Documente Academic
Documente Profesional
Documente Cultură
UM
ir
Pub
'
red by
Felipe Solis
Solomon
R.
October
15,
13,
Guggenheim Museum
The Solomon
R.
ass stance of
CONACULTA-INAH
4ACONACULTA
This exhibition
2005
in
INAH^
is
acknowledges the
gratefully
Guggenheim Museum
R.
la
in
itituto
Banamex_
S^
~^~~~
Citigroup,
Televisa
Additional support provided by
ucvirn
j^
PEMEX
Federal Council
made
possible
in
part by an indemnity
from the
GRUMA,
ALFA,
aeromexico
United States
in
Embassy of Mexico
in
the
U.S.,
in
e 2004
14
Instituto Nacional
The Solomon
All rights
R.
reserved.
321-7 (hardcover)
ISBN
ftcover)
ISBf.
."-nheim
107'
de Antropologia e Historia/CONACULTA.
Museum
Publications
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)128
Art Publishers
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floor
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York.
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York.
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Contents
Introduction
26
Felipe Solis
Art
in
18
Traces of an Identity
Beatriz de la Fuente
T.
Sanders
70
Mercedes de
la
in
Garza
Man and
His
Cosmos
Felipe Solis
100
Origins and Forms of Art
in
Felipe Solis
lin
The Olmec
Ann Cyphers
Hi
Teotihuacan
Linda Manzanillu
121
Tula
Thejemplo Mayor
/
280
16
at Tenochtitlan
284
Aztec Religion
168
288
The Mixteca
178
Axis
Mundi
300
The Huaxteca and the Totonaca
194
Felipe Solis
Boone
310
The Tarasean Empire
Phil C.
Weigand
Aztec Society
Tarasean Art
222
Nobles and
Michael
E.
Commoners
Smith
The
230
Everyday
Michael
Fall
of the Empires
33
The Conquest as Seen by the Mexica -Aztecs
Miguel Leon-Portilla
i
Life in
E.
Tenochtitlan
Smith
3 12
The Spanish Conquest of Tenochtitlan
250
FJownsend
Catalogue Checklist
264
351
F.
Berdan
Bibliography
270
The Population of the Mexico and Toluca Valleys
Perla Valle Perez
Preface
THE VISUAL NARRATIVE UNFOLDING BEFORE VISITORS TO THE EXHIBITION THE AZTEC EMPIRE EXPOSES SOME OF THE
appeared
tragically. In less
and
imposed
in
life,
as the
critic
Paul
Westheim has
alliances,
and established an
solid agricultural
far,
lived in
in
level
system and
intricate
skills
written.
Nourished by the cultural legacy of their predecessors, such as the Olmec, Teotihuacan,
and Toltec peoples; imbued with the wisdom culled from subjugated provinces; and
enced by the craftsmanship of the few peoples
who
defied
in
influ-
their
wide range of
dis-
art.
The comprehensiveness
who
sacrificial
refer to friends as
It
la
its
victims. In stark
"perfumed flowers."
Solomon
R.
Guggenheim Museum
in
New
When
material,
its
it is
all
Mexicans.
who spoke
approach to
a full three-
dimensional conception of form." The dawning of the sixteenth century brought with
of the Aztecs, but their brilliant and powerful creations remain and
fall
will,
it
the
to paraphrase
Westheim, prove impervious to time and the notions of space and subject matter. Their songs
resonate-the remains of the Templo Mayor, the fragments, many colossal
still
an
art
whose
disquieting beauty
filled
Central Mexico.
Sari
Bermudez
la
in scale,
of
Preface
HUMAN
CONDITION,
IS
may seem
it
where
historic
and
and
forms, myth establishes the distinctions and boundaries between self and other.
the place
It is
life
in
symbolic dimensions.
and
intersect.
frontiers
Myth
a specialized
and even
origins, impulses,
community; as
Imagined personal and collective destinies imbue history with meaning. Immediate
reality evaporate.
ter in
life
It
life
final
chap-
the war and sun god Huitzilopochtli and his people, which was established at the outset of a
long pilgrimage to the land that would
ning
in
become the
in
toward empire,
to
ous peoples over the span of mere decades. This same mythology, which had
attitudes and
cal
military campaigns,
inevitably
And
it
explains
the return of Quetzalcoatl, the deity they fatally supposed was incarnated
in
conquistadors.
As
ensuring the celestial being's dominance over the nocturnal elements and continuity
daily course.
hegemony
in
humans and
in
its
form of
originally a principle for social cohesion, also provided the outlines for an extraordinarily
original aesthetic.
final
in
is
New
York's
museum-going
marks
themes, following
and feathers.
public. In
terms of the
cific
number and
in
skins, paper,
It is
civilization to the
time of
first
The mysterious interplay between the objects and modern perceptions imbues them with
'
In this
own
is
a sign of
contemporaries.
its
Banamex
Citigroup*
BANAMEX
IS
VERY PROUD TO PARTICIPATE AS A MAJOR SPONSOR OF THE AZTEC EMPIRE EXHIBITION, THE MOST
art
Banamex was founded in 1884, its history has been closely related to the history of
Mexico. But it has always been much more than a bank. With the conviction that businesses
have a social responsibility, Banamex has participated in many activities that go far beyond
Since
financial matters.
art, social
its
cultural, social,
and ecological
Banamex
celebrates
its
Mexican art and culture. At the same time, sponsoring this superb exhibition at the
Guggenheim Museum in New York is part of an effort to build bridges of mutual understanding between two countries whose historical relationship has become increasingly close
in
economic and
to
taking the best of Mexico to the rest of the world. Consequently, the bank
port the
Solomon
leled exhibition
collections
in
R.
Guggenheim Foundation
Manuel Medina-Mora
presentation
in
New
delighted to sup-
York of an unparal-
in its
Televisa
TELEVISA PROUDLY
and sharing
Mexican heritage.
Grupo
its
Televisa
is
on
its
largest
in
countries
ments. Televisa
in
is
also involved
live
in
satellite
COMMITMENT TO PROMOTING
four networks
ITS
in
in
Mexico.
Much
of this program-
and cable
entertainment.
Fundacion Televisa focuses on enhancing the nutrition, health, and education of children,
responsibility,
is
also
committed to preserving
is in
bition at the
we
Guggenheim Museum
civilization.
in
New
York that
will
shed new
light
on
a magnificent
I
\
^
i
7^
f.W.f*
Team
Project
Guggenheim Museum
Executive Staff
Sam
Lisa
Zainek,
Deputy
Director.
.'ator
Director,
Green, Cabinetmaker
as Krens, Director
Marketing
Marc
Deputy
Steglitz,
Director. Finance
and Operations
Facilities
Anand, Director of
Brij
sneral Counsel
Ian A. Felmine,
House
Facilities
Electrician
Finance
Amy
Lighting Designer
Graphic Design
Marcia Fardella, Chief Graphic Designer
Conservation
Ransick Gat, Project Conservator
Leslie
Amy
Construction
Michael Sarff, Construction Manager
Legal
Development
Anne Bergeron,
Marketing
Director of Institutional and Capital
Development
Laura
Miller, Director
of Marketing
Photography
Photographer
Hillary Strong,
Cecilia
Peggy
Julia
Public Affairs
Coordinator
Publications
Coordinator
Managing
Elizabeth Franzen,
Graham Green,
Editor
Manager
Edward Weisberger,
Education
Gail Engelberg Director of Education
Pabk)
am
Meghan
Editor
Exhibition Design
Registrar
Coordina'
Paula Armelin,
Proji
Exhibition
Management
Retail
Ed
Ma-
Leonca.
i
i
Security
i
abrii
(it
Security
ation
Visitor Services
i
opment Manager
la
Cultura y
Artes (CONACULTA)
J.
Enrique Norten
Meejin Yoon
Tim Morshead
B.Alex Miller
Shuji
Suzumori
Carl Solander
Museums and
Fernanda Chandler
Exhibitions
Mariana de
la
Fuente
Angela Co
Catalogue
Management Consultant
LANDUCCI
Lucinda Gutierrez
Juan Alberto
Roman
Berrelleza,
Museo
del Templo
Mayor
San
Francisco";
de Tula "Jorge
Design
Arturo Chapa
Acosta"
R.
Museo de
Photography
las Culturas
de Oaxaca; Museo
Michel Zabe
Enrique Macias Martinez, Photography Assistant
Mitla
Prepress
Arturo Chapa/Landucci
Maribel Miro, Centro INAH Estado de Mexico
Museo de
las Culturas
INAH
Eugenio Mercado, Museo Regional Michoacano
"Dr.
Nicolas Calderon"
Editorial Coordination
Felipe Solis
Vicente Hernandez,
Martelva Gomez,
Miguel Fernandez
Felix,
MNena
Koprivitza,
Gerardo Jaramillo
Virreinato
Contributing Institutions
Claudio
X.
Cultural Televisa
Carolina
Monroy
del
Estado de Mexico
Martin Antonio Mondragon,
Museo Arqueologico
del Estado
"Dr.
Roman
Pina Chan"
Banamex,
A.C.
del
Museo
Meejin Yoon
New
Brooklyn Museum,
New
History,
York
York
The Cleveland
Museum
of Art
Library
and
Washington, D.C
The
Museum
Field
Fomento
Banamex
Cultural
Fundacion Cultural
A.C.,
Televisa,
Mexico City
Mexico City
Museum
The Metropolitan
Museo
Museo
Museo
Museo
Museo
Museo
Museo
Museo
Museo
Museo
Museo
Museo
Museo
of Art,
New
"Dr.
R.
York
Acosta," INAH
Roman
de
las
de
las
de
Sitio
del
de Tepeapulco, INAH
City
Pachuca
Museum
National
Museum
Washington,
Peabody
D.C.
Museum
Cambridge
Philadelphia
16
University,
New Haven
The Solomon
Foundation
Honorary Trustees
Solomon
Justin
in
Guggenheim
Perpetuity
Guggenheim
R.
R.
Thannhauser
K.
for
Ambassador of Mexico
to the
Peggy Guggenheim
Honorary Co-Chairs
Honorary Chairrnan
Lawson-Johnston
Peter
Sari
la
Antropologia e Historia
Chairman
Peter
Lewis
B.
in
New
York
Vice-Presidents
Wendy
John
Members
McNeil
L-J.
Stephen
Swid
C.
Wadsworth,
S.
Jr.
Domingo
Posy Feick
Abraham
Director
Dr.
Thomas Krens
Carlos Hank
Secretary
Jaime Lucero
Franklin
Rhon
Edward
Manuel Medina-Mora
Rover
F.
Raul
Muhoz
Leos
Federico Sada G.
Trustees
Peter M. Brant
Julio C. Villarreal-Guajardo
Gail
May
Martin
Henry
B.
List in
Koch
H.
Thomas Krens
Peter
Lawson-Johnston
Peter Lawson-Johnston
Peter
Lewis
B.
Howard W. Lutnick
Mack
William L
Wendy
L-J.
Edward
H.
Vladimir
McNeil
Meyer
0.
Potanin
Frederick W. Reid
Stephen M. Ross
Mortimer
D. A.
Sackler
Denise Saul
Terry Semel
James
B.
Sherwood
Raja W. Sidawi
Seymour
Slive
Jennifer Blei
Stephen
John
S.
Mark
R.
H.
Zambrano
Gruss
D.
Frederick
David
Lorenzo
Engelberg
C.
Stockman
Swid
Wadsworth,
Walter
John Wilmerding
Honorary Trustee
Claude Pompidou
Trustees Ex Officio
Dakis Joannou
David Gallagher
Director Emeritus
Thomas M. Messer
Jr.
II
formation as of August
1,
2004
City
Foreword
AND
AND
culture of the Aztecs and their contemporaries ever assembled outside Mexico. The Aztecs,
the nomadic culture that dominated Central Mexico at the time of the Spanish Conquest,
mented culture
in
City,
in
empire during the fifteenth century and were the most docu-
in
exhibition presents the extraordinary works of art created by the Aztecs as well as by the peoples they conquered,
this project
is
Mesoamerica.
in
nonetheless
is
the scope of
primarily devoted to
temporary visual culture, but from time to time we have presented major exhibitions
focused on
classical,
Exhibitions
art.
like
(1996), China: 5,000 Years (1998), and Brazil: Body and Soul (2001-02) have given us the
opportunity to explore
vision of the
broad array of
Guggenheim, providing
artistic traditions.
contemporary program-
ming, while also reflecting the context from which today's art has emerged. The Aztec
Empire,
like Brazil,
develop closer
in fact,
ties
Guggenheim
Latin America.
Academy
on view, and
When
instantly
visited the
show,
in
New
stunning
be
York.
It
quickly
became
Antropologia
in
Mexico
City.
Dr.
Soli's,
in
When, soon
met
Sari
show
its
Guggenheim presentation
of Arts, London,
is
ambi-
exhibition transcends the stereotypical portrayal of the Aztecs as fierce conquerors to pres-
ent their
many
positive achievements.
is
in
City.
Excavations of the Templo Mayor throughout the twentieth century, but especially since
1978, have yielded a rich and significant trove of sculptures,
works of
art
first
in
Mexico and
will
its
and
be seen here
and
artifacts,
The exceptional quality of this exhibition reflects personal support and cooperation at
the
my
first
Bermudez, she has proven an invaluable champion of the project. The Aztec Empire is organized with the support of the Consejo Nacional para la Cultura y las Artes (CONACULTA) and the
Instituto Nacional de Antropologia e Historia (INAH) of Mexico. In her position as President of
CONACULTA,
on the
project's behalf,
grateful to her
and her
was instrumental
coordinating pre-
in
liminary discussions, and his successor, Alberto Fierro. Director General for International
Affairs,
Director General, Moises Rosas, Technical Secretary, and Jose Enrique Ortiz Lanz, National
Coordinator of
Museums and
Exhibitions,
was the
we
are appreciative of their constant guidance and cooperation. The Foreign Ministry also
supported this exhibition through the good offices of the Ambassador of Mexico to the
United States, the Honorable Carlos de Icaza, together with Cultural Attache Alejandro
Negrin;
to the
we would
like
my
extend
New
in
We
personal thanks
who
York,
provided
Elizondo Torres, Secretary of Tourism, for his steadfast support of this project. Our gratitude
also goes to the Honorable
Anthony Garza
U.S.
Jr.,
Ambassador
Jefferson Brown, Minister Counselor for Press and Cultural Affairs, Marjorie Coffin, Cultural
Attache, and Bertha Cea Echenique, Senior Cultural Affairs Specialist, of the U.S. Embassy
Mexico
in
New
principal of
York, the
Guggenheim has
TEN Arquitectos
(Taller
firm that has altered the face of Mexico City, as well as the international perception of
its
founding
in
was joined
1985. Norten
in this
effort by
J.
Meejin
Yoon, architect, designer, and educator. For The Aztec Empire, the designers introduce
gle bold design
scales of
a sin-
classic
wool
felt.
The serpentine
new
wall creates
it
wall,
absorb-
spatial experiences
along the ramps. By focusing on the experience of perimeter and periphery, as opposed to
the center, the project
accommodates the
selected by
ticular
Dr. Soli's.
curatorial
in
themes of the
New
and par-
York.
The exceptional collaborative experience of the project extends beyond the efforts of the
curator to include the scholarship within this publication.
approach and
academic standing enabled the inclusion of scholarly essays by eminent Mexican and
authorities,
who have
assistant,
We
we
In
U.S.
addition to
are indebted to
more than
sixty
made
in
is
museums
in
These complement and complete the curator's portrayal of the Aztec people and provide a
greater awareness of the riches
we
are indebted to
them
in
for their
listed
elsewhere, and
The complexity of
ization
in
is
all
its
particular the personnel listed in the Project Team. Special thanks also
Steglitz,
spectacular real-
Deputy Director
go
to Lisa Dennison,
for Finance
and Operations;
Karen Meyerhoff, Managing Director for Exhibitions, Collections and Design; Kendall Hubert,
Director of Corporate Development; Marion Kocot, Project Manager; and Mariluz Hoyos,
Project Assistant, for their steadfast professionalism on
An
sponsors.
In particular,
to the support
project.
this
In
art
Officer,
and culture
must be thanked
In
for his
Banamex
We
to this project.
commitment
in real-
Cultural Foundation;
and
longstanding. At Banamex,
Gil,
and dedication
creativity
whose commitment
Televisa,
is
addition,
Hermelinda Caceres
all
magnitude could not take place without the generous support of our
exhibition of this
makes
it
addition, Claudio X. Gonzalez, President, together with Mauricio Maille, Visual Arts Director,
all
commitment
we
are indebted
to this exhibition.
Muhoz
to Raul
Leos,
in
particular,
Director of Administration, for their dedication to this project. The Mexico Tourism Board also
together with
Guillermo
Ohem
Northeast Region,
Ochoa,
New
we
most thankful
are
team, Alejandro
his
Director
for
Muhoz
to Francisco
Ledo,
We
Ortiz,
J.
Marisa
would also
Isabel
for
assistance,
with
special
thanks to Augusto
Lopez,
Director,
much-needed
trans-
President
Marketing and E-Business, and Maricela Moreno Cardentti, Advertising and Corporate
Image
Director.
made
We would
also
like
we
Division,
like
portation
Chief Executive
Head of Promotional
GRUMA,
ALFA,
Finally,
are grateful to Thirteen/WNET for media support allowing audiences to learn about the
it
is
ments of
in
due to the
tireless efforts
Guggenheim
is
aesthetic terms as well as for the sophisticated and hierarchical society they represent.
Thomas Krens
Director, The Solomon
R.
Guggenheim Foundation
<^~
J
ft
Introduction
ntroduction
/(///'
Solis
THE PUBLIC HAS GREETED THE ART OF PRE-HISPANIC MEXICO WITH ENTHUSIASM AND A SENSE OF
wonder and awe, as has been demonstrated by the tremendous success of exhibitions presented in the world's most cosmopolitan capitals since the first half
of the twentieth century.
In this
exquisite selection of objects for The Aztec Empire, which re-creates the splen-
dor of the
final
momentous
occasion.
Among
monumental
historical processes
and
shell,
lifestyles of the
All
of
peoples and societies that existed alongside them during a glorious period of
wealth, power, and majesty.
This exhibition
comes out
in
the art and culture of this final chapter of Mesoamerican history, the basis for
in
in
the
order to provide
expressed
in
various societies
Solomon
the
styles, as
R.
in
Guggenheim Museum
will
traced through the so-called international style of the Late Postclassic period-
evidenced
in
some
became
consolidated around the time the Aztec empire was established. This style
is
means, through which the different indigenous peoples could recognize one
another and participate
they
may
We
in a
common
artistic
trust
extraordinary experience
in
When one
different
there are
The
contempo?
many precedents
first
occurred
and
in
for
ic
from oui
its
forms
between past
such an undertake
to understand
>urneyed to Me-
re's,
a dialogue
indigenous art
some well-known
I.
Xi
If/'
^m
Rear view of
cat. no.
and
its first
decades as
ancient cities
a republic.
ruins,
in
monuments, and
rare
and mysterious
Among
the most
in
famous accounts
objects,
all
of which
their footsteps
and to
world of the Maya; and the works of Guillaume Dupaix, which were unfortunately
published very late and thus had less of an impact than Stephens's works. Dupaix's
writings provided detailed evidence of Mexico's
ticularly in the central region
phy of
travel literature
which primarily
detail
would
later
Humboldt-a pioneer
himself had obtained
we
Finally,
located
in his
in
in
some
pieces,
in
European
of which he
Mexico.
first Mexican museum,
Autonoma de Mexico, where the
first
City.
libraries
par-
1790
in
Mexico
in
City's
in
the atrium of the cathedral, were displayed. These include the enormous sculpture
first
monument
to
to
the urban infrastructure of Mexico City; and the Stone of Tizoc, originally called the
Stone of
Sacrifices.
was during the nineteenth century that the pre-Hispanic world gained exposure
through the publication of superb etchings, while the phenomenon of archaeological
It
was
in
their activities
governmental oversight, the objects they unearthed eventually enriched the museums
of their respective countries of origin, where they were considered the creations of a
distant, exotic,
the
exhibiting
for
now
minting
archaeological
displayed
in
and
its
pieces.
to
obtain
more space
It
was
1866 from
historical
was
in
of coins. This
first
in
baroque palace located along the southern side of the Palacio Nacional. The
versity to a
significant event
in
in
1888
in
The construction of the gallery had been motivated by the desire to create a protective
outdoors,
embedded
in
among them
reliefs,
altars,
city's
Metropolitan Cathedral.
museum had
collected to date
and
vessels,
period, that had been discovered underneath the modern capital and at other major settlements in the Valley of Mexico. Aztec artworks and archaeology thus regained their
visual
related cult
K M
S&
/
'
/,
'*
i
t
*
2.
Coatlicue, front
Aztec, ca.
1500
and
rear views
*v%.
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^H
f<
objects,
lost
Mexico-Tenochtitlan.
International validation of indigenous
Mexican Art
of
Modern
art,
until the
New
York,
was the
Museum
at the
in
collab-
in
outside Mexican territory to bring together artworks from the three major
first
periods of the country's history: Precolumbian, colonial, and modern. The exhibition
Alfonso Caso and served as a guidebook for appreciating the most important treasures
of ancient Mexico.
It
was the
museum
first
art,
New
York.
It
was
felt
not only by
new
to
triumphant invasion.
museum visitors
among Mexican intelPrecolumbian period, which were now
was devoted
space, which
of appreciation
level
in
Mexico
who had
for
1946,
in
in
the
indigenous creations.
Museo Nacional
first
exhibition
space devoted specifically to the art and culture of the Aztecs. The gallery was intentionally
named
with Tenochca
and Aztec, has been used to identify the people who founded Mexico-Tenochtitlanwith the actual
of
tity
all
name
Mexicans. The Mexica Hall thus established our most distant origins of
national identity.
Many were
introduced
Fernando Gamboa.
In
to
Mexico's
Precolumbian
tingent of works,
in this
to bring to
tion,
which traveled to
Gamboa
art
New
in
New
drama
of pre-Conquest
art.
The
For the
art.
most varied
to experience Mexico's
first
artistic expressions, in
an amazing collection of
pre-Hispanic works that offered both specialists and the uninitiated an opportunity to
explore their elegant forms and profound symbolism. The event triggered
interest in the indigenous peoples
who had
enormous
The
a
section
of Robert
1947.
United States.
first
Woods
Dumbarton Oaks
art,
Bliss,
commemorating
in
1970
the institu
Washington,
the
D.C., in
extraordinary
1962, of
collection
at the Metropolitan
rst
in
exhibiting
for
at
Precolumbian
to
Museum
of Art
was
in
New
York,
used as a pretext
in
the
The
first circuit
City,
period
17,
own
was based on
its
Chapultepec Park
artistic
specif-
Mexico
tectural
ing of the
in
city's
ically for
a highly
cultural region
advanced archi-
and archaeological
who
in
the
those visiting the museum. The gallery's location, at the end of a long reflecting pool,
was meant
this
on the
built
islets in
magnum
which was
monumental dimensions
in
to
imbue
the space with the character of a temple. The height and volume of the exhibition
nave,
at the
front of a white marble wall and set on a marble platform, thus transform-
in
After
its
identity.
attraction for those seeking to learn about the richness of Mexican archaeology,
especially
its
expressions. The
artistic
In
many
was without
led
museums
with
were dropped.
later
now
other
international impact,
many
in
to the
art,
in
made
extraordinary archaeological
Its
researchers continue to
Mexico's
first capital.
1980
In
unearthed
a public
at the
eager to learn about and enjoy the discoveries that had been
las Bellas
Artes
in
Mexico
made
in
ple.
first
of
number of
numerous
Including any
was the
These exhibitions were noteworthy for the sheer volume of artifacts displayed,
some
being
In
shown
Civilization to Japan,
we
sented
in
artistic
public.
The exhibition
now
where
it
was
pre-
selected important
in
storage, hidden
in
the
Glanz und Untergang des alten Mexiko: Die Azteken und ihre
in 1986, brought the art of ancient Mexico to Europe and
Canada, highlighting works of the Aztec world. Art of Aztec Mexico: Treasures of
Tenochtitlan, presented
in
share
in
them the
Museum
in
Mexico
of
indigenous development
final
Art,
in
last,
the
was
pre-
own.
its
its
Museum
of Art
in
Centuries- later continuing on to San Antonio and Los Angeles-was organized once
again around the holistic concept of Mexican art broken
As
ods.
its
sites in
Chichen
In
Mesoamerica:
into three
Monte
Alban, Palenque,
Paris,
peri-
Tajin,
El
a selection of
quality from
artistic
exhibition
between 1990 and 1992, providing the public with the chance to view
exhibition
main
and Mexico-Tenochtitlan.
Itza,
the
down
all
was
by international
hailed
critics
museum
as a microcosm of the
in
first
de Antropologia,
many
acquired over
museum
undertakings,
we
developed,
together with Professor Eduardo Matos Moctezuma, the exhibition Aztecs, which was
presented
in
2002
at the Royal
assemblage of
a large
its
Academy
exhibition
in
unique
critics
Tutankhamun-lo be presented
its
it
event
identity.
Treasures of
popularity
was presented
a rare
among
specialists
Germany, where
the
in particular,
was
from
colonial codices
in Berlin
in
when
and Bonn.
it
alike.
traveled to
European
in
the
first
new
presentation that
half of 2004.
These are the signal events that have preceded the extraordinary showing of
The Aztec Empire,
now on view
at the
exhibition focuses
on the expansion and culmination of two powerful empires: the Aztec and the
Purepecha (Tarascan),
first
of
made
better
known
half
is
the Triple
emerging
city-states,
of
headed by
regions of Mesoamerica.
It
Nahuatl. Moreover,
it
reinforced
its
preeminence through
common
language,
its
artistic
language
During the Postclassic period the most highly prized of metals, gold, was considered
to be a material originating
and
in
its
nity to
come
face to face with the most important collection of gold jewelry from
in
artists
More
significantly,
The Aztec
objects the essence of the world around them, their culture's creation myths, and their
people's close relationship to the sacred universe, with
all its
dualities of
life
and death,
r\
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Traces of an Identity
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/ uenle
Mexican
art
is
Through
manifestations
its
it
who we
to eliminate the
it
came
ITS
its
art
we
is
in
summarizes and
fertile
are.
To
try to
most
are.-Justino Fernandez'
Through
artistic manifestations,
human
this
and even
Mexican culture.
images. Such images narrate stories of times and places both near and distant.
Not
all
we today
of art-historical inquiry from the inception of the discipline; only two centuries
now
separate us from
its
beginnings as a
field
When
of knowledge.
was
art history
building an underin
It
meanings of such
sufficient to recall
for delv-
objects.
titles
in
paintings at Lascaux and Altamira and ending with the European and United
States avant-garde. The art of Asia, Africa, and Latin America
best included as an appendix
when
was omitted
or at
in a
in
narrow Western world became aware of the vastness of human expression. Thus
horizons were broadened, and
it
began
In
its
tory,
many non-Western
The "new" forms were different from the familiar and accepted canon. For
this reason,
related questions
now
viously unimagined about the people who created these works and about
historical
and
information, changed
in
in
demands
among them
incorporated into V
objects produced
'se of this
in
iman development.
the eon
theii
decode
considered within this sphere, their history had been long and eventful, yet
iok centuries
01
acquired a
preeminent place
in
Mexican
and
art,
is
It
and comprehension
common knowledge
that
in
who
arrived.
As
a result of the
Conquest, Meso-
and abundance of
diversity
ture,
still
new
its
creations.
Through architec-
sculpture,
became
a fertile field-
lines, colors,
rhythms,
in
acceptance of non-Western
worldwide
and
art
to gather
steam
among
new
Precolumbian
art.
In
cosmological messages.
it.
art,
to grasp
vacillate
still
we have
recent years
we
1991,
isolation
sity within
indige-
other contributions.
its
in
how
centuries-long continuum,
in a
the
in
in
nous
led to
vision, a true
inclusion
its
in
new
This
historical-critical
art.
is
between
perspectives and
art historians
opened onto
Today
was recognized.
witnessed
original
its
mean-
religious
its
and
non-Western peo-
art of
art.
How
this
The development of
of non-Western
Hispanic
art,
describe
its
its
A good
thread to follow
in
Precolumbian
art
is
mexicano (1972).
the past by
means of
art,
genous Mexican
saw
He found that
falling
this
artwork
between wonder
critics:
those
who were
who
in
in
Longevity
compar-
The voice
of
Manuel Gamio
to reconcile
in
(conter
among
all
ancient
overcome
in
art,
but
under-
among
the difficulties
possible
is
if
we pay
attention to the
to the philosopher,
from
allows
it
to belong to
all
which
in
times, to be understood in
it
all
epochs,
re-created. This
back
its
creation, as
is
if
there
the case
is
for
H" presence of
and the
is
and Etruscan.
it
in
shadowing Surrealism.
tation of
wholly focused
interest in indi-
spite of
some
art,
over. Therefore, in
of the
froce, the
the times
rise
Post-Impressionism
in
priv-
on the symbolic and religious ideology of the works, overlooking the matter of
well to
is
revaluation
fright, praise
It
led to a
and
art.
modern age
in
about the
modern
which
meanings.
In his
of
art in the
art,
a novelty
art
is
in
either
Mexican
or universal culture.
is
ol
no longer
Precolumbian
identities.
its
existence
time
in
lies in its
an expression of humanity.
"I
am
pronouncement that
in a
we
Indeed,
munication;
it
serves to integrate.
selves individually
we can
In art
and together, as
recognize our-
if in
com-
nuances of
may wound
objects
advance
in
it,
movement
is
stopped
far;
produced
art
in
Mesoamerica, Mexica-
forms, as
if
time. They
in its
risks.
The
limits of
in
Although
their
Mexico-Aztec Art
forms and an
a wise handling of
it-
the
In
first place,
reliefs require.
forms of Mexica
the round
we can observe
Second,
in
As
art the
perhaps
basic
in
groups defined
by
Mexica objects
art,
of
type
their
of a creative people.
is
into
fall
human,
figuration:
made up
texts,
and metaphoric
a perfect equilibrium
Once
"artist."
gods
artist
order to
in
went
fulfill
teach others about that intimate dialogue. The goal was to preserve the status quo, that
verse, by giving thanks to
is,
and
in
countless works
ceramics, sculpture,
scripts, silverwork,
With
and
its
in
lapidary
and
different
art,
Mexica
art acquired
force
was grounded
line
between
manu-
distinctive note
Mesoamerican
ically
its
its
an unquestionably
art,
specif-
represen-tations. This
In
was
itself in
eternal gratitude
human
essential.
mon
art.
geometric figures:
we
start
quickly
It
is
come
in
art
speaks of the
known
outermost
its
ring).
we can
rings,
ollin sign
(which
that converge
in a
that
is
cre-
its
relief
circle, like
way
includes
the
is
glyphs
another
ring,
encircled by a ring
is
representing
the
twenty days.
that cross the borders of the circles. The outermost ring consists
one another
in
fire
serpents,
being
stone.
in
that lay on
works spoke of the people's connection to the future of the cosmos, and the deified heart submitted
vital spirit
some
discuss only
Surrounding that
the thin
be
architecture,
painting,
literature,
still
textiles.
this foundation,
in
mediums:
will
between
types.
Among
who was
believed to live in the lower part of the cosmos. She can be seen
carved on the bottom of many sculptures, hidden from human
sight but omnipresent to the
them. She
is
like
gods and
Folio*
Musco
N..
in direct
is
contact
invisible to
humans
but
lies
noteworthy
arms and
and disheveled,
curly
is
The
divinity's face
sometimes
teeth.
is
down on
sometimes human,
is
This divine
common
it.
It
fire).
The sign
is
Coyolxauhqui.
among them
who murdered
the brother
In
is in
opposition to
life
is
in
who
is
unique to Mexica
as
her,
this
is
if
art,
rock,
it
terrible,
in
whoop-shown
life,
rendered
in
life
night, light
Coyolxauhqui
open snout.
women-goddess
who
the
is
is
victorious
is
the
is
defeat.
in
who were
entourage. Yet she does not prefigure these warriors; for her
and
feline
ers, snails,
who
attire.
Her figure
all
It
feath-
feet. Skulls,
is
mother
them within
herself.
to
abstract concepts.
in
communicating
cosmos
in
stone.
and
life.
vital
its
It
conforms
challenge set
own
through the
ollin
stone, the
Mayor
us harsh
the
cosmos
in
We
is,
from
Mexica
Huitzilopochtli,
xiuhcoatl.
is
muti-
a relief
at Tenochtitlan. In the
As
curly, as
is
it
with
all
the
gods of death and the underworld, and they are dressed only
skirts.
With
cats'
in
like feline
air.
moment, not
before.
It
was
believed
that at the end of the fifth sun, they would descend from the
life
cycle
comes
full
circle,
from the
creation to the end of the universe. These deities also delimit the
may
act.
Other Deities
The gods seem to comprise a single system, to which elements
may
in
of the
blades
to space
them anew,
the
universe.
in this vision
is
is
part of Huitzilopochtli's
tion
Her image
overall.
It
addi-
in
warriors
sky,
a result
like
fan
identil
or seated on
their
is
shown nude,
air
who
exposes
flowers.
who
from having given birth numerous times and her breasts have
It is
is
yet
Tlaltecuhtli
small.
she
to
image of
within
relief,
ges-
of her clothing.
ical
Templo Mayor
with
another sculpture
In
In
fallen
a knife,
sticks
of
full
her head.
is
legs open,
quechquemitl
(a
and
a skirt. Her
head-
dress consists of two tassels that hang on either side of her face;
she wears a paper fan at the nape of her neck, typical of the
deities of water
are
and
fertility
shown by changes
in
Mexico
City.
particular sculptures.
corncobs, she
If
is
If
she
Xilonen; she
is
walking, carrying
is
two
pairs of
or covered breasts.
manage
Chicomecoatl.
metaphysical attachment to
Mexica sculptures of
women
are
is
Males
or
in
In fact,
always goddesses,
of no interest except
in all its
all
to
mouths
style.
variety of attire
old.
and marked
human
face.
narrow
lips,
and mouths
may
showing
reality
made
of perishable materials,
appeared
hair,
and
the
faces;
is
and
finely
repre-
ho
takes
of the
sented.
bird's
it
side.
If
composed
is still
monkeys
steps.
art,
Otherwise,
enough
may have
may
human
are bold
Without
beak.
monkey,
Ci
fully in the
In
and adornments
at'
is
features of
specific
in a
ate images of
of expressiveness, a
in
kind
its
body's
the
concentrated
in
is
Mexica
opposites
life.
never
countless variations.
emotions
ot
life.
The representations of
to
doubt, the
Mulir
ul
ll.-MI
We
static,
in
may
the torso
be apart from
masks-shouts,
Instead,
is
as the toltecayotl
his figure
is
costume of human
skin.
Another
in
is
in
easily recognized
common
subject
is
by
his
Xiuhtecuhtli
is
adorned with
ears,
worn
at the
In
image of
fall,
and with
on
a pape,
some examples he
is
bearded.
who
emphasize the human face or head. These are masks that follow
the canonical features discussed above and are identified only
Ehecatl-Quetzalcoatl
smoke and
Totec
in
Xiuhcoatl.
ogy.
Some
Wind
for
from
calm-
reflect the
con-
link
in
human
the
a mythological zool-
or
emotions.
recommends.
is
nothing silent
humankind
and nature.
Among
encountered above,
known
tip
of
is
its
snout.
Its
body
and tongues of
trapezoids
in
fire
serpent
Its
head
distinctive,
is
terflies
selves. Tezcatlipoca's
form, another
his
fan
life
its
stillness,
them,
Xiuhtecuhtli,
through the
many
life
ness,
templative
Likewise,
all
is
represented as a scrie
in
a triangle
the burning
tail
are
human
relief
made
its
tail
there
is
and
in
is
shown
in
water-with that
war
cries.
little
they can
as
pull
The ahuitzotl
is
also
out
let
their having
in
all
A magnificent
came from
tive
It
solidly
section.
in this
ears, the
ments that
link
to the
it
gods of death by
it.
flaying,
This
It
feet
its
has ele-
such as
its
another threat-
is
Plants
In
and Animals
spite of this
cial
care
flora
same proximity
to visual
Mexica people's
duce
Living Mortals
In
great
wood
doubt about
for
sculptures
show the
molded
or are
in
many
them
or
modeled
in clay.
model.
reality
in
essential
took spe-
still
in
human
Mexica sculpture,
their
in
mimesis.
who
in
unadorned short
hair
reinforces their
is
are barefoot
in
and
parts of
They
mastery,
plebeian
status.
if
What
if
Mesoamerica was
what
is
fundamental
in
from
their production
desire.
this
identifiable by the
is
placement of
in
human
work of
art,
the
warrior
were overlooking
thinking of his
is
eloquent
upcoming
in its
models. Overall,
real
containment of
battlefield
is
if
qualities,
another eagle
framed by
common
a bird's
figure's arms,
their
color
locust.) In
is
flea,
insects'
suggested
red for the
resemblance to the
originals.
little
Among
in
type.
like
is
body
is
play eyeteeth. All these elements, along with the body positions,
now
most
it
that
Its
jects portrayed
at
whether coiled or
alert,
dis-
be found
and
in
made
with
vital
that
paint covering
impulse of that
will
force, as
and confidently
he
stone.
stems
therefore
fruit,
under-
victory.
is
as a
it
in
in
locusts
amplified
essence,
way
other
in
unequaled
the figure
is
suspended
in
and convex
divine revelation.
The few depictions of elderly figures known can be distinguished by the wrinkles lining their faces. The torsos of some of
these sculptures
show
clear vertebrae
and pronounced
ribs.
Indeed, their backs are bent, either because age or physical disability
many
experiences.
bespeak
Figures
of
Templo Mayor.
itself
and of
its
role in the
their
lines
areas,
shows
cacti,
plants.
fine,
colored
The purity of
captured
formal
in
in
M<
betv.
2l
Tlatecuhtli.
<,
Human and
Union of the
There are
many
the Divine
historical
Stone of
is
same
On
complex iconog-
its sides,
in
and zacatapayolli
(eagle vessels),
gather
sacrificial
On
blood).
(balls
is
emblem of
the
on top of
cry,
nopal, as
Motecuhzoma
Carved
New
Fire
was Motecuhzoma
in relief,
ll's
ceremony.
It
the government
is
Motecuhzoma
is
are
on conven-
governments' con-
we can
Motecuhzoma
numerous
is
I,
shown on
will
them with
glorified
it
deities they
'd
was
lim-
them. For
this reason,
their
gods only
toltecayotl,
is
Quetzalcoatl;
it
is
it
a
is
victory
cry.
the
is
It
It
is
what makes
it
There
is
no room
for
doubt
in
in
Mexica
art;
confidence
mages of
s
will
be
Tizoc
and Motecuhzoma
I.
Overall,
ire
in
is
the
and
in
Mexica sculp-
community
force of
life itself.
Undoubtedly, beyond
is
most impressive
is
its
its
for such
which
is
message,
Mexica
all
we must
art,
put aside
especially sculpture.
all
Western prejudices
communication. Mexica
self-referential,
what
own
language,
Its
forms are
strive to
In
of
for eternity.
life
express a fatal anxiety that could be controlled through the revelatory dialogue
beliefs,
that,
into refined
works that
later,
the dialogue
formed into
um
is
vital
and
once
human
still
still
bears
fruit,
making us participants
in
art to
universal.
dominant Ehecatl-
remain
art
Mexica
profound
mon
cities.
of the gods
who
and
sensitivity
great
repeated
hair.
ited
the
Moreover, the works do not interrupt the space or time that sur-
by their
lively col-
see con-
attire, particularly
purposes of domi-
existence.
its
throne.
the truths of
tell
established itself as
it
for
literature.
Mexica
in
monument commemorates
a
II,
described
is
community united
nation and to
by side with
living side
Tizoc,
now. Give
people
e art
To Felipe Solis
Notes
1.
Nacional
2.
Autonoma de Mexico,
1972),
p. 9.
3. Ibid.
4.
Cited in
5.
See Beatriz de
Memorias de
George
la
Fuente,
"El
arte prehispanico:
Academia Mexicana de
la
Madrid /Mexico
6.
45.
ibid., p.
City:
Kubler,
la Historia
Academia Mexicana de
la
Un
siglo de historia," in
correspondiente a
la
Real de
79-100.
Press, 1991).
de
7.
See
in
ibid.,
la
el
de
la
"El
Mexica
is
p.
europeos
del siglo
vol. 3, El
City:
840.
the proper
popular usage.
Fuente,
la
arte prehispanico,"
name
name
Aztec, however,
is in
"S
lsjv*
*&
H
.
5V
'*
H
HVA1.
T
V
mi
Sanders
IS
Sierra Nevada,
las Cruces,
maximum
hills
to
sea
and on
the southeast.
in
in
floor, in
The basin extends approximately 120 kilometers from north to south and 70
Before the construction of the Gran Canal, the basin was a closed hydrographic
unit.
into
summer
rains
Colonial
documents
such as
artificial divisions
to the south
many
as six (based on
dikes),
Xaltocan-Zumpango);
flowed
sometimes
refer
all
a chain of lakes
at the center
(or
(or
(or
Lakes
Lakes Chalco-Xochimilco).
Lake Xochimilco was located 3 meters higher than Lake Tetzcoco and drained into
it.
Because of
this outlet,
it"').
it
In
all
was
year,
fresh
and covered by
float-
was
low,
The average contour of the shore of Lake Tetzcoco was 2,240 meters above sea
although
between
this varied
from season
to
was
is
year.
sharply seasonal
in
in
is
concentrated
May and
in
the
months from
decrease sharply
in
October,
and October
1.
common
and
May
The inception and closure of the rainy season vary considerably from
/e,
in
the
seav"
streams
havi
is
canyonlike
cul
vigorous and
beds,
called
Mean annual
slopes. Rainfall
rainfall varies
in
from bas
650
to
n Flooi
to adjai enl
m 500
750 millimeters;
in
to
600
the south,
Details
Codex, also
la
las
cosas de
major ranges,
there
little
is
is
common
droughts are
in
the southeast.
in
com-
Considering only
the basin
out
is
mean annual
rainfall,
soils are
is
in
(in
many
where
is
basin,
maize cultiva-
texture,
is
low and
areas doubled) by
irri-
soils are
meter or
less deep,
higher rate of
transvaporation.
contour
level.
strip
There
is
economy based
lie
is
partly
its
last until
upward
is
true
October
much
or as late as
April.
damage,
last
as the
seem
more
to offer
is
is
combination of a
Above 2,800
With respect to
in
soil texture,
in this area.
for agriculture
based
ideal for
the former
soils
do occur
in
latter especially
in localized areas,
have
soil particles
colder,
conifer forest
nutrients-predominate. These are notoriously poor soils for agriculture and are a further factor limiting the
of agriculture
is
in
upward expansion
the region.
vegetation of the
have
completely removed
from the
it
peasant occupation.
belt of
is
in
the south
meadow
or tundra
and
the
finally, in
southeast, snowfields.
number of
reveals a
its
uti-
by a farming population
September
local elevations
lower than
in
is
exceedingly precarious
was probably
and
is
on graz-
limits the
rainfall
tion
is
between
of nearly
of the basin
It
are the
even where
but
plain,
1.
of natural vegetation
his primitive
technology
(in
mod-
fertilizers,
fal-
frosts
is
Most
soil
soil
maps
grouping called
major
they have
great natural
fertility.
ences
in soil
jltural productivity.
rela'
vario'
soil
ire
where
rain,
soils
stant effort
risky as well.
is
Much more
important
soil
charac-
2.
was required
Without
to erosion,
and con-
regime was
in
and
retar
difficult
ns,
and crop
a
plus internal
In
the central
loss frequent
number
irrigation,
basin, the
the south.
of areas, springs
and the
were available
for
perma-
for
heavy expenditure of
use,
systems required
labor,
intensive
land
summer
Since the
in
was
a
amounts of
donment of
agricultural lands
tion decline
soils,
head start on the rainy season, giving the plant more time
for
4.
between
Furthermore,
adequate moisture
land eroded
grazing lands.
What
in
in
and
1521
on spring flow
What was
highway system
ural
in
linking
all
especially
Furthermore,
salt.
freshwater
the
islandlike
artificial
Lake
gardens
called
in
Above 2,600
to popula-
subsequent conversion
their
1820 enormous
is
two systems
in
is
the sys-
in
the Valley of
in
to
like alfalfa),
one could
was devoted
irrigable land
to
that,
based on the
was 2,000
from permanently
average
irrigated
(1,400 kilograms per hectare for the alluvial plain and 1,000
5.
tion,
The considerable
6.
amount and
and
spatial
soil
with
position
all
distribution of rainfall,
As
but
it
problem was
irrigation
from
this
we have
is
and
be 1,000
liters
were used to
flow of 580
per second/
irrigate
liters
fifty years.
was estimated
to
In
per second.
the successful
much
In
6,193
liters
the
implementation of spring-
Zones
in
X and
XI
lie
to XI in
cited
1962 was
Zone
is
irrigation systems,
system
limiting
tribution,
in
in dis-
variations
would have
development of
hectares)
and trade.
local specialization
to
clay, obsidian,
maximum
sustained a
in
was planted
the land
liters
in this area,
and
rainfall in
the southern area of the basin and the higher elevation of the
lake floor,
was
fresh.
flow of water
50 percent of the
in this
in
liters
Zone
per second
bringing the
VIII,
With respect to
liters
show
to below
greater
400
liters
month-to-month
per
vari-
spring
flow,
including
the
major
spring
sourer
much
of the
than previously.)
the
was the
piedmont).
In contrast,
an extensive
Following page
Adda Brf
1*1
MfoJita
aa
&
Zones
and
II
(the areas
III
endowed with
flow of 1,142
per second
liters
in
1962.
In this
lakeshore. Approximately
In
addi-
adjacent to the
all
Zone
is,
IV,
on
basin, a
combination of
artificial
endowed with
also well
is
899
per second
liters
in
in
the
We
have roughly
would be
institute's
little
(In fact,
were included
it
the
in
comparable
is
used
is
hillsides.
down
rainfall in
approximately
fall, is
:4:10:5. This
means
that
an area with
in
1962 (19
shallow
liters
soils,
even
is
it
in
VII,
the
flow of 572
development of
liters
per second
in
system
in this
was
area
in
permanent irrigation-that
ence that the
Tetzeoco springs.
we assume
fall.
The winter flow would have limited use for agriculture. The
a large-scale irrigation
evaluated above,
is,
same purpose as
would be very
high).
the
likely
irrigation
two and
If
in
increased by a factor of
ond. Of
per
this,
second-flowed
second to
liters
irrigable land
we can
observed
the zones
all
is
function could
this
not so
much
storage
for
be used
fall,
spring
the
What
is
supplement the
water storage
than
would
growing season,
fields are
coy'efe,
down
in
which shallow
pits are
the subsoil
excavated
in
with dry
in this
humid
soil.
The
pits are
then par-
irrigation,
it
In a
is
rains
this,
at
some
difficult to assess
1963 publication by
much
or
of the rain
falls in
in
this,
4,704,000,000
and
in
irrigation.
such
is
small
Furthermore,
unnecessary
irrigation
most
Mexico pertain
the
lakes.
to
intervals,
was
the
widely spaced
6,71
In fact,
irrigation
meters
to
in
since
fall
and an additional
the moisture.
50,000
that
estimate
is
We
planting.
technique of water
two
maize pro-
100,000
52,000 hectares.
for
to
Summer
Central
Plateau,
Mexico
however,
enhanced the potential of supplying major urban concentrations with basic goods. The Spaniards
scale
of
canoe transportation
in
were astonished
and around
Map
the
at the
city
of
Use
OTHHB
miLILIEY
M'&XW
if
1 2&3.-MO
Off
Reference
Rirrrr and Stnrtana frtrrnniai pmrniR*
tttnu'tiSTUSt ''/~
m
m
Bn./him m ttrt abnrr Jta Lr-et
.
nuuuiw
""
tn f*<tlt
BTotg
7*** rruv1
" drawn
rt-u
A*
'Oirt*
fr**gmA*1
Art I>\*1r\W
y^Z.
Tenochtitlan
of traction,
in
all
1519.
In
goods had to be
carried
burden
single
its
Above
bearer's
above water
diet.
fish,
In
consumed
development of
a drained-
especially the
grows
In its
technique by which
plants,
which
in
periodically to fertilize
around each
plot.
height of
stakes,
that
much shade
sion of an enclosure.
is,
as rafts of
soil
grows
mud and
is
due
to
aquatic vegetation
it].
Some
[a
as
level,
type of willow
its
vertically]
in
they
soil
[i.e.,
4-5 meters.
intervals of
densthat
difficult to cultivate
Furthermore,
taken
is
embedded
[i.e.,
to irrigate; the
it
in
lirio
which occupy
lake],
mass of aquatic
it
they raise
in
sections of the
and consists of
large areas,
swampy
low
amphibians,
all
until
level.
is
from the
directly
agrees upon
row
is
to the marketplace.
field
chinampa was
that a
What everybody
and nar-
a relatively small
plot of land,
was exceptionally
fertile.
This
artificial
On
combina-
fields in general, in
human
that
chinampas
effort.
in
How
esting
the
question.
1912,
In
Spanish
agronomer,
inter-
Miguel
in
580),
it is
all
II
of Spain
lived primarily in
tive of this
City.
chinampa
is
city.
Based on
local
informants' recollections
process),
the
In
plots themselves.
were
Dt
startling
in aerial
ticularly north
ook
This operation
for a
is
cimicnto
chinampa, the
(literally,
fii
basemen!
is
located.
and
exciting. Over
chinampas occurred
ile
manufacture of
mid-1960s,
extensive
start the
in
most of the
area, indications
photographs.
In a
number
in
chinampa
fields
estimated
1
tin
total area
5,000 hectares.
In his
map
in a grid
pat-
in
1519
He
at
number
"*
[rro
a-.
CahudLinOJ
fecal
a-
*i
xjectdf
Camlet
i
JruLs:
ei
,
f
i.
^.^
j.
.fcw-.
..
'
Cw6.fUU.
ana
<-'""
r
<
'
"* "YeAanAa.
tculai
-Wax.
e/:*
itg
Hi
V'
*'-
***;:
v
I??
Map
*>
garden lands from periodic floods and salinization was the con-
chinampa
where
from
agriculture;
this,
was
hectares
cultivable land
and the
type
was
in
of agriculture
into
western
the
agricul-
of saline
third
Lake
A major
question
is
how much
in
We
1519.
chinampas dedicated
sive areas of
all
had exten-
to flooding.
remark-
in
place
in
plot
to 1.5
level,
Lake Tetzcoco,
in
of public-work construction-was
lakes,
was
salinization
In
environment
lacustrine
human
in
history.
Because of the
great variety
in
the Central
Plateau
area
availability,
natural
map
the additional
noted above,
it is
had been
which had
plexity,
in
by chinampas
in
hood of 3,000
The
chinampa
basin, then,
is,
all
of the
the chinampas
in
chinampas
in
the neighbor-
agriculture
in
the
hectares. Of this,
we
in
to 4,000 hectares
some
of
was probably
com-
also a geological
was
in
in
wood
only at the
when
number
was very
of areas but
distribution. Finally,
at
crops-including tropical
was
highly localized
fruits
for cloth,
complex development of
tions led to a
effect
political
in
in its specific
the
on
was found
varia-
and
local specialization
in
and/or grain amaranth, based on yields for the twentieth century (3,000 to 4,000 kilograms per hectare).
resided
in
65,000
in
1519.
in
Some 32,000
people
If all
of the residents
in this
Miguel Santamaria,
1.
(this
is
unlikely, since
lakeshore), they
many
of
2.
lake
tural
in
human
Mesoamerica-remain
history certainly
in
the
history
3.
William
much
T.
Rene
skill
and
problem of protei
City:
for
New
and M.
Dia*.
"<
Comparative Studies
the
in
Wiley,
115-27,
Millon, C. Hall,
in G. R.
Society
and
Modern leotihuacan
History
A,
no. 4 (1962),
pp.394-'..
5.
Boletin hidrologico
Sei retarla
resumen (Conn
de Recursos Hidrdulii
life
(Mexico
3 vols.
Irrigation System,"
6.
of his professional
de Teotihuaean,
Valle
cap;i
of
City:
25.
ed.,
4.
p.
Foundation
in
a
os),
no
de
la
Cueni
a del Vjlle
de
11968).
(Mono
City
Institute
C,
imumpas
de Mexico," Cuadernos
author).
</<
/</
Garza
world were very different from that of the modern Western city dweller. The city
dweller has lost the one link with the surrounding world that could be most
enriching: the capacity for wonder, admiration, and reverence for the natural
being closely linked to animals, plants, rocks, and even objects created by peo-
ple, to
a spirit
and
that of humans.
will similar to
to be
humans
at their pleasure, as
it
it
was
humankind and
has
in
vital
alien to
humans was
a religious
expe-
forces and physical powers beyond that of humans, such as flying, having
In particular,
to
To
the universe
name
female
as
fertility,
logical aquatic
fish,
and
snail,
drown
level.
and of the
lev-
moon
and, therefore,
Among
in
rain)
in
people. Lizards
hand on the
which
otter,
it
could use
terrestrial
tip
of
its tail,
Associated with the underworld were nocturnal animals such as the owl,
as the cricket, centipede, and spider were allied with the earth god, Tlaltecuhtli,
evil shamans who sent disease and death. The indigenous writer
Hernando Alvarado Tezozomoc wrote that the shaman Malinalxochitl "makes
people eat snakes
and owls, then calls out all the centipedes and spiders and
and with
[She
is]
a terrible rogue."
An animal
alter
pci'
pint until
powerful animal companions, such as the jaguar, puma, and the coyote, were
able to transform themselves into those animals at will
when
in a
state of sleep
3.
Eagle
.
ca.
1500
&)&*>
3b
fc
:*-<
f*^
*.
*\
"*?
4.
Coyote
Among
women.
indigenous groups there were also domestic animals, cared for by the
Ritual foods
the turkey, dog, and deer. Others were raised to be sold or eaten, and
some were
kept
as pets, for example, songbirds. Macaws, parrots, and monkeys, which were brought
from jungles
in
addition,
In
sig-
nificance and were associated with happiness, games, and dance. They were repre-
sented
in
of Xochipilli, god
ritual food.
of the
in sacrifices
fire:
to the gods,
spirit
sky,
The
was
master's
its
fire,
Xiuhtecuhtli,
was
held on day 3
Dog
human
for a
being as a victim.
was
same
the
in
litter
living
and with
among
a higher
an abnormality.
It
in
a heterozygotic gene.
genus Canis
now
is
It
could be born
recognized
he was the god Xolotl, the twin brother of Quetzalcoatl. While Xolotl symbolized the
planet Venus as the evening
Quetzalcoatl
star,
is
star.
Together,
Other important animals were the jaguar, the serpent, and the solar
fertilizing
the
birds,
hum-
the eagle was the main symbol of the Aztecs. The jaguar was one of the most important symbols of the dark side of
destructive forces of
stars;
it
was
evil
life,
and death.
Its
in
which
alter
it
its
destroyed
human
beings. In addition,
was the
it
shamans.
evil
The serpent was the incarnation of water, earth, the underworld, blood, female and
male
was
fertility, life,
symbol of the
life
its
unique change of
skin. In short,
was thus
It
it
associ-
formed by the combination of features of several animals, like the feathered serpent.
Expressing the conjunction of heaven and earth and thus the harmony of opposites,
who was
who had
those
sacrificed.
It
died
When
the god
The eagle,
for
its
is
for
born, his
its
hummingbird feathers
left leg is
capacity to
and of
fly
in
feathered.
mother of
becomes pregnant.
its
prey-represented
fire
light falling
on the
itself. Its
earth, the
thought to have
and the
and
life-giving
malevolent
a nocturnal,
cruelty.
side,
Thus
excess of valor,
why
it
lands.
in its
it
in
The species that especially embodied the essential values of that people seems
to have been the royal or golden eagle [Aquila chrysaetos), an extraordinary, majestic
bird with a
The eagle primarily represented the warrior character of the Aztecs, conceived as
sacred mission and as force, aggressiveness, power over others through war, and a
desire to
own
human made
in
blood.
the myth of the founding of Tenochtitlan, the Aztec capital, the eagle played a
like
life
it
was the
where
its
and devouring
air
a great
of the morn-
a serpent.
The data from written sources are confirmed by remarkable sculptures, which,
in
addition to their aesthetic value, demonstrate the main symbols of Aztec thinking and
Among
culture.
is
prickly pear; in
its
beak
monument known
On the back of
particularly important.
this
is
shown on
bears the Atl Tlachi nolli, the symbol for water and
it
fire;
War
the
and
growing from the chest of the god of death, Mictlantecuhtli. The mean-
the nopal
is
ing of the
work
is
in
and the eagle, representing the nocturnal sun and diurnal sun, respectively.
nocturnal sun
when
warriors
who
is
a diurnal
was
It
star;
and
wood Huehuetl
the
in
of Malinalco. (Huehuetl
war
a sacred
is
pre-
in relief in
the top and bottom registers are representations of an eagle and a jaguar bearing sacrificial
flags
and dressed
in
warrior attire.
In
is
with his wings intertwined and outstretched. His face emerges from the eagle's beak,
which
is
sky.
We
appears to be
legs. This
of the initiate's spiritual elevaticn, as he receives sacred powers from the sun.
In light
a central role in
the
life
of
of this difference,
it
would be erroneous
to call
them
"ecologists," but we must recognize that rather than bringing about the extinction of
species, they
i"
10.
Grasshopper
Aztec, ca.
1500
'.!
?**
":*
JEW
*>1
it
.*-
Man and
Precolumbian
Felipe
Cosmos
His
Suit's
THE SIXTEENTH CENTURY, THE AZTECS, ALONG WITH OTHER NAHAUTL SPEAKERS
IN
FROM
neighboring towns, related various stories to explain the origin of their universe
who had
human
an act of creation
in
race, to
some
Spanish.
in
in
which
new
a basic event
was the
stories that
are
in
summary
magnificent visual
in
the central design of the extraordinary unfinished monolith called the Sun
Stone, which
was discovered
main plaza
Mexico
in
December 1790
in
in
City.
and the
Sun
There are images describing the original myth that survived the catastrophe of
the Conquest, sculpted on extraordinary
relief
is
is
outstanding.
its
own
one of
its
myth
in
fifth age, is
whom sym-
"sun" had
monuments. Among
In
particular inhabitants
made
a force in
it
the creation.
monuments, mainly
ence of
biblical
We
in
some
most
the order or
in
the cre-
in
reliable source.
we
consider the
its
altar of the
(4
Jaguar) and reaches Nahui Atl (4 Water), including the four extremes of the universe, concluding with
shown
in
Nahui
would
light that
and
drical
Movement), the
fifth creation,
first
sun
fell
which
is
Ollin (4
their food,
name used
gathered
known
in
the wild,
was
called
chicome
malinalli, a calen-
the color black, lasted 676 years; at the end of this period, formidable jaguars
all
fields
in
the
hills
frnrei
ca. 1541.
first
experiment to create
life
on
The second sun was created by Quetzalcoatl, the plumed serpent and adversary of the deity of war. This era was a heavenly
body
called
wind," whose
yellow.
color
is
we
only
this era,
know
no specification of
its
Next
earth.
it
falls to
in
life
cannot
god-
was made of
more stage
in his
676
and
years,
drical
is
Nahui Xochitl
(4 Flower).
to the patron-
eternal confronta-
name
that
The presence of
was thanks
it
exist.
first
skirts,
its
inhab-
whose calen-
White was
its
dominant
dous beating, and the second age ended when the god of darkness gave a mighty kick to the plumed serpent, leading to its
terrible
rain,
as the creator
hird
and
its
.
volcano
is
that
ruling
is
Xitle,
When
utions of the
could be a reference to
Valley of Mexico,
third
its
destruction
this cycle
its
one
time. The
at
ol
rair
fin
Tecpatl (7
described above,
fell
fish
and
its
life
the uni-
in
verse, the origin of the colors that rule the directions of the axis
and bir
il
h creation.
lived in
fish,
Everything
will
myths,
in
all
nigh
occasion,
all
in
Teotihuacan
ca
1170
for the
Halunm,
purpose of choosing
was
god of
Teeuciztecatl,
He of the Conch
earth,
the honor-
respond
first to
Shell; to bal-
ance the sacred act of the gods, they sought another candidate
for the
supreme
ing to
do
gious
sacrifice. In
humble of
Nanahuatzin,
all,
who
spirit,
who was
this,
the least
deformed
reli-
tell
that
some time
Quetzalcoatl
on the earth,
fell
themselves
name
two seg-
One
this
two
into
archaic
text, in
ceremony
would
themselves
sacrifice
into.
act
Nanahuatzin,
who throws
formed
and he hesitated-an
fire,
The self-sacrifice
cowardice.
of
unforgivable
to
falls
trans-
is
into a radiant disk, the final sun of the fifth era. Envious,
another resplendent
disk.
extinguishing
Teeuciztecatl,
remained
in
becoming
fire,
his
and
light
the face of
into
it
he
Thus,
heat.
down
forth
punishment, he
is
condemned
to
formed, but
remained immobile
inquire
to
spirit),
it
Teotihuacan, given
of
blood
life."
To do
from her
this,
in
rivers
Sometimes
human
human blood/
in sacrifice.
Once they
through
sun
the
life in
the
the
fifth era,
the sun
was
new
the
in
live
creation.
Once again
was up
it
exchange
meeting
fifth era.
celestial
this,
level,
home
travel his
who
From the
search, according to
comes
vault
some indigenous
by his nahual, a devotee of the god that has the faculty to enter
the underworld without dying and thus return to the surface.
of
The creator god requested the precious bones of ancestral generations from the lord of the world of the dead,
who
responded:
relief
make up the
is
rain,
carving
five eras.
we
sign,
in
On the ends
of the
and water.
In
the central
circle,
the
tongue
claws.
We
is
can see
human
bols of the calendar in a ring around the sun of the fifth era.
new
movement
running
is
side,
the
his
accompanied
calendrical
itself.
to
"On one side are the bones of men, and on the other
that
As
do
in
the
at
era,
god-
hearts.
move
the
in its
skin, the
gods
the
all
hearts
came
the gods
lective sacrificial
existence
all
fruit, until
would
finally
nahual (guardian
of
little
the sky. Faced with this problem, the gods sent an eagle, the
passage
human
trees, flowers,
earth,
in
and
finest of grass
in
the
gods made
With the
for
all
hair the
to her,
star's
to console her
up,
and carried
this
lord of the
underworld soon
running to
bones over
one of these
in
the subsoil.
escape, he
fell
the
soil,
into
quails.
When
in
female serpent
spilled
Finally,
the god
made
a hole
She ground
sacred receptacle,
own blood
humans of the
drops of his
exit
in a
frcy
On
human
Tlalticpac (earth),
of water, distinguishing
now
beings were
placed
favor-
in a
It is
canoe
figure paddling a
in
Tecpatl
observes a
maize to the
ant carrying
red
was
He questions the
insect
tell
stored.
who
of the
interior
kept.
this
would
link
and crossbred
selected
maize
until
varieties of teozintle
we know
today, with
deposited
made
hole
in a
the
in
is
impede
growth, because
its
made
humans,
early stages,
way
Quetzalcoatl sought
reach maturity;
it is
exit
like
in
In their
order to
long journey
in
groups that
migration,
accompany them
will
including
their
were
neighbors
their
and
called
it
described as an island
From
there,
they undertook the long journey that would lead them to the
place determined by their god/guide,
their future capital, Tenochtitlan.
build
ities
more important
ancestral
cave
is
site.
made up
Characterized by
its
Anahuac
Some
historians
Chicomo/tor
document
In
fact,
accord-
in
who
lived
in
in
Coatlinchan
shown
the ren-
In
hump,
its
cave of origins
we can
new
fire. In
womb-
the
names.
movement
In
fifth
In
a cave
site
was discovered
in
importance of
this
who
the
peregrination painting),
la peregrinacion, or
curved promontory,
will
it
ulated the central area of Mexico settled. They placed this site
to be the
tells
or inlet,
who
Left),
which they
the mythic place where the Aztecs and other groups that pop-
is
with the
in its inte-
Tepaneca, Tlahuica,
It
the year Ce
hill
for a
Matlatzinca,
the
color white.
in
will
divided.
de
its
rior
them that he
their place
In
hill
was
city
Flint) to later
(1
carefully
soil
in
who
is
houses, presumed
six
food. Maize
surrounded by
again asked about what people would eat, and once more,
in
to be
from
it
claim
that
the
area
the
tl
of Aztec affiliation,
shows the
is
called
Codex
island
that preceded
it
may
Boturini, a
site,
dating
its
con-
chamber
Sun.
Its
is
located almost
in
is
deep
entrance, which
layer, after
the
first
plinth.
Beneath an
ini-
its
on that
chambers that
Among
recall
more
like
ritual
wf
:,
In
some
in
the
Postclassic
we may
This
tains,
Duran
peculiar way.
re-created Chicomoztoc
in
hills,
located
recall
is filled
distancing
This
is
This
to
one
it
carried rocks
made
they
Tlaltecuhtli
tographs, however,
rows of
and
thorny
body that
been
like
sacrificial knives,
before
arrived
and presented
where
hells,
by.
have
little
which
river,
swimming on top
and
living
of a
dog.
a lizard or a crocodile.
many
peoples
in
the gods.
For
recognizes
swims
environment as
a universe constructed
god
and
trip
where Mictlantecuhtli
rites
began with
Thus,
ii
windows, and
which has
/cr
yi
and
is,
carries
leave
him on
its
in
this
place
which
called
is
av*
In
vertical planes
world.
Some
like
the under-
in
an inverted
in
way
tices of
place,
master
if it
their relatives:
his
into
and
where
jumps
it
to
master,
its
back
their natural
him the
to
it
sharpened
out, teeth
neck they
its
Chiconahuapan.
deceased
the
in
and around
the
fur,
When
hunters, they
called Itzehecayan,
swam on
looks canine,'-
In addition,
is
where there
to pass through
to
so strong that
its
edged wind,
recalls a thicket.
is
This
simply orna-
is
is
[mountain] passes;
shown enclosed by
to pass
is
plateaus;
Among
the silhouettes of
itself
is
document very
same passage,
the paper;
is
This
in its interior,
mental and
This
style perspective,
(1583-87),'
in
is
one
where there
illustrated
In
who
in
saying
anonymous
indigenous painters
the Cod<
anus
whose
level."
The
illustrations appejt
Codex
Rios, ca.
in
1570-95)"
officials cut
shortened
<'d,
his
and
.
legs,
terrestrial bd'
je
above and below to reach the sum of nine plus thirteen has
"i
complex
at
the pyramid
given
rise to
history
of
on
research
Precolumbian
deemed
to be
Mexican
religion.
Codex
a full
the
levels, or planes,
using
spelling/
celestial sphere,
proposes
who
highest
level
represented
in
the
it
is
a place of duality;
thus,
it
Codex
spelling/
proposed reading
Translation
Proposed order
proposed reading
Translation
Tlalticpac/Tlalticpac
Earth
1st level
Homeyoca/Omeyocan
Place of duality
Proposed order
13th and 12th heavens
(9th
Apano huaya/
Apanohuayan
Water passageway
2nd
Teotl tlatlauhca/
are found
The
hills
Yztepetl/lztepetl
Hill
of obsidian
Yeehecaya/ltzehecayan
Tepetli
monanamycia/
Tepetl
monanamicyan
3rd level
God who
red
is
heaven)
Teotl tlatlauhca
Teotl
cocauhca/
4th level
Teotl
cozauhca
5th level
Teotl yztaca/
God who
yellow
is
where
Place
Pancuecuetlacayan
flutter
flags
Temiminaloya/
Temiminaloyan
in
Teocoylqualoya/
Place
Teyollocualoyan
Yzmicilanapochcaloca/
Itzmictlanapochcalocan
heaven)
God who
is
white
heaven)
Teotl iztacca
Pancoecoetlacaya/
heavens)
level
6th level
Yztapal nanazcaya/
Itztapalnacazcayan
made
heaven)
Ylhuicatl xoxouhca/
Heaven that
of obsidian slabs
7th level
a great hurry
where people's
8th
level
9th
level
llhuicatl
Ylhuicatl yayauhca/
opening to
let
out smoke
llhuicatl
yayauhca
Ylhuicatl
mamaluacoca/
mamalhuacoca
llhuicatl
is
green
xoxouhca
Ylhuicatl huixtutla/
Heaven that
is
blackish
llhuicatl
around
heaven)
Heaven, place of
salt
Sun heaven
heaven)
Tonatiuh
Heaven
llhuicatl Citlalicue
Ylhuu
tlalocaypaii'
the
li.jiocan
heaven)
Ylhuicatl iztlalicoe/
il
heaven)
jixtotlan
Ylhuicatl tunatiuh/
heaven)
of Citlalicue
moon
1st
heaven
heaven)
[1s1
lowei
As archaeological witness to
we have
celestial planes,
On one of
in
larger sides
its
like stellar
we
In this
a kind of central
in its beak.'
represented only
in
its
peculiar-
notes
made by
in
tree,"
and according to
Ome
was the
this
life,
to which
through by
Omeyocan. Because of
their
it is
a tree that
the children
is
who
one
is
must
the
Tezcatlipoca,
smoking
mirror,
red
wanted
this
is
in
men
who
this,
Hummingbird on the
attached.
elements
is
Left,
was shared by
in
it
all
is
say,
plane
tal
the
the Codex
These reprein
the
is in
The design
die unbaptized, or
to
in
ritual calendar.
it
is
recalls a
diagonals with curved borders that resemble petals and a recthe center. Reading counterclockwise, from
made by an indigenous
person.
tangular panel
believe:
the upper right, the design begins with the direction east, called
virtue of a sacrifice
is
Yayauhqui
characteristic color
four corners;
all
This
color;
in
Tezcatlipoca whose
will
build: Tlatlauhqui
incorporate
who
spirits of
and
Tecuhtli
Ome
verse. Each
In
77? e
In
that there
was
added another
error,
in
and they
mic
light,
is
posi-
Itztli,
the
was
divine knife, and Tonatiuh, the sun god. The colors of the east
are red and yellow, tonalities that characterize the sun;- for this
that
place
repopulate
to
they thought
it
the
world after
it
reason,
20
because the two [times] had already occurred.
it
is
Ichan, through
which
it
Quetzalcoatl reappears
in
Tamoanchan,
2'
is in
the
To the
which
is
north,
falcon.
Tepeyollotl,
Mictlampa
Detail of
left is
the
is
the
is
in his role
The deities
heart of the
name
who
hill,
rule
and
this
Tlaloc,
designating north;
it
is
direction
are
deity of rain.
considered the
is
trip to
it
is
the underworld.
is
is
color
Its
where the
is
women
and
Tlazolteotl, the
trip
On the
right
is
act.
its
The
daily
the east.
on which
sits a parrot.
The deities
god of
fire
many and
is
this horizontal
the
domain of
was mentally
We
Codex Mendoza
foundation
the
re-created
Tenochtlitlan,
which occurred
of
in
(1541-42),-' they
Mexico-
city-state,
their
Ome
Calli
who
patron-
ized the start of their migration. At the center, the icon: the
tenochtli, the nopal flowering out of a rock,
Xiuhtecuhtli, the
just
(2
was not
Cihuatlampa;
there
ceptions were
black.
is
on which an eagle
is
the symbol of
city that
it
in
would
defined by the four currents of blood that evoke the sacred food
of the cosmos.
It
anahuac, or
circle of water,
was
larly
was
north with Tlaloc, linked with the ideas of Tlalocan, where the
abundant
rains
gave
rise to a
all
phytic vegetation,
is
was
also the
way
/e of
who
in
char,.
flourished,
d
ity
in
the middle of a
Codex Fejervary-Mayer
but
is
within an
to
the
lake).
regions indicated
in
the
transverse position.
in a
We know
when
that
Aztec migratory group into four sectors: to the east, Acacitli and
year round.
n,
also an island
lies
by their
schi
Cuapan;
and Tenoch
them as
a place to settle,
founded
their
When
own
to the site
who came
later, in
ated
for
1338, they
or
with the
Tenoch designated
power and
volcanic rock,
that originat-
ol
Page
lino de
Codex, also
de
la
known
Sahagun, Florentine
general de las cosas
>* -M*
""
^^
s^r
i
1
*>..-*-
*m2m
Templo Mayor,
monolith
in
is
the form of an
in
On
relief,
we
side,
shows the
is
this
verti-
represented by
its
back,
its
curved
its
cylinder
Tlaltecuhtli-Cipactli, the
body covered
enormous
In
that
grows out of
a rock,
was
celestial
sits
devouring a
its
supreme
deity,
is
con-
firmed by the upper strip on the side, a celestial band with stars
It
supports an enormous
was designed as a
where they confronted
it
trees located
celestial
ed this vision
nochtlitlan
in
s.
On
on the borders of
nan.'
by iman
.acred nopal
City.
Notes
Codice Chimalpopoca: Anales de Cuanhtitlan y leyenda de los
ile,
soles,
facsim-
ed.
pp. 119-42.
2.
The paintings
Historic de los
in
this sequence.
See
City: Editorial
Colonial
See
period.
5.
Described
6. Felipe
p.
Olguin
Ferdinand Anders,
f.4v.
4.
in
in
facsimile,
108.
p.
120.
Solis,
7.
8.
Codex Xolotl,
9.
Heyden, 1998,
in
(Codex Durdn) 2
p.
f.
16
r.
25.
Islas
de
Tierra Firme
vols.
10.
I,
238.
p.
12.
Codex Duran,
13.
plate
3.
las
El
Autonomade Tabasco,
Universidad Juarez
Codex Vatieanus,
15.
1
p.
City:
Juarez
Autonoma
17.
plates 1v-2r.
humano
6.
1998),
City:
Autonoma de Mexico,
Universidad Nacional
p.
63.
17. Ibid.
(Mexico City:
A.,
1996),
p.
UNAM,
cat.,
19.
Codex Vatieanus,
20.
Ibid.,
pp.
plate 3v.
50-51.
De Teotihuacan a
los
Mexico, 1983),
p.
Autonoma de
209.
22. Salvador
was
S.
41.
first
to be born
showed the
was
to be
black,
named
and
Iztac
and the
last
flesh,
called
him Omitecuhtli, the man of bones, better known as Huizilopochtli, and the
color of his skin
had to be
blue.
23.
II,
p. 11.
(Graz:
Akademische Druck-u.
Ferdinand Anders, Maarten Jansen, and Gabina Aurora Perez Jimenez, eds.
A microscopic
its
26.
p. 1.
City:
and
in
the chronicles.
folio 2r.
in
Felipe Sola
some
of their ancestral
cities,
the ruins
in situ in
ered to be the place of origin of the fifth sun and thus the site of creation, and
figures,
and valuable
them
connect
to
own
their
did.
in
the buildings
capital, Mexico-Tenochtitlan,
in
of continu-
the serpent heads that begin and end the framework around both sides of
in
at least
in
was unique.
In
city for
and columns
in
images of powerful ancestral warriors, which archaeologists have called caryatids or atlantes. These figures
built,
(ca.
territories,
1300-400
Mezcala
River.
Among
culture,
which flourished
the Aztec
B.C.)
when
geometric orienta-
approaches abstraction.
Given the importance the Aztecs placed on the past, there was nothing
city
of Tula
Mexico-
in
stones decorated with eagles and jaguars. Atlantes would cover the horizontal
space (the axis mundi) and there would be new renditions of the chacmools
ual attendants) associated with fire
ornamentation of the
rain
god
(rit-
Tlaloc.
a.d.
was
flourishing
in
various
their
13.
Sculpture of a
kiruj
new
who
artistic
women
devel-
Depictions of male figures were imbued with the maturity associated with
era.
procreation and sustaining the family and the state. Thus, these sculptures present the
bound
sculptors felt
bared breasts.
to exalt
young matrons as
In reality,
women
tion of
their sexual
strictly
shown with
fertility
who maintained
this
ancestral tradition.
Many
a
wrap
ing
in
as a triangle,
differently
in
it
movement
wide
woman
also rendered
to see a
liv-
in
them
cities,
in
In
skirt,
a great
It fell
of a
place with a sash, while a very long blouse called a huipil covered the
As there were
in
was used
way
significant stage of
sex. In sculptures
the faces were covered with wrinkles. Occasionally, the eyeteeth were prominently featured and the incisor teeth were missing to denote age, but the bodies look vigorous;
perhaps these images were meant to show men's aspiration not to lose their sexual
the
monumental sculptures
basic formal
women
models depicting the sexes were embellished with many other garments
and ornaments
were trans-
formed into personifications of the gods, indicating the importance the human figure
had acquired. Sculptors were expressing themselves more freely than they previously
more
(600-400
B.C.),
the Dancing
The
in
artistic
in
the
some
Monkey
modes
figures to
sculpture
(ca.
one
1
lotus or
liberation of the
this technical
500),
in a
famous sculpture
traditional, rigid
the stan-
which turns
and
reached
its
body
artistic
its
fullest
in a spiral
advance by
expression
movement.
the Aztec style were placed alongside indigenous images and representations by the
allowed
its
pract
to
and peop
style,
communication
The Olmec
\nn
'yphers
<
THE STORY OF CREATION AS TOLD BY THE OLMEC WILL NEVER AGAIN BE HEARD. ALSO LONG
forgotten
country")
same
land
their true
is
borrowed from
is
a culture that
many
in
in
in
meaning and
to discover their
function, but luckily their splendid stone sculptures survive intact, bearing
immutable testimony
B.C.,
that,
though
primitive,
fruitful,
and
in
La Venta.
in
the bounteous
swamps, and
rivers, lakes,
floodplains
beans, as
The
1000
B.C.
the floodplains.
sculptures, fashioned
for
leaders'
Olmec
in
first
destined to aid in
and
religion.
in basalt, a
sacred vol-
in
the
neighboring Tuxtlas mountains to the capitals, a distance of 60 to 100 kilomerequired the efforts of hundreds, perhaps thousands, of subjects.
ters,
It
is
stag-
moving
even the
for
Among
B.C.
the heaviest of
called "altars"),
monument
r,
monuments
office,
larger
all
each weighing more than 22 tons. Each sculpture was not only
to the
rulers, also
greater the
human
sovereign power, as
no
many were
icons ot the
Olmec
art
'is
transport.
and
culture,
he intensity ol
Olmec,
ca.
800
v
.
flows. Rather,
1200-800
afar.
a portrait of a
cence,
previously existing
from
entail transport
seems an impressive
B.C.,
monument,
flores-
commemoration constituted
this allegorical
power by waning
maximum
who perhaps
rulers,
lize
Olmec
who
rulers considered
dwelled
where
large thrones
mouth
cave, the
society,
is
it
in
likely
Olmec
art
abounds
in
a real or fictive
human
monumental
in
theme
in
slit
art,
Olmec
art
is
in
thought to be shaman-
istic in
may
unnatural qualities
Embedded
in a social
and
game,
to the
In elite
is
in
represent stages
political milieu
commune
nomic networks.
battle
in
Terrestrial
in
artificial
in
were
vital
and eco-
communication
likely
a vertical
in social, political,
their elaborate
causeways
through
rites
far
and
social
political relations
away
as
El
Salvador.
Among
and
in
cohesive
the regional
obsidian, a volcanic glass used for practical and ceremonial purposes, which
adornments,
tools,
in
was
was
and ceremonial
objects,
Chiapas and Oaxaca. Native petroleum resources, such as bitumen (used as a sealant
and
resin),
were traded
locally
and to distant
adornments, and axes made from various kinds of greenstone procured from sources
in
Guatemala and Mexico were widely exchanged outside the Gulf Coast
Olmec ways of
when
set in
this culture
life
region.
drew
to a close
around 400
B.C.
myth was
was based on
divine
genealogical rights; they occupied a region with abundant water and built transportation architecture; a
in
fishing,
craft
embodied
cosmology. As the
first
dominant
cultural
group
in
Mesoamerican
historical traditions,
and
their influence
in
was
felt
far.
Teotihuacan
I.
WHEN
IN
mild
Miiiiztmillii
earlier of these,
centuries
first six
a.d.
politics,
Its
TOLTEC
The
there.
and sym-
capital, a
huge
was
planned urban
site, a
multiethnic
city, a
crafts center,
its
and
was
and
sacred
city,
some
a
it
(the
archetypal
city)
was
Teotihuacan and not Tula, the seat of the Toltec empire, as was long believed.
When
first
Valley of Teotihuacan,
century as a temple of
city of
fertility
sites
were
fire
second
gods. The
material being quarried from underground tunnels. The city had an urban grid
axis,
An east-west
axis origi-
nated from the Ciudadela and Great Compound, perhaps emulating a former
east-west street that had departed from the Pyramid of the Sun.
in
four quarters of the universe; and at the summit, the sky. The symbolism of the
number four
are found
city;
in
just
to
Many
references to the
various forms.
in
in
a four-petaled
making compound-had
Sun-perhaps
it
is
decision-
each directed to a
was
Many elements
streets
in
orthogonal
this
city:
basins for the storage of water, a center that included the main religious and
as,
|in
.mall
which
dy present
of Puebla-Tlaxcala,
iacan
It
up
of the Valley
the Format:
250-650
TTirijii
[|i<wmi1n
In
in
some constructions
of the sacred
precinct to recuperate Teotihuacan's past. The division of Teotihuacan into four quarters
and
its
organization of wards
may
Among
Tenochtitlan.
in
whom
were bureaucrats,
manufacturing diverse wares, obsidian knappers, craftsmen polishing stone tools for
grinding or woodworking, lapidaries,
tailors, shell
Some
of their
products, such as painted stucco tripod vessels or green obsidian prismatic blades,
traveled far
situ
in
The Valley of
city,
and there
is
the Aztecs,
new
in
Tenochtitlan).
houses
in
Throughout Mesoamerica,
built
Templo Mayor
who
in
in
(like
those found
strict rules
the
stairs or in
sites.
in
governed the
commonly found
the Pyramid of the Sun, where Aztec food-preparation areas were found, likewise
fell
idols.
vated to extract the volcanic scoria to build the ancient city were occupied by post-
Teotihuacan groups: the Coyotlatelco, Mazapa, and Aztecs. The Codex Xolotl depicts
the two main pyramids (Sun and
likely
The
Moon) on top of
a "cave"
last
II
in
It
is
When
archaeological site-as the mythical place where the gods assembled and sacrificed
fifth
sacred place, a site of pilgrimage. The Postclassic tradition attributed to giants the construction of the metropolis. The Aztecs
place
named
axes (the Pyramid of the Sun, Pyramid of the Moon, and the Street of the Dead). The
Aztecs symbolically derived their ancestry from both Tula and Teotihuacan, but
in
it
was
40.
r.
(HI
41.
of a goddess with a
reptile-eye glyph
Diehl
THE AZTECS INHERITED A RICH CULTURAL AND ARTISTIC TRADITION FROM THEIR PREDECESSORS.
While
many elements
in
all
Mesoamerican
cultures,
an effort to establish
real or
years, oth-
Tula occupied a defensible ridge overlooking the confluence of the Tula and
Rosas
rivers.
of Teotihuacan, Tula
emerged as Mesoamerica's
extensive empire by
a.d.
renowned
At
its
and philosophers.
inhabitants living
tightly
in
largest city
rivers.
tained temples, palaces, and other public buildings that formed the stage on
which Toltec
elites
enacted public
life
policy.
to,
mistakenly, as
the
city,
One unusual
common
in
edge of
was dedicated
it
to
Public buildings included temples, ballcourts, skull racks, small open-air adoratories, "palaces" that
nitaries,
and
elite residences.
Pyramids B and
in
C,
Tula's
two
largest
buildings,
wall
plaques,
to
have served as
sacrificial altars.
polychrome paint
human,
feline,
and avian
polychrome panels on both sides closed off the northern side of Pyramid
hundred yea'
B.
Four
MM
|.
'I
III
Toltec art
is
much
materials used as
skills
"stiff,"
the
Toltec enthusiast
in
as the
style
Toltec prototypes, Aztec artisans far surpassed their Toltec ancestors' best efforts.
Toward the end of the twelfth century, the Toltec empire disintegrated and Tula
about
unknown,
among
a struggle
who
The most
evil.
carries his
common
of
talk
myths
forces of Tezcatlipoca, god of night and sorcerers. Quetzalcoatl flees to the east and
either sails off to Yucatan
on
a raft of
not
is
much more
enlightening than
the legends. Parts of the city apparently were sacked and burned, but these events
may
their contents
for sculptures
and facade
Although Toltec
itan
art
what had
refined version of
larger,
existed a
Furthermore,
we
on
many
in
merce,
politics,
religion,
society
governance, militarism,
different
aspects of Toltec
life,
far
Tolteca.
making
it
and perhaps
far greater
summoned
arose out of the Aztec experience rather than any harking back to the past. However,
were
in
danger of
falling into
When
their
most sacred
idols
in a
^f<
44.
Chacmool
Toltcc, ca.
1100
K'
** R--IP
t
R^t
*%.-
<Sfc-
"
Li*'
H
^B
I 4
*-.
"J"
Villas
\lni Irziiiiin
ON FEBRUARY
AT DAYBREAK
21, 1978,
IN
DOWNTOWN
and
City:
calle
Realizing that
it
in
their
path.
(INAH).
this
relief
By February 23,
it
a very important
profile with
was
delay.
eventually revealing an
for
a face in
diameter, with a
confirmed that
was
Soli's,
moon
Huitzilopochtli,
hill
known
From
this
in relief.
a depiction of the
Felipe
Aztec
killed
by her brother
on the mythic
as Coatepetl.
consisting
archaeologists,
biologists,
directed an interdisciplinary
chemists,
and
historians,
team
physical
in
over
it:
Felipe
in
matically
new
In
the process,
Little
by
who
presided
parts: before
and
after the
hundred offer-
two
divided into
and
Soli's,
we found around
little,
made
It
must
centuries
the Aztec past has been revealed by the important pieces that
have been found and that have enriched our knowledge of the Aztec people.
In
in
790,
on the orders
of
the Zoealo (main square) of Mexico City to install water pipelines and to pave
the plaza. During these operations, various Aztec sculptures were unearthed,
among them
on Augusl
13,
the
piedras
,;
was
moved
world
Templo Mayor.
some
Americas possessed
of their heathendom, so
ly
and sciences
in arts
it
will
be
of the halls of the university over fears on the part of the clergy
the time
in
known how
that such
false-
provoke antagonistic
relates:
this
in
way
the
discrediting
monument
this
in
will
show
nal figures
were superior
no knowledge of
who made
artisans,
the origi-
sors, at that
in
it
order to represent
again
able
in
1803,
was
pleas,
ences
ones discovered
in
Among
Many
Monuments of
the sculptures he
the Zbcalo
in
790, includ-
it
buried
in
examine
it
if
Don
depth
Feliciano
then
Marin,
his
way
my
it
up.-'
who
logical sites
in his
to
Mexico on
solid, instead
dug
ed Mexico
one of the
not want to
like axes.'
in
priests, did
time Dominican
al
Von Humboldt
ideas.
one
lexico City
were dug
in
the center
shed
was made in
1825, when the head of Coyolxauhqui sculpted in diorite was
uncovered. Antonio Penafiel states that this was unearthed
light
below
house on
calle
find
This building
Abo\<
I.'..,,
'iq
I
Mill
was the
page: Templo
.ill
III
I'll
la
1897,
Among
Manuel Gamio
in
was
demolished, and as
in
One
of these sculptures
and had on
its sides,
carved
in
and 68 centime-
relief,
armed warriors
cosmogonic
suns, or
ages, that
Leopoldo Batres,
who examined
de Escalerillas (Guatemala)
in
Archaeological Explorations
and gives
it
it
calle
home-at
Jr.,
in
stone sculpture
in
In
and
is
now
in
under the
de Cordobanes (Donceles)-part
Museo
project, resulting
del
in
and
calle
de
was
the southwest corner of the Templo
a building
specialists in this
Hermann Beyer
and fauna.
In
1933,
when some
Guatemala and
calle
de Seminario,
in
same block
Gamio twenty
the
lots.
interest
and part
the Templo
a great
in his
of Mexico.
pre-Hispanic temples,
In
calle
a result
when
of calle de
investigations
that undertaken by
the
in relief
same
and
place,
was discovered,
Templo Mayor.
from
In
the
1964,
Argentina, where a
ancient
excavated
city
a
have continued
brazier.
to
be
walls.
Templo Mayor
way began
in
in
city.
much new
Some
altars
infor-
In
in
lot.
rest;
stone
made
let
we can do
is all
built a
dation
altar
itself.
Monumentos
down
prickly-
thick grasses
the
of
built a
for
god to
the
[T]hey
were so poor,
rest
house
little
in
mud
hut
and trepidation.
fear
and
destitute,
Prehispanicos
Its
Then everyone
where the
in;
.
NacionaL
In
and so they
circular pre-Hispanic
in
cannot be made of
it
later,
in
though
largely
excavations
be
it
went very
small
A year
in
fearful
which to
the constant and anarchic growth of the city and to halt the
was divided
number of
zones and under the supervision of a different team of specialAt the Catedral. work was carried out by archaeologists
ists.
some Aztec
Catedral,
buildings and
may correspond
to the
wall
Temple of the
1325,
in
ancient Mexico.
in
Eclipses
the sun
related in Aztec
Templo
Mayor: the
between
battle
and
Huitzilopochtli
Coyolxauhqui.
Stage
Tlaloc
lar
was
1988,
when
in
is
surrounded
Motecuhzoma
in
a great circu-
Moneda
at
lemplo Mayor
the
Museum
this,
Project.
museum
city [he
of excavating
where
the area
all
lies
well preserved.
stone
it,
situ,
in
co
floor,
an offering of
as a small
golden
was found
small
was
urns. One,
bell
and
made
nearby. Inside
greenstone
it
made
of obsidian,
was
golden
bell,
ear
disks,
bench on which
its feet,
sac-
sacrificial knives
found to contain
its
a statue of the
the aim
at least
fifteen
it
uncover
tually
around
is
remains of the Templo Mayor had been found and then setting
up
This
of Tenochtitlan
is
Beneath
1390)
(ca.
II
lid,
two
disks.
Recent studies have shown that the cremated bones inside the
Staqrl(132S)
Archaeologists have not yet uncovered the
of the
site
first
first
temple to be
t.36
built of
us
all
it
was
where the
this
wood,
temple
very small:
prickly-
related,
and
placement
at the feet
in
still
under
1390, and so
first
the
rule
of
we can assume
the
Tepaneca
of
:*"*.
L
&
5fc
^m^^m
':
W*z. v+
^**
I
in
plumbate pot
urns. One, a
in
On the
Tlaloc side, a
stomach,
known
statue
as
On the
lies
black-and-white
pillar.
The
heart.
their
beneath
a blue stripe;
stripes.
Remnants of paintings of
who
figure,
represent water,
at the back of
is
a yellow
line
is
bench at the
may
that
is
each
in
the
to
sap)
one represents
a figure
Some contained
was the
uncovered. This
is
lead
them
to
in
were
still
the remains of
saw and
shells,
III
on
along with a
its
end of the
far
"century")
with half
Another piece
them
Nahua
is
fer-
the
of
in
story
made from
drink
(a
number of years
their chest, as
the
Furthermore, several
fig-
like a
in battle.)
Recumbent
is
mented cactus
still
figure with
its
these blue stripes are two horizontal red stripes attached to vertical
protect
to
if
is
in their
opposite
container on
chacmool,
the entrance to the shrine. This has been identified as Tlaloc. The
pillars
Mesoamerica.
a "Rabbit 2"
rials
(ca.
is
I,
evident
in
the mate-
is
made
clear by
its
braziers
north and south faces and at the back of the temple platform.
side,
characterized by
bow
side, in the
coasts.
1454)
still
decoration.
Stage
III
(ca.
The expansion of
1431)
II
and the
made
is
to build the
Stage
IV(a),
It is
inscription "4 Reed," carved on a stone set into the rear wall at
and
now
in
that a large
kind and
in labor.
is
likely
available at this
it
Indeed,
in
who were
1428, under
Triple
In
Chamber
I,
known
was
on the Huitzilopoehtli
side,
was found
a figure
II,
leading
to
large quantity of
Among
number
considerably
size
all
Chamber
III,
on the Tlaloc
side,
in
feline
whom
the god
of
war had
to
do
battle
after
his
birth
at
I .
In* 1
,
w
I
r\u
ft
ft/3
Ef J
I
i
Stage
Mayor,
main facade,
its
in
is
Templo
who came
attributed to Axayacatl,
is
in
power
to
until
when
only
was defeated
tried to
it
significant conquests
was
that of Tlatelolco
was
Stage
in
at the height of
confirming that
IV(b),
success and
its
in full military
both
sion,
reflect this
and
size
in
expan-
the objects
in
in
in
made
The part of the main platform upon which the Templo Mayor sat
it
con-
sist
sat. This
which
is
composed of
line
it is
is
altar, in
known
as the
retains
some of
is
it,
at this time.
and two
life-size
representations
god of water.
steps,
who
rule of Tizoc,
is all
on the Huitzilopochtli
side,
itself
and
pillars,
a rectangular
at the north
ered with
funerary urns
made
lids,
showed
military activities,
since there
was
clear evidence of
in
that they
original colors.
all
Stage
This stage
in
combat,
it
in
the war
differ
two
die.
were
offerings,
In
in
lids.
were
who was
paved
in
bodies met on the platform, one looking north and the other
south. Between
still
bear
some
them was
who
ruled from
1486 to
is
made up
is
important because
it
of
brought to
The Red Temples, the two shrines found on the north and
facing and both have a vestibule with a circular altar at the cen-
Huitzilopochtli,
all
between the
was extended on
1486)
attributed to Ahuitzotl,
god
central heads
is
two on the
VI (ea.
Huitzilopochtli. The
their
in
still
Each vestibule
ter.
hoop
is
made up
Among
real,
number
knives.
A study
god of flowers,
T
An
of musical instru-
in
part of
the tern
carried out
to Macuilxochitl,
and games.
known
as Shrine C,
and
B.
is
A has two
stairways,
one fac-
ing
its
on
skulls
east.
There
is
no particular decoration on
is
decorated
on which the
like a
tzompontli, a
wooden
rack
On the upper
part of
Stage
1502)
VI I (ca.
What we
is
to
to the
ground
in
upper
is
It
and has
well preserved
once housed
it
is
the west-facing
a recess in
the floor of
a circular
its
sculpture
VI
to Stage V,
Among
pieces of paper
fabrics,
made from
Tenochtitlan
patio,
pre-Hispanic
being
structure
reused
as
the
grandeur
will
which
still
birds' heads,
main platform.
It
was found
to be
known
1583-87.
allies in
now
it
its
beginning to the
why
it
build-
in
a priest
Tlaloc.
was
the platform
example of
a formi-
who worshiped
that
estimated to have
is
(reigned
Shrine D.
II
Motecuhzoma
1502-20), this was the stage that the Spaniards saw and razed
it.
in
good condition
These correspond to
of which
the
central
it
level the
terrestrial
were thirteen
into
three
zone-was
levels, or skies,
the
^ipi^fWl
E^fcr^i
ii
was
lowest of which
levels,
the
who
The center of
axis mundi.
a glyph.
and
was
and
cold. Its
glyph was a
and
it
was
associated with the colors black and yellow and the xerophyte,
a
Mictlan
was
ruled
by the god
of dampness, identitinl
was
it
a rabbit,
symbol of
fertility
Its
east,
glyph
where
it
It
the dead.
of the
this vision
Mayor and
in
in
the
it,
tures with serpents' heads to the braziers that adorned the great
hill:
and
was the path along which warriors, killed in combat or by sacrifice, traveled to accompany the sun from dawn until midday.
Coatlicue gave birth to the Aztecs' patron god to fight her ene-
the sun
It
rises,
of the universe
of the
midday
Women who
was
to dusk,
(llaltecuhtli),
when
the Sun
was devoured by
house, and
it
the earth
was white,
its
glyph was a
hill
where
universe
platform
at
the
foot
of
the
temple-hill
devoted
to
Huitzilopochtli,
side of the
who beheaded
hill;
the body
is
at
was dismembered as
it
tell
to the
>n i|.>
as Historia
<//
in
Huitzilo-
f Isla
<
jIso
ante,
1579-81.
sits at
Notes
1
lies
las
dos piedras
The four
of the
tiers
levels.
celestial
is
is
the
fertil-
Culturay
3.
and
life.
which provided Tenochtitlan with taxes extracted from the conquered regions, and agricultural produce. Moreover, each side of
was
the building
identified with a
who
in
place
battle or sacrifice
summer
strike)
went
to
god of water.
ruled by the
or
hills
accompanied
its
Huitzilopochtli; people
a
died
first
would go
after death:
Oh, where
Where
Where
will
will
is
go?
go?
the duality?
Perhaps everyone's
home
oh so
Difficult,
is
difficult!
there,
body
live,
no longer have
Who
would
body
say:
is
who
here on earth!
Rejoice!
In this
view of the cosmos, the survival of the Aztec people, and the
order of the universe, and the unimpeded daily progress of
relied
on what
it
represented.
la
Coatlicue al Templo
in
Mayor (Mexico
City:
la
Antonio
Penafiel, "Destruccion
Moctezuma,
ed.,
in
Eduardo Matos
ity,
negadas: de
las Indias
de
la
Nueva Espana e
islas
de
la tierra firme,
IN
MID-NOVEMBER
Mbrriii
Human
Berrelleza
1519,
Mexico, Hernan Cortes was amazed to observe at his feet a panorama he could
never have imagined: an enormous lake with an incredible city rising out of
This
was
in
it.
most sophisticated
Conquest. The urban center occupied almost 12 square kilometers and had
In
in
the
sacred precinct, an area of approximately 400 meters per side, where the Aztecs
worshiped and venerated their most important gods. On either side were broad
Bernardino de
lake.
Sahagun mentions that within the precinct there were approximately seventyeight buildings, which probably corresponded to an equal
Standing out
among
its
number of gods.
fertility,
and Huitzilopochtli, the god of sun and war, the Aztecs' main patron gods.
It
would change
occurred
in
Tenochtitlan gave
become
the
Mayor
The origin of the Templo Mayor goes back to the very founding of the
Tenochtitlan
in a.d.
city of
journey, the Aztecs were obligated to build a temple to the god Huitzilopochtli.
It
was
make
it
one of
god. This
his
main tasks
was written
in
i)f
to enlarge
we can do
the pyramid-temple,
time being."
would
tlatoani (ruler)
their patron
is
taller
in
evny
for the
had
devouring a
is all
tall,
beautifully
the approai
towei
in
and
one
worked
itself;
in Seville."
the
Archaeological Findings
500
For almost
buried under the foundations of the buildings that occupy the space today. During this
many attempts
to reconstruct
in
the
in
(National Institute of Anthropology and History). This work brought to light the architectural remains of the Aztecs'
a building with a
where
level,
led to
quadrangular
faults,
the building had been expanded on seven occasions on the four sides, and the
in
In
two hundred
had grown
in a
broad region of
Mesoamerica. While the Aztecs concentrated the center of their imperial force
Tenochtitlan, they also envisioned the city as the center of the world.
vision of the cosmos, the
In
in
the Aztec
four horizontal directions of the universe radiated out from the building, correspon-
ding with the four cardinal points, each of which was associated
color,
and
in
a glyph.
level
world, which
was
was
earth,
beings
downward was
last
lived.
being
the under-
divided into nine levels, the last and deepest one being the dwelling
known
as Mictlan.
living
all
Omeyocan
vertically, into
to the
parts,
one dedicated
to the
god of water
level
of
the pyramid-temple symbolically marks the dual economic needs of Aztec society: on
the one side, water, as the most essential element for the agricultural production that
sustained them; and on the other, war, as the method of subjugating neighboring
groups, from
Finally,
whom
the
they
demanded
pyramid-temple
tribute
represents
two
hills.
On the
coffers.
side
harvests.
Coyolxauhqui,
who
lies at
was
kinds of foods,
all
Tlaloc
On
birthsister
Thus the Templo Mayor represented the Aztec model of the universe, the most
sacred place and driv
social, political,
economic,
<
religious,
and
military spheres.
in
V.
**
-*** 1
jf
-wkk
46. Huchuctcotl
Aztec, ca.
1486-1502
y^MiS:
-y
*>
61.
Aztec, ca.
500
Aztec, ca.
1440-69
^5
ra
64. Mictlantccuhtli
Aztec, ca.
*&L'Jj
1480
left:
66. Scepters
Aztec, ca.
1325-1418
67. Scepter
Aztec, ca.
68.
shaped as a serpent
1325-1481
Anthropomorphic eccentric
(sacrificial knife)
65.
69.
Aztec, ca.
1250-1521
s*+i.
70. Xiuhcoatl
Aztec, ca.
"
1500
-,-
U.s
A &
71.
Coyolxauhqui
Aztec, ca.
1250-1521
^B
72. Butterfly
Aztec, ca.
nose ornament
500
**
-*;.
Aztec Religion
Aztec Religion:
Creation, Sacrifice, and
Renewa
kail Taube
DURING THE SIXTEENTH CENTURY, THE SPANISH COLONIZERS OF MEXICO WERE BOTH FASCINATED
and
of the Aztecs.
life
clerics
In
In fact,
of Spanish
There were,
A number
calmeeae.
traits,
nonetheless,
in
many Aztec
traditions
youths, the
elite
Tlatelolco,
devoted to
this institution.
were antithetical to
that
Spanish religious perceptions, including necromancy and the worship of multifarious deities and their graven images. The sixteenth-century chroniclers were
especially concerned by
human
sacrifice,
gruesome images of
"el
human
tions of
sacrifice
were used to
Clearly,
justify
religion,
how
illustra-
human
in
in explicit
The early colonial Codex Magliabechiano and the Codex Tudela portray
detail.
not only as a
the Aztecs
sacrifice
ritual offering,
saw themselves
was
but also
in
relation
somewhat
is
It
vilified
ironic that
many
who
some
human
Two works probably based on the early research of the Franciscan Fray
los
ritual
though
it
was painted
New
Fire
in
an
in
rites,
B,
Group
Cospi, Laud,
although they
are not painted in the imperial Aztec style found in the Codex Borbonicus, and
cular deities, such as the maize
and creation
mythology.
Numerous aspects
ecs also took part in the broader traditions of Mesoamerica. Certain Aztec
"AW-
*****.
Mm
and
specific,
occurred-and
still
Classic
Maya
(ca.
250-900) possessed an
tinct
including
calendrics,
and
ritual,
However, Teotihuacan
is
of their religion,
traits
mythology,
were
similar.
some 50
kilometers
much
(ca.
of Mesoamerica during
freguently displayed
clear
In
suns, the
described
terms of an
in
complemen-
and Quetzalcoatl
also acted as
much
allies,
creation mythology.'
Maya
like
In
done
battle
known
creature,
as
was
Cipactli,
devouring mouths on
its
joints.
with
crocodile
fishlike
in half,
one
From
the body of the earth deity, Tlaltecuhtli, the natural world flow-
fire
many Aztec
beliefs
and
it
ritual practices,
light
and
dark,
and
fire
for example,
believed to reside
in
interaction of creation
supreme
effort
and
for this
dynamic
battles created
through
Another metaphor
was war-cosmic
sacrifice.
courageous
lives
act. In the
their
not only for the growth of the Aztec state, but for the con-
As
hair.
in
to nourish Tlalte-
"We
In
gods and
died
composed of
sky,
brilliant,
was the
celestial
afterlife
in childbirth.
celestial
stars,
women
and
went
there
rain
god
Tlaloc.
Unfortunate
who succumbed
souls
Here people
to this dark
return.
However,
who
riches.'-
offering
fifth tree,
its
B.C.),
had
own symbol-
cosmos.
humans had
result,
Aztecs, note:
who
own
and death,
was Ometeotl,
supreme god,
life
the flowing
earth.
basic concept
rivers
In
the Middle
the
if
was the
other
fateful
god of
conflict, darkness,
was
and the
in
but
also eternal
complementary opposition
solid
his
life
force
sym-
vividly portrayed
remarkable
painting
black, yellow,
quadripjM
Tlaloc
some
nig^
Tlaloc painted
te,
known
in
red,
lid.
commonly
beneficial
of
greenstone
In
aspects
day and
deities-directional
a central
whom
a central Tlaloc
dispenses either
tified
hills
dwelling place of the rain gods and the source of water and
Among
abundance.
was Mount
the
numerical position
first
day name.
in
In
was presided
treeena
moun-
a central
lesser
tains.
reconnaissance
Archaeological
by
Felipe
Soli's
and
calendar was
to the
on the eastern
outcome of business
side,
in
ilar
Codex
this plan
is
very sim-
the Primeros
In
debt-payment of children to
sacrificial
at each of
one
side,
hill.
Behind the
fertility,
many
includ-
shown
this
its
shrine of directional
was
Cipactli
on the
first
day of the
first year.
One
on page
ing appears
world trees grow toward each of the sides and corners of the
quartered world. As
this
ordered space
is
in
and change
in
the universe.-
lie
leg, torso,
the world
fall
god of
bers
and cardinal
days running
a specific
in a
god
continuously
day named
for
striking
during which devotees of the god Xipe Totec would don the
skins of sacrificial victims.
named by
the
number 1-
it
Years
annals.
historical
rites
own
(Flint),
Cat
li
called,
had
its
for House,
on page
descending
square. As
and south
Flint,
facing,
numbers was
1
Reed would
birds,
in
for Rabbit.
of the
be followed by 2
ritual
mountains.
In
impersonators.
numbers created
named 365-day
a fifty-two-year
years.
of years, the
god and
deities
known
of darkness, as
in solar eclipses.
down from
a tzitzim ime
In
sham4
menacing being
Vessel,
recalls the
Tonatiuh.-'
This
pulque god-attacking
partially eclipsed
in
was
this
"the
in
the form of
in
wood
correspon-
stick symbolically
sticks,
it
25
in
through the
sky.
move and
did not
it
follow
path
its
their
2 "
the
termed
appeared
born. After
From
was thus
shift
world of historical
reality.
dawning
first
at Teoti-
their
in
and immobile,
much
but,
like
sacrificial offerings.
in
The
in
tem-
between the
relationship
inert
teixiptla,
the
also referred to
making of new
tle,
In
fire,
an event expressed
in
terms of
cosmic bat-
all
fires in
on the chest of
the southeast.
new
fire
fire to
be
made
a sacrificial victim
If
new
Thus was
it
said:
it
if
fire
out.
This
In
the
contained
hearts
the
first
Mesoamerica.
in
human
hearts, a
in
Postclassic Central
human
basins
known
in
human
name
stone
sacrificial
were ornamented
deity, Tlaltecuhtli,
Nahui
calendrical
who wore
fifth
portrayals of sacrificial
Night would
those
the tlaquimilolli.
the
fact,
widespread
The
night.
is,
in
could not
god impersonators-that
Ollin
the
began anew.
New
Fire
ceremony, the
fire priests
to water,
Codex Borbonicus
of the underworld
leading
other
illustrates a
godly beings to
the
pyre
at
the
Temple of
vened to
light the
great pyre,
it
was
world anew.-'
said,
when
emerged
the eagle and the jaguar, symbols of the sun and famed Aztec
military orders; the
who
is
in
their interior.
earth:
in
a blood-filled xukuri.'
we
The xukuri
related
womb
Similarly,
and
it
womb
is
likely
in
the squatting
flints. In fact,
quently resembles
bowl or
basin,
the skirt
much
as
worn by
if
Tlaltecuhtli fre-
a bucket.
bowls marked
in
the
k'in
sacrificial
womb
sacrificial birth
shared by
many
was
of Tonatiuh at Teotihuacan
myth
state,
hegemonic
in
principal
solar,
tutelary
god of the
embodied
Huitzilopochtli
conflict, strife,
in
and prepared
emerged
fully
Almost
mother's pregnancy
their
However, at
for battle.
sun out of the earth and the defeat of the beings of night and
darkness, with Coyolxauhqui being the
episode
Coyolxauhqui
tral
stars."'
remains obscure,
monument
importance
in
moon and
the Centzon
the
at the
its
cen-
Due
it
monument portrays
in pieces down the
is
Mayor
enemy
down
the
temple steps.
Directly
is
in
lies
an
earlier version
sculpted stucco. As
in
the
limbs cut from the central trunk." Howevei, the stucco example
portrays the severed limbs well
away from
laltecuhtli
on page
sacrifice of Tezcatlipoca as
it
appears
is
ren-
new,
its
earthly domain:
de
la
Nueva
known
Espafia,
575-77.
lay
supported two
It
ure.
interpreted
in a
and war,
new Aztec
ples
two
nance dedicated to
Tlaloc,
and
merging of
mountain of suste-
moun-
37
Templo Mayor, an
renova-
later
drums portrayed
aztli
who
An
Although
teponaztli.
probably
still
covered
by a
Xochipilli
this object
is
model of
in
in
almost
position
identical
that
to
bird,
of
same
side of this
is
skin
in
it
flying
Quetzalcoatl
dance
41
on
band
Whereas the
central scene
in
on one
celestial battle,
the other side depicts the eagle and jaguar, symbols of the Aztec
a pair of
Primeros
tral
38
to Tlalocan.
The frog
sit
altar
atop
may
wall to
thus have
Many
Mayor.
the Templo
have referred to
well
may
and many
Templo Mayor
ritually attracted
and compelled
was
past.
gods were
45
this paradisiacal
of
in
Mayor may
who
fash-
cult,
it
was
making of
sacred bundles, and music. Like the sun, the earth and sky were
also created through sacrifice, by the
dismemberment of the
human
myth con-
terrestrial
sacrifice,
and
it is
likely
realm. For the act of heart sacrifice, four priests held the limbs
conjure and communicate with the gods after their mass sacri-
fice.
40
Two
related
accounts of
this
On page
35, Tezcatlipoca
4
'
ver-
38 of the Codex
Ehecatl,
Aztec
dane event.
opening
Xochipilli,
related to
drums,
flowers.
flutes,
In
is
and dance
staffs, as well
turtleshell
as precious birds
images of Quetzalcoatl
or,
more
likely,
and
flying
ecstatic trance
The
flight of Quetzalcoatl
in
During
flute
who
rites
deities.
same
cosmogram
To the Aztecs,
It
was an
doorway
human
sacrifice
mun-
Notes
Sacrifice: The
Beacon
2.
in Civilization (Boston:
1997);
Press,
0.
J.
New
Spain, 13
E.
4.
"In
4.
last
[heaven],
de
los
mexicanos,
god
is
is
called
goddess"
p.
Richard
Press,
Concepts of
Diego Duran,
Fray
15.
of
Oklahoma
Change
F.
6.
p.
Cacaxtla-discovered
at Late Classic
in
same
the
is
and
7.
month of
the later
child sacrifices
8. For the
Maya hero
vol.
in
upon Mount
de
los
mexicanos,
a.d..
105.
p.
the ancient
of a mythical
reptile, clearly a
myth were
Maya
Vase Book,
vol.
(New
Museum
Taube, Aztec
and Dennis
episode appear
British
Press,
in
the Historia
de
los
mexicanos,
by which the creation of the earth can be seen as a form of cosmic rape. For
dismemberment
Amic
Editores, 1973);
de
la cultura
Azteca (Mexico
City:
Alma
Costa-
This statement, by a
Puebla,
as Ritual Space,"
in
and Periphery
of
Sierra de
in
uma,
20.
In
imong
tr
Pueb<
und-
->g
is
D.
and
trans.
to
mod
n Broda,
''eltsand
Nahua
ol
'a
among
pment
an Southvs
Press, 1984],
p.
New Spain,
1629, ed.
95).
Gillespie,
R.
in
Vernon L
and
Directions in
Thompson, Sky
Eric S.
J.
Bearers, Colors
and
entral
In
drawing
of
this
read
is
wraparound image on a
to face
tii-
'
Harr\
N.
Abrams,
can be
the lattei
likely
hi
mortuary symbolism
danos prehispamcos{Mc>
p. 108).
York at Albany,
on the Heathen
J.
de
New
Treatise
the contemporary
-'i
of M,j
Dumbarton Oaks,
since this
p. 107.
woman
D.C.:
cited in
12.
Lost in Pre-Hispanic
their
the days
if
21.
third,
as
David Stuart has determined that a text from the recently dis-
sacrificed.
Oklahoma
this
much
covered Late Classic bench from Temple 19 at Palenque refers to the chopping
Mayan Book of the Dawn of Life and the Glories of Gods and Kings (New York: Simon
Accounts of
Atlcahualo,
Rites, p. 425).
of
1971), pp.
in
in
Press
were
month of
the Ancient
Although the Primeros memoriales and the Florentine Codex describe the
mountain
and
University
(Niwot:
Cipactli
five
Rites
thus the murals depict a plumed serpent of the dawning east and a jaguar ser-
accounts of the
cis-
23.
5.
ed
cis-
Montellano
B.
Gods and
7. For
26.
p.
F.
the Ancient Nahuas, trans. Thelma Ortiz de Montellano and Bernard Ortiz de
dualistic opposition.
Mesoameriec
16. Richard
(Salt
in
D.C.:
terns, see
vols., trans.
Pye, eds.,
E.
(Washington,
cat.
terns oriented to the cardinal points atop Tetzcotzingo probably refer to the
Press, 1999).
XVI (Mexico
3.
and Mary
Clark
1.
1967), pp
26.
27.
On
the
onal
Autbnoma de Mi
129
New
Fire
vol. 7, p. 27.
Karl
of War,"
David
in
Fire,
Carrasco,
Self Sacrifice,
Lindsay Jones,
eds.,
County Museum of
102-23.
trans.
44. For examples of flying figures on teponaztli, see Marshall H. Saville, The
28.
Geronimo de Mendieta,
Historia
and the
spirits of
first
dawning of the
and Europe
Huitzilopochtli in Mexico
Society, 1989),
(Philadelphia:
Image of
American Philosophical
31. For the original identification of heart sacrifice in Teotihuacan art, see
(New
York:
Vanguard
and
Cora, close
Mexikaner erlauter
alten
nach Angaben
der
Cora-
Huichol xukuri, see Carl Lumholtz, Symbolism of the Huichol Indians (New
Museum
York: American
Zingg,
fiestas
de
E.
Stechert,
1938),
pp.
la
rit-
uales,
City: Institute
Calif.: E. B.
In this
regard,
it
is
also
elite
women were
Dumbarton Oaks,
Eduard
35.
1998),
Seler,
women. See
in
p.
Classic
Maya
Karl A.
in
Stephen
D.
Houston,
Architecture (Washington,
ed.,
D.C.:
464.
mexikanisher
mismo
p.
me
72.
mentioning to
p.
181.
am
memoriales account.
Guilhem
39.
Olivier,
in Toxcatl," in Eloise
Text,
and Image
in
Quihones
the
Work
p.
precinct of Tenochtitlan also suggest that the Aztecs related music to ancient
Olmedo
Nacional de
City: Instituto
,,T
he Aztecs' Search
/Aztecs
Soli's, eds.,
[New
de
los
eds.,
in
cat.
(New
York:
Museum
of the
addition,
it
at
Pre-Columbian
Symbolism of Wind
Virginia M. Fields
BAR
Art: Essays
in
and Image
in
nternational Series,
1 1
Translation
(Cambridge, Mass.: Peabody Museum, Harvard University, 1941), pp. 112, 119.
Opferblutschale
In
[Oxford
29.
p.
45.
in
19.
Teotihuacan (see Janet Berlo, "The Warrior and the Butterfly: Central Mexican
161).
p.
Wood-Carver's Art
American
p.
in
Mesoamerica
Los Angeles
Mundi
Axis
THE AZTECS CONCEIVED OF A COMPLEX ORDERING SYSTEM TO ORGANIZE THE DIFFERENT PLANES
and paths of the universe. These planes were interconnected to bring order to
the present and can be understood as realities with alignments vertically super-
imposed, divided into four sections oriented to the four cardinal directions.
Each had a different magnitude, interpolation, and proximity to the various
was contained by
aspects of the Aztec worldview. Ometeotl was the primordial axiom whose
existence could not be represented (and thus there are only symbolic representations of his perceptible manifestation
the
in
cosmos and/or
physical world).
He was understood as an all-embracing and all-embraced premise that preceded everything. Ometeotl conceived the four Tezcatlipocas (Smoking Mirrors),
among which
directions,
the contents of the universe were divided and ordered into four
inward toward a center. These four divine offspring would impose themselves
upon
reality
from
would be marked by
through
their
their
own
smoking-mirror
distinct
reflection,
and each
level
features,
each of
of subsequent reality
a different color
and with
different nature.
fire
and
where the four directions united, was determined by the balanced meeting of
these four possibilities and shared the quintessential characteristics with the
primordial sphere, differing only according to longitudinal and temporal rank.
this equilibrium
From
this
focal
fusion,
ruler of order
the approval of
to
Ometeotl himself, the four Smoking Mirrors created within the borders of
sphere the original elemental substances-Huehueteotl
fifth
(fire),
Tlaloc
this
and
air
Mirror.
(always
in
dual form), four eras arose, each presided over by a sun, each charged
had
Smoking
its
own
fire
first
element to dominate an
followed
humanity or
era,
its
was
life,
was the need to create death. Nine levels were established beneath the
terrestrial plane where existence unfolded. When a human being died, it would
there
it
to shed
its
singular virtue.
1200-1521
3&
Aztec, ca.
1400-1521
ages
tf&
when
its
gathering of
agreed to create
all
new
"sun,"
being dies,
the virtue of
it
must
it
life.
in
to return to
First
(separated by thirteen levels of proximity) and establishing the earth (with four horizontal, perpendicular influences restricted only by the dual sphere of Ometeotl). This
men, located
at the
in
the form of
Xiuhtecuhtli.
its
earth goddess
showed
the form of
human
their
caves,
era.
own immediate
fertility,
a pre-
required a tribute
in
rise
and war.
ritual for
through
Mirrors,
mankind,
and as
its unity,
for
By weeping, the
their
In
numenic
a gift of blood,
dominbut sig-
Due
lives,
so that
its
was characterized,
daily path
first,
demanded
it
that
by the fusion of
and elemental
essential
all
four previous eras had been formed from the multiple combinations of elemental sub-
in
the Lord of Mictlan. Once again Quetzalcoatl, with the help of Xolotl, his proximal deity
(but of a lower magnitude), descended into the realm of the dead to retrieve these
bones. The divine essence had already departed from the skeletons, and
of this
bones
numen
until
it
to shed
own
its
it
was the
task
first
human couple
would be formed.
They then gave the humans maize,
instructed the people
of days). With
in
their
this, a strict
retribution covenant
patron
to
venerate
(Hummingbird on the
immediately after
was during
It
the
in
Left),
being
sun,
this long
with
its
in
numbers,
until
they were
Huitzilopochtli
numen, Huitzilopochtli
decapitated
his
sister
the
moon,
Coyolxauhqui (She of the Rattles on her Cheeks), and devoured the blood and hearts
of the vanquished lunar
people, and
if
army
From then
on, he
practices,
city,
all
and
all
of their social
their tasks to
them
in
the form
of blood and hearts. They also devoted themselves to providing sustenance for the
other gods.
In
when
in
temple-pyramids
divinity.
which the gods' proximity was made perceptible, namely, those points
festivals, rituals
spiritual
emphasis through
instruments and symbols associated with the particular deity being venerated, as well
as those associated with his or her path of influence.
Due
to their
knowledge of the
tonalpohuolli (the divinatory calendar), the Aztecs were able to locate themselves
within this celestial and temporal cycle with a complete understanding of both the
tial
ini-
point of origin and the rhythms and trajectories of the heavenly bodies, which
in
at
knew
exactly
what
distal divinities
all
ritual
were
with
transcendental manifestations
its
in
the cosmos: that of erecting, maintaining, and perpetuating the fifth support, the
whose
who
its
all
cardinal influ-
dominant essences.
--
too
Aztec, ca.
500
Aztec, ca.
500
Following pages:
Aztec, ca.
500
Aztec, ca.
500
3e?
oC
87. Tlaltccuhtli
Aztec, ca.
1200-1521
"%*
88.
Fragment of anthropomorphic
brazier
Aztec, ca.
1440-1521
90. Duality
Aztec, ca.
1500
Aztec, ca.
1500
try
Gods and
Rituals
<
HOW
tiitlltriit
Olivier
who
formed the
first rites
and acknowledge
per-
their superiority.
The myths mention prayers and offerings of copal and of blood from autosacrifices
creation
myths
among
example,
telling, for
how
in
an especially prominent
is
deities.
Human
sacri-
ritual, particularly
the Aztecs.
numerous
Other
system.
ritual
Every ritual had to conform to a precise time frame determined by different cal-
endar calculations. Myths speak of the creation of these calendars by the gods,
who were
patrons of their
many
and Venusian
eras. Yet
came down
to
specific dates.
and
cycles, suns,
in
of twenty days each, plus the nemontemi, five extra fateful or dangerous days;
a divinatory or ritual
were
identified by
twenty signs
in
numbers. One feast cycle was developed based on the solar calendar;
was celebrated
trast,
in
were celebrated
in
is
famous toxiuhmolpia
the
was
a festival
feasts,"
in
When
by conthe
two
New
Fire,
ceremony)
carried out.
Its
in
reference to birth
as those of
all
any number of
ncluding going on
a<
trips,
were held
vest.
ol
rulers.
Such
ri
a*.
activities
ritu
ple,
(such
in
foi
in
(for
exam-
iroups participated
92. Ehecatl
in
vr'i
sv
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ig
s
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some
included
all
more
select, as in
the case of the veneration of particular patron gods by nobles, priests, artisans, prostitutes, or
All
and
sacrifices of animals
last
scholars, than
own body
in
Autosacrifice, the
ritual.
maguey
thorns),
was wide-
were varied: to do penance and have one's offenses forgiven, to acquire merit
practice
life,
and human
sacrifice.
"partial" death, a
who was
person could
believed to be an "image"
was
ruler,
the ruler
val,
was
of the
was the
between the
"sacrificer"; in other
who was
Mesoamerican
sacrificed
is
sacrifice.
mature women,
girls,
sacrifice of their
own
images.
and the
sacrificer
god on
more
sacrificed. To be
specific, the
for the
warrior gods, Tezcatlipoca and Huitzilopochtli; old people for the god of the underworld, Mictlantecuhtli;
young women
for the
death would
were burned
in
god
fire,
The procedure of
name means "Our Flayed Lord"; and shot with arrows for the god of hunting, Mixcoatl.
By means of autosacrifice and sacrifice, the sun, earth, and gods were fed. After all,
these very gods had given their lives so the stars could move at Teotihuacan, and had
given their own blood to create humankind. In Mesoamerican thinking, the idea that
life arises out of death was fundamental. A significant example is that bones were considered to be seeds, and
ated.
it
that living
humanity was
for their
own
cre-
renewal;
in
sacrifices to the
humans
life
occasion of births;
tain
gods and
private rites
in
Although
in
fertility; in
caves to thank
from time
of course, with
some changes,
in
rites
still
mounto time,
survive,
'
:-^
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-~
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C*JS ***<>3?y
'
3*S
_
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Aztec, ca.
1500
Aztec, ca.
500
100. Ehecatl
monkey
104. Chalchiuhtlicue
Aztec, ca.
aloe
500
mask
106.
Pumpkin
Aztec, ca.
1500
from top
left:
107. Agriculture
Aztec, ca.
108.
goddess
500
Teomama
Aztec, ca.
500
109. Tlaltelcuhtii
Aztec, ca.
110.
500
Cihuateteo
111. Skull
500
Aztec, ca.
Aztec, ca.
goblets
1
500
*v<
^*v
^p.
V
V SW
S3
/*"'/"
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112. Xochipilli
Aztec, ca.
1500
Facing page:
Jr
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flft
f^^|
1^^
ft.
114. Techcatl
Aztec, ca.
1500
Aztec, ca.
1500
Painted Books
and Calendars
Elizabeth Hill Boone
IN
WAS
painted books
now
PAINTING,
IN
aspect of Aztec culture. They told of the creation of the world, the beginnings
of the Aztecs, and the deeds and conquests of their rulers. Religious books
how
how
described which supernatural forces governed the various periods of time, and
when the fates were most auspicious for different activities; they indihow to live a correct life. Practical manuscripts listed tributes and taxes,
thus told
cated
described the allocation of lands to be farmed, and recorded the cases and decisions of the legal courts. There
not addressed
some
in
was
fashion
in
little in
the
life
was
the wise
form the
to read
ideals,
was
It
tem was
fell
it
to
them
them
Although the
in
figural
for
what they
were arranged
All
spatially according to a
gleaming, white surface, they were painted on both sides and preserved
woven
paper, hide, or
how
and how
lished.
c
the people
Almost
from
all
way,
to
occupy
their ancient
to the Valley of
the
came
homeland
their
communities,
their territory,
communities around them were estabthe mythic past, with the Aztecs' depar-
this
in
the
momentous
founding
of
the
new
capital,
Tenochtitlan.
for the
Mexico and the great hardships the Aztec people suffered along
culminating
Beginning with
in
its links
community
phenomena
!
rulers, their
Kually
116 Xiuhmolpilli,
i
ca.
500
Death
SSA
*:
%
L
I
40*f
S *
-**
year
long continuous
in a
line,
entity that
human
behavior by indicating
religious
how
itself
endures.
the most
rulers,
vital
books for
months
was
365-day
composed of eighteen
cycle
of twenty days each, followed by five extra days, which were useless and
unlucky. This calendar controlled the monthly feasts to the gods and paralleled the
agricultural
(literally,
cycles.
It
was
a cycle
ritual
Crocodile
was followed by
set
in
human
repeated.
thirteen,
which likewise
and so on.
Four of the day signs (Reed,
coefficients also served as the
numbers created
tury.
The
Flint,
names
brilliance of
Mesoamerican calendrics
is
cycled together every fifty-two years. Each day had both a place
and
day name
in
in
its
parts
directions,
all
human and
qualities.
(literally,
in
how
the
they
tured the gods and prophetic forces that were associated with the individual day signs,
with the day coefficients, with the periods of thirteen days, and with other internal
cycles
in
It
priest or
daykeeper to
consult these different almanacs to discover the multiple influences affecting a particular
day or group of days. He or she would identify and interpret the distinct gods,
symbols, and elements painted alongside the day glyphs, would weigh and judge their
relative merits,
fate.
its
fate
read shortly after birth, and every Aztec consulted the calendar priests at significant
moments throughout
his or her
life.
until
a result of
lists,
and the
about 1600.
Manuscript painting endured because the Aztecs and Spaniards both recognized the
painted books as containers of knowledge and authentic records of Aztec culture.
/A
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Aztec, ca.
1325-1521
i%
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121. Xiuhmolpilli
Aztec, ca.
1500
M&l**
Aztec Society
Commoners
Nobles and
Michael
I:
Smitli
AZTEC SOCIETY
many
less
AND THE
they were
in
owned
trolled the
were
charge of
far wealthier
provide labor service to nobles, pay taxes to their city-state governments, and
We
and
nobility. This
society.
Aztec
in
homes
anonymous
leading bleak,
many
the course
in
cities.
life
look at the varied lifestyles and social roles of both groups helps
in
and
but
(ruler),
maintained
in
often residing
myths,
descendants or
Most
pilli,
lords'
in
or
around
rituals, calendrics,
his palace.
was
that of
pipiltin
in
to
disciplines,
read and use painted books (codices) that recorded rituals, dynastic history, and
additional information.
from different
two noble
city-states. In
one
class;
membership was
respect, this
was done
for
lim-
came
simple demographic
reasons: Most city-states were small, and their noble classes simply did not have
enough members
for
in
ally
to
royal families,
between
was
also a
that
between
ruler.
that existed
a ruler of a less
Indeed,
power-
its
rise
patterns of mar-
riage alliances. Before the formation of the empire in 1428, the Mexica rulers
i
to
cities,
including
Azcapotzalco and Cuauhnahuac. Once the Mexica ruled the empire, however,
ICUC
ttti
txiidtyacaMtith
mill
v y coaftli
g
crvtipfyrtut
folic
pul
ixitfhyacavrttttf^
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y4cpef\piy.f?<d
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txv./r%o/i
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w;/^
million
+c<?hil?im>(*-y*
IXtlliihlltM
jovtrTiadox.
xitchujticnfih)'-
ikHI ir^cn
ixmti\a<4rmi4ii
\><im?y-rn
known as
Historic
575-77.
1X111
+ ill
T/4
'Xftlit/n
fc&L
marry
women
many
A shrewd ruler
Nobles
practiced
polygamy, and
rulers
wives.
his standing
and power.
in
royal funerals,
documented
best
of these
states to gather
for nobles
city-
rituals,
exchange of valuable
gifts
among
nobles.
ceremonies
all
link
polit-
inten-
Once the
Triple Alliance
many
When
gifts,
left in
Conquered
and other
its
were allowed to
rulers
state
privileges,
to work.
sionally attended
were
gifts;
ceremonies or engaged
in
marriage
exchanged
Many
social
of the gifts
and clothing made from exotic lowland materials, such as tropical bird
to such events
exclusive.
mon
stone sculptures
Calixtlahuaca
One
was the
worn
result of this
creation of
com-
in
the
in
same
in
number of
some 50
(a
some
Malinalco-come from
areas
is
provincial
in
art.
Palaces
While nearly
all
in size
the variation
archy.
Although these
wealth
in
were
larger
hier-
much
participated
palaces,
in
Archaeologists
networks.
which range
Artifacts from
nobles used
size
in
several
of
elite
their
their
much
have excavated
same
the
the
rulers
of provincial
pilli
and
city-states controlled
in
amounts
compounds on
palace
and Yautepec,
for
example,
layout,
rural lords
common
at the
larger
to take
provincial cities. At
cities,
in
used
style
Aztec
style of
obj'
common
in
Material culture
political
regional nobles.
advantage of
rulers took
its
same processes
Elite
were carved
transcended the
among
distance of
in
rect rule in
com-
empire by more
Aztec society:
ing regions.
mon
stone altar
They helped
rooms
plan, with
were occasions
sacrificial
One of the
victory
common
to a
was attendance
royal
built
in-
ry
and had
amp
'
ilaster
on
floors
and
walls.
Around the
requisite
large,
chambers
One
is
the palace.
All
known /
.ices,
altars
and
shrines.
was considerably
pow-
Although these
cities'
documents
give
some
less
Fernando de Alva
Ixtlilxochitl, a
descen-
neighborhood within
obligations toward
belong to a
but
calpulli. Theoretically,
management
practice
in
members had
of the land
who
lighter
not
did
commoners
also varied in
historical
cities
status.
and
ruler
and
throne
philosophers,
for
weapons, food, and other goods. One can only imagine how
elaborate the palaces of the yet
rulers
Many
used
in
palaces,
in
objects
were
and the
like
also
these.
Commoners'
Lives
was
nobility,
to serve
in
palaces.
On
meals
ceremonies
in
and
vessels,
ritual
monopoly
and
commoners
lifestyles.
vary
wealth,
their
in
archy were the tlacotin, or slaves. This was not a large social
was not
times of famine or
slaves
crisis.
for slaves.
in
became
hereditary. People
for feeding
ser-
fit
a highly varied
known as
the category
in
group, but
its
distinctions
do
rural
peasants
dependent upon
a lord
who were
like
medieval
common
who
show
human
carriers
of
when they
their
nobles.
Many
lived
occupation.
and sold
some
at
commoner. The
of Aztec utilitarian
fields
griddles, baskets,
time specialists
products
the
in
working
in
near
ealpullis.
calpulli
was
group of
and luxury
crafts
their spare
who
their
worked
output
in
the
who
selves or presented
craft
them as
worked
in
the royal
most pieces
markets,
skilled,
them-
The luxury
palace, along
lived
and
craft
workers were wealthier than other commoners, and they interacted with nobles on a more regular basis.
Rural
commoners, that
is,
peasants, lived
in
houses of adobe
families
as agents of
expeditions at night,
skills in
serfs: heavily
for
goods-such
fine art.
a hierarchy of
status, independence,
and caring
on the road
and
flutes
Just as there
worn by
likely
vessels
commoners
wealth and
merchants who
teams of specialized
(built
their
in
professional
chrome ceramic
long distances.
rulers,
to
the rest
pochteca were
The
most of these
structure
was home
common
to a family group.
Sometimes
moners
lived in larger,
multiroom
sum
In
lines.
patio.
Each
a big, multi-
Tenochtitlan
com-
In
the
provincial
city-states,
u :al
in
however,
commoners'
In
com-
and
maeehual means
moners
commoners
"subject,"
varied
in
relative
number of
them with
ily,
regular tribute
payments
in
was
in
obliga-
to provide
most commoners
make
their
own
much
In
activity
daily
life,
decisions on
many matters
form of
money
freedom of
rulers.
duced by the
families.
Commoners also
Men cultivated a
(a
women spun
Such duties
typically rotated
among
each
week
days long)
five
located
in
in
cities.
(the Aztec
week was
size,
of nearly
In
all
commoners.
addition to tequitl,
complexity, and
commoners were
called
upon
to serve
good
sellers
order.
the ruler for various special activities. The Aztecs did not have a
economic
When
a real problem.)'
a large project
was
commoners were
up
in
in
charge of
Most managed
to
meet
their
some
many
own
level
of
aspects of society,
known
own
des-
economic comfort
their
For
tem
called
in
and
wove cotton
to
production of
cloth
in
their
advancement
textiles.
who
was
from
via the
Aztec
It
maintained
lay in the
its
market sys-
of Aztec
r*
c
"S
;C X-
<*^v
women
had
choice
little
producing
in
If
exchanged
of a household could
its
in
yielded
women
the
however, since
textiles,
numerous ceramic
Note
1.
It
was not
prominent
a capitalist
roles for
is
wage
it
labor. In
the Aztec economy, land and labor were not commodities; they could not be
like
of the latter
in
was
the existence
similar to a
number
Greece and Rome, and the Swahili of Africa. These can be contrasted with
in
were amazed
in
goods.
commoner wanted
If
lists
of these
was no
the market.
in
Such items were expensive, however, and vendors of exotic jewfound more customers among the nobility than among the
elry
and commoners.
houses,
many
finely
were
in
made
commoner
instruments
including
and
flutes
and jewelry of
whistles,
commoners. Goods
Nobles,
these
social
ditions
in
and economic dynamics of Aztec society created conwhich few material objects were used exclusively by
nobles. While
certain
goods
we know
of
made
stone sculptures.
class. Nevertheless,
for example,
One
the
likely
in
nobles clearly
like
Many such
limiting
to the nobility-most
most
like
cities
The
some commoners.
is its
wide-
in
and the
like
were
a
all
few large
cities.
Merchants
social interactions of
is
known today
as Aztec
art.
known
ancient,
noncommercial economies
like
Everyday
Life
Tenoehtitlan
in
Michael E. Smith
DAILY LIFE
IN
human
day
life
many
were the
down
live in
every-
in
result of proficient
made
During the day-as people ate their tacos, burned incense to the gods,
purchases
in
daily life-they
we
came
daily
life.
a consideration of
lives
of
Aztec
in
were
for the
most part
today as
The ceramic vessels used to serve food, on the other hand, were more
"art."
finely
finished, often with colorful surfaces painted in geometric designs using a vari-
in
commoners
alike.
Excavated Aztec
and
for the
Mexico had
its
own
were widely traded between regions. Many Aztec families-both nobles and
commoners-must have
Feasts. Special-purpose
lies.
life-cycle celebrations,
such as wed-
dings and funerals, were occasions for larger groups to gather at the house
of a host family. Feasts called for out-of-the-ordinary foods served
vessels or containers.
to drink cacao
in
special
on
festive
occasions, and bright red pitchers were used to serve either cacao or pulque.
Polychrome serving vessels may have been used at feasts more commonly than
at regular meals.
An enigmatic
vessel
form-an
on three
legs
Domestic
rituals.
Inside Aztec
homes,
paim
in
temples.
in
Numerous fragments
was
long-handled
of such censers,
in
form, have
been excavated from the domestic deposits at Aztec houses. These censers were
basic household items, as were small
lity.
used
in
ritual
and
rattles,
events.
and
were also
Some
of the
Aztec, ca.
1500
implements of domestic
items used
household
Many
the home.
in
particularly
the
long-handled eensers-duplieated
clay figurines-were
Work
ritual
public rituals.
in
rituals
wove
the markets.
produced
goods
in
in
it
Many other
Aztec homes
utilitarian
women spun
Many
cotton
in
the marketplace.
sev-
in
sell
these
who
also
were sep-
royal palaces or
arate dwellings.
trip to
cities.
all
components of
all
most expensive
luxuries (featherwork
in
but most
nobility,
works
commoners
in this
exhibition probably
few other
Aztec marketplace. Marketing was not only an economic activity but also
event, a time to
market day,
for
on
My
weekly occurrence.
trip to
the
the palace.
the market.
ruler,
went
It
trip to
to see a judge,
in
commoners
at the markets.
their jewelry
trip to
news and
their
at an
a social
as enjoyable as a
were large complexes, and commoners there on everyday business were able to see
neither the interior living quarters of the royal family nor their luxurious furnishings
and
art objects,
trip to
numerous temples
all
of Tenochtitlan
In
the temple
precincts and on top of the pyramids, large stone sculptures, braziers burning with
However,
visitors.
many
Some
sculptures
then buried as offerings. Thus they were probably never viewed by anyone other than
their creators
Daily
were
and
life in
a select
few
priests
and nobles.
finely crafted
in a
their
homes were
of the objects
in this
many
of which
typically
on display
in
art;
public places or
in
in this
in
own
or have
lives.
(nihil
,
ca.
uhlh prndjnl
1500
^F
Mixtec.ca. 1200-1500
127. Xiuhtecuhtli
f?C
m
~
i
*<\
128. Ear
ornaments
3
L^
**
w7 \
l*ii^*fci'
-
of a descending eagle
Mixtec, ca.
1325-1521
W Mt
-L^
new
f
*-
>>*.'
figure of Xiuhtecuhtli
Aztec, ca.
1500
Aztec,
900-1521
132. Xiuhtecuhtli
Mixtec, ca.
1500
pendant
vVU
or,.*
sfri
serpent with
Aztec, ca.
its
tongue out
900-1521
VI
, I
vv
135. Ear
ornaments
\.
"
,\*
136.
Following pages:
Aztec, ca.
1500
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hard / Townsend
IN
DAWN
THE CLEAR
OF A NOVEMBER DAY
IN
lake basin
city.
in
in
in
into
ceremonial finery:
their
all
causeway leading
brilliant
feathers, golden jewelry, obsidian earspools, jade labrets, cloaks with heraldic
Motecuhzoma
plaza
in
II,
On the
floor of the
ruler),
wide
city
front of the palace. Nearby, to the north, lay the walled ritual precinct
bloodstained
tzompantli
tiers
of the Templo
stairways,
the
ballcourt,
council
tall
houses,
and
the
fearsome
through the
stately pace
silent,
the place of
city.
wail of fifes
the signal, and the strangers stepped out onto the causeway toward the heart
of the Aztec capital. Sunlight glistened on their polished steel armor, and horse-
men scouted
files
came
numbered
and murmur swept through the throng when they saw a raised White
now
allies
office.
his
Ceremonially
exchanged
in
was
who became
Cortes's consort
politely restrained
from giving
he
beads strung on gold filament and scented with musk. The parties turned to
continue
in prot
nto the
ed to a servant,
city,
Motecuhzoma ges-
shrimps a span long, which Motecuhzoma himself put on Cortes's neck. Hie
qers were
invited
to
quarter their
army
in
the old
royal
palace of
WM
tk
known
579-81.
Nueva Espana
<
in
the middle of
their
employed unsuccessfully
mutually
a visit
only encouraged Cortes to burn his ships and dare to lead his
tiny force
Then came
tlefield discipline
drill
combining
highland
bat-
and close-order
warriors-foes the Aztecs had never vanquished. Cortes's diplomatic genius was subsequently displayed
making the
when he succeeded
in
at
Cholollan
(modern
tactics of
in
were
plot
killed
was
nullifying their
without quarter
in their
own
among
rebellion
Cortes and
Motecuhzoma met
it
at Xoloco, Cortes
still
was
that
dissident tribute-paying
it
tried again,
with
might encourage
towns
in
the Aztec
ancient Rome.
V,
informants
in
The
initial
months
of residence
uprising
and
the
disastrous
retreat
allies joining
in history.
in
the
Spaniards and
and
warrior,
or
starvation, smallpox,
to
led
Mediterranean
civilization taking
indigenous ways of
years
later. In fact,
army
in
superstitiously affected, as
sk his
might be
city plaza.
When
at Cholollan
interior.
when Spanish
cavalry, firearms,
in
meeting,
in this
of each other
for Cortes
in
life.
shape
in
August 1521.
new form
in
of Hispanic
de
la peregrination, ca.
520-40.
<r.
its
tin
many
among whom
peoples,
in
downtown Mexico
City
and
and areas of
artifacts, residential
and manufactur-
cultivation.
using archaeological
In
was
unclaimed
of
cluster
and
islands
reedbeds
the
brackish
Lake
in
life
of
had been
aquifers,
millennium
first
B.C.
lization
fall
beyond 2000
well
civi-
centuries
was
course for
readily
matched by that of
from
in
with
its
in
domain surpassed
Peru.
The
sacrificial
only
aspects of their
in size
life,
appalled
and modern
more
easily
economy
highly productive
and the
in
intimate contact with the earth, the sky, and the changing seasons.
a
An annual round of
agricultural
and state
rituals
provided
and the
brilliant
imagery of Aztec
visual expression to an
their imperial society
art
583-87.
a.d.
first
and
its
The
saw
later
monuments
the creation of a
new
military state
and seventh
B.C.
an immigrant tribe
of
Similarly, the
life
among
stantially
may have
included
rhythm of communal
changed.
Yet, as
in
the past,
the valley continued attracting immigrant populations. The violent downfall of Toltec Tula
tribal
set in
motion
in
idealized,
"official"
pictorial
manuscripts and
oral
migration
legends,
with
to
formulaic
that
may
actually have
happened
tribal
in identifi-
protagonists as
cxrzm
*=
/..
fl
.'
Among
The
first
in
the
rise
among
amaranth,
mediums.
The migration entered the realm of history when the
northwestern
chia, chilies,
arrived
at
and
The
more properly
the Aztecs,
different
last to arrive
generically applied to
with
ethnicities,
itself.
episodes
the
it
origins to
and
not
are
sequential,
settled;
expressed
are
facts
in
Chapultepec,
persed
the
primitive
by the
as
dis-
and
who
in
all
in this last
Teotihuacan
were
is
well to
build-
in
third
tribe
in
warriors
in
frogs, fowl,
fish,
its
neighbors.
and produce
the
in
marketplace and began to intermarry, but the Culhuacan chieftains perceived a future threat
flee, this
in
later years a
was
in
a lake far to
the north.
perched on
wandering
Huitzilopochtli.
tion legend
is
The most
vivid
by the chieftain
(Serpent Mountain),
in a
It is
said that an
aged
priestess, Coatlicue, a
dess.
She
kept by an
woman,
named the
is
Coyolxauhqui, and
should
tribe
A branch
beds.
said
it
settle;
island,
would
flourish before
its
women
lake
it.
men gleaned
The
the
for locally
ascendant
Huitzilopochtli.
Coyolxauhqui,
and
kill
their
Her
pregnancy
who summoned
threatened
the
outraged
enemy
force
Wielding a xiuhcoatl
(fire
as
reached
an
in his
the summit,
invincible
warrior.
hill
down
in
the
fierce
in
Tenochtitlan.
city of
fall
was
sination,
towns of the
nities as a
valley.
commu-
in
intimidation, statecraft,
ticeship
ended
in
and
levels of
ruler Itzcoatl
ruler
and
in
1428
their conquests.
First
Following pages:
after 1521.
Map
'
<
^
r<
i
J
-
ft
f-
.f-
MMua
-<;
*"
*
'
"T
./.N
&*
Au
*>
'
ift
i.
*
.
liar'
;.
*:
A.
I.
'
>
s
ft
I. <>
4JB
N
**
~*f
fel
1*
Wfc*
initiated the
chinampas (from
first
chinamitl,
fertile
in
the resulting rectangles with cane walls and stakes. The enclo-
sures were
filled
ing platforms
above water
gave the
in
The attendance of
lesser
was
and pre-
and to
homage
to their ruler
assist
in
on state occasions
war.
In
gardens.
illusion of floating
relations.
level.
mud and
with layers of
Spheres of influence and rights of conquest were established by the allied leaders for their respective cities.
Schedules
customs and
Netzahualcoyotl
mores,
of Tetzcoco
laws governing
(reigned
the
diverse
tribute
for
of the spoils
ments
to be
Rules prescribed
strict impartiality.
exclusive and
in
to incorporate territory or to
conquered lands;
if
their
possible or by force
in
far
necessary. The
if
circumstances. Yet
judged
in
it
was apparent
it
was necessary
widely
to
notions
held
new codes
Nevertheless, the
handed out
reasonable
of
to keep
which held no
according
for mitigating
rigid
justice
behavior.
tion
Motecuhzoma
II
(reigned
on
riors to build
allied capitals
legal
society
and
built greater
this period,
(reigned
from
tribal
Itzcoatl
respectively) to Netzahualcoyotl
their hierarchy,
and providing
sals,
for the
its
communal
traditional
elders participated
in
conquered
directly
stratified
for
the
from
whose
to influence or
d,
(clans)
make major
ted,
tribal
system of calpullis
rulers
derived
their erstwhile
A form
their
of aristocracy already
legitimacy
antagonists
in
by
having
Culhuacan, that
in
their personal
larger
city
town
local
in
md
o'
'
ip
tl
sphere.
those
with lead
lies
ibling
them
of principal
to
maim.
also
furs,
in tropical
ignated wards
under
their
in Tlatelolco.
own
was
for
inherited
lived in
des-
and
and
of Guatemala,
feathers, greenstones
means
was
in
the
1469-81).
in
their nations.
ed
and extending
its rivers,
kept.
One major
|li
l, ill
ill
tin
Another
Mum
ill
li/nc.
^ tm
mm
route
down
led
and
Oaxaca
to
across
Isthmus
the
of
probably also
reached
turquoise
sources
in
north
to mining
districts
Cerrillos,
a rising
New
Mexico.
far
However,
forces of nature
assumed profound
the
critical in
through
sacrificial
rites,
states
ssion also
its
powerful
rain
farming people as
it
in
nee,
essential to regulating
ent.
activities of
and regular
life
in
hand with
a sense of pei
human par
in
in
and choreographers of
architects,
of designing a
ritual
and
their
city-
was correspondingly
Tenochtitlan
interests.
its
maintaining
and
as
political,
ritually
cities
zation of high-ranking
in
in
rise to
was
significance and
assuming
special impor-
In
layer.
re of
tl
left
the temple of the rain god Tlaloc, representing the seasonal for-
mation of
right
half
rain clouds
represented
Huitzilopochtli's
mythical
valley.
The
mountain
Two
led to
was
monument on
sculpture of the
dismem-
their
was intended
fetishlike
War
placed.
way up the
to fertilize
stairs to be
sal
the
in
old
in
the ways
in
commemo-
left,
confronting his
in
cial
temple
within
Tenochtitlan. Yet
all
life,
when
Ahuitzotl
assumed
office.
itself
The passage
ritually feed-
as
As the
allied capitals
sans, traders,
arti-
Views of Malinalco.
fire;
of
rain,
was the
Some
in
The earthly
representative
of the
sun
was
fire,
fire
kindled
on
the
summit of the
down
was the
cities
summon
tall
festival, in late
made
Tlaloc,
clouds
rain
highland mountains.
May
or early June,
was
a pilgrimage to the
remote shrine
made
of the valley
in all
named because
summit of the
most important
designed to
main
deity of rain, so
called
hill
by torch-bearing run-
spe-
precinct
directions.
Tlaloc's
earth between the rulers. The large cartouche below has the
in a
of
ceremonial
principal
They stand on
Twin
the
custom of housing
new
past.
one of
many
expression
in
the middle of
that sweeps
down
rain.
In
with
one
M
.
'
'
guise, he
of an aquatic bird,
bill
name
was
name
was
Quetzalcoatl
or legendary heroes
of
a giver
tually claims
all
life,
the source of
was
Coatlicue
fertility,
its
was another
war as
well
Aztecs
summer
woman
and
times,
also even-
In
tivals
was
of a cycle of
life,
was
She
essential.
holding the
many
tender
first
other deities
performers at
ritually attired
in
city.
June through
and harvest,
rulers
were
Coronation
lar.
in
terms
in
individual
cycle. In
rites
and
collective
life
rites
by
encompassed vast
resources,
mobilized
withdrew on
the
royal
gifts.
From the
outset,
when
feasts,
the ruler-elect
regalia,
the coronation
war,
the bestowing
of
Huitzilopochtli
slaying
formance created
determining role
and
architecture,
and
ritual
per-
and
state.
When
fertile,
luminous
setting.
Many
them-
factors contributed
and forceful
rulers; the
for ritual
reciprocity
in
which
toward the
way
never
of
life.
But for
outgrew
really
all
their
menace
a great
dynamic of
dis-
and to the lengthy dry season that followed, which was the time
for long-distance trade
the cities of the Valley of Mexico, the annual cycle of fesof these deities
the
is
it
doll)
it
but
in
not only
sacrifice
in
is
Tolteca
sun, water, earth, and food sources, while also serving to create
among which
titles,
new
of ruler-
title
in
many
the
base; the
1519,
when
meet Motecuhzoma
the causeway to
Tenochtitlan,
and
in
many
their
lost
in
II
at
the entrance of
and reclaim
in
pride,
property,
to arise
much an
Indian revolt as
it
was
in
Spanish conquest.
The Provinces
I
of the Aztec Empire
/nun
WAS
es I
Berdan
until its
in
was
It
built
were
capitals
Mesoamerica throughout
volatile, political
matic
rise
and
all
and military
fall
its
sizes
history
relations.
It
and power.
sit-
relatively
amicable
Aztecs,
the next.
develop into
who began
city-state that
powerful
politi-
as poor mercenaries
in
a small,
largest
allies
still
empire
in
Mexica, as these
The capital
city of the
impressive
Mesoamerica's pre-Hispanic
many
history.
as 250,000 inhabitants
1519,
in
when
the
Spaniards arrived.
for the
emergence of
was Azcapotzalco,
his
to
in
Now
widely
known
allies,
immediately to overwhelm
its
neighbors
When
the
in
moves against
alliance
city-states
controlled
beyond the
thirty-eight
was
it
basin.
tributary
at
its allies.
To further their wars of conquest, the Aztecs offered valuable economic and
social rewards,
tle
unclear
if
is
In
addition, they
n e
(h
in
nple Alliance
tai
with
procession of warriors
ca
200- 1521
..
TRIBUTARY REGIONS
TRIPLE ALLIANCE
The North
I.
Oxitipa,
1.
{Codex Mendoza,
Luis Potosi
3.
Tuchpan, Veracruz
4.
folio 57)
(folio 30)
5.
6.
Tlapacoyan, Puebla
7.
(folio 28)
(folio 5)
II.
Tetzcoco
San
2.
8.
Xilotepec, State of
9.
Axocopan, Hidalgo
Mexico
(folio 11)
(folio 29)
State oe
Mexico
Tlacopan
Federal
District
10. Atotonilco
Mexico-Tenochtitlan
de Pedraza, Hidalgo
(folio 30)
2.
5)
(folio 9)
Federal District
13.
14.
(folio
2)
Cuauhtochco, Veracruz
(folio 26)
Tochtepec, Oaxaca
(folio 48)
IV.
19 Citlaltepec, State of
Mexico
(folio 17)
Mexico
(folio 4)
V.
TheTarascan Frontier
Mexico
(folio
Mexico
(folio
3)
4)
1
5)
6)
The Southwest
VI.
Cuauhnahuac, Morelos
29.
30. Huaxtepec,
Morelos
(folio 6)
(folio 7)
Quiyauhteopan, Guerrero
32.
VII.
(folio 20)
Oaxaca
36 Tlauhpan, Guerrero
37. Tlaxiaco,
Oaxaca
(folio
38 Coyolapan, Oaxaca
39.
(folio 23)
(folio 19)
47)
(folio 24)
Xoconochco, Chiapas
(folio 25)
more
distant campaigns,
city-states (most
way
in
its
which conquered city-states within and near the Valley of Mexico were more
in
farther-flung provinces.
Imperial
mented
and
a variety of military
luxury goods into the three imperial capitals. Diverse resources were provided by the
tributary provinces brought into the imperial
these
goods-such as shimmering
web through
tropical feathers,
military conquest.
Some
of
lifestyle
of the ruling
elite;
with a
cities
rial
conquests
a greater variety of
in
and beans, maguey-fiber clothing, honey, and wood products. Later conquests
land zones provided
stones, gold, cacao,
payment
and jaguar
in
low-
in
skins,
among
all
provinces turned
over feathered warriors' costumes; highland peoples would have had to import the
tropical feathers to
The Aztec imperial powers developed another significant strategy to achieve their
It
their clients
clients
tribute. Clients
gifts, reflecting a
more
reciprocal
was
served their economic and military purposes. The Aztecs and the
it
exchanged
client city-state
clientlike rela-
if it
was
enemy
in
territory,
it
If
adjacent to an unconquered
it
if
the Aztecs of the need to directly protect and sustain trade routes, critical resources,
and
trib-
In strategic
tributary provinces, local city-state rulers retained their right to rule even after being
incorporated into the imperial net. This hegemonic arrangement continued as long as
tributary obligations
lectors
A more
in
conquered regions;
less
to be installed.
imperial rulers
and the
ruling
houses of conquered or
client
city states.
In
arrangements, any offspring would carry royal legitimacy from both imperial and
Page
these
local
1541
heritages.
The
Triple Alliance
city-states into
economic and
participation
political
its
social
in
were
in
elite
formed
emperor Motecuhzoma
II,
rebellions,
who
ruled
in
local ruling
encouraged by
its
and they
They provided
goals.
itary
economic
in
arranged
its
in
its
maximum
Spanish Conquest.
A-
*,
>
it
*<
-V
Pen
human geography
NEW
the north-
In
intertribal skirmishes.
increasingly
expand cultivation
in
in
continuous
Tetzcoco became
in
the mountains bordering the valleys of Puebla and Tlaxcala. During Netzahualcoyotl's reign,
its
achievements
in
had also
It
up considerable
built
valley.
make
up the
Triple Alliance.
The Tepaneca reached the valley during the thirteenth century, occupying
southern sites such as Tacubaya and Coyoacan, around the same time as
the Otomi,
who
settled
in
When
beyond
and
within
the
neighboring urban
valley Cuauhtitlan,
Xaltocan,
and
Tepozotlan to the north and Cuitlahuac and Chalco to the far south of the lake
area-and established
their
capital
who
settled
on the
in
the city of
were sub-
jugated by the Tepaneca, forced to pay tribute to them and serve as warriors
in their
in
it
was not
until
for sev-
the early
in
the
founding of Culhuacan
is
known today
as Cerro de
The
la
Estrella (Star
in
Hill).
which time Xochimilco and Tacubaya were already populated. Other important
nearby Culhua urban centers were Ixtapalapan, Mexicaltzingo, and Huitzilo
pochco, agricultural towns that also produced
of Tolteca emigrated
Mexico settled
When
in
in
salt
After the
who
fall
of Tula, groups
in
'*W
"^-SSpif^^fc:
&sm^ma
^x^
WM
***&-*
VH
AN
7.'i
t.M
1M
..V;!
which to
in
settle. After
New
Estrella,
rites
being defeated
was
on Cerro de
among
la
the
in
strip
Xochimilco. For the most part, these were insular settlements, with the advantage of
being located
in a
tribes
ters
was
when
Alliance
in
to
expand
their territory.
still
manage
in
conquered by
in
a single organization
Mixquic, there
irrigation canals
tribe in a larger
partici-
Xochimilco. This
in
urban center had a large territory that extended southeast from the shores of the
fresh-water lake bordered by Coyoacan on the west and Cuitlahuac and Chalco on the
east.
Its
first
Xochimilca settlement
in
agriculture, Xochimilco
numerous
flotillas
Olac,
fifteenth century;
town was
when
its
of canoes to transport
was organized
and several
in
ment of chinampa
and
to Totolapan, Tlayacapan,
lakes,
its
goods. As
supplier
a
town
districts.
was conquered by
It
in
Itzcoatl in the
Tenochtitlan tributary.
in
left
Xico
in
year.
political
their ethnic
makeup was
to the
continuous
chinampas with
was
lake's
in a
arrival of
in
external trade
it-ly-
in his
conquests. After their defeat, the Chalca were subjugated by Tenochtitlan, living under
until the
Spanish Conqu<
in
in
in
wooded
Tlaxcala.
Otomi also
lived side
in
in
area between
the Acolhuacan
-w
>*; 4
peoples
in
in
assumed that
ward
city
after the
of Tula
fall
in
in
It
is
the towns of
in
in
Xaltocan, which
came
to be an important
became
who spoke
not Nahuatl
but Otomi, belonged to the Otomi/Pame linguistic family. Although they were considered underdeveloped by contemporary tribes, they did practice seasonal agriculture as
ginal areas,
textiles
fibers. In 1519,
and
mountainous
in
regions,
mar-
Nahua towns.
in
The Tenochca Mexica and the Tlatelolca Mexica migrated together from Aztlan,
eventually settling
in
same developmental
textual sources
and
the Valley of Mexico. Both tribes spoke Nahuatl and were at the
level in
when
on
the Tlatelolca,
two
site
some
nearby
a channel. For
in
city of Tlatelolco
in
tribes
had
of their own,
asked the Tepaneca to provide them with one, which initiated the Tlatelolca lineage.
when
famous conquest of
Finally, in
in
Tepanec
off,
fame
the Tlatelolca lost their independence and their government. The conquerors placed
them under
subjugated peo-
in
downfall of Tenochtitlan
defending their
in
city
1521.
i.
nli.HHiuJ.il In
.I
1200-1521
"
Aztec, ca.
500
i
is
*-
l
L
-oT
Aztec, ca.
1500
>
**
fa
149. Nappatecuhtli ceremonial vessel
Aztec, ca.
1500
eronica
etdsquez
COMMON ICONOGRAPHY
who
THAT FUSED
worldview shared by
for a
of Teotihuacan.
fall
in
the area
in
Xochitecatl,
Mesoamerica.
During the Postclassic period, groups from the Chichimec culture migrated
mostly of
the Nahuatl language group, and, to a lesser degree, speakers of Otomi and
in
Central Mexico.
The Tlaxcala domain, which dominated the valleys of Puebla and Tlaxcala,
of which maintained a
all
degree of hostile autonomy from the Triple Alliance. Tlaxcala was associated at
various times with Cholollan (modern Cholula) and Huexotzinco, thus forming
a type of counter-alliance,
enemy
with the Spanish forces during the defeat of the Mexica-Aztec empire. The wars
during which the former were cut off from access to a wide range of essential
salt,
silver,
cotton, and
featherwork.
Cholollan
was located
in
was
also within
one of the
fertile
regions
in
Mesoamerica,
thousand
Coast with the Valley of Mexico, Tehuacan, and the Mixteca region
Made up
of
more than
gious center
in
fifty
communities, the
Mesoamerica.
years.
It
city
in
Oaxaca.
also
is
reli-
devoted to the
famous
for
who performed
occupation for
its
known during
known
in
its
bols uniq
its
he
ritual
It
-'nth
fall
150 Kipr
.-.,,,,
of
Intel
I'.llll
iW *k^
-&
v%*
PS
>'^if/
C^r-SsW
vs>.
m**j*l*
Hi
fffcr
sites,
Oaxaca to the south of Puebla and Chalco. Due to the formal similarities between this
symbolic system and the glyphs and signs found
in
It
on the
earthenware produced
fine
extensive trade
the
in
was evidently
explaining
in
Valley of Mexico.
way
to unify ethnically
interests of var-
tra-
its
demonstrated,
the
in
neutron
activation
analysis
of
sites.
allowed for the identification of various production centers: Huexotzinco, TizatlanOcotelulco, the Valley of Mexico, and Tehuacan. Huexotzinco
we
retrieved,
may have
arrived in
away from
were found
in
tinctions
in
in
common
style,
red,
black pigments to create frets and xicalcoliuhqui (stepped frets); zoomorphic repre-
sentations
in
skulls
in
ritual
religious
and
political
and
night; military
The
rabbits, deer,
is
deities
from
and glyphs
sacrificial motifs;
and blood.
undeniable, and
it
for burning
bloodletting ceremonies.
Based on the decorative designs found on such vessels, particularly on cups, three
possible ceremonial functions have been proposed for these objects: sacrifice, indicated
by a band of plumes running along the vessels' outer surface, simulating the form of a
cuauhxicalli (container for holding sacrificial blood),
drops of blood,
stellar
eyes,
and jaguar
pelts,
in
all
which
it
is
possible to identify
may
rep-
resent the vessels' intended use for drinking sacred substances such as pulque or
fertility rites.
work
in
Postclassic societies,
we do know
this
earthenware ceramic
their decorative
in
both religious
iconography served as
language
unifying the elite during a period of diaspora for the peoples of Mesoamerica. This
to create a
affiliations
The Domain
of Coatlalpan
Luis Rojas Martinez
Josi
IS
LOCATED
IN
A REGION KNOWN
IN
the
"in
Among
which
is
described
Citela,
(or
in
we must remember
that
although the presence of humans has been confirmed from very early times
Mesoamerica, only
in
in
Tomas de Torquemada,
Fray
Toribio de Motolima,
ping information indicates that they were based on privileged access to the
same
relate
how
Izucar de
in
a.d.
is
now
followed
Huaquechula,
until
In
recounting this
migration, the religious chroniclers mention Xelhua as the leader of the group
that
came
to establish Izucar de
were said
descended from
the ancient god Iztac Mixcoatl, a native of the legendary Chicomoztoc ("place
of the seven caves"); his sons-Xelhua, Tenuch, Ulmecatl, Xicalancatl, Mixtecatl,
and Otomotl-were
Because of
its
Matamoros appears
in
maps
of
As
important
and
territory
in this
central parts of
boundaries of the
Xolotl,
and
ularly
Izucar de
Cuauhtinchan
Postclassic period
city of
in
ownership of
Abraham Ortdius
is
partic-
regard.
in
the development of
Kftt*'
Matamoros. The
Izucar de
first
was
means of extending
was the
strategic location
city's
in
its
the region of
its
sights on this
trade and the levying of tributes. The date of the Triple Alliance's incursion
but
it
its
is
unknown,
between the years 1458 and 1466. As an immediate consequence of the invasion, the
Coatlalpanecas were forced to pay tribute and Izucar de Matamoros was absorbed into
the Mexica-Aztec tributary province of Tepeyacac.
this province
was located
the central region of the current state of Puebla. Plate 22 of the Matricula
in
Mendoza, contains
list
of the towns
in this
Aztec empire
were
critical
in
in
province.
In
Chiapas,
in
lections
City
States.
Due
city's
and publications on
in
in
col-
Mexico
pieces have often been mistakenly identified as Toltec or Mexica, overlooking their
own
this
ceramic
style, a
determining factor
in
this group's
and stamping. The elements displayed on these ceramic vessels have allowed
us to identify their origin and chronology, and have also enabled us to determine
whose
was shared by
is
a single
the Coatlalpanecas.
Among
in
both
formal and decorative aspects, are those that harmoniously combine graphite black
with bright red or cherry red pigments. This combination
is
ceremonies to
Ome
Tochtli, the
in
devo-
ceramic bowls with bottoms decorated with protruding, button-shaped knobs and
outer surfaces adorned with incised hook motifs.
These are some of the salient characteristics of one of the Late Postclassic ceramic
traditions of Mesoamerica's Central Plateau region. Identification of these elements
has helped us to rescue the Coatlalpanecas, "the people of the land of serpents," from
oblivion.
The Mixteca
1/
\<7/i
became home
whose
first
roots
how
IN
Robles Garcia
rain"),
their ancestors
in
an
in
what
is
now
Nochixtlan, Oaxaca.
Though
relatively
little
to
show
this region,
in
complex culture and that as they migrated throughout the Valley of Oaxaca and
Central Mexico, Mixtec culture had a decided influence on other groups
area. Mixtec cultural traditions are
on
in
the
as the Zapoteca, the inhabitants of Teotihuacan, and the Maya. The settlements
established over time by the Mixteca have recently begun to be documented.
Mixtec artifacts recovered through archaeology are known for the fine finishing techniques
particularly in
works of architecture, jewelry and ornaments made of precious metals, stoneworking, and mural painting. Mixtec artworks, such as the funerary objects
found
in
in
Tomb
7 at
in
Tombs
and
2 in Zaachila
located
(all
the Valley of Oaxaca), were exquisitely designed, and as a whole they con-
250) spread
settle in
Zapotec
territory by
was due
tated by a migratory
spirit,
dynamics of
an expansionist philosophy
in their political
domains
and kingdoms, and the constant threat posed by the Mexica-Aztecs, who consought improved trade and exchange conditions.
tinually
expand
their territories.
royal
In
addition, other
ways
to
known
as the
Costa Chica (home to the Tututepec empire), and west to the territories comprising the
With
in
modern
their
state of Guerrero.
Monte
beginning
in
tomb
ad. 850. Mixtec royal remains have been found inside the
156. Xo<
hipilli
pi
!
1
ill
fe
\*
,i
known today as Tomb 7, which was constructed by the Zapoteca. The offerings placed
inside this tomb to honor the Mixtec dead constitute some of the richest treasures of
Mesoamerican history. Currently housed at the Museo de las Culturas de Oaxaca, the
objects include gold,
silver,
in
in
an embroidery-like
style.
Another Mixtec achievement was the creation of masks using the lost-wax method.
This highly
ing
complex technique involved coating models with beeswax and then cover-
shells,
Examples of such
their
articles,
it
journey to
ritual
in
and
2 in Zaachila, to the
south of Oaxaca. At
it is
Xoxocotlan-at the foot of the mountain on the south side of Monte Alban,
is
distinct
territory. This
hostile
was the
is
environment-a challenge
difficult to deteris
in
alliances,
in
who found
who comprised
this
in
clouds,
cul-
articles.
dynamic based on
it is
Oaxaca
to
mine
meant
Tombs
in
eternity.
wax
"lost."
among
the
Mixtec.ca. 1200-1521
^1
%""
159. Bell
Mixtec, ca.
500
ornament
&
Wrf?
V-
<^
;-
t#
*''
*1U.'~
S3
Mixtec, ca.
^^^r^'s*
s*^
'Tj^r*
x...
"^
.-.'"
"
_
rS^SsiSs^Ss^-L.^.
^i-4*=
^*
-
*--^=-
J
PL
r3|^L*r
900-1200
"
S~5
'^1
A*^*
\*
J&'
^^
^c^ssSi^
,,
^^Mbs!'
166. Disk
jr
170. Temalacatl
^i
'JOUB**
'*&
^~~
'*
U!t\
_*
t.
4-tf}
x**
'T\
^ws^w^
Mixtec, ca.
1325-1521
WAS
who were
those
spirit
Solis
WHO
Among
the Huaxteca and the Totonaca. While the Huaxteca, linguistically linked with
the great
Maya
family,
have
a cultural
times, linguistic studies indicate that the Totonaca are late arrivals, with a cul-
a.d.,
name Huaxtecapan
at the earliest.
to the large area that included
the central eastern part of the state of San Luis Potosi, the southern part of
Tamaulipas to the northern part of Veracruz on the Gulf Coast. The region had a
range of ecological environments, from coastal plains and basins of mighty
the Panuco, to vast highlands with tropical climates and the
rivers, particularly
to
successfully exploit-
facility,
and the
tropics.
Although
they never constituted a unified political entity, they achieved a firm cultural
identity that
main
and other
deities,
Huaxtec archaeological
sites
are
still
called
by
in
conch
shells.
Tabuco
in
in
their
in
names:
ancient
(campesinos) use the word "cues," what the Spaniards called the indigenous
built
on top, to
refer to the
because of
is
rounded corners on
its
plinth.
which looks
Important
like
in
that
Precolumbian times.
artistic treasures
was contemporary
was discovered on
in
these locations.
an elongated
In
Tamuin, a
altar.
site that
procession of characters
in
attire that
may
represent
stucco
It
wh
layer.
was
in
Postclassic sculpture
rying a child
on
its
known
back-was
discovered. This
is
show
general.
It
is
typical
common
in
a<
known
jnd ornamental
as Old Sowers are also
Detail of rat
no.
177
$'
typical.
with a sacred staff that was used for sowing the earth.
rituals
Huaxtec sculptures of females are generally shown with nude torsos and both hands
placed on their abdomens. With their conical caps, zoomorphic
bodies, they have been
patron of
fertility
and an eater of
Huaxtec sculpture
of the Brooklyn
a skeleton
on
is
round
who was
in
in
the collection
back,
full,
goddess
Museum, New
its
filth.
and
attire,
is
in
american thought.
designs
brilliant
brown
black or dark
in
whitish color of the clay. These tones are consistent on both the traditional globular
and phytomorphic forms and those that represent human beings and animals. The creations of these coastal people demonstrate the international style of the period that
polychromatic
their
vessels
eagles,
shells,
solar disks,
of Mexico, were used as the raw material for striking objects. The Huaxteca also
made
earspools or circular disks and elegant breastplates resembling ladles that contain
complex
regions
scenes bearing
ritual
in
resemblance to images
in
Mesoamerica.
known
a vast territory
as Totonacapan
the center of
in
Veracruz, extending from the foothills of the eastern Sierra Madres to the coastal
plains of the gulf. This people had linguistic links with the Tepehuan,
name
Zoqueana
family,
some
suggests, according to
which reached as
who were
their
The enigmatic
far as Chiapas.
Totonac objects continued the traditions of societies that previously inhabited the
coastal region. Although
ples,
we do
not
know
made
found
at the
El
Zapotal site
in
its
most sophisticated
made
of
tar.
This
Veracruz.
made works
in
represent deities characteristic of the Aztec world: Tlaloc, Xochipilli, Xipe Totec,
Xilonen, and so on. Such figures can be recognized by the attire and ornamentation
popular throughout
late
all
haps the
workshops
in
Tetzcoco or
artists
Mexico-Tenochtitlan.
may
he Aztec
sites exci
domuut um
at Tenochtitlan,
instances,
we
Ehecatl. The
second
and sculpture
is
ritual
Castillo
in
Mayor
in
Two archaeological
first is
art
smaller
who
images were reproduced from drawings made
easily
in
There
we
recognize the
Templo
In
some
arti:
T-*
i
f
\.
9
JP-=^
Huaxtec.ca. 900-1250
I
V
-
178.
god headdress
Huaxtec, ca. 1250-1521
m-
<
\\
eigand
WHEN
who were
IN 1519,
AMONG
THE GREAT
polities they
The
Aztecs' astounding run of military successes prior to 1519 did not include vic-
along
tories
western
their
tle
when
It
when
military
stalemate with
the
lit-
in
where
frontier,
is
in
is
infiltrated the
sometime
after
stage
Zuangua, was
felled
and
first
appeared at
in its
in
meant
Tarascan
incipient
socie-
in a
was
1522.
how
politically, socially,
and
militarily
among
the very
first
in
advanced
1539-41 and
extensive
social
system
that
Michoacan
uments
and
in
its
(1
533),'
siglo XVI:
for our
first
modern attempt
Complex
.
cultural
life
haft-tor
began early
in
1800-800
is,
is
field studies.
B.C.,
found
in
the
Jacona-Zamora
area."
long period of time. They clearly indicate the early existence of social systems
Michoacan, 1539-41.
power
In later
well-developed
regional
in
various localities
650
(ca.
in Jalisco.
began to
The
flourish.
revolution, as
ical
number of
b.c.-a.d. 100), a
traditions
elsewhere
tion
empire
and the
tural complexes,
received an extended
was
Epiclassic periods
valley
(especially the
millennium
a.d.
the
comof
Jalisco
this vast
its
Lerma
tierra caliente
a character that
that
in a series
Bajfo,- the
and the
*),
is
sociocultural
approaches to the
of Tingambato
site
clear
patterns.
distinctive
is
few centuries
in
speakers.
orientation
bow-and-arrow tech-
now do
many
raphy, sharing
bors
further
east,
Mesoamerican trade
Archaeology as
it
cultural
geog-
full
player
within
the
ation
in
two
distinct but
interrelated
accompanied
in
lin-
fashion as an
in
sion.
If
so,
a.d.
than
then the
it
more
far
is
it
that
likely
correct,
is
might be
a far
first
new migrants-carrying
Nahuatl
a version of
guistic
speech
while,
certain
is
that even
is
in
lin-
and research,
the
stimulating
time,
arguments are up
but what
same
the
at
and ethnic
linguistic
much
in
some
a.d.
of the Tarascan
origins
While
state.
official
this
is
of the rest
it
important as
western
it
Mesoamerica.
In
opposition
to
clearly
close
enough
cial
critical
essay collections on
to
polity,
clearly was,
is
history of the
Many
general, occurred.
Joseph Greenburg
if
Chibcha-had
millennium
is
entire region,
in
of Mesoamerica.
structure.
sociopolitical
as the Southwestern
when
Uto-Aztecan
far
unclear
It is
linguistic spread of
Tarascan
later.
southern Uto-Aztecan
reorganiza-
the Tarascan
in
arrival of
related to
was
was
arrow, must
political
arrival of
quite
was
1100,
ca.
proto-Tarascan-which,
region
bow and
glimmers of
first
as
first,
accompanying the
Possibly
guists
the
in
nology
a role in
high-
in
have played
Alta,
general,'
in
first
increasing and
and highly
original
Loma
of
site
it
best
in
such
dogmatism,
cultural
history,
past; his
two cru-
Puertas al
campo
this
perspective.
the entire West Mexican zone had only village levels of social
and where
the
it
first
proto-Tarascan
zone would
have
been
in Jalisco,
no exception.
probably related
in
part to the
Bajio,
is
same time as
These
radical
in
figurines
gift
Postclassic
polity,
C
priori
in
(ca.
and
900)
was
in
thus derived
western
appeared
period
civilization
from,
first,
innovations
quasi-Mesoamencun
marginalization
of
the
region
has
impeded research
22
is
It
logical research
As Nicolas Leon
In
was
more
unified
military
in
was the
its
Relation de Michoacan
locale of the first stir-
title "ruler."
He united
fell
number of
could
how
Exactly
Ihuatzio
and Ihuatzio.
sometime around
Tarascan
fits
capital
Uayameo-the
1350 Ihuatzio
Patzcuaro,
at
which
family-about
not
is
own
its
displaced
briefly
com-
history,
the
had
itself
first
displaced
was the
capital
different
from
the
other
major
architecturally
is
imperial
at
site
which Tzintzuntzan
is
Ihuatzio
in
have other formats. 22 Ihuatzio had two major periods of occupation, therefore
reached
central
apogee
its
site
after
precinct area
is
site in
the
1400.
Its
in
royal capital
ital
by
24
when
The
was
hectares, the
2 '
The
site
is
estimated to have
when
the Spanish
precinct
is
dominated by
a great plat-
in
famed yacata
structures.
fill.
On
its
unique
the one
in
was
in
rectangular plat-
is
an
upper surface
rectangular plazas,
It
progres-
importance.
enclosures as ballcourts, but given their width and the sheer size
in
came
in
1530
relocated to
in
II,
site's central
had
in
degenerated into
650-750
Tangaxuan
Valladolid
sively
ruler,
dou-
Some
became the
double-
earliest
earlier
walls.
mingbird,"
monumental
are the
Mesoamerica. While an
in
site,
is
in
veyed,
nucleated
is
arrived
Ihuatzio,
quite
royal
and military
a century earlier.
the
pletely clear.
royal
in
objects,
When
ornaments.
shell
where
complex obsidian
pipes,
and
negative/
etc.),
tweezers, adzes,
differ-
though
accomplishment
who
person
first
bells,
plugs,
lip
fully
polychrome ceramics,
is
first
possible that,
Atop the
as causeways.
A monumental chacmool (sculpture of reclining figure holding a bowl) was found associated with one of the secondary
plazas. A number of large stone "thrones," in the shape of
structures.
bones,
Not
many
of
far
them
sacrificial victims.
accompanied the
a large deposit of
human
Many
addition to
in
The Tarascan
its
rich
and elabo-
The approach to
The
is
this precinct
enormous
is
stairway.
rest of Tzintzuntzan
ideological
goddess), Curicaueri
(a
childbirth
for farmers
households
belonged to the
and
fertility
and residences
administration grew
in
and completely
tied
had
accommodated the
to
hilly
in
a formal plan
and configuration
topography of
this section of
some urban
the northwest
site.
but also
in
was
little
own
some groups
is
was another
dominance was
Ihuatzio, Tzintzuntzan,
Tarascans as
well
as
in
it
was
commodity
consumption
trade.
long-distance trade,
merchants or
elite
long-distance
for
that circulated
among
in trib-
the
elite
some turquoise
In
comparison, while
in tribute,
organization,
the
pochteca."
The
Tarascan
artisans
set
in
copper, bronze,
silver,
-mporary
Little is
city of the
last
beyond
conquest
Tangaxoan
lasting
I's
basis
under,
Patzcuaro,
round
Tangaxoan
I.
And
was
it
the
Tarascan
empire,
revolutionizing
life
quickly
filled
and
tribute state
rivers,
south
lake districts of
proba-
is
complexes
Huge
sites,
of
basin:
the second
it
the
over an area of
felt
probably the only truly urban center within West Mexico at the
some
of their
among
and
nobility
craft production.
nature,
dominated by the
institutions,
nobility);
and
and
fire),
and creation
elite families
of
we know most about the state relinumber of temples apparently were dedicated
were formidable
and
areas
structure
neighboring
afterlife.
with
similarities
system and
religious
many
shared
march
became
subject to a Tarascan
By 1460, the
since the
of the
all
Michoacan
by current coi
on
activities. In contrast,
core lands
many
itself.
was embedded
in a
worked well
in
tin
Alt
La Rclacidn de Michoacan,
539-41.
.il.i,
in
Michoacan.
=Vi3.^^--^
t';;^ttll
*
'
tf?v
'j**^
w.ii
-.-
:*?
tot.
- ...
*-*-
ran afoul with the attempts to control the small but highly milstates further north
itarized
despite a
number of
These two
Etzatlan,
copper and
silver
deposits of
ing areas
strategy.
In
in line.
nobility,
the
among
A system
and these
ties
a great deal
of
autonomy
any
areas of Mesoamerica.
ed military and
civil
in
power was
most other
In
authorities
in
certain localities.
was
around 1440
4
hostilities.
did
facts,
ties
until
indeed
cross
in
Central Mexico.
the
tribute.
on either
side.
two empires,
or perhaps
because of
frontier
hostile
the
arti-
commodi-
these
and
militarized
If
the cross-
in
environment between
it,
We know
polities.
for cer-
present
in
Tenochtitlan
It
in
first
phase of
his party
who
Generally,
it
was
Taximora, which
managed
to defy
all
their
all
damage on
perhaps a quarter
or,
at most, a third
In
addition, urbanism in
West Mexico
polities of
in
general
come close
to the levels within Central Mexico. Tzintzuntzan was probably
the only center within the Tarascan realm that was a true city,
and within the Tarascan realm
in
Notes
Brigitte
my
Boehm,
tions
supported
empire at
battles,
battle
bay.
and,
in
3.
administration
was
centralized
West Mexico.
and coordinated
Its
polity
was
imperial
to a degree not
a fitting conclusion
Gobierno
El
de Michoacan, 2000).
del Estado
Hans Roskamp,
Eduardo Zarate,
Michoacan and
General de
5.
El
Lienzo de Jicalan,"
Gobierno
El
mito y legitimacion:
"Historia,
ed.,
El
in
Colegio de
del
4.
responsibility.
tierra caliente
El
my
Michoacan and
crucial for
polity.
gobernacion de
2.
Efrain Cardenas,
many
J.
Michoacano
6.
Nacion, 1932).
la
Vasco de Quiroga.
Lie.
.,"
siglo XVI:
Michoacan (Mexico
City:
Universidad Nacional
7.
Nicolas Leon,
preparation and readability, Leon's classic works remain interesting and perti-
1, pt. 2,
Jaime
in
"Epoca prehispanica"
a Statelike Society,"
Richard Townsend,
in
Tradition: Rise of
ed.,
35-51.
pp.
10.
C.
de
la
cultura
Puruguita, Guanajuato,"
in
Eduardo
"Cronologia
Faugere,
Brigitte
sitio La Tronera,
eds.,
Arqueologia
El
Colegio
and
11.
Arqueologia de
las
lomas en
la
no.
politico (Zamora:
13.
en
El Bajio
el clasico: Analisis
regional y organization
El
Phil
(Zamora:
Weigand,
Colegio
El
eds.,
Arqueologia y etnohistw
de
Roman
14.
Chan,
Pina
Michoacan (Mexico
ito
15. Phil
Jalisco,
C.
Tingmabato,
Exploraciones arqueologicas en
Colegio
El
de
di
Mesoamerica
jmerica," Ancient
16.
archaeolou,
Sfofc
no.
(19%). pp.91
(I
lento del
Weigand,
Mexico (Zamora:
El
Colegio de
Gorenstein, "Settlemr
Phil
C.
Weigand,
101
for a
ol
the region's
Pollard
and
7,
eds.,
1993); Helen
,iscon
Poll. ml,
Investigaciones recicntes,"
Arqueologia del
Michoacan,
toric
1994),
pp
Norte de
29-63;
in
studio
Eduardo
in
('
Tarascan Corr,"
"I
Shirley
Michael Foster
Mesoamerica
(Boulder,
Westview
Colo.:
Press,
1985),
117-30; Shirley
pp.
A Late Prehispanic
28
spectiva antropologica,"
El
1
in Brigitte
El
Boehm,
ed., El
in
cuencas
las
del
Phil C.
Occidente de
Weigand,
Michoacan
de
and
Centroamericanos,
Centro
1996),
Frances
15-59;
pp.
de
Estudios
Colegio
Mexicanos
de
northern
the
for
El
eds.,
frontier,
Brigitte
published.
few ethnographic
classics, a
Smithsonian
Tzintzuntzan,
George
Spanish by
El
27.
Weigand and
fundas de
rebelion de
la
7.
Galicia (Zamora:
La Secretaria
1
Nueva
El
Phil
C.
Weigand and
Acelia
Garcia,
Dorothy Hosier, The Sounds and Colors of Power: The Sacred Metallurgy of
Mesoamerica,"
in
Virginia Fields
Weigand,
18. Phil C.
tradicion Teuchitlan,"
"La arqueologia
in Phil C.
el
colapso de
la
Campus
Universitario del
and
19. Ibid.;
Phil C.
Weigand,
"La antigua
20.
Totorame
is
most
related
Pollard concentrated
29. Aside
30.
Weigand and
Weigand and
82 (2000),
pp.
52, no.
Economy
4 (1987),
pp.
741-52.
35.
J.
Oklahoma
El
Templo/Convento
2000).
campo
1972); and Octavio Paz, Posdata (Mexico City: Siglo Veintiuno Editores, 1970).
22.
Helen
Pollard,
"Michoacan Region,"
2001),
Inc.,
in
464.
23. There has been recent research at Ihuatzio by Efrain Cardenas and Eugenia
Fernandez, but these studies remain unpublished. The best published descriptions are Alfonso Caso, "Informe preliminar de las exploraciones realizadas en
izadas en
el
los
real-
pp.
Memoria
(Mexico
Weigand and
24. Phil C.
secuencia cultural en
inares," in
City, 1951).
cuenca de Chapala,
la
Jaliso:
la
Observaciones prelim-
El
de Michoacan,
1,
pt.
2,
pp.
tarascos,"
193-304;
(Mexico
City,
Zoning and
Nacional
R.
M. Castro-
Autonoma de Mexico,
Serie
Antropologica,
Planning
in
Prehispanic Tzintzuntzan,"
Much
in
in
no.
no.
79
Urban
Proceedings of the
of the original and earlier excavation materials have never been fully
University of
Press, 1985).
El
39-58.
Phil C.
in
the Tarascan
la
much
American Antiquity
32.
to
first
de
cat. (Los
in
Anthropology,
1948); reprinted
Jalisco, 1996).
of Social
Nuevo Mundo,
west, Phil C.
more recent
Museum
of the
Institute
Institution,
Foster,
for
much
vol.
11,
Handbook of
pp.
632-56.
Tarascan Art
Roberto Yelasco l/onso
AND
founded and
accordance with
in
expand
many
Tolteca,
their
RELIGIOUS SIMILARITIES
their gods'
in
characteristic
made
Tarascans
Meso-
efforts to
and
and
gave
political aspirations
rise to
continuous
skirmishes along the extensive border they shared with the Aztec empire.
B.C.),
development of Mesoamerican
late in the
their recognition
and use of
within
firmly
in
this
traditions.
its
As
by their
told
On
the
among
the
the lands around Lake Patzcuaro, the site of their flourishing culture.
other hand,
other
in
alongside them
of the five
in
abandoned the
Although there
is
Aztecs.
supposed
this
common
ori-
gin and the Aztecs' and Tarascans' different linguistic identities, archaeological
remains of their
cities
show
were
fully settled
in
through
many
ceremonial
yocofos-are composite
to, a
in plan:
that
is,
a circular base
beneath
it.
On top
next
is
is
In
who governed
wood
and attached
to,
characteristics,
which,
like their
The austerity of
Tarascan empire
in
its
marked by pragmatism,
the majoi
'
cai
.e
<
hniques
demonstrated
Surviving examples
in
show
the
numenl
we
.1
also exempi
Dture an
it
in
their
in
tendency towuid
rai
l^SO-1521
/M
i>.
V
I
180.
Copper disk
Tarascan.ca. 1250-1521
human
The
figure sculpted
in
Mexico-Tenochtitlan.
in
Tarascan art
In
its
nudity
full
male figures
in
is
the
rule,
not
the exception. To viewers of the time, the clear emphasis of the genital area would
fire.
without inlays of
Central Basin.
Somewhat
All five
Outstanding
Tarascan
in
anthropomorphic figure
on
reclining
shown
its
is
at the
same
which served as an
back,
the
angle.
version of the
its
in
big toes
production
artistic
was thought
shell
thumbs and
similarly,
mouths of
chacmool
(an
two
altar-table);
types are known. The life-size type supports a rectangular platform, has a distinct facial
expression, and
and greater
which
was
it
is
is
of smaller dimensions
rigidity,
from
in
altars
plane.
terrestrial
valued offering.
Another element that was widely diffused during the Late Postclassic period
sacrificial stone,
which
feet; this
a sacrifical victim
form
ing
on
its
four paws,
its
panting, with
it is
representations of coyotes
is
the
is
in
may
(a
arts,
out.
Such
all
the culture's most refined creations, which are comparable to the works of the greatest
Mesoamerican
ual vessels,
still
ful
produced
know very
little
polychromy of
in
about
sizes.
We
their
on
a par
sophisticated ceramic traditions of their time. The Taraseans are also recognized for
their long, elegant clay pipes.
Among
the finest examples of yet another distinctive Tarascan art form, jewelry, are
red
in
some
In spite
vived to this day. They testify to the great labor necessary to achieve their exceptional
translucence, which
is
examples, settings of
In
hammered
in
other
working metal, the Taraseans used various techniques to create a great variety
and
utensils.
filigree.
Among
the
early
in
gold.
in
bloc, as
repousse
disks,
was shaped by
domination, relegating to
is
in
all
for
spheres of daily
most representative of
life
from
their imperial
ornamental architecture.
This collective identity forged Tarascan thinking
and
its
level,
which was
by the Conquest. Their system shows a secular advance characteristic of the Bronze
Age
in this
delayed,
when
if
sun set
in
in
the Spaniards arrived on the eastern shores of Mexico they might have
in
the lands of the warrior sun, son of Curicaueri. Had there been
more
an epic battle Curicaueri might have defeated the Aztec god Huitzilopochtli, the
184.
built a city
Throne
in
his
left-
wishes-might
time,
j*
:l!
y
v
.**
s*
the Empires
IT IS
winners. So
it
was with
ters to
IS
WRITTEN BY THE
own
his
deeds,
del Castillo,
about
in this
their
case, the
own
Mayor of Tenochtitlan:
who
written by an Indian
have
"I
Fray
Templo
says that he
major work,
in his
a history in
still
when he
later,
it
Torquemada
in
learned
in
the
the
as
number
Vaticanus
Telleriano-Remensis,
Here
will
present
for
many
years,
or codices,
Mexicanus,
Codices Azcatitlan,
A,
documents
of pictoglyphic
the
Tepechpan:
light.
some
a posteriori? Priests
may
Spaniards, which
arrival of the
is
one of
the omens:
in
can
my
sons,
hide you
are
lost.
II,
my
woman
sons,
where
Motecuhzoma
.!"
woman, who
A messenger from
or small
we
in
sea.
Upon hearing
this
seen,
how
terrified
<
tl
>gers ate.
Motecuhzoma
He was also
made
they had
him above
terrified to learn
how
all else.
a tube of metal
[a
cjnnon]
ruler,
v ,
1579-81.
Nueva Espana e
Islas
de
how
roared,
how
to faint
its
noise resounded,
it
caused one
told him: "A
that of rotten
like
their
lord, are
as
tall
as
if
it
were made of
is
white,
lime.
filled
if it
with
terror.
It
had shriveled.
was as
It
if
was as
his heart
if
They
here,
replied:
"Where do you
said:
"We
live?
Where
land."
city;
they brought
Mexico [Tenochtitlan]?
They
hair,
When Motecuhzoma
The strangers
are you from?"
said: "No,
march. And
it
it
is
Is it
not
far
far,
a great city.
is
the
is
City
of
from here?"
is
it
only a three-days
side.'"'
had fainted, as
he were conquered by
Accompanied
by
several
thousand
the
Tlaxcalteca,
desi
some
the Tlaxcalans,
and the
"Our
many
finest tortillas.
lords,
kill
their
in a
Ihns Mi
Huit/illan.
his
men
palace:
He presented many
gifts to the
and
his
war.
He showered
gifts
in
(\iptjm
to
make
Paci< is
Codex Dut(r
NuevaEspanat
from Fra\
toria
erra
Fume,
de
1
licgo
Dm. in,
las Indias
57"
de
around
gave them
he
necks;
their
necklaces
flowers. Then he
of
come out
their
throne again."
on your
sit
10
of welcome.
you
high
the
ruler?
Is
Motecuhzoma? Are
you
that
true
it
are
Motecuhzoma?"
And he answered:
"Yes,
am Motecuhzoma." Then
words: "Our
you, but
come
to your
under
its
guarded
tatives,
sit
it
Itzcoatl,
here to
to Veracruz.
In his
in
it
for
your coming.
for
you
When
with
his
Elder, Axayacatl,
in
to try to escape
Spaniards
many
of
from the
them were
killed.
The text
moment
the City of
in
the feast,
when
the dance
was
loveliest
kill
the cele-
and sheltered by
their shields.
know
sleep.
you
am
If
in
They ran
to the
am
my
not walking
dreams.
my
my
have seen
in
was
in
eyes fixed
in
place
attacked the
see!
not a dream.
is
at last!
agony
If
left
among
the
way
his head,
and
it
rolled across
floor.
They attacked
all
city
it
At this
and preserved
Indians.
"No,
was
sit
canopy.
Motecuhzoma the
Tizoc,
come
tired
You have
city,
on your throne, to
"The kings
these
in
lord,
The kings
came forward,
his
away
bowed
attacked
ground with
instantly to the
fell
hanging
their entrails
put the
killed.
way
to force their
them
at
out,
the gates.
ran
into
communal
the
who were
water.
like
the
filled
communal houses
to
The
air.
those
kill
hiding.
the
news of
this
went
come running!
up: "Mexica,
iron
arrows and to
fire their
come
"Mexica,
at the
to
chains.
cried:
were
raised,
The flagship
and the
led the
fleet
moved
way, flying a
their trumpets;
They gathered
quarsight.
canoes and
moaning with
shouted the
call
fled
and
fear
When
arquebuses and
the
fire.
about to be
away
line,
ning, they
a priest of Huitzilopochtli
lake.
in
straight
in
Then
people. The
their
the
in
Mexica with
at the
loosing
boats,
palace.
its
ter,
When
their
and destroy
them from
Mexica was
a single
tried a
who
and not
to flight
warriors attacked
themselves. Those
enemy
The Spaniards
fired
left
in
in
the line of
or in zigzags, not in
If
lay
over the
city:
them
off,
in
When
paddled with
and
The boatmen
all
cry,
it
boiled.
own
of our
water
toll
was
all
day and
all
final
rest
and reeovet
among
return to Tenochtitlan.
city
fell
among
introduced
for their
it
was he who
led the
fell
to the Spaniards
All
is
expressed
in
laments:
We saw them
and wondered
we
at
suffered this
them;
unhappy
fate
And now
the
the ash
Alders,
pit
battle
began outside
set
up headquar-
their forces.
Tlatelolco, either at
to
are
left
here
in
Mexico and
Tlatelolco,
where courage
It
is
that
good
you look
after us,
will perish.
Page from
ll
in Tlatelolco,
A/<" n
tuna,
II,
Ih
cnlury
^2 He
U*t
Notes
rise up.
1.
down
ed.
for Tlatelolco
is lost.
Espana, ed. Joaquin Ramirez Cabanas, 2 vols. (Mexico City: Editorial Porrua,
1955).
so
3.
it is,
will
7 vols.
we go?
friends!
4.
now
in
all is
this
5.
New
J.
0.
225
(trans, author).
Miguel Leon-Portilla,
destruction;
6.
Giver of
p.
in
E.
Dibble,
13 vols.
flames
and
II,
Miguel Leon-Portilla,
ed.
of
which
Monarquio Indiana,
Oh our
Nueva
2.
women
Mexica
ed.,
in
Life.
in
(New Haven:
Remember Mexica
that He has sent down
fol. 2v.
to us
24v-25r.
32r-34r.
Weep and
oh our
learn,
friends,
13.
Annals of
we have
14.
Mexican nation.
lost the
Mexico,
fol. 6r.
is
bitter,
bitter
These are
among
Life.
become
part of
Pages from
ray Pedro
de Gante,
n, ih
entury
MOTECUHZOMA
II
HIS PEOPLE
WOULD
Escalante Gonzalbo
BE DEFEATED
IF
in
city.
in
officials
the courtyard of
As
their supplies.
flee
city in late
and were
later sacrificed.
Others died
the battles that erupted along the city's canals, and there were
in
in
some who
their clothing.
Only
With the defeat and expulsion of the Spaniards, the phase of tenuous
inter-
action between the foreigners and the native population ended. Formal war
began, guided by the Spanish aim of conquering Mexico. Within a year, Cortes
In
Among
its
victims
fled Tenoehtitlan,
successor.
groups, the Spaniards began their attack on the twin islands of Tenoehtitlan and
Tlatelolco at the
end of May 1521, and by August 13 of the same year had cap-
tured Cuauhtemoc,
Along with the great valor and courage displayed by both opponents, the
miseries that generally
ation.
accompany war
and desper-
among
their
women
fell
into the
enemy's hands.
heads
later
city'
men
laid siege to
its
one of the
in sacrifice,
in
the vic-
islets
that
made up
ne Spanish force's
movement
over land
In
fill
the
Colonial, ca.
1600
Hi
\m
>>iSa
-*~~~
'-.
--
'^
>w"
193. Chalice
lid
Colonial, ca.
1540
end, Tenochtitlan
was transformed
into a squalid
city
swamp immersed
brackish water
in
of draining and cleaning, burying the dead, and reestablishing the flow of drinking
shore of Lake Tetzcoco. From there he gave instructions for preparing the terrain of
Tenochtitlan for a
new
city.
Its
which were to be
structures,
was
center
laid
out
to be cleared to
a grid,
in
Spanish
for
among
make room
Tenochtitlan.
The buildings and monuments of the Nahua metropolis were thus replaced by the
palaces, fortifications,
not
all
the
first
cities in
viceroy of Mexico,
made
gious centers
still
tour of
obliterated.
New
Spain
in
it
When Antonio
535, he
was
remained
intact.
de Mendoza,
surprised to find
and
cities
reli-
justifiably, that
Cortes had preserved certain buildings as reminders of the splendors of the old civi-
which would
lizations,
been
in
turn suggest to
its
New
New
Spain.
The stone obtained from the demolition of indigenous structures was always used
in
the foundations of
new
buildings,
However, this was not the only reason for recycling stones.
orders
felt
it
might give
Some
in
in labor.
the religious
lasting
testimony to the triumph of the true god over the false ones. Today
still
be seen
in
convents.
Aside from the military defeat and destruction of the Mesoamerican civilizations,
we should remember that the encounter between the Spanish and the indigenous people was, in many respects, a rich and creative one. Two of the most important results
of their meeting were the development of a strongly syncretic Christian liturgy and,
especially, the creation of
"Indo-Christian."
In this
ars
intercultural dialogue,
traditions. This
and imagery
fri-
respective
own
their
numerous missionary
inclusion of indigenous
in Christianity,
dance
traditions, instruments,
in
Among
ornamentation,
now
explains
rifices at
why
the Templo
Mayor
in
used to hold
the Holy
Spirit,
human
humans
friar
Diego Duran,
is
"It is
now
fitting
a font of
"Y
,-*
%*!/&*
*
< t
H-
^2-
I I
<X
.-
196. Bracelets
kv
M
Catalogue Checklist
and Bibliography
Catalogue Checklist
366-67
By page number:
500
17 cm, diam. 40
cm
Stone,
Museum
an
h.
City
10-559650
City
10-46617
City
10-9785
cm
of Natural History.
New
York 30/10742
368
cosmogonic suns
Altar of the
12-13
Aztec, ca.
Stone, 60 x 63 x 59
of cat. no. 63
(detail)
500
cm
18-19
Detail of cat. no.
45
By catalogue number:
24-25
Detail of cat. no. 177 (rear view)
36-37
Xiuhtecuhtli
Aztec, ca.
Stone,
Stone,
38 x 31 cm
257 cm
h.
1500
shell,
Museo Nacional de
54-55
Coatlicue
Aztec, ca.
500
82-83
Atlantean figure
Toltec, ca.
City
10-8534
(detail)
900-1200
Stone, 76 x 36 x 25
cm
Eagle
Museo Nacional de
Aztec, ca.
500
Stone, 41 x 20
cm
Museo Regional de
130-31
Moon
cm
Puebla,
INAH 10-203440
Xiuhtecuhtli (detail)
Museo
del
23 x 20
cm
Coyote
City
10-162940
Aztec, ca.
1500
Stone, 38 x 17 x 13
cm
166-67
City 10-47
220-21
jf
Seated monkey
an eagle wa'
Stone,
3fc
Aztec, ca.
1200-1521
500
cm
jnal de Antropologia, INAH, Mexico City 10-94
Museum
of Art,
Rhode
cm
Mary
248-249
Polychrome plate
Cholollan, ca. 1325-1521
308-09
Fired clay
332-33
City 10-17353
Serpent
1500
152-53
Stone, 31 x 82 x 80
N'L
10-220933
B.
18
Polychrome goblet
Macehual
Cholollan, ca.
Fired clay
1325-1521
Aztec, ca.
and pigment, 12
x 15.2
cm
City
10-223731
19
Dog
Hunchback
1
500
Aztec, ca.
Stone, 47.5 x 20 x 29
Museo Regional de
cm
cm
Aztec, ca.
500
Stone, 63 x 20
cm
INAH 10-203439
City 10-97
20
10
Grasshopper
Man
Aztec, ca.
Carnelian, 19.5 x 16 x 47
cm
1440-1521
City
10-220929
Brooklyn
Museum, New
cm
x 17.8 x 19.1
York,
Museum
21
11
Mask
Reclining jaguar
Aztec, ca.
1440-1521
Brooklyn Museum,
New
Wood
cm
Fund 38.45
leaf,
Museum,
B.
x 20.2
Aztec, ca.
1500
1500
Aztec, ca.
Stone, 31 x 44 x 24
cm
Stone,
City
10-220932
146x40x25 cm
City
10-81543
23
13
Sculpture of a king
Aztec, ca.
Brooklyn Museum,
New
cm
1500
cm
Stone, 55 x 20 x 15
York, Frank
14
24
Anthropomorphic figure
Aztec, ca.
1200-1521
Huaxtec,
22
History,
cm
New
York 30.1/1201
ca.
City 10-1121
1500
Fired clay,
24
American
Museum
22
16
cm
of Natural History,
New
York 30.2/4200
25
15
Macehual
Aztec, ca.
Fertility
1500
goddess
Stone, 80 x 28 x 19
cm
Wood and
City
10-220926
16
shell,
40
15
x 10
cm
City 10-74751
26
man
Aztec, ca.
Anthropomorphic mask
1
500
Stone, 48 x 23
Aztec-Gulf Coast,
cm
City
10-220145
17
27
Xantil
Diorite,
85
37
cm
History,
New
York 30/11847
500
x
1450-1521
Chalchiuhtlicue
Aztec, ca.
ca.
Stone, 17 x 18.5x9.3
25
cm
Fired clay,
City
10-82215
40
28
18
cm
City
cm
Lambert y 1 9 70- 1 1
22
12
Serpent
Old
10-620964
500
Stone, 33 x 17 x 12
Puebla,
City
10-13518
38
28
'opo'morL
Jaguar
ture
Stone, 56.5
22.5 x 18.5
Tecalli
Natural History,
New
cm
York 30/2461
City
10-78331
39
29
Male anthropomorphic sculpture
:,
ca.
800
Penate
Teotihuacan, ca. 100-600
B.C.
Museo Regional de
Puebla,
29 cm
Greenstone, 48 x 12 x 8
40
30
Mask
Olmec,
cm
INAH 10-203321
Fragment of
ca.
1150-550
Museum
mural painting
B.C.
cm
T.
162.5 x 8
cm
City
10-357205
41
31
Goddess
figure (Chalchiuhtlicue)
Museum
cm
The
Field
Museum
cm
1950-134-282
42
32
Cuirass
Anthropomorphic mask
Toltec, ca.
Spondylus
cm
City
900-1200
shell,
mother of
pearl,
"Ex
and
snail shells,
Convento de San
37
x 110 x 3
cm
Francisco," INAH,
10-568994 0/2
43
33
Face panel
Disk
Toltec, ca.
Philadelphia
Museum
cm
Wood,
900-1200
and
resin,
diam. 35
cm
City
10-564025
1950-134-947
44
34
Chacmool
Toltec, ca.
Stone, 85 x 120
cm
City
1100
x54 cm
Museo Arqueologico de
INAH 10-215198
10-626269 0/10
45
35
Coyolxauhqui
Poly
Aztec, ca.
;jse
jacan, ca.
450
.tucco,
and pigment,
Museo Nacional de
Diorite,
h.
cm
1500
80
85
68
Museo Nacional de
cm
46
36
Huehueteotl
Aztec, ca.
400
1486-1502
Stone, 60 x 57.3 x 56
'del
cm
City
10-212978
1626
4/
nOOl
17
ca.
1500
cm
de Antropologia, INAH,
.'562
N'
10-10941
Pachuca
58
48
Model
Eagle cuauhxicalli
1502-20
Aztec, ca.
Stone, 76 x 82 x 139
Museo
cm
del
City
10-252747
Aztec, ca.
1500
Fired clay
and pigment, 32
cm
City
10-223673
City
10-496915
59
49
Model
Snail shell
Aztec, ca.
500
cm
Museo Nacional de Antropologia, INAH, Mexico
Fired clay
City
10-213080
and pigment, 39
24
x 15.5
cm
60
50
Tlaloc casket (tepetlacalli)
Model
Cholollan, ca.
Stone, 69 x 58 x 38
Museo
x 16.5 x 19.5
cm
Fired clay
del
City
10-168850 0/2
1500
and pigment, 28
Museo Regional de
Puebla,
x 14.5
cm
INAH 10-496914
61
51
Sad Indian
Aztec, ca.
500
Stone, 102 x 60 x 57
cm
City
10-81660
cm
52
City 10-
222236
Mictlantecuhtli urn
Aztec, ca.
Drum
500
Alabaster, 16.5 x
cm
11
City
10-168816
cm, diam. 9
cm
City
10-50694
City
10-992
City
10-220132
City
10-3845
City
10-3846
Sound stone
53
Omexicahuaztli
Aztec, ca.
1250-1521
Museo
vessel
del
cm
30 cm
City
10-251274
Turtle
Stone, 8 x 10 x 14
54
cm
Funerary urn
Aztec, ca. 1470
Fired clay, h. 53
Museo
del
Teponaztli
cm, diam. 17
cm
City
10-168823 0/2
55
cm
10.8x8 x 17.2 cm
Museo Nacional de Antropologia, INAH, Mexico
Tlaloc pot
Fired clay,
Aztec, ca.
1440-69
Fired clay,
35
Museo
del
35
x 31.5
cm
City
10-220302
Omexicahuaztli
Fired clay, 5.7 x
56
16
cm
City 10-981
Aztec, ca.
1500
Sound stone
cm
10-162943
cm
City 10-10790
Sound stone
Model
Cholollan, ca.
Fired clay
City
1500
Museo Regional de
cm
23
City
10-3836
City
10-3842
cm
INAH 10-496916
Teponaztli
Fired clay, 12.5 x 8 x 17
cm
Sound stone
Flute
clay, 6.8
x 11.6 x 9.6
cm
City 10-991
Drum
4x 29.6cm
Stone, 8.1 x
City 10-41701
cm
City
10-223800
x 5 x 31.5
cm
h.
10-79900
City
10-563530
City
10-50698
City
10-10630
City
10-3837
cm
City
10-41700
cm
vessel
cm, diam.
Fired clay, h. 13
11.7
cm
cm
City
10-220151
Teponaztli
Fired clay, 12 x
20
x 12
cm
Fired clay, 7 x 10 x 12
City
10-3847
6.6x9
x 12
cm
Fired clay, 6 x 10 x 14
City
10-3839
cm
City
10-41699
cm
cm
City
10-41837
City
10-3844
City
10-2423
City
10-3838
City
10-980
cm
Teponaztli
Fired clay, 11.6 x 16.9 x 8.5
cm
City
10-2424
cm
Teponaztli
cm
City
10-41932
cm
Museo Nacional de
vessel
cm
Drum
Teponaztli
Ston-
City 10-3841
Teponaztli
Teponaztli
Stone, 10 x 19
cm
Xicahuaztli
Stone, 10 x 19
cm
Sound stone
cm, diam.
11
cm
City 10-50711
Ornexicahuaztli
Turtle shell
',
cm
City
10-333158
Tepc
cm
City
10-2428
Tepor
m
Mu
Drum
Xicahuaztli
Fired clay,
City
vessel
Stone,
Drum
10-333157
Drumstick
Ornexicahuaztli
11
City
Stone,
cm
al
de Antropologia, INAH,
1843
Drun
cm
>pologia,
Turtle
clay, 5.5 x 6.4
Antropologia, INAH,
I444C
>
11
City
10-2425
70
Rattle
Fired clay, 3 x 14.5
cm
Xiuhcoatl
City
10-15726
Aztec, ca.
1500
Gold, 16 x
cm
62
City
10-594810
City
10-3302
City
10-3322
Xiuhcoatl
Greenstone, 92 x 62 x 30
cm
Aztec, ca.
City
10-220919
1500
Gold, 16.5 x
cm
71
1440-69
Museo
Coyolxauhqui
and
paint,
170 x 118 x 55
del
City
cm
Aztec, ca.
10-220366
1250-1521
cm
Gold, 5 x 4 x 1.5
64
Mictlantecuhtli
72
Butterfly nose
Museo
and
paint,
176
80
50 cm
del
City
Aztec, ca.
10-264984
ornament
1500
cm
City
10-220922
65
Anthropomorphic mask
73
Skull
Greenstone,
Museo
shell, obsidian,
and
coral, 21 x 20.5 x
del
City
14
cm
mask
Aztec, ca.
Human
10-220037
Museo
Ear
1250-1521
del
and
pyrite,
23
x 12 x 17
cm
ornaments
Teotihuacan,
ca.
300-600
Greenstone, diam. 6
Museo
cm
Knife
Aztec, ca. 1469-81
each
del
City
10-220032 0/2
Flint,
15 x 5.5 x 1.3
Museo
del
cm
City
10-263616
City
10-168803
66
74
Scepter
Aztec, ca.
1325-1418
Museo
.9
Anthropomorphic mask
cm
Olmec,
del
City
10-263826
ca.
1100-600
Greenstone, 10.2
Museo
del
B.C.
8.6x3.1 cm
Scepter
Aztec, ca.
1325-1521
Museo
75
1
cm
Ballgame offering
del
City
10-265172
Aztec, ca.
1250-1521:
67
Miniature huehuetl
Greenstone, 2 x 3
Aztec, ca.
1325-1481
Museo
1.3 x 6.7
cm;
del
cm
City
City
10-222322
City
10-222323
City
10-222325
City
10-222318
cm
10-262756 0/2
Greenstone,
68
h.
10 cm, diam. 5
cm
Anthropomorphic eccentric
Aztec, ca.
500
cm
City
10-393945
Pendant shaped as
Greenstone,
cm
11 x
69
Miniature drumstick
Greenstone, 7 x
Aztec, ca.
1250-1521
Fired clay
and pigment, 22 x 63 cm
Museo de
las
ballgame court
cm
Minia
83
shell
cm
Greenstone, 4.5 x 3
City
10-222320
Aztec, ca.
1500
cm
Miniature huehuetl
City
10-48555
City
10-9774
City
10-81769
cm
Greenstone, 2.5 x 4 x 2
City
10-222321
84
Atlantean figure (west)
Miniature teponaztli
Aztec, ca.
Museo Nacional de
Symbolic
cm
500
85
ball
cm
City
10-222327
Aztec, ca.
500
Stone, 119 x 38 x 34
Symbolic
cm
Stone, 120 x 41 x 39
cm
ball
Alabaster, diam.
11
cm
City
10-222326
86
Tizapan casket
76
Aztec, ca.
String of beads
cm
City
10-28018 0/2
City
10-594419
1325-1521
Aztec, ca.
Gold and
Museo
3.9 x 1.5
silver,
del
500
cm
1250-1521
cm
77
Greenstone, 8 x 4 x 4
Cihuacoatl plaque
Aztec, ca.
1200-1521
Stone, 61 x 44.5 x 15
cm
87
City
10-81787
Tlaltecuhtli
Aztec, ca.
1200-1521
78
Stone, 62 x 61.5 x 54
Museo
Aztec, ca.
Gray
cm
City
10-262523
1400-1521
cm
YPM
del
88
New Haven
ANT.19231
Museo
79
and pigment, 18
22
9 cm
UNAM, Mexico
City
08-741814
Aztec, ca.
89
1300
Stone, 58 x 72 x 67
cm
Life-death figure
Museo Nacional de
Aztec, ca.
1440-1521
80
Brooklyn Museum,
Foundation 64.50
Aztec, ca.
New
cm
York, Purchased with funds given by The Henfield
1300-1500
49.5 cm, diam. 83.8
Greenstone,
h.
Philadelphia
Museum
cm
90
1950
Duality
Aztec, ca. 1500
Greenstone, 9.5 x 8 x 9
cm
81
City
10-9683
City
10-13570
91
cm
Nacional de A'
i,
ca.
1500
cm, diam. 46 cm
Museo Nacional de Antropologia, INAH, Mexico
Stone,
Atla
'th)
cm
i,
INAH, Ml
1768
h. 11
92
102
Ehecatl
Xololtl
Aztec, ca.
500
1500
Aztec, ca.
18 x 23
cm
City 10-48
93
103
Seated XipeTotec
Quetzalcoatl
Aztec-Matlatzinca,
Stone,
1250-1521
ca.
Aztec, ca.
cm
41
h.
cm
Stone, 48 x 59 x 70
Roman
A-51956
94
104
Chalchiuhtlicue mask
500
Aztec, ca.
Fired clay
and pigment,
h.
cm
Diorite,
City
10-594908
95
105
Tlaloc
900-1521
Aztec, ca.
Aztec, ca.
cm
Museum
National
Washington,
D.C.
City
10-15717
City
10-222273
City
10-392922
cm
x 10
500
cm
10-81678
500
33 x 17.5
City
cm
XipeTotec container
Aztec, ca.
10-116545
500
Stone, 28 x 45 x 45
Museo Arqueologico
City
20/6218
106
96
Pumpkin
Aztec, ca.
500
Diorite,
cm
500
16
17 x 36
cm
City
10-333856
107
97
Agriculture goddess
Figure of XipeTotec
Aztec, ca.
Aztec, ca.
500
cm
City
500
Stone, 70 x 24 x 21
cm
Fundacion Cultural
Televisa,
PJ 4
10-116778 0/2
108
98
Teomama
Aztec, ca.
Fired clay
x 17.5 x
17
cm
109
Plaque of Tezcatlipoca
Tlaltelcuhtli
500
Aztec, ca.
Museo Arqueologico
cm
Roman
100
Ehecatl
37 cm
"Ex
A-66602
cm
City
10-81265
City
10-81570
City
10-77820
110
monkey
Aztec, ca.
Cihuateteo
500
Aztec, ca.
cm
500
Stone, 62 x 31 x 43
City
10-116784
101
111
Skull goblet
Aztec, ca.
h.
American
1200-1521
3.5 cm, diam. 18.2
Museum
cm
of Natural History,
New
York 30/8003
cm
Ehecatl insect
Stone,
1500
Stone, 93 x 57 x 34
22
10-214568
PJ 71
99
Stone, 63 x 53.5 x 16
Aztec, ca.
500
500
Aztec, ca.
Fired clay
and pigment,
h.
30 cm, diam.
12.5
cm
121
'500
jlpilli
.
cm
Aztec, ca.
10-3344
500
cm
112
122
Figure of a warrior
500
;
cm
Cast gold-silver-copper
The Cleveland
Museum
cm
Jr.,
Fund 1984.37
113
123
ca.
1500
Funerary casket
5
ato,
cm
Aztec, ca.
500
Stone, 22 x 24 x 24
cm
City
10-223670 0/2
City
10-594485
City
10-392909
114
124
ca.
1500
80
Xiuhtecuhtli pendant
x
28
Aztec, ca.
City
10-81578
500
Greenstone, 7.5
x 4.5 x 3.5
cm
ca
125
(tepetlaca
1500
Head of a warrior
Aztec, ca.
City
10-466061
500
cm X 18.8 cm
Museo Nacional de Antropologia, INAH, Mexico
Fired clay, 19.5 x 15.3
116
126
'500
Jaguar pectoral
diam. 26
Museo Nacional de
cm
Mixtec, ca.
Wood,
1200-1500
Museum,
Gift of
Morton
cm
D.
May 163:1979
11/
127
jgle
Xiuhtecuhtli
Aztec, ca.
223606
1250-1521
Greenstone, 59
Museo
del
x 41 x
35 cm
City
10-264985
118
128
Ear
ornaments
Aztec-Mixtec,
each
i
C .Rockefeller Memorial
ij.200a,b
Collect
119
129
N
a,
INAH
III
ihtli
'
'.
I
140
131
Ring with serpents
900-1521
Aztec, ca.
Gold,
h.
Museum
National
Flower goblet
in filigree
Washington,
cm
Aztec, ca.
1500
Fired clay
and pigment,
h.
cm
City
10-116786
City
10-116504
City
10-1155
16/3447
D.C.
141
Polychrome plate
132
Xiuhtecuhtli pendant
Mixtec, ca.
500
Gold, 6 x 4 x 1.5
Museo de
las
cm
Aztec, ca.
1250-1500
Fired clay
142
(not
in
the exhibition)
133
Altar with
images of
Aztec, ca.
1250-1521
cm
procession of warriors
cm
Library
University,
143
D.C. PC.B.104
Serpent warrior
134
Lip-plug
in
tongue out
Museum
Washington,
D.C.
Estado
"Dr.
Roman
A-52207
144
Cihuateteo
18/756
Aztec, ca.
500
Stone, 112 x 54 x 53
cm
ornaments
City 10-9781
1500
Mixtec, ca.
Gold,
del
cm
135
Ear
cm
Stone, 52.5 x 29 x 19
Museo Arqueologico
900-1521
Aztec, ca.
National
its
h. 1.3
Museo de
las
cm each
145
Quadrangular brazier
Matlatzinca, ca. 1200-1521
136
Fired clay, 15 x 31
1200-1521
Gold, 1.5 x
1.3x2 cm
American
Museum
cm
Museo Arqueologico
bird
del
Estado
"Dr.
Roman
146
of Natural History,
New
York 30/10741
Aztec, ca.
1500
137
Fired clay
Ahuitzotl plaque
Aztec, ca.
53
x 51 x
cm
City
10-575578
City
10-583437
City
10-571544
City
10-571285
500
cm
Museo Nacional de Antropologia, INAH, Mexico
147
Stone, 73.5 x 72 x 24
City
10-81550
500
Aztec, ca.
138
Fired clay
and pigment, 99
Tripod plate
Aztec, ca.
1500
Fired clay
and pigment,
h.
7 cm, diam. 32
cm
60
49 cm
148
City
10-580947
1500
139
Fired clay
72 x 51
cm
500
Aztec, ca.
Fired clay
and pigment,
h.
cm
149
City
10-116788
500
Aztec, ca.
Fired clay
66
48 cm
A-51999
160
150
Cast gold
in
Mixtec-Zapotec,
1500
ca.
a.
20 cm
1450
ca.
cm
Museum, Gift of the Hans A. Widenmann,
Widenmann Foundation y1972-37
INAH 10-203061
151
161
1500
ca.
23.5 x 20
>
cm
City 10-78081
cm
Gold, 35.1 x 8
Museo de
las
152
162
ome bowl
Head band
1200-1521
ca.
r
cm
City
10-393491
Gold,
h.
Museo de
las
cm
153
163
applied figure
eca, ca.
ii
1500
slip, h.
cm
Art
Class of
Gold, 5 x 4 x 2
cm
154
164
Censer
Butterfly nose
jnd pigment, 6
7 x 46.6
Mexico
cm
City
New
York 30.3/2304
ornament
REG
History,
cm
21 PJ 106
City
10-3312
City
10-3317
City
10-4594
City
10-79148
165
155
Shield pectoral
otec
ilpaneca, ca. 1250-1521
.
Mixtec, ca.
cm
900-1200
cm
156
Disk
sectoral
200-1521
Mus'
iS
cm
167
157
Effigy vessel
'500
ca.
1250-1521
'6360
158
cm, diam. 25
cm
and pigment,
Museo Nacional de
h.
13.5 cm,
cm
Class of
178
169
Vessel
in
Huaxtec,
red,
and ochre
slips
on cream ground,
h.
20.9 cm,
cm
1250-1521
ca.
cm
Museum, Bequest
of Gilbert
McClintoch,
S.
179
By exchange y1990-13
Warriors
Tarascan, ca. 1250-1521
170
Temalacatl
Mixtec, ca.
Fired clay,
Museo de
las
26
x 21 x 13
cm
1250-1521
"Dr.
cm
180
Copper disk
Tarascan, ca. 1250-1521
171
god Xiuhtecuhtli
in
seated position
47
Fired clay,
National
x 18 x
Museum
Washington,
D.C.
cm
City
10-396909
26 cm
181
22/1603
Disk
172
Silver,
Plaque with
Mixtec, ca.
Wood,
diam. 18.5
cm
Museo Regional de
scenes
1325-1521
shell,
Museo de
ritual
and turquoise
las
inlay,
18 x 42
cm
182
Coyote
Tarascan, ca. 1250-1521
cm
173
Stone, 52 x 22 x 18
Chicomecoatl plaque
Aztec, ca.
City
10-168261
City
10-396927
1500
cm
183
City
10-613348
Feather
Tarascan, ca. 1250-1521
24x6.5 cm
Museo Nacional de Antropologia, INAH, Mexico
174
Gold,
Anthropomorphic
Huaxtec,
ca.
effigy vessel
1250-1521
cm
184
PJ
Throne
in
70x48x 112.5cm
Museo Regional Michoacano
175
Stone,
Polychrome vessel
Totonaca,
ca.
Fired clay, h.
"Dr.
600-900
16 cm, diam. 19
cm
185
City
10-78683
Chacmool
Tarascan, ca. 1250-1521
176
Stone, 84 x
150x48 cm
a deity (Macuilxochitl)
City
10-1609
City
10-76294
City
10-44633
1440-1521
New
cm
186
177
cm
Huaxtec,
ca.
900-1250
cm
Museum, New York, Henry L Batterman Fund and
187
Brooklyn
Sherman
cm
IP
^k
*\
,
.->
.
,->^
*i. vu.
*%>
I
I
188
197
Polychrome vessel
Teponaztli
20
Fired clay,
x 15.4
Colonial, ca.
Wood and
cm
City
10-76010
1521-1600
canine molars, 22 x 25 x 88
189
198
Coyote sculpture
Stone, 43.5 x 17 x 14
Colonial, ca.
cm
Wood,
History,
New
York 30/2455
cm
10-220924
1521-30
obsidian, paint,
and
City
Library
cm
D.C. PC.B.78
190
Techcatl
in
199
Lienzo de Quetzpalan
Volcanic stone, 67 x 29 x 44
American
Museum
cm
of Natural History,
New
York 30.3/2561
Fundacion Cultural
191
Chacmool
Tarascan, ca. 1200-1521
Stone, 27 x 35.5 x 17
American
Museum
cm
of Natural History,
New
York 30/6156
192
Atrium cross
Colonial, ca.
1600
Stone, 156 x 91 x 36
cm
lid
Colonial, ca.
1540
cm
City
10-220923
City
10-81584
194
Ceremonial tripod plate
Aztec-Colonial, ca. 1530
Fired clay, h. 10
cm
195
Pendant
in
Aztec-Mixtec,
Gold,
silver,
Museo
ca.
1500
x 8.5
cm
196
Bracelet
silver,
Museo
and copper,
h.
cm
Bracelet
silver,
Museo
and copper,
h.
cm
Televisa,
183 x 53
cm
21 PJ
403
University,
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