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This document provides a bibliography of periodical articles published between 1990 and 2015 related to the history of acting theory. The bibliography lists over 20 articles published in journals such as Theatre Survey, Theatre Journal, Eighteenth-Century Studies, and Journal of Aesthetics and Art Criticism. The articles cover topics such as the body and meaning in Commedia dell'arte, Cartesian subjectivity on the neoclassical stage, censorship of comic figures in the Enlightenment, and the problem of gender performance.
This document provides a bibliography of periodical articles published between 1990 and 2015 related to the history of acting theory. The bibliography lists over 20 articles published in journals such as Theatre Survey, Theatre Journal, Eighteenth-Century Studies, and Journal of Aesthetics and Art Criticism. The articles cover topics such as the body and meaning in Commedia dell'arte, Cartesian subjectivity on the neoclassical stage, censorship of comic figures in the Enlightenment, and the problem of gender performance.
This document provides a bibliography of periodical articles published between 1990 and 2015 related to the history of acting theory. The bibliography lists over 20 articles published in journals such as Theatre Survey, Theatre Journal, Eighteenth-Century Studies, and Journal of Aesthetics and Art Criticism. The articles cover topics such as the body and meaning in Commedia dell'arte, Cartesian subjectivity on the neoclassical stage, censorship of comic figures in the Enlightenment, and the problem of gender performance.
Baldyga, N. 2002. Political Bodies And Bodies Politic: Cultural Identity And The Actor In G.E. Lessing's 'Hamburg Dramaturgy'. Eighteenth Century Theory And Interpretation Buckley, Matthew. 2009. Eloquent Action: The Body And Meaning In Early Commedia Dell'arte. Theatre Survey Degli Esposti, Paola. 2015. The Fire Of Demons And The Steam Of Mortality: Edward Gordon Craig And The Ideal Performer. Theatre Survey Dror, O. E. 1999. The Scientific Image Of Emotion: Experience And Technologies Of Inscription. Configurations Gobert, R. Darren. 2008. Cartesian Subjectivity On The Neoclassical Stage; Or, Moliere Acts Corneille For Louis XIV. Theatre Survey Juers-Munby, Karen. 2007. Hanswurst And Herr Ich: Subjection And Abjection In Enlightenment Censorship Of The Comic Figure. New Theatre Quarterly Karr, D. 2001. 'Thoughts That Flash Like Lightning': Thomas Holcroft, Radical Theater, And The Production Of Meaning In 1790s London. Journal Of British Studies Miller, Derek. 2011. On Piano Performance - Technology And Technique. Contemporary Theatre Review Milling, Jane. 2011. "For Without Vanity, I'm Better Known": Restoration Actors And Metatheatre On The London Stage. Theatre Survey Monks, Aoife. 2012. Human Remains: Acting, Objects, And Belief In Performance. Theatre Journal Nellhaus, T. 1993. Science, History, Theater: Theorizing In Two Alternatives To Positivism. Theatre Journal Preston, C. J. 2005. The Motor In The Soul: Isadora Duncan And Modernist Performance. Modernism/Modernity Quinn, M. L. 1990. Celebrity And The Semiotics Of Acting. New Theatre Quarterly Quinn, M. L. 1991. The Comedy Of Reference: The Semiotics Of Commedia Figures In 18th-Century Venice. Theatre Journal Sechelski, D. S. 1996. Garricks Body And The Labor Of Art In 18th-Century Theater. Eighteenth-Century Studies Voskuil, L. M. 1995. Acting Naturally: Bronte, Lewes, And The Problem Of Gender Performance. English Literary History Wilson, M. S. 1990. Garrick, Iconic Acting, And The Ideologies Of Theatrical Portraiture. Word & Image Zamir, Tzachi. 2009. Theatrical Repetition And Inspired Performance. Journal Of Aesthetics And Art Criticism Zamir, Tzachi. 2010. Watching Actors. Theatre Journal
2 Zitin, Abigail. 2013. Thinking Like An Artist: Hogarth, Diderot, And The Aesthetics Of Technique. Eighteenth-Century Studies