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The document discusses Antonin Artaud's concept of the "Theater of Cruelty" and its implications. It argues that Artaud sought to establish a theater that affirms life itself rather than representing or imitating it. This theater would break from Western theatrical traditions focused on speech, characters, and representation dominated by an absent author. True to Artaud's vision, the Theater of Cruelty would inhabit a non-theological space beyond representation and established theatrical techniques.
The document discusses Antonin Artaud's concept of the "Theater of Cruelty" and its implications. It argues that Artaud sought to establish a theater that affirms life itself rather than representing or imitating it. This theater would break from Western theatrical traditions focused on speech, characters, and representation dominated by an absent author. True to Artaud's vision, the Theater of Cruelty would inhabit a non-theological space beyond representation and established theatrical techniques.
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The document discusses Antonin Artaud's concept of the "Theater of Cruelty" and its implications. It argues that Artaud sought to establish a theater that affirms life itself rather than representing or imitating it. This theater would break from Western theatrical traditions focused on speech, characters, and representation dominated by an absent author. True to Artaud's vision, the Theater of Cruelty would inhabit a non-theological space beyond representation and established theatrical techniques.
Drepturi de autor:
Attribution Non-Commercial (BY-NC)
Formate disponibile
Descărcați ca PDF, TXT sau citiți online pe Scribd