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COLLECTED WORKS OF
VASISHTHA KAVYAKANTHA GANAPATI MUNI
VOLUME ELEVEN
PRAKXRJAKAM
Editor
K. Natesan
Associate Editor
Dr. Sampadananda Mishra
Published by
V. S. Ramanan
President, Board of Trustees
Sri Ramanasramam
Thiruvannamalai
Tamil Nadu - 606603
Researched and Edited by
Kavyakantha Ganapati Muni Project
Guru Nayana and Maharshi: The Call and the Grace Trust
1, 8th cross, Tagore Nagar
Pondicherry - 605008
Copyright
Sri Ramanasramam
Thiruvannamalai
Tamil Nadu - 606603
Printed in India by
All India Press
Kennedy Nagar
Pondicherry - 605001
kI[Rkm!
iv;ysUicka
CONTENTS
Publishers Note
Editorial
i-ii
iii-viii
Acknowledgments
Kavyakantha Ganapati Muni
Introduction to the Contents of VolumeEleven
ix-xi
xii-xxii
xxiii-xxvi
11.1.
g[pitmune> pai[
1-33
11.2.
nvIp-kaVyk{Q>
34-40
11.3.
aStaivkp*ain
41-48
11.4.
sukNyads<vad>
49-56
11.5.
pa{fvxatRra+sMv>
57-61
11.6.
&guv<zeithas>
11.7.
laila;aepdez>
113-140
11.8.
#trNwa>
141-179
62-112
PUBLISHERS NOTE
We earnestly pray that Sri K. Natesan, who has dedicated himself to the compilation, editing and publication of all the works of
the Muni, may have the Grace and Blessings of the Bhagavan to
lead a happy and peaceful life. The Sanskrit world will remember
him for ever for his dedication and sincerity in bringing into light
the unpublished writings of the Muni. There is no doubt that the
editing of the complete works could not have been complete without the able assistance of Dr. Sampadananda Mishra of Sri
Aurobindo Society, Pondicherry. Further, he and his wife Prashanti
have dedicated years of valuable time in typing, proof reading and
indexing of the several volumes. They continue to work on indexing of the complete works. We look forward to publish the final
index volume in course of time.
Sri Ramanasramam
Tiruvannamalai, 2008
V.S. Ramanan
ii
EDITORIAL
*
vande QrnramaKarIerDcDryasya padDbjam
yo medarQayadnQaW bhDntaW dhvDntamatntya.
I bow down at the Lotus-Feet of Sage Sri Ramana, the great
Teacher, who has shown me the Self-effulgent Supreme Lord
beyond nescience.
*The first verse here is by Ganapati Muni and the remaining three are by
Sri Kapali Sastriar.
iii
writings reflected the depth and vastness echoing Vedic spirituality, encompassing varied topics, like verses of adoration to different deities (in various metres), verses depicting the principles of
existence, aphorisms on a vast array of subjects, prose writings
such as commentaries, on Dyurveda, on astrology and even in the
form of novel. However, most of his writings have not yet been
published. The Muni, a genuine spiritual seeker who attained to
great heights and depths of spiritual realisation and wrote extensively on various topics, was never concerned in the matter of the
preservation and publication of his writings. Those close to the
Muni knew that he would simply hand over many of his writings
to his disciples and would not ask for the same again, and in the
process many were slost. Nevertheless, the writings of the Muni
were an outpouring of his tapas, the souls seeking for the Eternal. Therefore, these are not only of great spiritual value but also
immensely important from a socio-cultural viewpoint, and need to
be preserved for ages to come.
I came to the lotus-feet of Sri Ramana Maharshi in the
year 1922 through my first Sanskrit teacher, Sri Vasudeva Sastry.
I met Ganapati Muni for the first time in 1926. Munis son, Sri
Mahadeva Sastry, was my Sanskrit teacher in the Municipal High
School where I studied. The Muni used to come to the school
and speak to us at length on various topics (under the auspices of
the Sanskrit Association). It was at this time that the Muni initiated me into certain mantras. Out of my simplicity, once I asked
him as to how to master the Sanskrit language. His reply was
immediate, direct and simple. He advised me to read and write all
his works again and again, leaving the rest to the Grace. His
advice became a mantra, which has primarily governed the rest
of my life till date. I started collecting all his works and have been
reading and writing them again and again. Although these efforts
eventually took me over completely, I feel it was really the grace
v
which the Muni created on different occasions like during his visit
to Navadvipa and during his performance of Ashtavadhana at different places etc. The Muni has presented a dialogue between
Sukanya and Ashvinideva of the Mahabharata in the sukanyDdasra-saWvDda. All the sixty-two verses in this poem were composed extempore in one hour. In the next poem pDKoavadhDrtarDIFa-sambhava, the Muni presents the story of Pandavas
and Dhartarashtras. The Muni had composed extempore all the
thirty-three verses in this poem in one hour. BhrguvaWQetihDsa is
an incomplete writing of the Muni in which he wanted to present
the history of the sage Brigu and his descendants. The available
text has only fourteen chapters. In LDlibhDIopadeQaU the Muni
has attempted to give the form of a new language called LDlibhDID
and has formulated several rules like that of Panini in his
AIFDdhyDyn. There are eleven sections in it. The other small and
stray compositions of the Muni are put under the section called
Itaragrantha meaning other texts.
I sincerely pray for the grace of Bhagavan Sri Ramana
Maharshi and Ganapati Muni, so that the work is completed with
perfection and in time. It is with a great sense of humility and love
that I dedicate this editorial work to Sri Ramana Maharshi and
Ganapati Muni, mygurus, and to Sri M. P. Pandit of Sri Aurobindo
Ashram, Pondicherry, who always appreciated my efforts in preserving the gurus writings.
Sri Ramanasramam
Thiruvannamalai
17.11.2008
K. Natesan
viii
A CKNOWLEDGMENTS
Sri Ramanasramam
Thiruvannamalai
17. 11. 2008
K. Natesan
xi
versed in mantra QDstra, astrology and Dyurveda. With this traditional family background, proficiency in these subjects came
naturally to Ganapati. When he was only 10 years old, he was
able to prepare the pacDOgam (almanac). He finished studying
the classical Sanskrit poems and then devoted himself to the study
of grammar and poetics. At the same time he delved deep into the
writings of Vyasa and Valmiki. Again and again he read the
Mahabharata. His horizon widened and his intellect mellowed with
an ever-deepening perception. Like the ancient Rishis, Ganapati
wanted to experience immense strength and power by the practice of tapasyD through mantra japa and meditation. Although
married at an early age to Srimati Vishalakshi, he started visiting
one sacred place after another for his tapas when he was 18
years old. He used to stay in one place for a few days or even
months. In one such visit to Bhubaneswar (in Orissa, where the
famous Lingaraj temple of Lord Siva is located), during his
tapas, Ganapati had a vision, in which Goddess lalitDmbikD
(bhubaneQvarn) appeared before him, offering divine nectar. As
Ganapati tasted this heavenly nectar, the Goddess watched him
with a sweet smile, full of grace. From then onwards, the sweetness of the nectar became an integral part of him. After this incident, Ganapatis intellect developed a rare sharpness and he attained complete mastery over poetry. Indeed, the literary work
composed after this incident is endowed with a distinct sweetness
and grace.
When Ganapati was staying in Kashi, he came to know
that an assembly of scholars (harisabhD) would be held in the
famous city of Nabadwipa in Bengal. On the advice of his friends
he got a letter of introduction and went to Nabadwipa. There he
excelled in all the difficult tests that he was put to with an effortless
ease that stunned his examiners, who unanimously conferred the
title kDvyakaKFha (one who has poetry in his throat voice of
xiv
However, in his case, with the strength of his own tapasyD and
the Grace of his most compassionate Master, he lived for fourteen
long years (although he had to observe certain physical restrictions, such as that he could not shave his head nor could put his
bare feet on the ground) after this experience. This event speaks
volumes on the extraordinary nature of his tapasyD and the fact
that he was perhaps the greatest Master of tantra born on this
earth. In fact, the final revision of his magnum opus UmDsahasram after this experience, remains, testimony not only to his
supreme mastery over the tantras but also his ability to find the
reconciliation and concordance between the Vedic, Upanishadic
and the Tantric schools of thoughts. The kapDlabheda experience also reconfirms the conviction that he was the direct aWQa
(portion) of the Vedic deity agni (who resides as the power of
kuKoalinn in the mulDdhDra of human beings).
T
th
Of his vast and variety of sutra writings, it would be difficult to single out any one as more meritorious than the others.
DaQamahDvidyDsutram (the ten cosmic powers of the Divine
Mother as described in the tantras) is an outstanding composition, in which the Muni has described the ten cosmic aspects of
the Divine Mother and their significance. Here he has also brought
out the association of these ten cosmic aspects of the Mother
described in the Tantra with the corresponding Vedic deities.
Thereby, not only he has been able to bring forth a link between
the Vedas, Upanishads and Tantras, but also has been successful
in dispelling several wrong conceptions on the significance of these
deities. These compositions reflect Munis great powers of Yogic
perception. The way in which he has expounded the different deities such as kDln, tDrD, sundarn, bhuvaneQvarn, pracaKoacaKon,
etc., and correlates them to the Vedantic concepts has once for all
removed all antagonisms and has bridged the so-called gulf between the Vedantic and Tantric schools of philosophy. RDjayogasDrasutra is a short and concise exposition of the Upanishadic
methods of the inner quest. Caturvyuhasutra is a revelation of
the cosmic divinities wherein he has expounded the four important
emanations of the Vedic deity Indra (DkDQa, kDla, vidyut and
surya). JaiminnyatarkavDrtikam is his own interpretation of the
sutras of Jaimini, where he has advocated that the Vedas are indeed pauruIeyam (of human origin). Further, in this he has given
his own interpretation of the mnmDWsD philosophy, placing it on a
higher pedestal in relation to Vedanta. His QabdapramDKacarcD
also discusses the origin of Vedas. PacajanacarcD and
vivDhadharmasutram are related to social aspects. In the former
one the practice of untouchability is condemned with the authority of QDstras. In the latter he deals with marriage as a sacrament. His other sutra writings also include cikitsDnuQDsanam
(Dyurveda) and gaKaka-kaKFhDbharaKam (astronomy) as well
xx
K. Natesan
xxii
INTRODUCTION TO THE
CONTENTS OF VOLUME ELEVEN
This volume, titled as praknrKakam or miscellaneous, is
the last one to have the original writings of the Muni. In this volume many of the stray compositions of the Muni have been compiled. Also we have included some of the Munis compilations of
Vedic Mantras which he used for his research on the Vedic origin
of the characters of the Mahabharata.
In the beginning of this volume we have put all the letters
of the Muni under the title gaKapatimuneU patrDKi. All these
letters he wrote to Bhagavan Ramana Maharshi and few others
on different occasions. From all these letters one can discover not
only the unique personality of the Muni also a unique style of letter-writing. Each letter addressed to Bhagavan Ramana Maharshi
has a beautiful sentence of salutation in the beginning and a very
appropriate close up. The contents of all letters are related to
either spiritual practices or to the works assigned. But each letter,
whatever the contents may be, has something deeper to convey.
The language is chaste and as transparent as to generate clarity
and inspiration in the readers mind. Out of thirty letters twentythree are addressed to Bhagavan Ramana Mahasrhi, two to the
Mother of Sri Aurobindo Ashram, three to Daivarata, one of his
disciples, one each to two other disciples, Sundara and
Bharadvaja.
The entire write up of the section titled navadnpakDvyakaKFha is taken from the VDsiIFhavaibhavam of Sri
Kapali Sastri in which the episode of Munis interaction with the
scholars of Navadipa in West Bengal is narrated. When the Muni
was living in Kashi, he came to know about the HarisabhD held
in Navadipa. In this the scholars from different parts of the counxxiii
try assemble to showcase their scholarship and the one who excels is respected more. When the Muni went there he was just
twenty-two years old. At this age he could prove himself to be the
best and got the title of KDvyakaKFha from the HarisabhD signed
by many eminent scholars of that time. In this section one can find
all that the Muni composed in answer to the questions raised by
one head of the Harisabha in Navadvipa.
In prDstDvaikapadyDnai most of the verses which the
Muni composed on deferent occasions like while performing
Ashtavadhana or eightfold concentration and challenging another
poet etc. are compiled. There are seventeen verses in this section.
Most of these verses were composed extempore as per the given
specifications .
SukanyDdasrasaWvDda is an extempore composition of
Ganapati Muni containing sixty-two verses which were created in
just one hour duration. All the verses are in Anushtubh metre. In
this the Muni has presented very beautifully the dialogue between
Sukanya, the young wife of an old sage called Chyavana and the
twin gods Ashwinikumaras otherwise know as Dasra. One day
the twin gods, while roaming in the forest saw Sukanya coming
out of a pond after taking her bath. Finding out that she was the
young wife of old Chyavana they proposed her to accept one of
them as her husband and leave the old sage. Hearing this unpleasant words Sukanya gave a beautiful discourse on what should be
the attitude of a true wife towards her husband and the husbands
attitude towards wife. After listening to the words of Sukanya the
twin gods were very much pleased and they told her that they
could restore youthfulness to her old husband and transform him
into a young man, but on one condition. For the transformation to
take place along with the twin gods Chyavan has to sink down
into the pond and all three would look same when they emerge
from the pond. At this point Sukanya has to chose her true husxxiv
xxvi
g[pitmune> pai[
g[pitmune> pai[
AanNdam>
izris, 10,3,31,
gvn! guhavtar,
ividtmev Syagvt> suNdrpi{ftSy ivnawSy kpailn pEr
mm sanucrSy tpirm!, idnyadar_y sveR;a< ivze;tae mm
gvtae mh;edR z
R n
R m!, gvTkqa]e[v
E seymiv&iirit Fae ivas>
sveR;am!,
kI[Rkm!
***
gvn! !
szRn< > &it s<zaeXy zImev e;iy:yaim padsiix< it,
vais>
itIy< p< szRnmUlmam!
***
g[pitmune> pai[
mlvasr>
AanNdam> 17,3,31,
gvn! ivgurae !
itsahmek< p< gvTsixye e;iytu< ikmip Ter[masIt!,
pdawRmk
e spm!, Aym_yasae FIUyanuvtya pyRvsae viTvit
awR y e
gvNtm! ,
sille
bu b u d anIv
pZyaim
kI[Rkm!
ktum
R arBxvan!, Anug
& atu gvan! tSya> inivRpirsmaiyRwa Syat!,
qIkasmaernNtrmev qIkya sh tNmu[> y> kayaeR n aigit
awRye rm[amcalkm!,
gvdnuhawIR vais>
***
AanNdam>, 24,3,31,
gvn! kar[gurae !
gvdnuhe[ vy< ma #v inTy< tejaepaya< gvTk[ayam!,
g[pitmune> pai[
AaTmanut
U ae yid phIn>
iz:yet pU[aRnvixRgk
e a. @tTpadySy Swane
spxIraTmin yavdiSt,
te jnnaNtrata
***
kI[Rkm!
AanNdam>
31,3,31,
gvn! laekacayR !
gvdnuhad sveR kziln>, rray> Aagaimin saemvasre iSwtae
aEmvasre say< gvTsiix< aPSyit, A tSy id jata
g[pitmune> pai[
TvdIyae vais>
***
AanNdam>,
7,4,31,
gvn! parazyR !
gvTkqa]e [ a sve R k z iln>, rrayae = iSme v idne
kI[Rkm!
Irm[agvtae vais>
saErs<vTsraid>
***
AanNdam>, 14,4,31,
gvn! dhrzy !
itg&ha[emain n> s<vTsraidvNdnain, vxRyazIiR>, jymaerae
vTvy< n> s<vTsrStv k[ya,
g[pitmune> pai[
10
kI[Rkm!
gaek[Rm,! 21,4,31,
gvn! ! svaRNtr !
icr|Iivnae dEvratSyanuraexn
e tTpuSy saemSyaepnynkale siihtae
ivtuimd< gaek[R]
e < Aagtae=iSm, #t> itinvteR iSwrvasre, mya
sh vTsae ivaen awae= Pyagt>, pu I c sItaramSy sh
mataipt&_yam!,
yae guhaya< vsit Svy< c guh>, y> puir zete s<sair[am!; ivj&Mte
vdIyae Jyeraj>
***
g[pitmune> pai[
11
Tvdekayicae g[pit>
***
12
kI[Rkm!
AanNdam>, 5,5,31,
gvn! mayamnu:y !
naepzaMyTyxunaip me, t< in;e< zirev naiSt me, t< r< gCDeit
g[pitmune> pai[
13
AanNdam>, 13,5,31,
gvn!! ! vtark !
14
kI[Rkm!
AanNdam>, 20,5,31,
gvn! ! AVyajk[ !
icrIivn> su N drSy "n< p< gtgu vasre atimR i ltm! ,
g[pitmune> pai[
15
te suisae=nNysaxar[ae=NtevasI g[pit>
***
16
kI[Rkm!
AanNdam>, 27,5,31,
gvn! pu;e !
ydaytn< vit lae k ae rSy idVySy te j s> yaSmak<
sve R ; amazabNx>, yd_yu i dt< tpae r aiz;u vise ; u tSy
hrSyEkk
E da ilPymanae=itmxurgNxae e;j< zStimit mmanuv>,
tiddmaveidt< cr[sixaE, #yta kalen sv SvSwmvidTyev
ivisim,
ayae
Nwy>,
pU [ aR
rm[agvta[I>
***
isiStu
g[pitmune> pai[
17
AanNdam>, 3,6,31,
gvn! ! dInbNxae !
gvtaepidmw suNdr> pe iliotvan!, tenaSmakimh s<zya>
Icr[kmlmr> g[pit>
***
18
kI[Rkm!
AanNdam>, 9,6,31,
gvn! ! lIlamanv !
A* ImatumhR apUjaidvse SvIk:vaSmakimtae vNdnain, ya munIna<
atar< Iram< kaEsLyev , yaegiv*aep dezk< Ik:[< dev kIv,
AakaEmarcair[< deizk< przuxair[< re[ukev , svRUtayd<
suNdrSy ksm
u p< imiltm!, tSy pirmlenam> svR> surirUt,
!
tdnu b iNx gvTsNde z ave d k< pmNy imiltm! , mm
rm[agvtcr[xUilxarI vais>
***
19
g[pitmune> pai[
AanNdam>, 17,6,31,
gvn! ! k[amy !
A sveR kziln>, i]piNt Xyanen pu{yE sE> kalm!, nEtavNme
vaiDtm!, janait gvan! yNme vaiDtm!, t awRye gvt>
ikrae vais>
***
izris, 24,6,31,
gvn! ! AacayR !
sma<
gvdnu he [
kapailn<
a:ym! ,
Axu n a
20
kI[Rkm!
svRmNydvdatm!,
#it
szRnpirvtRnkar>
AanNdam>, 1,7,31,
***
gvn! ! mhasen !
sma< szRna:ySy zupuStkyleonm!, @k< puStkmiSmev
idne Aamay e:yte,
21
g[pitmune> pai[
AanNdam>, 8,7,31,
gvn! ! ivmlcir !
A sveR kziln>, vxRte tpae gvdnuhe[, Inris<hSvaimna
miNme [
rictSy
gvirSy
z< s aTmk<
22
kI[Rkm!
nrp< pCymanmm!
***
AanNdam>, 22,7,31,
gvn! ! vTsl !
vIi]tae mjpSy mihma, ivlaeiktae yaegSy sar>, ivcairtae
A_ySt< SwEym
R ,
! twaip naiSm t&>, sMit ijgim;uriSm yEv
g[pitmune> pai[
23
***
AanNdam>,
(Aa;aFk:[itIya) 31,7,31,
gvn! ! lIlamanv !
AiSmiNdne - mm tp> shcyaR> gvtae mnmagaRNtevaisNya>
kIitRz;
e aya> mhadevjnNya> inyaR[idne SvIk:v me nma<is, sa
24
kI[Rkm!
kuve, 4,8,31,
***
gvn! ! iSwt} !
> say< dEvratanujSy sItaramSy g&h< Tyagtae=iSm, A
SwaSyaim varmekm!, sMit itidnmaE "{qaStIay tpse
saerb! , 15,11,31,
***
gvn! ! \i;vr !
Anu}atae gvtah< ivae=iSm "aeray tpse inidR< Swlm!, mNye;
g[pitmune> pai[
25
TvdIy> muin>
***
AMb deiv,
janaMyh< bhae> kalat! .... (@nm!), Ahae=
R y< gvNtmrivNdmuin<
um,
!
26
kI[Rkm!
***
18,3,29, )aLgunzuamI
vTs dEvrat,
AhmiSm ivae gaek[ >, utvaniSm Tvya pive k:[atIre
g[pitmune> pai[
27
***
(zus<vTsr>) cEzusmI kjvasr>
vTs dEvrat,
%pgt< te da[e tpis vtRmanSy pm!, Avgtae av>, @tavdh<
sUcyaim te, ma U*aegyuSy te inrzn< tm!, ywa ASmak< tv
28
kI[Rkm!
#it te inTyiyihtaka']I
vais>
***
15,5,29
vTs dEvrat,
%pgt< te po{fm!, sNtuae=iSm te tpis ywaeictinymen, %m<
ih pyaet< a[Sy, Aicrat! sae vtu gvan! Aaey> ......
vxRta< te tp>.
***
g[pitmune> pai[
29
AanNdam>, 18-4-31
vTs suNdr,
ma< sa]aevta< ivistvt> mdekayicSy mm icrkaljkSy
#it yu:makm!
vais>
***
AanNdam>, izris, 10-3-31
gvn! guhavtar,
ividtmev Syagvt> suNdrpi{ftSy ivnawSy kpailn pEr
mm sanucrSy tpirm!, idnyadar_y sveR;a< ivze;tae mm
30
kI[Rkm!
gvtae mh;edR z
R n
R m!, gvTkqa]e[v
E seymiv&iirit Fae ivas>
sveR;am!.
te j >vaihnI
Zyte ,
mhakayR i sye
***
g[pitmune> pai[
31
Aandam>,izris, 17-3-31
gvn! ivgurae,
itsahmek< p< gvTsixye e;iytu< ikmip Ter[masIt!
***
AanNdam>, izris, 24-3-31
gvn! kar[gurae,
gvdnuhe[ vy< ma #v inTy< tejaepaya< gvTk[ayam!,
mayapuTs<hairn! ! Axuna=ip me edxInaRStmupgta, Ah< janaim
32
kI[Rkm!
ivae=iSm suon
e inidR< Swlm!, AaitvaniSm gvTya #Na{ya>
pim!, .. .. .. .. y*Pyavyae> saxne saXye c ikidiSt taTkilkae
ed>; twa=PyavyaeivRzala ireka-@kmaXyaiTmk< jIvnm!@ktv}anm!-@kma mn>-@ka svRtaemuoI vak-y> kn
g[pitmune> pai[
33
34
kI[Rkm!
nvIpkaVyk{Q>
(ImTkpailzai[a ivrictvaisvEvnamkNwatae=ym<z>)
bvTsryaaepaijRtnanaib;yjntav&iv}Sy Ai}<mNySy mm
laekanuvae nvae=vvIpe, Vyakr[paQzalaapk< pNwan< p&ae
paQzalainveznmiNv:yaixgNtu< pU[m
R k
e mev ciltmh> pyaR< AUidit
xNy< m Nyae = U v m! ,
ANte
mmXye
zalimv
nvIpkaVyk{Q>
35
36
kI[Rkm!
(#it smSya)
nvIpkaVyk{Q>
37
m&ga]I-m&gyaVysnaNy_yudyinrsnaNy_yudyv&< sinyimtmnaerw<
mharajdzrw< nak ] iit taTpyR m Sy p*Sy Vyaka;IR t ! , ANyae
VyaOyanaek ;u-
38
kI[Rkm!
%paNta VyaOya inrgR lya xarya vaGvIyaR m &t miv;RN tI ae ivvrE >
nvIpkaVyk{Q>
39
Tyiyaege nedmahg[pit>- neh sarzBdae ivze:yil>, sar #it vVye sara tara
(ik< tara I naepaista ? #it ma< p&CDis; Tvya ik< puman! kaNtaxRivhae
naepaist> ? #it it>)
AiMbkad>-
#it bIih> Syat!, harI kesrI #Tysaxu yumnuasaysmasInae rsale ceNmaEnmavh maEkle,
40
kI[Rkm!
dvaniMbkad-jatye gaEfnItye,
mIny< ivvadaNt-p*padinveiztm!.
tdanImnen yUna-
aStaivkp*ain
41
aStaivkp*ain
(ImTkpailzai[a ivrictvaisvEvNwatae<=z>)
I. z. 1904 s<vTsre mpure wmmavxan[ynavsre=SmdacayRSy vasae
ramSvaimvIwIvste > zate r IramSvaMyaye R [ shavt! , @kda t
Aaliv*aatka>
s< S k t }a>
kaVyk{Qiv;>
kivta<
kar[< Spm!, ya[a< )lpsu xana< ywahR ma[< sevn< Aarae Gydm! ,
42
kI[Rkm!
***
tdaTve t{fl<-su{yzaimhaedyen (kalaNtre s yJva=vt!) kaVyk{Q>
SkNdg[e z pavR t Iprme rprtya ae k me k < kviytu m u > inme ; maE [E v<
Aa[It!-
***
ANyda
asikmazup*imdmum! -
smagme
aStaivkp*ain
43
44
kI[Rkm!
***
I.z. 1909 s<vTsre itIye Aaidpurvase svsat! piv< acIn< Aaidpur]e<
pura ikl vediv*avasUim> ivNdin;eivtim-TySmimak{yR s*>,
***
tdanImekda injcirkwnse ata izvramzai[a sh kalI"at!
aStaivkp*ain
45
ydijtujagRSwayaStvaMb n IrUt.
!
***
46
kI[Rkm!
aStaivkp*ain
47
shcrE> sh sMba;e, A[acl]evaisiracayRSy saEhadRgaErvaSpdU tE rvxUtE rIrSvaimi> kmip tSw< ivhmixkT y tTkwamave idt>
kaVyk{Q> kivtametamah-
48
kI[Rkm!
AgRlaszdaels
R Ta-sgRkairmi[k{flae,
A}anXvaNtaa-n sraegaikIlsNtan!,
su kNyads< vad>
sukNyads<vad>
mhi;RZCyvnae nam vne vnhaSyya,
vai;RkaMaeds<kazstaeykbrIram!.4.
ivmladzRvdna< ivzala=xIrlaecnam!,
49
50
kI[Rkm!
v&zaoam&gakarZCyvn> Kv xramr>.12.
Kved< te yaEvn< tiNv j&Mma["nStnm!,
su kNyads< vad>
51
52
kI[Rkm!
su kNyads< vad>
pitTvaavtae=NySy sa n Syaicair[I.34.
ya pit< mda ihTva puma<simtr< jet!,
53
54
kI[Rkm!
su kNyads< vad>
55
56
kI[Rkm!
pa{fvxatR ra+sMv>
pa{fvxatRra+sMv>
va[IlmIizvanawan! s&iiSwTyNtkair[>.0.
yzaeiidRige[IdNtkaiNtmilMluc>E ,
57
58
kI[Rkm!
iv*amupiddezk
E a< devanynitkam!.7.
n sa im< vzIce kevl< iv*ya tya,
ketkIkilkakaNtE> kaemlErkErip.8.
sut< shjvmaR[< lBXva rajIvbNxut>,
pa{fvxatR ra+sMv>
pa{fuj"
R an ba[en s pa{fu< "aerya igra.17.
AnuUy vaNkaNtamNt< idSy yaSyit,
crIkEvaay caMpeykilkaimit.18.
Awasar< v< budXva bNxuNyStxrar>,
59
60
kI[Rkm!
pa{fvxatR ra+sMv>
svR]]ye hetuy;
eR a< yaex
R nae muom!,
mUxaRii;muinpuvlaLymana>,
laekSy laecnvtSsmuTsven
61
62
kI[Rkm!
&guv<zeithas>
wmae=Xyay>
vedivlaecnJyaeTauitxiMmmika,
&guv<zeithas>
itIyae=Xyay>
&gn
u aRm mhatejae \i;rasITpuratn>,
63
64
kI[Rkm!
yaegacayRStutStSycarI mhayza>,
ivve;xr> ap cetaStmamm!.7.
kalen bna sae=y< pulaemagtmans>,
&guv<zeithas>
65
66
kI[Rkm!
t&tIyae=Xyay>
&guv<zeithas>
An"aRr[aept
e a pui:ptev cralta.5.
soI_ya< svySka_ya< s<yuta cahaisnI,
67
68
kI[Rkm!
ta neTyuvT< svaRasaeaeiltlaecna>.17.
tTsENymit>oat zkaexen ivlm!,
&guv<zeithas>
69
70
kI[Rkm!
&guv<zeithas>
ctuwaeR=Xyay>
vai;RkaMaedsazstaeykbrIram!.2.
ivmladzRvdna< ivzalaxIrlaecnam!,
71
72
kI[Rkm!
v&zaoam&gakarZCyvn> Kv xramr>.10.
Kved< te yaEvn< tiNv j&Mma["nStnm!,
ivze;aI[RvysZCyvnSy sumXyme.12.
Tvya ivUi;timd< vn< svRmU;ya,
&guv<zeithas>
dI"aRi]guamava_yamNySTva< nalmIi]tum!.17.
n te y< p&wuaei[ CyvnadNytae=ip va,
$;aNtnyna t&R;[jxa.22.
Svsev Uy> ehen vkama iht< tyae>,
73
74
kI[Rkm!
&guv<zeithas>
75
76
kI[Rkm!
&guv<zeithas>
pmae=Xyay>
AinaeStmiay< sukNyavri[RnI,
77
78
kI[Rkm!
&guv<zeithas>
mxuraxrzailNya cavaKyivzard>.13.
zyaRte> klniNdNya &gae> klivvxRn>,
;ae=Xyay>
79
80
kI[Rkm!
&guv<zeithas>
ApUv &gup
u e[ kiLpt< prmi;R[a,
Asky
e imTyah Cyvnae gvan&i;>.16.
smae=Xyay>
putmnaTy svRdevg[erm!,
81
82
kI[Rkm!
&guv<zeithas>
83
84
kI[Rkm!
Amae=Xyay>
&guv<zeithas>
SyatamNyaeNysI[Rkl
e agRvkaEizkaE,
85
86
kI[Rkm!
&guv<zeithas>
87
88
kI[Rkm!
nvmae=Xyay>
ttae &gs
u utStuae rajan< inlaNtrm!,
taz< zms<y
u < n pZyaim jgTye.2.
sayamekda laeknaw> kwaNtre,
&guv<zeithas>
svRiRsy
< ut< rMy< aivz< p[< tv.9.
s<zaeixt bxa mya Tv< rajsm,
89
90
kI[Rkm!
dzmae=Xyay>
Cyvnenv
E \i;[a ai;tae kizkae n&p>,
&guv<zeithas>
91
92
kI[Rkm!
ArjaeMbrs<vIta piv[vra>,
idVykaEzeyxair{yae idVyU;[Ui;ta>.18.
mansain vzIktu munInamip c ]ma>,
vI[a #v mnaehairSvrtipRtcetna>.20.
valkalayae "npInpyaexra>,
&guv<zeithas>
jlIfasmasa> uct
e s>----.27.
Aw saryn! i< ANyt> kizkae n&p>,
APsraei"RnZyamickraiSsmNtt>.29.
93
94
kI[Rkm!
ksm
u apcyVy]E> ksm
u adip kaemlE>,
nanaaegsmayuan! inTyanNdsmiNvtan!.34.
te;a< inmaR[catuy g&ha[a< bxa n&p>,
vinimRtkf(E S)aiqka[Uimi>.36.
sraejragpyR>E vEfy
v
R lIztE>,
&guv<zeithas>
A]malalsTpa[ITatanNya< tapsan!.40.
IfiNt t gaya< imwunain Vylaekt,
95
96
kI[Rkm!
mNdr -----------------------,
----------------------------,
AaxarmiwRlaekSy kLpv&]mlaekt.50.
kSmEicTsukmarai[ sugNxIin zucIin c,
&guv<zeithas>
@kadzae=Xyay>
97
98
kI[Rkm!
&guv<zeithas>
AijGmumh
R aTman< &gaeStnymekda.10.
tanagtan! smalaeKy smetanaTmv<zjan!,
m&TyunRv
E Sp&zTySmaNarUtainman! uv>.14.
ikyNt< c pun> kal< Uih tat iyamhe,
99
100
kI[Rkm!
&guv<zeithas>
-----------------------.28.
sukNya CyvnaE isavxunaip iivpe,
adzae=Xyay>
101
102
kI[Rkm!
&guv<zeithas>
103
104
kI[Rkm!
span! &guvz
< Sy ]iya<TsmudE]t.21.
te_y> sa sudtI Ita ]iye=_yStpiSvnI,
yaedzae=Xyay>
s jatmaStejSvI za CyvnnNdn>,
&guv<zeithas>
105
106
kI[Rkm!
tpsae me blaNm&TyunaRSp&zTkljaNmm,
&guv<zeithas>
papaep]
e a< smwaRna< :qva aexae vNmtm!.25.
deihnae nynCD*> kvaR[a nstI> iya>,
107
108
kI[Rkm!
--------xmR}e;u JvlTysaE.33.
@vmuva s iptr< kmarae Finy>,
&guv<zeithas>
tSy hetus<y
u < vaKymak{yR kaeipn>,
109
110
kI[Rkm!
ctudRzae=Xyay>
AxItsvRingmae ivvahayakraeNmn>.2,
kizkSyaTmjae yStu OyatSy p&iwvIpte>,
purNdra<zjintae gaxI sTypram>.3.
bUv kNyka tSy naa sTyvtI zua,
svRl][s<pa pe[aPsrsa sma.4.
&guv<zeithas>
Aw gaxI jgadedm&cIkm&i;krm!,
Zyamk[aRNvayujva<Tsh< pa{fuvcRsam!.11.
%pajhar t< zuLk< agRv> p&iwvIuje,
111
112
kI[Rkm!
laila;aep dez>
laila;aepdez>
wmae v[Rpql>
113
114
kI[Rkm!
10. H|!
11. "Fx;!
12. jbgfdz!
13. o)DQwcqtv!
14. kpy!
15. z;sr
16. hl!
17. #it icTvair<zaila;aya< mUlv[aR> Syuyw
R a=]rsmaaym!,
18. sUa[amNTya AnubNxa>,
19. siihten pUveR[ sMbaStNmaSy s<}ayam!,
20. Vyvihten tSy mXygana< c ywa pai[nIym!,
21. ylamkar %ar[awaeR=nubNx>,
laila;aep dez>
115
116
kI[Rkm!
itIy> %psgRpql>
laila;aep dez>
3. Rsae,
R
4. ze;a> s<Sktvt!,
5. it'NtkdNte_y @v pUvm
R !,
6. inTy< tE> smSyNte,
7. nanekaepsgRyaeg>,
8. SvraNta[urpde SvradaE,
9. s<Sktsms<}asunaepsgRiviya,
t&tIyae xatupql>
1. xatv> s<Sktat!,
2. #idt> sh prsv[aeRUten numa,
3. xaid;u VynmNTy< Svsv[aRnunaiskpUv Syat!,
4. %y mpUvR> SyadSpzR>,
117
118
kI[Rkm!
ctuwRiSt'Ntpql>
laila;aep dez>
119
4. iviTyyade vtRmane,
5. $ UtsamaNye,
6. Aa aivsamaNye,
7. Aae ivXyaid;u,
8. @e zapaiz;ae>,
9. ^ sMaVyTvaehe sape]e inrpe]e c,
10. l&'weR c,
11. Ayadyae va vtRmanaidTyya> p*e;u,
12. vtRmanvTdzRne Ute vtRmanTyy>,
13. xatu_y @v zt&vatumNu tVyahRzKyaweR;u vtRmanaidTyya>,
14. Ayady> er[e,
15. tdNta Asmapkiya>,
120
kI[Rkm!
laila;aep dez>
1. Aanave xatu_y>,
2. Aat ktRir SyweR,
3. $t kmRi[,
4. Aah ktRir {vulae=weR,
5. Aa[ zweR subNtivv]ayam!,
6. $[ kmRi[,
7. AktRir yaeganusair[I;u inyts<}asu,
8. # kmRi[,
9. pUvRpdsape]asu cemaE,
121
122
kI[Rkm!
;> svRnampql>
1. @tiddmaeidR,
2. Adsae=ha,
3. laekaNtrSwSy laekaNtrSyva ZyvTyaege=d> zBd>,
4. #dmweR c pUjayam!,
5. yu:mdSmdaevaR ma,
6. vtae ae,
7. yu:mdweR pUjaya< vCDBd>,
8. wmaNvYyev s<Sktvt!,
9. t*daehaRjae,
laila;aep dez>
smae namze;pql>
123
124
kI[Rkm!
laila;aep dez>
125
126
kI[Rkm!
1. Aweh smasa>,
laila;aep dez>
2. yaerev viNt,
3. itIyaNtmataha[aNtE> kmRt
U m!,
4. t&tIyaNtmIteh[
e aNtE> kt&
R t
U m!,
5. AiddNta_ya< c kdNta_yamue s<}aya< smStayam!,
6. ApadanUt< pMyNtmiNvtErkmRkrE ataha[aNtE>,
7. AdNten c tazen s<}aya< smStayam!,
8. ApadanpMyNtenaixkr[sMyNt< VyaOyatm!,
9. ze;;(Nt< sMbiNxna,
10. ktRir ;(NtmiNvtenakmRk[
e anaNten,
11. kmRi[ ;(Nt< skmRke[,
12. ivze;[< ivze:ye[,
13. N> smuyaweR bnamip,
127
128
kI[Rkm!
14. ivze;[ana< c,
15. smuitivze;[jal< c ivze:ye[ aGvt!,
16. kmRxaryaNmtubwIRyae= bIihSwane,
dzmae=Vyypql>
1. AwaVyyain,
2. ybpezlm&gzsQxa @dNta> me[ wme Swane s'Oyavaicn>,
3. itIyiSmadNta>,
4. t&tIyiSmIdNta>,
5. AaedNtatuw,
eR
6. ^dNta> pme,
7. @dNta> ;e,
8. AadNta> sme,
laila;aep dez>
129
9. AmNta Ame,
10. s'OyeyvaicTve s'Oyavcne_yae l,
11. tdNtain aitpidkvt!,
12. ii{fiNdiMbiiimadixkr[apadankarkalyaejnma[kar[awaR>,
130
kI[Rkm!
laila;aep dez>
131
132
kI[Rkm!
laila;aep dez>
133
134
kI[Rkm!
laila;aep dez>
135
136
kI[Rkm!
1. AwaCDNdaeivicit>,
2. AdzEkadzadza]ra> pada gayvErajE
u jagta>,
3. jraE lgaE c gaye pade,
4. traE lgaE c va,
5. taE lgavip va,
6. aEgaE c va
7. ma[naracma[vkica>,
8. itIyaidnRrsnanamNytm> pmaidjR @veit sm>,
laila;aep dez>
9. %rae yei;m>,
10. t itIyadaE rSy n in;ex>,
11. itIyaidguRvNR teTpmaidnR ra[amNytmae va,
12. yaeRyaEmERI,
13. guvNR tivrtmaatuLyipkae vEraj>,
14. maasaMyad mEI,
15. jStjaE gaE Eu< pd< cm!,
16. taE jae gaE vm!,
17. taE jae gaE zUlm!,
18. mStaE gaE gdactuwiR vrama,
19. Aayuxana< prSpr< mEI,
20. rae nraE lgaE SyNdnm!,
137
138
kI[Rkm!
laila;aep dez>
33. t iviCDiinRyta,
34. pade yitSwane c pdivritrev n s<ihtaDed>,
35. ipda=xRvt!,
36. a_ya< gaya_ya< jagten caei:[k,
37. gayjagtgayE> kkp,
!
38. ctuiRgaRyErnup
u ,
!
39. Eua_ya< vErajen c ipda ivraq,
40. gaya_ya< jagtgaya_ya< c b&htI,
41. pigaRyE> pi>,
42. ctuiRvrER ajEtu:pda ivraq,
43. jagtgaya_ya< i> stae b&htI,
44. E
u
E tuiRiup,
!
139
140
kI[Rkm!
45. jagtEjRgtI,
46. vEraja_ya< ipda ivraq,
47. tuLyCDNda<is pdain ima{yev veyuv&Re smiv;maE padaE
smiv;mavev vetamNTyStu smvt!,
#trNwa>
#trNwa>
shayvIStuit>
cUtguhaStuit>
va[IlmIizvanawaNs&iiSwTyNtkair[>.2.
islmIsmayu< iv:[uizvaTmkm!,
mhag[pit< vNde svRivinvar[m!.3.
kae=ip y< vdiNt vedpargaimn>
pU;< puratn< gdiNt y< pre buxa>,
141
142
kI[Rkm!
mvar[ann< smStlaekkar[<
hrshm!
A[aclpe[ pir[ammupagtm!,
#trNwa>
gItm!
143
144
kI[Rkm!
s<sarjatpirtapinvar[< v>.5.
payaNmamitiStNt< tpis,
yid t mUlzuicziinHRrI,
yid devrajk[aeNmuo< mnae
n ikmPysaXyimh dehxair[am!.1.
#trNwa>
nrlaekivRdblSwlakte
mm laekv&pirkItRne;u ya,
gu[v[Rnay tv sa smu*ta
rm[gIta
145
146
kI[Rkm!
Aeme vNTyups<haraeka>
#NSy verakazVyaipn> zirta,
#trNwa>
asurzItli yaprdevta=vtadSman!.1.
***
147
148
kI[Rkm!
%]rajvahnSy jIivtarIysI
pi]rajvahnaidv{yRmanvEva,
keiklaekcvitRvahnen pui[I
var[airsavRaEmvahna gitmRm.1.
vEirg[indRlnovrpa[e
vasis pdaedz
R nvasis c zae[e,
neim;pavkivzei;tlalaqe
ivzala]I
zarIrkmIma<saiqPp[I
mlacr[pUvk
R aEpaeat>
dye iniolSy ivS)rNt< bihrPy jgye JvlNtm!,
#trNwa>
149
Smr[kr[maaNmae]madand]m!,
ngigzza<ke zakv;eR gu> s
ivfiv;yaja< VyaspUjamka;IRt.
! 3.
***
150
kI[Rkm!
pimaedixmupy
e ;
u ae rveStarkainkrkaimna ywa.2.
ve v;eR kkRqrazaE ivcrit deve dzztikr[e,
zae[zElngr< tu vEidkezUNymvtm!.5.
kmRa yid sumhtI v&mTyNtnIc<
#trNwa>
@t*uGm< imiltmlsamcNe=ijate
ivmlgu[s'"aeivvSy puan!.8.
***
supvRtiqnIHrItuiltartIfMbr>,
151
152
kI[Rkm!
baltaraixpapIfa< aEFtaraixpannam!,
#trNwa>
153
mxumaih;zuMaidmhasurivnaiznI>,
k:[pItistaXyayeTkalIlmIsrSvtI>.
IrammXyanm!
ramimNdIvrZyam< rajIvaytlaecnm!,
154
kI[Rkm!
muOya[Sy $rtpaet
U n
e a[enKE ye sayuJym!, sa muiVyRitrekt>,
sa sMpdNvyt>, ASya< ih isaE miRvit-
155
#trNwa>
-pavmaNyae ma>-
iv;ya ivcairta>, iz< vdit vis>, saxn< tp> tEirIye &giU >,
A_ySt< tps> saxnTv< t, ANyaSvip uit;u Zyte, @tdev
156
kI[Rkm!
Svpita,
#trNwa>
157
jyStv>
artcirmIma<seit NwinmaR[ay vaisg[pitmuinna \Gveds<ihtat> silta> ma>
@eN> jeta
1,
ihr{yStUp>
2,
mu<CDvEy
e ae n&;aay tSwaE.1,33,14.
3,
DUytamxra vednak>.1,33,15.
sVy>
rNxyae=itiwGvay zMbrm!,
158
kI[Rkm!
5,
Tvmetanra}ae idRza-
bNxuna suvsaepjGmu;>,
6,
8,
patr>
9,
AiSmhNTsTpit> putae
#trNwa>
10,
raeihCD(ava sumd<zulRlamI*u]
R a raye \aSy,
kTs>
159
160
kI[Rkm!
#trNwa>
19,
k]Ivan!
idRvae AZmanmupnItm&_va,
kTsay y put vNv-
161
162
kI[Rkm!
Nrmetzae nayimN,
mip ktRmvtRyae=yJyUn.
! 1,121,13.
pCDep>
=i Sp&xae yais;ba>.1,174,5.
27, rpTkivirNakRsataE
#trNwa>
28,
g&Tsmd>
UMya %pSwe=vp"Nvan!,
kTsSyayaeritiwGvSy ivran!-
Nyav&[Grta saemmSmE.2,14,7.
33, sae AtIin mnve pu[I-
163
164
kI[Rkm!
NTsoa soI~rmuirv*at!.3,31,8.
ivaim>
#trNwa>
vamdev>
kivyRdhNpayaRy U;at!.4,16,11.
40, kTsay zu:[mzu;< in bhIR>
ipTve A> kyv< sha,
s*ae dSyUN m&[ kTSyen
sUr< v&htadIke.4,16,12.
41, sUr %pake tNv<1 dxanae
iv ye ceTym&tSy vpR>,
Nyetz< rIrmTss&ma[m!,
165
166
kI[Rkm!
m&]ae Aivednm!,
#trNwa>
48,
g&himN jUjuvaneirE>,
vNvanae A srw< yyaw
kTsayaNy+irvae yatve=k>,
Anasae dSyU~rm&[ae vxen
in yaeR[ Aav&['m&vac>.5,29,10.
AvSyu>
ipTv< yp dSyU~rsex>.5,31,7.
52, Tvmpae ydbe tuvz
R a-
167
168
kI[Rkm!
%myatmvhae h kTs<
#N ai[ tiv;ImvxRn!.5,31,10.
55, sUriw< pirtKMyaya<
#trNwa>
57,
in yaeR[ Aav&['m&vacm!.5,32,8.
s<vr[>
58, pu y #N sNTyuKwa
169
170
kI[Rkm!
raj>
TkTs< ydayumitiwGvmSmE,
dzae[ye kvye=kRsataE,
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