Documente Academic
Documente Profesional
Documente Cultură
Jason Zacher
Montclair State University
Abstract
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The purpose of this paper is to explore the effect that technology is having in our society
and how we, as educators, can incorporate this music technology into a classroom
setting. Technology is something that is becoming more and more prominent in our
society and in this paper I will describe how incorporating this music technology into the
curriculum allows students to easily accomplish what they could not before without
technology. I will then relate this to certain examples in which music technology has
been used in order to help better improve a musicians creativity and ability both inside
and outside of the classroom. I will also relate this to how we can use this technology in
order to maintain the aspects of the more traditional style of music and educate others
using it.
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courses and really expands a student's creativity within composing. Through the use of
MIDI, a student can take a song/note that they play on a MIDI keyboard and instantly
have that notated on a screen for them. There are many programs today that work with
these MIDI devices and this allows these students to compose music and hear exactly
what they just composed with the push of a button. These programs make composing
for students a lot easier as opposed to having to write in pencil or asking a pianist to
play what the student just wrote down. It is stated that, "the implications of using
synthesizers and computers for music education are enormous. Students can create,
edit and hear their own compositions by just pushing a button...MIDI technology offers
another advantage: students' creative experiences are not constrained by notationreading limitations. This allows students to create more freely without the fear of having
to notate later" (Beckstead 46). This quote illustrates the fact that a student does not
have to be the best musician in the world in order to use these programs. MIDI is
something that helps any student that wishes to write music to write the music without
restricting their creativity because they are constrained by notation-reading limitations.
While MIDI is very dominant throughout music technology in education, there are
also still many other technologic innovations that can be included in educational
programs in order to help the student and the teacher in their learning. One of the
benefits in the inclusion of music technology within the classroom is the fact that it
makes it easier for the schools in regards to the ability for percussionists to practice with
headphones, pianists able to use a keyboard coherently with another student, and
enables those with no musical training to participate in an ensemble. (Chriswell &
Menasche). There are also some smaller music technology incorporations in the
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classroom that can lead to the benefit of a student's musical performance. These
smaller and less expensive technologic innovations include metronomes and chromatic
tuners. This helps aid musicians in making sure that their instruments are in tune and
that they are performing in the correct tempo. These are less straining on a schools
budget, however they can tremendously help students with the quality of their
performances.
One of the biggest incorporations of technology which help students with their
music education is the internet. The internet is a tool that can be incorporated into all
aspects of teaching in order to help students. "The internet has shown itself to be a
dynamic teaching tool for exploring, discovering, creating, communicating about and
playing in virtual music-making contexts. It provides a mechanism for connecting a
network of places, spaces (both physical and symbolic), musical worlds, music makers,
generators, performances and productions" (Burnard 42). This portrays the fact that the
internet can have a major effect on ones learning, and even helps connect these
students to a broad selection of places that can benefit their learning as well. There are
many popular artists in today's world that are known for the way that they use the
internet and technology interactively with music. This is especially the case for the
artists, Kutiman who remixes YouTube videos and creates a completely new musical
composition, the band Pomplamoose who has pioneered the genre video song, and
especially Eric Whitacre who is a choral composer who allows people from all around
the world to submit videos of themselves singing his composition and then puts these
videos together in order to create a virtual choir (Ruthmann 2). This modernized
version of music composing is extremely popular within today's society and really aides
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students are already high-end users of music technology, it is important that these
teachers create a learning environment in which they are equal to the students and
where they can learn together. It is important that the teacher shares the position as
musician/learner in this pedagogical practice due to the fact that the use of, "technology
provides a enabling environment in which learners and teachers enter a co-participative
process around activities and explorations where learners can take back control of their
learning" (Burnard 39). This ultimately allows students to take control of their learning in
the classroom and will also allow teachers and students to both participate in this
learning process together.
So, what happens in the classroom when we include these new technology
methods? Do educators lose the traditional methods of teaching that were successful
before-hand? It is actually proven that, These technologies may actually reinforce the
traditional notions that they are supposedly trying to supplant (Beckstead 45). This
leads one to believe that, with these new technologies, the traditional notions may
actually help reinforce their methods rather than replacing them with these new lessons.
It is also to believed that, "technologically mediated music making can shake the most
cherished practices of classroom music teachers but, on the other, it can generate the
desire to (and ways in which to) diversify existing pedagogical practice" (Burnard 39).
This highlights the thinking that, although these new practices can actually cause
educators to stray away from the most cherished traditional practices, these new
practices may ultimately lead to more of a desire from the students to learn and expand
upon their creativity.
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Bibliography
Beckstead, David. "Will Technology Transform Music Education?" Music Educators
Journal 87.6 (2001): 44. Print.
Burnard, Pamela. "Reframing Creativity and Technology: Promoting Pedagogic Change
in Music Education." Journal of Music, Technology and Education 1.1 (2007): 37-55.
Print.
Criswell, Chad, and Emile Menasche. "Redefining Music Technology." Teaching Music
16.5 (2009): 30. Print.
Ruthmann, Alex. "CHAPTER 8 EXPLORING NEW MEDIA MUSICALLY AND
CREATIVELY." Teaching Music Creatively. Learning to Teach in the Primary School
Series. London: New York, 2013. 1-20. Print.