Documente Academic
Documente Profesional
Documente Cultură
Contents
Introduction
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Page-B
Introduction
You can carry a piece (or more) of rope in your pocket, and use
it to r.erform some amazing magic for an intimate audience of a
coup e of spectators, or on a stage for an audience of hundreds.
There are hundreds of tricks you can perform with a piece of
rope. The most famous of these is the Cut &Restored Rope trick,
where a piece of rope is cut into two or more pieces, and magically
restored.
But there are many others, where knots magically appear or
vanish from a length of rope, rings or handkerchiefs penetrate
through a length of rope, or a rope penetrates through your knee or
neck. There are two Encyclopedias of Rope tricks for Magicians
published by Abotts, with 100s of Rope tricks of all varieties.
Dover publications has an excellent book of Self Working Rope
Tricks by Karl Fulves. You will also find t"any Rope tricks in any
book of Conjuri"] tricks, like the Tarbell Course, or Mark Wilson
Course in MagiL.
The purpose of this compilation is to give you many tricks of on
assorted variety with ropes, enough to get you started on one of
the easiest, most effective, and most economical types of magic
you can perform. A piece of rope costs less than a good deck of
cards, and a good rope trick can make a much bigger impact on a
much larger audience.
.
The best rope for magic tricks is a soft cotton rope about a
quarter inch in diameter. It is easy to handle, knots well, and is
easy to cut when an effect requires this. It is also very visible to a
large audience. at a considerable distance. Many of the tricks
(execpt the C&Rrope ones) can be easily adapted to a borrowed
necktie, or a muffler or even a piece of cord or string, making
them impromptu innature ..
The dimensions for the ropes given in the tricks are as a rough
indication. You can adapt them as you think fit, - a length of rope
held at shoulder height and hanging just below your knee (about
40" for most adults) is good for most rope effects. Sometimes you
need a longer or shorter piece, as indicated.
Learn the tricks that catch your fancy, and with a piece of
rope in your pocket, you are ready to entertain and mystify any
size of audience, any time, any place, and under any performing
. conditions.
Page- 5
of t~Oi bring each end away from you and around the bottom part
aroun~
and through the loops. Repeat this; twisting the ends
as you wish br~spectlve loops. You may continue this as manytimes
times. _ Fi 4u you must tWist both ends the same number of
it forms mg'It"' ~kw pull the ends making the center knot tight and
disappear u ip e nots. If you continue pulling the ends, the knots
. one a t a time.
~h~~~
Page - 6
Knot so Easy I
A single genuine knot is formed in
the center of a rope without bringing
yours hands together, or crossing
them. This works better with a stiff
rope, is a little difficult to master,
and hard for a spectator to duplicate.
A length of rope about three feet
long is used. One end of the rope is
gripped between left second and
third fingers as shown in Fig.8. The
first finger is extended back aut of
the way.
The rape is flipped up, so that the
points 'A' and 'B' touch to form a loop
as in Fig.9. The loop is allowed to
drop aver the three extended fingers
Page - 7
of the left hand. The loop will twist on its own while dropping as
shown in Fig.lO.
.
The end 'C' is gripped between the thumb and first finger, and
pulled through the loop. The loop is allowed to slip off the three
fingers and pulled. Immediately a knot appears as shown In Fig. 11.
The moves should be performed quickly. You can repeat to
form more than one knot.
'1
''''
Page- 8
t\
'i
This is repeated a
few times, then finally
the grip is switched
and when snapped, the
knotted end is allowed
to drop down. The
movement of snapping
conceals the switch
and seemingly the knot
appears by itself. (Fig.
17.)
Knots to Order
A length of rope about five feet long is shown, and someone is
asked to callout any number between one and seven. Suppose
'Three' is called out.
The length of rope is coiled andJlaced on the table. A little
magic gesture, and the rope is Iifte up by one end, and three
knots have appeared on the rope. The rope can be given to some
one to untie the genuine knots.
Any number of knots, depending on the length of the rope, can
be tied in the act of coiling it.
Once the number is called, one end
of the rape is taken and held in the left
hand. Now the other end of the rope is
picked up and placed in coils over the
left hand, as shown in Fig.1B.
To form the knots. the coils are
turned over so that the ropes cross,
and the knots form. If the coils are not
turned and just ploced over the left
hand, the knot does not form.
\8
t
~,
20
Page- 9
2t
./
Page-IO
Page-i l l
(about 3") are needed. About 6" from one end of the long rope a
knot is snugly tied with the
A
B short piece of rope. The ends
sew
3~ FAKE.
of the knot are trimmed to give
KNO'"
KNOT
it a neat look. Now a 'slip knot'
(see Easy Slip Knot on page 10)
Bis tied about 6 inches from the
:"\
other end. Figure 32 shows the rope
"
with a slipknot at end 'A' and the fake
knot at end 'B'.
33
In performance the rope is held
concealing the knots with thumb and
fingers of both hand with backs-of the
hands facing the spectators as shown
in Fig, 33.
===lSJ~======::::==::""~~::>'
,)
~::::xz
~ ~
=::::s;===~
..
@i
?>9
Page-I2
'\0
~
A
'\1
Undaunted Knot
A knot is tied in a rope and tightened. Although attempts
made to untie the knot, the knot remains undisturbed.
are
A 'One Hand Knot' (see page 8) is tied in the rope (Fig.42) and
the top strand is grasped between the left first finger and the
thumb. It is tugged upward (Fig.43) feigning the moves of untying a
knot by loosening it.
This is repeated a few times more, feigning a bit of difficulty
at the start in untying the knot, pulling a few inches of rope until
end 'B' is completely out of the right hand. If the movements are
correct, the audiences wiIIbe convinced that the knot has been
untied. It is better to really untie a knot and follow the natural
moves to fake the untying.
Page -13
t
A
44
4~
46
B
A
..,.9
51
Tie 0 second
knot as shown in the
Fig.49, but do not
tighten it. If you
tighten the knot you
wi II make a reef
knot. Now insert one
end of the rope
through the lower
loop as in Fig.50.
Note the rope goes
in on the side
opposite to the one
used to make the
first knot. Finally
thread it through
the upper loop as
shown in the Fig.51.
Now pull each end of the rope and as the knots tighten, blow
on the knots. Keep pulling the ends, and the knots dissolve into
nothing, leaving a plain length of rope in your hands.
Dissolving Knots
Page -/5
Pullthe
ends and the knots
comeclose together
and tangle up in the
middle of the rope.
Havesomeone blow
over it as you give
the ends a sudden
fast pull.and the
knots to dissolve into
nothing!
Dissolvo
A tangled knot is formed in a length of rope. The ends are
pulled and the knot gets tighter and smaller till it finally vanishes.
A rope about three feet long folded in half is held in the left
hand by both ends, and the right hand enters into the loopcit the
center of the rope as shown in Fig.54. The right thumb and the
first finger grasp both the strands as in Fig.55.
The right hand points downward and the loop on the right wrist
slides off the
",'"",,,,.
~
)
,>Po.
shake of the
wrist helps the
loopto slip off.
The left hand
maintains the
grip on the rope
ends.
The right
fingers follows
the direction
51
shown by the
arrow in Fig.56
and both ends are clipped with the right
first and second fingers as in the Fig.57.
Page -/6
rope are taken in each hand and slowly pulled apart. The tangled
knot first tightens and then suddenly dissolves.
61
Now do two
things quickly and
together. Retaining
your grip on both
ends move the hands
apart and throw the
loops out with a
quick flip.
Two knots appear instantly on the rope stretched
hands (Fig.61).
Knot that
between the
is NOT
Page- 17
6:2.
Pull and
Vanish
A knot tied in a
rope disappears
when it is tightened.
A length of rope three feet
.
long is draped over the left
hand with the palm facing the spectators as shown in the Fig.66.
The ends are pulled out as in the Fig.67 and then placed
between the left first and second fingers - Fig.68.
Retaining the grip over
the clipped ends the loof
is allowed to slip of
the left hand,
ond a knot is
formed, which
looks genuine.
(Fig. 69.)
Now holding
the ends in both hands
slowly draw the hands
apart. First the knot will
tighten and then dissolve
Qway.
Page-I8
The Stretching
Rope
Two pieces of ropes of equal length are shown and their ends
knotted together. The knot is slid down to the bottom then untied.
One rope is now seen four times longer than the other.
Two pieces of ropes one 36 inches long and the other 8 inches
longare needed. The small piece is looped around the center of the
longer one as shown in Fig. 70.
In performance the rope is held in left hand as in Fig. 71
concealing the joints by the thumb and fingers. It seems two pieces
of ropes of equal
length are held in
the hand.
==QJ'~70=
71
73
Pretending to
tie the ends of the
two ropes. the smaII
piece of rope is
tied around the
longer one (Fig.n.)
Holding the
rope in left hand by
one end (Fig. 73)
the right hand
slides down the
knot a little at a
time up to a point
four inches from
the opposite end as
in Fig. 73.
The long rope is
then turned end for
end and the left
hand holds the knotted
portion.
75
Page-19
77
\::dQ~~;:~
-,
78
A
right as in Fig.78.
'\
==::::::::=::::==_::
I/; /
90
Presentation Points
Some of the several flourishes given in this chapter blend
naturally to form an effective rope routine. On the other hand
following up the same effect (like producing or vanishing a knot)
by several different methods, in the same performance could be
monotonous.
A good routine for example would involve having a single knot
magically appear on a length of rope, then several knots magically
appearing.
Follow this with a dissolving knot or vanishing knot (or knots),
and you have an interesting routine with some variety.
Then follow this with some strong rope magic, as described
the following chapters.
in
Page - 21
.' 83
85
Page-22
Trim away the ends of the knot, so that they are less than an
inch long. Now ask someone to blow on the knot, as you tug the
rope on both sides of the knot. The knots fly off, (Fig. 85) and
you have a fulllehgth of rope.
.
If you cut the rope at the wrong end of the knot, your rope wiII
be really cut in three!
.
89
8B
Page- 23
90.
___
/
91
B
The rope is now wound around the left hand and in the process
the rope slides through the right hand, which retains the knot and
finally slips it off the rope.
The right hand with the knot concealed nowgoes to the pocket,
apparently to pick a pinch of "magic salt" or "woofIe dust" leaving
the knot behind, and sprinkles the invisible powder on the coded
rope. The rope is then unwound from the left hand to show a single
completely restored piece, which can be thrown to the audience
for examination.,
92
93
\.\ _ ~ hi
A pair of scissors
threaded onto a piece of
rope is covered with a
handkerchief while two
spectators hold the ends of
the rope. The magician
removes the scissors after
apparently cutting the rope
under the handkerchief. The
two cut pieces are tied into
a single piece, to restore ,t.
~9C"
trick. One end ofthe rope is threaded through the left handle of
the scissors.,then around the blades and bock thraugh the same
handle as shown in Fig.92.
Next the some end goes through the right handle, around the
blades and back through the right handle as shown in Fig. 93. The
ends of the rope are given to two spectators to hold - Fig. 94.
Whi Ie bringing out the handkerchief from the pocket, a small
3inch piece of rope is olso secretly removed. The scissars are
removed under cover of the handkerchief from the rope, and this
short piece af rope is tied around center of the rope.
The scissors are removed as follows:
There are two loops around the blades of the scissors. First
one loop is drawn downwards as shown in the Fig. 95 until it is off
the blades. Next the other. loop is drawn down off the blades. The
scissors should nowbe free from the rope. Hanging the scissors by
the left little finger the short piece of rope is tied around the
center of the rope.
. The scissors are now shown free off the rope, and then the
handkerchief is removed. Seeing the knot on the rope, the audience
believes that the rope has been cut to remove the scissors and then
re-tied.
Holding one end, the rope is wound around the left hand and in
the process the knot is slid off and hidden in the right hand and
the rope is given to the spectators ...the rope has been restored by
magic.
Page - 25
between the right first and second fingers. After the ropes are
examined, and taken back in the left hand both ends are grasped
near the top-and placed in the right hand. In doingso, the ends are
secretly pushed through the ring and when they emerge are held
by the right first finger and thumb. Both the ends are grasped
again with the left hand and pulled up so that the ring comes to the
center.
Taking both strands of each rope in separate hands the ring is
stretched between as shown in Fig. 97. The thumbs and fingers
cover the joint at 'A' and 'B' . The spectator is allowed to cut the
ring on the dotted line shown in Fig.97. He cuts the ropes under the
impression that this is the middle of the pair of ropes.
Both hands are held wide apart and it seems to be two halves
of the two ropes in each hand. Both pieces are then held in the left
hand and under cover of suitable patter the ends 'C' and 'D' are
switched over. Now as the spectator takes both ends and draws the
ropes for examination, the two short pieces are kept hidden in the
hand.
.
Easy Restoration
A long rope is coiled and the center loop is cut dividing the
rope into two halves. Then the rope is magically restored.
A rope about seven feet long is used. The coils are made in the
following way:
First three or four coi Is
are
made around the left
A
hand
until about half of the
~
rope is consumed. After a
pause another loop is
farmed; as the right hand
cames over, the loop 'A' is
grasped as in Fig. 98 (that is
the first loopthat was
formed) and pulled through
the other loops as shown in
Fig. 99. One more loop is made So that all see
the actual center of the rope.and it is placed
with the loop 'A'.
While reaching for the scissors from your
pocket, or a nearby table, this last loop is
allowed to drop. Now the loop 'A' is openly
cut.
In fact only a small piece has been cut off from the end of the
Page : 26
rope. Thct piece, about 8-inch long runs through the first three/
four loops formed. Holding the ends of the short rope, allow the
loopsto drop. The short rope is looped through the middle of the
longone. The ropes appear as in Fig. 100, apparently cut in two.
Allfour ends are brought together in the left hand. The right
hand grips together one end of the short rope, and one end of the
longrope between the right thumb and the forefinger.
Let the other ends drop and the rope willappear restored.
\, y____
7
O
1
6
right. The end 'B' IS held
in the left hand with the
::::::==::;:;
'-r-- - center of the rope to mark
~
102
that place while the right
hand holds the strand to
form a loop as in Fig 102.
~--
103
104
Page -27
Page-28
"0
f.3i~~bt=1
117)
Finally, the ends are
pulled making the knots fly
off the rope and the rope
is visibly restored.
Notes: I. While tying
the knots remember to tie
the knots 'Right over left Left over right',
2. While
cutting the links, cut them
on the right side, and you
will not go wrong.
Q
116
121
&
123
Page-30
A large si Ik is
held by the diagonally
122 opposite corners
. behind the rope. (Fig..
119)
Knotted Ring
A length of rope
about four feet long
and a ring about 4'
in diameter are
required.
The rope, with
the ring on it is held
by the ends in each
hand as in Fig. 125.
Then the ring is
tied in a knot on the
rope, apparent.ly
without releaSing
either end of the
rope.
Page - 31
To do this, take
the rope in your
right hand over the
left wrist, and
behind the rope in
left hand. (Fig. 126.)
Then the right hand
enters the loopas
shown by the arrow
130
in Fig. 126, passes
A
behind the rope
hanging from left
wrist, (Fig. 127), and out of the loop. (Fig.128 is audience view)
Now if the hands are brought together, turned and the loops
are dropped off the wrists you would be back to the starting
position (Fig.125).
However to tie the ring on the rope you make a secret move that
is not obvious. When the hands come close together to drop off the
loops, the right hand leaves the rope at end 'A' and grabs it at the
position 'x' as it
passes through the
loop 'C'. Figures 129
and 130 show this.
/.-::gt.lJJ"~ The result is the ring
~-::c-- 131
knotted on the rope,
as in Fig.l31.
Note: This is the same as the Impossible Knotdescribed
earlier, with the ring added in for a different effect. If you have
learnt the moves for that, you will find this very easy to do.
1~,:::::::::(l.Z;~W=:::
::z
1~2.
Ring Off
Rope
Page - 33
_..--.~-
'~1'
138
Ring on Rope
A piece of rope is draped over the fingers and the center of
the rope is struck with a ring a couple of times. Suddenly the ring
penetrates on to the rope.
A length of rope about 5 feet long is draped over the right
hand and the ring is brought over the center between the thumb
and fingers as shown in Fig.139 (This is an exposed side view. In
performance the
fingers face the
audience, thumb
behind).
140
1~9
The ring is
pushed downwards,
pushing the rope
down with it. The
ends of the rope are
gripped as they slide
up to the hand, and
the ring is shown off
the rope as in
Fig.140.
This action is
repeated and the
moves are exact Iy
the same from the
Page- 34
1"1 ,
142
\43
Page- 35
145
After removing-the
handkerchief and displaying the
knotted ring on the rope the
performer asks the spectator on
his left to untie only the first knot.
As he does this the other spectator
on the right is asked not to release his end of the rope.
As the first knot is untied, a genuine knot willautomatically
form around the ring, due to the way the loops were formed. The
ring then appears threaded and knotted on the rope.
The right end of the rope is crossed over the left end and held
in the right hand as in the Fig.148 - 149. The left hand grasps the
ring at the bottom as in Fig. 149 which is an audience view.
Now depending on whether the ring is to be trapped on or free
of the rope it is lifted up as shown in Fig. 150 or 151.
Although the audience does not notice any difference in the
moves, there is a significant difference.
Page - 36
In one
case, the ring
is lifted up in
front of the
rope, as
shown in
Fig.l50.
Altem:rtclt,
148
150
151
Both ends of the rope are held in the left hand. The hanging
center is spread with the right thumb and the first finger as shown
inthe Fig.153. The right hand goes up to almost center of the two
strands. The strands are grasped as indicated inFig. 154.
The right hand is turned, and the grip changed so that the right
finger comes in
A
front of the
A B
strands as in Fig.
155.
15~
15<1
155
~
157
158
160
1&'
165
Page- 39
the
Have a spectator hold the wand. Hold the ends of the rope in
each hand, with the center over the top of the wand as in Fig.166.
Now the rope is wrapped around the wand in a specific manner.
Both the strands are placed under the wand transferring them to
opposite hands.
Strand 'A' should
always be directly
over the wand and
strand 'B' should
always cross over on
A
8
top of it.
.
The strands are
brought to the top
166
167 of the wand. Again
'A' should be kept
next to the wand
with 'B' crossing
A
over. Wrap the rope
over the wand several times in this manner.
lJn
~====
Page-40
leaving
1M
171
169
\72
Page - 41
, 76
175
178
177
Page-42
c
c
180
lil
A B
C~::::::D
182.
==
\'r
Gripping
the small piece
with thumb
against the
longer one,
end 'D' is
gripped
between the
right thumb
and first
finger.
The center
of the long
rope is pushed
by the right
first finger
over the small
rope to form a
loop as in
Fig.181. A knot
Rings Release
Several rings are threaded and knotted on a rope with both
ends held by two spectators. The rings are magically removed
leaVingthe knots behind on the rope.
. A thin rope about 30 inches long and several borrowed
rings are needed for this trick.
finger
Page - 43
rope.
e- X
\8~
184
185
Actually
covered by
the hand, the
loop marked
'x' in Fig.185
is slipped
over and off
the ring and
that enables
the rings to
fall free
from the
rope.
Several knots could be tied with the ends of the rope after the
first ring is threaded. After the removal of the rings the knots stay
on the rope.
11
~
J~
188
... - -- .. ,
,,
,,
~~c~
189
Professor's Nightmare
(Unequal Equal Ropes)
This is possibly the best rope tricks ever created.
EFFECT: Performer shows three separate pieces of rope each
of a different size. There is a very short piece, a medium size
piece, and a long piece.The performer folds the three pieces and
when the ropes are opened out again a!1three pieces are seen to be
of the same size. Aperfect illusion.
Page - 45
then-edium
size rope
arid finally
fl'le l'ong
rope. You
may show
all the ropes
separate if
you w'ish,
but finally
19';
the ropes
must be
placed in'
this
position.
(2) Now
grip the hanging end 'ofthe shortest rope, withyour right hand,
from behind the other two ropes and bring it to the top plaCingIt
to the extreme left of the three ends besides the originalshort end
as in Figure 191.
(3) Take the hangingend of the middle sited rape and place it
to the right of the four ends inyour hand. Finallytake the hanging
end of the longest rope ond place it to the extreme right. The
position at this stage isos in Figure 192. Yourextended t'ingers
cover the fold of the shortest rope (rom the audience view.
(4) Now separate the three ends to your right, and pull out the
ropes. Let them hang down,and all the three ropes willappear to
Page - i(fi
Page - 47