionally shake the camera.
A Steadicam was an invention that was made to tackle this problem, this
is a piece of equipment that is attached to the camera operators upper
boy, a camera can then be attached to the steadicam, this limits the
effects the camera operators movements have on the camera while
filming.
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Christopher ONeill
Unit 21 Single Camera techniques
Crane Shots: A crane shot s similar to a dolly shot only much handier as
you can film from much higher and difficult spots much easier.
Ariel shots: This s whenever something is being filmed from a helicopter
high up n the air, commonly used as an establishing shot to give the
audience an idea of where this scene is taking place.
Dolly Zoom: The dolly zoom, also known as the vertigo shot, is a shot in
which while the camera is moving backwards it is also being zoomed in
creating an effect which undermines normal visual perception. It was first
used in the movie vertigo directed by Alfred Hitchcock to show the
audience the mains characters paralysing fear of heights. Here are 2
examples of this shot.
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Christopher ONeill
Unit 21 Single Camera techniques