Documente Academic
Documente Profesional
Documente Cultură
How I contributed:
How I contributed:
How I contributed:
How I contributed:
How I contributed:
Set Construction: assembled the walls onto platforms with small castors, and helped mount the two white
French doors
Props Crew: helped bring props on and off the stage
Running Crew: moved long walls during scene transitions to change between the Bennett residence and Lady
Catherines residence.
How I contributed:
Set Construction: helped construct the large cave, which was made out of chicken wire, 2x4s, muslin, and newspaper
Props Crew: helped to store and distribute the weapons in the fight scene; also helped decorate Smaug, a puppet
dragon with inside controls
This is a set I designed for Pippin. This concept is a combination of the revival's theme of circus with medieval
architecture (The castle towers, arched doorways, and arched windows). The centerpiece of the set is a rotating circular
platform. The platform efficiently and uniquely transports actors and set pieces onto the stage.
This is a hand sketch of a set for Cabaret. The set is a transformed warehouse. The centerpiece of the set is a fireman's
pole. To the left and right of the pole are cargo nets for actors to climb on. Underneath the elevated platform is a
transparent drape which masks the orchestra. On the upper platform, there is an exit, 3 industrial windows and two
sets of crates. Each crate is big enough to hold a person. Actors can come out of the crates.