emul Oa ROLLJOE PASS — Urrtuoso Standards Transcribed by ROLAND LEONE Project Manager: Aaron Stang ‘Music Editor Colgan Bryan. Book Design: Ken Rehm 1998 WARNER BROS. PUBLICATIONS ‘All Rights Reserved ‘Any duplication, adaptation or arrangement of the compositions contained in this collection roquires the witlen consent of the Publisher No part of this book may be photocopied or reproduced in any way without permission, {Unauthorized uses are an inftingement of the U.S. Copyright Act and are punishable by law.PREFACE The works contained herein with the exception of “Your Own Sweet Way,” which was taken from the recording “Chops,” were transcribed from the renowned Joe Pass “Virtuoso” (Pablo) Albums. These transcriptions capture Joe at the pinnacle of his career as his masterful solo guitar is so eloquently demonstrated throughout his majestic performances of these beautiful standards! Many thanks to Aaron Stang and the staff at Warner Bros. Publications for the opportunity to arrange and transcribe these masterpieces. | enjoyed working on them enormously, and feel that you will proudly enjoy playing these quintessential Pass performances. This project is dedicated to the spirit and incredible talent of Joe Pass. May the joy of Joe Pass’s eternal musical vision live on through these interpretations, as you enjoy and reproduce his wonderful sounds and talent that will live forever. Thank you for the opportunity to work on this project. I hope that you can appreciate my love and input for the introduction. Best regards, Roland LeoneC ON TENT S HAVE YOU MET MISS JONES ...4 ICANT GET STARTED...14 “~ IN YOUR OWN SWEET WAY... 21 THE MANI LOVE... 32 ON GREEN DOLPHIN STREET ...43 “ROUND MIDNIGHT ....65. SWEET LORRAINE...72 “HAVE YOU MET MISS JONES Words by LORENZ HART Music by RICHARD RODGERS Freely Fmaj7_—Bb7 Am7 Bb7 Am? DIG9) Ab7GI1)Gm7 —3i— ae bss) C9 C13. BIBI ANS) Dm? G3 cu —_ a 37 34-3 rr TT =F (Cray, Fai? Bb7 Am? Ebmaj13 DT AbT@11) —— Gm7 m7 Bbmaj7 Bm7(#5) C13. FEO Fmaj13 Em7 A7¢5) m7 —3— 34 ma Tae it E — Have You Met Miss Joes —10— 1 02088 [Rights forthe Extonded Renewal Tem the United States Controle by THE ESTATE OF LORENZ HART and WILLIAMSON MUSIC Rights on behalf of THE ESTATE OF LORENZ HART Administered by WB MUSIC CORP. “This Arrngerent © 1997 WB MUSIC CORP. and WILLIAMSON MUSIC AI Rghts Reserved © 1937 CHAPPELL & CO. Renewed)ais cu (cm) DE Chr AIF OF PIB F139) Bhmaj9__Bb6 Bbmaj7 Abm7 Db7(b9) 3 3 Ghmajl3_Gb6 aT Als EbT(H9) 3 Dg Abmit Abm9 Db13 m Fmaj7 2 Caan 3 E | | | Ghmaj7 Fmaj7 Gbmaj7 Gm GmiL Gm9(naj7VER GhmajT/F C19) i Have You Mot Miss Jones ~ 10-2 020887 Bb ‘Amn DIG) __-AbTbS) Gut pesctes ee ea Dogs) C9 BbI3 Am9 D3, DIBVAb Gm is — ea ia EbI3—_D7GHS)._Db7¢ES) CIB E7069) ATS) —3— D7d9) as bo Gmit €13(69) m3 3 | | | | ‘A Tempo (¢ = app. 120) Fai? Bb7 Am7 D749) Gm os Bhs Have You Met Mis Jones 10-3 02088F6 AT Dm? Dmil = AbT_— G7 Gmil (C13) Fmaj7 Bho) Am7 79) Gm bss) (CD) FE FI3 Bbmajl3 Abm6 7) Em? A715) Dit cm? (Gbnaj7) Fm? Bm AB Dimgjg Have You Met Miss Jones ~10—4 02088Abmit Db7(b9) —(Gomaj7) Gm? C769) F Bb7 Am7 Di$9) Abm7 Gm7 cis Am? D139) Gm7 C1369) Fm? BIS. BbI3. E9 EO BIS. DbIB by by (Ghmaj7) (e749) (Abm7) jon Ja 0slié‘éCiWi eellt(‘<‘isrT) Uh retOULUCUl CO (ob) (Bbm7) (789) a Have You Mt Miss Jones — 10 2088Abm7 pbs Gm7 oo Emaj7 Fimaj7 (bn) | —~ Got on (Gm) 13) ~ FS Em7 A745) Dm7 C#mil Cm Cmi1 FI3 BbS a9 BbO Am? Abm? 7 (Ghmaj7)carats majo Abmil Db769) Gbmaj7 Gmit c13(9) Fimaj7 Bb13 An¢5) 79) Abdim Gm9 (13) | | | | Freely A745) DIG) G13. Db9_ C13 C13(b9) Fmaj7 Bb7 Am7 Bb7 Am7(#5) D7(b9) AbTAHID) eeluded aa ei i Have You Met Mis Jones — 10-7 02088u Gm7 Db9ds) 3 mle) 5 Fmaj6é Em? (A7) ei Dm? Dmil oo Gait Abm7 DbI3 abe obo Bbm7 EbTA9) AT 3 > nm a 3. IS I Abm7 Dbi3 Db7sus —Gbmaj6.—Bb7(45)_-Ebm7 Eb 3 Abmti | | | | | Have You Met Mis Jones 10-8 2088A Tempo (¢ = app. 120) (Gm7) (C13) FI3 FI3(b9) Bbmaj9 Bb6 Abm be Db Ghai Ebm9 Em9 AI Daj Abmi1 a Gbmaj7 Freely Gm9 GF CT Fingj7 Bho Am7 D719) Gm7 ids) Sato oa ma ia eat 3 — eet, i Dbscas) C7 c7G3) ——-Fmajl3._ Dmg D9(45) Gmit cs a 3 Ee | iH 4 Have You Met Miss Jones 10-9 ose13 Cadenza: ENb9) A785) Duo) «GT morc ea Gb7049) FS Gb7089) Fmajl3 3 34 ? Have You Met Miss Joes ~ 1010, 208814 I CAN’T GET STARTED Words by IRA GERSHWIN Music by VERNON DUKE, Cmaj7 Al3 ATalt Dmil AbTG5) GIS. Bm7(b5) _ E7(p) Am Eb? Dil DbI3 Cmaj7 Cmaj9 Am7 AI ATalt mil G13(b9) Git 3 BbOCEID) (Atal ~—1 aaares ma a Can't Get Stated = 7=1 (© 1935 (Renewed 1963) IRA GERSHWIN MUSIC and CHAPPELL & CO. 07068 ‘This Arangement © 1997 IRA GERSHWIN MUSIC and CHAPPELL & CO. All Rights on behalf of IRA GERSHWIN MUSIC Adaiastered by WB MUSIC CORP. TRA GERSHWIN™ isa trademark of Gershwin Enterprises AT Rights Reserved15 Dis Gralt Cmaj7_—Cmaj9_ m7 Am9_AT(#5) A7(69) 5 3 sin Dmli Em? Fmaj7 C/F$ G7 Bm7(b5) E789) Am7 D7(2) (69) Am11(65) 3 Dis Ab7(HS) G13 Cmaj§FI3 Emil A7(b9) 3 Dmil_AbI3. Gil. G7 B79) (Cmaj6) 3 Jac em (Ge eC ee ant Get Stated —7-2 708816 ED BOTS) ATS) AD (Dmaj9) ais ca7d9) 3 a Dmaj9 Eb6 D6 Dm7 Dm9 Ab7(HS) G13(45) Am Eb9(#5) D11_—_D13(b9) ~ 3 = 2 ay G13 eerie. be 3 | b cs 3 A7(45) A769) Dm G13 BmT(b5) EN) Am? EDT DIB ral can't Get Stated 7-3 coosa Cmaj7 ‘Cmajo Am7 A13 ATS) Dm7 amg) Di3 D5) G13 G7 Interlude: Cm? Bdim Cm7 Ddim Cm9 Cm? Cm9 Cm7 Bbm Bbm7 Bbm9 Eb9 ¢ 5 2 2 2 (Abm9) Abmit_ Dbi1 Db Fm7(b5)Bb7 Ebmil Am? Am9 D9 Abm7 —Abmi1_—_Abm9 Db9 Ghmajs _A7(b5) AbI3 D7G9) G13 Db7E9)—Ghmaj7_— C4915) BhI_ A715) a Can't Get Stated 7-4 02088Abmil De7() Gbmaj7 Bmajé — Emaj7_Amajl3. Dmaj7_ Cmaj7_ Gb7 by Fmajt3 E79) AB ps os A Tempo (¢ = app. 66) Cmaj7 AI3ATat == ml Dm7 Ab7 G13 Baim __E7(3) Am7 EBT 3 DI3 G75) G13. G73) Ebm9 Emo Cmaj? Am? Al3 ATGS) A169) s by by | | | | Dm G13(b9) Domaj7(#5) G71b9) C6 ~~ can't Get Stared 7-5 208819 EmIV/A cogil) BO BbOGES) ADDS «DG ATAD7GT7 G13 GI3/G# Dmajo Eb6 D6 3 3 3 3 3 Freely Dm7 Du AbTHS) G7 Cmaj6 D9 DI3 a —s—_ 3 1Can't Get Stared -7-6 (2088Cmaj7 Cmaj9 AmT Dis Gaim Am? Cadenza: Can't Get Stated 7-7 02088 13 AT(HS) ATalt (Bb) Dmil ait) b, Dmil (Ab) Bm7(b5) E13(9) Dralt oo 10 AmT — a7(’) G13(69)a IN YOUR OWN SWEET WAY By DAVE BRUBECK A Tempo (d = app. 88) Am115) D769) Gm cm m7 FT BIS B9¢5) Ebmajl3Abm7 Dbi3 Gbmaj7—Chmaj7 Zy by FIG9) E79) F149) (Bbmaj7) _———_ | | cams), ray Gm) In Your Own Sweet Way — 11-1 c2oee (© 1955, 1956 DERRY MUSIC COMPANY ‘Copyright Renewed ‘AlLRights Reserved Used by Permission(cm) «7 (Bbmaj7) (Ebmaj7) 3 (Abm) (b7) Gbmaj7 Chmaj7 (cme) 7d) (Bbmaj9(#11)) Em? a7) 3 Dmajg BTalt er) (aralty oe (Dmsj7) Dm? Dmil Dm7 G7 | | | | | In Your Ova Sweet Way = 11-2 0208823 (Cain) €maj7) AbIB Dm? | ‘Am11(65) E67 D7 D169) Gm7 en CmIl —-FI3. G13 FI3- BE Ebmaip | Abm? AbmllDbI3- G7 Gb7— (Cbmaj7) F749) | Ae (Bbmaj7$11)) (am7b3)) 0769) (Gm) | (Cm7) (FTG9)) Bbmaj7) (Ebmaj7) In Your Own Swost Way - 11-324 (Abmo) (bi) (Gomaj7) (Chmaj7) by (Cm7¢5)) 7s) (Bbmaj7) (am7(b5)) (ral) Gm) cy (cm) 769) (Bbmaj7) (ebmaj7) (abm7) b7) (Gbmaj7) (Chmaj7) ccm7bs)) (Frat) | | | | | Jn Your Own Sweet We 2088(Bbmaj7) (m7) an (maj?) (Omaj9) (Dm9) biG) BIG) (Cmaj7) (Fmaj7) (Abia) aa ie ie _——_. | | | | carts) (Amm(b5)) 7a In Your Own Sweet Way —11 -5 0208826 (Gm?) cm Fralt (Bbmaj7) (Ebmaj7) (Abm7) 7) | et : (Gbmaj7) cemras)) ray | Bass Solo: (®bmaj7) (aml) on Gm9 Gm7 Bdim mit bis FI3_FTalt Bb9 —_BbI3. Ebmaj9 Eb6 Abmo DbI3—_Db7069) In Your Own Sweet Way 11-6 20887 Gbmaj7 cr) rip) Bbmaj7#11) BS AmI1(b5) Eb7(49) DIG) Db7 DT DIGS) Gmn7 Gmil Gm? mi FB Bbmaj9 Bbmaj7 Ebmajd AmT — Abmo Db71b9) Gbmaj7 F Gb crf) F719) Bbs#11) Bb | | | | (m7) (a3) (maja) en 1a Your Own Sweet Way 11-7 coos28 (m7) an (Dmaj7) | (ms) Gis) (Cmaj7) | (AbI3) (Bbmaj7) | 3 (Am7b5)) (769) (Git) (13) cmt FIPS) | BbI3. Bb9(45) ale ye ‘Abm9 Abm7 —Db7(b9)_ Gbmaj9 Chmaj7 In Your Own Sweet Way 11-8 70829 Bbmaj7 AmLL(b5) _Eb7(b9) D069) Gm Abm7 Gm7 m9 Cm7 Cit Gb13 FIs BbI3—Bb9(HS) Ebmaj7 Abm7 Db13, Gmaj7?_ Gbmaj? GS CbS c7(3) F7(8) BSL) Am7(b5) D1(b9) ass as Gm7 13 m7 FI3 | | | | | In Your Own Sweet Way 11-9 ‘208830 | | | | (Bbmaj7#11)) (Ebmaj7) (bm?) 7) b (Ghmnaj7) , (Cm7(b5) (E1069) Bbaj7(#11) Em? Bb7 A7~— AM) «sdDm7-—séDmil_—S G3. —= AT AN(b9) Daj Ebmaj9 Dmaja Dmll Dm7 — G7alt by C$ Cmaj7 Cmaj9 C6 Cmaj? C6 AbI3 G3 4 In Your Own Sweet Way - 11 ~10 0208831 m7 Gm9(maj7) Gm7 cmd FI BbI3 Bb9(E5) Ebmaj9 — Abm7 DbIs Gbmaj7 Chnaj7 bo F189) BbS(#11) Play 4 times In Your Own Sweet Way =11=11 (208832 THE MAN I LOVE Music and Lyrics by GEORGE GERSHWIN Freely and IRA GERSHWIN Amaj Amd os Em Cm7b5) RTS) Bm7(65) E13 i onan FETS) in Fim Fiim(maj7) Fm Fim6 ‘TheMan Love 11-1 ‘ee (© 1924 WB MUSIC CORP. Renewed) ‘This Arrangement © 1997 WB MUSIC CORP. GERSHWIN, GEORGE GERSHWING and IRA GERSHWIN™ ar trademarks of Gershwin Enterprises "AI Rights Reserved33 Bmll 5 E73) Amaj9 3 3 a 3 cH FHTGS) Bm(b5) E13 13069) ie | = = | e ‘The Man I Love= 11-2 12088AT G#7b9), cH G75) —3I— 3 * Fem Fem(maj7) Fém7 Ftm6 #703) CH Ddim Fdim — Dfm7(b5) ms ca ca) Gami15) CHT) CHT9) 2 Fim Fm(maj7) FijmT Fim6 oi) can a7) ae —i— Fim CH7G#9) FA7@S) FEm9) Fim6 E13 BbiE Amaj9 A 3 3 a 23S 5 3 | | | | Man I Love 11-3 o20aB35 FHS) = > Bm7(b5) E13 (E1369) ET —s | | | | A D Gis c13 FI3 C13 E13 B13 Bb13 Eb13 DI3 A13 4 ‘The Mant Love- 11-4 02088ae ‘A Tempo (d = app. 120) Ab13 Db13 C13 G13 Gb13 B13 Bb13 Bb7(#5) EbS | J be 2 = b Ebmil ae Bbm7 Bbm9 Gm7(b5) Gmiibs) ) DID Db cups co CT Fm7(b5) Gm7(b5) Fm7(b5) Gm7(b5) Fm7(b5) B13. BT Bb7 Bb13(b9) B13(b9) Bb13(b9) Db13(b9) » a a | | | €13(69) B13b9) Bb13(b9)_— (Gm) (CTalt) (m9) “The Man TLove—11 208831 (Bb13) bs Dmil EbmiL Ebm9 Ebm$ Ebmit ‘Am Bbm Bbm7 Adim Bbdim Cdim__Bbdim Adim (Bbm) Bbm7 D49(411) | bem by ae by Db9 DbIs Cli Db Fm? FinT(b5) GmT(b5) Fant(b5) Gm0b5) | ia 2 by ber Fmmb5) B13. BT Bb7 BIS. BI3-_BbIS_DbI39) Bb13b9) | A bam _ Ebmaj7 (Abajo) (Adim) (Bb) Atl G7 Cot | ‘The Man ILove~ 11-6 oss38 cm9 7S (7alty ay GH) (Cm9¢maj7) Cm (Dl) D749) AbTGT (G7alt) (cm) Cralt (m7) (Bho) (Bb7045)) | | | | (eb) Ebm7 B7(b5) Bbm739 Bb9HS) Bb? Gmi1(b5) poo Db9 Gm7(b5) C77 | bey bem C7 C7HS) BI3 BbI3 B13 Bb13 Db13(b9) Interlude: Bb13(b9) — Ebmaj6 Ebmaj7_ Ebm7 fal) gp (Bora) (E7aty, As ag ‘TheMan Love 11-8 78840 | | | | Bm765) E13 A D7 G13 cs eras) B78) —_Bb7G) amt) Ab7Q3) 7) Cmaj7 3S cm (ral) “The Man TLove— 11-9 0B4 Gm? Fidim Gm? Fitdim Gm7_ Gm AN(85) 3 Dm9b5) Gi3 Bb7($11) ATES) D9 a3 Cmaj7 Cm? Dm? Ebmaj7 Cm9 FI3 Cmit 2 Gm7 Gm$ BbI3 Am) AN(b9) a 3 Dm7b5) G13 AbI3 G13 GI3(b9)_F$m7(b5) Fm7 a b NS ‘The Men [Love 11-10, 208842 Em7(#5) A705) Dm? Ebm6— Em7(#5) A7(#5) Dm? Db9LHS) C13 Gb7G11) FS FI3 3 3 2 = 2 EMI) Amaj9 Amd FHT(4S) Bm7(b5) (ms) mooie E13 -E7(b9) E1309) Amaj7 a id | | = | Amit D149) Gmaj7 Cmaj7 Fmaj7 Bbmaj7 Amaj7 j ‘The Man Love— 11-11 7088ON GREEN DOLPHIN STREET Music by BRONISLAU KAPER Lyries by NED WASHINGTON cs (Cm?) Cmaj7 Fmaj? Bbmaj7 Ebmaj7 Abmaj7 Dbmaj7 — Cmaj7 ETH9) ATs) Dmlt 5 G13(9) Gralt majo On Green Dolphin Steet ~ 221 2088 (© 1947 (Renewed 1975) METRO-GOLDWYN-MAYER INC. AILRights Controlled by EMI FEIST CATALOG INC. Publishizg) ‘aid WARNER BROS. PUBLICATIONS US. INC. (Print) ‘All Rights Reserved© woo set CP eC iC eetti“‘aSSC (On Green Dolphin Sueet~ 22-2 02088 cs (Emil) cm? Baim Fm? Bb13(b9) E13D9 Am9\maj7yG8 Am? D9 Abm7 Abm9 Abmi1 — Abm9 Db9. (aaj) by — Cmaj7 Fmaj7 Bbmaj7 Ebmaj7 Domaj7 Abmaj7 Gmaj7 Db749) Cmaj7 an) Dm7 E EN) Baim Am7 D13(b9) ‘A Tempo (¢ = app. 120) Emil Gmaj7/AA7(3) A745) Dm G13(69) IG) E | | | (em7) (eb7) mit) (Db71411) (On Green Dopin est ~ 22-3 0208846 (Crmaj7) (cmt) (bs) © (Atalty (m7) (Gralty © cy (m7) (Bb7) (Ebmaj7) ae (Dm?) | ; fs : | mien Doin Set —22-4m7) (Aral, (m7) mc) —@Bm7b5))—E 769) (Am?) (Adi (Em7) 7 (am?) (Adimy (Emr (At) m7) cD m7) an (Dm7) cy cS chs CS Cm? Chm? Cm7— Cm (9) D9 (On Green Dolphin Steet ~22-$ 208848 bs oS CN) m7) | c (Cinaj7) cn m7) | oh (e674) (Dm7b5)) (Gray | Crmaj7 | m9 Chm9 Cm9 CmIl Chmi1 Cll Cm9 com m9 mit ° bo | (On Green Dolphin Steet —22-6 208849 Dbo cs (Atalt) (Om7) (omc) (Bm765)) (E7al) (Am) (Céim) (m7) an (m7) «@ fs | | | | (Cmnaj7) cmb) Fm7 bn) Ebmaj7 (Oa Groon Dolphin Street 22-7 7088Interlude: B13 B9 B13 E9 Eb$ (Gm7) (C7alt) by (m7) (Bb7alt) 6) (Ebmaj7) (Db) Ghmaj7)_—_Fm70b5))_—(Ebm7) (Db7) — Gbmaj7)_—(Ebm7) by (m7) (Bb7) (Ebmaj7) | | | | (&bm9) (Abia) ©7049) B7CH9) Bb7G9) (On Green Dolphin Soot ~22-8 0208851 (Ebmaj7) (Ab13) D9 C7CED) m7 (Fmn6) oro) Cm7 cm9Cm7—— Cdim D§ EDS DS ES C7alt b, Fmil Bb7) (Ebmaj7) m7) an (majo) (ms) eh spay E7alt Am) Ds (9) a | | | | | (On Green Dolphin Suet ~22 -9 208m7 cis) Spe i ee CC eeeti“(ié‘ PO emt Bb7¢9) E7(H9) ATalt (Green Dolphin Stet -22—10 cooss53 (iy (G13) (Fm?) Bn) m7) (Em/D) a (c#mb5)) (FH 7aI) (m7) (Baim) (Fém7) 1) m7) can (Fém7) m7) Bb75) AT ATI) DS. CHS Ds cas gz Dm? Dmil a9 ET Bm? E7 Bbm7 bo ‘On Green Dotphin Steet —22—11 (2088Dmaj9 G7 Gb7 FT rds D719) Gm7 10 13) (crals) (Fmaj7) (Em7) an (Dmaj7) (Dm) G13 9) co) (Fim?) en (On Green Dolphin Stroet ~22— 12, 0208855 (Em?) Em7/D — (C#m7(b5)) FATES). CT Bm11) E1369) psi) D9 B7alt Emil an (7d) #709) DIG9) ABT GT BO co m7 D9 Db oo | | | | | On Green Dolphin Steet 22-13, 208856 (atalt) (m7) (Gralty ce) (Gm) « (m7) (Bb13) EbI3 (m5) by (Gta) (Cmaj7) CmT cmt Cm? Cm? Cm11_ Cm9 Db9 | | | | D9 Db9 DF co bo Gralt cs (an ‘On Green Dolphin Steet ~22—14 ‘ass37 Freely (@mi1) 1369) E73) Baim Am7 Amo (Cdim) Em? a7() D7q9) ~——(G7alt) lect (Em?) (F911) BIR) Em7(b5) ETG9VA, AT =_ Jtony em (iC eee i ee A Tempo (d = app. 180) (Presto) Dmil Abmaj7 Gi3sus_ G13. C$ (On Green Dolphin Stet 22 —15, oR38 Cnt bg pb bg cos (ara) (Cmaj7) cy (m7) @b13) (Ebmaj7) (Gra) (Cmaj7) (Cm) fo) bs) | | | | | (On Green Dolphin Steet -22~16 20s39 (Cmaj7) (ards) (m7 (mC) (Bm7(b5))—_(E7(89)) a (Am) eS: (dim) (Gm7) (A) (om = GI) © (Ftim9) Fm (Bb 13) (Ebmaj7) Dmg Ebm9 BO FO E9 pl eat (Po eI ee et EBS > abn (Gur) (abr) m7) (On Green Dolphin Steet - 22-17 8B60 (Bb5) Abmll (b13) (Gbmaj7) (abm7) (Db9) bal) Ebm7 ——Ebmit AbI3 A13. AbI3 EO Fo 9 Freely bs AT GT) DbT BT OCT Fm? Gra | | | | m7 FIs D749) (A915) G7KR) C149) 3 (On Groen Dolphin Stet 2 ~18 208861 (m9) Fmi1 E7(#9) Eb6 ANS) Ab7 G75) GbI3 FT (On Groen Dolphin Sweet ~72 ~ 19 02088Eb7(H9) E7(H9) Ab13@) Dm7(b5) G73) 61369) CS A Tempo (d = app. 152) Cm7 Eb F Eb F Cm Do ‘Dbo cf ET Ab7 OAT Dmi1 7G) Cmaj7 Fim? Fm9 (a Green Dolphin Steet 2-20 aoe(Dm7(b5) (oral, (Cmaj7) CmI1 Cai? Sosa Cm9 Cm? Cmil Cm Fis D13¢H9) Digs) a Freely cif) cs ATG9) Dmll E1069) £73) 3 2 | | pines | E1(b9) Am7 E7(b9) Am 1369) (On Green Dolphin Street~22~21, oe64 Em7(b5) arg) Dm7 7h) ‘Cmaj7 ab7G) F6 ET(#9) Ami1 Am7 A9(¢5) A7(3) Dm7 Ebmi1 Dm7 Ab13 G3 3 m | by FI3 | Fa Amp) ‘Dm7 Em7 Fmaj7 Fém7(b5) G13 Bb13—BI13(b9)_ C13 : i nN (On Green Dolphin Steet ~22 0208865 ’ROUND MIDNIGHT Music by COOTIE WILLIAMS and THELONIOUS MONK. Words by BERNIE HANIGHEN Dm Bm7(b5) Bb7 e 6m Em11(b5) ATE) (9) (69) Dm 3. GI3 Ve AmLL 10 e c be o 2: = SS 7 = oe a2 — EE = "Round Might -7—1 7068 (© 1944 WARNER BROS, INC. and THELONIOUS MUSIC (Renered) ‘This Anagemeat © 1997 WARNER BROS. INC. and THELONIOUS MUSIC ‘AlRighs Reserved66 Gm7 DbI3_—— C13 Fitmaj7_ Fmaj7 Em70b5) ATU) D749) G13 Bmi(b5) BbuHII) AT EbIA 2 Se Dm 3 Bm(b5) FI3 Bbmaj? rn 7 5 5 a "Round Midnight 7-2 708s61 Eml1(b5) ATalt Dm 3 Ab13(89) G13 oT Gm7 Gm D Db13 C13 F#maj7 Fmaj? Em7(b5) AT) Dm7 #13. G13. 73 Bm7b5) ET All Gm/A “Round Midnight -7—3 cocaBm7(b5) ET AT ATalt —— 22 zi 3 Dm E13 AT Em9/A D7b9)— Gm7 9 CHdim —A7 Dm Chaim | | | | | "Round Midnight 7-4 7088Dm7Em7Dm7 — Bmit E13 AT ODT a ca 7 Bb7 E749) (Atalty Dm , Bn7bs) Bb70b5) Em11(b5) Em7(b5) A7alt Em11(b5)A7_—- Dm Ab13(49) G13 om a | | | |(Bbm9) (Eb9) AmI1 Dialt AbT@LD) Gm? DbI3 C13. Ffmaj7_ Fmaj7 Em7 A7({3) A7(#5) G813 G13 Db7(fs) Bm7(b5) 57 AL A069) Dm | | | : : “Round Midnight—7—6 020881 BmT(b5) 6 m7 C7(b9) Fm9 Fm? Bm7(45) — Abmaj7/Bb 3 a Bbm9 Bbm7 bo 9 Ala y Dm? Db7) C13 FI3 BbIS EbI3—AT(#S) ci "Round Midnight 7-72 SWEET LORRAINE Music by CLIFF BURWELL Words by MITCHELL PARISH Gmaj7 FI3.-B9 ET) Am9 — Fém7(b5) B7(b9) 3 tee 2 3 tte tt Em? E67 DmilEbm7Dm7 — G13 G7H5) C9. C7(#11) Fém7b5) BI(b13)_ETsus ET Bb7 (Ab7) 3 3 3 3 ieee yer e dose Ai(bS) Eb9 Dil Eb7(#9) D9D13(b9) G5 {© 1928 (Renewed 1956) EMI MILLS MUSIC, INC. All Righ Concolled by EM MILLS MUSIC. INC, (Publishing) ‘and WARNER BROS, PUBLICATIONS U'S. TNC. (rin) ‘A Rights ReservedB or FHT Fr E7 ET) Am7 —G#dim Am7 Fam7(5) B7 B79) 3 3 Em? Ebi D7 Em7 Fimaj7 D9 Gi3sus _G1Hb9) cogit) — Fémit B75) ~ iaues > 3 Efsus —-BbT¢H1)A7—— EIS. Dis Eb7G#9) DIL D13(9) G13 Ab9G#S) G9 3 4 “r m3 | poh cn ar Ebm7 Dm7, — GI3q45) TA by a C13 Cmsj7_— Bm BT Am7 Abmll Gm7 Db13 C13. F#13 Fmaj7 2 3 era ed . 1g*# Sweet Loraine - 8-2 2088Bm E769) Am7 Abm7 Gm7 (Gmit) 3 3 me FS BI3 Eo AI3— EbOGLI) DI3 Amit = Am9D9_—FI3 2 3 2 eel g BiG) 9 A Angs) Dal) Ab765) = a i a7 FI3 9 E7(3) _Bb13 Am9 Fim7(b5) 37 B7b9) ‘Sweet Lorine 8-3 0886 Em7 ails) Dmit Gi3-BbI3-~DbI3- «B13 G3 2 by o CTGH11) Fimi1 B7(HS)—ETsus_ Bb 7(H11), ATAU) Am7 Amd 2 3 9 E9_Eb9 D9 Eb7D7 Eb7 D7 G7 ns bee, © — «eran (A139) (am?) 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G7(5)_ C9 cogil) Femi B75) 3 3 3 3 a 5 a 3 v ia ea Se eg ck E7sus Bb7HLID Amo bo ee 3 : ec | | | | D9 AmIL DISG9) G3 3 cis FI3_s Swoot Lonsine— 8-7 2088,BbI3 BbI3 AbIS Dbi3 Gbis Bo PB) b Er(h) , Am? Am9 Am7 Am Eb13) DI3 FIZ F#I369) «G7 ° F#763) 2 2 2 «Gr FB F#13(69) G13 3 AbI3 GIS xo = z Sweet Lorine 8-8 088The Howard Morgen Fingerstyle Jazz Series ‘An Evening with Joe Pass On Guitar (REHB43) Video (REHBK009CD) Book and CO azz Lines Joe Pass: Boxed Set (REHBI4) Video TREHESO) Video “This is a great product... 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