Fake Book 1

pre 1923
Ver. 1.1

C Treble

The Creole Jazz Band wordmark was created by Madeline Koeberling.

Thanks to Madelines patience with us, her incredibly thorough analysis
of our needs, her research, and of course her creativity, she was able
to develop this outstanding logo.
Madeline can be contacted through her website at:
www.madelinekoeberling.ca

This Fake Book has been assembled with tunes that have all been written prior to 1923.
Therefore these are all out of copyright in the USA. I hope you enjoy the tunes.
This fakebook has been produced in the following versions:
C Treble
Bb Treble
Eb Treble
Bass Clef
Tuba (bass clef one octave lower)
If you want versions in other keys or want more tunes added, feel free to contact me.
Kevin Yeates
The Creole Jazz Band
kyeates@yahoo.com

12th Street Rag ................................................. 1

A Good Man Is Hard To Find ............................. 2
Afghanistan .................................................................. 3
After The Ball Is Over .......................................... 6
After Youve Gone ................................................... 4
Aggravatin Papa ......................................................... 8
Aint We Got Fun ....................................................... 7
Alabama Jubilee .........................................................18
Alcoholic Blues ....................................................... 10
Alexanders Ragtime Band .......................... 12
Alice Blue Gown ................................................. 16
All The Girls Go Crazy ......................... 14
Amazing Grace .......................................................... 17
American Patrol .............................. 20
And They Called It Dixieland ......................... 19
Any Time .......................... 21
April Showers ......................... 22
At a Georgia Camp Meeting .......................,,,. 23
At The Devils Ball ................................................ 24
At The Jazz Band Ball ........................................ 26
Aunt Hagars Blues ........................ 27
Avalon ....................... 29
Baby Wont You Please Come Home ............... 32
Back To Storyville ............................... 30
Ballin The Jack ............................ 34
Beale Street Blues .......................... 36
Blue and Broken Hearted ......................... 33
Blues My Naughty Sweetie Gives to Me . 40
Bluin The Blues .......................... 38
By The Light of the Silvery Moon ........ 42
Careless Love ..... 44
Chicago ................... 45
China Boy ...... 48
Chinatown, My Chinatown ............. 46
Cleopatra Had a Jazz Band ............................... 50
Creole Belles ....... 52
Curse of An Aching Heart .................................. 49

Dardanella ............. 54
Darktown Strutters Ball ................................ 56
Dear Old Southland ............................................... 58
Dixieland Jazz Band One Step ........................ 59
Down Among The Sheltering Palms .............. 60
Down By the Riverside ......................................... 61
Down Home Rag ........................................................ 64
Down In Borneo Isle ............................................. 62
Down IN Honky Tonk Town ................................ 66
Down in Jungle Town .......................................... 65
Down Yonder ............................................................. 68
Easy Riders Gone ................................................... 70
Eccentric ..................................................................... 72
Eh La Bas ..................................................................... 71
Fidgety Feet .............................................................. 74
Flee AS A Bird .......................................................... 80
Floatin Down That Old Green River ........... 76
Floatin Down TO Cotton Town ..................... 82
Foolish Questions ................................................... 84
Frankie And Johnnie ............................................... 81
Grizzly Bear Rag ..................................................... 86
He May Be Your Man ............................................ 88
Hesitating Blues ..................................................... 90
High Society ............................................................... 92
Hindustan .................................................................... 95
Hot Lips ........................................................................ 96
I Aint Gonna Give Nobody None of My Jelly Roll.... 98
I Cant Let Em Suffer ...................................... 100
I Never Knew I could Love Anybody .......... 102
I want to do the Bear Cat Dance .............. 103
I Wish I Could Shimmy Like My Sister Kate ..... 104
Ida, Sweet As Apple Cider .............................. 106
If You Were The Only Girl IN The World 110
Indiana ........................................................................ 108
Ja Da ......................................................................... 111
Japanese Sandman ............................................... 118

Jazz Baby ................................................................. 112

Jazz Me Blues ...................................................... 114
Jelly Roll Blues ................................................. 116
Just a Little While to Stay Here ............. 119
King Chanticleer..................................................... 120
Lasses Candy ......................................................... 122
Lassus Trombone .................................................. 123
Lazy Daddy .............................................................. 124
Limehouse Blues .................................................... 126
Livery Stable Blues (Vocal) .......................... 128
Livery Stable Blues ............................................ 130
Long Gone ................................................................. 132
Love Nest .................................................................. 136
Lovin Sam .................................................................. 134
Ma, Hes Making Eyes At Me ........................... 137
Mama Dont Allow ................................................. 138
Mandy .......................................................................... 139
Margie ......................................................................... 140
Memphis Blues ........................................................ 142
Midnight in Moscow ............................................ 143
Missouri Waltz ..................................................... 144
My Bucket's Got a Hole In It ....................... 150
My Daddy Rocks Me ........................................... 146
My Honeys Lovin Arms ..................................... 148
Oh ................................................................................... 153
Oh By Jingo .............................................................. 152
Oh Didnt He Ramble ............................................. 151
Old Rugged Cross ................................................ 156
Ole Miss ..................................................................... 154
On The Alamo ........................................................... 157
Orys Creole Trombone ...................................... 158
Ostrich Walk ........................................................... 160
Over The Waves ..................................................... 162
Panama ......................................................................... 164
Pearls .......................................................................... 166
Poor Butterfly ...................................................... 163
Pretty Baby ............................................................. 168

Riverside Blues....................................................... 169

Rock A Bye Your Baby ........................................ 170
Rose of Picardy ..................................................... 172
Rose OF Washington Square ........................... 174
Rose Room ................................................................. 173
Royal Garden Blues ............................................ 180
Rufe Johnsons Harmony Band ....................... 176
Runnin' Wild ............................................................. 178
Sailing Down Chesapeke Bay .......................... 182
San ............................................................................... 184
Satanic Blues ......................................................... 181
Second Hand Rose ............................................... 186
Sensation .................................................................. 191
Shake It and Break It ......................................... 188
Sheik of Araby ......................................................... 192
Singin' The Blues .................................................. 190
Sister Kate .............................................................. 104
Skeleton Jangle ................................................... 194
Sobbin' Blues ........................................................... 196
Some of These Days ........................................... 198
Some Sweet Day ................................................... 199
Somebody Stole My Gal .................................. 202
Someday Sweetheart .......................................... 200
St. James Infirmary ............................................ 203
St. Louis Blues ..................................................... 207
Stockyard Strut ................................................. 204
Storyville Blues .................................................. 212
Strut Miss Lizzie ................................................ 208
Stumbling ................................................................. 211
Suez ........................................................................... 212
Swanee ....................................................................... 214
T'aint Nobody's Business If I Do ................. 216
Taint Nothin Else But Jazz .......................... 215
Take Me TO The Land Of Jazz ..................... 218
That Da Da Strain ............................................... 225
That Dixie Jazz .................................................... 220
Thats A Plenty .................................................... 222

There'll Be Some Changes Made .................. 228

Tiger Rag ................................................................... 226
Til we Meet Again ................................................ 229
Tishomingo Blues .................................................. 230
Toot, Toot, Tootsie ............................................. 232
Tuck me to Sleep................................................... 233
Under The Bamboo Tree ..................................... 234
Wabash Blues .......................................................... 236
Waitin For The Robert E Lee ......................... 238
Walkin' the Dog ..................................................... 235
Washington and Lee Swing ............................ 242
Way Down Yonder in New Orleans ........... 240
When Ragtime Rosie Ragged The Rosary... 244
When The Midnight Choo Choo Leaves ...... 246
When The Saints ................................................... 243
When You Wore A Tulip ................................... 248
When Youre A Million Miles From Nowhere .... 249
Where Did Robinson Crusoe Go .................... 250
WhiffenPoof Song ................................................. 252
Whispering ................................................................ 253
Wild Cherries Rag ................................................ 254
World IS Waiting For The Sunrise ............. 256
Yama Yama Man ....................................................... 257
Yellow Dog Blues ................................................ 258
Youve Got TO See Your Mama Evry Night ...... 260

C TREBLE

12th Street Rag

Euday L. Bowman - 1914

B7
B7
B7
B7
B7

A E

B7

B7 E

13

E B7

17

F7

B7

B E
B7

21

B7
E

25

29

E7

E
F7

33

B7

A7

B7

E Back to top with INtro

B7 Etc

37

Doo Wack-a-doo chorus

A E Standard

q = 100

A Good Man is Hard to Find

C TREBLE

A Bb

C9

My heart's sad and I am

Bb

Bbm

C7

Bdim

B G7

good man

F7

17

20

23

with some oth - er gal

C7

see

you al - ways

he's your

pal,

G7

C7

him in his grave

Bb

the oth - er kind

just

look to find him fool - in' "round

G7

Bb

Bbm

crave

so if your man

and you all

F7

rave

Lord a

C7

get

you

then you

oh

C7

my heart is broke and that is why I say.

F7

when you think that

mean.

F7

is hard to find

me

that man I ev - er seen

G7

and

my hap - pi - ness is less to- day,

13

treats

- gret the day that I was born,

my man

C7

Bb BdimF7

all a - lone

I re

F7

is

nice take

you wan - na

Bb F#7

F7

my

ad - vice

and

27

31

Bb

Bb

Bb

hug him in the morn - in' kiss him ev' ry night

C7

good

F7

man now

- a - days is

F7 Bb

give him plen - ty lov in' treat him right cuz a

Bb

hard to

F#7

find,

F7

Bb

so

hard to

find.

F7

Afghanistan

C TREBLE

William Wilander & Harry Donelly - 1920

B/F

In the land of Af- ghan- is-

tan,

F7

In

21

by

Af-

'Cross

In

the

o-

a-

E7

the

des -ert

to

sis,

There's

Wait- ing

for

E7

sand,

you,

we

will

to

dol,

in

way.

E7

her.

A/C
A/C

car- a-

van

Break - Unison 1 bar

And for you on-

ly.

G7/B

find a

tem-

B
F
B7
E7
A
C7/E

day for you,my i-

29

There will be a bri- dal

love her.

a-

his dreams he's call- ing

tan,

C7

ghan- is-

fair

C7/E

E7

B7 E7

25

E7

one

stole his Hin- du maid-en

Hin- du man is lone- ly and blue.

E7

was the

day,

F7
B

B E7

B/F

13

17

that he

man.

C7 Break

her

But there came an- oth- er one

Break

She swore by the stars up a - bove

There's a Hin- du maid and a

Af- ghan- is-

tan.

ple,

C TREBLE

After You've Gone

q = 110 - 120

1916

Bb

F7

Now won't you list - en hon - ey while I say

F7

D7

goin' a - way?

Cm7

ba

11

Dm

by's heart.

Loved you

14

Cm

see

my

tears?

we

must part,

F7

G7

and

Eb7

F7

List

en

ny years,

Gm7

Oh hon - ey

Day

Bb7

Don't you break your

Bb7

Cm7

You know thatI've loved you for these ma

F7

Bb

G7

both night

How could you tell me that you're

Gm7

Don't say that

F7

Bb

F7

while

Bb

say.

ba - by can't you




Eb B

17

Ebm6

Dm7

de

- ny -

in'

You'll feel

Bb7

23

Ebm6

Ab9

33

Bb6

G7

Af -ter you've gone

Eb

There'll come a

Cm7

G7

Some

day

when you'll re - gret it.

Am7

D7

Gm7

F7

Bb6

Af -ter you've gone A

way.

you'll

Edim7

time

G9

Your heart will break like mine and

Cm7

sad

had.

You'll feel

Dm7

Ebm6 Ab9 Bb

When you grow lone - ly

blue

now don't for - get it, There'll come a time,

Cm7

F9

Bb

30

Af - ter you've gone,

you'll miss the dear - est pal you've ev - er

26

and left me cry - in'

G7

there's no

Bb

Af - ter you've gone,

20

Ab9

want me on - ly

Bb7

Solos at "B"

C TREBLE

After The Ball

q = 100

Ab

17

E7

25

Db

Ddim7

Fm

33

58

65

E7

73

81

D A

F7

E7

C7

B7

E7
A

89

F7

C7

B Db Ddim
Ab

51

Ab

41

Charles K Harris - 1891

B7

C7

E7

Ab

E7

E7

B7

E7

F7

Ab

E7

B7

Fm

Ab

E7

Ab

B7

E7

Db

E7

Ain't We Got Fun

C TREBLE

Kahn & Egan Whiting

1921

q = 185

Ev - 'ry

morn - ing,

B7 C7

much

mon - ey,

Not

Bb

Ev - 'ry

Am
E7 Am

E7

But

way,

17

E - ven

21

we

owe

Tax

Bb

get - ting

A7

There's noth - ing

F
E F

In the

mean - time

stay as we

gro - cer

Don't

clos - er

Dm

Gm

sur - er,

29

We'll

B7 C7

col - lec - tor's

C7

fun!

F7

got

have'nt

got

fun!

We

E

the

C7

Ain't we

dear.

B7 C7

25

if

dear,

B7

Ain't we

hon - ey

The rent's un - paid,

an - y

eve - ning,

Oh, but

13

C7

B7 C7

E F

Still

car,

Am

C7

are,

B7

C7

we

fun?

have

E

we

have

F7

fun!

Bb C7

the rich get rich and the poor get poor - er

G7

in be - tween time

C7

Am F

Ain't We Got Fun!

Aggravatin' Papa

C TREBLE

Roy Turk & Russell Robinson - 1922

I know a trif-

lin' man,

He lives in Birm-

B7

oth- er

night,

ing- ham,

They call him "Trif-

lin'

E
E

B7

'Way down in Al-

a-

bam'.

B
C7

F7

He

had a

fight

Sam".

with a

gal named Man- dy

F7

Brymm,

B
F7
C7 F7
B7

13

plain- ly sta-

ted she was

ag-

gra- va-

ted, An she shout- ed

out to

him:

Now the

And she

Aggravatin' Papa

B E
C7
F7
B7
E

17

"Ag- gra- va- tin' pa- pa, Don't you try to two- time

me,

E
C7 F7
B7
E

21

Ag- gra- va- tin' pa- pa,

Treat me kind or let me

25

A
E
E7

List- en while

29

C7

Ag- gra- va- tin' pa- pa,

F7

I'll smack you down and I

I'll do an- y- thing you

If

say,

Do your strut- tin' round my

don't mean may- be!

E7

yes, an- y- thing you say.

G D7

But when you go strut- tin',

roll.

Break 2 bars

B7

37

jel- ly

B7

high brown ba- by,

C E

E C7

Stop mess- in' 'round, sweet

E7

I mean just let me be.

33

E7

get you told,

you step out with a

be,

I said don't two- time me.

way.

B7

So

pa-

pa,

Now

pa-

pa,

Now

pa-

pa,

Stop Time - Play beats 1 & 4 as marked

A
A
E E7 E7
E7 A A

41

Just treat me

pret- ty,

You best be care-ful,Once you werestead-y

45

C7

Ag- gra- va- tin' pa- pa,

I pos- sess

As yon can

I can beat you do - in'whatyou're doin to

be, 'Cause

Once you were true,

F7

But

fort - y four that don't re- peat!

Be nice and sweet, 'Cause

pa- pa, now sweet ma- ma can't de- pend on you,

B7

Don't you try to two- time

B7

E E7 A A E

-2-

me,

me!

Alcoholic Blues

C TREBLE

A F

F7

Bbm

C7

Vamp

Bb

Albert Von Tilzer 1919

Db7 C7

B
C7
F

C7

17

13

C F

Pro - hi - bi - tion, that's the name,

21

Gm

24

I'm so thirs - ty

C7

27

30

run

soon

I cut my

- i - tate I

coal,

G7

G7

I'm

sim - ply gon - na 'vap - o - rate or

C7

din

- ner down,

G7

C7

did

C7

drives me in - sane.

pro - a - bi - tion

When Mis - ter Hoo - ver said to cut my

I'll die,

dry.

did - n't hes

just

G7

- n't frown.

but now

C7

cut my sug - ar

they've cut deep in - side my

soul. I've got the

aa

Alcoholic Blues

33

37

DF

blues,

I've got the Blues,

blues,

I've got the

Bb

no
Bars

are

to

al

blues.

There's

booze.

to

good

- bye

whis - key

lord

- y

lord

and

night clubs too,

do,

- ta - ted

heart

- ky.

F7

- co - hol - ic

since they am - pu

my

used to make me fris

what

Blues,

the

Bbm

closed

I've got

more beer

40

43

cheer,

C7

So

long

hi - ball,

good - bye gin,

So

long

hi - ball,

good - bye

- y

gin,

Solos at "D"
Db7

C7

tell

me

when

you're

com

- in'

back

- gain.

tell

me

when

you're

com

- in'

back

- gain.

Alexander's Ragtime Band

C TREBLE

Irving Berlin, 1911

VERSE
C

C7

Oh, ma hon - ey,

Oh, ma

let's

me

- an - der,

Ain't

you go

D7

G7

the

And

10

Come

C0

band,

Ain't

some - how,

Bet - ter

- in'

Oh,

ma hon - ey,

Come

and

lis - ten,

G7

to

Al

- ex -

an

- der's

- i - cal band what's peach - es,

G7

you

- ter man?

Let me take you

class

go

with

Like a chick - en,

C7

now,

a chick - en,

To a

a fid - dle

Ain't you

is a col - ored pet,

and lis - ten,

and

- in',

rag - gedme

hon - ey,

grand - stand, brass

come

- er man,

clar i - net

the

Oh, ma

lead

- ter hur - ry

There's

Like

To

Oh, ma hon - ey,

Bet

notes that screech - es,

13

Oh, ma hon - ey,

hon - ey,

G7

com- in'a - long?

hur - ry a - long.

C7

Come on and

a
Alexander's Ragtime Band

17

hear,

Come on and

Bb

21

Come

Bb

land.

So

That's

- der's Rag time

It's

gle call like

na

tur

al

the

just

Come

long.

on a

man.

Up to the

F7

hear,

you

best

band

band

hear

the

man!

in

the

am,

ho

what

Come on and

hear,

lamb.

Come on a

the hand.

Bb

Bb

Let

me take

you

by

Who's the lea

ney

war.

C7

Bb

nee

to

go

F7

Swa

to

on and

- ver heard be - fore.

want

that

best - est

Bb

Bb

care to

you ne

G7

Come

Bb

the

long.

Band.

hear!

33

45

They can play a bu -

29

41

Bb

on and

27

37

Al ex an
-

hear,

24

hear,

C7

Ri

- der

- ver played

in

of the

band.

Up

to the

And if

you

Fdim

rag

C7

Al - ex an der's Rag time

time.

Band,

Come

on

and

C Treble

All The Girls Go Crazy

Stop Time-2 Bars:................................

Kid Ory

h = 100

Eb Eb
Eb
Bb
Eb

A

1916

F7

Stop Time-2 Bars:.........................................

Bb

Bb7
Eb Eb Eb Eb
Bb

F7

Bb

12

Bb7

All the

Solos Begin Here

B
Bb
Eb

17

22

girls

go

craz

on

their

knees

- y 'bout the way that I walk

say - in'

Hon - ey'bout the way I

walk

Craz - y 'bout the way I

walk.

Bb

"Ba

craz

knees

y 'bout the way that

plead - in'

"Ba

30

walk,

Bb7

Hon - ey 'bout the way

walk

Craz - y 'bout the way

walk

Sayin' "Ba

all the

by,"

girls

go

on

their

F7

'Bout the way

Bb7

Eb

Say - in' "Ba

Bb

way thatI walk

Yes, they fall

by,"

The

by,"

Yes,

Bb

26

F7

that I walk,

by,"

On to "C" after last solo:

They fall

a
Chorus: 1st Time Soft:

The Grils go Crazy "bout the Way I Walk

C Treble

C Eb
Bb

33

F7
Bb
Bb7

37

Eb

Bb

42

F7
Bb
Bb7

45

Climax Chorus: ad lib:

D Eb

49

Bb

55

60

Bb7

Bb

Eb

F7

F7

Bb

Bb

Eb7
Bb

C TREBLE

In

D7

first

both

D7

ev-

17 B

my

man-

world

25 D

29

lit- tle

wan- dered

proud and shy,

'ry

ner

shop

of

21 D

sweet

G7

13

Alice Blue Gown (4/4)

seemed to

in-

wilt-

ed

wore

sweet

lit-

tle

ion

G7

I'd frown,

it,

I'll

lice

F7

a-

by;

round.

C/E

al-

ways

Blue Gown.

C F

B9

a-

A7

dore

was

But

in

Then

E7

A-

A7

When I

A7

pass- ing

B7

all

primp,

D7/F

ev- 'ry eye,

G7

felt

I'd

G7

E7

smile

D7

to town,

B7

fash-

As

win- dow

C7

A7

- lice Blue Gown,

down

B7 B7

C7

McCarthy/Tierney - 1919

And

in

the

E7/G

'Til

it

it,

My

Amazing Grace

saved
grace
have

once
pre grace

13

a
my
al

blind
hour
grace

how
my
ers

wretch
fears
rea

lost
did
brought

but
I
will

sweet
heart
toils

like
re
dy

but
that
us

now
grace
safe

now
first
lead

I
be
us

see.
lieved.
home.

That
And
we

I
How
T'was

am
ap
thus

found,
pear,
far,

sound,
fear,
snares,

me.
lieved.
come.

the
to
and

Bb

was
cious
that

C7

Dm

grace,
taught
dang

zing
that
ny

Bb

A - ma
Twas
grace
Through ma

F7

was
the
and

C TREBLE q = 160

Alabama Jubilee

A Bb

Man - do - lins,

Bb

Com ethis way,

Bb

Gb7

to your

15

C7

nights down

B G7

17

26

Al

F
F7

Goes right to you head and trick - les

er

F7

mem - o

ry

bam:

rat - tles them bones,

You

find

er

of

ought

to

C7

Old Par - son Brown

danc - in'

F7

F7

Bb

Aunt Jem - i - ma who is

o' pep! Wtach yo' step,watch

Cmin

past eight - y three

G7

yo' step!" One leg - ged Joe danced a -

Cmin

C7

Bbgo!" Oh Hon - ey

round
his toe,
Bb on D7

Hail,

clown,

Shout - in' "I'm full

- mind -

F7

G7

G7

29

Bb

treat,

re

when he

F7

Bet - ter hur - ry hon - ey dear, or you'll be miss - in'

It's a

old

C7

Bb

in

F7

Ev - 'ry - bod - y tun - in' up, the fun be - gins,

C7

Bb

rag - time

'round like a

F7

see Dea - con Jones

20

C7

Gb7

feet.

- lins,

don't de - lay,

Bb

Bb

Gm

Mu - sic sweet,

12

23

vi - o

George CObb - 1915

Hail,

Eb

Threw Bba - way his C7

cane and hol lered,
F7 "Let her

thegang's all here for an

Al - a bam - a Jub - i

lee.

And They Called It Dixieland

C TREBLE

Raymond Egan & Richard Whiting - 1916

C7

A B

They built a

F7

lit- tle gar-den

keep the

G7

fin-

D7 G7

for the rose,

est place I've

known,

When they built

land.

They built the

G7

C7

my home sweet home,

C7
F
C7
F7

13

was for-got- tenin the land of cot- ton, from the clo- ver to the hon- ey

B B
B D7
G7
C7

17

took an

21

an- gel

F7

bit

of heav- en

from the skies,

And they gave her heart to

D7

in her eyes,

Just as blue as blue can

25

G7

C7

fine spring chick- ens

29

F7

twice as

nice

as

land. They built a

snows far a- way from Dix- ie-

And they called it Dix- ie-

sum- mer breeze to

Noth-ing

comb, And then they

me.

She had a

be.

They put some

in the land, And taught my Mam- my how to use a fry-ing pan.They made it

D7 G7
C7
F7

Par- a- dise,

And they called it

Dix- ie-

land.

American Patrol

C TREBLE

F.W. Meacham - 1891

C7

G7

C7

F7

13

G7

17 B

C7

C7

21 C7

29 B

25 B

C7

F7

C TREBLE

Any Time

D7

An - y

prove

20

G7

'bout

That's the

So

G7

want me back

1.

you.

F#0

a - gain,

C7

An - y

an - y

that's the

An - y

Thatwill

time

time

you'rethink ing

3
I'll bethink ing of

D7

you,

32

A7

28

me,

D7

D7

C7

you'refeel ing

your lovefor me is true.

24

time

youfeeldownheart -ed,

C7

time

G7

An y

Bbm

An - y

you'refeel ing lone - ly,

Bb

C7

blue,

14

G7

time

Herbert Lawson ? in 1921

time

you

say

C7

time

F

2.

you.

I'll

Bb

you

come back home to

April Showers

Louis Silvers & Bud DeSylva

1921

C TREBLE

D7

Tho' A - pril Show - ers

7

that bloom in
13

D7

They bring the flo - wers

E7

So if its rain - ing

Am

have no re - grets,

D7

A7

24

May.

Be causeit
18

may come your way,

see

clouds

Am

dils,

E7

up - on the

hills,

E7

you soon will see

A7

when ev - er

D7

So keep on look ing for a

29

song,

is - n't rain ing rain you know,it's rain ing vi - o - lets. And where you

Cm

blue bird,

A - pril Sho wers come a - long.

crowds

of daf- fo -

and list 'ning for his

At a Georgia camp Meeting

2 bars unison w/ Clarinet trill

C TREBLE

Bb

Bb

Eb

Bb7

11

C7

17

Bb

Bb

F7

F7

Bb F7

Bb

Bb

Bb7

Eb

Bb

F7

Bb

2 bars unison

Bb

F7

21

27

Gdim

Bb

33

Eb

Edim

F7

Bb

Bb

Bb7

F7

Bb

G7

C7

F7

Fine

Bb

Back to "B" for solos, after last solo play "A" once

C TREBLE

At The Devil's Ball

Irving Berlin - 1913

I had a

dream last night, - That filledme full

G7

Dev - il

be - low.

In

Dev- il was giv-

10 A

gaz- ing

13

D7

ing

at

the mer-ry

must con- fess

to

you,

his

great

big

E7

of fright: - I dreamt that I

fier-

crowd

Ball.

hall,

I checked my

that came to

G7

There were ma-

Where the

hat and

start-ed-

wit-ness the show.

ny there

coat and

was with the

knew.

And I

At

the

At The Devil's Ball

17

Dev-il's Ball,

At

21 G7

cute Mrs. Dev-

25

D7

il, so pret-ty- and fat,

the Dev-il's Ball,

D7

Eph- re-ham, the lead-er man,wha

29

C C

Dev-il's

33

In

G7

il that

I ev-er saw,

theDev-il's-

tle red

fire- man's hat.

G7

Fall,

He played the mu-sic at the

D7

Ball,

fun-ni-est dev-

led the band last

I saw the

C G7

Dressed in a lit-

Hall.

G7

I saw the

C7

Tak-ing the tick- ets from folks at the door,

E7
A
D7
D7
G7
D7
G7

37

I caught a glimpse of mymoth-er in- law,

41

G7
C

D7

Danc-ing-at the Dev-il's-Ball. At the

Danc-ing with the Dev-il,

Oh! the lit tle Dev - il,

At The Jazz Band Ball

C TREBLE
q = 180

Original Dixieland Jazz band - 1918

A Gm

F7

Bb

G7

C7

F7

Gm

13

C7

17

F7

G7 B

C7

Bb

28

33

G7

Eb

Edim

F7

Bb

Bb

C7

G7

C7

C7

43

C7

Bb

38

G7

F7

23

Eb

Edim

F7

G7

Bb

G7

C7

F7

Bb

Aunt Hagar's Blues

C TREBLE

Eb

Bb+ Eb

Old dea - con Spliv - in,

Ab7

Said he "No

Fm7

Up

jumped

swing

W.C. HANDY 1921

Bb+ Eb
Eb7

His flock was giv - in'

Fm

- in',

Bb7

Eb

No rag - time sing - in' to - night".

Bb7
Eb Eb7 Ab Abm EbBb7

Aunt Ha - gar

and shout - ed out with all hermight:

B
Eb

13

"Why

the way of liv - in' right.

all this razz - in', a - bout the jazz - in'?

17

Ab7

With la - test mu - sic,

21

Eb

They play it on the sax - o phone".

My boys have just come

Bb7

Bb7
Ab7

Oh my, just lis - ten!"

Eb Ab7

the dea - con shout - ed with a moan.

Eb7

home,

Eb

25

Eb Eb7 Ab

A Eb

Bb7

Eb7
Ebm

like a

choir

33

Ebm
Eb7

B7

from on

Eb Eb7 Ab

high

broke

Lawd sent

Eb

Bb7

con - gre - ga - tion join

- o - dy,

It's

loose.

If the

Bb7

it right

down

Eb B7

to me.

while I sing those lov - in' Aunt Ha

Eb

41

Bb7

B7

dev - il brought it, the good

B7 Bb7 Eb

Hear Aunt Ha - gar's chil - dren har - mo - niz - ing. Hear thatsweet mel

29

37

Eb

Let the

Bb7

Eb

- gar's Blues.

Eb7
Ab7

Oh,'taint no use you preach - in', Oh,'tain't no use o' teach - in' Such jazz - a - pa - tion

46

Eb

G7

such mod - u - la - tion,

50

Bb7

C7

F7

When my feet say dance, I just can't re - fuse,

Eb

Bb7

When I hear

Eb

that mel - o - dy they call the blues, Aunt Ha - gar's Child

- ren Blues.

C TREBLE

I
5

Avalon

C7
A

found

my

love

in

A - va - lon,

C7

C7

left

my

love

in

B
D7

17

dream

of

her

and

think

Gm7
A

va

I'll

D7

from

trav - el

lon.

Eb7

dawn.

E7 Eb7

E7
I

and

Bbm6

C7

A - va - lon

'til

so
29

dusk

way.

D7

Gm

C+7

A - va - lon,

1920

Be

21

bay,

C+7

sailed

25

the

13

side
9

AL Jolson

And

on,

to

Back To Storyville

C TREBLE

E7

Go- in' back to

B7

Sto- ry-ville, that's

where I long

to ask me why.

just a part of me,

12

15

street

Noth-

B7
E

Since

I was just

in' changes on De-

B7

I'll take

sire,

Friends I knowwill

my

Go- in'

shake my hand.

A7

that streetof my home town,

is

this high.

a- round,

B7

A7

where

Ev-'ry-thing'bout Sto-ry-ville

I know my way

be,

B E7

back to ol' De- sire,

to

A7

B7
E7

E7

E7

Ain't notime

Louis Armstrong

stand.

B7

the

There's

Back To Storyville

C A

17

ca-fe-

called

"The

19

F7

la-

dy

Pup" that's

drop a round
-

21

G7

B7

most

up

shut,

an-y-time

G7

tailored-

nev-er-

so

you

in

some-thin' cut

E7

choose.

you

There's a

low,

she

23

C7
F7 B7

rolls the

ol'

pi-

an- o

with the"Jel-ly-

Roll

can

Blues".

Goin'

B7
E7

25

D E7

back to Sto-ry- ville,

28

31

I'm gon- na' take my horn,

A7

Oh I justcan'twait un - til

My

B7

Sto - ry -

ville,

my

my nif-ty suit, my brush and comb.

I'm back where I was

home.

born,

B7

Baby Won't You Please Come Home

C TREBLE

Bb
Db

I've got the blues,

C7

feel so

D7b5
C7 F7 Bb D7

I could on

F7

lone

Bb

Db

ly,

I'd give the world

C7

Itsure - ly would be

Bb
Db
C7
F7
Bb7

- graph you ba

13

Gm7
C7

when you're gone

17

Ba

D7

- lorn,

Bb

D7

When you left you broke my

in

vain,

hour in the day,

Eb

Bb Ab7b5 G7

you will hear me say,

long.

Gm7

'cause your mam - ma's all

C7

Gb9

F7

nev - er no more to call your name.

Cm7
Eb
D7

heart,

"Cause

all day

F7

G7

Eb

- ry

C7

home,

Gm
F#

I have tried

wor

F7

lone.

G7

- by won't you please come

C7

29

all for

grand.

C7
Gm7

F#

if

F7

As you won't you please come home,

20

25

F7

I'm

A Bb

by,

Gm D+ Gm7

- ly make you un - der - stand.

I'm goin'to tel - e

Clarence Williams and

CHarles Warfield - 1919

Be - causeI nev - er thought we'd part.

C7

F7

Ba - by won't you please come

Bb

home.

Ev -'ry

C TREBLE

Blue (And Broken Hearted)

Lou Handman - 1922

Blue,

be-

D7

Blue,

13

21

You

was

know

the

rea-

Blue,

25

True,

29 E

you're

We made

we're

blun- der

F7

jol-

C7

ly,

F7

so

F&

mel-

an-

chol-

y.

lone-

ly,

G7

want

you

and

blue

too.

on-

F7

ed.

was

I'm

oh!

heart-

and

ed,

ken

part-

G7

son

cause

time

B B

D7

bro-

and

There

17

ly.

lots

time

of

won- der

if

C TREBLE

Ballin' The Jack

Folks

in

It's

A7

being done

'bout to

at

G7

down in Geor- gia came;

I'm

the

on-

ly

now has got the craze,

It's

the

I'm

the

par-

ty

in-

That

is

why

rave

B G

Give

me

cre-

dit

Play some good

Rag

12

C7

a-

bout

A7

all

try

to

do

E7

When
Once

do you'll

a - gain

the

to know

it

there,

it

so!

thing or

two,

you prance;

the dance, Join right

in

- ty

D7

will show this

cie

mod- ern days,

new dance

so-

done in

G7

F7

All

per- son who's to blame,

D7

that will make

tro- duced

Since that

best dance

for spring- ing some- thing new;

15

in- sane

E7

go

all the ca- bar- ets,

F
F7
C7

E7

Geor- gia's

D7

Chris Smith - 1913

now

say

that

it's

bear!

steps

to

you

I'll

show:

so!

E7

Give

me

cre-

dit

Old

folks, young folks,

lit- tle dance to

you,

while you got the chance,

F7

Ballin' The Jack

20

C G7

17

First you put your two knees close up tight,

23

D7

C7

sway'em to the right,

Twist

25

Stretch

28

le

that's

what

E7

a- round with

G7

G7

Swing your foot

Step a-round thefloor kind of

lov - in'armsstraight out in space,

and grace

a- round and twist

Then you sway 'em to the left then you

F7

G7

31

C7

all

nice and light,

D7

your might,

Then you

C7

Then you

do the Ea- gle Rock with sty-

way 'round then

F7

call

"Ball-

in

bring it

Solos at "C"
B
the

D7

Jack".

back,

G7

Now

Beale St. Blues

C TREBLE

Bb

see

pret

see

Hog

- ty

Eb

- Nose rest -'rants

or

- mades and

men_would

have_to pack their

Eb

skilled,

Now

sham,

just

F7

bod

- y

New Je

hets

in

beau

- ti - ful

and

Chit

- lin

If

Beale Street could

hand - me

- downs.

Ca

bags

You'll see
And the

Bb

killed.

- ru - sa - lem.

You'll
If

Ex

gowns,

You'll see
You'll see

talk,

Mar - ried

blind man on

Street

And

men,

es,
Who

two,

- er clos - es
Gold - en balls e - nough to

Beale

- fe's,

-cept one or

bus'- ness nev

You'll

plac - es, once plac

Bb

2.

Bb
Bb7

And

and walk.

You'll find that

You'll meet hon - est

by - gone days.

- er drink booze,

1.

Ebm

pick - pock- ets

nev

10

of

tell

that

Jugs

talk,

Bb F C7
Cm
F7

Bb

tail

Browns

Beale Street Could

Bb
F7
Bb

Bb
F7
Bb
F7

'til

some -

pave

the

the corner who sings these

F7
Bb Bb7

Blues..

Well I'd

Beale St. Blues

Eb

12

Bb7

rath - er be

here,

rath - er be here,
goin' to the river,
rath - er be there,

20

Bb7

take
riv

York

22

Eb

Than an

Abm

Ab

I said I'm
I said I'd

- y place I know

Eb

Than
an - y place I know.
And there's a rea - son why:
Than
an - y place I know

I'd

- y place I know.
May - be bye and bye.

there,

16

Eb7

Than an

goin' to the river,

rath - er be

Eb

It's gon - na
Be - cause the
New

For

to

make

me

go.

the

ser

er's

wet

and

Beale

Street's done

gone

dry.

may

be

all right,but

Beale

Street's paved

with

gold.

Eb7

geant

Ab

Abm

Eb

E7
F7
f going back to "A"

Well

I'm
I'd

C TREBLE

Bluin' The Blues

q = 120

Bb

Bb7

Henry Ragas 1918

Eb

F7

pp

A Bb

Bb7

Eb7

Gb7

C7

13

Bb

17

Bb

F7

A7

Ab7

G7

Bb

Bb

Gb7

Bb

Bb7

pp

21

Eb7

25

C7

Gb7

F7

Bb

Bb

A7 Ab7

G7

F7

Bb

C Bb

29

Gb7

Bb

Solos

Bb7

pp

33

Eb7

37

C7

41

D Bb

45

Eb7

Gb7

F7

Gb7

G7

Bb

A7 Ab7

F7

G7

Bb

Bb

Bb7

Bb

F7

G7

Bb

A7 Ab7

F7

F7

pp

C7

F7

B E

49

53

Bb7

C TREBLE

Blues My Naughty Sweetie Gives To Me

h = 100

D7

Gm

There are

Ebdim

Blues
Blues
Blues

Cm

Gm

your one and
your one and
all
of your

17

And there are

And there are
And there are

pain,
pain,
guy,

Gm

Blues
Blues
Blues

24

on
on
mon

ly,
ly,
ey,

A7

The
The
And

Ebdim

Blues
Blues
Blues

that you get from long that you get from long that you get when mar -

you can
you can
when she

nev
nev
tells

Blues
Blues
Blues

when you're lone

when you're lone
when your hon

ing
ing
ried

of
of
of

er ex
er ex
you a

Blues that's
Blues that
Blues that's

blu
some
that

mind,
stabs,
blue,

F7

28

mean - est
tax - i
wine for

kind,
cabs,
two,

The Blues my naught - y

The Blues my naught - y
The kind of Blues my

C7

sweet - ie
sweet - ie
sweet - ie

F9

gives
gives
gives

Bb

to
to
to

For
For
spends

There are
There are
There are

D7

on
my
al - way
good and

plain;
plain;
lie;

Cm

But the
To hold
Wish - ing

sort
kind
kind

ly
ly
ey

Blues
Blues
phones

D7

G7

Are the
But the
But the

G7

Gm

D7

There are
There are
When she

ry
gle
ie

Cm

Eb7

that you get from

that will give you
to an - th - er

11

that you get from wor that you get when sin that you get from sweet -

Abdim

G7

Gm

1919

me.
me.
me.

est Blues that

one
on your
you could be

C7

be
knee,
free,

They're the
Come from
Comes from

(D7)

ve - ry
hi - ring
hav - ing

There are
There are
There are

This page has been intentionally left blank. You have not been ripped off. This had to
be done in order to avoid page turns in the middle of a tune. You might think this
would be a good to place to make jokes or witty observations such, Did you ever
notice that Peter OToole is the only Hollywood actor to have a first and last name
with a phallic reference? But I wont be doing any such thing. So stop reading this.
It is a waste of your time.
I wont waste your time with other foolish jokes. It is just a blank page. So why are
you reading this? I told you earlier to stop. You are wasting your time.
Well since you cant just turn the page, then I will take advantage of your reading
interest to see if you might be interested in buying my time machine. It is 100%
operational and fully functioning. Everything works just fine and it runs very smoothly.
The unit has a minor design flaw in that it plugs into the wall to operate. As a result,
when the time travel starts the machine immediately loses its power source and you
land back in the present.
I have been developing this time traveling machine for years and am now too tired to
do the work involved in converting it to run off batteries. It should be an easy fix for
a home handyman.

C TREBLE

By the Light of the Silvery Moon

A C

Cdim

Place

park

scene

dark,

Sil - v'ry

moon

Act

two,

scene

new,

Ros

bloom

A7

Dmin

G7

G7

Dmin

E7

me,

you,

Sound

Cast

three,

you,

me

Preach

G7

rings

Preach

sings,

bell

D7

Em

- er,

Am

spoon?"

My

cue,

with

you,

more."

Act

two,

all

through,

thru

the

trees,

a - round

the

place.

Dm7

sol - emn

Di

Choir

gun

be

G7

- er with

one,

12

of kiss - es float - ing

Act

- ing all

- r'y

on

the

look

G7

breeze.

- ing

face.

Cm6

logue,

"where

woud

you

like to

are

wed

for

e - ver

"You

Am7 D7

Un - der - neath the

Ev

is shin - ing

Dm7

two,

Cdim

- es

Cast

Cdim

Gus Edwards & Edward Madden

Dmin 1909

night

G7

sil - v'ry

the same en

moon.

core.

By the

By the Light of the Silvery Moon

17 B C

Light

of

G7

21

the

to my ho - ney I'll

moon,

Keep

a shin

Moon,

croon

Dm

A7

love's

June,

Am

beams

will

bring

love's

dreams,

we'll

G7

the sil

- ve - ry

31

E7

soon,

A7

D7

By

Moon.

Ho

Fm

tune;

A7

D7

to

C7

want

29

G7

- in' in

C#0

E7

sil - ve - ry

spoon,

25

D7

be

cud

sil

- v'ry

Dm

Your

- ney

dl

- ing

Careless Love
C TREBLE

C7

Love,

oh

love

oh

D7

thru

Bb

Bbm

ma - ny

gal,

care- less

C7

24

C7

I'd

29

C F
Now

C7

nev

wear

er,

nev

fly

up

not

the

heart

of

mine.

from

in

tree

Now

to

Bbm

the

air

me.

Bb

Bbm

wear

my

pron

high,

- er

pass

- es

by.

G7

tree.

where the

C7

I wear my a- pron high,

C7

D7
G7

F7

- er

both

F7

D7

way

C7

I'd

nest

my a- pron high,

Now

my

could

Bb

right

broke this heart of

C7

fly

F7

C7

bird,

You

C7

45

build

boys

40

bad

33

lit - tle

You've broke

ly

were a

and you near

C7

If

love.

G7

B F

my head like wine.

11

17

and

C7

he

Chicago

C TREBLE

F7
B7
F7
B7
G

A E

Chi

- ca - go,

F7

Chi-

ca-

B7

ca-

go,

Chi-

Fred Fisher - 1922

go,

That tod- dl'-in' town,

tod dl'- in' town,

ca-

go,

I'll

show you a- round,

13

F7

F7
B7

town that

17

B E

Sun- day

D7(b5)

do

things

could not

State Street, that great street,

21

B7

Bil- ly

they

shut

just want to say,

do

on

29

B7

F7
ca

go

Chi

F7

- ca - go

B7

home

B7

just want to say,

town!

They

C7

way,

I saw a man, he danced

my

The

B7

Broad-

F7

go,

F7

A
E
F

of their life,

ca-

On

25

They have the time the time

love it,

down!

B7

Chi-

don't

go,

E/G E/G

F7

G7

in Chi- ca-

Bet your bot-tom dol- lar you lose the blues

B7

F7
E

Chi-

Say,

with his wife, In Chi-

F7

B7

C TREBLE

Chinatown, My Chinatown
Jean Schwartz & William Jerome - 1906

When

And

That's

13 D7

Starts

17

the

town

is

it's

La-

mid- night

the

time

the

G7

to

fast

in

a-

sleep,

the

fes- tive

sky,

Chink,

G7

Starts

21 D7

wink

to

wink

zi-

ly

his

er

eye.

oth-

his dream- y

you'll hear

him

eye,

G7

sigh:

G7 G&7

Chinatown, My Chinatown

A
C

25

Chi-

29

town,

Where

the

that

D7

Drift-

41 B

Dream-

45

y,

dream-

mond

Hearts

seem

49

D7

dream-

light

and

G7

Chi-

na-

land

G&7

Chi-

na- town,

A7/E

of

fro.

er

C&7

eyes

G7

y,

F6

oth-

C7

Al-

no

and

G&7

to

town,

low,

na

E7

G7

are

know

ing

Chi-

my

lights

G7

Hearts

53

na

37

G&7

33

brown,

G6/B

A7

life seems bright,

town.

D7

In

G7

C TREBLE

China Boy

q = 160

A F

Chi

Close

Sand

B Ab
Bud

Eb7

man

dha

their

Chi

man

while

29

Ab

soon

will

soft

ly

smiles

on

na

you

Eb7

watch

they

C7
boy

hum.

you,

Ab

loves

come,

Ab

Eb7

25

D7

Ab

Moon

E7 Eb7

Eb7

21

sleep,

peep,

17

go

don't

While

boy

eyes

Bbm

your

G7

13

na

Winfree/Boutelje - 1922

too.

So,

Ab

C7

keep,

go

sleep.

The Curse of An Aching Heart

C TREBLE

Al Piantadosi - 1913

made

me

you're

F7

dragged

me

soul

B B

21

shat-

25

tered

A7

fooled

me

29

though

33

C7

curse

you're not

of

an

true

F7

ach-

ev-

'ry

D7

B/F

D7

still

ing

You

the

You

love

heart.

dream,

start.

B7

til

died.

the

me

un-

from

F7

and

F7

down

each

and

in

fied.

with-

is-

You

day,

down

to-

sat-

C7

17

am

B7

F7

what

hope

13

A B

You

D7/F

And

G7

you,

That's the

Cleopatra Had A Jazz Band

C TREBLE

Jack Coogan & Jimmy Morgan - 1917

E7
A7
A G

His-

to-

ry

re-

lieve they're right

G

In

E7

be-

dream

it

goes

So the wise

self,

cause last night

A7

takes me

E6 A7 E6

ly

men

say.

to

prove that

back

two

D7

E-

E6

A7

gyp- tians were not

D7

be -

play.

thou- sand years

A7

heard pe- cu- liar mus- ic

D7 D D7 D&

A7

13

on-

B A

peats it-

D7

a-

go.

Which

slow. Cle- o- pa- tra had a

Cleopatra Had A Jazz Band

A7

B

17

D7

jazz

band,

21

A7

In her cas- tle on the

jazz

dance,

In

her queer E

Nile.

-gyp- tian

Ev- 'ry night she gave a

style.

E6
G/B
A
E7 D7

ny,

29 D7

With her syn- co- pa- ted

A7/E

played,

She

D7

37 A7

G7

41

A7

look- ing

E7
real

45 A6

'Neath the old

mids,

on

and

his-

tor-

D7

ic

E7

won

Marc

B/F E7

And while they

D7

She knew she had him all the while. In the sha- dow of the

A7


pyr- a-

She

ny.

A7

swayed.

33

har- mo-

E&

25 A7

An- to-

G7

D7

scan-

D7

dal,

A6

D7

was

Cle-

D7

danced to the strains of the

E-

gyp- tian

B7

jazz

band

lost

tune.

Sphinx was

C7

But

her

B7

a wed - ding soon".

said: "There'll be

gyp- tian moon,

F7(b5)

san-

dal

as

the

she

C TREBLE

Creole Belles

Bb

C7

Bb

G7

13

17

Bb

F7

C7

1.

C7
F7

31

C7

C7

F7

E7

Bb

F7

Bb

Bb
Bb

Bb

G7
C.

Bb

C7

D7

G7

C#7

F7

22

26

1900

C7
F7

2.

Bb

2 Interlude
35
F7

Creole Belles

39

My

F7

ba
dar

I love her well

I'll call her mine,

cre - ole belle

When stars shine

by
lin'

I love her
I'll call her

my
my

55

61

F7

Bb

C7

66

Bb

Bb

F7

My lit - tle dar

my dar - lin' ba

Eb

Cre
Cre

- ole
- ole

NC

Bb

C7

My Cre - ole
When stars

Bb

my Cre- ole Belle
my Cre - ole Belle.

- lin'
- by

Bb

well
mine,

my
my

dar - lin'
lit - tle

Belle.
Belle.

F7

G7
C.

Bb7

Bb

Bb

Belle
shine

51

F7

Bb

Eb

46

F7

Bb

C7
F7

F7

Bb

Solos at "C"; Out Chorus use Melody from "A."

C TREBLE

Dardanella

Felix Bernard & Johnny Black - 1919

C C C C

A C

Down

be-side the Dar-da- nel- la

G7

play,

13

sighs,

Soon

25

Where Or- i- en- tal breez-es

will

She looks a- cross the seas and

And weaves her love spell so si-

re-

ni- an.

E7
A

B7(b5)

shall re - turn to Turk- e-

A7(b5)

D7

ask for her heart

and

ni - an

the Dar- da-nelles with glow-ing- eyes,

G7

Bay,

By

21 B
A

There lives a lone-some maid Ar- me-

17

stan.

hand.

G7 Break

Bass

G7
C

C C

29

33

Dardanella

Oh,

sweet Dar-da- nel- la,

I'm

37

41 D7

nel-

la,

tent

57

girl

in my

ha-

just

like

Oh,

hear my

to be true,

Dar-da-

Break 1 bar

G7

sigh,

sweet Dar- da- nel- la,

A7

Oh Al-lah

My Or- i- en- tal,

C
G7

Oh,

53

A7

To cap-ture-such a prize.

And he tells you

oh

45 D
C

one

knows my love for you,

49

a luck- y fel-low

I love your ha-rem eyes.

G7

Pre-parethe wed-ding wine,

E7

the chil-dren-

of

the

E7/G

We'll build

Or- i-

be

ent.

C
G7

sweet Dar- da- nel- la,

There'll

F7 G

rem when you're mine.

D7

My star of love di- vine.

C TREBLE

Darktown Strutter's Ball

A B

I've

got

some

We'll meet

F7

"ba

Dolls",

And each

- class

ver

- y

one

swell

will

do

ex

- hi - bi - tion of the

fair,

their

All the

best,

Just to

F7

wear my high silk hat and a frock tail

coat,

You

And there'll be danc - ersfrom ev-'ry for eign

land,

The

I'll

and your

F7

new silk

bout it

babe,

We'll be

the

dol - lar

prize

When we step

clas - sic, buck and wing, and the wood - en

14

An

af

D7

wear your Par - is gown

- vi - ta - tion to the

all the rest.

in

there.

An

F7 E7 D7

F7

- ey,

F7

C7

"high - browns" will be

out

high- toned neigh - bors,

It's

Ball.

- by

good news hon

our

F7

Dark town

11

C7

Sheldon Brooks - 1917

shawl,

There

ain't

no

doubt

clog.

We'll

win

that

fif

C7

best dressed

in

out

"Walk the

and

F&7

the

hall.

- ty

F7

Dog".

I'll

be

Darktown Strutters' Ball

Bb

17

G7

C7

down to get you in a tax - i hon - ey, You'd bet ter be read -

Now dear - ie

25

29

Bb/D

F7

21

Bb

don't be

C Bb

late

G7

I want to

y a bout half past eight.

be there when the

Cm7

band starts play - ing, Re -

C7

mem - ber when we

get there hon - ey, The two steps I'm goin'to have 'em

Eb

Bb

A7

dance out both my shoes,

33

C7

When they play the"Jel -

F7

night

at

the Dar town Strut ter's Ball.

all.

Goin' to

G7

ly Roll Blues"

Bb Bdim Cm7

mor- row

F7

To

F7

I'll be

Dear Old Southland

C TREBLE

Henry Creamer & Turner Layton - 1921

F
E& A/E
C7/E
F
E&
A/E
C7/E

I want to stray

to the town I was

B
D

B7

A/E

I want

C7

to play

to hear

E&

corn,

To feel

A7

My home town,

in the cot- ton and

F
E&

I want

born,

dear old Moth-er- each

"Go long,

17 A F

F&

Dear,

21

go long,

go long

Dear,

go long,

morn,

to

land,

Dear

Old

South-

land,

hear

you

call-

ing

to

me.

you

my

heart

is

yearn-

ing.

25

F&

long,

29

to

my

old

land

love

just

to

how

long

C7/G

C7

Kenthat

G7

long

to

roam

see

once

more

tuck-

home.

Swan-

ee

shore.

B7

C7

C7

it.

Tuba

D7

I used to steal

Sputh

it,

school".

Old

Dear

C7/E

F
B7
C7
F
A

ing

A/E

13

say-

My lit- tle home town.

for

And

And

back
the

C TREBLE
q = 200

Dixieland Jazz Band one Step

A Bb

Bb

F7

F7

C7

F7

Bb
Bb7
F
Bb
Bb

F7

F7

C7

F7

Bb

Bb

Bb7

11

16

22

28

Bb

B Bb
Eb
Cm7

Bb

Cm

Fm7

Eb
Eb
Bb
Eb

C7
Fm F#dim Eb
Bb7
Eb7

33

C Ab
Ab C7
C7 F7
F7

Bb
Bb7

39

Eb

Eb

Cm G7
Cm

45

Ab

F7 Eb7

49

D Ab
Ab C7
C7 F7
F7

55

Bb

59

Ab

F7

Bb7

Bb7

Ddim

Db

Eb

Ab

Ab

C TREBLE

Down Among The Sheltering Palms

A B

Down

C7

wait

F7

21

for

me;

Out

where

17

me

B B7

G7

How

Down

29

C9

wait

Oh

my heart

hon- ey

wait

the

is

A - mong the

me;

C7

a- bout eight.

F7

burn- ing, burn- ing,

burn- ing,

F7

yearn-ing, yearn-ing, yearn- ing

to

be

B7

A7 A7 G7

Shel- ter- ing Palms,

F9

for

me.

for

Oh hon- ey

C9

old Gold- en Gate,

is

shel- ter- ing palms,

down by

25

my love

the sun goes down

How

A7 A7 G7

a- mong the

Meet

13

B7

Abe Olman - 1914

Oh hon- ey

C TREBLE

Down By The Riverside

q = 180

Gon - na

lay down

my sword and shield

C7

C7

down by

lay down

14

the

riv - er

riv

er

Down by

down by

Ain't

the

dy

war no

more

ain't gon - na

stu

F
Bb

28

more

ain't gon - na

you know I'll

stu - dy

C7

stu

dy

side.

Gon - na

C7

down by

the

war no

more

C7

war

riv - er side

gon - na

24

riv - er

A Bb
stu

F
F
C7

the

19

stu

riv - er - side,

side.

the

my sword and shield

down by

side,

C7

dy

war no

C7

dy

Bb

more I ain't gon

that war

no

na

more

Bb

I ain't gon

no

na

stu - dy

more.

2. Gonna stick my sword in the golden sand

3. Gonna put on my long white robe
4. Gonna put on my starry crown
5. Gonna shake hands around the world

war

no

C TREBLE

Down In Borneo Isle

Herny Creamer & J. Turner Layton - 1917

Far

Jun- gle,

a-

way

in

Jun- gle,

Jun- gle

G7

land,

Where

they

play

up-

on

the

13

B7

Jun- gle,

17

B7

the

eve-

ev- 'ry-

25

Jun- gle,

In

21

And

they

say

that

Tum- bles,

F7

Stum- bles,

does the

B&
day

B7

As

they bun- gle

is

Boo-

mon- key band,

when the

Tuba- Toms- etc

bod-

sand,

B7

ning

Toms

Jun- gle sand.

29

F7

Jun- gle land,

Tuba-

Tuba- Toms- etc.

cool- er

la

Boo-

la.

thru the

jun- gle.

Down In Borneo Isle

C
B7

33

Down

in

Bor-

Down

37

41

B7/F

Bor- ne-

B7/D

real

wild

C7

Bor- ne- o,

62

Oh, Oh, Oh,

To

in

B7/F

danc-

ing

a-

wo-

men

in

Oh,

the mus- ic slow,

All

lights

Oh,

F7

Down

to

B7

round,

swim- min'!

are

Oh, Oh, Oh!

love

they wear is a smile,

B7

C7 C

eve-ning when the

Where I want to go,

And ev-'ry

o,

Isle.

Bor- ne-

67

Down

men

56

B7

in

D7

those

Down

ne-

wild

And

those

45

o,

see

49

in

How

B7

low,

Oh,

Oh,

they toad- al-

E A7 E

in

Isle.

Bor- ne- o

o,

Down Home Rag

C TREBLE
Wilbur C. Sweatman - 1911

B7
F7

F7
E/G
A6/F
E C7
F7 B7

A E

E F7
A6/F
E/G
E C7 F7 B7
E

E6

13

G7

E6

E7

B7

F7 B7 E

18

21

F7

G7

E7 D6 F G7 E7

E7

A
A7
D D A
A
B7
E7

25

D D A
A A7 D A B7 E7 A
A
A7

29

33

D A

B7

E7

37

B7 E7 A

Play "A" Once and end

Down in Jungle Town

C TREBLE Verse

A Gm

A7 A7b5 D7

F7

A7

A7

25

Down

31

in jun - gle

Bb

F7

pret

41

ty

mon

F7

Cm7

Sings that mel

ser

D7

F7

- en -

is com - ing

ade,

To

F7

- zee

up

doo

- dle - doo way

Down

in

the

I'll

tree,

Bb

F7

maid,

- o - dy.

- key

F7+

Bb

Bb

mon- key

A hon - ey - moon

that chim - pan

F7

C7

When

51

town,

C Bb

46

C7

Then you'll hear

F7

soon.

37

Bb

C7

Chorus
B Bb

17

Edward Madden and

Theodore Morse - 1908

C7

In Jun

be

F7

true

Bb

gle

Town.

to

my

C TREBLE

Down in Honky-Tonk Town Chris Smith & Charles McCarron - 1915

A

D7

Bill John-son said one day,

"We've been to

near-ly

17

We both will

ry

It's Hon- ky Ton-

29

D7

That's

where the

who brings the

mu-

sic

brown!"

E D7

D7(b5)

D7

there is this place I hear,

D7

ky Town,

nov- el- ty,

I got it straight from Mose,

25

A G7

the thing up

D7

town.

G7

His sweet-tie said, "My Dear,

21

place in

some oth -er

go and do

G7

D7

If you sug- gest to me,

13

ev'-

G7

To his E - li- za May,

D7

D7

grows.

clothes.

down where the gals

G7

are brown.

Down in Honky-Tonk Town

C
C

33

Come, Hon- ey, let's go down

37

D7

There'l! be

45

D7

danc - cin'

sing- ing

to

pi-

a-

He plays pi-

You want to

G7

ev-

61 D7

en start

Down

in

stay a year,

Hon - key

G7

Ton - ky

pa- ters,

G7

Mis- ter

Brown.

He on- ly

plays by ear,

The mu- sic that you hear, would

danc- ing with

fun is found.

syn- co-

mon- key,

no played by

57

a- no queer,

D7

sing- ing

Ton-ky Town,

wait- ers,

49 D

53

to Hon- ky

where all the

it's un- der-neath the ground,

41 G7

Town.

don- key,

Down Yonder

C TREBLE

L. Wolfe Gilbert - 1921

F7

Rail- road train,

F7

Put

Hus-

Rail- road train,

lit-

F7

on,

Bus-

tle

B7

tle

steam on

tle

just

Hur-

like

nev-

B7

on,

I've

13

F7

Yearn- ing

17

Broth-

21

F7

er

for

my

Swan-

if

You'd want

to

you

hur-

ee

on-

ry

up

shore,

ly

ry

er

got

some more.

B7

be- fore.

the blues.

B7

knew,

B7

too.

Down Yonder

25

E7

Down

yon-der some- one beck- ons to me,

31

Down

B7

I seem to

F7

Be-tween theNatch-ez and the Rob-ert E. Lee.

more

and more,

B7

Ev- 'ry day, my mam-

C E B7
E
E7

Yon- der when the folks getthe news,

56

There's dad- dy

60

C7

my,

and mam-

B7

F7

Wait- in' down yon-

der or

I miss you

BReak 2 Bars

my land, You're

sim-

ply grand.

E7

Don't

won- der at the Hul- la- ba- loos.

my,

B7/F

ry,

Swan- ee shore

49

Down

see a race in mem- o-

E
B7
E

yon-der some- one

37

reck-ons on me.

43

E7

There's Eph- raim and Sam-

me.

B7

Easy Rider's Gone

C TREBLE
q = 120

won - der

Eb7
ne

Bb7

- ver

told

where

my

me

he

F7

Shelton Brooks

Ea- sy Ri der's gone to

was

he was here he'd win the

Bb7

los- ing

21

all

my

Eb7

win

he

race

25

F7

put all

29

C7

my junk in

If not first he'd get

place.

knows just what

F7

- way

blue.

Bb

to

do.

pawn

F7

1.

Ea - sy Ri - der's gone.

Bb

Cash

To

I'd

to bet on

I'm

D7

won - der where my

Gm

mon - ey that is why I'm

jol - ly joy ride right

If

17

F
C7

our tick - ets for a

He

way.

13

in

- day

D7

race

Bb

goin'

an- y horse that Jock ey's

2. Bb

gone

Gmin

on,

Oh I

C TREBLE

Eh Las Bas

A Ab

la

Eh

bas, (band sings echo)

E7
Ab

Eh

17

B Ab

can't
Or

French,

not

in

sang

that

Ca - jun

But

it sounds

but the on

24

real

good,

ly

Ca

So

28

Eb7

love

pinch

like I knew

jun

E7

it

can say

Bah

Well I

so

don't

fine

ol'

know

what

E7

down in

like

is Lais

it

means.

Cre

ole way,

New

sez les bon

Or

leans,

temps

rou -

hear

that

clari - net

burn

and hear them

trom

let the

good

times

roll

my

friends,

and

mus

like

to

sing

French

row

may

nev

I'd
To

take my

turn

but that

come to

be,

so let's

ain't the
love

lez!.

to

es

Boom

la bas

would,

play,

30

in

French

Sis

Ab

gliss

bas,

la

Eb7

la

la

Eh

speak

Eh

Ab

bas,

Eb7

Ab

Tra

Solos here after Vocal

Bas,

bas,

Eb7

la

la

A
Eh

20

la

Traditional

Eh

12

mor

kinda

band

that

it

up

to

let the

Ab

this

is

day

Vocal Back to Top

bone

when I

Eh
Eh

er

la
la

ic

C TREBLE

Eccentric

F
F

J. Russell Robinson - 1921

G7

C7

C7

A B

F7

F7

F7

17

21

25

B E

29

F7

B7

B7

F7

B7

B7

F7

G7

B7

33

C7

13

F7

B7

B7

Solos:
F7

Eccentric

37

41

C7

Solos Begin Here first time

F7

B
C7

F7

F7

45

49

B
F7
B
F7
B

53

D B

57

61

D7

After last solo play "C" as

written then on to "D"

C7

F7

C7

F7

Tag
69

F7
B
B
B
B
C7

65

pp

C7

F7

C TREBLE

Fidgety Feet

F7

The Original Dixieland Jazz Band - 1918

A B
B7
E
E
B
F7

B
B
C7
F7

13

B
B
B7
E
E
B

1. B
C7
F7

17

22

B 2 Bar break

Stop time - 4 bars

B E
G7

28

F7
E
B7

33

B7

C7

2. B

B7

E
C7

B7

G7

B7
E
E7

F7

Fidgety Feet

C A

38

E7

42

E7

46

B7

54

E7

58

66

B7

A7

F7

C7

F7

1.

A7

D7

E7

62

50

E7

2.

C TREBLE

Floatin' Down That Old Green River

A F

Cooper - 1915

Concert pitch

I've been

float

in'

F7 E7 Eb7

D7

old

Riv

down

that

Green

- er

on

the

G7

ship

"Rock

and

good

C7

wad

13

- ed

there

17

F7

21

all

The

ship

got

- lone,

got

Wish

wrecked with

And there was

had

to

G7

get

the

cap

back

But

on

- ly

one

thing

was

home.

and

crew,

that

home

to

could

D7

whole

Green

you!

was

do;

F7 E7 Eb7

C7

- tain

bar

G7

C7

that

drink

on

stuck

- in'

Bb

29

far,

Rye,"

D7

25

too

Riv

- er

dry

to

No Repeat First Time - On To Vocal

Solos at "A"

Verse Interlude:

Floatin' Down That Old Green River

F#

C7

F#

C7

Verse - Vocal:

F#

C7

F#

C7

33

B 37

Half

41

45

He

came

a'

creep

She

to

his

wif

had

been

waitin'

up

half

to

Dan

come

this

ey's

F7 E7

door.

Eb7

the

D7

night

home

and

go

to

For

bed.

C7

F#

C7

ny

smiled,

But

then

his

wife's eyes

grew

you

been

all

ve

night?"

C7

is

what

Dan

- ny

re - plied:

child,

G7

"Where have

like

G7

F#

C7

65

- in'

Graw,

G7

61

Mc

C7

Dan

57

Dan

G7

53

four,

C7

49

past

ry

wild!

D7

she

cried,

And

D.S. to "A"

I've been
Back to "A" for Vocal and Solos

Floatin' Down To Cotton Town

C TREBLE

F. Henri Klickman - 1919

A B

F7

leave

13

C7/G

just dropped in

to-

go-

in'

C7

came

25

F7

more I'll

pine,

when

C7

Cap- tain, don't fail

29

C7/G

To

that

to

sun-

ny

Dix-

ie-

way.

land,

shake you

F&

by

the

Dix-

ie

hand.

F7

Line,

be

just

gal

of

mine:

that

won't

D
No

C7/G

my

F7

cross that

me,

say,

on

and

F&

all

I'm

you

to

F&

back

The min- ute

21

17

see

That's why

B B

to

day,

F7

I'm

hur-

F7

fine?

ry

and

sail

Mis- ter

C7

me,

Floatin' Down To Cotton Town

33

Float- in'

37

41

F7

Float- in'

whis-

45

on

the

toot!

toot!

dark-

ies

sing-

in',

I'll

fields

C7

Float-

my

lit-

come back

to

you

and

of

sug-

in'

Down

ar

To

toot-

in'

a-

G7

way,

Al-

a-

bam;

seem

to

F7

ton

ey

cane

Cot-

hon-

G7

F7/A

And

those

wel- come

Town.

day.

lamb,

G7

ring-in''til the break of

C7

tle

Just hear that

C7/G

Town.

G7

Cot- ton

down,

ban- jos

float- in'

lamb,

F7 Break 2 bars

C7

F7

61

er down to

53

riv-

tle

ey

F7/A

ey,

hon-

C7/G

D B

C7

my

C7

Hon-

G7

down,

49

57

B7

me

a-

F7

While

G7

gain,

Flee As A Bird

C TREBLE

A D
Flee

A7

as

He

a bird

to your

moun-

A7

Go

to

the clear flow- ing foun-

He

will for- sake thee oh

tain,

B F
Fly

nev-

Haste then, The hours are

fly-

thee,
ing,

13 C
D
He

on

A7

his bos- om will bear

Cease from your sor- row and cry-

17

A7

thou who art wea- ry- of

sin.

Sav- iour will wipe- ev-'ry tear.

thee,
ing,

A7

of

fall- ing

sin.

tear.

A7

Where you may wash and

Shel- tered so

ten- der- ly there.

G6

Call

and the Sav-

Spend not the mo-

iour will hear

ment in

sigh-

A7

Thou who art wea- ry

The Sav- iour will wipe

A7 D

be clean.

A7 D

ev- 'ry

er.

C7

for the aven - ger is near

Wipe

tain,

G7 B7

Thou who art wea- ry

er,

will pro-tect thee for- ev-

Mary S.B. Dana - 1857

of

sin.

ev- 'ry tear,

A7

A7

thee.
ing.

Oh
The

C TREBLE

Frankie And Johnnie

Traditional

C7

C7

Frank-ie and John- nie were lov- ers.

Frank-ie went down to the cor-ner,

swore to be true

to each

said to the fat

bar-

F
G7

He was her

man,

He was my

man,

B7

C7

F F7

Oh, Lord-y how they could love!

Just for a buck- et

oth- er,

Just as

true

ten- der,

"Has my

lov-

C7

They
She

of beer.

as the stars

a- bove.

in- est man been here?

B7

But he done her

wrong.

Buthe'sdone me

wrong".

C7

Floatin' Down To Cotton Town

C TREBLE

F. Henri Klickman - 1919

A B

F7

leave

13

C7/G

just dropped in

to-

go-

in'

C7

came

25

F7

more I'll

pine,

when

C7

Cap- tain, don't fail

29

C7/G

To

that

to

sun-

ny

Dix-

ie-

way.

land,

shake you

F&

by

the

Dix-

ie

hand.

F7

Line,

be

just

gal

of

mine:

that

won't

D
No

C7/G

my

F7

cross that

me,

say,

on

and

F&

all

I'm

you

to

F&

back

The min- ute

21

17

see

That's why

B B

to

day,

F7

I'm

hur-

F7

fine?

ry

and

sail

Mis- ter

C7

me,

Floatin' Down To Cotton Town

33

Float- in'

37

41

F7

Float- in'

whis-

45

on

the

toot!

toot!

dark-

ies

sing-

in',

I'll

fields

C7

Float-

my

lit-

come back

to

you

and

of

sug-

in'

Down

ar

To

toot-

in'

a-

G7

way,

Al-

a-

bam;

seem

to

F7

ton

ey

cane

Cot-

hon-

G7

F7/A

And

those

wel- come

Town.

day.

lamb,

G7

ring-in''til the break of

C7

tle

Just hear that

C7/G

Town.

G7

Cot- ton

down,

ban- jos

float- in'

lamb,

F7 Break 2 bars

C7

F7

61

er down to

53

riv-

tle

ey

F7/A

ey,

hon-

C7/G

D B

C7

my

C7

Hon-

G7

down,

49

57

B7

me

a-

F7

While

G7

gain,

Foolish Questions

C TREBLE
q = 152

1915

G7
F
C7

D7

Now

you've

Now

Now

FA

all heard fool

then
say

per

son

who's

ele - vator

per

son

should for - get

will

ask you

he

watch

you should

13

es you take
hap

pen

you

give your

when

17

you

know

fool

first thing she'll do

fool

that
will

is

will

stick his stick

ing

to tumble

when you take your girl some

as

ques - tion

your shav

hit

down

but

why

der

Some -

place

And

the

door,

And

close

C7

ex- pect a

Say

just

ra

zor

its

prelim

bot

tom and

up

se

ven

in

G7

you

ask "Are

and

down the shaft and

ask,

face.

And

floors.

And

af

ter

tea

The

ar

wave

You

ert

Some

in

C7

ask "Is

Like

her nose and

to

up your

you're lying there

D7

wrin - kle up

sen - si ble re - ply

let's say for - ty

his

'around the

to

can - dy

come

won

brush and start to lath - er

the

fool - ish

hanging

one

al - ways

there's that
the

doubt

no

you

and

ques - tions

ish

let's

it

for

me?"

you gonna shave?

"Are

you

hurt?"

Foolish Questions

B
F

21

Foo

lish

your

Pa

or

it's

pared

for

shav - ing

just love

he'd

30

an

have the fu ne
aw

ful

hurry

you re - ply

No it's for

your

your

reply

is

No I'm not

pre

I hope

that

you re - ply

No, he just

though

You

utter your

dy - ing

No,

it

ing brush
gi

of

35

nal

for

the

take it

and

paint

my - self up this

down

hear them ev' ry day.

just

47

Ned

And

re

he

asks

you

turn - ing

And

from the

as you're

to

on.

Ned

was

al - ways so

slow.

It

la - ter
too

saves a

no - ther fool - ish

lot

D7

ques - tion

You'll

way.
way.

3.

Then

there's this

all dressed up

fel

ner

ral

and

of

ring - ing

ori -

way.

this

fu

to

take my shav-

usual - ly

way.

why you're

like

it that

1.2.

way,

die

you

I'll

44

soap.

now

taste of

ele vator's just

G7
C7
F

40

in

just want - ed

and

com - ing

was

then

And

time

guy

and

have want - ed

moan

some oth - er

he would

hope

ral - now
this

C7

see

doubt

or

no

Ma

ques - tion

26

out your hank - ie

he'll ask

low

who meets you on your

A7

this is what you

dear

old

say.

bro

You're

ther

Back To "B"

A7
"Is

Ned

dead?"

C TREBLE

Grizzly Bear Rag

F

D7

G7

George Botsford - 1910

C7

Bass

A F

C7
F

13

C
D7
G7
C7 Break

C7
F

17

21

B C7

25

C7

D7

G7

C7

29

33

C7

C7

Fine

Grizzly Bear Rag

37

CF

41

45

C7
F

C
D7
G7
C7

C7
F

D7

G7

C7

49

D B
B7 G7

53

57

F7
F

61

F7

B7

G7

Stop time as Marked

65

C7

B Break

C7

B B E B C7
1. B
F7
F7

G7

2.
B Break

Back to "B" - Play to Fine

C TREBLE

He May Be Your Man

(But HE Comes To See Me Sometimes)
Lemuel Fowler - 1922

Eb

F7

Bb7

Eb Ab7

A Eb

Eb

Min - nie
Lu - dy

from Ten - nes

was some l'il

Lee
Green

Ab

Eb

An - y - time and
When her man went

Eb

Sa- die
at the

17

Snow,
ball,

B7

she had
a
beau
at Moon - shine Hall,

F7

Un - til Min - nie

Was Miss Min - nie,

21

She would al - ways strut her

They would al - ways dis - a

night

Bb7

stuff.

she loved him night

where ev - 'ry - bod-

Bb7

Now
Down

- gree.

Eb

Eb7

and
y'd

F7

day.
go,

Bb7

shook a shim - my and stole his heart a - way.

drink - in'plen - ty and hug - gin' Lu - dy's beau.

Bb7

Eb7

quite rough.
could
be.

be
as

- where

Eb

Miss
Miss

F7

an - y
out at

was known to
and jeal - ous

queen,

Eb

- see

C7

Bb7

Eb

13

B7

Eb

Bb7

Poor Sa - die near - ly dies, but Min - nie on Lu - dy was mad as well, Min - nie said "I

Bb7

ly sighed,then I heard her say:

will tell you now so you'll know"

He

He May Be Your Man

Eb

25

may

F7

Bb7

be your man but he comes to see me

Ab

Ab7

And when he's with you he's

ain't no

37

that is

Bb7

no

45

need of cry

ture,

But

F7

Bb7

- in' and it's no use to weep and

I love you man and I'm gon - na take him for my

I don't mean,
Ain't no need

53

Eb

may

Eb

his mind.

man from you.

Bb7

Eb

My wick - ed walk, I've got the kind of eyes that seem to talk, It's

Ab

C7

I can cert' nly take you

49

Ab7

C Eb

al - ways got me on

Eb

Eb

My wick - ed smile,

41

Bb7

Cm

vam - pire

G7

33

Eb7

some - times.

29

Eb

Eb

Eb7

mourn.

G7

my

F7

to be so bold,
of get - tin' rough,

F7

but I just want,

'cause I'm just right

be your man but he comes to see me

Eb

some - times.

own.

Bb+

Bb7

own,

Ab7

to get you told, He

to do my stuff

Eb

Bb7

C TREBLE

A F

Cen

Sun

- day

night

my

was

whis

want to talk

dive

F/C

you

with

this

line?

Dm

High Brown

mine.

wif

- ie I'd be

to the bot - tom

and

nev

- er come up,

cup,I'd

Bb

me.

were

if his

Tell

me

how

long

Said

he, "How

long

Oh, How

long

have

to

wait?

Please give me

will

have

to

wait?

Come

be

do

have

to

wait?

Can

- 9 - 8

get it

B Bb

to

C#

will

wife my

and

- posed

py

C7

- key,

- ter

that

13

pro

mat

to

beau

- tral what's the

Said she'd be hap -

- lo
I

W.C. Handy - 1915

Hel

If

Hesitating Blues

What you

or

de - clined him

had

- man,

Why do you hes

i - tate?

Why do you hes

i - tate?

do

I have to hes -

Bb

say can't

wo

C7

Kate,
now,

G7

talk

to my

just for
She

F7

i - tate?

Bb

Brown?

storm

stall,

He

left

was tall.

Bb7

my

She

make

last night

blowed the

that

night

on

the

me

think

'bout

my

Hesitating Blues

16

F/C C#

Bb

Dm

wires

all

down.

Can - non Ball.

par

Tell me how long

Hon - ey

G7

me

now,

get

25

it

C Bb

na - tion is

30

37

put

Bb

42

I'd

be his,

45

F7

left

me

WIll

he

do

I have to

wait?

Can

Bb7

F7

i - tate?

To - mor - row's not to

Pro - cras - ti Pick-up to Chorus

Some - bod - y's bound to

Eb

"one stitch in time

Bb

- day.

He'd be mine,

Bb

lose.

My best friend's gone a

The Hes

- i - ta - ting

Bb

Blues.

Eb7

F7

Eb

Left

Bb7

a - lone

And if you

Bb7

And I'dbe feel - ing gay.

Bb7

to grieve and pine,

wait?

So all the wise owls say,

off,

I have to

the thief of time,

will

hes

may save nine",

F7

Oh, won't you

- i - tate?
do I have to hes i - tate?

33

wait?

C7

or will he

now,

I have to

Why do you hes -

come back now,

will

tell

how long

Oh, How long

- a - sol.

C7

21

way,

He's gone and

Bb

High Society

C TREBLE

Bb

F7

1901

A F7

11

Bb

Bb

D7 Gm

Gm

16

D7

Gm

Gm

C7

21

F7 B

29

Bb

Bb

Bb7

C7

Eb

F7

Edim

Bb

Bb

Bb7

C Eb

41

Solos Here

Bb7

D7

49

58

65

Ab

Eb

Adim

Eb

C7

35

F7

F7

D7

Bb7

C7

F7

Eb

F7

Bb7

Ab

Eb

Ab

Bb7

F7

Eb

Eb

Bb+7

Eb7

Eb

High Society

D Cm

73

G7

Fm

80

3
Bb7

94

Ab

G7

87

Eb

Bb7

110

Ab

Eb

102

Eb

115

Ab7

Bb+7

Eb7

C7

D7

F7

Eb

Bb7

F7

Eb

Bb7

G7

Cm

E Eb

Cm

Tuba

Bb7

Eb

Ab

Adim

Eb

High Society

Bb Clarinet Solo as played By Alphonse Picou

C7

121 C F

125

Bb

129

C7

133

G7

C7

F
C7
F
C7

138

Bb

Bb

142

B
F D7

146

149

G7

C7

C TREBLE

Hindustan
Oliver Wallace & Harold Weeks 1918

q = 185

Bb

Hin

Bb

rest

F7

F7

Hin

F7

paint

17

21

25

- ed

pea

- cock

pur

- ple

C7

met

car

sun

- bird

flahsed

Bb

du

F7

her

and

the

world

fan

the

where

be

the

sand,

Ebm

where

Bb

Eb

stan

the

F7

Eb

Ebm

Bb

- cross

Bb

stan,

we

where

Bb

F7

F7

- ly spreads his

where

stan,

van,

F+7

Bb7

C9

- a -

F+

F7

F7

du

C9

29

proud

Bb7

Hin

F7

Bb

- ed

du

stan,

Bb

Hin

tir

Bb

Fdim

our

Bb

du

stopped to

13

F+

gan.

Hot Lips

C TREBLE
q = 180

Db7

There's a

boy that's

in our

C7

Fin - est since you're

born,

Db7

call

him

G7

13

ev' - ry

17

bo - dy

21

Hot lips

on the floor just

steps,

when

like

Eb+7

one

he blows that

jazz,

Eb7

has.

And

Eb+7

say: He's got hot

Ab

gone.

notes,

Eb7

blows real red hot

horn,

floats that's what they

he plays

When he starts you're

no

how

He

Eb7

for

Ab

lips,

And

They all

band,

1922

He

Eb+7

You're

draws out

on your

Hot Lips

Ab

25

Abm6

toes

29

Ab

un

Eb7

proud,

D Ab

Ab

rare

you

45

I watch the

Eb7
through,

boy

is there,

his

Time:
Fm D

de - clare

with two hot

too.

can

be

Eb+7

C7 Fm

He

Ab7

THey're cu- ckoo

how he

Eb+7

Blues .

Eb+7

Eb7

Eb

til he's

must

Boy

Eb7

C7

Solo Break

Stop Time
41

Eb7

shoes,

Bb+

and shakes your

WHen he plays

crowd,

37

Bb+7

goes,

33

Bb7

Eb

lips.

you know the

Ab

mus- ic's

Eb+7

Solos at "B"

C TREBLE

I Ain't Gonna Give Nobody None of My Jelly Roll

Clarence Williams & Spencer Williams - 1919

Lit

tle

His sister

C
F7
B
F7
B

Wil ly

Green

from New Or leans,

Til ly

Green

was real ly mean, and ver

D
F

He al - ways

She al - ways

want ed lots of

want

F7

kids

his mom bought him a

B
F

was he.

stin

gy, too.

C7

just to keep him

When the kids

B
Toot

When her mom bought her a

12

-y

boy

sie Roll,

jel ly

the best

roll,

to

F C7/G

be

lit

gan to hang a round,

When the kids would ask her for a bite,

ain't gon na' give no

bod y

ain't gon na' give no

bod y

F7

none

jel

to you.

F7

can - dy that was made.

hide

it

she would try.

you'd hear Til ly cry:

of my Toot sie

none of my

One

tle Wil ly said:

G7
C7
A B

com pan - y.

C7(b5)/F
F7

17

21

ed some of what you had but gave she noth - ing

day

a greed y

ly

Roll,
roll.

would - n't give you a piece of my sweet, not to save your soul!

(Toot sic
(jel

ly

Rol!)

roll)

(save your soul!)

I Ain't Gonna Give Nobody None of My Jelly Roll

25

G7

29

C7

Dad dy told me to

day,

Just be fore he went a

way,

Mom ma told me to

day,

Just be fore she went a

way;

C7

be a good boy, He'd bring me a

If I'd

33

toy;

And I'm

good lit tle girl,

G7

She

my Dad - dy's pride

might

put

37

know there ain't no need

F7

know you

41

want it,

but

45

I'm- a

gon- na' turn

and joy!

in curls! You

(hang- -in'- a- round)

D7
you

down.

My

G7

And you know it

B/F

can't

be beat!

G7

know you want it, but you can't have it! I

Interlude to Second Verse

B
D
C7

ly roll is sweet!

You

49

Toot sic Roll is sweet!

jel

in your just hang- in' a- round,

If I'd

my hair

C7

be

Two Bar Break

F7

F7

C7

F7

ain't a gon -na' give you none!

Back TO "A"

C7

F7

C TREBLE

I Can't Let 'Em Suffer

Henry Creamer & Turner Layton - 1918

love

F7

to

see

the

B7
F

Love to

B7

love

13

It's cru- el,

to

see

hap- py

B&

all

the

while.

B7/F
'ry- thing.

That shows they're jol- ly and ev-

F7

fel - lows

see them smile.

B7

the

fel- lows

D7

So

cru- el,

hap- py

B&

all

the

B/F

To

let them

plead.

while.

B7

Oh, I

a a

I Can't Let 'Em Suffer

B
B7

E
B7
E

17

can't let'em suf-fer

for the want of love.

It's a shame to let'em plead.

No I

B7
E
B7
E

21

shan't let'em suf-fer

25

E7

no

for the want of love,

E7

use tryin'to stall,

When I know just what theyneed. Now there's

just can't save them all!

29

F7

cry:

just got to take'em

C7/G

fall.

Then I've

be my tur-tle dove,

Lov- in' kiss- es

45

F7
B7

can't let 'em suf- fer,

G/B B7/A

For the want of

My hon-ey

love!

love.

E/G

C7

Un- til they're sat- is- fied.

Then I've

I'll pro- vide,

Got to keep'em out of harm.

E7

just got to make'em

I'mbound to

in my lov - in' arms,

B7

F/C D7 B7/D

E
B7
E

B7

41

But when they

B7

"Oh, Come and kiss me, Sweet- ie",

33

37

'Cause I

C TREBLE

I Never Knew I Could Love Anybody

h = 84

1920

AG

G+

A7

A7

17

C G7

21

A7

G7

D7

E7

Cm

G7

E7

Cm

F6

D7

G6

E7

D7

G+

G7

F7

A7

Cm

F6

29

D G

25

BC

D7

13

G6

C TREBLE

I Want To Do the Bear Cat Dance

q = 164

A D7

Shelton Brooks (1913)

G7

C7

Miss

Sa - die Hall

C7

11

they

played a rag

Cat Dance.

chance.

So she

it

time tune.

Db

Miss

night

on

They were

for

then

C7

a while

Dm

floor,

it

bear, its' a bear, but

I don't care

G7

34

G7

up,

G7

want to do it an - y

keep

it

up,

You feelyou want to

dance!

C7

'cause

be - gan

I want to do

C7

how.

to

do

to

roar,

it

F7

now!

It's a

C7 F

That tune is snap py

D7

Oh pro -

want

C7

C7

she

to

thenthought she'd take a

30

It makes you hap py

G7

C7 F
C7 F7

tered

the schol- ars how

G7

as she en

D7

D7

25

Just

teach - ing all

F/C

I want to do

June.

the

in

D7

Sa - die watched them

G7

B F

D7

balm - y

Dm

walked out

I want to do

C7

21

one

G7

do the Bear

ball

16

to a

in the hall

went

the Bear Cat

fess - or keep it up, keep it

dance.

C TREBLE

I Wish I Could Shimmy Like My Sister Kate

A.J. PIRON - 1919

E/B

C7

F7

A B7

Went to a dance with my

sis-ter Kate,

ev-'ry- one there said she

E
G7 G F7

I re- al -ized-

13

C7

All the boys are

21

B B7

go -ing wild

wish I could shim my like my sis -ter

B7
25

F7

danced so great.

then I got wise to some- thing new,

B7

Looked at Kate, she was in a trance,

B&7
E

17

B7

thing or two,

F7(4)

B7

and then I knew it was in her dance.

B7

B7

o- ver Ka- tie's

danc-ing- style.

Kate, she shiv -ers like the jel- ly

E
Two bar break:

on a plate.

My mam -ma want -ed to know last night, why all the boys treat sis-ter

Kate so nice.

I Wish I Could Shimmy Like My Sister Kate

29

B7

Ev -'ry boy

32

in our

neigh

E7

knows

that she can shim -my and it's

E/B

C7

I know I'm late,

F7

hood,

un- der- stood.

35

-bor

B7

shim -my like my sis- -ter-

but I'll

C7

be up to date,

B7

when I can

B7

Kate, I mean,

Shim -my like my sis - ter Kate.

solos here: Play as Written for out-chorus

B7

39

47

B7

51

2 bar break

All

B7

E Trombone

43

sfz sfz sfz

55

F7

B7

E/B

C7

F7

1.

B7

E7

2.
E

C7

C TREBLE

Ida, Sweet As Apple Cider

A E

In

F7

the

Breath-ing

Lives

13

17

C7

For

B E

When the

21

B7

Lit- tle

25

Then

29

C7

Ev-

'ry

B7

out

up-

on

the

know my

sun

is

F7

ev'n- ing

B7

B7

B7

long

to

call

my

her

will

nev- er

B7

sink- in'

own,

die;

in

that

to

seek their nests.

B7

that place

gold- en West,

love the best,

there

a-

lone

F7

B7

air their sweet per- fume,

to

al- ways bloom,

B7

love for

ros- es

Red Breast gone

sneak down

maid

Rob- in

F7

dus- ky

B7

re- gion where the

Eddie Munson & Eddie Leonard - 1903

B7

sigh:

B&7

Ida, Sweet As Apple Cider

33

I-

37

da,

41

B7

Sweet-

er

C7

Sweet as ap-

Come

ci-

than

all

know.

in the silv- 'ry

whis-

49

per,

Seems

53

Lis-

C7

soft

and

B7

da,

Oh,

Hon-

ey

i-

dol-

of

out

love we'll

low.

light,

I-

love

so

ten

B7

can't live with-

B7

61

tho',

57

moon-

45

F7

G7

F7

der,

out,

ple

B7

you,

G7

do!

F7

ize

F7

B7

you

I-

da,

'deed

do.

ya,

B7

Solos at "C"

C TREBLE

Indiana

q = 200

Bb

have

Bb

ver

land

and

sea

Casts

21

gain

ion

wand

Gm

Bb

G7

vis

- ways been

Bbm

17

al

Yet

13

moon - beam

G7

on

the

wa

spell

o'er

F#

fair

seem

to

ter

C7

me

Gm

C7

see

Gm7

'rer

Bbm6

F7

be,

C7

Back home

Indiana

25

B F

E7 Eb7 D7

gain

29

C7

can

37

- dle

G7

syc

C F

dream

long

- bout the

F7

can

see

shin

sends

all

its

used

to

moon- light

C7

for

my

In

bright

C7

for

- ing

A7

D7

C7

And

the

me.

The

G7

fra

grance

Dm

Dm

- ing

thru

the

new - mown

the

Wa

home.

From

the

When

D7

on

- di - an - a

gleam

Dm7

it

G7

roam.

na

A7

still

E7 E7 D7

- a - mores

fields

- di

G7

G7

53

in

light

A7

49

in

hay

45

G7

Bb

41

that

Bb

C7

seems

33

bash,

(C7)

then

If You Were The Only Girl In The World

aa

C TREBLE
Clifford & Nat Ayer - 1916

D7 G7

A C

If

A7

you were the

boy,

12

17 B C

29

There

33 C

you

37

A7

ly

in the world,

And

in

Noth- ing else would mat- ter

F&/C

would

were

could go

D7

lov- ing

in

would

G7/D

be

the

on-

the

on-

say

G&7/E

such

such

won-

G6

der -ful

girl

boy.

to-

day.

G7

way.

C E

our joy.

things to you,

A7

won-

ly

ly

der- ful

ly

on-

D7

noth- ing to mar

C/E

old

With

were the

same

the

the world

G7

G7
were

on

- den just made for two,

girl

D7

on-

G&7
C

We

D7 G7

G7

G7

gar- den of

24

D7

in

things to

the

D7

do,

A&

If

A7

world,

and

G7

Bob Carlton - 1918

q = 132

E7 Eb7 D7

Ja - da

E7 Eb7

Ja - da

That's a

11

It's

13

so

Jing,

Ja - da Ja - da Jing,Jing,

C7

lit - tle

bit

of

mel - o -

E7 Eb7

and

C7

ap - peal - ling

D7

yeah!

G7

to

dy,

me,

Jing.

Jing.

It

goes

C7

Ja - da

C7

Ja - da

G7

Ja - da

D7

Oh

Ja - da

sooth - ing

Ja - da

16

G7

fun - ny

Ja - da Ja - da Jing,Jing

D7

C7

Ja - da

G7

aaa

Ja Da

C TREBLE

Ja - da Jing, Jing,

Ja - da Jing, Jing,

Jing!

aa

Jazz Baby

C TREBLE

M.K. Jerome & Blanche Merrill - 1918

G7

C
C
G7

My dad- dy was a rag- time trom- bone play-er,

My mam- my was a rag- time cab- a- ret- er.

D7
G7
E7

E
A

They met one day at

tan- go tea, There was a

syn- co- pa- ted wed- ding and then came me.

F7 D7
G7

C7

Folks think

13 A

Jazz

17

the way I walk is a fad,

But it's a hirth- day pres- ent from my mam- my and dad.

C
C G7

Ba- by,

want to be jazz-

ing all the time.

There's

I'm a

some- thing

C
D7
G7
G&

G7

in

the tone of a

21 B
C

Jazz

sax- o- phone,

Ba- by,

Dog" and "Ball

G7

C7

Full

of jazz- bo

theJack" that caused all the talk,

28 C

all my own. Cause I'm a

har- mo-

ny.

That

D7
C
C

25

"Walkthe

that makes me do a lit- tle wig- gle

G&

nat- 'ral- ly walk! 'Cause I'm a Jazz

is

just a

cop- y

of the way I

D7
G7
C

Ba- by,

Lit- tle Jazz Ba-

by that's me!

aa

Jazz Baby

33 C

F
F
C
A7

Rocked to sleep while the cra- dle went to

37 D7

Ev-

G7

er

since

40

To and fro

and fro,

start-

ed

D7

in

to grow, I'd

See my dear old mam- my sway- in'. Jazz, jazz, jazz, that's

44

A7

D7

G7

to the tune of the "Tic-

love

to hear the

Jazz

Ba- by,

53

"Walkthe

56 C

Dog" and "Ball

mu- sic play- in',

F
C

all

I ev-

er knew,

C CG7

All day long

C G7

G&

nev- er would get thru. Jazz, jazz, jazz, That's all I want to do, Play me

49

kle Toe".

a lit- tle jazz!

C7

Full of jazz- bo har- mo-

'Cause I'm a

ny.

That

C
C
D7

theJack" that caused all the talk,

is

just a

cop-y

of the way I

Solos at "D"

D7
G7
C

G7 G&

nat- 'ral- ly walk! 'Cause I'm a Jazz

Ba- by,

Lit- tle Jazz Ba-

by that's me!

After last solo

play "C" to end

aa

The Jazz Me Blues

C TREBLE

Tom Delaney
1921

Eb

Down in Louis - i

- an - a in that sun - ny

clime

- They play a class of mu- sic that is

F7
Bb7
Eb

su - per

fine

- And it makes no dif - fer - ence if its

Break 1 Bar

Eb

hear that

jazz band

mu

- sic

Bb7

play

- ing

all

Eb

F7
Bb

fill

the

air

Eb

Then

to

Eb Break 1 Bar

14

be in

rhyme

shine

Eb

the

- You can

time

it

sounds so pe- cu - liar 'cause the mu- sic's queer

12

rain or

Howits sweet vi- bra - tion seems to

you

the whole

world

seems to

Bb7
Eb

You want noth - ing else but jazz - band mu- sic

all the

time

aa

The Jazz Me Blues

Bb7
Bb
Bb7
Bb
Bb7

17

Ev -'ry

one that's nigh

C7

21

Jazz

nev - er seems

to sigh Hearthem loud - ly

man

Don't stop the mu - sic it's

Bb7

know I want to hear it

both

day and

night

Eb7
D7 Db7
C7

F7

31

jazz

right

Now if it's

- time

Cmin

rag

Take your time don't rush

F7

Eb

it

play

it

sweet and

dog - gone real - gone

jazz - band "Jazz

Me"

Eb Ab7

blues.

in

G7

Don't want it fast

C7

Bb7

(Jazz-man!) You

Please Sir will you play it

35

man

- time

and if you don't blow it hot then I

(Jazz Time)

Jazz

Oh!

Eb Break 1 Bar

28

don't feel

cry:

F7

25

37

G7

Don't want it slow,

low

I've

Eb

got those

D7 Db7

Solos at "C"

aa

C TREBLE

Jelly Roll Blues

Ensemble

Stop Time Banjo Solo - 7 beats

5

A B

Cornet solo
3 beats

B B

Jelly Roll Morton - 1905

F7

F7

Trombone Solo
3 Beats

B7

Ensemble
9

13

F7
C7
F7
B B7 E E B
F7

17

Stop time 3 bars - ad lib breaks

21

25

F7

D7

D7 G B7

C7

F7
B B7 E
E
B
F7

aa

Jelly Roll Blues

Stop time 3 bars - ad lib breaks

C B

33

37

F7

41

B7

29

C7

B B7

F7

E
E
B
F7

3

4 bar interlude - clarinet trill, drum roll

B7
B7
B7

B7

B7

D E
G7
E

E7

45

E
A

A

49

53

B7

F7

B7

B7

Back to "D" for Solos

aa

C TREBLE

Japanese Sandman
Raymond Egan & Richard Whiting - 1920

A E

Here's the Jap- an-ese

F7

hand

man,

sor-

13

D7

mor

17

B E

old-

21

25

bold-

Sand

hand

He'll buy your old day from

row

er

of the day that is

E7

er

man,

with the new day you

you.

He will take ev-'ry

through,

In the dawn when you

Just to startlife a

man,

Just an old sec- ond

B7

row

Sand man, Sneak- ing in with the dew.

29

F7

C7

And he'll give you to-

B7

new.

trad ing new days for

Then you'll be

a bit

wake,

And you'll be

B7

make.

Trade him sil- ver for

B7

a bit

Here's the Jap- an- ese

Just an old sec- ond

old.

A7

B7

aa

Just a Little While to Stay Here

C TREBLE

Just

lit

Ab

Ab7

12

to

stay

here,

be

Db

Db

while

end.

Soon we'll take our

hev'n

Fm7

Bb7

bor,

in

ney,

Be

B Ab

at

home

Ab

Ab7

Bb7

march - ing
All

the

we'll

all

Eb7

thru

the

Pearl

- ies

there

beaut

ly

jour

Eb+7

Db Ab Eb7

In

pen,

straight,

this low and

Wait - ing for our

Dbm

la

Ab

ble

go march

Some sweet day we'll

there.

to

friends.

Db
Then

state.

Ab

and

trou

with

Dbm

Eb7

nar - row

Ab

Heav - en's gates are stand - ing

- gain

Db

- tle more hard

lit

the path that's

Ab

lit

lit

- tle

Just

29

Just

23

ver,

- tle while to
And our trav - els here will
a

Just

wait

17

all

- tle while

Soon this life will

Db Ab Eb7

Ab

Ab

Db

Ab

Ab

all

Ab

Gate.

to

share.

Ab

- ing

go

- ful

en - trance

F7

sin

ver
ver,

King Chanticleer

C TREBLE

Ab7/Gb

B+

C/G

C/Bb

D7

Nat D Ayer & Seymour Brown, 1910

C/A

Ab

C/G

G7

B G

D7

15

D7

19

D7

25

C C

Ab7/Gb

C/Bb

D75

G7

C/A

D7

B+

C/G

28

G7

D7

Play cues 1x for Repeat:

Ab

D7

G7

C/G

a a

33

D F

39

44

49

E Eb

55

Eb

60

65

F Eb

71

Eb

75

Ab

D7

D75

G7

Bb7

CHORUS:

F7

Bb7

King Chanticleer

Trombone Solo - 16 Bars

Eb

Bb

F7

Bb7

Eb

F7

Bb7

F7

Bb7

Eb7

Eb Ab7

Eb

Solos at "E":

C TREBLE

Lasses Candy
A

F7

E7

E7

21

F7

E7

B7

E7

E7

E7

E7
A

25

29

B7

13

17

Nick LaRocca - 1919

G7 G7 F7

E7

B7

C TREBLE

Lassus Trombone

A F

C7

Henry Filmore - 1915

Trombone Solo

C7

11

D7
C7

15

D7

20

B G7

1.

C7

C B Solos Here

mp

30

C7

25

C7

Fine

G7

2.
F

B
F7

34

38

B7

B
F7
B
E7
B

42

After Solos Play "A" once

C TREBLE

Lazy Daddy
A Bb

Bb7

Bb

Bb7

Eb

Bb

Bb7

Eb

Eb

B
17

Bb

Clarinet Break - 2 Bars

C7

C7

F7

F7

Eb

F7

Bb

G7

Clarinet Break - 2 Bars:

28

Bb

23

G7

F7

F7

Bb

Bb/F

C7

C7

Bb

Bb

13

Eb

ODJB, 1918

C7

F7/C

F7

Lazy Daddy

33 C Bb

Clarinet Break - 2 Bars

G7

Eb

Eb

F7

Bb

C7

F7

44

Clarinet Break - 2 Bars

Bb

39

Bb

Eb

Bb

Ebm6

Bb7

Eb

Eb

Bb

Bb

fine

Bb7

49

53

58

Eb

Eb

Trombone Break Eb

Eb

F7

Eb

Trombone Break Bb7

Bb7

Eb

63

Eb

66

Eb/Bb

Eb

C+

F7

Trombone Break

Bb7

Eb

Trombone Break

Ab

Eb

F7

Back to "B" al fine

C TREBLE

Limehouse Blues

q = 184

AF

Eb

In

Oh

Am

Lime
Dear

25

And

they

And

Those

Dear,

Right here in

Am

Am

a - round,

E7

Am

un - der

Eb

Nev

- er

- stand.

long, long sigh.

a

go

Queer

sob

sound,

Oh, Hon - ey lamb they seem to say:

Sad,

mad

blues,

For all the while they seem to say:

Dm

Db

- way.

Bbm7 Eb7 Ab7

C7

day,

weird Chi - na blues,

play,

A7

Like

- ange blos - som land,

'Cause no one seems to

Eb

to

Where you can hear those blues all

Bb

seem all

or

Where yel - low Chin - kies love

- house,
wear - y

B F7

- house

E7

Eb

Lime

I'm

17

Oh

In

Limehouse Blues

C Db7

33

Oh! Lime - house

kid

37

Bb7

43

Fm7

Go - ing the way

C7

49

D Db7

Oh! Lime - house

53

Bb7

Oh!

Oh!

blues

I've

kid.

Ab

Poor bro - ken blos

- som

the

real Lime - house

those sad Chin - a blues,

blues,

and

Ab7

- ing you're just kind o' wild.

C7 B7

- ies

Eb7

Haunt - ing and taunt

Learned from the chink

Oh! Lime - house

the rest of them did

Bb7

That

no - bod - y's child,

Db7

Oh! Oh!

Db7

C7 B7

F7

Ab

Rings on your fin -

gers and

Ab9 for repeat

59

Bbm
F7

tears for your crown,

Bbm

Eb7

Bbm7(b5)

That is the sto

- ry

Ab

of

old

Chin - a

town.

C TREBLE

Livery Stable Blues (Vocal)

A E

Way down in

Al-

a- bam,

It

F7

sta- ble

B7

brush

F7

on one string,

he

play,

B7

Bir-

ming- ham,

There was

la- zy color-ed- fel- low named Lee,-

in

B&7

E7

was

In-stead of work- ing all day,

to

up- on the

C7

the

hor- ses he'd sing,

this sad and lone-some- mel- o-

dy,

A7

and play up-

Livery Stable Blues (Vocal)

13

Oh hon-ey,- lis-ten- here,

16

E7

sta-

19

ble

21

hon-

ey

you

F7

25

know

why

C7

me some- day,

35

they're the

Al- a- bam- a

blu

B7

A7

those blues,

blues.

ba- by,

est

kinfd

B7
B7

Those liv - 'ry sta - ble

of

B7

way

she prom - ised that she'd mar-ry-

she'll drive a-

got

I've lost my pep com- plete,

E
G
A

32

have

this,

B7 B7
E
E7

me,

back to my

29

I'se g'wine

I've got those liv-'ry sta-ble

C7

Oh, law-dy-

I was- n't born for

B7

mine,

E7

Oh how I miss your kiss,

I've got those mean old liv-'ry

blues.

ba- by

Oh hon- ey lis ten here

blues!

blues

C TREBLE

Livery Stable Blues,

a la Muggsy Spanier

(Barnyard Blues)

Eb Eb7 Ab Ab Eb

B7

Eb

Bb7

10

Lopez & Nues, 1917

Bb&7

Eb

Eb

Break - 1 Bar

Bass Drum

Eb7

Ab

C7

F7

Bb7

14

17

Eb

Bb7

Eb

1st time Only

Bass, Trombone, & Bass Drum

Eb7

B Eb

Ab

21

Eb

Eb

C7

Last Time: To Coda

Eb

25

F7

Bb7

Eb

Eb Bb7

Eb

Coda:

29

Trombone Gliss to "C"

Bb+7

Eb Fine

Bass Drum

a a

2
Break! 3 Bars

C Eb Harmonize

31

37

Trombone

Eb

F7

Bb7

40

Ab

Cornet "Horse Whinny"

Clarinet Break

Eb

Eb

Bb7

Eb

1 X Only - Trombone

Solos

Eb

43

Eb7

Ab7

49

Eb

C7

F7

Bb7

Eb

Eb Bb Eb

Break: 3 Bars:

Clarinet Break

55

D Eb

Harmonize

Cornet "Horse Whinny"

61

Eb

C7

64

Bb7

Eb

Trombone

Ab

Eb

F7

Bb7

Eb

Back to "B" - Take CODA:

Long Gone

C TREBLE

W.C. Handy & Chris Smith - 1920

A A7/C
D
E7/D
A
E7
A

Did you

A A
E7

A bold bank rob-ber from Bowl -ing Green,

ev-er hear the sto- ry of Long John Dean?

Long

John stood on the rail- road

tie,

Waitin' for

freight train

A
A7/C
F7
D
E7/D A

sent

to the jail- house

Freight train

13

B A

Long

17

Long

yes- ter- day,

came just puffin' and flyin',

F7

B7

A7/C

D E7/D

Gone

gone,

Late

Ought'a seen

E7

from

and

Ken- tuck- y,

what I

last night he made

mean,

Long

Long

to come

by.

E7 A

B7

get- a- way.

his

John grabbin'

F7

Was

that blind.

B7

Gone,

He was

E7

ain't

he

luck- y?

E7

Long Gone John from

Bowl- ing Green.

Interlude

21

A
F7
B7
E7

F7

B7

E7

Long Gone

C A

E7 A

25

They

to bring him back,

caught him in Fris- co, and to seal his fate,

They

30

of- fered a re-ward

A7/C

on the o-

San

Quen- tin

cean

D
A F7

34

E7/D

Now

E7

from Ken-

tuck- y,

Long

Gone,

Long

Gone

from San Quen-tin,-

Long

Gone

A7/C

D E7/D

Long

gone,

and

Long

Gone

I'm

what I

tell- ing

the

F7

Gone

his track.

ev-'ning- late.

no- bod- y knows where Long- John went.

John es- caped, The guard for- got to close

B7

on

But

B7 E7 A

F7

Long

38

jailed one

Dog- gone blood- hounds lost his scent,

out

E-ven put blood- hounds

and

Gol-

den

B7

gate.

He was
John's

E7

Ain't

he

luck- y.

still

a' sprint- in'.

A
E7

mean,

Long Gone John from

Bowl- ing Green.

you,

Shut your mouth and

shut mine

too.

C TREBLE

Lovin' Sam
(The Sheik of Alabam')
C

Lis - ten sis
Ev -'ry hus

ters and
band and

bro
lov

- thers
- er,

C7

They say that he's the lov - in'

Of course they say ad - vice is

D7

He's the great
Keep your gal

17

lov
cov

- ers
- er,

C7

There ain't a high - brown gal in town

If Lov - in' Sam gives her the grin,

21

D7

To be the bride of
And in the morn - in'

I sup - pose you've heard of the Sheik.

Bet -ter take
a
bit of ad - vice.

There ain't a wo- man

But if your gal you

a - bout a man I
and you can pass it

est of
un - der

C7

But let me tell you

Then here's my warn - in'

G7

13 B

champ,
cheap,

1922

he can't vamp,
aim to keep,

know:
on:

Ev - er kissed a girl on the cheek.

Sure as there's a deuce on the dice,

C7

Who would - n't throw her dad - dy down

Then you is out and Sam is in!

G7

this col - ored Ro - me

your lov - in' ma - ma's

o.
gone!

C7

Peo - ple
Peo - ple

25

29

Lovin' Sam (The Sheik of Alabam')

C F

call

C7

him

mean love

33

gals

37

go

Lov - in'

Does he

stroll - in'

by,

Does he

DF

down in Al - a

Bb

ba - bies

54

A7

for Cas

Gm7

The

man!

Sheik of

rolls

wick - ed

eye!

noth - in' else but! Could you

C7

have your eggs and

ham,

In the fin -est kit - chens

F7

Bbm

bies cry

ia!

They

C7

all

bam'.

love

for

Al

And when the

You'd make the high - brown ba

- tor

He's a

bam'.

That's what he does -n't do

You could

D7

- bam'.

cry

-a

Break for 2 bars

C7

strut?

Al

G7

Sam,

46

51

Boy! He

love like Lov - in'

Am

41

a heart break - in'

step?

He's the Sheik of

mak - in'

Sam,

G7

G7

Lov

- in'

you like

Sam,

Peo - ple

The Love Nest

C TREBLE

Louis A. Hirsch & Otto Harbach - 1920

Just

dove

B7

an-

13

nest,

da

with some

B E

small

21

all

25

B7

than

29

love

E7

sort

of

cling- ing

F7

E7

pal-

ace

with

G7/D C7

B7

blue.

two.

dome,

home.

ver-

Then

twine.

You can call

Like

vine,

ed

warm.

farm.

G7

gild-

E7

dream room for

es

tea set of

ros-

B7

B7

nest,

room,

down on

ram- bler

room,

co- zy and

kit- chen where some

17

nest,

love

B7

Then

E7

Best

of

Bet- ter

G7(b5)

C7

is

Ma He's Making Eyes At Me

C TREBLE

Con Conrad - 1921

A E
B7
E

Lit- tle Lil- ly was

bill

and

coo.

oh! So sil- ly and

F7

to

B
E

17

"MA,

26

al

33

41

up

to

B7
F7

he wants to

mar-

Ev-

'ry

min-

ute

he

gets

Me,

I'm

meet-

ing

with

re

B7

my

should-er,-

for

as

44

on

sis- tance!

F7

Ma,

B7

Be

my

hon-

ey

sis

he's

kiss

bold-

MA he's

Mer- cy! Let his con - science guide him

B7

B7

Can't you see I'm goin'

peek

to me!

in,

you

B7

fel- low would

cry:

If

B7 B B7

side him,

be-

She would- n't

some smart

he's aw- ful nice

I'm

ry me,

B&7
E

MA,

B7

night

But she would

at me!

B7

- 'ry sin-gle-

her,

fel- lows knew,

F7

MA,

F7

- most break- ing my heart,

cud - dle

he's mak- ing eyes

C B7

And all the

Ev

try,

shy,

B7

11

B7

to

weak - en?

G7 C7 F7 B7

bee.

er,

Now

he's

lean-

ing

tance

shall

hol-

ler

- ing

me!"

A7

C TREBLE

Mama Don't Allow

Ma-ma- don't 'low

no

Ma-ma- don't 'low

We don't

12

no

an- y how.

what

cor- net play'n 'round

here!

F7

cor- net play'n 'round

care

B7

Ma-ma-

here!

No

No

don't 'low,he's

gon-na'-

F7

Ma - ma don't 'low no

cor net play'n 'round here!

She Don't

She Don't

playthat

cor-

net

No

She Don't

Mandy

C TREBLE

a
Irving Berlin - 1918

A B

I was

bo - dy

13

just some- bod - y

B E

17

Man

dy,

21

C7

han

25

ling

29

dy,

C7

er

F7

ser - e - na - ding

there's a min - is - ter

word

fa - mil - iar

han

If we'd let him make a

here's the ring for your

dy,

fing

It was

this.

Oh

now

and it sure would be

B7

fee.

miss.

G7

some - thing like

F7

So

want -ed to

tune.

C7

I could

Not a

moon.

F7

ding - er?

'neath the silv' - ry

C7

ing

lis - ten,

F7

F7

ing

while to

sing

F7

stopped a

even

stroll - ing out one

hear some

So don't you

G7

er

is - n't it

a hum -

C7

Come a long and let the wed-ding chimes bring hap -py times far Man -dy

F7

and me.

Margie

C TREBLE
q = 160

Con Conrad & J. Russel Robinson

A F

You

Gm

All

must

tell

long they

C7

to

sit

He holds her

FB

Mar

gie,

on the

Mar

Don't

G7

gie,

for

get

have

bought

your

G7

the

to

Break 2 bars

me,

home and ring and

lit - tle

think - ing

world

F+7

prom - ise

tell

C7

F7

al - ways

D7

C7

My

EB7

D7

coo:

I'll

E7

Eb7

stairs,

I'm

Bb

close and starts to

you;

Gm

up -

C7

love af - fairs,

Gm7

G7

17

29

night

25

D7

21

a - bout your

one

C7

Bb

Here's

13

talk

can

Bb

of

you

love

you,

ev - 'ry - thing, For

a a

Margie

33

Mar

37

Bb

all

45

is

gie,

my

er

done,

blue.

There is

Mar - gie

it's

real - ly

you."

F7

F+7

in - spir - a - tion,

C7

Mar

nev

said and

Gm7

You've been

are

A7

Days

41

gie,

F7

E7

Af - ter

Eb7

on - ly

C7

one,

Oh!

D7

"My

lit - tle

Memphis Blues

C TREBLE

B7

F7

W.C Handy - 1912

E E7 A7 A6

B7

B7

B7
E

10

E
E
E7 D7 D7

14

C7

F7

18

B7
F7
B7
E E7

A7

22

27

D7

E7
E7

B7
A A7 D7 D A

30

C TREBLE

Midnight in Moscow
q = 160

Cm

Fm G7

Dm7 G7

G7

14

Cm G7

Cm

20

Cm

A Cm

Fm6

Cm

Cm

Fm

Cm

Cm

Eb

G7

Stop time- first beat of bar only

25

Ab Bb7

Dm7 G7

Eb

Fm

Cm

Cm

Cm

Cm

Eb

30

Ab

Eb

35

Fm

41

Cm

Fm

Cm

Time

G7

Cm

G7

Cm

Cm

Dm7 G7

Fm

Cm

G7

Cm

Missouri Waltz

a
John Eppel & J.R. Shannon
1914 F

C TREBLE

C7

Hush

Rest

G7

sigh

19

your head

up

is

call

days

Strum,

41

Hum,

strum,

hum,

long gone

fall

by.

Way

soon;

tune;

The

- in' while the soft bree - zes

down in Miss

- our - i where I

When

I was a tin

- y child up - on

Cm

strum, strum, strum, seems

hum,

hum, hum,

- o sweet

C7

and

low.

A7

Dm

hear those ban -jo's play - in' once a- gain.

Dm

my mom - my's knee; The

G7

hum - min',their ban - jos were strum - min' so

- in'

Dm

- my hums

C7

F0

old folks were

com

G7

- in' where shad - ows are

Bb

is

my breast while mom

in

- ber time

C7

as

by, slum

heard this mel - o - dy.

33

- on

25

ba

sand - man

14

- bye, my

C7

Bb

A7

Tha - t same

old plaint

Dm

- ive strain.

Missouri Waltz

Dm

49

57

A7

Hear

64

C TREBLE

that mourn

Bb

- ful

Dm

A7

mel - o

song.

77

Jour

81

Bb

Hush

same

92

by,

97

Bb

old re

C7

Dix

- frain.

Way

ie - land

in

dreams

- gain,

- gain with

G7

me;

C7

C7

down in

thestars were blink

Miss

- our -

- in' and the moon

hear Mom - my Chloe, as

in

days long a

It

and the old folks were strum - min. that

G7

i, where I learned this lull

Dm

time

when

it seems when you hear that old

seems like your mom - my was there once a

C7

G7

- a - bye my ba - by, go to sleep on mom - my'sknee.

87

long,

C7

to

Dm

It just haunts you the wh - ole day

Dix - ie

A7

- ney back

dy,

and you wan - der in dreams back to

Dm

Dm

71

A7

was climb - in' high,

- go, sing - in'"Hush

C7

bye."

- a-

and I

C TREBLE
q = 100

My Daddy Rocks Me
J. Berni Barbour - 1922

Fm

Bbm

I've got

Ab

me

17

rock ing

rocks

Fm

knee,while

B Fm Fm/Eb

me

py.

Ab

chair, and

Cm/Ab

Bb7

Cm/G

I'mglad to say

C7

on his

Eb

a great big

sosweetto me.

hap -

13

Cm

he's al ways gay. I've

Eb

ev - 'ry night you'll find us

G7/D

Bbm/Db

he rocks me to a rock- y

Fm/Db

with onestead y

Fm/c

no one could be

G7

Db6

Sweet - ie,

Bb7

got

He makes

Fm

Fm

roll.

there.

I'm

Fm/C

mel - o - dy.

Bbm

My ba by

Fm

Bbm

Fm

My ba by

My Daddy Rocks Me

21

Fm

Fm7/Eb

rocks

25

Db7

me

with all hisheartand

Fm

C7

Fm/C

soul.

C7

Gm7

We'll al ways spoon while the lights are
Wrap'd in a blank et of love and

28

low.
charns,

Fm7/Eb

Fm

Fm/c

C7

C7

Bbm/Db

He hates to

leave me when it's

I'm sit tingpret

ty when I'm

Most ev' - ry eve - ning at half past nine,

We get to geth

er and the

Talk a - bout row - boats and birch can- oes,

You need a

C7

time to

Gm7/D

go.

his

arms.

world is

mine.

in

C7/E

Fm

My ba - by rocks

Fm/Eb

me

chair to rock a -

Fm/Db

C7

with

onestead - y

way your blues.

31

Fm

roll.

C7

Fm

roll.

C7

Fm

My Honey's Lovin' Arms

C TREBLE

Herman Ruby/Joseph Meyer - 1922

B7

You've heard lov-ers,

C7

C7

I'm

13

They

so

love I

know

al- ways

B7

diff- 'rent,

C&7

pet;

Love- sick

Oh,

get

ro-

and

man- tic,

G7

Drive

so diff-'rent-

go

fret

lov- ers

simp- ly

now;

bout their

C&7

you fran-tic.

A7

While I'm in

G
C&7

G9

whis- per

low

to

Hon- ey

Ba-

by:

21

love your

place

to

com- fy

G7

One ca- ress,

BF

37

love

you

You'll

find

G9

'Cause when the

45

G7

Hap- pi- ness,

Seems to bless my

B7

my

love be-

C7

Right

in

my

Hon- ey's

Oh, what

ly.

hap- py

C7

lit- tle

C7

Lov- in'

ey.

C6

D7

you

on-

to

hon-

When years have passed a-

longs

pair!

world seems wrong,

lone-

chair,

world of charms,

am

D7

C7

G7

more each day,

when

41

nes- tle

co- zy

33

They hold

G7

29

lov- in' arms,

C6

25

My Honey's Lovin' Arms

B7

A F

17

F7

know that

B7

way

ly;

be- long

My Bucket's Got a Hole In It

C TREBLE
q = 174

F7

Bb7

C7

C7

F7

Bb7

10

13

Bb

F7

Yeah! My Bucket's Got A Hole In It

Yeah! My Bucket's Got A Hole In It
Yeah! My Bucket's Got A Hole In It
I can't buy no beer.
Well I'm standin' on a corner - With a bucket in my hand
I'm waitin' for a woman - That ain't got no man.
CHORUS
'Cause My Bucket's Got A Hole In It
Yeah! My Bucket's Got A Hole In It
Yeah! My Bucket's Got A Hole In It
I can't buy no beer.
Well, I went upon the mountain - I looked down in the sea
I seen the crabs and the fishes - Doin' the be-bop- bee.
CHORUS
Well, there ain't no use - of me workin' so hard
When I got a woman - in the boss man's yard.
CHORUS
Well, me and my baby - we just bought a Ford
And now we sit together - on the running board.
CHORUS

a a
C TREBLE

Oh, Didn't He Ramble

A B

F7
B

B
F7
B

B F7

Traditional

12

16

Drums

20

F7

Well his

head

24

TO Dixieland 2-beat swing feel

was

in

the

run-

ning

girls came

mar-

ket,

his

by

35

ram

F7

town.

40

ram

ble, Didn't he

Didn't he

ram-

-bled

'til

the

F7

"Look at that

ble?

wo - men

were

ram-

feet

F7

said:

28

in

the

street.

All

the

F7

mar-

ket

ble,

Didn't he

cut

him

down.

a- round,

ram-

ble?

he

All a-round the

meat!" Oh didn't

B
F7

He ram-bled all

He

F7

Didn't

he

C TREBLE

Oh By Jingo

q = 180

C+7

C+7

G7

Oh, by Gee! by Gosh, by

Gum By

Juv,

Oh! by Jin go, won't you

hut.

C7

love?

13

We will build for you

G7

17

AF

C+7

C+7

23

A7 Bm A7/C#

me."

28

So they

Juv, by

Jin - go,

by

You will be

Then we'll put them

F7

Oh, by Jin go said, by Gosh,

D7

We'll have a lot of lit tle Oh! by Gol - lies,

hear our

G7

C7

G7

Gdim

Albert von Tizler

Gdim 1919

our fav'rite nut,

in the Fol-

Bb

Gee.

lies,

"By Jim - in - y, Please don't both- er

Dm

all went a way sing ing Oh! By Gee, By

F#dim

By Gee, you're the

C7/G

C7

on

- ly girl for

me.

Bb7

Gosh by Gum, by

C TREBLE

Oh!

Byron Gay/Arnold Johnson - 1919

F7

F7
B

10

C7

F7 Break: 2 Bars
3

14

17

B B

B


3
3
F7

22

F7

B7

27

31

E
F7

B B& B6 B&

1.

2.

Ole Miss

C TREBLE

A C7

C7

C7

13

C7

W.C. Handy - 1916

F
F7

17 B B

21

A7

25 B

29

C7

E7

F7

D7

B6

Ole Miss

33 C

37

C7

C7

41

C7

45

C7

49

53

C7

57

61

F7

F7

C7

D7

G7

D7

C7

A7

G7

C7

Back to "D" for Solos

Then Play "C" and "D out.

The Old Rugged Cross

C TREBLE

a
George Bernard - 1913

A C

G7

C&

F F C

B
F
F
F
C C C C7

19

D7

F

25 C G7

31 C

36

G7

B7

G7

Ritard

14

F F

G7

C7

C F7 C

F

A7

F&

F6 G7

F F C

On The Alamo

C TREBLE

Isham Jones & Gus Kahn - 1922

Where the moon swings

5 D7

fair

where

light

B7

wan-

der

to

and

D7

said

dreams

D7

low,

by

G7

"I

seems

D7

On

G7

so".

go

the

can hear

E7

D7

her

Break

F7

a-

A7

I'll

D7

On the night

E7

all

my

And

in

Where the moon swings

Al-

A7

gate,

der

For she said

you

it

fro.

love

G7

E7

the ten-

den

D7

the gar-

G7

A7

D7

In a gar- den

D7

night,

mo,

In

mer

D7

E7

the sum-

A7 F

grow,

wait

29

es

E7

ros-

E7

17 B
C7 D7

25

On the Al- a-

of

D7

13 D7

21

D7 C

C7

G7

C7 D7

mo.

Break

Ory's Creole Trombone

C TREBLE

Edward "Kid" Ory - 1921

Trombone solo

12

C7

G7

28

G7 B

34

G7

D7

G7

C7

C7

D7

C7

C7

17

22

C7

C7 F

F C7 F

G7

C7

D7 F

G7

C7

1.

2.

Ory's Creole Trombone

C TREBLE

C7

C B

39

44

49

C7

55

F7

D D7

C7

C7

F7

83

TAG

C7

After last solo play "D" to end and then tag

Trombone

F7

B
C
C F7
B

F7

73

C7

79

Trombone solo

Trombone Solo

60

Solos

F7

67

F7

C7

F7

C TREBLE

Ostrich Walk
F

C7

Original Dixieland Jazz Band - 1918

G7

C7

D7

G7

C7

D7
G7
C7

14

F Trombone

21

F7

G7 C7

Stop Time 4 bars

17

G7

Cornet

D7

G7

C7

Clarinet

C7

1. F

Trombone

2.
F
F B

Break

26

B F

32

C7

F Break

38

42

C7

F Break

C7

F Break

C7 Break

F Break

C7

C7

G7

C7

a a
2

Ostrich Walk

46

C F

50

54

F7

Cornet

58

D7

62

D F

G7

66

D7

70

74

C7

Clarinet

G7

Trombone

C7

C7

C7

C&7

sfz

78

Unison

G7

Trombone

C7

Stop Time 4 bars

G7

C7

C7

F C&7

C TREBLE

Over The Waves

q = 120

Bb

10

F7

19

26

Bb

41

B7

49

57

Eb

Eb

33

Eb

F7

Bb

F7

Bb

Bb7

Eb

Ab

Bb7

Eb

C TREBLE
q = 120

Poor Butterfly

Ab E7 Bbm7 A Eb9

Poor But - ter

pass

13

Bb7

in - to

B Eb9

21

come

so.

know that he

be

me

The

F9

by

and

by.

Then I nev

C7

Dbm6

Poor

And

But

- er

Ab

as

E7 Bbm7

Ab

ful,

I'm

sure

But

cry,

Ab

- ter - fly.

he

if

Bdim

sigh or

Ab

she

The moon and

faith

- ments

low,

Abmaj7

mo

Fm

Eb9

die.

- to years,

mur - murs

he don't come back

in

Poor But - ter -

She

to

Bbm7

29

him

C+7

25

Eb9

- ing

Ab

smiles thru her tears,

17

The hours pass

hours,

Ab

F7

Eb8

Abmaj7

F9

for she loved

Bb7

Golden/Hubbel - 1916

'neath the blos - soms wait

fly

- fly

C+7

just must

Panama

C TREBLE

A E B7

10

B7

15

18

C7

B A

B7

2.
E E7

C7

F7

E7

43

A&7

E7

E7

E7

C7
E
F7

B7

B7

33

38

1. E

B7

E7

28

F7

22

B7

B7

William H Tyres - 1913

Panama

48

54

D A

E A

70

76

84

pp
ff

59

E7

E7

E7

64

G7

E7

A7

E7

E7

1. E7

A
E7

90

E7

A7

2. E7

E7

E7

The Pearls

C TREBLE

Jelly Roll Morton - 1919

A G
D7

G
E

E7
A E7 A

11

D7
G
A7

E7
A E7 A E
A7 D7 G
E

16

G7

21

25

B7
E7
G

29

G7

C7

A7

D7

C7

G D7
G

33

G
G

Break - 2 bars

37

G7

G7

The Pearls

41 C Tuba Only

45

All

C7

D7

D7

G7

E7

49

G7

G7

53 D

E7
A7
D7
G B7 E D
C D
E G7

57 D Tuba only

61

G7

All

C7

A7

F C A7

65

69 D7

73

Tuba Only

G7

G7

3 G7
C

C9

Pretty Baby

C TREBLE

Egbert Van Alstyne & Gus Kahn - 1916

B7

Ev-

'ry-

bod- y loves a

Ba-

by,

B7

to

13

Ba-

17

be your

E7

come and

21

rne

C7

cud-

25

let

29

F7/C

B&

lov-

in'

F7

Pret-

ty

in

my

B7

Ba-

by

and

cra-

dle of

it

of

Pret- ty

Won't

And we'll

Oh!

mine.

well be

you,

B B

might as

you

D7

love,

B7

I'd

B&

time.

by

by.

ba-

F7

the

And

dad and moth-er too,

Ba-

Pret- ty

Pret- ty

by.

all

B7

want

sis- ter, broth- er,

dle

Ba-

rock you

Pret- ty

B&

I'm in love with you,

by,

ba- by that's why

B&

like

Riverside Blues

C TREBLE

G7

A7

B7

A E

13

C F

B&7

A7

F7

G7

Thomas A. Dorsey & Richard M. Jones

2 bar unison break

2.
E B7

E E7 EA 1. E B7

B&7

3
everybody plays
this figure behind clarinet lead
B
B7
E
E

G7

18

22

A
A
E 2 bar clarinet break

26

B7

F7

C E

30

34

38

B7

E7

E A E

B7

E7

2 bar unison on out-chorus

E Play

F7

B7

E E7 E A

Solos at "C"
E

C TREBLE

Rock a Bye Your Baby

Jean Schwartz - 1918

A C

C G7/D

Mam-my mine,

13

B7

B7

Your roll- in'stone is roll - in' home to- day,

your

G7/D

B7
E

your

smil- in'

G7

to

in

Just

When I'm

see

Your lit-tle roll- in'stone thatrolled a- way,

Mam- my mine,

G7

face,

fond em- brace,

Smile

strolled a-

there to stay.

G7

wel- come

sign.

D7

Mam- my

way.

G7

Lis- ten

G&7

G7

mine:

a a

17

21

Rock a Bye Your Baby

B C

Rock- A

- Bye Your

Ba- by

G7

when you croon,

croon a

And swing it

Weep no

37 D

my

G7

Old Black Joe,

41

Dix-

ie

Mel- o-

dy,

D7
G7

tune

from the

heart

of

Dix-

ie.

A7

Mam-my mine,

from Vir- gin-

more

Right on that Mas- on-

Dix- on Line,

G7

D7

33 C
C

With

G7

Just hang my cra- dle,

29

C
G7

25

la- dy,

ia,

To Ten- nes-see with all the love that'sin

C
G7

sing

that

G7 F7

just as though

song

a-

E7

you

had

gain for

me,

ya'

And

me on your knee.

D7
E

A7

A million ba-by kiss-es I'll de-liv-

45

Rock- a-

bye your

er,

The min-ute that you sing the Swan- ee Riv-

A7
D7
G7

rock- a- bye ba-

by with a

Dix- ie

mel- o-

dy.

er,

C TREBLE

Rose of Picardy

F7

Ro-

F(4)

hush

G7

Ro-

13

C7

nev-

17

F7

ro-

21

F(4)

25

G7

one

29

C7

rose

of

ing

rose

may

with the

F7
be

far

that

I keep

not

F7

Pi- car-dy,

F7

but there's

you!

And

D7

in

in

But

Pi- car- dy!

my heart!

E6

the

And our roads

C7

sum-mer time,

the

a- part,

rose that dies

like

ses will die

in

dew.

in

D7

Pi- car- dy,

ver

ses are flow'r-

er

in

sil-

ing

F7

the

ses are shin-

Haydn Wood - 1916

there's

'Tis

the

Rose Room

C TREBLE
q = 140

In sun - ny

Ab7

Where

A Bb7

Rose

B Bb7

shin

21

- ing

Dbm

Pin

29

Bb7

Rose

"A

the ros

- es are

- land,

ev

F7

ing,

The moon when

de

- sign

am

pin

Ab

ing

Db

ing,

F7

to be sweet - ly re - clin

Eb7

ing,

Ab

- er

- er then I

- ing

Ab

is more than ev

ing".

Eb7

Eb7

'tis

May

sway

For

25

- ey bees are

while the mead - ow brook flows.

- ing,

Ab7

Db

all

Danc

17

Where sum - mer breez- es are play

Bb7

Ab

- land,

There

13

Eb7

the hon

Dbm

Harry Wiliams and Art Hickman - 1917

ing, Some - where in

Ab

Be - side a beau - ti

- ful rose.

C TREBLE

Rose of Washington Square

A A

E7
A

A gar-denthat nev-er- knows sun-shine

A7

James F. Halnley - 1919

Onceshel-tered a beau- ti - ful rose.

B7

E7

sha-dows it grew with-out sun-light- or dew, as a child of the cit-

but- ter- fly flew to the

13

gar- den,

heart of the rose set a- flut-ter,-

with a

17

D7

G7

told her of birds and of bees,

from out of the blue sky a-

D7

won-der-ful tale

of

In the

y grows.

A
E7

E7

bove,

love,

the

He

G7

D7

of the brooks and of mea-dows and

trees.He whis- pered,

21

25

Rose of Washington Square

BC

Rose,

G7

Fair

29

33

Rose,

Rose,

G7

heart,

45

49

D7

Rose

where

Na- ture

but

be

I'll nev-

your

the

er

love

de-

the

did

not

G7

queen

G7

part,

to

sun

shines,

flow-er

that

of

care,

mean

Square

so

you should

some fair

gar- den,

but dwell

in your

I'll

bring

the

F6 C A7

sun-beams from the Hea-vens to you,

D7

G&7

37 C
C

G7

of Wash- ing- ton

for

blush un- seen

41

should blos- som

E7

D7

G7

and give you kis-ses that spar-kle with dew

of Wash- ing- ton

Square.

my

C TREBLE

Rufe Johnson's Harmony Band

Shleton Brooks & Maurice Abraham - 1914

A E

F7 E

Rufe

he

comes

the

street,

B7

one

er

man,

The

peo-

their

feet,

grand leadple

shake

F6

B7

Sa-

van-

nah,

Down

in

Sa-

van-

nah.

They

all

keep

sway-

ing,

While

Rufe

is

play-

ing.

C7

real-

Old Rufe

17

down

He's

in

He

F7

band,

Down

B F

F7 E B7

leads

F6

13

John- son

When

B7

ly

can't

can't be

beat,

Plays

read

note,

but

C7

Down

in

Sa-

van-

nah-

When

he

plays

'Man-

ci-

C7

F7

pa-

rag- time

mu- -sic-

he

get

will

each

hol-

i-

horse

and

they

act like

day,

G.

A.

tion

Day.

fools,

You'll
You

hear

sweet,

your

goat,

the

al - most

When
The

G B A
B

par- ade

C C B/D

B7

they

mules

B7

peo-

ple

say:

hear

them

say:

21

25

Rufe Johnson's Harmony Band

C E

G7

Here they

come,

Just

29

in'

Lis-

some,

He's

ten

to

that

C7

37

toot

E E

41

C7

played

45

go-

ing

rump,

drum,

dog- gone

toot-

te-toot.

Say

E7

ten

to

B7

bone

old

cor-

rump.

toot-

te-toot,

F7
B7

moan- ing, hear it

that

-te-toot,

he

Root

that trom-

ain't

G7

rump,

flute,

Hon, ain't

Boy

rump,

F7
F7

Lis

to that

32

toot-te-

ten

G7

beat-

lis-

net,

groan-

ing,

It's

by

C7

that

lead-

C7

er

He's

man.

F
A

A E
C7

got

49

F7

a world

wide

rep-

B7

Old

Ruf-

us

John-

u-

son's

ta-

tion

Har-

mon -y

For

play-

E
Band

ing

syn-

co-

pa-

tion;

Solos at "C"

Runnin' Wild

C TREBLE

Bdim

Verse

A Bb

gal and

I first

met

that

gal of

fight

mine

D7

Eb

and

I'm

it

seemed

Gm

thinks

now

thatshe's gone

I'll

when she

thought

she

had me

she

show

her

she's all

Ma - ry

led

her

lit - tle

Bdim

won't sit home

til the worm

right

Bb7

gon - na

Db7

all
had

a - lone
to turn,

F7

all

by

my

just like

Eb

- in'

mean.

Like

lamb

she

led

C7

She'll soon find that

that's the rea - son

But

I'm

lone - some stuff for

all

shelf.

me

the

lay right on

act

When

start - ed

dream.

My

C7

no

- self.

wrong

Gm7

Bb

guess she

Bb

C7

17

Gm7

Bb7

had a

Bb

Db7

we

13

the

F7

I'm
I'm

F7

Bb

me

time,

Un

Runn - in'
Runn - in'

[Patter, sung/spoken after chorus]

No gal will ever make a fool of me, No gal!
I mean just what I say; I ain't the simpleton I used to be,
Wonder how I got that way.
Once I was full of sentiment, it's true, But now I got a cruel heart;
With all that other foolishness I'm through,
Gonna play the villain.

wild,
wild

Runnin' Wild

Chorus

21

27

33

B Bb

Bb7

Bb

37

Bb C

43

D7

time,

nev - er

don't know where,

G7

F7

All a

- lone

no

Bbm6

C7

Care -free mind,

dy

nin'

Al - ways

Eb

Al - ways showin'

It's not worth

Wild.

goin',

Idon't care,

F7

Bb

bold.

too,

Run

Gm

blue.

- bo

might - y

Bb7

Run - nin' wild,

Reck - less

Cm6 D7

C7

Don't love

48

F7

Feel - in' gay,

all the

lost con - trol,

Eb

Bb

- while,

C TREBLE

Clarence & Spencer WIlliams - 1919

A F

13

C7

F&7

21

F&7

C7

29

C F7

37

E7

F7 Clarinet

B7

C7

F7 Trombone - ad lib 2 bars

D7 C7

B7

41

F&7

D7 C7

33

F7

Stop time - Play downbeats 4 bars

25

C7

Cornet
F7

17

Royal Garden Blues

C7

F7

B7

E7

G7

B
E7
B E7 B
C7
F7

Back to "D" for Solos

Satanic Blues

a a

C TREBLE
q = 154

Bb

F7

Fdim

F7

A Bb

Eb7

13

F7

17

B Bb

Bb7

Edim

Bb

G7

Bb

Eb

Bb

Edim

Bb Fine

F7

Eb

Bb7

Eb

Bb

G7

C7

F7

22

Bb
F7
Bb

27

Bb

C7

F7

32

38

C Eb

C7

G7

Ab

Eb

F7

Eb

C7

Eb

From "A" to Fine

F7 Bb7

Eb

C TREBLE

Sailing Down Chesapeake Bay

Havez - Batsford - 1913

Verse
A
B7

Come on

Nan-

cy put your best dress on,

B7

steam- boat's gone.

12

17

B7

Come on

23

a- board for

Ban- jos

there's a place

36

moon,

40

Ches- a- peake,

ring- in'

If we're late we'll

all

be sore.

'Cause we can't swim,

a good old tune,

Set-tle down close

Sail- in' down Ches-

B7

Mis- ter,

Sail- in' down Ches-

Up on deck

to spoon.

B7

on the Ches- a-peake Bay,

E
B7

we can't float.

30

Bal- ti- more,

'n let us catch that boat,

love- ly

cy'fore the

Cap-

Nan-

Ev- 'ry- thing is

All

Come on

'neath the

a- peake,

a- peake

Bay.

sil-

v'ry

All

a- board for

No Repeat 1st time

Sailing Down Chesapeake Bay

C E

45

B7

'Round the bend

49

B7

we

F7

D B7

it

Old

61

here,

can make

57

Head- in'

53

Dom-

Say, don't she look

65

G7

Head-

69

F7

in'

C7

Queen of

see

if

we

hur- ry,

in-

ion

Line.

pret- ty

as

she

pad- dles

the

F7

Ches-

fear,

a- peake Bay!

hugs the

ti-

B7

It's the

shore,

more.

Hear my heart

Bal-

turn- in',

And

B7

pier.

Nev- er

Dear,

this

to

B7

steam- er,

for

73

think

hear the

a'

Just

yearn- in', She's the

Solos on Verse

C TREBLE

San
Bass Intro

McPhail/Michels - 1920

A
D

e-

gal

came

home,

San

of

Sen-

One

day

the

queen

A7

on
San

may,

the
in

shore
sad

B D

Sing
Told

21

25

A7

re-

him

she'd

no

more

his

dear

queen

On

ly

her

San

dore.

who'd

gone

she

would

A7

shore.

A7

the

To

way.

lathe

On

sad

Buon

may,

at
ness

la-

Bu-

A7

ing

B7

shore,

17

A7

King

Sat
Saw

13

A7

frain
roam.

This

was

his

lay:

Then

came

his

lore:

B7

A7

a-

C7

San

C
F

29

D7

Oh, sweet-heart

33

37

41

D F

49

53

57

G7

na,

G7

Why

have

you

gone

Have

you

come

back

You

you

you

loved

C7

you

act

this

way?-

knew

you'd

come

some

day.

had

ev-

F7

What

you

have

my

But

now you're

If

heart

you don't

And you're for

done would

aches,
mine

- giv

be

the

dear,
dear,

un-

C7

come

been

D7

But

er

knew

did

If

D7

loved

Why

you

C7

if

na,

But

B7

stay?

me,

F7

Lo

way?

loved

dar- ling

to

D7

a-

D7

said

My

C7

G7

45

Lo-

me
me,

D7

true

to

you

D7

thing

to

do.

D7

And

it

will

break

dear,

For

all

the

time

dear.

back

home a - gain

en

by your lov

B7

to

San.

ing

San.

C7

C TREBLE

Second Hand Rose

James F. Hanley & Grant Clarke - 1921

C7

C7

Fath- er has a bus- 'ness, Strict- ly sec- ond hand,

C7

C7 G7

D7

It's no won- der that I feel a- bused,

A F F C7

13

17

ond

hand

hats,

Sec-

ond

hand

shoes,

C7

why

they

call

All

the

girls

hand

- ven

- ven

Fath-

er

Have

some-

our

my

D7

E- ven things I'm wear- ing, Some- one wore be- fore.

C&7

nev-er- have a thing that ain't been used:

G7

ond

hand

clothes,

Sec-

ond

hand

hose,

Sec-

me
me

Hand

sec

-ond

hand beauxs.

G7

Rose.

C7

pi-

an-

in

the

par-

lor,

pa-

ja-

mas

when

don

'em,

C&7

bought

for

ten

bod-

else's

cents

C7

I'm wear- ing

ond

their

Sec-

C7

C7

G7

That's

21

25

Sec-

G7

Ev- 'ry- thing from tooth- picks, To a ba- by grand.

Stuff in our a- part- ment, came from fath- er's store,

on

the

dol-

lar.

'ni-

tials

on

'em.

Second Hand Rose

29 B

F F C7

33

hand pearls,

I'm

wear-

ing

sec-

ond

hand

Sec-

ond

hand

I'm

sick

of

sec-

ond

hand things

F7

rings,

F&7

nev-

er

get

nev-

er

get

what

Once

ven

the

nudged her

Jake

while stroll-

had

gle

thing

that's

new.

oth-

er

girl-

ies

do.

the

plumb-

er,

he's

the

man

ing

thru

the

Ritz

girl

to

tell

me

friend

and

said

"Oh

sin-

nerve

F C7

49

ond

37 G

45

Sec-

41

G7

he's

G7

been

look! There's

a-

dore,

got

my

goat,

mar-

ried

be-

fore!

my

old

fur

coat!"

Ev-

'ry-

one

knows,

that

I'm

just

Sec-

ond

Hand

Rose,

Ev-

'ry-

one

knows,

that

I'm

just

Sec-

ond

Hand

Rose,

Sec-

ond

Av-

e-

nue.

Sec-

ond

Av-

e-

nue.

G7

C7

C7

F&

G7

curls,

I'm

He
She

C&7

From
From

wear-

ing

C TREBLE

Shake It & Break It

AF

C7

13

BF

17

B7

21

C7

25

C F

29

C7

33

F F7 B B

F7

C7

F7

B7

Artie Matthews - 1915

F7
Clarinet Break: 2 bars

F F7 BB F

Break: 2 bars

F7

Shake It & Break It

Play "D" AS AWritten - Repeat for Solos

D B
F7

B
B
F7

37

41

F7
B
B

45

G7

F7
B
B

49

After Last Solo

play "D" once as written then go on

53

E F

57

B7

61

C7

Break: 2 bars

F F7 B B F

Fine

Singin' The Blues

C TREBLE

Con Conrod 1920

q = 120

Ab

A Fm7

Bb7

13

Ebmaj7

Fm

32

C7

Eb

Bb7

Eb

Cm7

F7

Bb7

27

Fm7

Eb

21

Eb

Bb7

F7

17

Fm

G7

Gm

C7

Bb7

Eb

Fm7 Cdim

F7

C7

Ebdim

2 - Bar Break

Gbdim

Bb7

Eb

Eb

a a

C TREBLE

Sensation

q = 180

A Bb

Gm

Cm

F7

Bb

G7

1917

1.

C7

2.

F7

B Eb

11

C7

Cm

F7

F7

Bb7

21

F7

33

B7

Fm7

Bb7

Bb7

C7

Eb

C Ab Db

Ab Db

Bb7

Eb7

Ab

Eb7

Bb7

Eb7

Ab

Ab

Db

Ab Db

Ab

38

Eb

27

Eb

Bb

16

Bb

Fdim

Eb

Db

Ab

Db

Bb7

Eb7

1.

Ab Eb7

Ab Eb7

Back to B
2.

C TREBLE

The Sheik of Araby

q = 180

Bbm

Gb7

Bbm

Rides

13

the

Ebm

Fol -

21

Bbm

Gb7

der

He

C7

F7

bold

Sheik

of

sings to

band

At

his

Cm7

Bbm

Cm7

Ebm

by

Bbm

the

Bbm

Ar - a

Cm7

free

Ebm

and

Bbm

Ebm

low his love's

Un

wild

Cm7

Bbm

des - ert

F7

ar - ab

17

the

His

ver

Gb7

C7

com - mand

car - a - van.

C7

F7

of

C7

call

her

shad - ow

to

Bbm

the

his

Cm7

Bbm

Cm7

palms,

F7

arms.

F7

I'm the

a
The Sheik of Araby
C TREBLE

A Bb

25

Bb

Sheik

F7

29

Dm

Dbdim

to

night

light

rule

our

this

F7

Sheik

tent

Bb

Bdim

shine

of

Cm

Cm

F7

sleep

bove

me

Bb

C7

with

F7

D7

D&

love

land

C7

by

C7

Bb

At

to

Gm

In -

D&

way

Ar

F7

Your

creep

F&

F7

I'll

F7

me

Bb
that

F7

Bb

Cm

when you're

Bb

to

Cm

by

F7

F7

your

Bb

stars

45

53

Cm

37

49

F7

F7

Cm

Ar

be - longs

love

33

41

of

Bdim

The

will

D7

you'll

the

F7

Skeleton Jangle

C TREBLE
q = 182

Bass

Nick LaRocca - 1918

Ab

A Ab

F7

14

Eb7

17

Bb7

21

B C7

26

Eb7

Eb7

Eb7

Eb7

Ab

Bb7

Eb7

Bbm

Eb7

Eb7

Ab

C7

33

Eb7

Eb

F7

Eb

Ab

Bb7

C7

Bbm

Eb7

F7

Ab

Db

Bb7

F7

30

Ab7

BReak

Eb7

Ab

a
Skeleton Jangle

37

C7

Bb7

41

Eb7

Bb7

49

53

C7

57

Bb7

61

C7

65

Bb7

Eb7

Unison for 2 bars

Ab

F7

Ab

Eb7/Bb

F7

Eb7

Unison 2 Bars

F7

Eb7

Ab

C7

45

F7

Ab

Eb7

Ab Eb7 Ab

C TREBLE

Sobbin' Blues

q = 164

C+

C+

Kassel and Berton - 1922

C+

C+

mf

pp

mf

A F

F7

Bb

Cm6

Bb7

D7

G7

C7

Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars

C7
BF

21

31

Bb

C7

Bb7 A7 Ab7

G7

26

17

Bbm

13

mf

pp

C7

Swing

F7

Sobbin' Blues
Rhythm sec. plays straight 8ths as written, horns harmonize meoldy - 8 bars

F C7

37

42

C7

Bb

47

53

CF

C+

DF

Bb7

C+

Repeat only for Solos

C7

F7

C+

mf

pp

mf

57

C+

Swing

C7

Bb7 A7 Ab7 G7

pp

62

Bb7

67

Bb7

70

Bb7

C7

Bb7

C7

Solos on "B" & "C" Section:

After last solo play to bottom.

C TREBLE

Some of These Days

q = 180

G7

G7

Some of these

your gon - na miss me

Cm

so lone

Eb7

you'll miss my

on

ey

And when you

Bb7

way.

C7

cuz you know

leave

me

F7

C7

Ab

hug

when you're a

ly,

Fm

Ab

27

ly,

Ab

just for me

23

hon

ey.

Some of these days

Fm

F7

you'll miss me

17

C7

hon

Adim

gin'

you'll miss my

Bb7

you'll

miss your ba - by

in'

Eb7

You'll be so

lone

C7

ly

Fm

you al - ways got your way,

know you'll

Bb7

Eb

grieve

me

you know

kiss

ey

F7

F7

F7

hon

Cm

you'll feel

G7

days

G7

11

Cm

oh some

Eb

of these days.

C TREBLE

Some Sweet Day

q = 146

Tony Jackson - Ed Rose - Abe Olman - 1917

C/E

Al

Eb

G7/D

- though it's

spring

Cm

not the

first

C/E

birds don't sing

win - ter time you'regood and

14

G/D

E7

G7 G& C

dis

17

- ap -

long

for

21 B

cold

G7

29

friends

33

G7

pear,

D7

25

Don't

me

some

- day,

C7

wind does

blow

turn a

melt

C7

way,

I'll have

ev

- en

G7

soon will

kind, For - ev- er by

mine

say good

D7

But

I'll

C7/Bb

with its

be

far

C7/Bb

time will prove

Some Sweet Day.

I have

way.

C7 C

snow,

Then your

G7/D

felt.

say.

G7

(Yes, Some Sweet

heart

G7

And when your

D7

you

'Cause when the

what I

D7

and its

D7/A

Cm Eb

row

In

You're goin' to

Eb

G7

for each sor

G&

way.

It's

ice

But when sum- mer's near

- bye.

D7/A

C G7

- day.

G/D

my side,

D7

G7

has been in pain this

Dm

Am

to

D7

me

heart

C#

G7 G&

Am

my poor

G7/D

Dm

You're leav - ing

E7

time

Eb

the

C#

Now's your

Day.)

time,

C TREBLE

Someday Sweetheart
AF

D7

You told me that you loved me true,

D7

broke your vow

C7

be- lieved

in you.

G7

You

and now some-how-

and

Spike Brothers & Carter - 1919

When you'refar

it seems I'm al- ways blue.

F6

a- way.

Butthere'll come a day

You'll

sit

a- lone

E7
A
G7
C7

13

and cry

for me you'll sigh

and the daysthathave gone by.

Some-day Sweet-

17

21

Someday Sweetheart

BF

C&7

heart,

G7

C7

done

25

C&7

33

did

C F9

blues

C&7

reap

sor-

made

us

and

can't

will make you

so

C7

shall

ry

drift

bro-

ken,

C7/G

a-

part,

B6

how,

C7

you.

E7 E7 D7

you

reap,

dear,

B7

weep some - day, sweet - heart.

You

may

C7

what you've

for

heart.

see

poor

vows you've

sow

G7

my

be

will ev- er come to

45

to

G9

41

the

that

now,

37

may

E7

things you

you

gret

29

E7 E7 D7

re-

The

You're hap-

the

wear-

But

as

and

what

py

you

you

C7

Some - day Sweet -

Somebody Stole My Gal

C TREBLE

Leo Wood - 1918

A E

17

C7

F7

21

25

Some-

B7

bod-

Some-

bod-

stole

Some-

bod-

came

She

did-

n't

ev-

en,

The

kis-

He's

get-

tin'

Gee!

me,

ken

heart-

ed,

took

her

a-

know

that

she

pal.

was

leav-

in'.

B7

G7

E7

she,

could

see,

F7

Some

B7

bod- y

stole

my

B7

But

would

know.

so,

way.

A7

she

E7 D7 D7

B7/F

Iove

lone- some

say

E A A C/G F7

bro-

now

if

33

F7

pal.

B7 2 bar break

ses

and

gal.

B7

my

my

B7/F

stole

B&7

29

B E

B7

13

Bass Pickups

come

to

her

E A7 E

gal!

St. James Infirmary

A

Dmi

Bb7

A7

Dmi

When will

Gmi

ev

- er stop

D7

My

ba - by went

Bb7

A7

Dmi

feel so blue and heart

Gmi

My

A7

- bro - ken

left

Dmi

ev

- er

smile?

A7

She'll be gone a long

long

while.

Bb7

A7

Dmi

What am

liv

- ing

for?

A7

me

Dmi

Bb7

ba - by went and

A7

Gmi Dmi

Bb7

Bb7

me,

Dmi

13

left

Dmi

When will

and

moan - in'?

Gmi

A7

Ne - ver to come back

no

more.

17 B

Dmi

down

"What
go,

21

Dmi

A7

Dmi

Dmi

to the Saint James In - firm -'ry

is my

ba

let her

go

A7

Dmi

F7

Bb7

ba

A7

on a cold mar - ble ta - ble

by six o' clock this eve' nin,
this - wide - world o - ver

La - id

She can

Dmi

out
"Boy,
hunt

I went

A7

- by there she lay,

by's chan - ces"
I asked old Doc - tor Sharp,
God bless her
- Wher ev - er she may be.
-

My

Bb7

- Well, I looked and I turned

a - way.
- She'll be play - in' her gol
den harp.
But she'll ne - ver find a man like me.

Let her

C TREBLE

Stock Yard Strut

A Ab
Ab
Bb7
Bb7
Eb7

q = 195

Eb7

11

Ab

Ab7

G7

Ab

Eb7

15

Eb7

19

B Ab

Ab7

Ab

29

Eb7

Bb7

Eb7

Ab

24

Bb7

Ab

Eb7

Ab

Ab

Ab

Eb7

Ab

Eb7

Eb7

Eb7

Eb7

Eb7

Ab

34

Ab

Ab

Break

Ab

Ab

Db

Ddim

Ab7

Ab7

Db

39

V.S.

Stock Yard Strut

44

Ddim

Ab

F7

48

Eb7

Ab

53

Fm

Ab

59

Eb7

Eb7

64

Eb7

Ab

69

Ab

Ab

74

Db

Ddim

78

F7

Bb7

Bb7

Ab

Ab

Ab

Ab

Ab Adim

Eb7

Eb7

Eb7

Eb7

Eb7

Ab7

Ab

Ab

Ab7

Ddim

Db

Ab

Eb7

Ab

Eb7

Stock Yard Strut

83

Ab

Ab

Fm

Ab

Ab

Ab Adim

89

Eb7

Eb7

Eb7

Eb7

Eb7

94

Eb7

Eb7

Eb7

Ab

Ab

99

D Ab

103

Ab7

108

Ddim

Ab

Ab
Ab

Ab7

Db

Db

Ddim

Ab

F7

Bb7

Ab7 Abdim
Dbm7 Ab
Ab7Abdim
Dbm7 Ab

112

Eb7

C TREBLE

q = 100

St. Louis Blues

Gm

Eb

Cm

D7

D7

by her a - pron

11

D7

Gm
strings.

hair.

A G7

the eve - nin' sun

like I
feel

Eb7

26

he
done
make my

D7

left
get

this
a

St. Lou - is Blues, just as blue as

34

Am

rock

C7
in

the sea,

1.

38

G
D7

so

far

from

me.

Db7

Be

can

be.

- where.

O - h,

D7

- 'cause

my
I'll pack my

ba - by
trunk

Am

Feel
Got
the

C7

That

man got a heart like a

Or

else

G

2.

Got the

D7

C G7

no

G C G C G C G7

G CG C G

cast

D7

town.
way.

A7

I hate to
see
feel to - mor - row,

B G

29

Gm

and for store bought

down.
day.

Cm

Gm

G7

down.
day.

D7

G

-

Gm

Eb7

Pulls that man a - round,

would not have gone no - where,

the eve - nin' sun go

I feel to
like

go
to

rings,

22

Ex - cept for pow - der

I hate to see,
to
mor - row

Cm

You know the man I love,

17

D7

A7 A7b5 D7

There with her dia - mond

St. Lou - is Wo - man

D7

W.C. Handy 1914

me.

he

wouldn't have gone

Strut Miss Lizzie

C TREBLE

Turner Layton & Henry Creamer - 1921

A Gm

Bb

B Eb

D7

Gm

Cm

C7

Ebm

strut Miss Liz - zie

C7

F7

Bb

Get bu - sy

move so pret - ty,

22

26

Gm

Cm

meet

C7

like

Strut Miss

Gm

the

way

F7

Liz - zie

Bb

Bb

I want to see you

Bb

Is the whole town

Gm

D7

you shake your

Bb7

for the

Bb7

talk.

When you

Brown.(I'll betyou'vegot the cut - est

you

diz - zy,

Vocal to "C"

Bb

Bb

D7

Oh, you knock 'em

Ebm

But the men

feet,

Eb

Gm

F7

G7

Bb

The oth - er girl - ies frown.

D7

Bb7

walk,

Bb

Bb

It'sa pi - ty,

Won't you

Ebm

F+

Eb7

the way you syn - co - pate

Eb

17

Gm

F7

folks all state

D7

Bb

13

Gm

lit - tle strut in town!) Go

Strut Miss Lizzie

29

Bb Bb

Bb

Bb

Bb

C7

By the

school,

Pat your feet you

F7

down the

33

Bb

street,

Bb

Bb

Strut your stuff,

37

Bb

Bb

Bb

use your "Kerch",

Bb

Bb

Bb

G7

step - pin' fool.

C7 F7 Bb

Trot your toot - sies

Bb

by

the church.

C7

F7

Thru the

41

Bb

al - ley,

Bb7/Ab

Dodge the

Eb/G

cans,

Gb7

Cool your dogs we're com - in'

thru,

Get

Shake Miss Sal - ly's

pots and

Bb

C7

set for len - ox

Av - en

F7

pans.

Bb Bb7

- ue.

Won't you

Back to "B: for Solos

C TREBLE
q = 132

The Storyville Blues

Ab

Eb7

Trad.

Ab Ab7 Db Dbm Ab

Ab

Ab7

Bb7

11

Ab

16

Eb7

Ab Eb7

Ab7

Ab7

Db

F7

Bb7

Ab

Ab

Ab

Db

21

Db

Eb7

Db

Dbm

Ab

Eb7

Ab

27

Bb7

Eb7

33

Ab

37

C Ab

Ab

Eb7

Drum Roll - Piano Roll - Sustained Bass

45

51

Ab7

Ab
Dbm

Db

Back to "B" for Solos

Ab

Dbm

Db

Eb7

Eb7

Ab

Eb7

Eb7

Eb7

Ab Ab7 Db Dbm Ab

rit.

Ab

F7 Bb7

Tag

Ab Ab7 Db Dbm Ab

Db

Ab Ab7 Db Dbm Ab

Ab7 Db
Dm
Ab Ab

Time

Ab

Ab7

aa

Stumbling

C TREBLE

Zez Confrey - 1922

G7

Stum- bling all a- round, Stum- bling all a- round, Stum- bling all a- round

so

A7

D7

on her

13

A7

when

17

toes,

And when

AG

bumped my

felt

a-

And

la- test step, That's the la- test step,

A7

No- tice

25 C6

bling,

all the pep,

tho'

you are

No- tice all the

pep.

stum-

bling,

D7
G
A7

lit- tle bit,

just a

lit- tle bit, quite a

fell

told

and

her:

E7

My

hon-

ey,

G7

She said: Stop mum-

29

just a

shamed.

21

No- tice all the pep,

ny,

That's the la- test step, That's the

fun-

nose,

D7

I stepped right

rose,

she

Stumb- ling here and there, Stum- bling ev- 'ry- where, And I must de- clare:

E7

lit- tle

bit.

like

it

Suez

C TREBLE

Ferdie Grofe/Peter DeRose - 1922

E
D7
D7
G

Rhythm Vamp 4 bars

G

A G

D7

D7

13

D7

D7

D7

21

25

29

B G

33

D7

D7

17

D7

Rhythm Vamp

D7

Rhythm Vamp:

Suez

37

41

45

Solos Here
B

B7

C7

D7

61

67

F7

C7

G7

F7

F7

G7

C7

G7

A&

C7

F7

G7

D
B7

57

A&

49

53

D7

A&

Swanee

C TREBLE

13

19

F&

Swan

ee

How I love you

Swan - ee.

Gorge Gershwin - 1919

How I love you

C7

F C7

folks

in

Wait- in' for me Pray - in' for me Down

26 C7

will

see me no

more,

Swan -ee,

45

the

a mong
the

Mam

Swan - ee.

Swan -ee,

C7

Swan

love

the

- ee,

G7

old

C7

The folks up north

C7

folks

Swan

at

home.

to

Swan - ee.

- ee,

D7 C7

shore.

I am com ing back

- my's

When I get to that Swan - ee

old

B B7 C7

by

C7

dear

Trio:
C7

40

- e - ven know my

G7 C7

C7

be

F&

G7

My

to

- i -x - i

C9

I'd give the world

33

C TREBLE

Taint Nothin Else But Jazz

Maceo Pinkard - 1921

A E
A7
E
A7
E

I'm blue,

Thru and thru,

C7 F7

A7

'Cause they're gon-

na take

B&7

jazz a- way.

B
F7
B
E
E
G7 A

On my knees,

Can't you see

Just to pay at- ten-tion to me while I

I'm ask-ing you please,

to con-demn

a song. Jazz has sim-ply got to

13

High-brow mu-sic real-ly

17

B7

is

21

so-

ci- e- ty of style and grace,

25

E/B

B&7

lit- tle bit of wob- blin',

F7

a treat,

But what makes you wan-na shake yo' feet?

In

D7 B7 B&7

B7

it's wrong

In

an

B7/F
F7
B&7

Ev- 'ry lit- tle move-ment

B&7

Lit- tle bit of tod- dlin'.

E C7

jazz,

Babe!

F7

B7

'Tain't noth- in' else but

jazz.

jazz,

Babe!

has

just a

Waltz-in'- round is might-y

E/G
F
E/G
E
C7

Gli-din' sure-ly is de- vine. Still what makes you shiv-er

Now!

op- 'ra house it can't be beat.

'Tain't noth- in'else but

E7

stay,

28

32

say:

an- y time?

F7

fine,

B7

'Tain't noth- in'else but

C TREBLE

Tain't Nobody's Biz-ness If I Do

Porter Grainger & Everett Robbins - 1922

D7

in'

can

do,

nor

noth-

in'

can

say,

Aft-

er

all,

the

way

to

do

is

do

just

as

you

please,

D7

That

folks

don't

crit-

Re-

gard-

less

of

G7

G7

cize

me

their

talk-

in'.

But

I'm

gon-

na'

do

just

as

Of-

ten

times

the

ones

that

talk

And

don't

care

if

they

all

de-

spise

me.

And

beg

your

par-

don

for

their

squawk-

in'.

21

noth-

ain't

17

D7

There

G7

13

C7

G7

If

should

take

If

dis-

like

my lov -er

B B

'Tain't

D7

No-

bod- y's

want

to

an-

will

get

down

on

G7

no- tion

F7

Biz- ness

y-

way,

their

knees,

F7

G7

B7
E
E

F&7

If

To

jump

in

And

leave

him

D7

Do.

G7

to

the o- cean,

for an -oth-

er,

F&7

a
Tain't Nobody's Biz-ness If I Do

25

Rath- er
If

I go

Tain't

33

37

no

than

per-

to

church

29

D7

se- cute
on

Sun

B7

choose

that

you

would

shoot

me,

-day,

Then

cab-

a-

ret

on

Mon-

day,

F&7

biz - ness

if

get

the

feel- in'

To

dance

up-

on

If

my friend

ain't

got

no

mon- ey

And

say

"Take

'Tain't

No-

F7

F&7

bod -y's

D7 G7

Biz- ness

If

the

all

ceil-

mine, Hon

C7

should

B/D

do.

C7

If

D7 G B7

me,

F7

bod - y's

in',

-ey",

F&7

Do.

If
If

41

45

D7

let

my

best

com-

pan- ion

give

him

my

last

nick- el

'Tain't

No-

bod -y's

F7

Biz- ness

B7

Drive

me

right

in- to

And

it

leaves

me

F&7

If

Do.

in

C7

the can -yon,

a

pick

F&7

-le,

Take Me To the Land of Jazz

C TREBLE

Bert Kalmer, Edgar Leslie, Pete Wendling - 1919

C7 F7

There's mu- sic in the breeze,

C7

moan-

in'

C7

ev- 'ry

and

groan-

G7

F7

ca- bar- et,

and

it's the

long

to hear it,

C7

tune- ful

must be near it,

on- ly

G7(b5)

F7

har- mo- nies.

C7
F7

G7

13

F7

and trom- bones grow on trees.

in'

C7

thing they play!

G7(b5)
F7

C7

and that's why

I say:

You hear

In

Well, I

Take Me To the Land of Jazz

Chorus:
B

17

Take me to the land of jazz,

Play the

Take me to the land of Jazz,

Let me hear the music New Or- leans has,

F7

21

25

C7

wan' na step,

like it

C7

to

a tune that's full

of

and you know that's what that

hot,

kind-a' blues like Mem- phis has,

Pickin' 'em up and

layin' 'em down,

Come and take the

lat- est dare,

F7

C7

gen -u- ine pep!

ci-

ty's got!

Learn

to

do the "Griz-zly-

Teach them how all

D7

o- ver

town,

Bear".

G7
C7
F7

29

I'll give you fair warn- in',

love that syn- co-

33

I won't be home- 'til morn-

pa- tion,

At

F7

my

des-

tin-

a-

sun comes up,

In the lov - in' land of jazz.

run - nin' wild and

livin'

it

In the lov - in' land of jazz.

I'll be

tion!

dan - cin' 'til the

up,

in'.

Just

That Dixie Jazz

C TREBLE

James P. Maguire & Warren DeWitt - 1919

A E

B7

Have you heard the la-teststrain?

It will

B7

lin-ger

in your brain.

For it's a

B7
E
C7
F7
B7

rag-gy new mel-

o- dy,

So full of har-

B7

It's

13

B7

Oh,

a brand new South-ern drag,

B&

babe,

C7

What do you say?

mo- ny, You'll want to hear

It's a

F7

dan- dy

it a-

Come let us hear

gain.

B7

Dix-

ie

the band

rag.

B7

play.

That Dixie Jazz

17

That

Dix- ie

C7

jazz!

That

Dix- ie

jazz!

F7
B7
E

G7

21

My how I love to hear that Dix-ie jazz!

25

C7

From left to

F7

right,

Hold

to me

tight.

F7
B

want to do the shuf-fle and the tick-le toe.

C E7

37

Lis-

F7

Lis-

41

ten can't you hear that man just

coax a

moan

B7

ten to that syn- co- pa- tion

That

Dix- ie

It's the

C7

jazz!

best

That

F7
B7
E

ie

let's

jazz.

ing.

It makes me

B7

go!

from his trom- bone.

I've ev- er known.

45

My how I love tohear that dear old Dix-

Oh, Hon- ey! Come,

Oh, just see'em sway-ing when they're play-

29

33

Dix- ie

jazz!

B7

That Dix-ie Jazz!

C TREBLE

Dmi

That's A Plenty

Lew Pollack / Ray Gilbert 1914

A7

Dmi

13

A7

21

C7

26

C7

30

A7

C7

17

Dmi

Dmi

F#

F 2 bar break

C7

D7

F7

G7

C7

Bb

A7

That's A Plenty

33

Dmi

38

A7

46

A7

bass

Dmi

Dmi

Bass

Bass

Bb

A7 Ab7 G7

F7

59

G7

65

D D

Bb

Cmi7

F7

C7

G7

Trombone, Bass, etc

Dmi

F7

Bb

A7

C7

54

70

A7

49 C

Bass

43

A7

Bb

A7 Ab7

F7

Bb

Cornet, Clarinet, etc.

F7

Segue to Solos:

77

81

E Bb

C7

A7 Ab7

Bb

Cmi

F7

C7

Bb

A7 Ab7 G7

G7

F7

86

That's A Plenty

Solos - ad lib:

Bb

F7

Bb Eb7

Continue after last solo

92

Bb F7

FINE

98

G Bb

F7

105

109

Soft "Shuffle Chorus"

C7

F7

mp

G7

Bb

Cmi7

After "shuffle chorus" Play "E"

(16 bars) Once as out chorus:

F7

That Da Da Strain

C TREBLE

Smith and Medina - 1922

q = 152

D7

A Gm

D7

13

C7

21

C7

25

Bb

Bb

D7

F7

F7

C7

G7

29

Gm

17

D7

Bb

Cm7

F7

G7

Bb

Eb7

Bb

Solos on "B"

C TREBLE

Tiger Rag
A B

B
Cues are Trombone/Tuba
F
C7

C7

22

C E

26

30

33

37

B7

C7

C7

F7
B7

Solo Break

B7

F7
B

18

2.

F7

14

F7
B

1.

10

The Original Dixieland Jazz Band - 1917

Solo Break

E
Solo Break

Tiger Rag

D B

42

46

C7

E A

50

54

62

E7

66

B7

E7

E7

B7

Solo Break

73

F7

A7

E7

E7

77

F A

58

E7

Solos at "E"
A

There'll Be Some Changes Made

C TREBLE

G7

Forthere's a

C7

13

so

D7

walk

C7

B G7

C7

change

will

be

change my

21

D7

no-

29

33

C7

is

in',

bod-

wants

There'll Be

way that

change

in

me,

be

F7

Chan-

F7
Chan-

and my

F7

ain't

ges

ges

e-

G7

old

nough,

Made

to-

day,

Made.

'cause

E7

gray,

and

stuff,

I'm goin' to

strut my

My

same,

sea,

name,

the

the

talk

that

in

you when you're

Some

Some

if

change

G7

goin' to

liv-

my

of

way

There'll Be

C7

me

the weath-er there's a

dif- 'rent,

Then I'll change the

25

on there'll be

a- bout

in

from now

Noth- in'

17

Higgins/Overstreet - 1921

G7

B7

A7

A7

'Til we Meet Again

C TREBLE

Ab

Smile

Ab

I'll come

seem

Ab

be

you.

Then

the

more

blue,

down

in

lov

ding

bells

a mem

-o -

Bb7

me,

'Til

will

ers

ry.

So

wait

and

land

my

dear

Ev

pray

meet

Ab

Eb+7

Eb7

Eb7

will

ly,

we

skies

Db

roll

Ab7

the clouds

Eb7

so mer - ri

Dbm

Eb7

ring

When

Db

F7

Ab7

Eb7

me sad a - dieu

kiss

Bb7

Ab

Wed

28

to

F7

you

Ab

11

23

while

by

17

the

Eb7

1918

gain.

'ry

tear

Dbm

Ab

each

night

ie

will

for

C TREBLE

Tishomingo Blues

q = 132

Ab

Eb7

Ab

Eb7

13

Eb7

Down where the South - ern

Where South - ern folks are

Ab

Ab7

Bb7

moon swings low, That'swhere I want to

al - ways gay, That's why you hear me

Db

goin'to Tish - o - min - go

22

E7

way down old Dix - ie

be - cause I'm sad to

way.

go.
say,

I'm
I'm

Db7

Ab7

I wish to lin - ger,

- day.

Eb7

Ab

Ab

Ab

the win - try winds don't blow.

way down old Dix - ie
way,

17

Dbm

I want to be where,
To Tish - o - min - go

My heart cries out for

Oh Lord please bless the

you in sad - ness
train that takes me,

Oh Mis - si - sip- pi,

To - night I'm say in'

Db

Ab

Ab7

Oh Mis - si - sip - pi,

To - night I'm Pray - in'

Eb7

Bb7

Spencer Williams - 1917

Eb7

Oh my wea - ry heart cries

Tishomingo Blues

Ab

26

out in pain,

Oh

how I wish that I

was

Eb7

back a

- gain,

with a

race,

Opt. Break on Solos

30

Bb7

in

place,

Ab

Ab7

They get you dip - py,

ta

tion,

Fm

just can't re

Eb7

I wish to

lin - ger,

Bb7

Ab7

E7

Way

trees.

C7

with their stange mel - o

46

A - mong the cy - press

Db

C7

Ab

42

Db

down in Mis - si - sip - pi,

37

Eb7

where they make you wel - come all the time.

33

Bb7

Eb7

Ab

To re - sist

- dies.

- fuse

temp

Ab

In Tish - o - min - go

Eb7

Where they play the wea - ry

Ab

blues.

Toot, Toot, Tootsie

C TREBLE

Gus Kahn, Ted Fiorito - 1922

A E

B7

Toot, Toot,

12

F7

B7

takes

18

me,

B E

Kiss me,

26

A7

for

Toot - sie

the

34

38

B7

don't

Tut,

Toot,

get

toot,

no

then

Toot

you

sie

sie,

o- ver

know

I'm

Good

a-

that

fail,

in

bye.

gain.

If

B7

jail,

cry.

it makes me

B&7

sad

F7

don't

er

nev-

F7

I'll

E9

Toot-

words can tell how

Do it

Bye!

B7

ter

you

Tut,

and then,

let-

Good -

F7 B&7

a- way from

The choo choo train

mail,

sie,

cry,

you

don't

F7

Toot-

F7

Watch

sie,

B7

Toot, Toot,

Toot-

30

B7

Tuck Me To Sleep In My Old 'Tucky Home

C TREBLE

George W. Meyer - 1921

AF

Tuck

F7

me

to

sleep

cov-

er

me

kiss-

with

let

the

Dix- ie

in'

ain't had

G7

25

can

Tuck

29

C7

sun

kiss

I've been miss-

B F7

bit of

F7

me

to

sleep

lay there stay there

leave me there a-

my

lone.

F/C

cheeks

in'

ev-

'ry dawn,

like the

from my mam- my since I'm gone.

since

in

my

nev- er

home,

C7

and

'Tuck- y

G7

rest,

old

no more

left

in

her

my

lov-

old

'Tuck- y

to roam.

mam- my's nest.

rest the best

F/C

G7
C7

my

al- ways

in

skies

F7

21

Just

17

C7

13

C7
in' arms.

F/C

home,

G7

let me

C7

C TREBLE

q = 164

Under The Bamboo Tree

A Ab

Bbm

Eb7

Ab

C7

Fm

Bbm

And ev-ry morn - ing

he would be

13

a - wait - ing there his

17

B Ab

you like

21

- a me like

Eb7

I like

25

- a say,

I love

29

- a you and

Eb7

One live

as two,

- ry day,

we like

I like

- a chnage your

a love

un - der the bam - boo

same,

Ab

Eb7

name.

if you

If

- a both the

sing:

you true and

as one,

Eb7

and then to her he'd

two live

bam - boo tree,

- a you and

Eb7 Db

Bb7

Bbm

down un - der - neath a

love to see.

love - a

from Ma - ta - boo - loo

this ve

Ab

up - on a Zu - lu

Fm

I like

Eb7

Ab

Eb7

C7

Bb7

a marked im - pres - sion once she made ,

Ab

Eb7 Db

of roy - al blood though dusk - y shade.

Bbm

Down in the jun - gles lived a maid,

Bob Cole - 1902

'Cause

me,

Ab

tree.

Walkin' the Dog

q = 164

C TREBLE Bb

Bb

Now lis - ten hon - ey 'bout a

You all were craz - y 'bout the

F7

new dance
"Bunn - ny

Bb

Been 'rig - i - na - ted for
Most ev - 'ry bod - y was

craze,
Hug",

F F# C7

It's these, It's

a
bear!,
But now, and some- how,

days,
bug!"

And it's a new step

The fun - ny Dog walk

Bb

G7

Bb

In
In

F7

ev - 'ry cab - a - ret and danc - ing

ev - 'ry pri- vate home this dance is

F7

12

all,
phone,

Get 'way

21

Eb

Grab your

25

gal,

Bb

Do that

29

Bb

slow,

step,

Eb

the "Tex - as Tom -

Bb7

that will

Eb

show,

the

my",

Bb

Do that

slow

Bb

Drop!

one and all,

F7

and don't you lin - ger

F7

Get o- ver Sal - ly,

C7

F7

Bb

and snap your fin - gers,

Bb

C7

I'll
in - tro- duce this dance:
This "Dog - gone" rag - gy tone:

Bb

back,

Bb

chance,
phone:

Eb

Bb

a fun - ny two step.

is all the town talk.

You see them do - ing it, yes,

I called a friend of mine up

D7

If you'll just give me

a
Hear - ing
on his Gram - o

17

hall,
known.

F7

one and
on the

a
a

F7

Bb

F# C7

bout ten
"Tan - go

Bb

F7

Shelton Brooks - 1917

drag 'round the

hall.

F7

Like you're sit ting on a log, Rise

F7

dance called "Walk - in' the

Bb

Dog".

C TREBLE

Wabash Blues
q = 120

Bb

Near - ly

F7

Bb

bash

home,

Wa

Gm

Bb

C7

13

Now

ev

Solos

B Bb7

- 'ry

Eb

Eb

Oh,

23

dues.

had

day I'm so lone

girl was

some it's

D7

- di - an - na's sweet and it's

Bb

roam,

from my

My old home- stead

F#7

as

sweet as could be,

F7

mis

Bb

er

y.

at B

Bb7

17

Bb7

now can see,

Bb

In

Eb

once start - ed

F7

to

Bb

place that'shard to beat but then I longed

Bb7

day that

10

bro - ken heart - ed since the

C7

Bb

Gm

Bb7 Eb

Eb Gm Ab A

those Wa bash

Blues

F#dim Eb7 Ab

Ab

lone

some soul am

Bb7

know

Eb

I,

Bb7

Bb7

got my

Eb

B7

29

B7

feel

33

that

Bb7

Bb7

Bb7

Eb

Eb

me

shoes

51

Bb

Thru the
'Xpect to

F#

syc
see

die.

the

gleams.

Bb7

Bb7

lose

those Wa bash

can
on

- dle

the

Mem - 'ry brings the scent of

new mown
Seems that such
a
pic - ture's bound to

53

C7

I
Ma

55

am

- king

Bb

I'll
But

be
un

start - ing
up
my

leav

- til

for that
mind to

Bb7

spot
see

no
that

- ing hoof prints t'ward the

that hap - pens here's the

Eb

Eb

Blues.

shin
an

hay
turn

to
me

me
to

C7

need
home

Eb

old home road

best that
I

Db7

each night,
the right,

ask
far

- ing bright,
- y night,

to
so

Bb

light
is
Wa - bash

my walk - in'

Gm

F#

Ab

I'll pack

the
moon- shine

Gm

F#dim Eb7 Ab

Db7

Eb

- a - more

Eb

Eb

dreams,

To

could

light that

in my

Bb7 Eb

Haunts

49

Bb7

dle

Bb7

Bb7

Can

43

Bb7

37

Wabash Blues

me when,
a - way,

Bb

a - gain.
can say:

Back to B

Waitin' For The Robert E Lee

C TREBLE

Lewis F. Muir & L. Wolfe Gilbert - 1912

Way

down

The

whis- tles

Dad-

ropes

13

lev-

are

blow-

and

Mam-

they

are

throw-

in

in',

C&

my,

the

a-

bam-

smoke-stacks are

show-

Al-

Eph-

riam

and

Sam-

ex-

cuse

me,

I'm

go-

moon

light

night

you

can

find

where

all

is

har-

mo-

they
en

are
the

waitpreach-

What's that they're sayHave

you
been down

in'
er,

the
He

G7

banis

While

they

keep

play-

you

ev-

er

go

C&

in',
there

ways

be

found

good

ship

Rob-

ert

dog-

gone,

Here

comes

car-

ry

the

good

old

G7

cot-

ton

a-

way.

Rob-

ert

E.

Lee.

al-

Lee
my

On

in'

to

the

all,

pateach-

tin'.
er.

in'?
there?

my,

ous,

If

in',

U's

the

there, Why,

that's

come

to

by

on

the

ba-

coing

sway-

The

C7

and

in',

ni-

syndance-

min'

you'll

There's

them

hum-

E7

y,

What's that they're sayWere you

around

D7

arc
the

in'?
there?

jos

C7

G&

and

in',

E7

old

place

17 B

ee

D7

25

While
Ev-

29

the

dy

21

on

G&

G7/D

C7/E

Waitin' For The Robert E Lee

33 C

Watch

37

C7

them

shuf-

them

shuf-

C7

best

down

49 D

to

join

53

C7

Hear

the

that

shuf-

that

C7

great,

61

C7

Wait - in'

for

a-

long.

real

pal,

C&

ee,

said

ic

to

the

and

song.

mate,

Wait-

in'

on

the

Rob - ert

E.

Lee.

C7

ee,

And

F7

sim-

the

lev-

ee,

For Repeat:

G7

It's

lev-

your

Go

throng.

take

flin'

Go

gal

mus-

57

long.

lev-

a-

flin'

41

45

flin'

See

ply

Way Down Yonder in New Orleans

C TREBLE

Henry Creamer & J. Turner Layton - 1922

C7

Gucss!

Where do you think

Guess!

What do you think

Guess!

Where do you

Guess!

What do you

I'm go

in' when the winds start blow in' strong?

I'm think in' when you think I'm think in' wrong?

A7

think I'm think in' when I'm

think

think I'm go

in' when the nights start grow in'

in'

long?

I
I

all night long?

ain't go

in' East,

ain't think in' this,

13

I ain't go

in' West, I ain't go in' o

I ain't think in' that,

that

heart does not start

to

pit

a - bout your hat.

D7 D7(b5) G7

I Iove best,
a

pat

Where life
un

less

C7

ver the cuck oo's nest.

can not be think in'

bound for the town

G7(b5)

C7

is

one sweet

song;

hear this

song;

I'm
My

Way Down Yonder in New Orleans

17

B C7

G7

Way down you

21

25

der in

New Or

there'sa gar den of

Cre- ole ba

29 F7(4)

F&7

G7

den,

G7

B6

33

Stop!

37

There

you bet your life you'll lin - ger

is

They've got

41

way down

ven right

hea

an

yon -

der

in

New

lit - tle while.

D7

here on earth,

G7

lit tle smile.

C7

there,

with those beau

- gels right here on earth,

F7

C7(4)

ten der sighs,

fair,

G7

F&7

la - dy

wear - ing

C7
Or

lit

ti - ful queens,

- tle blue jeans,

F6

F7

mean.

soft ly whis - per with

F7

scenes,

F&7

C7

Oh won't you give your

C&7

that's what I

- bies with flash- ing eyes,

Stop!

of dream - y

in the land

leans,

C7

C7

C7

leans.

A7 A7

C TREBLE

Washington and Lee Swing

T. Allen and M. Sheafe - 1910

q = 240

14

18

B Bb

22

Eb

30

F7

Eb

F7

Bb

G7

F7

Bb

Bb7

C7

Bb

26

Bb

Bb

10

Bb

When The Saints

C TREBLE

F7

Well I

pray

each day

Want to

join

the

am just

G7

wea

- grim
heav - en,

Want to

When the

saints

come

When the

saints

come

When the

saints

come

saints

Gm7

go march- ing

in

in

Bb

- ber

Bbm7

When

in

that

pro

the

trum

- pets

march march -

in.

ing

in.

ing

Oh

lord

the saints

go

F7

want

to

Dm7

Gm7

C7

march

ang

- el

- ty,
cess - ion,
blow - ing,

Oh when the

Oh when the saints

go

the

me

in.

help

of

ci

ing

this land

march

C7

that

Bb

for

play in

strength to

C7

the

hear

thru

F7

be

Want to

read

I want to

A F

For

Plod - ding

band,

Gett - ing

Bdim

pil

to

band,

12

B dim

win,

num

- ry

heav'nly

sin;

10

C7

Bb

- ing

in.

F#dim

march

- ing

be

in

that

When Ragtime Rosie Ragged The Rosary

C TREBLE

Lewis Muir & Edgar Leslie - 1911

F7

Verse:

A B

Par- son

A7

Lee

in

aw- ful

F7

B7

in

sor-

ry

but

our

17

21

B B

gal named Rag- time

par- son seemed de-

25

up and vol- un- teer

light- ed

and

he

said

here.

Now I'd

to help us

out".

When a

and said that she could play,

said "Just step this

sat down to pray,

Then

The

way",

And the

F7

B7

Ro- sie stood up

F7

or- gan man ain't

F7

con- gre- ga- tion all

F7

to stand

F7

ac- cents loud and clear,

13

like some- one

A7 C A7

Ten- nes- see

"Folks I'm

A7

came a shout!

F&

When

When Ragtime Rosie Ragged The Rosary

C
F7 Break for Spoken Vocal
B

29

Rag- time Ro- sie ragged the Ros- a- ry,

33

41

C7

so sweet,

It was

danc-

53

List- nin'

57

to

that

want you folks

Rag- time

Ro-

B7

in'

sie

o- dy.

that this ain't

C7

ragged the

F7

ros-

pran- cin'

to the

Why, he forgot the sermon and began to speak in German

to know

a treat,

and

low- down mel-

B7

Rag-time two-step 'til that Par- son Lee,

such

F7 Break for Spoken Vocal

F7

D B

That instead of prayin' Rosie got the folks to swayin''

It charmed their feet and set'em

49

to see:

B7

To that tune

45

Break for Spoken Vocal

Then he turned a- round on- ly

37

Deacon Alexander Started in to reprimand her

F7

a-

ry.

Then

no

F&

F7

he

said

"I

show"

When

min- strel

E7 B

C TREBLE

When The Midnight Choo-Choo Leaves For Alabam'

Irving Berlin - 1912

B& E

A E B&

I've had a might-y bu-sy-

day,

The minute that I reach the place,

E
A

give the land- lord back

have n't had

E
B&

kiss

13

F7

flat,

my

Ma,

Pa and

of

the

o-

ver

Al-

a-

B7

17

folks down

why you'll hear

me

glad

to

e-

nough

way.

I'm goin' to ov- er- feed my

face, 'Cause I

his

my drear-y-

I've had to pack my things a-

rust- y

key,

good meal since the

up

The ver- y

home who think of

ba- ma's

F7
sing-

ing

throw my-

I'm

ma- ny wear- y nights I

a doz- en times for

new mown

mer- riself

a-

ev- 'ry

That opened

I went a- way.

day

Now I'H

key,

B&

Where

goin' to

sat,

Think- ing

star,

Shin- ing

me.

That is

hay.

I'll be

B7

ly;
way.

B7

When that

When The Midnight Choo-Choo Leaves For Alabam'

21

B7

mid- night choo- choo

25

B7

there,

see

that dust-

F7

45

re-

haired con- duc- tor-

Where

49

B7

board!

be right there with bells,

All a- board!

ey-

When that old con-

All a- board for

Al- a-

Back home where

B7

lamb

him

That's where you

G7

grab

I'll

When

home a- gain.

my hon-

will

man,

be right

"Al- a- bam! Al- a-bam!"-

I'll

fare.

That's takin' me

main,

stop this train,

C7

bam',

my

And I'll hol - ler,

C E7

41

Al- a-

got

B7

by the col- lar

I'll

B7

33

37

leaves for

I've

29

am.

duc-tor yells,

"All a-

B7

bam'.

When that

When You Wore A Tulip

C TREBLE

Percy Wenrich & Jack Mahoney - 1914

A B

you wore

When

E
I

wore

When you

C7

17

You made

21

down where

25

29

G7

sweet- er

F7

wore

sweet yel-

low

red

life

the

no

one

blue

grass

jul-

ep,

big

and

B7

rose,

then Heav

G7

en blessed me, what

you called

when

red

you wore

rose.

dear- ie,

grows,

me

C7

B7

D7

than

tul- ip,

knows.

when

cheer- y,

F7

'twas

ca - ressed me,

bless - ing

B B

tul- ip,

13

big

B7

Your

that

tul-

ip

lips were

'twas

and

C TREBLE

When You're A Millioin Miles From Nowhere

mil-

lion

A G7

You're a

C7/G

one

G7

C7

ring-

B G7
leave

21

C7

leave

25

29

mil-

F/A

one

tle

mile

of

moth-

A/C

ing

in

F7

miles

from

from

er's

your

gates

of

Moth- er's

arms

lion

miles

lit-

tle

C7/G

mile

to

from

C7

from

where,

home.

G7

C7

tears,

heav-

B7 C A7/C

roam.

no-

when you're

It's

the

B7

keeps

You

just

When

You're

where,

G7

home.

en,

A7

ears.

That

F7

E7

no-

C7

the

C7

C7

D7

song

lit-

13 B/F

17

Walter Donaldson - 1919

you

When you're

C TREBLE

Where Did Robinson Crusoe Go?

Verse

Thous ands of

out

on

an

Rob - in - son

no

is

land

Cru

on

rent

to

pay

on

fine

and

no

Fri

day was

shore,

wife

to

o -

his

on - ly

day,

bey,

C7

friend,

bor - row

tle hut,

livedthere 'til

G7

C7

Sat - ru - day

night

it

was

lend,

lit

or

D7

They built a

south - ern

soe land - ed

they didn - 't

C7

G7

more,

F7

29

may - be

C7

His good man

25

or

A F

21

G7

13

17

a - go

C7

D7

years

Young/Lewis/ Meyer - 1916

shut.

D7

Fri -

day, but

And

Where Did Robinson Creusoe Go?

33

B F

D7

Where did

Rob

in - son

Cru - soe

Fri - day

C7

41

on

Sat

go

With

day

they

night?

would start in

G7

45

ur

Sat - ru - day night

to

roam,

C D7

is - land lived wild

men

in

G7

53

wild

men

Where

can - ni - bal

did

Fri - day

Rob

on

Sat

C7

in - son

ur - day

C7

On this

trim

min'

and

C7

D7

there must be wild

G7

home.

G7

wherethere are

57

Ev - 'ry

G7

Then on Sun - day morn- ing they'dcome stag - ger - ing

61

G7

37

49

night?

wom

Cru - soe

men,

go

so

With

Solos at "B"

The Whiffenpoof Song

C TREBLE

Tod B. Galloway - 1909

A E

We're poor

F7

lit-

Gen

21

B7

Doomed

25

C7

Lord

Baa!

Baa.

from

have

B&7

here

mer-

Baa!

cy

B7

We're

B7

a-

Off

on a spree,

to

e-

ter-

on

such

ni-

F7

Baa!

stray,

way.

- tle-men song - sters

our

who have gone

29

B7

Baa!

Baa!

B7

Baa!

who have lost

tle black sheep

F7

B C

B7

Baa!

13

17

lit-tle lambs

B7

Baa!

ty.

E7

D7 D7

as

A6

we,

B7

C TREBLE

Whispering
Schonberger - Coburn - V. Rose - 1920

A E

Whis-

per- ing

F7

lit-

17

B E

whis-

Whis-

F7

Whis-

29

F7

can

whis- per seems to

B7

per- ing

per- ing

one

true, there's no

cud- dle

know it's

21

25

tle

no

so

Each

13

- per- ing

while you

Whis

why you'll nev-

why you'll nev-

C7

hear

me,

B7

cheer

D7

er

leave

er

and

say

love

you.

Whis- per- ing that

C&7

per

you

me,

me,

be-

B&7

dear, but

that

near

one

D7

you,

You're

me,

C&7

C7

grieve

me,

B7

lieve

me,

Wild Cherries Rag

C TREBLE

A C

E7

13

G7

G7

E7 A E

A7

A7

Ted Snyder - 1909

A7

A7
D
D

21 G7

25 A7

A7
D
D

B 17

29

G7

G7

Wild Cherries Rag

@
33 C

37

41

C/E

45

C7

C/E

C7

C7

C7

D7

D7

C7

A7

49 D D

A7

53

C7

A7

57 D7

Bass Solo - Stop Time

61

C7

C7

C7

A7

D7(b5)

D7

F G7

G7

65

Coda

G7 C7

D.S Back to "C" al Coda

C TREBLE

The World Is Waiting For the Sunrise

Eugene Lockhart & Ernest Seity - 1919

F&

Dear

wait-

ing

Ev

mate

And

call

F7
-

ing

The

high,

His

D7

is

call-

my

E6

F&

on

dew.

29

is

F&

with

sleep

25

rose

thrush

21

G7

F7

rise,

C7
heav-

17

sun-

'ry

is

D7

the

world

for

the

F&

one,

13

ing,

G7

heart

you.

is

The Yama Yama Man

C TREBLE

Collin Davis & Karl Hoschna - 1908

A/C

B/D

F7

F7

'ry

lit tle tot at night is

Great

big

sca ry eyes you see so you cov er up

A/C

Some

big

But

that

Ev

B/D

Ya rna man they see,

a fraid of the dark, you know.

up your head,

F
C7
F7

when

off to bed they go.

Ya ma man is there,stand ing right be side your bed!

F7

Ya- ma, Ya- ma, the

13

If

17

you don't

21

Ya- ma man,

Ter- ri-ble eyes

F7

a doubt, If

he

F7

F7

can!

B7

in' be-hind the chair,

Read-y- to spring

G7

Run to your Ma-

B7

and a long bo- ney hand.

C7

G7

watch out he'll get you with-out-

May-be- he's hid-

F7

ma cuz' herecomes the Ya-

ma

out at you un- a- ware!

F7

F7

Ya-

ma

man!

C7

C TREBLE

Yellow Dog Blues

A

E'er since Miss Su - san John son lost her

Yel - low

C7

more to

You can hear her

Ri - der took.

Ev - 'ry cross tie

13

my

Way down where

the

Ca - ble grams come of

Mon - ey don't 'xact - ly

17

Let

F7

G7

Has

e - ven a

Down

where the

moan - ing

morn.

ba - you, burg

and

bog.

trees, On

F
F7

"Bam"

no grand stand

ru

- ral

South ern

der's

gone?

the

Dog.

And
Is

cross the

C7

ev

- 'ry where that

like Old Back an'

y.
Dog.

No

in qui - ry

of

cot ton stalks it growns with ease,

de - lie - ver

G7

Te - le grams go

sym - pa - thy
grow on

and

- sy Ri South- ern cross

night

Ea

- ters come from down in

racce horse, race track

21

Won - der where

book, In - deed I know the route that

G7

B C

be;

like

F7

F7

Jock- ey Lee, There has beenmuch ex - cite ment,

Dis trict

Dog

W.C Handy 1914

Un

- cle Sam
Buck - shot land.

G7

All day the

Ev

- e - ry

Yellow Dog Blues

25 C

30

phone rings
kit chen there

D7

from
the

37

D F
Ea

42

F7

Ten
live

Bb

D7

Ri

- nes - long

- der

hog.

Bb7

had to

57

C7

vamp

it

gone where the South- ern

G7

Dear

Sue

your

Blues

C7

F7
Bb7

struck this burg

to - day,

Ea

53

man car.

C7

see.
day.

B7

side door Pull

This mes - sage comes,

Dog
This Yel - low

47

At
last
good ti - dings,
Down where the boll wev'l works

- sy

F
glee,
play.

Bdim

Fill our hearts with

While the far - mers

C7

But it's not for me,

a cab
a - ret,
is

34

Ab7 Bb
sy

Ri

south bound'ratt - ler

Seen him here,

Bdim

- der's

but the hike

C7

On

ain't

cross the Yel - low

and he was on the

F7

got a stay

far.

Dog.

a - way,

C7

so he

He's

C7

Solos at "D"

You've Got TO See Your Mama Everynight

Billy Rose & Con Conrad - 1923

A Bb

Dadd - y

Bb

Bbdim

dear

list - en

here

Once a

week

I'm not show -

17

B Bb

see

21

Bb

kiss

25

in'

Mam-ma

Mam- ma,

B7

If

29

Bb

you want my

see

Mam-rna

and that will ne

Ma -ma's cheek

C7

13

Bbdim

you,

Bbdim

Bb

Bb

Bbdim

Bb

Needs a kiss or

Bb

C7

but I must lay down the law.

F7

Bb

Or you can't see Mam- ma at all.

You've got to

F7

Treat her right,

E7

You can't fif- ty

fif- ty

F7

Bb

ev-'ry night,

Or she won't be home when you call.

com- pan- y,

You've got to

ev-'ry- night,

B7

two.

the door

- ver do.

you

Bb

Bb

your mam - ma's feel - in' blue.

F7

I don't see much of

Bbdim

Or you can't see Mam-ma at all.

me.You've

got to

You've Got TO See Your Mama Everynight

33

Bb

F#

F7

Bb

Mon - day night

37

Bb

sat a - lone.

Tues - day night

Cm7

Bb

F#m7 F7

Bb

did not call

you

did not phone

F7

Bb

F#

and thurs -day night it was the same old stall

F7

Bb

Fri - day night

45

F7

Wednes - day night you

41

F#

Cm7

F#m7 F7

Sun - day night

F7

you dodged my path

Bb

F#

Sat - ur - day

Bb

you

took your bath

F7

Bb

you called on me but you brought three girls for some com - pan - y you've got to

49 D Bb

F7

Bb

see your ma - ma

53

ev - er - y night

or youcan't see your ma - ma at all

Bb

Kiss your ma - ma

57

and treat her right

Bb

or she won't be

Eb

You've go to

F7

at home when you call

Now

Eb7

I don't want the

61

Bb

see your ma - ma

kind of man

who gives his love

on the in - stal - ment plan you've got to

F7

Bb

ev -er - y night

or you can't see your ma - ma at all