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These chord shapes are the ideal solution for jazz guitar chord comping (accompaniment)
Root on 5th string
3-Note Voicings
T
A
B
Guitar
GMaj7
G7
Gm7
Carlos Viegas
Cm7/G
C7/G
CMaj7/G
3
3
4
3
4
4
3
1
3
2
4
2
4-Note Voicings
Gm7
G7
GMaj7
Gm7(b5)
Cm7/G
C7/G
CMaj7/G
3
3
3
3
4
3
3
4
4
2
3
3
4
3
1
5
3
2
5
4
2
NOTES
3-Note voicings for m7 chords from the above examples are the same as for m7(b5)
chords, because these m7s are 'no 5th' chord shapes. This is also true for the Cm7/G 4-note
voicing with root on the 5th string.
*Please note that the 'slash chords' presented are chordal inversions.