Redefining Dionysos Herausgegeben von Eslited by Anton Biel Alberto Bernabe, Miguel Herrero de Jduregui, i Ana Isabel Jiménez San Cristébal, Wissenschafticher Blrat : Se Raquel Martin Hemandez Band5 DE GRUYTERnerf cones agg nae ta Arete ecrortareakrasbeenepea bratty acaapae ‘inept nomaton er Datacentaneta ipl deabtr a So ‘Acknowledgements “The etna gael to 28 Alonso Ferns for the talon o Els of severl capt apo Siva Pres Caballo forthe eaboratonaf he indexes. ‘Ths rece bas been ued bythe Spanish Government eu he lowing reezarch project: Gsmogonlayescatsnga en ls tlglenes del Mediennes ‘cent eres, deen, proces (HUN005 084071); Camogie Yesctlgia en a Anta Grea nuosy paras cone rene Ones (F010 OW?) sta nics fur del Aca FFOL 181) Uso lipo se la posing: fnmuls, scenes, sero (F202 3367. The confer nce "Redefining Dlonyus" elevated in Maddon 3-5 Febery 210 was aso fue bythe Spanish Goverment (Acisn Camplomentaia FF 2009-06088 EPID)Contents ‘Acknowledgements — Introduction — Jani Bremner Walter t's bons 933) — ‘Abert Bernabe Dionysos inthe Mycenaean Vold — 23 “To Term plo and Donysos Rigg — 28 ‘pole and Dionysos intersections — 58 cause Catan “Hien pou Dionysos? Ledtyeambe comme ome potqu entre Aplon Dionysos — 82 ‘Redaining Dionysos Atens rom the Witten Source: The Leni, lachos and ate Women — 190 Gender ferentiation and Role Models inthe Worship of Banys: The Tracan and Theszalian Pattern —120 Dionysos versus Orpheus? — 108 Siva Pomes Caballero Maen Estas in Gress ato Fiion? — 159 ea AlonsiFemindes Moonee estas a Rome: Fat elon? — 105oats Debi Dini cand Aeon in Erato di Crnto (Un nape iets st P.01y.942509 fooled. 3.8) —200 gut Hee de reg Dinjoas inthe Homeric yma: he Olympian Porat ofthe God — 235, Ragu Mann Heminder NerodotsEeylian Dongs. Comparative Perspective — 250, Paola Cones Dusharand Al alas Dionysos and AprodeinHoredots 3.8 — 261 ‘Ana leabel nde Sn rita ‘The Sophecle Dionysos —272 Under the Spelt the Donan: Some Metre Aspects ofthe anos Alsibats in pans’Bochoe — 302 Saramaias te ‘Thelmage of Dlnyzaein Eider Bacchae: The Godan his ‘iphones —329 caren EcinasReuero Thenames of Dionysos in urls Boccoe ad the Retovca Language Teesias —348 Dinyeos in Olé Comedy Staging of apesimentson Myth and Cut — 366 Francesc Casades atdoy Dianyan ExthsigminPato— 386 Les"Dionysr de Patras: Le mytheet cute de Dionysos dan la Perégas de Pauealae — 402 Adelie mands Dionysosin Eat? Epaphinblonyses athe Ophic yas — as aneotcannte — Doolsotra polinoi ed enotelao:i caso gh lal Ori — 439. mercedes Sper ad Dionyses and Dionysia nthe Tid Book of Mecobees — 452 David Hemdnder dea Fuente Paralles between Dioyeas and Chitin at Angi resus Healings a Nonna’ Dlonysica — nd TheGits of lenses — 88 Fina en tas The Symposia’ Dionysos: A God tke Oureatver — 508 atrial dome ‘Bacchus and Felines Roman Konography Issues oF Gender and Spedes —526 Stéphanie Wyler Aber Hees Dionysos One or Many? — 358 Contours — 583 ‘Ansitictndex — 586 IndoxFontion — 636Anton Bier! hele pred asthe gif heater, The ef reson the show = ht Dionysos in Old Comedy. Staging of bets truth ane erin and le Senora? See rin whieh caning ave anda is epiphany ions Experiments on Myth and Cult Bor, pry ator and een er of help of female moends sh 1 Dionysos and the Festive Occasion eave Menor, the eh hz mire is the sta rama yp wich by weraiment the singed rectal, The how of cens dancing ft Bovis reese 2 Ink © the specter who te become arp Bough esrocl ceiling cron ever inde andes cl aod he theater redaction becomes compete rained peromance Ben sine Dron nation rama enced na al me of Pssst ve oni rete tpt he demos cha Cy Pros, Lexar, Rl Din) The tal an peer ming Gp) rete ste events on see Ie wel ee ta sap a Eanes rind by sess trowneseon? Dionne 3 very ii and create go wo dfs singe dein oni he enompasses pla opposition. Ths we an eared oo al Crpic bone tables ip Os BIOE GANATOE BIO (ife-deat-lie), EFINIL THOAEMOE(peace-war), AABGEA WEYSOE (uth-le)?Thesedchoonies di to sues ~ fhe antitheses been wich e oct ae min-we d-tan/aina,pol-counyei, nda, brond-bome, Oreck Bo rn, ciizaon estar, cams has, yl-vlence, happen Inuphing- agentes, ramulity-mani, nd este) "et Dios eas neler parattbes nar he feqoety ted cine tis oppor, Rater, th siesta upon a leech ber na co ‘eaancng tension, nd both pols are ob understood as energetic that are in pernanetexchage ad Ina dynamic ecpceaton, Thee, sles of oppotlon ate ot ssc terms ba seo be expesenced in La Inv Accordingly Bechet mt only Uh vient, ect and desc owe, ba alo ental iy iw sable the one of oly Scena ‘everson rect esc in my, while phenomena coup cohesion ‘testy, enlomment and happiness are based nel Moreover ions Ir the Other pers However, he eploies ifetence more tan any Grek ety. arthensoe,ionyosisa god inpamanentchange and expe thes to transformations that robe sea in he whole ange of eateporca pt tans main etre sp reas fears ae a wine ed inet 1 wid mature and analy) madnen end tay 2) the onder sth ad nations can open perspectives ona blessed afer so lee; dance, ms, an performance; ) mask and cstune ton ima ‘hn, sino, mac, epiphany, and pence" Due to st he as tens 2 Origins and Reflections on Genre man elightenedphosopher ike Asta lees he rss of omen Dionysia ult” the fourth chap of is Fotis (a 9-20, be eles Be before the geno development tere was» cominonpottye called "the ea Garon ~ a ear Dioyslac and tte perfomance in choral orm ve, by means of improvisation, futher small comle snes of actors Bie. Comedy tens om eubeant choral processions the homo, nd fom Hit songs. The phates segain apical Dionysian fete symboling the B07 of he god. Huge hal and coal songs around the blong to many festivals and have ther place even Inthe tte and vay police {aceon ha set Bobb odio raat veo 3 bon pane ppt. 0855. seems pb me ede shown ah ae, on ihn a hepa eaetn an ety phase, when sual and myth are sth dominant mean aioal society, an mimetic pectin rls enya, the ol sonal fam ean lost nde wh the ges.” inthe eos wors Ggary Nay te ora the genre. Teron, he stv ming at sequence ofiual tons every significant ‘iL Dionysian etl of exception ae dstnguished by pale proces lle wine, fy, ents, ld dane, poten, anos css dressing, al msi Tough he enactment of mythic says and maenads reo, many emi the pj and Asp eler to the inversion of the dr and he etn into teporay top ny wo a inal, Only after the fal wbee con plays a ue excresences are peo ~ withthe lt of ine Sn itoton minoing thee ete ~ des ane eum 0 he sonal pal When the sil fame buco fragile under th ence of ro racy an feonalizton, and when the ols ays over tos of ola al ‘expresion do sce rales of gear ein be eaishs. Ts, nthe Cot of he iy Diy, tragedy, sayy, and comedy evolve Fam Sanam Moreover, although fe Gy Dios eating many element "spresentnton ae Ite roa of Psst and issn, the sae ‘ent ae ntl the naw ot etval- espe el subversive ten ‘es, Dieses as cent poli got himselaso encompasses aspects of obi ‘esonselfexpeson, and hymn lis pie that are norported in he rnamie fom of ral whe, Jo archaic apd. lassi ines, can never ‘pert fom the plital.This ait tendeny ads sexes Js tagey and inthe diya tht doraate the compettens inthe bei alter 59 BCE than fm comdy.? Yet the ene dramatic enseme, the tall ‘sos with the flowing satay and be necmer ome, whose nel os ted to compensate forthe destabilization of the onl interlaton een oexaion and genre and establish lnk fo the apa sie ofthe enes with uch laughable and agressive pefomances, The we comic chorss les the numberof ele sppable for the etry (hee aged aly) 1s fintonal defen of gene, Angelo Bch to combine the intessenlly loys with com an wage I ise wt he Diyas dency of inversion, raged perverts the perspective in an upward direction the here ad subline. Othe contay, by stata of inte, mockery, coon, oben, and pli es, comedy, acorlag Wo Belch, distorts espace it the hase ae aman, ht ft the" Uist Po a 32-37 By beans of su avestns af he noma ode, tae the ter ave canoe tobecone avee ofthe noe a values Dionysos and Camnivalesque Exceptionality si, 14 Comedy ia uc perfomance which developed om excescences ont and ple proceasons songs a the ocesion of Donic fetal, ic We possess ate von nthe pale sng: of Semos 651 PMO)” ar; coma sconce, teal ane coats over othe content the J we lo, de Ste, however, ae put fers opinion whch ty shaped by sil istry a ot by ery or ela concerns, She ns that Old Came has nothing odo wih Dons and witha at al tthe comic actors ee po, ots and bears witout ce gh, who “So othe fm whoa any chara enter wih ant in romeo the erate al biger stat of society. Tas & an intereting Dut comply fon creates a ind of compensation for te ear tendencies of ravi ive vole which does not comply withthe Dison conten of he extn sevounes, hat be eno 9 oly wh comprehend the to eso ‘snd fragmants of OM Cady” Stat’s detached views etd alin fe Eft othe communis pin wich is nrmaly based om heres ori ‘ter the intone ate ply ston 500 BCE. comes nell Proton an analyse ofthe comets teres. no thf aun ee Cy Dias as ae asin 87/86 BCE, ed een ‘sound 42/3 BCE in the Laan Tht the reason why the enue coud on vith ual fesvls eclading all ther crvaleoue and aschaog ‘ements as been nana ste perlamadve ame boul ted270 — ioe Donen oo amet Sage stapeimetsen thant Gat — 378 {conten that Ol Comedy celebrates the miraculous nd bizare inversion ait poms by laptg bck in ant, pmol tage of ciation. 0 czas oF relatively iat inecrporaton int the teat ago cold sec ‘amie prtrance aia i sl nd atonal crater mh ons ‘withou dubs, besides lis lyfe, he luge of camedy sve a well. And trough his negative dimension, Dionysos als linked mbivlent comic heating Infants and grotesque comic boas Fin nung cetly thas, amb ecw, feb, ecstasy, wld Sto a jourey nto an eer whieh sl eomialy ened to 3 animal behavior, archaic ata chaos, scenaro of the under and ‘word. From hs temporal al spt rain of fleece he raws powe a hwo, pal lling dance, masks coring the whole body with dis apocts of ling tes of deine.” The ‘peat taspareoe Tete and ach more. The ambos i based on tes of festivals of In hoor of Demeter ad Dionysos aswel Othe postive sie ofthe ie Dlonsan petra ae ral dl, are, opr of golden ase, fod, en, ety, spose, omg vegetation opulent Ite, commerce bappy endings, aris, sx and eel, peace and ih choral dance, and beau muse. In Od Comedy, one side always testo collagen oppo. Acordingy, he lie wpa sound ‘ssh a thing a sion or suspense fast Ad in soch fata teperments, the comic Rgues can act agaist he ws of probably and Coma = sw ss basic god Dionysos isbased on he carvaesqe. Th the ocasion of exceptional ionysan estas and the conten of many ad Intent, The only modem study by Keir Ru dected to the oni, no Diner, seems 0 he rather one aided and ie derived fom the Boca -ecrtigy, Ris cance the Dionysian since ofthe come one ys ewok of fear here Verant and iting with a xed pater af eons ead, The coaking snd wlent exchange tansirmed fo comet rn which oe part wants Dot down the oter in an aggresive and steal wa. Thsthe pn ofan, facia, a orsine ae enced Bets conic tage. Then, the terol to deh sed by other monsters ke Bees (a, 25-305 to, Alert acess peng to Hades, Dionysos ste ponte, her se of Hades, te vam of he eusinn ates Pbscngusieaby sop kee onesin« proceso, The pote snd negative a acted out dalagues ox chal ene. Te eit lay especialy tpt wi apt scenes wl the ago, baad by te 22 Nee cast can ats pal ee Mt Bboenaizaon ofthe yeahoN, the permanent tanfomaton ad thot Cleese mr ieee pln eh ever liereat ane sees Therefor, the adlence confor wh ‘ce in yi Lei ib py Blonsng change between exenecondns, Ths aovenext lone char: STE Sy cv aone can Ses Pg... et Bono msl, 36 Ca ani b's os 9, ht ae ei ee Ione rar acon of Bron nh wl tne pal 3 Sh 204 psn nee hs tate och eo ln es uc tance, a lhe pods 0 (2) Fratton oan i pan is374 psonten Donia Caney Sagal tpemensontyhandcat — 35 5 Dionysian Traits in Comic Heroes, the Blend of Personae, and the Potpourri of Mythic and Ritual Elements ‘hs ott fous contest between the taping, whee Dionysos tener god sudecy press, canbe interpreted sea exchange of Bo tween conte monsters and dead heroes. BY abst repocating comp renrary and Independent concepts, Ascylos and Eurpdes sc out ‘ecilitan betwen oppsing codons. The ply culminates in the aba ‘eschysDanyce inver even nal de completely. A silly ncongrent ove of two figures taka place also in Cin Dianslesandas PCG Vf 3-51 K- A), ost ly pene a the Lena "90 BE. Acoding tthe armen in P Ory 66, Denys pays the oe as who, according is nate, decides in avr of Apri and ert ‘he famous mya gment on Nount a, There, be abducts Hale ocyece Beats Uke a coward again Heider and becomes iovie agtormton go arama ylcal Dnysansenicalaimal, Now thet Fare Alnander anes whose role ha ben crop by Dionysos and dete "in, The Tj pine fel pty for Belen and eps horas wie, sera sens lonyos han to Gece gether with is noms of ays nail ocysts ldo wt aero Prles nly he ulus behave ‘tthe iy general who as over the demos aa eid way. Now Gjevuto choral song reenact the ais of comey. Moreover symbol) i his ingoious police that wes tinged by love afr ane call any fhe come here and gure portly ovedap with Doyen, to. For pl, te wineower Trae, Phloeon. Deseo and the tagedlan Figution isthe Thesnophorazsaepataly coincide wih the go of thet, eu grotesque dang bet, whlch serves ahs alata the lyon svn sy homonyny assole withthe antares, the speiealyDony swine veel the Achaea, Diceopoisisitrwoven vith the gd of amy hh let of Dionysos al Bante ane compose ae, y Way Busi pis, tbe aro pocues the peace wine, the coneetton ofthe iowa, and is hus able to sal pate pce treaty or Binet The isa eure rane frm the itt the dens, pall oh ple proces bn ofthe Rural Dios permed on stag. In heharoe, the eo estas name a th begining of the Ploponnesin War ae mock, Cony Ropes the aggresive chorus of Achanin chatbumes, who ebay 2 soma tags, Diyos appears ineany other plays onthe comic age ans wel imo! peopl" and host ghost. Fo thls confotaton he partly ‘eat deri te ots ous eases of rata and astaphan, Bis inte persona Telephoto] and thesia mimesis he ps is ‘amie ionyos ows alvaysacran typology: hes debauched ton on the blk er bonowing the beggars out rom Burp, he pays ‘ae siaplenladed bagga, whos boasting words tm at be pe Bi amous hing of Mia who, Ike Dionysos, sa frie aswel s Grek gh hls playing he cn win them om bi se, Frtarmor, the Trl theory and eling aswel as the yt of Orestes ae ede int the coding to th pieye the rek descended ing of Mia is wounded ‘ew ois covorce. Ths, anos seams ona ace as 2 come char ‘tye in ap Piano PCG Ve, 26-285 KA) in Pas Ado VIE °8 KA), end In Amspsa’ Apolo (PCG E15 Ki} del Gj sis, wt btlevos that bo ha landed a Troy. Klspropheied to the oded Telphus th oly the one who fice he wound on him can hel Therefore, Telephus finaly wavls 0 Argos; ated in begat’ ements, oar ba ot 1A anne Das nts CW 1-8 eh ll [rnmense appeal n topo eps eae ars ee316 — sonnet be prensa be an alee enemy of Teles, and with a Weilantspeoch, Ne Gnfond hms an te Trojans aed wit hI sts he ten aes Thy Oese asa hoage ad testes hin a the aia wih Swot, 3 Dreopots neatens the basket o nal (r ch 525-54, © etre Aches Through hs anling, Teephas becomes Daye of hs homeland i ‘aia Mine, nce e now proms o lead the Gres 1 Toy in cu ‘inner nthe chamcaric manne of he ganze, thee ster 2 cnt ‘ous avon a lason wich uns acorn the rules of probity oe ‘Suspension of able? nor do act figures wih a fed personality, bu sl ‘yplelly Dionysian mode, hey ect Beneon zens perforate rls ‘pnanae~ en te post ca appropiate neo fan. the nd mach {he genta jure on se and marked as bcos mons, acted outs ‘mi cote ina of Deaopoi wh cle the Dinan Ansa a ‘symbol of the newly exit peace wth an sbundance of wio and st “hehe perspec hil agin om the Rural nya ae the dees bck ‘he ity tthe cent ftal, The bro amounoed as the winner of (hos, he lina athe carivelesgte inversion. On th atcoant, be enact ‘ere inking n bolton for whieh Orestes provides the mia model Sia faneouly he i ested to Dianys mse, to some dere, who ates is temgle a he swamps and celebrates range wh asians ~c the cn level ts I conveyed though rote aventre wth hetaees. Finally oy ection, amas ears fom be mila oerton, bt nw be ‘rei sei with els of Teephus. Both antagoais, who embeat ‘ety war ad peace, anon eck oter ina det copes an p te way. Ae Tels apis by Dinos because be hed neglected ct in Mis by blog caught ina vnebranc stumbling and thes bs ‘wounded on seg by Aches, othe me wa he neal becomes inured Fale while jumping ove a eich a he eats ping. Dleeopls on i ‘Sonny, i won wine the pie of asoasmas, 2 eee cm ‘hoping ona wine, The cntast of antago staged in Dio fashion cai Haledostpe of poston entangling with each ‘nd yetaneny popping up in nee constellations. To some deze, Lame Sand Diaeootisemblsae Hades apd Dionysos as well Aes and Di so Ye 3 we have ntced above, Dionysos alone encompass the om tine of death a ee wall a wat an pce. Moreove, many etvals and singe tual elements as well as mt provide the Bacchic hack: {pound of an aestetic and elaborate theatca ply i ange pate. The omc pod: jraposion and bending fer te abled pots complemen ay persecivs on pullin damecrey whee the sing eae per. xy drawn betwee ber, sown des, nde const sci The Anthesteria as the Dionysian Master-festival in Comedy, and Plutus Antes, the Dionysian fetal of ereptin with ts temporary solu of somal oder can stay azcount fora Kind of fee woe for & erable number of istophane play. Thee, an oes oa of excep thecal ofthe Olympian gods temporal suspended he tmpes ae and series nterupted On the atop ve of he accompanying 5 the resent Oympan gods of owed by an ole dine generate. rod ets tts ngs, and poral chaos epaes the present oer of cute and an cvtsto, Al of is preset noms and value ate pay sas araran primitive eopes hat once ule oer Athenian compe back oesore Wee power. nthe itl, mashed grote of le, ly thevomorpie ftys and similar gres rampage ts the sted otic thes. They laugh, bel ar of boos, ake an of he peopl, cna lent manner, ange around begging abusing, and blessing These rs fret the past re fate assorted with woplan way of He, which plans and fod gow aulamatealy, men do 20 ave to wok, and piven pace ately Cronus Sem ohare come bck or Bi erantan races 0 replace Zeus and priv hia his powell here ene then nal hese myo taal exgresions of tpi thee Hs deep lence “utopia (no place) becomes ambiguous, a place betwee “x (goat place) ant ‘sop Cplce of distortion). Fal, people dive raked bands out ofthe cy. Chaos agai gives way te perma ns 1 One muy ota. state theo om. Be 8,15 ener Grip ions rae ee abs 85 eo Fe ‘See ah ua WS 2) wo epee atta tt Pr Anes str of eepon ne ai, innanptanr a Pt 05 08 — saben mses Oi coety Sapnestemeonensenyanaca — 379 ‘rasion fm tot canson toner, men rent the orgs of cation “heal proces eared by psoring eye of oemorny and ty eli ow the Hecht syst of ear me, and guds develop. By way falling bck nfo ater of wines ap ard, the Geeks and oter pepe ‘paeion hives and norms and experiential way wth the tn ‘Se prpatceof ti cltural este, As we have sen, the aso tthe Anthesteria become expt nth chan, she ftv ao dec fr te understanding ofthe Br ‘hare ate seve teleenes 1 the yore and the pot determin by te serial ke hough which 2d he Opin re nced to abaton fn the end, a sacred manage Is celebrated wih estima. Yet the tas traci ls four in Peace where te Ohymplan gods have to wi "rene fs ntl lyon), and a sarod mage sake again the even A sina patina the plo ss matt inthe Rigs (yt of aces ‘Gon of the ld orer wih & new order rejueaton of Demos and wand ‘eu othe od) te us (Apaston of eu; confi beeen the ol a) ‘ew religion inthe Wasps he conic ener father ad Son conespnds| the bate of laa young dina, he generational conf aco nay allot the ane generations) and nthe regs. ts lay ‘gon betwee the ol poet Ass andthe rae poet ape i stegthene tithalluslons rome conten of te confi te divine eneratons, Meron Dionysos, nhs sncaryév Nw, descends ino the under an ‘hecld, cht power of Aseyls back othe eat. ‘On hs fl the allusions ote Anteseri becorse paral const of Fun. in ths nt ply an the verge to Mle and New Comedy, Ise ‘oreation beeen the character of Gain, is oustanding eles ave in ‘ay ad te atest edo ofthe wes rns thi estval of ens. a ‘ore the mann Caron might be signet at de Antes If we tak count the proverbial yng Wp Kes, ob Aveo atthe ee of festival, tm ny opinion, Caton i representative of he so-called Cais. oul bain pope wo Led in Aca foe Athenians setenen Saves, bttrian rine frat, and etenanceatal phat (pe later vatian) become srctraly equivalent ening for Calon, repress the ‘Othe for the Aeien here and ow. Thus, Caio i menber of 0 aan Give wich nul rena asad wd egs zarblng ‘ets f Athens Cron epsents becom of Ps comic de sameow ‘spears ike sure of he ferme comic hero. Trough Cain, stones screeds in emainngn Old Comedy because eis thoy characte oh ay to ils the expecta ofthe ere, ache hamor ofthe sally based ‘eve, Wi him mad, we undersand why he appears nto dé ad smsing th il abe conneced wth wine deh and confit, Tas pls fr Caron, fo, and 0 some dpe, be acts kee Diaryian sty. Tae estate prods, which exes have mostly fore beeaise oft indecent ontnt sa masterpiece af conic cho ons recalling the Arstophene tad este Ofysean sting eal primordial pas bef the inodacton of pntestantal elements of eultize. Cat, the ete of Polyphems, acts Ot he aterm of win, the event that the teste ily rena evry year The whole scenario 4 moro the ambivalent utopia tat going to be established later on by Caron and his ellos a he et of Potton 23}. The mytle par encompasses the ambiguity of te Conan golten ag clang eter the noon of welt ad plenty onthe oe ie ond death. os and uncrrdtts on the ohe. In Plas, arate anton fare on the basis of he Antes a2 od of exception: aus and the Olympians are ousted by means of aii caneate into a aptaliti Worl, Zs fad ental an fcc Sys of Merry and scifi muiton by revesing an edt ed aid ys of vay. coding, he shu of he ut people rom welt nord fake hem vec afesings because he alin that oly the morally goed bes woald Scie anyway. By he aonale he achieves a permanent ft fearces. nes othe comic oi, seis eaten noursment ods Zeus ad haded Pause acorpaition sod vice persnieaton ot th because be was opposed ots mean pe. Aritopbanes Mul He pos the provera indnes of wealth in arn and sl Hate on te mative ofthe eyo eu, te oad veg Bev 85 (8 nla nto acon Thus, the starting pon i ht ality, he us reise Zs i by penile 2 word upside doen, fre uns. Crenylss Inve attr the sbweson ofthis reality ~ eth Aba become eh the jt poor - the unas eine of Zs ean be ose. By reining eit an rerun os xg tats, when could ray the poem ith i, nthe long un the entire population would become stand veh, bese hist persons would hve a eee to hang thr more ae a fdetotakea sarin tbe common wealth, After al ts mea unpan ream. 1 rian wotbefre the dominio of Zeus when mankind lea pe ie, shor the et to the golden age, when men dd ot have work oe he ing, bt fod was provided automaticly. Tis opin respective ndecat he gai signs dat are associated with the prierdia mes before te 1 One nao andsw wither tei,‘rvesion of vin. Te subversion of paved realty afterall nothing bute word pele own ras tothe second per. The pple bete wore stale by Caan and Cece unde te domain of tea tu cut He ‘ghtnae. There ae mmeroo ins bony Maga us den negate Compe: esd ony cal the spec of Pei, de pesolcaton of pore "he patpans of tans of exception, fo the pectators of ome, igh ‘ave bangla when the pero of hao instability woul Be owe bef the atemps rehashing tA see view on the Dionysian i ofen tore in the say play, af haveshowa or example forthe fanousfagmnt of Penna 8 Dionysos and Choral Dance in Comedy oro the comic chores fro own actlonsin the acest non a the heater god and die © Dionysos na mu ore quent ad artclte ‘ry than In waged nthe pe song of coral dance inthe Theamoporizsae [t7-1000), the ora fers only thsi own yee movement whut ino. orang mys as exempa. A he en of the son, the come chorus Sialy jes thar activity en mythic Dionyror aes hasan the mortals, By he action ofthe choral dance, Maeslocn # appronated othe perspec of the women a the Thesmephaa wh notional actual teint stats en they were on the verge Between main and women. At thls plat in he om pla, tts very snl o Dionysian songs tragedy the eco change hs lc, nt othe female rs on he esol adie, hen te ast but not Kast, ke ie raged, dhe choral singes use Diyos ad he neo hit rom the ton ofthe ply ino the pesmi and ae es, pd eye tere ane xno o Ate” n the aistope te purodos of Clouds, for example, the chral dances ip the ole as ey rears paie the Ati estat main the mystic view and where It bappens in Ele, blessed peonle promenade bly procesns. Finally, thay ng abu their own festive occasion ofthe Cy Dina, whee In pingtine vah/apa) the pesoeaive choral cure of rama competion takes Hiace~ ple Expr Hepa yp] eel re yopae tactiquere | xa je BapifpgogeiNay (31-33 Tpleall the enter end Inet faes ep in rferencng thir own performanes, do choral dance i honor af os 7 Dionysian Webs and Sign Patterns: The Outburst of Energy (te oer and the refronc tothe pastvy come cul of Dionysos fe ‘seria a expo of spel oy el mersnen. Morava, enti passat cat be ule pen Dionysian ptr Win, ual, esti, sexcality, ad race fen sere a ouster nage of the venta wort hat edn bp elite snd mary actions (ee Acari, eae 8 whole od of Dba sli sgn cers to penade he Pace in paral. "The ape boaches te sue ofthe erupon of Denys energy in he fr of dance and vent, s aniacal low fr he jd sytem, Plo Crabodies en archaic and Bionyeian component of sca way which ao ‘emp stay, suppres of etucate Therefor al ofhis b's efor tecompenente him forthe ous of ue funeons wna pve inedton in the smposiun ae doomed fof. nthe end ae wate sacs gn ‘Copeely drunken, Pielem shes abot, fends all surounding tins fd takes the eters rial Despite cae, be eater is epbei pias and the antidote nthe Komos He labs own people, ego Irving, moc, an baka te ound of he nom. At he very oa il dota, Dionysian energy explodes and beaks fe on eg. acted al nated dancing conta gist wageins, th ons of Crcins, the sl “Gabe ad aly come anna, ne wild and whiting body movenent te becomes the embodiment of Din, he ehatc ey of sane tat egull ‘enthig Rese Dionpsin tt as erp ga nace way ‘Osc nn pal ee May 1c te ube mi he9 Conclusions cf ming all esing sens together and his energetic ote ae spt sete by comie dance an pay. Alinal comedy deeply rod nt od Wehavescen that he wef Dionysos an Dionysian sigs in Od Comedy basa without understanding hm is imposeto understand he gene ery ice ange ar om unabaing inal Volts who, in acorance wih "he famcusobtiv mpd tv Aéwoor lZendius 5.40; Sua 9 806, cm hat Sama patent togey ad ven comedy, ha ating to do wih Diya "hope tat ave howe ht comedy has alc do wih bm ~ ths 3h rd ‘ie adinooy sar flo speculate abou orgies ad possible Dinan pla prota og beta oer vl of exception stand at th ery Denn, e that cifras layer in ad merge inthe new orasion of Diy ss, efaty cena for comedy is Donsee excels. Te of ton of fetal exception tat fen nthe ea of ion, Conts, a ere ior inthe plays themselves, In Done cceason and range of seins, comedy pats uopan and ancl experineats on stare. The txcepional ocason with beaches of norms, aggresive eran of nial tceniy, ad ockny ofthe gs ds paral! nthe ambos, Many Gr tes nate bene two sds, Yet it i alter ll ientos who encompass {npestns tater tone anther ina very pointed way. ince hes the geo 2 fae personality with allo is wandoroatons males him eal sitet Faction pect ign foc ply nents and metathesic expert. Incomedy tis partly ls ccating nature tat eet in the charac inte of the ene. Te pambitic penne the agent, tel expt ‘mean the ako sn, the mallee plo, he constion of ami Troe a omit ures wh ue dfeetpersonge, and much more hae a {nto odo eth Dinos ‘swe ave se, OM Comedy he od can appear an elude cn geo he coe hero en const of ferent Dionysian fats o ie “teebie, othe ot can be composed of sve elements of Dinan tl rivals orp of esas. Te crate god eaponabefora poets cpt ‘work and distortion ofssembling and eesenbling agente pats ad fc Paraic and parole drawing on aucortatve dsoatses. Maree, the rcompasses tebe aspects ie lees, eth wa, easy, ad bet transgression as wl as poste sides a wine, sex un, od, pose, wll ‘ing meinen, ey and luge. Ande Dionyan fur te ‘onthe bay ane ody factions above al the pale and the cowl Hs ab Abbreviations Af ass ast is Pte om rae 2 1,2. EM on Boma od, pn rp itu eons PE, rs ae aah ee Pot Comte. 2% 2, YM, Se owen o-t0n bane). Pen nec 3, Lane 87-2007 sb Lage) te lean. atop: er de nar. 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