Mehow - Group Attraction Manifesto Vol. 1

GET THE GIRL!
Group Attraction
M a n i f e s t o
M E HOW
www.mehow.tv
www.groupattraction.com
888-mehow-tv
Photo credits: Page i, iStock, copyright

Goldmund; pages ii-iii, iStock, copyright
Pascal Genest; page iv, iStock, copyright
Mario13; page iv, iStock, copyright
Aleksandr Frolov; page vi, iStock,
copyright, Paul Buceta; page xx, iStock,
copyright Aleksandr Frolov; page xvi,
iStock, copyright, Robert Deal; page 8,
iStock, copyright David Falk; page 20,
iStock, copyright Roger Lecuyer; page
135, iStock, copyright modellocate;
page 138, iStock, copyright Ivana
Korab; page 216, iStock, copyright
Ivan Josifovic; page 222, iStock,
copyright Vuk Nenezic; page 262,
iStock, copyright Jeremiah
Deasey; page 274, iStock,
copyright Aleksandr Frolov;
page 278, iStock, copyright
Jeremiah Deasey;
backcover lower right,
iStock, copyright Robert
Deal; backcover and page
xix, iStock, copyright Vasko
Miokovic.
D E D I C AT I O N
This is dedicated to all the men and

women out there who still haven’t met
each other—-yet?
—mehow
v
T est i m o n i als
“
After we’ve been disillusioned with the so
called ‘natural game’, which in-infield evidence
showed to be nothing more than acting drunk and
getting nowhere with it, Mehow strikes again
with even more power than before.
In his new ‘Group Attraction’ workframe, Mehow

offers a highly structured game with precise
step by step instructions and know-how to
getting results in the field. It works for him
that’s for sure, and it seems that he’s made a
bigger effort than ever to deliver his knowledge
as comprehensively as possible to his students.”
-- PUARatings.com
w w w . g r o u p at t r a c t i o n . c o m vii
“
Mehow’s Group Attraction... let me tell you this
guys, this one blows me away how good it is! This
WILL be the standard for the next generation of
PUAs! This is really exciting and powerful stuff
guys!”
-- The Adonis Method
“This is absolutely the most thorough, detailed and

useful way any manual could ever teach pick-up.
M e h o w , I n c . C o n f i d e n t i a l . P at e n t P e n d i n g . C o p y r i g h t 2 0 0 8 . A l l R i g h t s R e s e r v e d .
It’s actually shocking to think that with the

1000s of manuals out there that Mehow’s Group
Attraction Manifesto actually appears to be the
first to do something like this and it’s been done
so well. I like the homework drill too. It looks
like this Group Attraction Manifesto really does
contain absolutely everything!”
-- Vince-Charming
“The Group Attraction Manifesto will be a

precious gem when released, and believe me when
I say it will change your game completely... I
have read, viewed and listen a lot of stuff and
I personally believe this is the way to become a
super natural. That’s why I love this company, a
viii testi m o n ials

lot of value and always searching and learning
more. No market BS or renamed products. This is
real and it’s golden!”
-- StayAlive
“I’ve read through this a few times (can’t believe

this is going to be over 400 pages)...I have one
word to describe it, REVOLUTIONARY!!! Everything is
going to change with the release of this product.”
-- TomSawyer
“
Mehow has been the first one to understand that
you need to read, watch and hear at the same
time, to make the learning process almost 100%
complete. I must credit him that brilliant
innovation... Congratulations and thanks for
your great work, Mehow!”
-- Jasons
“I am a conceited bastard who knows he has game,

but I was humbled by how much knowledge he has
of ‘the game’. He broke it down on levels that
I hadn’t even thought of, and he pointed out a
w w w . g r o u p at t r a c t i o n . c o m ix
lot of things that I do subconsciously when I am
successful... He basically made a fan out of me.”
-- Ghost
“Hi Mehow! I just LOVE your book; it fits more with

my personality than every other system out there.
Thank you”
-- J, from France
“I have already read through the book now a

couple times... Really solid, exciting and
inspirational. As wells as brilliant, and
beautiful! I have already had a million
breakthroughs and revelations!!! Thank you so
much for this book, I love it!”
Easily worth 3 times the price. Mehow is a great

instructor. I could tell he cares about his
students. Great seminar, and quality products,
infield video and books. I look forward to future
products. If I didn’t see this live I would
not have fully understood the book. So this was
awesome!”
-- W. from Orange County, 24
x testi m o n ials
“
Mehow should rise out of the floor with smoke and
strobes!”
-- J. from San Francisco, 25
“
Mehow was awesome at explaining things. He really
got a lot of stuff to click in my mind that other
MPUA’s could not!”
-- M. from Santa Monica, 35
“I have to say amazing!!! AMAZING!! This book

has changed my life at this point!!! THANK YOU
MEHOW!!! I have already used some of the ideas
from your book and they totally make sense...
It’s like I have instant success when I am out!!!
Opinion openers are a thing of the past!!!”
-- Babyface
“I’ve tried a lot of styles in seduction. MM, RSD,

Badboy (direct), vibing aso. They’re nearly as
many ways in seducing a woman as there’re stars
in the sky. The most methods only work the best
for the master himself leaving alone the poor
little milked AFC’s behind... You’ve been the
w w w . g r o u p at t r a c t i o n . c o m xi
first PUG who shows a pick up step by step with
100% real infield footage!
-- Stefan
“OH MY FREEKIN GOD!!! YOU HAVE GOT TO BE KIDDING

ME!!! This has officially gotten OUT OF HAND!
After reading the excepts from Group Attraction
Manifesto all I can do is laugh and shake my
head.... Mehow, you have officially made pickup
TOO EASY!!! ....I love you! Platonically of

course :) haha
I mean after reading GTG Manual and watching

all the Infeild Insiders and Infeild Exposed
DVD’s my game improved ten-fold. My deep
understanding of what’s going on along every
little step of the interaction (Thanks to your
products) allows me to close consistently and
easily every time. After reading GTG Manual
I felt like i held the keys to heaven... BUT
NOW...YOU RELEASE THIS!!! An even DEEPER, MORE
DETAILED explanation of what’s going on!!!!!!
You’ve got to be kidding me!!!! I am dumbfounded
by the fact that I now know even MORE than I
did before about Subcommunication, Delivery of
Routines, Body Language, Pure Kino, Giving Value
xii testi m o n ials

etc... and that’s only about a ten pages of the
whole book!!! AAAAAAAAHHHHH!!!! This is freekin
awesome!!!... I truly feel like Neo from the
Matrix....I can see and understand everything so
deeply now...and that makes pickup super easy
because when you truly understand something, YOU
ARE IN CONTROL and, the task before you becomes
easy, effortless and DAMN ENJOYABLE!!!
Thank you thank you thank you Mehow!!!...I didn’t

think you could top your previous products, but
once again you have come out WAY WAY ON TOP. This
book is a master piece, congratulations. Thank
you for making pickup a hundred times easier!!
You rock dude!”
--JT
“
Group Attraction is the NEXT LEVEL of pick up.
Mehow has stripped out all of the unnecessary
limitations of existing systems (ie: arbitrarily
picking a target) and taken the parts that work
and broken them down to a new level of detail and
clarity. Not to mention the innovations on top of
those (PureKino, Microloops, etc).
w w w . g r o u p at t r a c t i o n . c o m xiii
mPUAs have been telling us for years to have
‘good’ body language,vocal tonality, eye contact,
etc, but haven’t been able to convey the exact
way to do it, not to mention how to operate on
all of these channels simultaneously.
Now we have a way to model every interaction

down to the exact timing, as well as new
discoveries on how to insure this timing works
consistently, so there is no more guess work
in getting strong kino and compliance from the
second you enter a set.
This system allowed me to instantly break down

what was working in my stack and why, and gave
me new ways to analyze what wasn’t working, so I
could immediately troubleshoot it and correct my
delivery.
Sub-communication has become a very

important concept to anyone on the cutting
edge of pickup, but until now, has been a
fairly esoteric one. Now we have a short-
cut to greatly improve our conscious sub-
communications, which will lead to them more
quickly becoming natural unconscious level sub-
communications. In other words: turn yourself
into that cool guy that women are naturally and
effortlessly attracted to MUCH quicker.
xiv testi m o n ials

Since I started using a Group Attraction stack,
I’m opening sets and hooking them HARD in 2
minutes. I’ve had several nights where I only
needed to do ONE set because my stack worked so
well that my wings and I just spent the rest
of the night with that set. And it’s virtually
impossible to become the dancing monkey when
after two minutes of massive BT&A pumping
material, you are immediately on to qualification.
You give so much value in those 2-3 minutes that
they’re tripping over themselves trying to give
you equal value back, which allows you to sit
back, relax and do the really fun part: make a
connection with someone.”
--Matt “Wonderboy”, New York, NY
w w w . g r o u p at t r a c t i o n . c o m xv
C o n t e n ts
NDA and Security Reminder 1

Acknowledgments 3
Letter from Mehow 5
Chapter 1: Introduction – Group Attraction™ and PureKino™ 9
1.2 Prerequisites 9
1.3 How to Use This Book 17
Chapter 2: Group Attraction (GA) – Theory and Practice 21
The Mehow Model 23

Mehow Training Method 24
Group Attraction vs. Target Attraction 39
Which Attraction Techniques to Use? 43
w w w . g r o u p at t r a c t i o n . c o m xvii
History of GA 44
The Group Attraction Model and The Mehow Model 49
Group IOIs and IODs 49
The Group Attraction Model 53
Where can you use GA? 60
Group Attraction and Direct vs. Indirect Opening 61
How Group Attraction Works 68
Microloop Theory Basics 71
IOIs, IODs, and Giving Value 83
Advanced Microloop Theory: Multiple Channels &
Instant Compliance 86
Group Love/Hate Teasing 103

Group Projections 107
PureKinoTM 112
Group Dynamics 123
Practicing GA 126
Learning Roadmap 126
Conclusion 135
Chapter 3: Opening 139
Evil Clown Frame 141

Subcommunication 150
Delivery 158
Calibrating Friendliness with Multiple Channels 179
Opening Material, the Walkup, the Stance 184
The Walkup 186
xviii co ntents
The Stance 188
The Opening Material 189
Multi-Channel Timing 191
Kino Pinging 192
Group Compliment Openers 194
Group Love/Hate Teasing 197
More Timing and Sequencing 200
Material 203
False Time Constraints 208
Transitionary Compliments 209
Putting It All Together 210
Appendix A: Group “3-7” Full DNA Code 217

Appendix B: Fuji on Natural Stacking 225
Appendix C: Fuji on Body Language 265
Appendix D: Terms and Conditions; Non Disclosure Agreement 277
Appendix E: Glossary 281
w w w . g r o u p at t r a c t i o n . c o m
xix
N o n-D i s clos u re
NDA
Ag reem e n t
Security Reminder
This book represents 2 years of work.

Don’t steal it.
Get yours at www.groupattraction.com.
This book contains a lot of secret sauce.

Much of the contents are patent pending. By
using or reading it you agree to be bound by a
Non Disclosure Agreement and the rest of the
applicable Terms and Conditions, which are
available online at www.groupattraction.com/
terms. The Terms and Conditions relevant to
w w w . g r o u p at t r a c t i o n . c o m 1
the print edition are in Appendix D: Terms and
Conditions. Per the Non Disclosure Agreement in
Appendix D, you can discuss the contents of this
book only with other people who have been granted
access to this book by us and who are bound to
treat this material subject to the Non-Disclosure
Agreement and the Terms and Conditions. If you
don’t agree to the Terms and Conditions delete all
digital copies and return any printed copies back
to us before reading. The Terms and Conditions
contain the applicable instructions. We reserve
the right to revoke any of your access or rights

to this book, our forum, or our websites in the
event you violate any of the terms and conditions
we require for such.
NDA and Security Reminder

2
Ack n ow le d g m e n ts
There are a lot of people who helped me create

this product.
The most instrumental person who helped me in

my journey—even though he didn’t know it—was
Mystery’s and my wing, Lovedrop.
Lovedrop was an endless source of feedback and

helpful criticism who led me down the path of
relentlessly pursuing better and better game.
Eventually that road led to the work you are
reading today.
I also could not have done this without the

support of the Mehow, Inc. team: Mel (“I’m still
the Muncher’s daddy.”), Fuji (“Call of Duty 4?,
anyone, anyone?”), Brandon (we’ll actually meet
3
one day), Alec (you don’t need any game if you
are an agent), Eileen (thanks for sticking with
me!), Steve (every once in a while it’s ok to
not sarge), Tim, Gerry (“Dude, I have to show you
this one burrito place, it’s bomb.”), George,
Kamouflage (“you’d be even more amazing at PU if
it weren’t for CS”), Julian (that sushi place you
took me to is still #1), Debbie (I love not having
to pay my own bills), Andre (one day . . . I’ll
dress as fly as you), and Greg. I know I’m leaving
many folks out . . . but it’s important that your
secret identities stay that way!!! I love all of

you and you know who you are. I also want to thank
our entire super-dedicated instructor staff and
all of our students.
I learned from many great PUAs on my path. Super

special thanks go out to Mystery. Without him I
would have never discovered this space at all.
Lovedrop coached me relentlessly for a year when
I sucked. I learned a ton from Tyler Durden,
Hypnotica, Vin DiCarlo, Matador, Neil Strauss,
Savoy, Juggler, David DeAngelo, Steve Piccus,
IN10SE, Swinggcat, Will Hicks, Ross Jeffries,
Sinn, Asian Playboy, Philos, and David Wygant.
Finally, and most importantly, I want to thank all

the women who helped me figure them out!
—mehow
4 Ackn ow led gm ents

Lett er
fro m
Dear Friend, Mehow
Thank you for purchasing The Group Attraction

Manifesto™, the most advanced pickup system ever
developed for party environment game.
This book also represents the world’s first

and only field-tested, patent-pending pickup
methodology protected under U.S. Patent
Application No. 12/018,098.
But I don’t stop there. You will also receive

cutting-edge training in Group Attraction™ and
PureKino™ using my new boot camp-derived Mehow
Training MethodTM—which is presented for the first
time in this book.
It’s been about a year since I wrote the

groundbreaking Get the Girl!™ Nightlife Edition
Manual (the “GTG Manual”) which has changed
the lives of thousands around the globe. When
I first wrote that book I was by no means done
with teaching you everything I knew. Instead, I
was starting you on a path to greatness. If you
have read the Get the Girl! Manual then you have
no doubt experienced great improvements in your
5
interactions with women. Many guys have
seen so much improvement that the Get the
Girl! book was all they needed to change
their lives.
But many of you wanted more. You wanted

more ability to create relationships with
the women of your dreams and you wanted
to evolve simply for the sake of your own
social evolution.
That has always been the path I envisioned

and planned. If you’ve been practicing
the principles contained in The Get the
Girl! Nightlife Edition Manual, you’ll be
able to go out and use Group Attraction
immediately after reading this book. I
deliberately wrote the Get the Girl!
Manual as a foundation for building upon
your skill set in all sorts of ways. As
you continue to study with me through this
and other products, I’m only going to keep
giving you more and more superpowers.
The Group Attraction Manifesto is the first

work building upon the foundation of the
6 Letter from M eh ow
Get the Girl! Manual. This technology will
permanently change your nightlife game and
get you operating on a whole new level
in terms of how you are able to attract
and interact with the women you desire.
You will control group dynamics with ease
and will always get monster quantities of
attraction. Most importantly, you will
be able to choose the girl you like the
most after spending some time with her
and her friends so that you know you are
putting your life energy into a woman you
actually like! And finally, by practicing
the methods contained in this book, your
ability to kino escalate and “get the
girl” will skyrocket to new heights.
Gone are the days of arbitrary target

selection—now you get to choose your
o
et t
target at will because all the women you ’ t forg
Do n s
p.s. tion
talk to are totally into you. u s ques
ask m at
h e foru /
in t .com
Enjoy!!! r a c tion
patt
grou m.
foru
Mehow
7
I n tro d u ct i o n—
G r o u p At t r a c t i o n ™
a n d Pu re K i n o™
1
1.1
ere is w hat y o u r f u t u re
H
attraction phase w ill look like:
It’s another hot summer Saturday night in

the metropolis. The nightlife is teeming with
gorgeous, scantily-clad women and rich men as
long lines wait to get into velvet-roped clubs
on what seems like every street corner. The city
oozes glamour amidst an undercurrent of sexual
tension. Even the dive bars are packed tonight.
And there’s a distinct smell in the air. It’s the
smell of perfume mixed with sweat, pheromones . . .
and sex. Yes, it’s the smell of sex appeal . . .
and it permeates the city like a cloud.
A well-dressed man walks confidently along one of

the ubiquitous streets in the center of the city.
He’s approaching the crowd of people waiting to
get into the hottest club in the city. He strolls
casually past the lines of people with what
appears to be a hint of a smile on his face.
The door man recognizes him instantly and lifts the

rope. The man smiles and shakes the doorman’s hand.
“Hello Jeff”
The heavy bass beat of the music in the club

creates a stark contrast to the high-pitched
female giggles resonating from the entryway.
Though the crowd is so thick it’s nearly
suffocating, the man appears to cut through it
effortlessly as he ascends the stairs to the
rooftop bar. He zones out for a brief moment and
becomes hyperaware of his environment. He feels
the floor under the lightweight soles of his jet
black, designer shoes. Every cell in his body
resonates with the music being pumped through
the sound system. And he smells that familiar
combination of perfume, spilt alcohol, and sex
appeal.
10 I n t r o d u c t i o n — G r o u p At t r a c t i o n ™ a n d P u r e K i n o ™
“
Do you know what you started/
I just came here to party /
But now we’re rockin on the dance floor /
Acting naughty . . . ”
As he reaches the top of the staircase, he steps

into the open air and spots three gorgeous
brunettes by the bar.
Action.
Before his mind knows what’s going on, his body

is already instinctively in motion. He’s barely
registered them in his field of vision before he’s
standing in front of them with a giant grin on his
face. The woman on his left is a svelte, doe-eyed
seductress with a tight black dress, rich, flowing
hair the color and richness of dark chocolate, and
a sizzling sex appeal just simmering below the
surface. On his right, the good girl who went bad.
Deep, seductive eyes, short skirt, petite frame
atop needle-thin stilettos, a top that could have
been painted on, and an inexplicably sexy pair of
librarian glasses. His hands reach out and touch
their arms as his mouth opens on auto-pilot.
“Heeyyyyyyy”
The girls look up at me and make eye contact. For

a split second that feels like eternity, I stand
11
silent with a steely gaze and self-assured smile,
communicating nothing and everything at the same
time. Time is slowing down.
“You guys are SO cute...”
I hug the two next to me briefly as I continue:
“...you’re like...my little sisters...”
I push them away and like clockwork, the girls

burst into laughter.
My grin widens.
“I’m going to adopt all of you and wrap

you in bubble wrap and put you in my
pocket and take you home...”
“Wait...you’re potty trained, right?”
More predictable laughter. Librarian glasses

touches my arm.
“You’re funny.”
“Aww thank you,” he says as he pulls her

in for a hug. You guys are really fun. I
can’t stay though, I’m with my friends
over there. But you know what...”
“...if you guys were born as boys, what

would your boy names be?”
Giggles.
“Jack”
“Bobby”
“Psh, that’s so normal sounding. Ok what

would your STRIPPER names be?”
“Jack HAMMER”
“haha ok you guys want to know what MY stripper

name would be? And no, it’s not Tiffany.”
“YES!”
“Ok...hmm...I’ll tell you what, I’m going

to walk away (point) right over there and
then I’m going to walk past you and you
guys are going to ask my name.”
I walk a few feet away and then turn around and

walk back with a cocky, slightly overdone “I’m a
male stripper” swagger.
“What’s your name, handsome?”
I pull them close with my hands at the small of

their backs and then reach up and grab a handful
of hair and pull.
“Buck Wild”
Their laughter gets the attention of everyone in the

area and I know I’m done with attraction. And I can
still freely pick any of these girls as my target.
13
Welcome to my reality. Life is good.
The days of arbitrarily picking a target are dead.
Group Attraction (GA) and PureKino (PK) not only

1. Sarge (v): To go out allow you to sarge1 without a target, but also give
explicitly to meet women.
you the toolset to give women the optimal emotional
See Glossary for additional
information. experience in the shortest amount of time.
Note that I said, “give women an optimal emotional

experience.”
This is very important.

What you are learning here is not manipulation.
What you are learning here is how to use every

available human communication channel to give
2. Emotional Value (n):
women emotional value2.
Things that positively spike
our emotions or otherwise make
us feel good. See glossary for
When you are able to accomplish that, you create
additional information. an incredibly compelling reality that women want
to be a part of.
You will create a reality so compelling

that women will always choose to continue
hanging out with you.
Fewer than one in a hundred men have the ability to

give value to the point where they bend reality.
When women meet a guy who can do that, the results
look like mind control powers. In reality there’s
no mind controller tractor beam sucking the girls
in...they merely make the choice to continue the
interaction because of the mind-boggling, value-
giving coolness that oozes from you. Women make that
choice second-by-second and the longer that occurs,
the more it becomes a permanent reality.
What’s seriously amazing is how consistent this

phenomenon is. It freaked me out when I first
perfected it because it felt like mind control. I
almost felt...guilty. Almost.
But being so cool that after 3 minutes all the

women you meet want to hang out with you isn’t
something to be ashamed of.
It’s nothing to be ashamed of because that “10”

bombshell model isn’t experiencing any guilt from
having dozens of men incredibly attracted to
her night-after-night. In her reality, all the
men are making the second-by-second, free will
choice to pursue her. We’re just flipping that
equation by creating her male equivalent. We’re
not circumventing free will, we’re just creating
realities so compelling that women will always
pursue us.
Fortunately, like anything worth doing, all this takes

is a bit of practice and skill. Ultimately, what
15
you’re doing is simply being an incredibly positive,
dominant alpha male who channels his personality
through the methods I describe in this book.
You will not become someone else. You will still

be you. But you’ll have superpowers.
The superpowers work and have been tested by men

from all walks of life and many age groups: from
high school all the way to senior citizen age.
They probably work after that as well. They also
work on all women in party situations, from 20s
up to “cougar” age. So no matter what your or her

age bracket is, you’ll get results. They probably
work on women even older but we couldn’t find enough
grannies in clubs that guys wanted to sleep with in
order to test this. However, we can tell you that
18-year-old women are very responsive as well.
In this manual I’m going to teach you in extreme

detail how GA+PK work. I’m going to give you
drills to practice at home and in-field so this
becomes second nature. I will show you how to
get “in the NOW” to obtain the powerful presence
required to maximize these techniques. I will
teach you how to construct your own routines. I
will show you the road to naturalizing this skill
set so that you can execute automatically, every
time you go out. Ultimately, my goal is to make
this knowledge totally intuitive and to give
you unconscious competence3. As a beneficial side 3. Unconscious Competence
(n): The most advanced of
effect of practicing GA and PK you will also learn the 4 stages of competence
how to intuitively escalate in any situation. in psychology. It refers to
ingrained or instinctive
ability.
In the end, you will become a “super-natural”
...a guy who combines the intuitive skills of
a “natural” with a guy who is consciously aware
of everything that’s goes on. When you put both
together you get something super indeed.
1. 2 P rere q u isites
To get the most out of this book I highly recommend

you read and understand the Get the Girl! Nightlife
Edition Manual. You don’t need an extensive amount of
skill or experience to start using Group Attraction,
but you will need the foundations laid out in the
GTG! Nightlife Edition Manual. You can get it at www.
mehowgetthegirl.com.
Reading the Microloop Theory™ (MLT) eBook that

came with your Get the Girl! Manual will also
help although I cover the basics in the following
chapters.
17
Another product which will be tremendously
helpful is Infield Exposed, my 9 hour video demo
and narration compilation. Seeing how things are
supposed to be done is crucial to learning it
yourself. Back in the “old days” we all had to
learn from the occasional demo by a master but it
was mostly a trial-and-error process. You can get
Infield Exposed at www.infieldexposed.com.
Lastly, I highly recommend Eckhart Tolle’s, The

Power of Now. It’s not specifically a pickup book
but it will totally and completely change your

life. I present some basics here but really
getting into Tolle’s work will only make you a
better, more loving, more value-giving person.
You can find this book online or at your local
bookstore.
1.3 H o w to Use T his B ook
The first obvious step is to read this book or

listen to it via audio. I know the video material
that came with this product looks really appealing
but I spent a lot of time creating a learning
process for you that is very efficient. I developed
learning procedures and drills for you to perform
in the book along with guidelines on how to use
them. If you skip around you won’t get the full
benefit of the system.
There is a lot of content in this book! Our

philosophy is to give you the simplest models
for understanding the pickup (that’s Microloop
Theory and DNA Code™). When you use these models
to fully document everything that happens in human
interactions, you get a lot of content. Understand
that after you read the book once, you will only
have a surface understanding of the models and
concepts. I don’t expect you to know or to have
fully committed everything to your mind—but you
will have an unreal understanding of how game
really works. This is critical because you will
then have a reference source full of information
which you can use any time to solve any problem.
That said, do read this book in its entirety at
least once so that you get a broad understanding
of the core concepts.
Let’s Begin.
19
G r o u p At t r a c t i o n ( G A ) —
T h e o ry a n d P r a ct i c e 2
In this chapter I’m going to present the
structure of Group Attraction and its theoretical
underpinnings. After finishing this section you’ll
understand in detail how and why all this works.
This will give you incredible insight into not
only how to perform Group Attraction, but many
other types of game as well. What we’re going to
get into are the foundational building blocks
of game. This understanding will thus apply to
online game, day game, D2s, and much more. You’ll
also gain significant insight into the secrets of
escalation.
We’ll start off with a refresher on the Mehow
Model™ from the Get the Girl! Nightlife Edition
Manual and explain how Group Attraction fits into
that paradigm.
Next, we’ll go into the Mehow Training Model™

where you’ll understand the process involved in
quickly and easily learning pickup.
After that we’ll dive deep into the differences

between Group Attraction game and Target
Attraction game, how Group Attraction came about
(which will teach you some very important lessons

about how to learn it), and the structure behind
it. Once you understand the structure you’ll be
able to start creating your own Group Attraction
stacks and improvising correctly.
Finally, we’ll go into where you can use these

techniques (more places than you think!), and how
it meshes with both direct and indirect opening
styles.
The rest of the chapter is devoted to

understanding the detailed mechanics of Group
Attraction, including how all the individual
elements (Group Teasing, Group Projections,
and PureKino) work. That will be the most
consciousness-expanding section of this chapter.
22 G r o u p at t r a c t i o n ( g a ) - - T h e o r y a n d p r a c t i c e
Once you attain a higher consciousness, I’ll
explain how to put all of this knowledge into
practice so that you become a babe-magnet-ninja.
T he M eho w M odel
Opening Isolation Qualify
Attraction
Comfort
Kino Sex
Plowing
Figure 1 depicts the Mehow Model of Social Figure 1

Interactions. This is identical to the one
presented in the GTG! Nightlife Edition Manual.
In the following section we‘re going to focus on

the preliminary stages of opening, attracting, and
isolating. I’m going to teach you new methods of
attraction that build upon the material in the GTG
23
Manual. After the isolation phase, simply return
to the structure as described in the GTG Nightlife
Edition Manual.
M eho w T raining M ethod
Why do we practice pickup? What are we really

doing when we practice? How can we increase the
effectiveness of this practice?
There are a million training techniques and

vessels available to us: Books, videos, state

alteration exercises, drills (both in classroom
and infield), learning plans, natural game
techniques, routine stacking, infield practice,
Neuro Linguistic Programming (NLP), and hypnosis,
among others.
Let’s discuss each of these and see what they do

for us.
Home Study & Distance Learning (Books,

Videos, Phone Training, Forums, etc):
This is the traditional and most common way of
absorbing intellectual pickup knowledge. Books
and videos are best at imparting intellectual
understanding so you understand how things work.
Books are great at explaining theoretical concepts
because you can easily review the concepts
multiple times before going on to the next
section. Video is invaluable in its ability to
show you the subtle nuances involved in delivery,
tonality, and body language. This is why we’re
including both infield and classroom demo video
in this product. These resources can also include
Homework Exercises to strengthen your intellectual
and intuitive understanding.
State Alteration Exercises:

These are specific things you do to pump up your
4. State (n): Concept
state4. Being in a happy, positive, and fully- referring to your current
present state is very helpful in pickup as it emotional state. Higher/
better state usually equates
allows you to free associate and get in “the
to better performance. Great
zone.” In fact, its 100% necessary in the learning “state” is akin to being
“in the zone” in sports or
process as your mental state significantly
competitions.
influences your subcommunications5. Once you
naturalize strong subcommunications, you can 5. Subcommunication (n):
Information conveyed below
convey it regardless of state, but during the the overt level, e.g. through
naturalization process your infield results will subtext or implication.
Common examples include body
be very state-dependent. Later in this program
language, eye contact, or
I’ll show you my “Presence Exercise” which will embedded DHVs. See glossary
for more information.
get you into a positive, happy, and fully-present
state at the beginning of the night. Positive
affirmations are another form of state alteration
25
and utilize the power of the subconscious mind
to invoke positive change. Finally, the “Light
Consciousness Exercise” from page 17 of the GTG!
Manual is reprinted at the end of this chapter and
allows you to focus in on one part of your game
while still remaining “in the moment.”
Drills (Classroom and Infield):

Drills are the process of rehearsing or practicing
a particular part of your game. Like sports,
skills, or abilities, practice trains your mind

and neurology to react and perform a certain way.
In short, you “play the way you practice.” Drills
are useful in that they allow us to practice good
habits in a controlled environment. They also
allow the brain to intuitively begin absorbing
material and concepts as they are being put into
action. To build any skill, you have to learn in
small chunks and then move on to the next step
in a continual process. The goal of drills is
to build up your intuitive knowledge through a
structured learning plan until you have attained
unconscious competence. In short, you can perform
without consciously thinking about it.
Learning Plan:
Similar to drills, Learning Plans are structured
blueprints which function as knowledge maps to
help you maximize absorption and efficiency.
Timing, order, and direction are all critical
elements to the learning process which Learning
Plans help to optimize. For example, the learning
plan for Group Attraction involves reading this
book in its entirety and then following the
procedures in it. Learning Plans will also show
you how to maximize the use of other tools such
as Drills, Infield Practice, State Alteration
Exercises, etc. We’re going to give you the full
Learning Plan for GA at the end of this chapter.
Natural Game Techniques:

While we are not specifically a “natural game”
marketing company, we have always remained open
minded to new techniques and paradigms. One thing
natural game does very, very well is vibing and
free association. We’ve adopted many of these
exercises and concepts to help you maximize your
results. Among other things, the ability to freely
think on your feet while giving off a warm and
friendly vibe are invaluable skills to have.
Ultimately, there is no “one true way” in pickup.
27
The best practitioners will always be those who
take the best from every style and combine them
into their own. Instead of dogmatically sticking
to only one training method we present all of the
useful ones to you so you learn at a maximum rate
with maximum results.
Routine Stacking:
Routine Stacking is the polar opposite of dogmatic
natural game. It is a rehearsed and practiced
symphony of body language, verbal routines, and

kinesthetic communication. While no technique is a
magic pill, routine stacking is effective in its
ability to teach mechanics and promote good habits.
It is akin to rehearsing a speech before a speaking
event. Learning correct mechanics is crucial as it
both helps to alleviate approach anxiety by giving
you a game plan, and it allows you to acquire a lot
of time in the field with successful interactions.
This is critical as field time is by far the most
effective tool for naturalizing your skill set and
developing the ‘field instinct’ to always know
what to do or say. The structure of the stack also
helps in that it promotes good habits. As in sports
and most skills, we generally perform the way we
practice. Think of a routine stack as a football
or basketball play. Even if things don’t always
go according to plan, the presence of the plan is
always of great benefit. In the end, we all want to
be naturals. That is, we want to have unconscious
competence. We don’t want to be always thinking
about what to do or say next. We want the skill set
to be ingrained. But you have to start somewhere.
Routine stacking facilitates you becoming this
monster “natural” by giving you structure and good
habits, teaching you mechanics and a game plan,
and enabling you to have thousands of positive
interactions in an incredibly short period of time.
Infield Practice:
Infield practice is absolutely key to everything
else. It is the glue that binds every technique,
concept, and theory together. Preparation without
execution is simply a colossal waste of time.
Infield experience is the training ground where
you’ll naturalize new behaviors, eliminate
sticking points, generate loads of new material,
and learn the most about women.
NLP and Hypnosis:

These are a special breed of extremely effective
state alteration exercises, both for yourself and
the women you meet. They affect the subconscious
29
on a deep level and can result in positive change
and erase negative thoughts and feelings. They
are the province of inner game work but also
useful for outer game. I won’t be giving you any
NLP/Hypnosis as a part of this product, but I
highly recommend the “Get the Girl! Reinforcement
Programming” trance by my good friend and master
hypnotist Hypnotica. It can be found in the Get
the Girl! Manual Nightlife Edition Collector’s
Set. (Available at http://www.mehowgetthegirl.com/
CollectorsSet)
Ultimately, all these things affect our

subconscious as depicted in Figure 2 below.
HOME STUDY
DISTANCE LEARNING
STATE EXCERCISES
DRILLS
NATURAL GAME
ROUTINE STACKING
INFIELD
NLP/HYPNOSIS
ETC...
Fig 2
In principle, if the correct information is wired 6. Refers to being in a
present state of mind, a
into your subconscious when you “get in the now6,” concept extensively discussed
you should reflect 100% attractive material and in Eckhart Tolle’s The Power
of Now. See glossary for more
body language in the form of OUTPUT as shown in information.
the diagram below. (See Fig 3.)
TRAINING
Now
Output
In this diagram, the books (knowledge and theory) and Fig 3. Mehow Training
The Now (being in the present) both affect and train Method—Feedback Loop
your subconscious. This results in Output of more
effective and successful interactions. Feedback on this
Output is then related back to a better understand
of the knowledge and theory (books), and the training
cycle continues.
31
There’s one problem though—when learning, and
even after attaining mastery, you will still make
mistakes and the wrong output will come out.
What’s essential is that you receive proper

feedback to tailor the teaching techniques you
need to use.
Feedback is often the missing link holding many

people back from success. Not only do you need
excellent instruction from a diverse set of
sources, but you need a customized way of knowing
what to study—and when—in order to maximize your

results. In short, you need both feedback and a
custom training curriculum.
This makes sense as your individual

subcommunication and abilities can vary widely
from even those individuals reading this book.
So let’s examine the currently available

feedback mechanisms for developing an individual
curriculum:
-Women-
It’d be really great if you could have an honest
conversation with the women you’ve met and ask,
“How did I do?” and she would respond, “Well
your conversational ratio in comfort should have
been closer to 50%/50%, and I didn’t like how you
didn’t lead when we went to look for my friends,
and I wish you didn’t get weird when I gave you
that shit test about the shoes (and I really
didn’t like your shoes) … bottom line, you could
have taken me home but because you fucked up xyz I
only gave you my number.”
Not going to happen.
Women generally only give you feedback in terms

of non-specific Indicators of Disinterest (IODs7)
which can mean anything from “you did nothing
wrong” to “you totally creeped her out.” For
example, when she doesn’t come back from the
bathroom that could mean either a) you weirded her
out somehow, b) she was approached competently by 7. Indicator of Disinterest
someone else on the way back, c) her boyfriend (IOD) (n): Another term
coined by Mystery. It is
showed up, or d) any combination of these or other any signal from a group or
events. You can’t tell from her actions what’s individual which communicates
or subcommunicates
really happening. disinterest or indifference.
See glossary for more
Female feedback is only somewhat useful when you information.
have a very specific and detailed context and you
have a strong understanding of women and know how
to read them well. And even then, there are still
variables you can’t control or know about.
33
If you’re new, it’s tough to learn anything at
all from female negative feedback. Thus, most men
typically rely on positive feedback as indicators
that they are doing something right. But trying to
figure out what to do in terms of evolving your
own personal curriculum is generally a guessing
game without more help.
-Forums-
If you look at any given seduction forum, the
posts usually read like this:
“I was sarging chick A, and at some point I did B, and

she responded with IOD C … and then I lost her.”
Clearly, not much more helpful.
Because female feedback is generally ineffective

at helping us to break down our interactions, we
often turn to others for help via forum posting.
While this can be useful, it really depends on the
quality of the forum and its members.
Here at Mehow.tv we strive to have most posts

answered by instructors, but even then there are a
number of other factors such as:
1. The posters often don’t tell the whole
story because of ego or not being able
to remember critical details.
2. 
We can’t see what’s actually going on
in the set with the women.
3. 
We have no clue what the
subcommunications of the poster are.
4. Egos typically inflate posted results.
5. 
Problems are frequently so vast that
they can’t be fixed with a post reply.
-Wings-
The next step in the evolution of feedback
is feedback from wingmen. This can be fairly
effective but it often relies on the expertise of
the wing and still contains a variety of other
limitations:
1. 
Very few wings are experts, even those
who claim to be.
3. 
Many genuine experts are poor instructors.
4. 
Most experts don’t want to go out with
beginners.
5. 
Most of the time the wing can’t hear
what you’re saying.
35
6. The wing is usually out to pick up
with you, not sit down and teach you.
Thus, he’s out to have fun and your
instruction and feedback are limited.
8. It’s difficult for a wing to stand close

enough to hear without affecting the
set.
9. If your wing is actively winging

you, his ability to observe you is
substantially limited.
-Live Training-
Live training is largely considered to be the
current state-of-the-art feedback system.  In
this type of training you have a professional
instructor observe your sets and give live
feedback. In addition to instructors knowing
exactly how to listen in on sets without
“tainting” them, our staff also utilizes exclusive,
remote audio technology to hear all of the
details from afar, even in a loud dance club. The
professional instructor can give you loads of live
feedback and a report on what he observed, but
there are still limitations:
1. The instructor is typically coaching

more than one student.
2. 
Most instructors can’t be close enough
to the set without affecting it.
3. In the club environment, it’s difficult

to observe all of the pertinent details
as they goes by second-by-second
because there is so much going on.
4. Immediate feedback is only immediately

useful for simple corrections. Any
corrections for non-trivial sticking
points will have to be worked on over
many nights. Additionally, much of the
feedback a student receives on the spot
will be forgotten.
5. 
Boot camps are relatively expensive and
frequently require time off, travel,
and travel expenses.
6. It’s difficult to absorb all of the

information typically available in a
boot camp in one weekend (incidentally,
this is why we offer multiple levels of
boot camps, starting with the Get the
Girl! LIVE SeminarTM and ending with the
Get the Girl! LIVE Infield IntensiveTM).
So WHAT DO YOU DO!?
You use absolutely all of the aforementioned

methods to maximize feedback to correct and
37
improve your game. Without accurate feedback you
won’t progress fast enough and you’ll run the risk
of stagnating, getting discouraged, and quitting. In
short, you’ll never get what you wanted out of this.
Ultimately, the best feedback is to have you

videotaped in field. After realizing how effective
this feedback system was for our own development,
we began to offer this service as part of a new
“Hot Seat” Program (www.getthegirlhotseat.com) and
8. Continuity Program (n): several continuity programs8.
A learning system spanning

multiple weeks, months, or Video feedback is useful in its unique ability
years designed to follow your
progress and make continual
to let you see yourself in the 3rd person along
updates and adjustments. For with rewind, replay, and review abilities. It’s
more details, see http://www.
particularly useful for kinesthetic techniques
getthegirlunleashed.com.
and body language. Short of that, we also
recommend audio recording of your interactions
as they allow you to dissect at least the verbal
aspect of your game.
We’ll give you a detailed map of exactly how and

when to use each type of feedback in the “Practicing
GA” section at the end of this chapter.
As you can see, we don’t endorse any secret “do only

these 3 things and become a mad PUA ninja” training
philosophies. We simply give you the tools, tactics,
and techniques to perfect your game.
In this product we have included elements from
each of the aforementioned categories to help
you in your development. Things like Drills
for the approach and the Group Attraction/Pure
Kino, Routine Stacking over interrupts, a State
Alteration Exercise for
getting in the moment,
and a myriad of classic
instruction through
classroom and infield
video, text, and audio
along with plenty of
Homework Exercises.
G ro u p Attraction vs.
Target Attraction
In the community to this

day, there exists the
concept of the “target” as
the woman you arbitrarily
“pick” at the beginning of
the set.
It turns out that

this whole concept is
unnecessary and limiting.
39
A target only needs to exist if you’re alienating
9. Active Disinterest (n): A her through active disinterest9 and indirect game.
concept developed by Mystery
which involves approaching But what we’re about to show you is pickup through
and attracting a target by the giving value paradigm, which operates on a
demonstrating higher value
and simultaneously conveying
whole different level.
disinterest.
In many conventional pickup models, attraction
is designed for a specific target by utilizing
10. Individual False individual false disqualification10 (often referred
Disqualification (n): Theory
developed by Mystery which to as “negs”), active disinterest, and social
attempts to convey disinterest value manipulation. Group dynamics are controlled
in the target through

tactically deployed “negs”
by alienating the obstacle so as to appear to not
or false disqualifiers. Note be a potential suitor while demonstrating value to
that these disqualifiers are
the group and winning the obstacles over.
primarily designed to false
disqualify—that is, they
can be remedied through her When you combine false disqualification with
investment. True disqualifiers target-based attraction and obstacle handling
would be counterproductive to
the interaction.
through value demonstrations, this allows you
to isolate with the target with excellent
consistency.
However, it also poses a potential problem: You

must pick the target at the beginning of the set,
most of the time before you really get to know
her, and often before you even open.
This causes a few restrictions, some of which

include finding out that you don’t like your
target, getting “caught” on this being a pickup,
finding out your target is married to the
bartender, or insufficient early kino.
The ultimate goal is to run the attraction phase to

get attraction and isolation with the woman we like.
But you can accomplish this same goal by instead:
ttracting all the women in the set by

A
giving emotional value.
Controlling all the men in the set

by controlling the women … through
giving emotional value.
Unlike the aforementioned target-based approach,

Group Attraction (GA) attracts all the women in a
particular group, giving you the option to choose
your ‘target’ at any time.
In Group Attraction there are no targets until

you decide which woman you are most attracted
to. We accomplish this by using kino and running
attraction techniques on all the women in the set
at the same time.
This provides the following tactical advantages:
ttracting all of the women at once

A
creates instant jealousy plotlines and
41
they start competing for you and gaming
themselves into being even more into you.
ince you’re attracting all the girls,

S
the value you bring to the women
increases drastically compared to
target-based game, thereby allowing you
even greater control over the men and
more logistical control over the women
because they’re all attracted to you.
Because the men in a set are controlled

by the women (who are controlled by you
through the value exchange), tradition-

al AMOGing is largely unnecessary.
ou gain the ability to kino right off

Y
the opener, and on “gaggles” of women
all at once. The more kino you get, the
more compliance you have, which will be
backwards rationalized into attraction.
This will be discussed later in the
chapter in further detail.
ince you’re not singling out one

S
woman, AFCs and uninformed women won’t
see you as “hitting on their friend.”
The fact that you’re attracting
the whole group is in itself a
disqualifier. I have yet to hear the
“Are you hitting on all of us?” shit
test. Society as a whole is so used
to suspected romantic interactions
being one-on-one things that it really
haven’t caught on to the “one-to-many”
Group Attraction methods.
You can generate social proof much fast-

er using group attraction as a result
of the massive group buying temperature
(BT)11 spike. Four women throwing their 11. Buying Temperature (n):
arms around you and giggling generates Concept and term pioneered by
massively more social proof than one Tyler Durden which represents a
woman’s emotional receptivity
woman flipping her hair at you. and the degree to which she
is receptive to intimacy or
And most importantly … physical contact. See glossary

You get to pick the target at your
leisure while interacting with the
group. This allows you to pick the
target that you’re genuinely attracted
to, and not arbitrarily forced before 12. Demonstrations of High
you approach the set. Value (DHV) (n): Term coined by
Mystery which describes a way
to obliquely convey attractive
W h i c h At t r a ct i o n T e c h n i q u e s t o U s e ?
qualities about oneself without
appearing to brag. See glossary
There’s a pretty wide variety of attraction tech-
13. Push-Pull (n): Technique
niques available to us. All of them give emotional popularized by Swinggcat
value via subcommunication. Attraction techniques involving a highly emotionally
stimulating combination of
include demonstrations of higher value (DHV)12
interest and disinterest. See
stories, emotion-based communication, push/pull13, glossary for more information.
43
14. Credit: Mystery cold reading, future/past/present projections
15. Elastic Band Snapback

and plotlines, teasing/banter, disqualification/
Effect (n): Concept pioneered negs14, elastic bands15, cocky and funny16, role
by Tyler Durden explaining why
playing, AMOGing17, buying temperature spiking,
women chase your validation
with temporary indicators of kino, Chase Cycling/Microloop Theory™, wildman
interest when you strip them
game18, palmistry, magic/mentalism, lifestyle,
of sexual power. See glossary.
singing, interactive value demonstrations19, and
16. Cocky & Funny (C&F) (n): many, many more.
Technique by David DeAngelo,
characterized by a combination
With Group Attraction we’re going to focus on
of humor and cockiness. See
glossary. attraction techniques that radically stimulate
emotions (give emotional value). The goal is to

17. AMOGing (v): Taking
control of the interaction sufficiently attract entire groups of women while
and displaying dominance over
simultaneously subcommunicating attractive qualities
other the men; The process of
tooling the men in a set in about oneself. Subcommunicating attractive qualities
order to take their women. and emotional content both give emotional value.
Credit: Tyler Durden. See
glossary. Some of the techniques we’ll use for this include
Group Love/Hate Teasing™, Group Projections™, and
18. Wildman Game (n):
Popularized by direct game PureKino™. We’ll also implement several other key
proponents such as Gunwitch elements including kino, chillness, Microloop
of mASF fame. Involves
aggressiveness, sexual intent, Theory™, and Evil Clown Frame™.
and extreme displays of
dominance. See glossary.
19. Interactive Value H istory o f G A

Demonstration (IVD) (n):
Attraction technique
Let me start by telling you how PureKino came
popularized by Neil Strauss
(Style). See glossary. about. Back when I was a –beginner I was very high
energy. So high energy, in fact, that in set I
was essentially a mid-30s, balding, pale, dancing
monkey. I would get a lot of spiky20 attraction and 20. Refers to buying
temperature spikes. In other
sometimes get the girl by using this to isolate words, spiking her emotional
and then do the real work in comfort. state but lacking any real
attraction to the individual.
Back in those days I was rolling a lot with my
good friend and wing, Lovedrop.
Lovedrop always had some sort of secret plan

for getting my game to the next level, except he
wouldn’t tell me about it until right when he
sprung it on me.
So one night when my dancing monkey was

particularly acting up, he followed me around the 21. A relaxed, unaffected
state of being. At peace with
club telling me to be ‘chill21’ constantly.
oneself and others.
When I did that, half my sets didn’t hook at all

and walked away wondering how a dork like me even
got into such a swanky establishment, and the
other half of the sets would hook super hard.
So being “chill” made things solid if it hooked,

but otherwise I lost the set. Back to the drawing
board. Clearly hooking only half the time wasn’t
acceptable
I started to think about the mechanisms

available to us which caused sets to hook.
Here’s what I came up with:
45
 
Super-tight ‘I live on planet Mehow and it’s a
wild and fun place to be’ subcommunications.
Touching, lots of touching (kino) and

compliance
I learned this from being infield a ton - I noticed

that when I did those things, sets seemed more solid.
So I started to think about how I could run

attraction with just those two things … and
PureKino™ was born.
I call it that because with PureKino you can

literally run an entire attraction phase by
touching and verbally plowing emotional value.
If you can get a large amount of touching and

compliance in attraction, you can effectively
maximize the “chill” factor you can bring into
your game. Along with excellent subcommunications,
this will allow you to win over sets with great
consistency. The result is super-tight attraction.
The best thing about PureKino is that the material

teaches you how to become wild and fun, and
it’s the single most effective field exercise
for teaching how to escalate physically. All
of a sudden you find yourself with super-ninja
escalation skills that you can easily improvise at
any moment. This allows you to bring all of your
other pickup skills to new levels as well. Hello
exponential game growth.
PureKino is such an excellent escalation and

teaching tool that it spawned the development
of Microloop Theory and Group Attraction by
practicing it.
Microloop Theory came to me about six months before

I wrote the Get the Girl! Manual and had been doing
PureKino for a year and a half. All of a sudden I
noticed that I could escalate any girl, any time. I
noticed it most when I was winging Mystery on a demo
tape for a TV network and I watched the footage and
noticed that I had grabbed the obstacle and didn’t
let go for 10 minutes … and she was completely
compliant. Unfortunately that set was entirely
improvised and I wasn’t wired for sound so I had no
idea what I said. But I noticed that after practicing
PureKino for a long time, I intuitively knew when to
escalate so it would always work. After analyzing my
own footage for three months after that incident, I
figured out what was allowing me to always escalate
and why PureKino worked so well. My intuitive
knowledge had started to surpass my intellectual
knowledge. I could do things I didn’t understand.
47
Group Attraction also came about from practicing
PureKino in field. I noticed that when I used it,
I didn’t need to have a target and all the girls
were attracted. This got me thinking about how to
make all of my game work on attracting groups of
women. So I stopped negging or singling out the
‘target’ and started group teasing. I also stopped
telling DHV stories in attraction (energy was too
low and I lost the set too much) and changed my
future projections from one girl (the target) to
all the girls.
Once I put everything together, my attraction

game became massively more effective, and Group
Attraction and PureKino were born.
The important lesson for you here is:
Intuitive knowledge is super-critical to

mastering pickup.
This is why I want you to spend a lot of time

drilling and piles of time infield. Creativity and
individual expressions of your personality can
only come from intuitive knowledge of the raw
materials. I want you to develop an intuitive
knowledge of pickup that far surpasses your
conscious knowledge so that you can operate on an
instinctive level and ultimately become a natural.
T he G ro u p Attraction M odel
and T he M eho w M odel
One of the main underlying concept behind group

attraction is to take techniques which are well
known to work on one girl and making them work
for groups. There are three main elements to this
structure:
Group Love/Hate Teasing (GLHT or gT)
Group Projections (GP)
PureKino (PK)
We’re going to take these 3 tools and put them

into the Open and Attraction structure you learned
in the Get the Girl! Nightlife Edition Manual as
shown on the next page.
The main tool you’ll be using in Group Attraction

is the Group Indicator of Interest (gIOI) and
Group Indicator of Disinterest (gIOD). Before
we get any deeper into Group Attraction, let’s
discuss gIOIs and gIODs.
Group IOIs and IODs

Group IOIs are either verbal or nonverbal
indicators of interest towards a group of people.
49
The Meh ow Mo del
Opening Isolation Qualify
Attraction
Comfort
Kino Sex
Plowing
Group Attraction
Fig 4. Group Attraction Types and examples of group IOIs (gIOIs) are:
inside The Mehow Model
ino (touching)—Any simultaneous
K
touching and/or sequential touching of
the people in a set. Examples include
group hugs, dancing with more than
one girl, handshakes, high-5s, ‘Give
me the rock!’ (with more than one
girl), and any group touching, either
simultaneously or in sequence (PureKino
contains a lot of this).
ompliments—Any verbal compliments to
C
the group as a whole such as, ‘You
guys are fun!’, ‘You guys have a cool
energy!’, ‘You guys are sort of fun
though’ and ‘You guys are special’ etc.
Explicit Verbal IOIs—Such as ‘I love

you guys!’
Direct Openers—Examples include ‘You

guys are fun, I had to come over here
and say hi!’ or simply the act of
walking up directly to a group without
excuse or reason and saying anything.
ositive Body Language—A head tilt,

P
standing closer, facing the group,
smiling at them. Note that some forms
of IOIs telegraph too much interest
and become needy. Leaning in is a
good example of a group IOI that you
generally do NOT want to use.
sking Rapport-type Questions—(e.g.,

A
“Where are you guys from?”, “So what
are your names?”)
ork or Investment—When you give emo-

W
tional value of any kind to the group.
Group IODs are the polar opposite. They are

general indicators of disinterest (romantic or
51
otherwise) in a group of people. In pickup terms,
gIODs are generally verbal or nonverbal cues that
you give to indicate a lack of interest. These
cues range from subtle indifference (looking away,
not caring about the outcome of the interaction)
to deliberately walking away from the set.
Examples of group IODs (gIODs) include:
ino Discontinue—Pushing girls away

K
from you after you touch them or
stopping kino of any kind.
roup Disqualifiers & Verbal IODs—Verbal

G
indicators that you are not interested in
them, e.g. ‘You guys suck!’, ‘You guys are
too nerdy for me!’, ‘You guys are geeky!’,
‘You guys are nerdy!’ , ‘It’s the feisty
ones you always have to watch out for!’,
‘Oh my God, you are total space aliens!’,
‘You guys are total knuckleheads!’,
‘You’re like my little sisters’, ‘We could
never be friends’, etc.
roup False Time Constraint (FTC)—A

G
verbal or non verbal cue that you are
leaving soon. This creates scarcity
and when timed correctly, can generate
massive compliance. Verbally, the FTC
is generally a variation of, ‘I have
to go in a second, my friends are
here.’ This is typically accompanied
by a non verbal component where you
give negative body language to convey
the same communication. It’s usually
effective to utilize at least one FTC in
the interaction, preferably early on.
egative Body Language—Non verbal cues

N
showing disinterest or avoidance.
Commonly implemented via back turning,
getting distracted, walking away, or
breaking eye contact.
ot Investing/Working—not giving

N
emotional value to a group of people or
explicitly defying a value request.
Note that gIOIs and gIODs operate independently

of emotional value. Some of them give emotional
value and some do not. This understanding will
become crucial when we discuss calibration and
the relationship between gIOIs/gIODs and giving
emotional value in the “How Group Attraction
Works” section.
The Group Attraction Model

When you combine similar gIOIs and gIODs, you get
Group Love/Hate Teasing (gLHT), also abbreviated
as Group Teasing (gT).
53
The overall structure of Group Attraction is to
Open, then attract through PureKino and Future
Projections while sporadically using gLHT.
If you’ll recall from the Get the Girl! Nightlife

Edition Manual, the opening phase consists of the
following steps:
Table 1 GTG! Manual Open i n g

1. Opener (IOI)
2. Tease the Loudest Girl (IOI, IOD)
3. False Time Constrain (IOD)
4. Transitionary Compliment.*(gIOI)
5. Continue to Attraction
*The Transitionary Compliment is in the Get

the Girl! Nightlife edition manual but is not
emphasized. It smoothes the transition to
attraction by giving the group a small gIOI
such as “You guys are fun.”
When you “group-erize” the above structure, you
end up with the Group Attraction opening model
which looks like this:
Table 2 G r o u p At t r a c t i o n O p e n i n g
Step IOI/IOD Example
1. Opener gIOD “Heeeeeeyyyyyy!”
Tease Loudest Girl (2 parts)1

2. gIOI “You guys must have been
… the cutest … ”
gIOD “hall monitors in middle

school.”
3. False Time Constraint gIOD “I can’t stay long … ”
4. Transitionary Compliment gIOI “You guys are fun ...

Get this ...”
5. Continue to Attraction ----- ---------------
55
Q&A:
Q: “Hey, Mehow … didn’t you already teach us the exact same thing in the

Get the Girl! Nightlife Edition Manual?”
A: “Yes and No. I did teach you the structure, but recall that you were

teasing the loudest girl, not the group in the Get the Girl! Nightlife
Edition Manual. I also didn’t teach you the underlying group dynamics.
The GTG! Manual was my deliberate effort to start giving you the
intuitive abilities to perform group attraction while keeping it
simple. If you have been practicing these techniques then you’ll have
no problem transitioning to Group Attraction.”
Simplified, the above structure looks like the

following:
Table 3 Si mple GA Open i n g Breakd ow n
1. gIOI
2.1 gIOI
2.2 gIOD
2.1 and 2.2 combine to
3. gIOD
form a Group Love/Hate
4. gIOI Tease.
To further simplify things, were going to break
the opening down into smaller parts shown below in
Table 4:
Table 4 gIOI and gIOD a n d O p e n i n g P h as es
1. gIOI—Opening Material
2. gIOI+gIOD—Group Love/Hate Teasing
3. gIOD—False Time Constraint
4. gIOI—Transitionary Compliment
Note: You can also open with gIODs and gIOIs

or use other opening styles (indirect, social,
direct, etc). We can even flip the order of the
gIOIs and gIODs around as shown in Table 5:
Table 5 gIOI and gIOD a n d O p e n i n g P h as es, a lt e r n at e
1. gIOI—Opening Material
2. gIOI+gIOD—Group Love/Hate Teasing
3. gIOI—Transitionary Compliment
4. gIOD—False Time Constraint
57
In fact, the Group Attraction example I gave
in the introduction corresponds to the Table 5
example.
The attraction portion of Group Attraction simply

consists of one or more Group Projections or
21. Group Love/Hate Teasing. PureKino routines combined with gLHT21.
See glossary or the beginning
of this section for more
details.
Table 6A attr act i o n, Ext e n d e d V ers i o n

1. Group Projection with more gIOI/gIOD
2. gIOI and gIOD
3. PureKino Routine
4. gIOI and gIOD
5. PureKino Routine
6. Isolate and Begin Qualification
Once you’ve naturalized your delivery and

subcommunication using Group Attraction, your
interactions will look more like the following:
Table 6b attr act i o n, s h o rt V ers i o n
1. PureKino Routine with embedded gIOI/gIOD
Putting all this together, you get the following

Group Attraction Model:
Table 7 G A M o d e l, S h o rt V e rs i o n
1. Opening Material - gIOI
2. Group Love/Hate Teasing—gIOI+gIOD
3. False Time Constraint - gIOD
4. Transitionary Compliment - gIOI
5.
Group Projection or PureKino with more
gIOI/gIOD
59
Group Attraction follows a basic structure and
HO M EWO R K as long as you understand it, you can modify and
EXERCISE: create your own combinations and stacks to fit your
“Read the sample personality and communication style.
Group Attraction
stack in the
Where can y o u u se G A?
Introduction on
page 9-15 and Group attraction is most effective when used
label all the in day or nighttime party situation where you
gIOIs and gIODs. are cold approaching a set. Cold approaching
Then label the means you are talking to women whom you have
gIOIs and gIODs never met before. Examples are daytime parties
into their (street fairs) or any bar or nightclub at night.
relative phases If the energy of the environment is very low or
(e.g. Opening “loungey,” you’ll want to tone down some of the
Material, Group techniques and use less kino. Group Attraction
Love/Hate Teasing, can also be used in non-party day game situations
FTC, Transitionary but without PureKino (Use the Group Teasing and
Compliment and Projections instead). Day time kino is much
PureKino or Group more subtle and low-key so calibrate to your
Projections). surroundings. Remember the cardinal rule of always
opening with slightly higher energy level than
22. Credit: Neil Strauss/ that of the set.22
Style
G ro u p Attraction and D irect vs .
I ndirect O pening
Let’s back up for a second and give you guys a few

definitions to work with.
The terms ‘direct’ and ‘indirect’ are vague at

best. Let’s define them in a bit more detail.
‘Indirect’ game typically uses indirect body

language (opening with your body facing away from
the set, “over the shoulder”) and an opener which
attempts to engage the group in conversation while
conveying disinterest. Most of the time this comes
in the form of an opinion opener. Common examples
are “Who lies more, men or women?” or “Would you
ever date someone who’s still friends with his ex?”
Conversely, “Direct” game uses direct body

language (walk straight up, face the set), and
direct verbals, ranging from implied direct (e.g.
‘Hey!’, ‘What’s up?’) to Sexual Direct (Asian
Playboy’s ‘You are absolutely f*cking adorable.’
Get the APB issue of Infield Insider to see that in
action! www.infieldinsidervault.com).
The style taught in Get the Girl!TM and Group

Attraction game is somewhat of a mix of the two
extremes. The blend allows us to take most of
61
the benefits of each style while minimizing the
drawbacks.
One interesting aspect to the two styles is that

their individual elements can be combined, mixed,
and matched. Nothing prevents you, for example,
from taking the verbals from indirect (e.g. an
opinion opener), and combining them with direct
body language. And vice versa. You’ll have to make
some slight modifications to stay congruent, but
the styles can be blended more than people think.
So really, just taking into account indirect and

direct game, you have 4 different possibilities of
opening styles (shown in Table 8).
The last one, #4, is rarely used because it has

a tendency to be incongruent. You are verbally
stating that you want to meet them but your body
language is conveying disinterest. There are very
few circumstances where this is situationally
relevant. The one time it is used heavily is when
23. Example: Saying “hello” you use low investment, direct openers with moving
when women walk by you. It’s a
low investment opener, meaning sets in a crowded part of the club.23
you don’t lose social value
if she doesn’t acknowledge There are a number of unique advantages and
you. At the same time, it
disadvantages to each style. Pure Indirect
gives her an opportunity to
engage you if she finds you communicates disinterest and allows you to
attractive. It’s a small test congruently disqualify while demonstrating higher
for receptivity.
Table 8 o p e n i n g st y l es
1.
‘Pure Direct’ -- direct body language with direct verbals (e.g. Get the
Girl! and GA Method).
2.
‘Pure Indirect’ -- indirect body language with an indirect opener (e.g.
Mystery’s game).
‘Direct-Indirect’ —- Approaching with direct body language while using

3.
indirect verbals (e.g. opinion openers). Note that most implied direct
approaches with situational openers also fall into this category.
‘Indirect-Direct’ —- An approach with indirect body language (facing

4.
away, body rocking, etc) while using direct verbals.
value. Additionally, it teaches the student how to

convey disinterest and avoid telegraphing IOIs.
Unfortunately, it often robs you of the ‘I’m an
alpha guy’ sub-communications that a ‘direct’
walk up gets you. It’s also limiting in that you
can only approach sets where it’s situationally
relevant to open indirectly. To chase a set
down or walk all the way across the bar to open
would be incongruent with an indirect approach.
Remember, the communication on an indirect
63
approach is that you’re talking to the set because
“they happened to be standing there,” not because
you’re interested in them.
On the other hand, direct approaches generally

allow you to congruently approach any set (even
chasing them down), depending on the intensity.
Remember that the scale of indirect-direct is a
continuum, not an either/or comparison. In other
words, there are varying degrees of indirect and
direct. See Figure 4.
in di r ect D ir e c t
Indirect (opinion openers)
Neutral/Situational (“That band is awful, huh?”)
Implied/SocialDirect/Group Direct (“hey”/”what’s up guys”)
Sexual Direct (“you’re fucking sexy”)
Fig 4
In general, direct tends to be more dominant and
‘alpha’ because of the subcommunications behind
walking directly up to a group and stating your
intent or interest. The more direct your approach
is on the scale, the more attraction you can
create right off the opener due to dominance. But
direct also has a number of disadvantages. The
first being that the more direct you approach,
the more your first appearance/first impression
matters. This is why tall, good looking naturals
with great subcommunications often approach very
directly (see The Basic Rule of Direct/Indirect
below) Direct forces the set to make up their
mind about you almost immediately. If your first
impression does not fit into the stereotype of
at least ‘acceptable’ to the set, you’ll be
immediately in damage control and more likely to
be immediately blown out. The other rule is that
the more disqualified you are in the venue (e.g. 50
years old in a young college crowd), the harder
you have to work using direct. A well-dressed 21-
year-old at a college-scene bar can open with an
IOI. A 50 year old man with grey hair will have to
work much harder to achieve the same results with
an IOI opener. Much of this comes from the social
pressure women feel to not be associated with a
disqualified male.
65
The Basic Rule of Direct and Indirect:
The more disqualified you are, the more

disinterest (and less interest) you have
to convey right off the approach. And
conversely, the less disqualified you are,
the more direct you can (and should) go.
In other words, it’s unnecessary to run indirect

game at your birthday party where your friends
have rented out the club, you have immense social
proof, and every woman is giving you IOIs. Warm
approaches should always be some form of direct.

Conversely, running direct is going to be very
difficult if your subcommunications are weak and
you’re otherwise disqualified. Although looks,
age, height, or other factors can play into your
level of disqualification, much of it is dependent
on your game and factors that you can control.
A 50 year old guy in a bar isn’t necessarily
disqualified because of his age. Imagine if that 50
year old was named Sean Connery or George Clooney.
Most of the time, the disqualification comes from
things that you can change. Fashion. Physical
Fitness. Posture. Body Language. Your smile. Your
game. Confidence. Tonality. Social Proof. In nearly
every scenario, a disqualified guy can run ‘Pure
Direct’ game with success. He just needs to make
fewer mistakes. Women will tolerate more mistakes
from Brad Pitt than they will from a fat, balding,
middle aged man in a club. So in general, we
advocate approaching direct in most venues as it
tends to build attraction faster
On the verbal level, the biggest difference

between direct (‘Hey!’), and indirect (‘opinion
opener’) openers is how fast you are able to
give value to the group. When you open verbally
direct, you skip the neutral conversation of the
indirect/opinion opener and immediately hook the
set by giving value. This gives you a considerable
advantage in hooking sets26 consistently. 26. Social Hook Point (n):
The point in a cold approach
Try it out for yourself: Go out one weekend with interaction when the set no
opinion openers. longer wants you to leave.
This can range from before you
even approach (instant hook)
Then the next weekend, use the Get the Girl! style
to a max of 15 or 20 minutes
direct approach and see the difference in your in. The verb “hooking” refers
to getting to the Social Hook
hooking percentages.
Point. Credit: Neil Strauss/
Style.
Aside from those distinctions, done correctly,
the two styles actually lead to the same result.
Remember that indirect is merely an opening style.
Once you’re in the Comfort Phase, the two styles
merge into the same path. A few minutes into the
set you usually can’t tell how it was opened.
But what does this mean to you?
67
The reason I prefer direct opening versus anything
else is because it lets me sub-communicate more
attractive qualities (alpha behavior, dominance,
confidence, etc) and gets me to attraction much
faster in the majority of social situations...
thus increasing my social hook point percentage.
That said, in Volume 2 I will also give you

examples of using opinion openers with direct
body language and how to use direct verbals and
indirect body language when standing in a crowded
part of the club with girls walking by you.
H o w G ro u p Attraction Works
During GA we subcommunicate tons of emotional

content and attractive qualities via
Group Teasing, Projections, and PureKino.
Subcommunicating emotional content and attractive
qualities gives loads of emotional value. These
techniques will hold the attention of all the
women in the group and will spike their Buying
27. Buying Temperature and Temperature and Attraction (BTA)27. A major
Attraction. See glossary for component is PK which will further increase BTA.
more details.
The buying temperature and attraction happens in 9
ways with GA:
1.
Verbal Emotional Value Giving: Giving
value on the verbal channel (e.g. humor,
attractiveness, confidence, etc).
2.
Kinesthetic Emotional Value Giving
from You: Touching the girls.
Recall that touching spikes buying
temperature.
3.
Kinesthetic Emotional Value Giving
from the Girls to Girls: Buying
temperature is spiked even when it
doesn’t originate from you.
4. Eye Contact and Body Language Value

Giving: Gives value on the nonverbal
channel.
5.
Frame control: This is a form of
dominance and confidence and thus both
demonstrates and gives value.
6.
Jealousy and AMOGing: Both of these
things spike buying temperature.
Jealousy often makes her realize that
she’s attracted to you.
7.
Backwards Rationalization: This is the
process whereby women rationalize that
the reason they complied has to be
because they are attracted to you. In
essence, they convince themselves that
they’re attracted to you.
69
8. Chase Cycling: Positive reinforcement
for compliance and negative
reinforcement for non-compliance.
9.
Value Giving and Takeaways: The
unpredictable nature of intermittent
rewarding gives value by making you
appear inherently attractive as well
as conditioning her to invest in
the interaction. Takeaways serve to
create scarcity, thereby exponentially
raising your value in her eyes. This
happens on all channels.
The key to making this work is in timing the

various components into a synchronous whole. To
solve the timing problem, you’ll learn the basics
of Microloop TheoryTM (MLT) and we’ll introduce
DNA Code—the Dynamics of Natural Attraction
CodeTM. This will show you how each of the GA
elements (Teasing, Projections, PureKino, and
the resulting Group Dynamics) accomplish the
aforementioned 9 goals.
This understanding will give you the ability to

spontaneously calibrate your GA performances and
create your own routines.
Microloop Theory Basics
All pickup interactions can be modeled via
Microloops. They are the building blocks of social
interactions. A Microloop is defined simply as a
value exchange. A basic model is shown in Fig 5.
T/D
S ta r t
GV GV here
Legend
T/D
The “value” in the above diagram is always Figure 5: The

emotional value: Anything that the woman (or MicroloopTM
you) like or enjoy and which stimulates you/her
emotionally. Value is always subcommunicated.
For example, when a beautiful woman sits next to
you and touches you, that generates an emotional
71
reaction in you and is one example of her giving
you value. Conversely, when you kino or make her
laugh, she’ll feel those emotions—that is you
giving her value.
The Takeaways are synonymous with IODs, whether

toward a group (gIOD) or individual. A Directive
is anything that directs an individual towards a
desired behavior. When someone complies with a
Directive, value is returned to the person issuing
the directive. Hence, Directives are sometimes
called Compliance Requests or Compliance Tests.
Correct microloops are key in making interactions

happen. Romance can’t happen without
interactivity. Microloops show you how to
sequence and time interactions very precisely so
that interactions always create attraction and
escalate.
Observing microloops in actions has shown us a

few trends which guide our behavior towards more
consistent success. The most fundamental law of
Microloop Theory is this:
To get compliance, you have to give value

first.
Here’s an example of the qualification sequence,

modeled using Microloops28: 28. This is also a great
example of a chase cycle.
1. Y
ou’ve successfully attracted her by
giving value and using the tools and
elements described in this book as well
as the Get the Girl! Nightlife Edition
Manual.
2.1 Y
ou subtly lean back, away from
her. This is a Takeaway. You are
subcommunicating that maybe you are not
interested.
73
2.2 Y
ou: “What did you want to be when you
were 7?”—This is a Directive. You are
simultaneously testing for compliance
and giving her direction on what she
should do next.
3 Her: “I wanted to be an astronaut. My

parents thought it was funny. But then
when I was 13 they wanted to send me to
space camp. By then I was over it!”- She
is now Giving You Value and complying.
This makes her more invested in the
interaction and therefore more attracted.
4 Y
ou: “That’s awesome! I actually wanted to
go to space camp just so that I could go in
that gravity chamber where you can float!”
—This is You Giving Her Value in exchange
for her work. It is a psychological reward
for her investment. She now associates
complying with your requests with feeling
good. This raises BT/A.
5.1 Y
ou briefly look around the club and say
“But I don’t know about girls from space
camp … ” This is another Takeaway.
Takeaways make you a challenge and
create scarcity when used correctly.
5.2 Y
ou: “Are you going to whip out your
slide rule when I take you home to Mom?
“—This is a combination of giving value
(via humor), Takeaway (subtle IOD) and
Directive (for her to answer or qualify
herself).
We can graphically depict these steps in the

following diagram:
2.1/2.2
5.1/5.2
T/D
S ta r t
GV GV here
3 1
Legend
4
T/D
But Microloop Theory goes beyond this simple Fig 6: Microloop Theory
example. It models everything that happens in Example
social interactions and even in relationships. And
therein lies its power. Once I understood this
principle my abilities really became amazing.
75
Microloops are the atomic building blocks
of all human interactions.
As you go through a pickup from beginning to end,

you are constantly “microlooping”.
Each microloop begins to give more and more value

both from you to her and her to you. This is
how escalation works. It’s important to have a
rough idea of how much value you’ve given to her
relative to how much you’ve received.
You can think of each escalating microloop as

adding value to your or her “value bucket.” This
“value bucket” can be thought of as holding the
total amount of value each person receives in the
interaction. This is illustrated in Fig 7.
In any interaction you eventually have to return

the value given to you. This brings us to the next
law of the microloop:
Always, over time, make sure that she is

getting some value back for the value she
is putting in.
If people aren’t getting at least some return

on their value investment they will end the
interaction (bad for you, bad for her!). Put
another way, if she’s constantly working for you
and is receiving no reward or positive feedback,
2.1/2.2
5.1/5.2
S ta r t
3 1 here
4
Legend
she will eventually give up and assume that you Fig 7: Value Buckets
don’t like her.
But …
Always, over time, make sure she is giving

at least little more value then you are
giving her.
What this means in “bucket speak” is that you

always want your value bucket (which contains the
value she gave you) to be a little fuller than
hers. This is illustrated in Fig 8:
77
few interactions lots of interactions
your bucket her bucket your bucket her bucket
Fig 8: Value Buckets This creates an interesting phenomenon. When your

Over Time value bucket is fuller than hers (e.g. she’s
invested more in the interaction than you), she
will generally continue to chase you because you
are a challenge. She’s invested in you but you
haven’t invested as much in her. In other words,
the emotional value she receives from you is
always at a relative scarcity so she considers it
a commodity and will therefore work for it. This
also explains why you often lose the set when a
woman realizes that she “has you.” When she thinks
she has you, it means her bucket is full and yours
isn’t. It’s why a large amount of un-calibrated
IOIs toward a woman often stops attraction and
turns her off.
Be aware that the structure of the Microloop is

fluid—you don’t need every step to take place for
it to work. The only real requirement is the
eventual value exchange.
Let’s examine the following example:
“I’ll bet you girls were the hottest(GV) … hall

monitors in middle school(T)”
In the first clause (GV) you are giving value and

in the second you are doing a takeaway (T). This
particular interaction is modeled as follows:
Start Give Value Takeaway
Fig 9:
Tease
Microloop
Diagram
79
In the particular case of a Tease, the Giving
Value segment is an IOI (“You girls were the
hottest…”) though you can give value in a
variety of different ways. This works because
an IOI from an un-needy, high social value guy
gives emotional value. This is precisely why our
approach and subcommunications are so important—if
we don’t nail the opener, the tease may not work
if the IOI doesn’t hold any emotional value.
This is how microloops are able to model every

successful social interaction. Keep in mind,

however, that some of the steps are optional/
skipped when modeling certain situations. Here are
a few examples of the important ones:
Basic Microloop: The main Microloop

omits the takeaway/directive from her

to you as it’s largely a placeholder
in the Attraction phase. Technically,
when she stops talking, that’s a
social cue (i.e. directive) for you
to speak. However, we obviously don’t
actually wait for her to do an explicit
takeaway/directive before we reward
her. As such, most of the following
examples will also omit the female-to-
male takeaway/directive. Her Takeaways
and Directives are shown here because
they’re very important for modeling
certain interactions. We’ll get to
those in Vol 2: Chapter 6—Contingencies
and Interrupts.
C
hase Cycling: Similar to the basic
Microloop, the chase cycle skips the
aforementioned T/D and instead focuses
in on rewarding her for working for
you.
C
alibrating Friendliness: When you
calibrate friendliness, you are giving
friendly value in return for hers,
usually with the only directive being
that you each stop talking in order to
cue each other. Being friendly is about
value exchange--her friendly value for
your friendly value or other types of
equivalent emotional value.
K
ino:Kino is an interesting concept
because it gives emotional value both
to the giver and the receiver. For
example, when you initiate kino, that’s
a directive from you to her (reach for
her hand). When she puts her hand in
yours, she is now giving you emotional
value by complying and establishing
kino. Then you touching her hand gives
her value back. Then when you let go of
her hand, you are doing another subtle
81
takeaway to optionally start the entire
cycle over again.
L
ove/Hate Teasing: This variation is
modeled by figure 9. In other words,
you do a takeaway and give value to her
without waiting for her to give value
back.
Understanding ML theory will give you the keys to

success in all of your social interactions. Later
in this chapter I’ll explain how to model various

social situations using multi-channel Microloops.
This gives you a deep understanding of the
proper timing and subcommunication required for
successful interactions. Armed with this knowledge
you’ll be able to perform Group Attraction
flawlessly with a minimum amount of practice, and
you’ll start to develop seemingly magic escalation
powers you can use anytime during the pickup.
IOIs, IODs, and Giving Value

Note: Before reading this section, make sure you
read and understand the Group IOIs, Group IODs,
and Giving Value concepts.
During a social interaction, both your group and

individual IOIs and IODs should strive to give as
much emotional value as possible. However, there’s
another important concept to keep in mind:
“
Keep Her Suspended Between Hope and
Doubt”
—Lovedrop
You’re striving to accomplish two goals at once:
1.
Give enough emotional value so that
the set complies with your next
directive or otherwise works for you
or chases you.
2.
Keep a balance of IOIs/IODs and gIOIs
and gIODs which keep the set uncertain
of where things are going. They’re
constantly wondering how much you
like them– right up until sex with
the target. This ambiguity makes you
a challenge and builds massive sexual
tension.
Although there are some key distinctions, IOIs

and IODs are closely linked to giving value.
Used correctly, IOIs almost always give value.
Conversely, IODs function as takeaways (thus, a
removal of value). And when IOIs and IODs are used
in combination, it almost always gives emotional
value. The best thing about IOI-IOD combinations
is that in one simple step, they accomplish both
83
aforementioned goals: Giving value and suspending
between hope and doubt.
Fortunately, most of the tools we give you are

already pre-calibrated to accomplish these goals
automatically. Giving value and IOI-IOD combinations
are already built-in to PureKino, Group Teasing, and
Group Projections. However, it’s important to be
aware of these two goals so that you can calibrate
correctly if something goes wrong. By understanding
the fundamental concepts, you can self-correct on-
the-fly, even in situations you might not be ready

for. You’ll be able to determine if a girl’s IODs
are due to a lack of giving value, too many IODs,
too many IOIs, or some other factor. We’ll elaborate
further on calibration in the Contingencies and
Interrupts chapter.
There’s an interesting relationship linking IOIs

and IODs to emotional value. Note that general
IOIs and IODs don’t inherently give value. It
depends on the context and situation. For example,
if you meet a girl and immediately throw an un-
calibrated and unjustified IOI (“I like you”) or
IOD (“I don’t like you”), you won’t be giving
much emotional value, if any. However, if she’s
attracted to you, simple IOIs and IODs then begin
to take on value. If you’re in comfort twenty
minutes into a solid interaction, either of the
aforementioned IOIs/IODs will suddenly take on
great emotional meaning for her. Similarly, over-
the-top IOI-IOD combinations will also give value,
even if you’ve just met her. Note that excessive
IODs will blow you out largely because you are
taking too much value away.
One key point to remember is that IOIs and IODs

often give value through humor and emotional
stimulation. The IOI-IOD combination is funny
because it fits into the textbook standup comedy
structure: Setup-Punch. The initial IOI is the
setup, and the IOD is the punch. The humor
is generated from the surprise of the punch,
especially given that the women usually start to
make assumptions when you give the initial IOI.
Additionally, exaggerating the IOIs and IODs amplify
the overall effect. Consider the following example:
“
You guys must be the absolutely …
HOTTEST(IOI) … hall monitors in middle
school (IOD) … I can see you with your
clipboards checking off everybody … How
did you guys get into this club (IOD).”
85
Despite the punch line of this tease being an IOD,
A D V A N C ED it still gives massive emotional value because of
NOTE the humor and emotional stimulation. The other
elements which make this work are delivery-
Not only does based. Just like standup comedy, timing, facial
balancing your value- expressions, tonality, and other subcommunications
giving with IODs keep are all critical to creating the desired effect.
her “suspended,” but Although performing an IOI does not necessarily
the pairing of GV and give value, giving value is always a subtle IOI.
IODs creates even more Thus, if you give value over extended periods
emotional value. i.e. of time, that becomes a big IOI. Whenever you
GV + IOD = more GV. give value, you’re investing and working for
More on this later. the girl on some level. This is always a subtle
IOI. So even if you never explicitly verbally or
kinesthetically give any IOIs, you still need to
balance your value-giving with IODs in order to
keep her “suspended between hope and doubt.”
Advanced Microloop Theory: Multiple

Channels & Instant Compliance
One of the really nifty things about Microloops is
that they can exist simultaneously on different
channels. I know that sounds confusing but keep
reading.
Channels, for our purposes, are simply different
mediums of communication (verbal, kinesthetic,
etc.). I denote channels using abbreviations such
as P(v). The “P” represents you, the participant.
The letter(s) in parentheses represent the
channel, such as Verbal (v), Kinesthetic (k), or
Eye Contact (ec).
Although there are more, we’re going to focus on

the main 5 channels in which you communicate:
1. The Verbal Channel—P(v)—What you say to

her.
2. The Kino Channel—P(k)—Touching or physical

contact.
3. The Eye Contact Channel—P(ec)—Keeping or

maintaining eye contact.
4. The Verbal Subcommunication Channel—P

(v-sub)—What you subcommunicate verbally.
5. The Kinesthetic Subcommunication

Channel—P(k-sub)—What you subcommunicate
kinesthetically.
87
Channels are simply different ways to give value.
The 4th and 5th channels are subcommunication-based,
which will be explained in the next section.
There’s a very important law of Microloop Theory

which often uses channels:
The Law of INSTANT COMPLIANCE:

If you give value while simultaneously (or
near simultaneously) making any reasonable
compliance request, your request will
always be granted.
For example, the figure below depicts a

Simultaneous Microloop occurring on the
Kinesthetic channel while Giving Value on the
Verbal channel (see detailed description below).
Kino
Verbal
Male Female
Figure 10 The Simultaneous
Microloop
Microloops model kinesthetic communication as
well as they model verbal interactions. This
is fortunate as Group Attraction often has you
simultaneously or sequentially microlooping29 29 Doing microloops (e.g.
value exchanges) with the girl
on multiple channels. If you’re confused, keep or the set either on multiple
reading--we’re about to explain what that means. channels or one right after
another. Oftentimes both.
Let’s look at a simple, real-world example of Fig
10 in action. Here’s my “Space Alien” tease which
is very effective once I’ve chosen a target:
“You are the HOTTEST … space alien I’ve A D V A N C ED

met all night … no, seriously … THIS NOTE
GIRL is GORGEOUS … for being green on
the inside … did she pee on the carpet
Microloop steps
when you guys first adopted her (sideways
can be composed
hug on SHB space alien) … because mine
did (release hug).” of additional sub-
microloops. For
What we’re doing here is cycling IOIs and IODs to example, a general
give value while simultaneously giving a kino- “giving value” step
based (nonverbal) directive. In other words, we’re can actually be made
following the law of instant compliance except up of several sub-
we’re doing it on two different channels. microloops where

we’re cycling IOIs
Fig 10 represents the space alien interaction by and IODs or otherwise
showing the verbal Microloop (the main diagram) creating value.
along with the simultaneous, embedded kino-based
Microloop.
89
Because I’m giving value verbally while giving a
directive with kino, she will always comply with
the directive. In this case, that means complying
with the sideways hug. This is the very essence of
solid escalation—giving value in some way every
time we escalate the interaction, either via kino
or verbally.
Subcommunication &
Two-Channel DNA CodeTM
The Get the Girl! Manual taught us that any value

we present must always be subcommunicated. If
you’ll recall, subcommunication is any information
we convey or messages we send which occurs below
the overt level. We subcommunicate with voice
tone, body language, facial expressions, how we
kino, how we pause when we speak, who we’re with,
the subtexts in what we say, and much, much more.
There are literally thousands of different ways to
subcommunicate information.
The difficulty in teaching subcommunication up

until now largely stemmed from the fact that there
was no established way to describe not only what
you said, but what you subcommunicated.
Multi-Channel Notation fixes this. We accomplish
this by specifying an attractive quality to
subcommunicate along with the appropriate delivery
instructions in parentheses. For example, here is
the notation for higher energy/Fun:
Higher energy/Fun
(louder, big smile,
energy slightly higher than the set)
Now let’ s incorporate this style of notation into

the space alien example:
“
You are the HOTTEST higher energy(louder,
big smile) … space alien I’ve met all
night chill(flat voice tone, smiling) …
no, seriously … THIS GIRL is GORGEOUS
mischief(I’m messing with you guys voice
tone) (sideways hug on SHB space alien)
for being green on the inside chill(flat
voice tone, smiling) … did she pee on
the carpet (release hug) when you guys
first adopted her genuine (warm voice
tone) … because mine did.”
Now let’s attempt to add in notation for Giving

Value (GV), Takeaways (T), and Directives (D) so
that you can see the Microloops just on the verbal
channel.
91
“You are the HOTTEST higher energy(louder,
big smile) GV … space alien I’ve met all
night chill(flat voice tone, smiling) T …
no, seriously … THIS GIRL is GORGEOUS
mischief(I’m messing with you guys voice
tone) GV (sideways hug on SHB space alien)
for being green on the inside chill(flat
voice tone, smiling) T … did she pee on
the carpet (release hug) when you guys
first adopted her genuine (warm voice tone)
T+D(I’m asking a question) GV
… because mine did .”
As you can see, this is turning into a huge

mess and we haven’t even begun to show you the
other channels. Yet all this information is
crucial to success. The problem lies in the fact
that we’re trying to convey multiple pieces
of information which co-exist simultaneously
(verbals, subcommunication, and kino) in a
medium which doesn’t coherently allow it. In
essence, we’re trying to cram all the notes for
all the instruments in a symphony onto one bar
of sheet music.
Clearly, we need something better.
Allow me to (drum roll please) introduce to you

… the Dynamics of Natural Attraction (DNA)
Code. In this system, each communication channel
(verbal, kino, subcom, etc) is presented on its
own bar, exactly the way each instrument in a
symphony is shown on the sheet music. If you’re
not a music person or don’t get that analogy,
don’t worry, it’ll become clear in a minute.
Let’s ignore the Kino channel for a second

and write out the “Space Alien” tease in two-
channel DNA Code showing the verbals (P(v)) and
subcommunications (P(sub)) channels on each line.
Think of it like a mini table, where each segment
of what you say accompanies what you should do on
the other channels. So in the example below, “You
are the HOTTEST” is the verbal communication.
The subcommunication channel (the line below it)
shows that when you say this part, you want to
do it with higher energy. Additional channels go
on their own lines and vertically line up in the
same manner.
The ellipses ( … ) denote pauses of 1/3 to a

full second:
P(v) “You are the HOTTEST …space alien I’ve met all night…no, seriously…”
(sub) higher energy (louder, big smile) Chill (flat, relaxed, constant pitch and tonality).

93
Now let’s further simplify this notation by
omitting the delivery details (e.g. “louder, big
smile”) since they always stay the same, and
adding the microloop labeling as follows:
P(v) “You are the HOTTEST … space alien I’ve met all night … no, seriously … ”
P(sub) Higher Energy(GV) _______ Chill(T) ___________________________________

P(v) “This girl is gorgeous … for being green on the inside … ”
P(sub) Mischief(GV) _____________ Chill(T) ___________________________________

P(v) “Did she pee on the carpet when you guys first adopted her?”
P(sub) Genuine (delivered deadpan) (T)

______________________ (D)

P(v) “Because mine did.”
P(sub) Chill(T) ____________

Note how thorough this notation is in describing

each detail of your subcommunication. Not only
are we telling you how to deliver your verbals,
but we’re also giving you instruction on what to
subcommunicate when you’re not talking. This is
monstrously important as it’s often these tiny
details which make or break a borderline set.
As I analyzed my own sets by transcribing

them using the DNA Code, I noticed something
interesting. When I started writing everything
down using 2-channel notation, I started to
realize how certain delivery patterns give loads
of emotional value.
If we rewrite our space alien example without the

verbals you’ll see the following subcommunication
patterns:
P(sub) Higher Energy(GV) ___________ Chill(T) ____________________
P(sub) Mischief(GV) ________________ Chill(T) ____________________

(T) (D)
P(sub) Genuine (delivered deadpan) Genuine (delivered deadpan)
P(sub) Chill(T) ________________________________________________

There’s a clear pattern here. See how the

communication mixes higher and lower energy
styles? What I realized is that when you vary
your delivery like this, it subcommunicates even
30 Evil Clown Frame: The
more attractive qualities—like the ambiguity and
attitude of self amusement.
mystery necessary to maintain the evil clown See chapter 3 or Glossary for
more details.
frame30.
95
For now, pay attention to the patterns you see in
the notation—noticing these patterns will allow
you to intuitively learn them over time so that
eventually your subcommunication will allow you
to talk about nothing and still sound absolutely
fascinating.
HO M EWO R K D r i l l :
Now you’ll get a chance to listen to
the audio portion of the book where I

deliver the space alien routine reading
it directly off the page—note how subtle
the delivery shifts are. But also note
how powerful the overall effect is.
Rehearse the routine to yourself a few
times, then record it and try to emulate
my delivery as much as possible. You will
eventually arrive at your own variation,
but you’ll have mastered the fundamentals
by practicing and imitating my delivery.
5 Channel DNA Code—P(v), P(k),
P (v-sub), P (k-sub), S(v)
In the 2 channel example above I showed you
a notation that allows for understanding the
precise, coordinated timing of subcommunication
delivery and verbals. That in itself will improve
your game … but we need more tools so that you
know exactly when and how to escalate.
Remember that escalation is nothing more than

getting compliance on kinesthetic microloops. In
order to model the various elements of escalation,
we need to be able to show the kino and kino
subcommunication channels.
Note that every physical communication channel

can have its own subcommunication channel. The
P(sub) from the examples in the previous section
are really P(v-sub) as they represent your
verbal subcommunication. To really show all of
the details of kino, we’re going to add two more
channels: Kinesthetic P(k) and the Kinesthetic
Subcommunications P(k-sub).
Continuing our example, here’s the 4-channel

version of the “Space Alien” tease:
97
Note: Blank cells indicate no conscious
communication on that channel at that point in time.
P(v) “You are the hottest … space alien I’ve met all night … no, seriously …”
P(v-sub) Higher Energy(GV) ___ Chill(T) ________________________________________________
P(v) “This girl is gorgeous …for being green on the inside…”

P(v-sub) Mischief(GV) _________ Chill(T) ________________________________________________
P(k) Start sideways hug Increase Hug Intensity__________________________________

P(k-sub) Dominance (firm, unshaky kino) (D)
_______ (GV)
___________________________
P(v) “Did she pee on the carpet when you guys first adopted her?...”
P(v-sub) Genuine(T)___________________________________________________________________ (D)
P(k) _____________________________ End Hug
P(k-sub) Dominance(GV) _ Un-needy(T) _____________________________
P(v-sub) Chill(T) ___________
In order to keep thing simple we’ve only shown the
kino channel when it was happening.
And there you have it, folks, the beginning of

your understanding of the true power of multi-
channel social interaction.
Note the following:
1. The kinesthetic channel shows one complete

Microloop. It begins with a directive
(when you initiate the hug), then moves
into a rapid value-exchange loop through
your mutual physical contact. This occurs
because whenever you touch each other, you
automatically exchange value due to the
psychological reaction of physical human
contact. The Microloop then finishes with a
takeaway (Ending the kino).
2. It’s important to pay attention to

the timing of when we started the kino
Microloop. If the kino was started right at
the beginning, it’d be less likely to work.
But because we’ve given some emotional value
on the verbal channel first, we’re much more
likely to get compliance. Note that the kino
Microloop begins right at the peak of the
value-giving power meter. This is the Law
of Instant Compliance at work. If you make
99
any reasonable kino request when plowing
value, your request will always be granted.
This routine’s extremely high level of
effectiveness is derived by following that
law.
3. Note all of the extra subcommunications

that we identified on the second channel. We
were able to subcommunicate dominance, un-
neediness, and other traits in addition to
the subcommunication from our verbals.
There’s a pattern here that we can visually depict

using a variation of the notation:
P(v) <plow emotional value> _______ (value peak)
P(k) <begin kino>
As explained in the “Microloop Theory Basics”

section, when we cycle giving value and takeaways,
31. A value exchange
we tease, which gives more and more value over
occurring on multiple
channels, at least one of time. Then, right at the peak of the value, we
them being kinesthetic.
spin off a kinesthetic simultaneous microloop31.
For example, giving value
on the verbal channel The pattern you are seeing here is a more precise,
while escalating (getting highly practical depiction of Figure 10: The
compliance) on the kinesthetic
channel. Simultaneous Microloop.
You’ll be using this pattern constantly until
you can initiate kino and always get compliance
without having to say anything. But until that
happens, everything works with this pattern.
The timing I’m revealing here isn’t theoretical

ramblings. It’s hard, field-tested fact. The laws
of the Microloop were derived from hard-fought,
empirical observations, not the other way around.
In fact, the pattern is so common that we’ll use

2-channel DNA Code with P(v) and P(k) to describe
just about every kino routine out there. It’s
really simple once you’ve already internalized the
subcommunication:
P(v) “You are the hottest …space alien I’ve met all night…no, seriously … ”
P(k) Start sideways hug Increase Hug Intensity

P(v) “Did she pee on the carpet when you guys first adopted her?...”
P(k) ______________________________ End Hug

101
That’s the beauty of the notation - you can depict
certain channels and ignore others in order to
focus on specific aspects of the game. Or you can
depict the entire interaction all at once as if
you are reading the music for a symphony. This is
very appropriate as truly skilled pickup is a one-
man symphony of multi-channel communication.
Now we add the verbal communication from the Group

(set) as S(v). Here’s what 5 channel DNA Code with
Set Verbals looks like:
P(v) “You are the hottest” “…space alien I’ve met all night…no, seriously…”
P(v-sub) Higher Energy(GV) Chill(T)

S(v) (girls laugh)
P(v-sub) Mischief(GV) ____________ Chill(T) ___________________________

P(k) Start sideways hug -----------------------
Increase Hug Intensity
(D) (GV)
P(k-sub) Dominance (firm, unshaky kino) _____________ _________________
S(v) “Totally … ”
Note how I give them a second to respond,

and then I being my new delivery toward the
end of their responses. This keeps control of
the set and further subcommunicates dominance
while discouraging interruptions. It takes
field practice to perfect the timing, but it’s
ultimately very important. When you wait too long,
you‘ll feel the “uncomfortable silence” effect.
Now that you understand DNA Code and have grasped

some of the subcommunication and delivery patterns
that the notation can teach you, we’re going to
examine how the three elements of Group Attraction
work with DNA Code.
Group Love/Hate Teasing

Group Love/Hate Teasing (gLHT) (also known as
Group Teasing/GT) is the simplest and one of the
most versatile elements of Group Attraction. You
can use it both early on in the interaction to
hook the set as well as periodically throughout
attraction until isolate.
Group Teasing consists of gIOI (GV) and gIOD

(T) combinations. They can be on the same theme
or not, but they always give emotional value.
Regardless of whether we think of them as
gIOIs+gIODs or Giving Value + Takeaways, they
always add up to giving a lot of emotional value.
103
In essence, the whole is greater than the sum of
its parts. The only critical difference between
standard target-based teasing and Group Teasing is
that Group Teasing is done on the entire set.
Here’s a simple example of a Group Tease using the

same theme:
P(v) “You guys are the CUTEST … hall monitors in middle school.”
P(v-sub) higher energy(GV/GIOI) _____ chill(T/GIOD) ____________________

I accidentally discovered GT infield about two

years ago and it’s what eventually lead to Group
Attraction. Looking back, I actually feel sort of
foolish for not figuring out that if a tease works
on one girl, it should really work on all of them.
Hindsight, as they say, is always 20/20.
The other cool thing about Group Teasing is that

it subcommunicates massive dominance because you
aren’t afraid to tease all of the girls at once.
Without using the gIOIs and gIODs, your only other

option is target-based game.
But aside from verbal value giving, we’re also

giving value with our body language and eye
contact. Consider this example where I show you
how to maintain dominance on the alpha female
without directly addressing her verbally:
Note: In this example we’re adding the Eye Contact

(EC) and Body Language(BL) channels.
P(v) “You guys are the CUTEST” … hall monitors in middle school.”
P(v-sub) higher energy(GV/GIOI)___________ chill(T/GIOD) ___________________________

P(ec) Scan the group---------------- Left eye solid gaze on alpha girl

P(ec-sub) Judging(GV)____________________
Dominant(GV) ___________________________

P(bl) Lean back--------------------------------------------------------------
(GV-1)

P(bl-sub) Un-needy _________________________________________________________
Eye contact alone allows you to subcommunicate

very attractive qualities. When you scan a group
they’ll perceive you as judging them. During that
time you can usually get a vibe as to who’s the
most troublesome or is the “alpha leader” girl
in the group. If you can’t tell, just choose
randomly. As you begin to say, “ … hall monitors 32. Conway, C. A., Jones, B.
in middle school,” look directly into the dominant C., DeBruine, L. M. & Little,
A. C. (2008). Evidence for
girl’s left eye and maintain eye contact. This adaptive design in human gaze
automatically conveys rock-solid confidence. In preference. Proceedings of the
Royal Society, 275, 63-69.
fact, eye contact has been scientifically shown to
enhance attraction32.
105
Eye contact by itself conveys dominance, but
Q&A: when you do it while saying some crazy gIOD, it
amplifies the original effect. To the alpha girl,
Q: “Why do you
the fact that someone can stare her down while
maintain gaze in the
busting on her means he must have balls of steel.
left eye?”
And the simple act of holding someone’s gaze
A: “There’s no also directly stimulates emotions. This applies
scientific proof universally, meaning that extended eye contact
that maintaining gives value from you to her and vice versa, much
eye contact with like the value exchange loop of any extended kino.
both of your eyes

The left eye stare has since been a habit for me.
on her left eye
is better than her Meanwhile, you’re continuing to lean back
right eye. That (takeaway), completing the value exchange and
said, a number of amplifying the effect of the eye contact.
shamanic, spiritual,
Some of our more perceptive readers have probably
and hypnotic gurus
picked up on something. Anytime you have multiple,
maintain that a
meaningful subcommunications on different channels
left-eye stare
all at once, it creates an exponential effect,
induces a trance-
giving even more emotional value. This is even more
like state because,
pronounced when using opposing elements such as GV/
‘The left eye is
IOIs on one channel and Takeaways/IODs on another.
the window to the
unconscious and the Let’s revisit the “cutest hall monitors” routine as
soul.’“ an example. Note that in the second half when we
do a takeaway on the verbal channel, we give value
with body language and eye contact on the other two
channels and then do another takeaway with body
language. This is a great example of mixing GV and
IOIs with Takeaways and IODs on several channels at
once. The end result is an emotional effect greater
than the sum of its parts.
We’re going to give you loads of examples, new

teases, and more subcommunication pointers when we
get to the material in Chapter 3. If you need a
refresher on eye contact and body language basics,
see Appendix C: Fuji on Body Language.
Group Projections
Group projections are fun, usually fantasy
imaginings what you would do, are doing now, or
have done in the past with the group. They’re
discussed extensively in the Get the Girl! Manual.
The only difference between the Projections in the
GTG! manual and their Group Attraction cousins
is that the projections in GA are always about
the group. Thus, we use gIOIs and gIODs almost
exclusively. Furthermore, in this book we’ll cover
not only future projections, but past and present
as well.
107
Let’s get into how they work.
It’s actually really difficult to pinpoint

exactly why projections work. We know from field
experience that the more fantastic and crazy they
are, the better they work. My current theory
on how future projections give value is based
on the fact that projecting fantasies is very
emotionally stimulating. And because we’re getting
her to imagine a fantasy scenario, she’s going
to subconsciously feel those emotions as if she
was there. It’s a well known fact that women

feel emotions stronger than men do. So when we
project these scenarios, we actually give value by
projecting the emotions that go along with them.
We’re also mixing Takeaways with the value-giving

element of the fantasy. And as we’ve mentioned
before, when you mix GV (gIOIs or other types of
value) with T/IODs, you get exponentially more
value. It’s the same concept as inherent value
and scarcity. When you create or find something
with value in the marketplace, and then you add
scarcity to it, its value skyrockets. It’s why
diamonds, gold, and certain video game consoles
around Christmas all experienced massive value
spikes when there was a scarcity in supply.
And on top of that, we throw in attractive
quality subcommunications such as living in your
own reality, creativity, being unaffected, and
understanding women. Projections are also an
excellent opportunity to mix up the delivery
subcommunications as discussed in the previous
“Subcommunication and Two Channel DNA Code” section.
If we map a routine out, you’ll see all the

elements we just described. Let’s take a look
at a new group projection called the “Hollywood
Entourage” using 2-channel notation:
P(v) “If we were partying in Hollywood together,” “I could not keep you girls out of the tabloids … ”
P(v-sub) Higher Energy(GV/gIOI) ________________ Chill(T/gIOD) ________________________________
P(v) “If we make a mess in the mansion again…the maid” “will quit…that’s the 10th one this year.”
P(v-sub) Disciplinary(T/gIOD) ___________________________ Chill(GV/gIOD) _______________________
P(v) “And you two … ” “have got to stop stalking the midget from Austin Powers … ”
P(v-sub) Mischief(GV) ____ Chill(T/gIOD) ___________________________________________
P(v) “if we make the British tabloids again” … it’ll be an even bigger mess than last time.”
P(v-sub) Mischief(GV) ______________________ Higher Energy(T/gIOD) _____________________________________
109
Note the heavy mix of fantasy-based GV along with
T/gIODs, the varied subcommunication and delivery,
and gIOI/gIOD combinations. These elements are
what make projections effective.
The attractive qualities being conveyed through

projections are always subcommunicated. That is,
they are not overtly stated but are communicated
obliquely, often through your vibe and delivery. The
“Hollywood Entourage” routine, for example, doesn’t
explicitly refer to traits such as creativity or
being unaffected. But with proper delivery, the

set always seems to pick up on this subtext. An
uncreative or unattractive individual, after all,
likely wouldn’t be saying these things. There’s
nothing inherently specific about the wording of
these routines, but they train you to convey the
correct subcommunication and attractive traits.
Many of these traits also stack on top of each

other. The subcommunication that you have a deep
understanding of women, for example, works at an
even deeper level. When you give emotional value,
women perceive that you “get them” and hence find
you more attractive. They also therefore assume that
you are preselected, triggering another attraction
switch. And even further, people who give value are
also perceived as being socially savvy.
Some subcommunications are very dependent on
specific delivery (e.g. higher energy, chillness,
judging, dominant, un-needy, mischievous). We list
these on the P(sub) bars in DNA Code. I call them
tactical subcommunications.
The subcommunications which the audience derives

from the overall performance are called net-effect
subcommunications.
To get good net-effect subcommunications,

you don’t actually have to do anything!
Just deliver the verbals and the tactical

subcoms correctly and the net-effect
happens all by itself!
Net-effect subcommunications include creativity,

being unaffected, understanding women, and
others. Many of us have been aware of this
concept but without a way to explain it, it was
near impossible to teach. DNA Code allows me to
precisely identify the tactical subcoms and teach
how they convert to net-effect subcommunication.
The net-effect plays a part in Group Teasing,

Group Projections, and PureKino, and in each of
those sections later in the book, I’ll point out
to you which subcoms are “net-effect” and which
are tactical. I include the Net-effect concept in
111
this section because it’s closely linked to the
elements which make Group Projections effective.
The eye contact during projections should be spread

around evenly to all the women in the group, but
keep in mind to focus more on any potentially
troublesome or “alpha female” girls. A few seconds
on each girl is optimal. Transitioning the eye
contact during the pauses gives it more impact.
Pure KinoTM
PureKino is the bread-and-butter of Group Attraction.

Frequently you can open a set, tease, throw a false
time constraint, use a transitionary compliment, and
then do a single PureKino routine and you’re done
with attraction. Sometimes attraction takes less than
2 minutes when done correctly.
While the fundamentals of Pure Kino were explained

in the GTG Manual, this book includes 20 different
PureKino routines, most of them completely new
and unique. We’re also going to expand upon the
delivery and timing of PureKino and I’m going to
show you a system for creating your own. When I
wrote the Get the Girl! Nightlife Edition Manual,
the DNA Code didn’t exist yet so I didn’t have
the tools to show you exactly how to deliver the
material. Now that I have all the tools, prepare
yourself for some amazing game growth.
We’re going to get into the material and delivery

of PureKino in Volume 2, Chapter 4: Three Minute
Group Attraction. For now, let’s analyze how
PureKino works.
Let’s look at the first few lines of the now

common “Group 3-7” PureKino using the DNA Code so
we can dig deep into how this works.
P(v) “How long have you guys known each other? …”
S(v) “A while!”
P(v) “Did you know that you could be psychic together? …For shits and giggles we’re going to”
P(v-sub) mystery(GV) ______________________________ higher energy(GV)

dominant(GV+D)_
P(ec) scan the group ------------------------ left eye solid gaze on alpha girl___
P(ec-sub) Judging(GV) ___________________________________

Dominant(GV)___________________________
P(bl) Lean back ---------------------------------------------------------------------
Un-needy(GV+T)________________________________________________________________________
P(bl-sub)
S(v): “no … ”
113
P(v) “find out if you guys are psychic together … give me your hands … ”
P(v-sub) mystery(GV) _____________________________ dominant(GV+D)_ ____
P(ec) ßscan the group------------------------ ec girl who’s hand you want to grab first ----
P(ec-sub) Judging(GV)______________________________________Dominant
(GV+T)
__________________________
P(bl) Lean back --------------------------------------------------------------------------
P(bl-sub) Un-needy(GV+T)____________________________________________________________________

P(k): grab the two nearest girls hands …

P(k-sub) Dominant(GV+D)______________________________
Why does this work? Why do you get attraction and

why does the kino work every time?
If you’ve been paying attention, you already know

the answer.
Prior to starting the kino microloop to hold

their hands, we plowed massive multi-channel
value. There are at least 10 GV labels in the
subcom notation alone. On top of that, we are
simultaneously giving verbal value with dominance
when we make the compliance request of the hand
hold. Dominance is absolutely key to PureKino
because the combination of the command and a
solid, unwavering, baritone tonality both gives
value and issues a Directive. Because dominance is
closely linked to confidence and other attractive
traits, dominance itself makes the directive
much more likely to work. And it works on every
channel. You can even be dominant kinesthetically
by making each kino request unwavering,
unflinching, and smooth.
Here’s what it looks like under DNA Notation:
P(v) Plow emotional value----------------(value peak)
P(ec) Plow emotional value----------------(value peak)
P(bl) Plow emotional value----------------(value peak)
P(k) Kino!______________
The secret to Pure Kino is this:
Give emotional value on as many

channels as possible. Then at the peak,
simultaneously start kino.
The value you give creates Buying Temperature

and Attraction. The same value also allows the
kino to happen. The kino, in turn, generates
more emotional value by itself. The combined
emotional value on all the channels creates a
115
crazy, synergistic, emotional state in the women

which explains the amazingly quick results. It’s
not uncommon to be moving into isolation with the
woman you choose after only running one routine.
This value combination is so common that we’re

going to model most PK routines in just 2
channels: P(v) and P(k). Here’s what the revised
version of the “Group 3-7” PK looks like:
P(v) “How long have you guys known each other? …”

P(v) “Did you know that you could be psychic together? … For shits and giggles we’re going to”
P(v): “find out if you guys are psychic together ….Give me your hands…”

P(k): Grab the two nearest girls hands …
P(v) “for this to work … you guys have to hold hands as well….”
P(k) make your hand hold firmer here relax hand hold a bit
S(k) Girls start holding each other’s hands….
P(v) “now we have formed a psychic circle … I can totally read your minds…”
P(k) make your hand hold more firm and start moving their hands around------------------
P(v) “You missy … are thinking TOTALLY dirty thoughts.”
P(k) let go of their hands
P(v) “Get your mind out of the GUTTER! … ok … we’re going to do this again …”
P(v) “This time YOU are going to keep it clean! … Again!”
P(k) grab their hands again …
P(v) “Now … think of a number between 1 TWO … 4 … the first number that pop’s into
P(k) make your hand hold more firm and start moving their hands around ---------
117
P(v) “your mind … don’t SAY it … just think it … ok girl on left … what number we’re you …”
P(k) let go of their hands

P(v) “thinking … ok girl on right … and what number were you [left] thinking … “
S(v) “3” “2”
P(v) “it’s those dirty thoughts of hers that messed you guys up!”
HO M EWO R K e x e r c i s e
Before reading any further, take attention to how value was given
the routine above and write it out and how the value was used to
on paper or computer using the 8- get kino. Note all the different
channel notation from earlier in GVs, Ts, and Ds, and all the
the section. Check your answer subcommunicated value, and think
against the complete version of about both the tactical and net-
this routine in Appendix A. Pay effect subcommunications.
Now that you have your homework in front of

you, observe all of the ways in which PureKino
contributes to Group Attraction:
1.
Verbal emotional value giving—We are
constantly giving verbal value both
by saying interesting things and
subcommunicating attractive qualities.
2.
Kinesthetic emotional value giving– We
are constantly touching the girls.
Whenever you exchange touch, you are
giving value to each other, and that
value exchange in turn amplifies the
value exchanges on all the other
channels. The kinesthetic channel is
also a great place to subcommunicate
attractive qualities.
3.
Kinesthetic emotional value giving
from the girls to each other—Most
people miss this but it’s very cool.
Note that there are places in the
routine when the women are touching
each other under your direction. Those
exchanges are described using the set-
kino (S(k)) channel. When the girls
touch each other, it’s also a value
exchange which spikes their emotional
state. Now they’re increasing BT&A by
touching themselves (pun intended).
4. Eye contact and body language value

giving-- After you scan the set
with eye contact your left-eye gaze
should drift from girl to girl for a
few seconds at a time. It makes the
most sense to maintain eye contact
119
with the person you’re addressing.
Although the material we use is for
the entire group, we’ll shift our gaze
and project our voice a few seconds
at a time toward each girl while
we’re talking. Your vocal projection
should generally follow your eye
contact. This eye contact scan is not
depicted in the DNA Code above but
it’s still important to do. Your body
language also gives value by smiling
constantly and leaning back (GV + T).
Both eye contact and body language

are also excellent attractive quality
subcommunication channels.
5.
Backwards Rationalization—This is
one of the most powerful attraction
mechanisms available to us. If you’ll
recall, microlooping and giving
value allows us to escalate or issue
directives and nearly always get
compliance. Oftentimes that compliance
is rooted in buying temperature and
emotional spiking. In other words,
she’s not necessarily fully attracted
to you, she’s simply in a heightened
emotional state as a result of
PureKino or other routines you’ve
run. But an interesting phenomenon
occurs when she complies. Her brain is
always actively attempting to avoid
cognitive dissonance, which is when
her actions aren’t in agreement with
her values. So to avoid this emotion,
she “convinces” herself that she’s
attracted to you, and that’s why she
allowed you to escalate. After all,
for her to see you as unattractive
would mean she’d have to admit to
herself that she’s “easy.” It’s much
easier to backwards rationalize you as
attractive. This process also creates
a psychological “yes ladder” which
gains positive momentum. In other
words, the more often she’s complied
(said “yes” to you), the more likely
she will be to continue doing that in
order to stay internally consistent.
And lastly, compliance means that
she’s investing or working for you.
And as human beings, we only invest in
and work for things that have value.
Thus, the logical conclusion is that
you must have value. And the counter
intuitive part is that the more she
works, the more she has invested
in you and the more she’ll chase
you to get you to invest in her. So
what we’re seeing here is backwards
rationalization working on multiple
levels to generate attraction.
121
6.
Positive & Negative Reinforcement:
The punishment and reward dynamic
implemented by takeaways and giving
value, respectively, create positive
compliance momentum by rewarding her
for working for you and punishing
her for defiance. In other words, she
feels good when she complies and bad
when she does not. This is one reason
why PureKino is so powerful—because
the kinesthetic DNA channel is most
effective for programming punishment
and reward.
7.
Automated sequential value giving
and takeaways—This is your automatic
intermittent reward system that you
do constantly on all channels of
communication. The seemingly random
mix of validation and de-validation
(e.g. giving value and Takeaways) make
you appear unpredictable and cause her
to chase the validation when you do an
automatic takeaway. This same human
behavior is what makes gambling so
addictive and is the major reason why
PureKino is the single most powerful
attraction technique on earth.
Finally net-effect subcommunications are occurring

via all of the above means.
The bottom line on PureKino is that it hits its
audience with maximum value and compliance on
every available channel. The other techniques we
employ are largely used to get enough compliance
to start PureKino.
Group Dynamics
If you’ve been paying attention, you’ve probably
noticed that we haven’t covered two of the methods
which make Group Attraction work. Namely:
1. Frame control
2. Jealousy and AMOGing
Let’s start by defining Frame Control. The

functional definition of Frame Control is when
you control and lead an interaction. The very
nature of leading makes you attractive because it
subcommunicates the “leader of men (and women)”
attractive quality.
Note that in all three of the Group Attraction

techniques, you’re constantly giving value to
the entire group and the group is constantly
responding to that value. When you do this
successfully, the group lives in your world. You
become the leader who defines reality and everyone
123
else simply exists within it. You are the source
of all the value so everyone naturally looks to
you as the leader.
At any given time, whoever is providing

most emotional value to the women in a
group is the leader of the entire group
and the group will constantly respond to
that value.
This is the cornerstone of group dynamics and

33. Group Theory (n):
Paradigm invented by Mystery
group theory33. People—women especially—are hard-
which involves managing wired to respond to value. When you are the
and being able to control
source of value, the women in the group will very
groups of people when in
social situations since quickly ignore the men and pay attention to you.
most attractive women are
This often occurs even in spite of boyfriends,
rarely in a social setting by
themselves. husbands, or other relationships. And 95% of the
time the men follow the women’s lead and stand
around like sheep while you continue to plow
value. (Chapter 6 will cover the 5% of the time
they don’t).
This has another effect on the group. When you

become the source of value and therefore the leader,
the men in the group become beta to you. That is,
you become the ‘alpha’ man in the group. In pickup
jargon, we refer to this as “AMOGing,” referring
to the masculine power competition where the men
attempt to become the “Alpha Male Of the Group.”
Displaying social prowess and verbally defeating
the men around you is the modern day equivalent of
the male struggle for power and dominance. It is
akin to the “alpha” caveman who clubs the “beta”
cavemen over the head and steals their women.
This triggers primordial instincts in the female
emotional circuitry which is designed to mate
with—and be attracted to—the alpha male. This is
the biggest reason I love running game in mixed
34. Groups with both men and
sets34, despite the logistical problems that other women in them.
men can later present—it sure makes attraction
easier.
Another effect Group Dynamics creates is that of

jealousy. Jealousy is probably the most powerful
attraction-creating emotion. All of the women
end up competing for you creating more intense
feelings of scarcity, which causes them to work
harder, and the cycle continues.
The reason GA leverages jealousy, frame control,

and AMOGing more than any other paradigm is that
you’re attracting all the women at once and since
the women control the set, that puts you in
control of the set. And more value to more women
means more jealousy, better frame control, and
better AMOGing.
125
P racticing G A
This section gives you an overview of the

learning procedures for Group Attraction.
As discussed in the Mehow Training Method,
practicing the methods and routines in this book
will give you incredible powers in pickup. You’ll
know how to keep her fascinated in everything you
say, you’ll know how to escalate super smoothly
all the time, you’ll be an absolute master of
kino, and you’ll know how to use eye contact and
body language to get compliance, even when you’re

improvising or deep into comfort. And the best
part is that you won’t have to think about these
things as you do them. They will have become
instincts that you merely follow. Incidentally,
this is how I learned all of this—I practiced GA
in field for months and then reverse engineered
the theory that has become DNA Code and Microloop
Theory. And trust me, in this case, the practical
path is a much more efficient way to learn.
Learning Roadmap
Read the book and do the homework exercises. You
can also watch the infield footage and listen to
the audio book. Once you’ve completed this, you’re
ready to start practicing.
The first step is to pick your favorite stack—
select your favorite opener, tease, projection,
and PureKino. Then perform the following steps:
1.
Write out the stack using DNA Code and
take notes during this process. Be
sure you understand exactly why you
are doing what you’re doing. If you
have questions, post it in the forums
(http://www.groupattraction.com/forum)
which you now have access to.
2. Then perform the Group Attraction Verbal

Drill with your new stack. That drill
is detailed below and will train you to
learn the verbals for your stack.
3.
Next, perform the Group Attraction
Mirror Drill with your new stack. That
drill is also detailed below and will
teach you correct body language and
kino.
4.
Now go out infield and deliver the
stack to 15 different sets. Right when
you arrive, open 2 warm-up sets. When
you’re finished, perform the “Mehow’s
Presence” State Altering Exercise and
then continue. If you feel yourself lose
presence at any point in the night,
repeat the exercise. By the 15th set
you should be making major progress.
127
Most guys in field don’t open 15 sets
in a month. And if possible, have an
experienced wing watch you. Use the Get
the Girl! “Light Consciousness Drill”
from the GTG! Manual if you feel that
you are not addressing delivery problems
in your set. We’ve reprinted and revised
that text below.
5.
After a night of practice, take notes
on what you think you did right and
what you think you did wrong. Post
your questions to the forum and

using your notes, analyze the women’s
reactions and try to estimate the
source of the problems. Get your
wing’s feedback as well and get any
questions answered in the Get the
Girl! forum. After you’ve received
answers to all your questions, take
the top 3 most important corrections
and implement them the next night.
6. Repeat steps 4 and 5 until you are

consistently isolating. Read the Get the
Girl! Nightlife Edition Manual to figure
out what to do after you isolate. Try
to stay in every set as long as humanly
possible. Even if you don’t know what
to say next, push yourself further and
make something up. Withstanding the
social pressure will also improve your
inner game. You are already way ahead
of who you used to be!
After you get one stack down, create 2 more and

repeat this process for each. Once you’ve got 3 of
our stacks down, see the appendix on stacking and
the “How to Create Your Own Routines” section in
Volume 2 and create two of your own custom stacks.
Now you have your own original game!
As you practice, you will periodically run into

interrupts and contingencies. After you’ve
practiced your first stack live at least once,
I permit you to practice the Contingencies and
Interrupts Drills as needed to master interrupt
handling to absolute perfection.
Once you follow and execute this process,

you’ll gain what seems like magical powers of
improvisational kino. Practicing PK is how I
learned this. I can now do it any time, pre-
scripted or improvised.
If you’re still having trouble after following

these procedures, your problem is a lack of
appropriate feedback and you need to get live
training or video feedback training. You can find
those resources here:
129
Video Feedback Training:

www.getthegirlhotesat.com
Video Feedback + Continuous Coaching:

www.getthegirlunleashed.com
Live Training: www.mehow.tv
Finally, if you need more details on the structure of

stacking, see Appendix B: Fuji on Natural Stacking.
GA Verbal Drill
Before trying this drill you should have the
verbals of your stack written down in at least
two-channel DNA notation using P(v) and P(v-sub).
The first thing to do is memorize your stack. Read

it and repeat it out loud as many times as it
takes to get it down so cold that you can repeat
it at will, even with distractions. You can record
it by reading the DNA Code out loud (which should
capture your delivery) and then playing it back in
your car or mp3 player. When listening, you can
get in the moment and hit pause, and then repeat
what you just heard. On the DVDs accompanying this
set (if you purchased them) you can queue up any
of the PK routines from chapter 4 and practice as
described here. Use the special “Rehearsal Cuts”
which pause after and prompt you with a tone so
you can stay in the moment and repeat after me.
Once you think you have this down, record yourself

delivering the stack and then play it back and
review or post it in the forums.
If you have delivery problems, try the “Light

Consciousness Exercise” to briefly focus on how you
are trying to improve and then get in the moment
and do it.
The goal of this exercise is to be able to recite

material at will without having to think about it.
Trust me, there’s plenty of stuff to pay attention
to infield. The more automatic your delivery is,
the more present you can be. This will vastly
“naturalize” your game.
You are done with this exercise when your delivery

approximates mine (check the audio book), or if
an experienced wing listens to it and can detect
nothing weird or creepy in the delivery. The
verbals should be engaging and interesting.
GA Mirror Drill
Now that you have your verbals down, stand in
front of a full-length mirror and deliver them as
if you were in set.
131
Practice your body language and eye contact until
you feel really comfortable with it.
You can even videotape yourself and critique that,

or have a wing watch you.
You are done with this exercise when your delivery

approximates mine (check the DVD set) or if a
wing listens to it and can detect nothing weird
or creepy in the delivery. The entire performance
should be engaging and interesting.
Mehow’s Presence Exercise

If you haven’t read Eckhart Tolle’s excellent
book, “The Power of Now,” you should go to your
nearest bookstore and purchase a copy.
The following is a brief meditation exercise that

I use to “get in the moment” in a club. It’s based
on Eckhart’s work.
Stand someplace where there is no traffic in the

venue so you don’t’ get interrupted for 30 seconds
and then perform the following meditation with
your eyes closed:
“I want you to listen to all sounds in the

environment ... pay particular attention to
the music, the sounds of laughter, the sounds
of everyone talking, the sounds of people’s
footsteps … really NOTICE all of the sounds
in the environment … if any thoughts or
feelings pop into your mind, I want you to
simply let them go…. Keep paying attention to
the sounds in the environment … Note that you
are not your thoughts or emotions. Note that
your consciousness … THE TRUE YOU … is the
observer of the sounds, your own thoughts and
emotions. Keep paying attention to the sounds in
the environment…. if any thoughts or feelings
pop into your mind I want you to simply let them
go … now as you pay attention to the sounds you
will notice a very warm feeling of positive energy
well up within you. It will come from inside. This
is you feeling the joy of your own being accessed
through your presence. Now keep paying attention
to the sounds in the environment and the joy of
your own being and when you have fully accessed
the joy of your own being … slowly open your
eyes … remain present and open the nearest set.”
You can also record yourself doing this and play

it back on an mp3 player or listen to me doing it
in the audio book.
133
I go through this exercise at least once a night
and it alters my state to a more positive one
every time.
Light Consciousness Exercise

How do I “focus” on a technique or an attractive
quality while also keeping my mind blank and being
in the moment?
Before you go out, meditate a bit on the

techniques and attractive qualities you want to
work on. Practice in front of a wing or mirror

if you want. After you’re done meditating and/
or practicing, clear your mind completely on your
way to the venue. A few minutes before entering
the venue, meditate on what you want to work on
and then totally clear your mind. (I found it
helpful to say to myself “I don’t give a shit!”)
Now immediately open being fully present and in
the moment. Your mind will automatically come up
with the techniques and qualities you’ve meditated
on after a little practice. You may notice you’ll
do things incorrectly the first few sets. This is
a natural part of the game. You will get ”blown
35. Blow Out (n): Dismissal out35!“ But keep in mind that a ”blow out” is
or a heavy amount of IODs when
cold approaching. nothing more than a woman telling you that you
made a mistake and to try again later. She’s
not rejecting you, she doesn’t know you. She’s
rejecting your subcommunications or your approach.
Anytime anything goes wrong, briefly meditate
on what you think you can improve on and do it
again. Outcomes don’t matter—only how fast you’re
learning the skill set. If you learn the skill set
you will get results. I promise you that.
C oncl u sion
Now you know the big picture on the

first 3 minutes. You understand
the true multi-channel nature
of human interaction through
the DNA Code. You know how
to sequence giving value,
takeaways, and directives
on communications channels
in order to give women
the most astonishing emotional
experiences. You know how Group Projections,
Teasing, and PureKino work together to form
the core of Group Attraction and create
amazing experiences for women.
We’ve explored the very essence of

human interactions and have explained
135
a lot of technical details with you in the
process. But there’s one very important point
that I want you to be aware of.
This is not manipulation.
Everything that we’re doing is to give women

optimal emotional experiences which function as a
giant sign post that says:
THIS GUY IS THE MAN OF YOUR DREAMS
We’re giving you a way to buy yourself enough

time so that she finds out what an awesome person

you are. But you’ll have to live up to that
later in the pickup and then constantly in the
relationship. To do this you can’t just have the
first 3 minutes down—you have to have your life,
your game, and your inner self down. Otherwise the
first 3 minutes will only buy you a taste of what
you truly deserve. There’s no mind control here—
women will like you when you do Group Attraction
because of a perception in their mind about who
you are. If that perception goes away, so do they.
You have to make sure that you are the real deal.
There’s a lot to getting that done but this is a

great start. Don’t abandon the other things that
make you attractive. Make sure you have a job, and
more importantly, a passion in your life. Have a
clean, working car if you’re in a driving city.
Move out of your mom’s basement. Go to the gym
and stay in shape. Have hobbies other than girls.
Ultimately, you want to work on all aspects of
yourself. Group Attraction should be a reflection
of the person that you are, not an illusion
covering up the person cowering beneath.
We’ll help you get there … but in this book

let’s get the first 3 minutes down to an art!
137
Opening
3
I hate long openers. I want to start running
attraction as soon as possible. The openers in
the Get the Girl! Nightlife edition are brutally
brief, yet effective. The opening style I like to
use consists of four parts:
1. Opener
2. Tease the Loudest Girl
3. False Time Constraint
This structure from the GTG Manual was designed

to get you used to Opening with a style that is
compatible with Group Attraction. So if you’ve
been practicing, you’ll be well prepared for
Opening with Group Attraction.
In GA Opening there are 5 Phases:
1. Opening Material
2. Group Teasing (NEW)
3. False Time Constraint
4. Group Transitionary Compliment (NEW)
Notice that phases 2 and 4 are new and unique to

Group Attraction. The other phases are similar
to those described in the GTG Nightlife Edition
Manual, but the DNA Code allows us to give you
much more in-depth and precise insight in each
phase of the new model. In this chapter we’ll
describe usage with a non-mixed 3-set without
undesirable interrupts. We cover interrupts and
other contingencies in Chapter 6.
Before we dig into the 5 phases of opening, let’s

examine how to avoid being a clown in attraction,
how to master subcommunication, and how to perfect
your delivery on all communication channels.
140 G r o u p at t r a c t i o n ( g a ) - - o p e n i n g
The first key to doing all this correctly is the
“Evil Clown Frame.”
Ev il C lo w n Frame
Based on the examples from Chapter 1, you may have

noticed that the value exchange is usually uneven.
We generally give much more value than the set and
their value to us is usually in the form of kino.
This is illustrated in the following DNA Code
example:
P(v): “Did you know that you could be psychic together? … For shits and giggles we’re going to”
P(v-sub): mystery(GV) _____________ higher energy(GV)____ dominant(GV+D)__
P(ec): scan the group--- left eye solid gaze on alpha girl
P(ec-sub): judging(GV)_______________ dominant(GV)_________________________
P(bl): lean back ----------------------------------------------------------------
P(bl-sub): un-needy(GV+T)_______________________________________________________________________
S(v): “What?”
S(v-sub): inquisitive/friendly(GV)
141

Mehow - Group Attraction Manifesto Vol. 1

Încărcat de

Informații document

Drepturi de autor

Formate disponibile

Partajați acest document

Partajați sau inserați document

Opțiuni de partajare

Vi se pare util acest document?

Este necorespunzător acest conținut?

Drepturi de autor:

Formate disponibile

Mehow - Group Attraction Manifesto Vol. 1

Încărcat de

Drepturi de autor:

Formate disponibile

GET THE GIRL!

Photo credits: Page i, iStock, copyright

This is dedicated to all the men and

In his new ‘Group Attraction’ workframe, Mehow

-- The Adonis Method

“This is absolutely the most thorough, detailed and

It’s actually shocking to think that with the

“The Group Attraction Manifesto will be a

viii testi m o n ials

“I’ve read through this a few times (can’t believe

“I am a conceited bastard who knows he has game,

“Hi Mehow! I just LOVE your book; it fits more with

“I have already read through the book now a

Easily worth 3 times the price. Mehow is a great

-- W. from Orange County, 24

-- J. from San Francisco, 25

-- M. from Santa Monica, 35

“I have to say amazing!!! AMAZING!! This book

“I’ve tried a lot of styles in seduction. MM, RSD,

“OH MY FREEKIN GOD!!! YOU HAVE GOT TO BE KIDDING

TOO EASY!!! ....I love you! Platonically of

I mean after reading GTG Manual and watching

xii testi m o n ials

Thank you thank you thank you Mehow!!!...I didn’t

You rock dude!”

Now we have a way to model every interaction

second you enter a set.

This system allowed me to instantly break down

Sub-communication has become a very

xiv testi m o n ials

--Matt “Wonderboy”, New York, NY

NDA and Security Reminder 1

Chapter 1: Introduction – Group Attraction™ and PureKino™ 9

Chapter 2: Group Attraction (GA) – Theory and Practice 21

The Mehow Model 23

Group Love/Hate Teasing 103

Chapter 3: Opening 139

Evil Clown Frame 141

Appendix A: Group “3-7” Full DNA Code 217

This book represents 2 years of work.

This book contains a lot of secret sauce.

the right to revoke any of your access or rights

NDA and Security Reminder

There are a lot of people who helped me create

The most instrumental person who helped me in

Lovedrop was an endless source of feedback and

I also could not have done this without the

secret identities stay that way!!! I love all of

I learned from many great PUAs on my path. Super

Finally, and most importantly, I want to thank all

4 Ackn ow led gm ents

Thank you for purchasing The Group Attraction

This book also represents the world’s first

But I don’t stop there. You will also receive

It’s been about a year since I wrote the

But many of you wanted more. You wanted

That has always been the path I envisioned

The Group Attraction Manifesto is the first

Gone are the days of arbitrary target

It’s another hot summer Saturday night in

A well-dressed man walks confidently along one of

The door man recognizes him instantly and lifts the

The heavy bass beat of the music in the club

As he reaches the top of the staircase, he steps

“This is absolutely the most thorough, detailed and

“The Group Attraction Manifesto will be a

“I’ve read through this a few times (can’t believe

“I am a conceited bastard who knows he has game,

“Hi Mehow! I just LOVE your book; it fits more with

“I have already read through the book now a

Easily worth 3 times the price. Mehow is a great

“I have to say amazing!!! AMAZING!! This book

“I’ve tried a lot of styles in seduction. MM, RSD,

“OH MY FREEKIN GOD!!! YOU HAVE GOT TO BE KIDDING