Documente Academic
Documente Profesional
Documente Cultură
01/07/2001
A timely exhibition in Strasbourg sheds light on the mentality of the
Taliban iconoclasts by presenting one of Christianity's own artdestroying centuries
strasbourg. The West seethed with outrage at the Taliban's
theologically and politically motivated destruction of the ancient
image of the Buddha in Afghanistan last March, conveniently
forgetting its own shameful history. The Musee de l'?uvre Notre-Dame
in Strasbourg has assembled more than 200 objects, mainly from the
Holy Roman Empire, for a timely reminder of our own destructive
tendencies in an exhibition, "Iconoclasm: the life and death of the
medieval image" that illustrates the destruction of religious images
that took place during the Protestant Reformation, between 1520 and
1620. Paintings, sculpture, engravings, stained glass windows,
tapestries, liturgical vestments are on show.
"Our aim has been to present pieces that were either very beautiful or
very extraordinary," said Cecile Dupeux, a curator in the museum and
curator of this exhibition.
The exhibition aims to show that iconoclasm was not a single,
undifferentiated phenomenon, but expressed different degrees of
disapproval, condemnation and destruction of religious images.
Thus, to give examples of the opulence that was strongly disapproved
of, the luxurious ecclesiastical treasures are on display. Hung to full
effect on the red walls, is, for example, the cope belonging to Bishop
Aymon de Montfaucon (1500) in gold brocaded silk.
The Reformers also objected to what they considered superstitious
and trivial.
Evidence of this is the statue (1500) of Christ standing on the clouds,
his right hand raised in a gesture of benediction, which was caused to
move up and down at Easter and on Ascension Day. Another example
is a Crucifix (1515) with arms articulated so that it could fit into the
coffin.
Other images were deemed straightforwardly sacrilegious, such as
the altarpiece in which Cardinal Albrecht von Brandenburg had
himself portrayed as St Martin, in the company of his concubine and
St Ursula. A 15th-century miniature depicts a Dominican nun
receiving a blood-stained Christ in her arms, and an early 16thcentury statuette of the Infant Jesus was used by nuns as a doll.
Daphne Bezard
u "Iconoclasme: vie et mort de l'image medievale", Musee d l'?uvre
Notre-Dame, 3 place du Chateau, 67000 Strasbourg, %+33 03 88 52
50 00 (until 26 August)
Iconoclasm
Issue: 116
Record Number: 12787
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