IBANEZ Product Catlog 2005

ibanez.
com
Electric Guitars, Electric Basses, Acoustic Guitars

Amplifiers, Effects & Accessories
You’ve changed.
What, how and where you’re playing is different than what, how and where people were playing 50 years ago…or
even last year. That’s why Ibanez represents change. Some players and some companies play it safe and rest on
what they did in the past. Ibanez and Ibanez players look forward and take risks.
Which is why our 2005 Ibanez catalog has changed. We’ve gone a little upscale. This catalog is larger than anything
we’ve ever done before. That’s because our 2005 Ibanez lineup of guitars, basses, amplifiers and effects is larger and
more varied than anything we’ve ever done before. We think that says something.
All the new gear simply wouldn’t fit in an ordinary catalog. And an ordinary catalog simply wouldn’t do justice to
our expanded line of Prestige guitars and basses. On the other hand an ordinary catalog wouldn’t do justice to the
expanded lineup of what made Ibanez famous: great sounding, high quality, easy playing, AFFORDABLE instruments
for everyone from the beginner to the working pro. That hasn’t changed. It never will.
One huge reason Ibanez represents change is because we constantly watch what our artists are doing and listen to
what they’re thinking and playing. That’s not as serious as it sounds. A lot of times it’s a whole lot of fun.
Which is why this catalog not only goes upscale, it goes backstage. So you can share in some of the fun. Some of our
artists have obliged us by giving us their own snapshots of life on the road. You can compare them to your own experi-
ences or get prepared for your own first tours. Or you may even decide, you know, come to think of it, I’d rather just play
at home. That’s okay. As long as you keep playing. Because that’s another thing that should never change.
table of contents Electric Guitars

RG Prestige …4-6
RGA Prestige …7
Guitar Artists …8-9
RG …10-11
GRG/GRX …12-13
S …14-15
SA/GSA …16-17
SZ/GSZ …20-21
AX/GAX …22-23
AR/JTK/DT/IC/RVX …26-27
Signature Guitars …28-39
Artcore Guitars …40-47
Electric Basses …48-68
Jumpstart Packages …69
Signature Basses …70-73
Electronics …74-84
Cases & Accessories …85
Guitar/Bass Specifications …86-91
Acoustic Guitars & Amplifiers …92-127
All 2005 electric guitars (except the GIO models) are equipped with D’Addario® strings.
Our 2005 selection of electric guitars and basses features
the largest, most diverse selection of Prestige instruments
for the discriminating professional we’ve ever offered. Ibanez
Prestige guitars and basses are crafted of premium woods by
our most experienced luthiers using the perfect blend of New
World technology and Old World craftsmanship. Identifiable
in this catalog by the Prestige logo, Prestige models feature
necks with the comfortable rounded feel previously found
only in vintage instruments broken in by years of dedicated
playing. Prestige instruments also feature high-end electronics
and precision-crafted deluxe appointments.
T he look.
The lethality.
The ability to take it…
and to dish it out.
When it comes to
tthe basics
• The ultimate in the ultimate metal guitars.
metal guitars, the RG is • Ibanez’s famous thin, flat and fast Wizard necks as well as
RGT320QRBB
• 5pc Wizard Prestige
thru-neck
inclass by itself . slightly rounder Ultra thru-neck on the RGT3020. Prestige neck
finishing offers effortless playability and supreme comfort.
• Mahogany body/ And at the • New RGT Prestige models with 5-pc neck-thru construction offer
Quilted Maple top
•Jumbo frets head of the class is increased strength and sustain with easy playability in all registers.
• Edge Pro bridge
• DiMarzio IBZ neck pu
the RG Prestige. • DiMarzio® and DiMarzio IBZ pickups combined with the right place-
• DiMarzio IBZ bridge pu ment provide hard-edged, cutting tone.
• color: RBB
• Wide variety of bridges including Roland® GK-compatible Double
Edge (featuring both magnetic and piezo pickups), synchronized,
standard, and fixed.
• Crafted by Ibanez’s most experienced luthiers using the finest
materials and electronics available.
RGT220ANTF RGT220HSOL
• 5pc Wizard Prestige • 5pc Wizard Prestige
thru-neck thru-neck
• Ash body • Mahogany body
•Jumbo frets • Jumbo frets
• Edge Pro bridge • Edge Pro bridge
• DiMarzio IBZ neck pu • DiMarzio IBZ neck pu
• DiMarzio IBZ bridge pu
• color: NTF
RG3120FDAM RG2570EVSL RG2550EGK RG2620CBL
• 5pc Wizard Prestige neck • 5pc Wizard Prestige neck • 5pc Wizard Prestige neck • 5pc Wizard Prestige neck
• Mahogany body/ • Basswood body • Basswood body • Basswood body
AAA Flamed Maple top • Jumbo frets • Jumbo frets • Jumbo frets
• Jumbo frets • Edge Pro bridge • Edge Pro bridge • Edge Pro bridge
• Edge Pro bridge • DiMarzio IBZ neck pu • DiMarzio IBZ neck pu • DiMarzio IBZ neck pu
• DiMarzio IBZ neck pu • DiMarzio IBZ mid pu
• DiMarzio IBZ mid pu • DiMarzio IBZ bridge pu
• DiMarzio IBZ bridge pu • DiMarzio IBZ bridge pu
• colors: ANT, DAM • DiMarzio IBZ bridge pu • color: GK • color: CBL
• color: VSL
U.S.A.-Made DiMarzio
IBZ Pickups
Power that can cut through anything.
When you must visit sonic destruction
on every headbanger in the room,
accept no substitutes.
Unsurpassed Playability
RGT Neck and Strength.
A 5pc thru-body neck on the RGT Comfortably rounded RG Prestige and
models offers massive sustain, easy RGA Prestige bolt-on necks feature strong
playbility in the upper frets and three-piece maple construction with a 5
incredible strength and stability. walnut stripe for even more strength.
RG1520GBP RG1527RB RG1820XGK
• 5pc Wizard Prestige neck • 5pc Wizard-7 Prestige neck • 5pc Wizard Prestige neck
• Basswood body • Basswood body • Basswood body
• Jumbo frets • Jumbo frets • Jumbo frets
• Edge Pro with piezos • Edge Pro 7 bridge • Double Edge Pro with piezos
for Roland GK • IBZ V7-7 neck pu • IBZ V7 neck pu RG1570MRB
• IBZ V7 neck pu • IBZ V8-7 bridge pu • IBZ V8 bridge pu • 5pc Wizard Prestige neck
• IBZ V8 bridge pu • color: RB • color: GK • Basswood body
• color: BP • Jumbo frets
• Edge Pro bridge
• IBZ V7 neck pu
• IBZ S1 mid pu
• IBZ V8 bridge pu
• colors: MRB, MRR
• also available left-handed
in BK finish
Double Edge Tremolo

on RG1820X GK-Compatible Edge Pro
The Double Edge allows brilliant The Edge Pro tremolo on the
acoustic-style tones, which can RG1520G is GK compatible,
also be blended with electric which allows access to
tones. Piezos by L.R. Baggs are Roland’s GK effects and midi RG1570MRB
isolated to eliminate palm noise control. Isolated piezo ele- Exquisite mirage finish with a
and a 2-band EQ on the piezo out- ments offer superior tracking special “flip-flop” pattern.
6
put provides added tone control. for controlling midi devices.

RGA321FSPB
• 5pc Wizard Prestige neck
• Mahogany body/ AAA
the basics
Flamed Maple top
• Jumbo frets
• Gibraltar Plus bridge
• color: SPB • Thin, flat, and fast Prestige Wizard necks combine with DiMarzio®
pickups, and the massive new Gibraltar Plus fixed bridge.
• The brilliant highs and looks of the RGA’s arched 16mm maple top
ensure that you’ll be seen and heard no matter what.
• Crafted by Ibanez’s most experienced luthiers using the finest
materials and electronics available.
RGA121VLF
• Mahogany body/Maple top
• Jumbo frets
• IBZ V7 neck pu
• colors: NTF, VLF
RGA121NTF
• Mahogany body/Maple top
• Jumbo frets
• IBZ V7 neck pu
• colors: NTF, VLF
Gibraltar Plus Bridge

You don’t put just any fixed
bridge on an instrument in the
class of the RGA–a massive
metal sound requires a massive
metal bridge. The Gibraltar Plus
combines the smooth surfaced
Gibraltar III bridge with the
Quick Change tailpiece–in one
unit. Allows a wide range of 16mm Arched Maple Top
intonation adjustment needed The brilliant highs and look of
7
for heavy gauge strings and 16mm top guarantee that you
the saddles can’t fall out are seen and heard in the back
during string changes. rows as well as the front.
8
the basics
• 24-fret, thin, flat and fast Wizard necks.
• Pickup and pickup placement provide the hard-edged, cut-
ting tone needed for metal and hard rock.
For over 18 years, Ibanez RG guitars with Edge double-locking systems have been
• RGT models feature neck-thru construction for effortless
the metal guitar for the working player–even for players who don’t use the tremolo. upper fret access, increased stability and long sustain.
Because no matter how insane or brutal it gets–or you get–Ibanez locking systems • 2005 RG300 Series models have been upgraded with
will never let things get completely out of hand. However, increasing numbers of U.S.-designed Infinity III and IV pickups, which feature
hard rock players told us they wanted RG’s with a fixed bridge. More is a word we more bite and chunk, and adjustable pole pieces for
understand, and the 2005 RG lineup features more hardtail RG’s than ever before.
balanced string output.
• New Edge III double-locking trem offers increased durability
and stability. The Edge III has the original classic Edge feel
but with a lower-profile saddle for increased comfort.
RGT42DXFMTLF
• 5pc Wizard II thru neck
• Mahogany w/ Flamed
Maple top body
• Jumbo frets
• Edge Pro II bridge
RGT42DXBP • IBZ INF1 neck pu
• 5pc Wizard II thru neck • IBZ INF2 bridge pu
• Mahogany body • color: TLF
• Jumbo frets
• Edge Pro II bridge
• IBZ INF1 neck pu
• IBZ INF2 bridge pu
• color: BP
RG320FMAM
• 3pc Wizard II neck
• Basswood/ Flamed Maple top body
• Jumbo frets
• Edge III bridge
• colors: AM, TL
RG370DXBK
• Basswood body
• Jumbo frets
• Edge III bridge
• IBZ INFS3 mid pu
• color: BK
RG350DXWH
• Basswood body RGT42 Neck-Thru
• Jumbo frets The increased sustain and playability provid-
• Edge III bridge ed by neck-thru construction have made RGT
• IBZ INF3 neck pu New Double-Sharktooth inlay design featured on models some of the highest demand models
• IBZ INFS3 mid pu RGT42DX models. in the history of the RG.
• color: WH
RG350EXBK
• Basswood body
• Jumbo frets
• Edge III bridge
10

• color: BK
RGT42DXFXBKF
• 5pc Wizard II thru-neck
• Mahogany body
• Jumbo frets
• Fixed bridge
• color: BKF
RG7321BK
• 5pc Wizard II-7 neck
• Basswood body
• Jumbo frets
• Fixed 7 bridge
• IBZ AH1-7 neck pu
• IBZ AH2-7 bridge pu
• color: BK
RG321MHWK
• Mahogany body
• Jumbo frets
• Fixed bridge
• colors: MOL, RB, WK
RG321MHRB
• Mahogany body
• Jumbo frets
• Fixed bridge
• colors: MOL, RB, WK
Infintiy Pickups
2005 RG300 series models have Fixed Bridge With
been upgraded with U.S.-designed Thru-Body Stringing
Edge III Infinity III and IV pickups which Fixed bridge with thru-body
Improved Edge design pro- feature more bite and chunk and stringing on RG321 models
vides even more stability and adjustable pole pieces on both sin- provides tighter string
strength under the most de- gle could and humbucking models tension, simplicity and
manding playing conditions. for balanced string output. increased sustain.
Whether you’re a beginner or a working musician on a budget, you don’t don’t have to settle for a generic no-name any more. You
don’t even need to settle for some famous name’s second line of guitars that they don’t feel is good enough for them to put their
famous name on. Ibanez GRG and GRX guitars feature the same warranty and set-up standards as our most expensive instruments.
That’s why Ibanez GRG and GRX guitars proudly display the Ibanez logo–not “by Ibanez”–on the headstock.
GRG170DXBKN GRG170DXJB GRX20ZBKN GRX20ZJB

• GRG neck • GRG neck • GRX neck • GRX neck
• Basswood body • Basswood body • Alder body • Alder body
• Medium frets • Medium frets • Medium frets • Medium frets
• FAT 10 bridge • FAT 10 bridge • FAT 6 bridge • FAT 6 bridge
• PSND1 neck pu • PSND1 neck pu • PSND1 neck pu • PSND1 neck pu
• PSNDS mid pu • PSND2 bridge pu
• PSNDS mid pu • PSND2 bridge pu
• PSND2 bridge pu • color: BKN, JB
• colors: BKN, JB • PSND2 bridge pu • also available left-handed • colors: BKN, JB
• colors: BKN, JB in BKN finish
New BKN Black Night Metallic

Finish On GRG170DX
12 One more example of Ibanez pro-
features at an affordable price.
Fast, flat necks. Thin body. Fat
mahogany tone. The S can and will do anything.
That’s why so many extreme metal players
are picking up the S as their
weapon of choice.
S2075FWHS
• Mahogany body/
Poplar Burl top
• Jumbo frets
• ZR bridge w/ D-tuner
• DiMarzio IBZ mid pu
• color: HS
the basics
• An Ibanez original. One of the most versatile guitars ever
made, with adherents in every genre.
• Thin around the edges for comfort. Thick around the neck,
pickups and bridge for tone.
• Zero Resistance tremolo with ball-bearings combined with
Zero Point System provides smooth almost sensual arming,
incomparable stability and quick return-to-pitch.
S470IB S470DXQMTL S470DXQMNF S520EXBK
• 3pc Wizard II neck • 3pc Wizard II neck • 3pc Wizard II neck • 3pc Wizard II neck
• Mahogany body • Mahogany body/ • Mahogany body/ • Mahogany body
• Jumbo frets Quilted Maple top Quilted Maple top • Jumbo frets
• ZR bridge • Jumbo frets • Jumbo frets • ZR bridge
• IBZ INF1 neck pu • ZR bridge • ZR bridge • IBZ INF1 neck pu
• IBZ INF1 neck pu • IBZ INF1 neck pu • IBZ INF2 bridge pu
• colors: BK, IB • IBZ INFS2 mid pu • IBZ INFS2 mid pu • color: BK
• IBZ INF2 bridge pu • IBZ INF2 bridge pu
• colors: CN, NF, TL • colors: CN, NF, TL
ZR Tremolo
Most floating tremolos use a
knife-point edge, but the ZR 2005 S models have
tremolo uses a ball-bearing been upgraded to Infinity
based system for precision and
smooth, friction-free action.
pickups which offer high
output and high fidelity.
15
SA320XMBK
• 3pc SA neck
the basics
• Mahogany body
• Medium frets
• Double SAT bridge with piezos
• IBZ AH3 neck pu
• IBZ AH4 bridge pu
• The comfort and warm mahogany tone of an S, but • color: MBK
with a standard, flat back. SA160 models feature
an ash body for players who prefer a brighter,
more traditional tone.
• 25.5 scale neck offers narrow feel and tight SA160QMTR
tension similar to an Ibanez RG. • 3pc SA neck
• Mahogany body w/Quilted Maple top
• SA2020FM Prestige model features U.S.A.-made • Medium frets
DiMarzio/IBZ pickups. • SAT 30 bridge
• IBZ AS2 neck pu
• SAT trem systems offer wide pitch spacing for • IBZ AS2 mid pu
better response. Only the front section of the 2pc • IBZ AH4 bridge pu
saddle raises (the back section remains locked) • colors: AM, TR
for more stable intonation. The pop-in trem arm is
swing-tension adjustable.
• Affordable GSA models offer the same
individual inspection and set-up as our SA160AHTFB
• 3pc SA neck
most expensive models. • Ash body
• Medium frets
• SAT 30 bridge
• IBZ AS2 neck pu
• IBZ AS2 mid pu
• color: TFB
SA160WBR
• 3pc SA neck
• Mahogany body
• Medium frets
• SAT 30 bridge
• IBZ AS2 neck pu
• IBZ AS2 mid pu
• colors: BK, WBR
SA220FMTL
• 3pc SA neck
• Mahogany body
w/Flamed Maple top
• Medium frets
• SAT 30S bridge
• IBZ AH3 neck pu
• color: TL
Double SAT
Double SAT trem on the
16 SA320MBX is equipped
with piezos for accessing
acoustic guitar tones.
SA2020FMV V
• 5pc SA set-in neck
• Mahogany body/
Flamed Maple top
• Jumbo frets
• SAT Pro bridge
• color: VV
GSA60JB GSA60BT
• GSA neck • GSA neck
• Agathis body • Agathis body
• Medium frets • Medium frets
• SAT 10 bridge • SAT 10 bridge
• PSNDS neck pu • PSNDS neck pu
• PSNDS mid pu • PSNDS mid pu
• PSND2 bridge pu • PSND2 bridge pu
• colors: BKN, BT, JB • colors: BKN, BT, JB
The SA was designed for players

who want the mahogany
tone and curved comfort
of the S, but with a standard flat back,
and a traditional tremolo with advanced
features. It’s a combination
that
works as the SA is one of the
highest demand ibanez models.
SAT Pro Trem

2005 SA2020FM Set-Neck Features locking saddles
The first SA set-in neck combines for outstanding tuning
with Prestige finishing and a ability and hard steel
special neck finish for comfort and saddle chips for superior
playability beyond description. response and tone.
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SZ2020FMTKF
• 5pc SZ set-in neck
• Mahogany body/ Flamed
Maple top
• Medium frets
• MM1 bridge
• Seymore Duncan IBZ neck pu
• Seymore Duncan IBZ bridge pu
• color: TKF
MM1 Bridge
The SZ2020TKF’s MM1 bridge allows for radical
intonation adjustments and augments the already
superior sustain of the SZ Prestige set-neck and
mahogany body. SZ720FMTG SZ520QMGAB SZ520QMBBL
• 3pc SZ set-in neck • 3pc SZ set-in neck • 3pc SZ set-in neck
SZ2020TKF with Seymour Duncan/IBZ pickups • Mahogany body/ • Mahogany body/ • Mahogany body/
U.S.A.-made Seymour Duncan/IBZ pickups take the SZ Flamed Maple top Quilted Maple top Quilted Maple top
design to another new level of warm, fat, and powerful • Medium frets • Medium frets • Medium frets
tone in this Ibanez Prestige model. The neck pickup fea-
tures an Alnico magnet and offers warm, smooth tone • Gibraltar III bridge • Gibraltar III bridge • Gibraltar III bridge
with rich sustain. The bridge pickups features a ceramic • Duncan/Ibanez neck pu • Duncan/Ibanez neck pu • Duncan/Ibanez neck pu
magnet and provides very high output with aggressive • Duncan/Ibanez bridge pu • Duncan/Ibanez bridge pu • Duncan/Ibanez bridge pu
harmonics and clear attack. • color: TG • colors: BB, BBL, GAB • colors: BB, BBL, GAB
20
tthe
he basics
• A descendent of the curved, mahogany Ibanez S but with a much
thicker body and a 25.1” scale that has a different feel than the S
25.5” scale.
SZ320MHWBR • 3pc set in neck for better upper fret access and sustain.
• 3pc SZ set-in neck
• Mahogany body • Graduated string-post heights and thru-body stringing
• Medium frets provide equalized string tension, precise articulation, and an
• Gibraltar III bridge all around great feel.
• Duncan/Ibanez neck pu
• Duncan/Ibanez bridge pu SZ320GD • Heavy-duty Gibraltar III bridge allows for heavier gauge strings
• color: WBR • 3pc SZ set-in neck and features no sharp edges.
• Mahogany/Maple top body
• Medium frets • The first SZ Prestige model, the SZ2020TKF, is fitted with U.S.A.-
• Gibraltar III bridge made Seymour Duncan/IBZ pickups and the massive MM1 bridge
• Duncan/Ibanez neck pu
• Duncan/Ibanez bridge pu
for even better SZ tone and sustain.
• colors: BK, GD • New affordable GSZ models offer SZ playability to an even wider
range of players.
GSZ120SV GSZ120BKN
• GSZ neck • GSZ neck
• Poplar body • Poplar body
• Standard bridge • Standard bridge
• AX1 neck pu • AX1 neck pu
• AX2 bridge pu • AX2 bridge pu
• colors: BKN, SV • colors: BKN, SV
Duncan/Ibanez Pickups
SZ standard models feature Duncan/Ibanez
pickups (Alnico magnet neck pickup/ceramic
magnet bridge pickup) specially designed by
Seymour Duncan® and Ibanez for the SZ.
AXS32DRF
• 3pc AX set-in neck
• Mahogany body
• Large frets
• Full Tune II bridge
• IBZ AH3 neck pu
• colors: DRF, TKF, SVF
AX220QMTL
• 3pc AX neck
• Mahogany body
body// Quilted
Maple top
When you just want to get down and dirty, this is it. AX guitars have
• Medium frets
• Fixed bridge
everything you need. Nothing you don’t.
the basics
• IBZ AH1 neck pu
• color: TL
• Raw rock and roll simplicity and double-humbucking

pickups in a crystal-cut mahogany body.
AX120WK
• 3pc AX neck • Available in models with set-in or bolt-on necks and
• Mahogany body 6- and 7-string models. New 27” scale baritone for
• Medium frets players who just can’t get low enough.
• Fixed bridge
• IBZ AH1 neck pu
• colors: WBR, WK
AX110XLWBR
• 3pc AX-XL (27”) neck
• Mahogany body
• Large frets
• Fixed bridge
AXS32SVF • IBZ AH4 bridge pu
• 3pc AX set-in neck • color: WBR
• Mahogany body
• Large frets
• Full Tune II bridge
• IBZ AH3 neck pu
• colors: DRF, TKF, SVF
AXS32 Set-Neck
For even more AX mahogany power,
sustain and playing comfort.
AX7221GP
• 5pc AX-7 neck
• Mahogany body
• Medium frets
• Fixed 7 bridge
• IBZ AH1-7 neck pu
• IBZ AH2-7 bridge pu
• color: GP
GAX75GP GAX70WH GAX30JB

• GAX neck • GAX neck • GAX neck
• Agathis body • Agathis body • Basswood body
• Medium frets • Medium frets • Medium frets
• Short Stop II w/Downshifter • BR-EG bridge • Fixed bridge
• PSND1 neck pu • PSND1 neck pu • AX1 neck pu
• PSND2 bridge pu • PSND2 bridge pu • AX2 bridge pu
• color: GP • colors: BKN, TR, WH • colors: BKN, JB, TR
• also available left-handed
in BKN finish
AX110XL 27” Scale Neck

The extended length of a baritone guitar
results in higher tension. So you can
tune down really low with no flopping or
loss of articulation.
Downshifter
Everyone should have the right to a decent rock and roll axe (including lefties). GAX guitars offer more For quick access to alternate tunings. The
choices, better quality and superior sound to anything else in their price range. Which is why GAX guitars availability of a Downshifter on a guitar in the
are one of the best selling guitar series in the world. GAX75’s price range is unprecedented.
23
24
Ibanez Artist guitars offer the full, meaty sound
of the “other famous mahogany classic,” but at a
better price and with better hardware. 2005 Artists
feature the original body size and neck for that
great ‘70s sound and feel.
The Jet Kings bring back the funky vibe of the
past–with a lot more tonal versatility and without the
bad tuning. The JTK1 is for players who want a lighter
AR300BS axe with a thinner neck. The JTK2 is for players who
• 3pc AR set-in neck want a big mahogany body with a thicker neck.
• Mahogany w/Flamed Maple top
• Large frets The Destroyer’s name says pretty much everything
• BR-EG bridge that needs to be said. For the player for whom too
• IBZ Super 58 neck pu much mahogany tone is not enough.
• IBZ Super 58 bridge pu
Ibanez now features two versions of the original
• color: BS
Iceman design, the set-neck IC400 and the bolt-
neck IC200. The new ICX is a modernized, compact
version of the Iceman. The 2005 ICX, the ICX220,
gets something the original Icemans didn’t have, a
24-fret neck as does the RVX220, an entirely new
AR200GD take on the classic V theme.
• 3pc AR set-in neck
• Mahogany body
• Large frets
• BR-EG bridge DT200CA
• IBZ AH1 neck pu • 3pc DT neck
• IBZ AH2 bridge pu • Mahogany body
• colors: BI, GD • Medium frets
• BR-EG bridge
• colors: CA, VA
JTK1BRS
• 3pc JTK2 neck
• Basswood body
• Medium frets
• BR-EG bridge
• IBZ Super 58 neck pu
• colors: BRS, BT
JTK2BS
• 3pc JTK1 neck
• Mahogany body
• Medium frets
• BR-EG bridge
• color: BS
26 Jet King Rocker Switches

Retro rocker switches access single
coil and double coil tones.
IC400BK IC200BS ICX220BK RVX220BK
• 3pc IC set-in neck • 3pc IC neck • 3pc X neck • 3pc X neck
• Mahogany body • Mahogany body • Basswood body • Basswood body
• Medium frets • Medium frets • Large frets • Large frets
• BR-EG bridge • BR-EG bridge • BR-EG bridge • BR-EG bridge
• IBZ AH1 neck pu • IBZ INF3 neck pu • IBZ INF3 neck pu • IBZ INF3 neck pu
• IBZ AH2 bridge pu • IBZ INF4 bridge pu • IBZ INF4 bridge pu • IBZ INF4 bridge pu
• color: BK • color: BS • color: BK • color: BK
signature guitars
Head & Munky …29
Joe Satriani …30
Steve Vai …31
Paul Gilbert …32
Andy Timmons …33
Mike Mushok …34
Noodles …35
George Benson …36
Pat Metheny …38
John Scofield …39
“We kept the
integrity of the
original classic 7-string
model we started the
band with and made a
few changes that
enhanced the guitar
the basics
• Ibanez has more experience with solid-body 7-strings than
overall.” any other guitar maker.
Munky in Ibanez—The Untold Story
• DiMarzio® and Ibanez pickups designed exclusively for 7-strings.
• The right bridge and nut spacing is why Ibanez 7-string guitar
necks feel like guitar necks–not like bats. Transition from 6- to
7-string playing techniques is effortless.
• K-7 features A-D-G-C-F-A-D factory-tuning for Korn’s signature
low-end crunch.
K7BG K7FB
• 5pc K7 Prestige neck • 5pc K7 Prestige neck
• Mahogany body • Mahogany body
• Jumbo frets • Jumbo frets
• Lo-Pro Edge 7 w/U-bar • Lo-Pro Edge 7 w/U-bar
• DiMarzio PAF-7 neck pu • DiMarzio PAF-7 neck pu
• DiMarzio PAF-7 bridge pu • DiMarzio PAF-7 bridge pu
• colors: BG, FB • colors: BG, FB
“Creating our own signature

model was
as exciting as
‘making it’
….a dream come true. I
still use that thing
every night.”
Head in Ibanez—The Untold Story
JS1200CA
• JS neck w/6105 frets
• Basswood body
• Edge Pro
• DiMarzio PAF JOE neck pu
• DiMarzio Fred bridge pu
• color: CA
JS1000BP
• JS neck w/6105 frets
• Basswood body
• Edge Pro
• DiMarzio PAF Pro neck pu
• DiMarzio Fred bridge pu
• color: BP
JS100TR
• JS neck w/medium frets
• Basswood body
• Edge Pro II
• IBZ AH1 neck pu
• colors: BK, TR
the basics I
“ wanted a
• Multi-radius Prestige neck (JS1000/JS1200) is an exact digital
guitar with a
rendering of the neck on Joe’s favorite axe.
• Lightweight aero-foil shaped basswood body provides comfort, modern sound,
upper fret access and expressive singing tones. but with a vintage
• High pass filter on JS1000 and JS1200 volume pots maintains
highs at low volumes.
feel, with smaller frets
and more radius
• Combination of 25 1/2” inch neck scale and DiMarzio® or Ibanez on the fingerboard. It had
Axis pickups provides wide dynamic range and versatility. to be subtle enough
to catch nuances, fast and
easy to play.”
Joe in Ibanez—The Untold Story
30
the basics
• For 2005, Ibanez proudly opens a new chapter of the JEM epic with the
introduction of the mirror-finished JEM77BRMR “Bad Horsie” JEM.
• Contoured basswood or alder bodies with 24-fret Prestige JEM
neck provides easy access to all registers.
• Deep routed tremolo cavities allow pitches to be lowered or raised.
• Vai’s choice of specific DiMarzio® pickups for each model com-
bined with Ibanez Split-5 wiring provide incredible tonal versatility.
• Steve Vai’s Universe–the guitar that ignited 7-string revolution–
allows almost effortless transition from 6- to 7-string techniques.
JEM77BRMR
• 5pc JEM neck w/6105 frets
• Basswood body
• Edge Pro
• DiMarzio Breed (H) neck pu
• DiMarzio Breed (S) mid pu
• DiMarzio Breed (H) bridge pu
• color: RMR
UV777BK
• 5pc UV neck w/large frets
• Basswood body
• Edge Pro 7
• DiMarzio Blaze (H) neck pu
• DiMarzio Blaze (S) mid pu
• DiMarzio Blaze (H) bridge pu
• color: BK
JEM7VWH
• 5pc JEM
• Alder body
neck w/6105 frets
Anywhere in the world,
“
• Edge Pro I can go into a music
• DiMarzio Evolution (H) neck pu
• DiMarzio Evolution (S) mid pu
store, take a JEM
off the wall, and
• DiMarzio Evolution (H) bridge pu
• color: WH it’s my voice .”
Steve in Ibanez—The Untold Story
PGM301WH
• 5pc PGM neck
• Basswood body
• Jumbo frets
• Fixed bridge
• DiMarzio PAF Pro neck pu
• DiMarzio JEM Single mid pu
• DiMarzio PAF Pro bridge pu
• color: WH
When I pick up any other

“
brand of guitar
I have to think of so many
things…the volume knob
is wrong; the frets are too
small...the body
the basics
• 24-fret PGM Prestige neck is 2mm thicker than our
pokes me in the ribs. super-thin Wizard necks.
These are things • Fixed bridge offers increased sustain and simplicity.
I don’t worry • Paul’s specific choice of different DiMarzio
about with pickups, HSH configuration and 5-way switching
my Ibanez.” offers the multitude of tones required for his
mastery of both speed and style.
Paul in Ibanez—The Untold Story
• And, of course, Paul Gilbert’s signature painted f-holes.
AT300AV
• AT neck
• Mahogany body
• Jumbo frets
• Wilkinson-Gotoh VSVG bridge
• DiMarzio Cruiser neck pu
• DiMarzio Cruiser mid pu
• DiMarzio AT Special bridge pu
• color: AV
I
“ require a lot of
sonic variety for my guitar and
the AT300 delivers!” Andy Timmons
the basics
• Delivers the sonic variety needed by a player who is equal parts
bluesmaster, ultra-versatile sessionmeister and speed demon. (And
he can chicken-pick.)
• Arched S-style top with traditional flat back.
• AT multi-radius neck offers incomparable playability and feel.
• DiMarzio® Cruiser DP186 single coil pickups with DiMarzio AT1 made
specifically for Andy Timmons (an Ibanez exclusive).
• Sperzel® locking tuners and Wilkinson/Gotoh VSVG Tremolo.
33
“I get better tuning
and articulation
with fuller tone
than I could ever achieve
with a standard guitar
—no matter what tuning
or how aggressively I play.”
Mike Mushok
the basics
• Matte finished mahogany body and thru-neck provide gargantuan
tone and sustain.
• 28” scale baritone neck offers the ability to achieve all kinds of
low tunings. Factory tuning is A-D-A-D-G-B.
MMM1MOL • Super 58 pickups custom-wound for baritone.
• 3pc MMM thru neck
• Mahogany body • Tuning machines feature low string posts for higher tension off the nut.
• Jumbo frets
• MM bridge • Thru-body stringing augments the MMM1’s strong sustain and
• IBZ Custom Super 58 neck pu superior articulation.
• IBZ Custom Super 58 bridge pu
• color: MOL • Massive MM bridge, custom-designed for Mike Mushok,
allows radical intonation adjustments and augments the
34 MMM1’s great sustain.
the basics D
“ uct tape is so much
a part of what we musicians
• Basswood body hand-wrapped in duct taped and finished in poly. do on the road. Since each
No NDM1 models are exactly alike. guitar is individually wrapped
• Fixed bridge with steel saddles offers durability, simplicity in duct tape,
and strong sustain. you’re not going to
• Ibanez Infinity pickups in hum-sing-hum configuration and Special find another
5-Way switching pump out a vast assortment of tones.
• Thru-body stringing offers improved articulation with greater sustain.
guitar like it.
And on top of all that,
it’s just an easy playing guitar
that you can get
a bunch of great
sounds out of.” Noodles
NDM1TSG
• 3pc NDM neck
• Basswood body
• Jumbo frets
• Fixed bridge
• color: TSG
35
“ The GB10’s smaller body
doesn’t have a lot of resonance,
but it has a lot of articulation.
the notes don’t
melt together
like on softer guitars. it maintains
the tone while articulating each
note. No other guitar
gets that sound.”
George in Ibanez—The Untold Story
the basics
• The GB10 debuted in Chicago on June 11, 1977. Our longest running artist signature model.
• Floating pickups, a thicker top and a smaller body reject feedback.
• Pure jazz tone even at rock and roll volumes.
• GB200 features full-sized, full-acoustic body and standard pickup installation for more traditional jazz gigs.
GB200BS
• 3pc GB set-in neck
• Spruce top, Maple back/sides
• Max width at lower bout: 16 1/2”
• Max body thickness: 4 1/4”
• Medium frets
• Ebony bridge
• color: BS
GB10BS GB10NT
• 3pc GB set-in neck • 3pc GB set-in neck
• Spruce top, Maple back/sides • Spruce top, Maple back/sides
• Max width at lower bout: 14 3/4” • Max width at lower bout: 14 3/4”
• Max body thickness: 3 1/4” • Max body thickness: 3 1/4”
• Ebony bridge • Ebony bridge
• IBZ GB Special neck pu • IBZ GB Special neck pu
• IBZ GB Special bridge pu • IBZ GB Special bridge pu
• colors: NT, BS • colors: BS, NT
37
I
“ t took some time, several
prototypes and perseverance
from all corners, but
the final results are
excellent —I love
playing all of the various Ibanez
PM models and am quite
proud to be
associated with them.”
Pat in Ibanez—The Untold Story
PM100NT PM120BK
• PM set-in neck • PM set-in neck
• Maple top/back/sides • Maple top/back/sides
• Max width at lower bout: 16” • Max width at lower bout: 16”
• GB103B bridge • GB103B bridge
• IBZ Super 58 neck pu • IBZ Silent 58 neck pu
• colors:BK, NT • IBZ Silent 58 bridge pu
• colors:BK, NT
the basics
• Like the artist himself, the PM models are able to play within
and without the boundaries of traditional jazz.
• The size of the traditional jazz guitar but slimmer for better
comfort, projection, and feedback rejection.
• Double-cutaway and 17th fret body joint for easier upper fret
access than completely traditional jazz boxes.
• The PM120 features an even slimmer body than the PM100 (2”
vs 3”) for enhanced midrange punch.
38
When Ibanez wanted to
“
reintroduce my
original AS200 guitar
with the original specs they had to
fly me to the Ibanez R&D
facility in L.A., where detailed
measurements were taken of every
conceivable dimension. This became the
basis for the JSM John Scofield
model, which reproduced the original
guitar plus added some improvements
JSM100VT
the basics
• John’s preference of Artist-style “castle” headstock to
such as a side-mounted jack.”
John in Ibanez—The Untold Story
• JSM set-in neck

• Flamed Maple top/back/sides
complement AS body for better tonal balance.
• Max width at lower bout: 15 3/4” • Classic Ibanez half-brass, half-bone nut.
• Medium frets • Rigid top and body reject feedback.
• G510BN bridge
• color: VT
artcore
Artcore Custom ....40
AF ....41
AK & AFS ....42
AG ....43
AS & AM ....44
AXD & AWD & FWD ....45
No one would have ever believed you if you had
told them even just three days ago that you could
buy a decent full or semi-hollow guitar for this little
money. Certainly our competitors wouldn’t have.
Then along came Artcore. We thought we’d give

everyone a little time to handle that before we
came up with the next surprise…Artcore Custom.
the basics
• True full-hollow guitars with exquisite
AF105FNT
• 5pc Artcore custom
flame maple bodies for enhanced, set-in neck
AF105NT • Flamed Maple top/
clear highs, and the sound, appearance sides/back
• 5pc Artcore custom set-in neck and craftsmanship of guitars many • Max width at lower
• Flamed Maple top/ sides/back
times their price. bout: 15 3/4”
• Max body thickness: 3 5/8” • AF105 features traditional pickup • Medium frets
• Medium frets
• ART1 bridge
installation for traditional jazz gigs. • ART1 bridge
• IBZ Custom 58 neck pu AF105F features floating pickup to • IBZ Custom F neck pu
• color: NT
• IBZ Custom 58 bridge pu eliminate feedback.
• color : NT
Flame Maple Bodies

Give the new 2005 Artcore
Custom models an
appearance and sound of
the great jazz boxes.
Floating Pickups
Are utilized on the new
AF105F Artcore Custom to
eliminate feedback.
the basics
• Unlike many so-called full-hollow guitars in the more affordable price ranges which
feature soundblocks, Ibanez Artcore full-acoustic models are truly full-hollow.
• Medium output Artcore pickups produce clear tones and work well with effects.
• Deluxe Artcore models (85 series) offer upgraded appointments such as abalone
inlays and 3 pc necks for additional stability and strength.
AF85VLS
• 3pc Artcore DX set-in neck
• Flamed Maple top/sides/back
• Large frets
• ART1 bridge
• ACH1 neck pu
• color: VLS
AF75BS
• Artcore set-in neck
• Maple top/sides/back
• Large frets
• ART1 bridge
• ACH1 neck pu
• ACH2 neck pu
• color: BS,TBS
AF75DTOR
• Maple top/ sides/back
• Large frets
• ART1 bridge
• ACH1 neck pu 43
• ACH2 neck pu
• color: TOR
the basics
• Unlike many so-called full-hollow guitars in the more
affordable price ranges which feature soundblocks,
Ibanez Artcore full-acoustic models are truly full-hollow.
• Medium output Artcore pickups produce clear tones and
work well with effects.
• Deluxe Artcore models (85 series) offer upgraded
appointments such as abalone inlays and 3 pc necks
-for additional stability and strength.
AK85DVS
• Spruce top, Flamed Maple back/sides
• Large frets
• Rosewood bridge
• ACH1 neck pu
• ACH2 neck pu
• color: DVS
AFS77TMG AFS75TDTQ AFS75TTBL

• 3pc Artcore DX set-in neck • Artcore set-in neck • Artcore set-in neck
• Maple top/ sides/back • Maple top/sides/back • Maple top/sides/back
• Max width at lower bout: 15 3/4” • Max width at lower bout: 15 3/4” • Max width at lower bout: 15 3/4”
• Max body thickness: 2 5/8” • Max body thickness: 2 5/8” • Max body thickness: 2 5/8”
• Large frets • Large frets • Large frets
• ART2 w/VBF70 Vintage Vibrato * • ART2 w/VBF70 Vintage Vibrato * • ART2 w/VBF70 Vintage Vibrato *
• ACH1 neck pu • ACH1 neck pu • ACH1 neck pu
• ACH2 neck pu • ACH2 neck pu • ACH2 neck pu
• color: MG • color: TQ • color: TBL, TRD
* Vibrato licensed by Fred Gretsch Enterprises in the U.S.

AG85TRD AG75BS
• 3pc Artcore DX set-in neck • 3pc Artcore DX set-in neck
• Figured Bubinga top/sides/back • Figured Bubinga top/sides/back
• Max width at lower bout: 15 3/4” • Max width at lower bout: 15 3/4”
• Large frets • Large frets
• ART1 bridge • ART1 bridge
• ACH1 neck pu • ACH1 neck pu
• ACH2 neck pu • ACH2 neck pu
• color: TRD • color: BS
45
the basics
• One of the most versatile of the box guitars—actually one
of the most versatile of any electric guitar—the semi-
acoustic has been used in almost every genre of popular
music including jazz, fusion, rock and roll, r&b and blues.
• Semi-acoustic guitars or semi-hollow guitars feature a
block of wood known as a sustain block or sound block
into which the pickups are mounted for increased
sustain and elimination of feedback.
• The AM Series is an original ‘80s Ibanez design which
offers the basic shape and versatility of the traditional
semi-acoustic in a comfortable compact size.
AS83VLS
AM77TNBK • Flamed Maple top/sides/back
• 3pc Artcore DX set-in neck • Max width at lower bout: 15 7/8”
• Maple top/sides/back • Max body thickness: 2 5/8”
• Max width at lower bout: 14 3/4” • Large frets
• Max body thickness: 2 5/8” • ART1 bridge
• Large frets • ACH1 neck pu
• ART2 w/VBS80 Vintage Vibrato • ACH2 neck pu
• ACH1 neck pu • color: VLS
• ACH2 neck pu
• color: NBK
AS73TCR
• Flamed Maple top/sides/back
• Large frets
• ART1 bridge
• ACH1 neck pu
• ACH2 neck pu
• color: TCR
AM73TBR
• Large frets
• ART1 bridge
• ACH1 neck pu
• ACH2 neck pu
• color: TBR
Heavy tones. Light weight. With the addition of these all-new and different small
full- and semi-hollow models, there are now definitely “Boxes For All.”
the basics
• The AXD82P offers semi-acoustic tones and sustain in a small
and simple single cutaway for blues (and more) with a feeling.
• The new arched-topped AWD82 model semi-acoustics provide
the easy access of a double cutaway in a small body. The right
and light medication for the hyperactive performer.
• The FW282 is similar to the AWD82 but was designed for players
who prefer the feel or the even nicer price of a flat-topped axe.
AXD82PDVS AWD82TBL AWD82LTDBK AWD82TTRD FWD60TOR

• 3pc Artcore DX set-in neck • 3pc Artcore DX set-in neck • 3pc Artcore DX set-in neck • 3pc Artcore DX set-in neck • Artcore set-in neck
• Spruce top/mahogany • Bubinga top/maplesides/back • Maple top/sides/back • Bubinga top/maplesides/back • Maple top/sides/back
sides/back • Max width at lower bout: 13” • Max width at lower bout: 13” • Max width at lower bout: 13” • Max width at lower bout: 13”
• Max width at lower bout: • Max body thickness: 1 3/4” • Max body thickness: 1 3/4” • Max body thickness: 1 3/4” • Max body thickness: 1 3/4”
12 7/8” • Large frets • Large frets • Large frets • Large frets
• Max body thickness: 1 3/4” • Short Stop III bridge • Short Stop III bridge • ACT tremolo • FXB50 bridge
• Large frets • ACH1 neck pu • ACH1 neck pu • ACH1 neck pu • ACH1 neck pu
• ART1 bridge • ACH2 neck pu • ACH2 neck pu • ACH2 neck pu • ACH2 neck pu
• ACH1 neck pu • color: TBL • color: BK • color: TRD • color: TOR
• ACH2 neck pu
• color: DVS
ACT Tremolo
The first knife-edge tremolo designed
for semi-acoustic guitar. The ACT elimi- Kumogara
nates the tremolo cavity on the back Artcore AWD necks feature a striking
of the guitar—there’s less space used cloud design inlay we call “Ku-
so there’s more tone. Shorter springs mogara.” Similar patterns are found
use less vibrating room and contribute on traditional Japanese ceramics
to a stiffer arm response. Two ways to and are now popular in modern
install the springs offer choice in string Japanese tattoo art—which makes
47
and arm tension. And on top of all that Kumogara the right choice for a
the ACT is smooth to the touch and guitar that embodies both tradition
string changes are easy. and flat-out rock and roll.
electric basses Roadgear…50-51
Soundgear Prestige…52-53
Soundgear 4/GSR4…54-55
Soundgear 5/6/GSR5…56-57
Bass Artists…58-59
Soundgear Xtreme…60-61
BTB Prestige/BTB…62-63
Bass Artists…64-65
Iceman/Ergodyne/Artcore…66-67
GAXB/Jumpstart Packages…68-69
Musical Merchandise Review Music & Sound Retailer

Bass Company of the Year Best New Bass of 2003
Three years in a row! Ibanez SRX400
® Symphony Publications ® Testa Publications
Roadgear basses have established a class all
their own: elite small-shop style and sound at
prices for the common people.
the basics
• J/M pickup configuration offers a wealth of tones and plenty of punch.
• Neck is thin in the lower frets like a Soundgear, but thicker towards the
upper frets like a traditional bass for fatter tone.
• Heavy-duty Accu-Cast B200/B100 bridges provide strong sustain.
• New RD900 flagship model with U.S.A.-made Basslines® Ibanez pickups,
massive milled brass B400 bridge, coil tap, and eq bypass switch.
• RD500 deluxe model offers the simplicity and power of the Ibanez 2-Band Active EQ.
• RD300 standard model features passive EQ and an even more affordable price.
• For 2005, matching headstock completes the Roadgear formula
of pro features at beginner prices.
RD900FMNT
• RD4 neck
• Mahogany body/Flamed Maple top
• Medium frets
• B400 bridge
• Basslines Ibanez J4 neck pu
• Basslines Ibanez M4 bridge pu
• EQB-IID 2-Band eq w/ eq bypass sw
• color: NT
RD500BBS RD505SB
• RD4 neck • RD5 neck
• Basswood body • Basswood body
/Quilted Maple top /Quilted Maple top
• Accu-Cast B200 bridge • Accu-Cast B205 bridge
• Duncan/Ibanez J4 neck pu • Duncan/Ibanez J5 neck pu
• Duncan/Ibanez M4 bridge pu • Duncan/Ibanez M5 bridge pu
• EQB-IID 2-Band eq • EQB-IID 2-Band eq
• colors: BBS, SB • color: SB
RD300NM
• RD4 neck
• Agathis body
• Medium frets
• B100 bridge
• PSND J neck pu
• PSND M bridge pu
• colors: BK, NM
Basslines® Ibanez Pickups EQ Bypass Switch B400 Milled

Made for Ibanez basses by Seymour Being able to easily bypass Brass Bridge
Duncan, U.S.A.-made Basslines Ibanez the eq section allows the Allows greater 51
pickups feature Alnico magnets for RD900 to quickly change string-to-body
warmth, clarity and power. tones—or amplifiers. vibration transfer.
the basics
• 2005 Prestige models feature neck-thru
construction for even better upper fret
access, stability and sustain.
• Prestige instruments utilize select woods
and the most sophisticated electronics.
Prestige necks feature extra steps of
SR1000EFMNTF
finishing for a feel that’s like driving a • 5pc SR4 Maple/Bubinga Prestige thru-neck
European sports car. • Maple body/Flamed Maple top
• Medium frets
• Models with mahogany back and wings • Mono-Rail IV bridge
for players desiring a warmer tone. Maple • Bartolini Custom neck pu
• Bartolini Custom bridge pu
back and wings for those desiring a • Vari-Mid Hi-Fi 3-Band eq
brighter tone. • color: NTF
• U.S.A.-made Bartolini pickups are
combined with the Ibanez Vari-Mid
EQ for great bass tones with
exceptional versatility.
SR1000EWNNTF
• 5pc SR4 Maple/Bubinga Prestige thru-neck
• Mahogany body/Walnut top
• Medium frets
• Mono-Rail IV bridge
• Bartolini Custom neck pu
• Vari-Mid Hi-Fi 3-Band eq
• color: NTF
Neck-Thru
2005 Soundgear Prestige
models have been upgraded
with neck-thru construction.
SR1005EWNNTF
USA-Made • 5pc SR5 Maple/Bubinga Prestige thru-neck
Bartolini Pickups • Mahogany body/Walnut top
Prestige basses feature U.S.A.- • Medium frets
made Bartolini pickups designed • Mono-Rail IV bridge
specifically for Ibanez basses and • Bartolini Custom neck pu
the Ibanez Vari-Mid EQ, which • Bartolini Custom bridge pu
features sweepable midrange for • Vari-Mid Hi-Fi 3-Band eq
wide variations in tone. • color: NTF
Mono-Rail IV
2005 SR Prestige basses are fitted
with the new Mono-Rail IV bridge.
The fourth generation design SR1006EFMNTF
features the same complete string- • 5pc SR6 Maple/Bubinga Prestige thru-neck
to-string isolation so each string vi- • Maple body/Flamed Maple top
brates true without interference from • Medium frets
the others. However, the Mono-Rail • Mono-Rail IV bridge
IV features a special saddle lock for • Bartolini Custom neck pu
maximized individual string isolation • Bartolini Custom bridge pu
and vibration as well as even easier • Vari-Mid Hi-Fi 3-Band eq
string changes. • color: NTF
SR1005EFMNTF
• 5pc SR5 Maple
/Bubinga Prestige thru-neck
• Maple body/Flamed Maple top
• Medium frets
• Vari-Mid Hi-Fi 3-Band eq
• color: NTF
You’ve achieved a level

of prestige among your bass playing peers.
Does that mean you stop?
Doesn’t work for us either.
Which is why 2005 Prestige basses
improve on our previous models.
And they were already extraordinary.
SR500BM
• 5pc SR4 Wenge/Bubinga neck
SR900TKF SR900ANF • Mahogany body
• 5pc SR4 Maple • 5pc SR4 Maple
• Medium frets
/Bubinga thru-neck /Bubinga thru-neck
• Accu-Cast B20 bridge
• Figured Maple body • Figured Maple body
• Bartolini MK1-4 neck pu
• Bartolini MK1-4 bridge pu
• Bartolin MK1 3-Band eq
• Bartolini MK1-4 • Bartolini MK1-4
• color: BM
neck pu neck pu
• Bartolini MK1-4 • Bartolini MK1-4
bridge pu bridge pu
• Bartolini MK1 • Bartolini MK1
3-Band eq 3-Band eq
• colors: ANF, TKF • colors: ANF, TKF
SR400VTB
• 3pc SR4 neck
• Soft Maple body
• Medium frets
• IBZ DXP neck pu
• IBZ DXJ bridge pu
• Style Sweeper eq
• colors: LA, VTB
SR300DXFCA
• 3pc SR4 neck
• Agathis body
• Fretless
• B100 bridge
• IBZ DXP neck pu
• EQB-IIC 2-Band eq
• color: CA
SR300DXJB
• 3pc SR4 neck
• Agathis body
• Medium frets
• B100 bridge
• IBZ DXP neck pu
• EQB-IIC 2-Band eq
• color: BK, JB, CA
Also available
left-handed in BK finish
Style Sweeper
Bartolini MK1 EQ on SR400 Don’t Fret
Pickups and EQ A quick turn takes of the Style The affordable SR300DXF
54 Featured on SR900/SR905
basses, and now on 2005
SR500/and SR505 models.
Sweeper knob transports you
from fat, warm 50’s thump to
features a fretless fingerboard
of hi-tech ebonol for a smooth
feel and exceptional durability.
today’s pop, slap and funk.
Thin, fast necks. Versatile, powerful active electronics. Slender bodies that fit
you like a fine glove. And as music evolves so does Soundgear. That simple but
unbeatable formula has made Soundgear the choice of players in every genre.
the basics
• Thinner necks with thinner nuts than traditional basses.
• Sleek bodies that are lightweight, balanced and
comfort-contoured.
• Active EQ’s perfectly matched with the right choice
of passive or active electronics.
• GSR Soundgear basses, the world’s best selling
basses, provide the looks, tone and comfort—and GSR200FMTFB
the same rigorous set-up and inspection—of our • GSR4 neck
most expensive instruments. • Agathis body
• Medium frets
• B10 bridge
• STD P neck pu
• STD J bridge pu
• PHAT II eq
• colors: TBS, TFB
GSR200FMTBS
• GSR4 neck
• Agathis body
• Medium frets
• B10 bridge
• STD P neck pu
• STD J bridge pu
• PHAT II eq
• colors: TBS, TFB
GSR200TR
• GSR4 neck
• Agathis body
• Medium frets
• B10 bridge
• PSND P neck pu
• PSND J bridge pu
• PHAT II eq
• colors: BK, JB, TR
also available left-handed in CA finish
GSR100ZSV
• GSR4 neck
Die-Cast Tuners • Agathis body
The 2005 GSR100 has been • Medium frets
• B10 bridge
55
upgraded with the addition of
die-cast tuners for even smoother • STD P pu
and more stable tuning. • colors: BKN, SV
the basics
• Soundgear 5-string basses are fitted with the
Do trad-shaped 5 & 6 string bass necks feel more like baseball bats?
Then the slim, strong and effortlessly easy-playing Soundgear neck is
thinnest neck of any 5-string anywhere.
what you need to add more tones and less girth. • SR 6-strings have the right spacing, and the
pickups perfectly balance the different outputs
of the low and high strings.
• Active EQ’s perfectly matched with the right
choice of passive or active electronics. Pickups
are designed specifically to match and balance
the extended ranges of the low B on a 5-string
and the low B and high C on 6-string.
SR505BM SR405LA SR305DXMW GSR205BK SR506BM

• 5pc SR5 Wenge • 3pc SR5 neck • 3pc SR5 neck • GSR5 neck • 5pc SR6 Wenge
/Bubinga neck • Soft Maple body • Agathis body • Agathis body /Bubinga neck
• Mahogany body • Medium frets • Medium frets • Medium frets • Mahogany body
• Medium frets • Accu-Cast B25 bridge • B105 bridge • B15 bridge • Medium frets
• Accu-Cast B25 bridge • IBZ DX5N neck pu • IBZ DX5N neck pu • DXS 1 neck pu • B106 bridge
• Bartolini MK1-5 neck pu • IBZ DX5B bridge pu • IBZ DX5B bridge pu • DXS 2 bridge pu • Bartolini MK1-6 neck pu
• Bartolini MK1-5 bridge pu • Style Sweeper eq • EQB-IIC 2-Band eq • PHAT II eq • Bartolini MK1-6 bridge pu
• Bartolini MK1 3-Band eq • colors: BK, LA • colors: BK, MW • color: BK • Bartolini MK1 3-Band eq
• color: BM • color: BM
SR905CNF
• 5pc SR5 Maple
/Bubinga thru neck
• Figured Maple body
• Medium frets
• Bartolini MK1-5 neck pu
• Bartolini MK1-5 bridge pu
• Bartolini MK1 3-Band eq
• color: CNF
3-Dimensional Body
Featured on the new 57
2005 SR900/905 and
SR500/505/506 basses.
SRX700HS
• 5pc SRX4 Maple
/Walnut thru-neck
• Light Ash body
• Medium frets
• PFR-AL4N neck pu
• PFR-AL4B bridge pu
• EQB-IIDX 2-Band eq
• color: HS
SRX500HS
• 3pc SRX4 neck
• Basswood body
/Flamed Maple top
• Medium frets
SRX705NT SRX505TK
• 5pc SRX5 Maple • 3pc SRX5 neck
• PFR4N neck pu
/Walnut thru-neck • Basswood body
• PFR4B bridge pu
• Light Ash body /Flamed Maple top
• colors: HS, SBB
• PFR-AL5N neck pu • PFR5N neck pu
• PFR-AL5B bridge pu • PFR5B bridge pu
• EQB-IIDX 2-Band eq • EQB-IIDX 2-Band eq
• color: NT • color: TK
SRX400DSF
• 3pc SRX4 neck
• Soft Maple body
• Medium frets
• B100 bridge
• PFR-AL4N
• PHAT II eq
• colors: DSF, IDB
SRX300MW
• SRX4 neck
• Basswood body
• Medium frets
• B100 bridge
• PFR4N neck pu
• PFR4B bridge pu
• colors: IPT, MW
Simply Loud. Soundgear’s famous comfort
and playability combine with no-frills simplicity
and no-prisoners high-output.
the basics
• Super high output Passive Full Range
pickups with exposed pole pieces
redefine the meaning of loud.
• Simple-to-operate 2-band EQ or PHAT
active bass boosts let you play more
bass and less controls.
• 5-string offers wide string pitch
and neck width.
SRX400IDB
• 3pc SRX4 neck
• Soft Maple body
• Medium frets
Powerful Alnico Pickup • B100 bridge
For players for whom cracking the • PFR-AL4N
earth’s core is everyday stuff, the • PHAT II eq
SRX400’s ultra-powerful PFR-AL • color: DSF, IDB
alnico and the PHAT II active bass
boost take the loud and simple SRX
concept to unimaginable extremes.
SRX500SBB
• 3pc SRX4 neck
• Basswood body
Extreme Measures Taken /Flamed Maple top
A powerful and simple bass requires • Medium frets
a powerful and simple bridge. The • Accu-Cast B200 bridge
Accu-Cast B200 bridge has the mass • PFR4N neck pu
and the metal needed for strong • PFR4B bridge pu
sustain, accurate intonation, stability, • EQB-IIDX 2-Band eq
and simplicity of operation for easy • color: HS, SBB
adjustments and string changes.
BTB Prestige models now feature
neck-thru construction.
Once more, Ibanez raises the bar.
While forgetting to raise the price.
With BTB Prestige
you can have all the tones BTB1206ENTF
• 5pc BTB6 Maple
and feel of a pricey boutique bass /Walnut Pretsige thru-neck
• Flamed Maple top
—and still have something /Maple/Mahogany back
left over to afford a • Medium frets
pricey boutique amp. • Bartolini Custom neck pu
• Bartolini Custom 3-Band eq
• color: NTF
the basics
• Substantial neck and body. Designed
for traditional pro-players who prefer
tones produced more from the wood
than the electronics.
• Neck-thru body for 2005. Off-center line
neck shape makes upper-fret work
BTB1205ENTF as easy as playing the lower frets.
• 5pc BTB5 Maple
/Walnut Pretsige thru-neck • 35” neck scale provides superior
• Flamed Maple top articulation. Perfect for 5-strings
/Maple/Mahogany back and detuned 4-strings.
• Medium frets
• Mono-Rail IV bridge • Bartolini pickups custom-designed for
• Bartolini Custom bridge pu Ibanez to complement the 35” scale of
• Bartolini Custom 3-Band eq BTB Prestige Basses.
• color: NTF
• 18-volt circuitry provides much
greater headroom than found on
standard active EQ’s.
Prestige Model
Bartolini® Pickups
Bartolini pickups provide deep,
warm tones while retaining
treble emphasis. The Bartolini
active 3-band EQ features
fully independent bass, treble Mono-Rail IV
and mid controls and a mini New Mono-Rail IV bridge
switch for quick mid-frequency offers even greater
adjustments of 250hZ, string-to-string isolation
500hZ and 1kHz. and easier string changes.
BTB400QMHS
• 5pc BTB4 Maple/ Walnut neck
• Basswood body/Quilted Maple top
• Medium frets
• Mono-Rail II bridge
• IBZ DFR-N4 neck pu
• IBZ DFR-B4 bridge pu
• Vari-Mid IIIB 3-Band eq
• color: HS
BTB300BKF
• 5pc BTB4 Maple/ Walnut neck (34”)
• Mahogany body
• Medium frets
• PFR4N neck pu
• PFR4B bridge pu
• EQB-IIB 2-Band eq
• color: BKF
the basics
• Large body with All-Access 5-bolt
neck. Designed for traditional
BTB405QMBBL pro-players who prefer tones
• 5pc BTB5 Maple/ Walnut neck produced more from the wood
• Basswood body/Quilted Maple top than the electronics.
• Medium frets
• Mono-Rail II bridge • 35” neck scale provides superior
articulation. Perfect for 5-strings
• Vari-Mid IIIB 3-Band eq and detuned 4-strings.
• colors: BBL, TK
• Standard 34” neck scale available
on BTB300 models for players
preferring a traditional feel.
• 18-volt circuitry provides much
BTB405QMTK greater headroom than found
• 5pc BTB5 Maple/ Walnut neck on standard active EQ’s.
• Basswood body/Quilted Maple top
• Medium frets
• Vari-Mid IIIB 3-Band eq
• colors: BBL, TK
BTB406QMTK
• 5pc BTB6 Maple/ Walnut neck
• Basswood body/Quilted Maple top Neutrik® locking jacks
• Medium frets BTB basses are traditional in
• Mono-Rail II bridge style, but they’re completely
• DXP-MN6 neck pu up-to-date with the most so-
63
• DXP-MB6 bridge pu phisticated high-tech features
• Vari-Mid IIIB 3-Band eq such as Neutrik® locking jacks
• color: TK and Ibanez Mono-Rail bridges.
The baddest bass on earth. That pretty much says it all.
EDB600GP EDB605GP
• 3pc EDB4 neck • 3pc EDB5 neck
• Luthite body • Luthite body
the basics
• IBZ DXH2N neck pu • IBZ DXH2N5 neck pu
• IBZ DXH2B bridge pu • IBZ DXH2B5 bridge pu
• EQB-III 3-Band eq • EQB-III 3-Band eq
• color: GP • color: GP
• The right bass for both Old and New School Rockers.
• Traditional passive electronics for pure, straight, fat sound.
• Thick neck and massive mahogany body deliver
absolutely huge tones.
• B10 bridge with die-cast saddles provides maximum
string-to-body vibration transfer.
ICB200BS
• ICB4 neck • Gold hardware, large pearloid inlays and late ‘70s-style
• Mahogany body knob indicators augment the incomparable Iceman vibe.
• Medium frets
• B10 bridge
• MHC4 neck pu
• MHC4 bridge pu
• color: BS
Traditional looks. Radical everything else. The EDB’s ergonomic Luthite

body offers a curved back for supreme comfort and a scooped-out front
for slapping and popping.
the basics
• Crafted of Luthite, a man-made material formulated
specifically for electric stringed instruments.
• Ergonomic comfort and dynamic tone.
• Strong, slender two-octave maple neck offers fast
and easy fretwork.
66 • Passive pickups and active EQ’s are specifically selected
to enhance the resonant Luthite body material.
Four good reasons to choose an Ibanez Artcore over some other semi-acoustic basses:
Better price. Better sustain. Better articulation. Better output.
the basics
• Set-in necks offer superior
sustain than the bolt- neck
models usually found in this
price range.
• 34” scale neck for better
articulation and sustain.
• Higher output pickups than
AGB140TBR
most semi-acoustics.
• 3pc Artcore bass neck • Combination of comfortably
• Medium frets rounded Gibraltar III bridge
• Gibraltar III Bass bridge and Quick Change III tailpiece
• ACHB1 pu provides increased sustain
• color: TBR
and easy string changes.
ASB140BS
• 3pc Artcore bass neck
• Medium frets
• Gibraltar III Bass bridge
• ACHB1 pu
• color: BS
67
GAXB150MB GAXB150MR
• GAXB4 neck (32”) • GAXB4 neck (32”)
• Mahogany body • Mahogany body
• B10 bridge • B10 bridge
• Dual-Coil Soap Bar pu • Dual-Coil Soap Bar pu
We couldn’t have made it any simpler. The no-fuss, no-frills • colors: BK, MB, MR • colors: BK, MB, MR
Ibanez AXB150 gets right down to the basics.
the basics
• 32” scale neck is perfect for students and players
who prefer lower tension or a smaller neck.
• Ultra-simple controls: one volume and one
3-way tone switch.
• Double-cutaway mahogany body offers easy upper
fret access and traditional tones.
• Dual-coil soapbar pickup offers quiet operation
and plenty of punch.
The Ultimate In Simplicity

Just one volume and a 3-way tone
switch on the GAXB150 make it easy
for beginners to dial in the right tones.
Four out of five doctors say that people who play music get more dates, have a lot more fun, and,
when you get right down to it, are simply more cool than people who don’t play.*
Jumpstart bass and guitar packages have “Everything you need to plug in and play.”™ So instead of
spending time wondering what it would be like to be on stage, you could be looking out at the audience.
*In entirely imaginary interviews conducted across the United States. But you know it’s true.
Plus actual studies do show that playing music makes you smarter. That tends to make life easier.
IJS40
guitar package
Features GRX electric guitar & accessories
accessories
• IBZ10G 10 Watt Amp
• Headphones
• Instruction DVD in English
and Spanish with Paul Gilbert
• Instruction Book
• Chord Chart
• Electronic Tuner
• Gig Bag
• Guitar Strap
• Picks
• Accessories Pouch
IJSB190
bass package
Features GSR electric bass & accessories
accessories
• IBZ10B 10 Watt Bass Amp
• Headphones
• Instruction DVD in English and
Spanish with Gerald Veasley
• Electronic Tuner
• Gig Bag
• Bass Guitar Strap
• Picks
• Accessories Pouch
IJS20
basics package
Features GAX electric guitar & accessories
accessories
• Ibanez GTP10 10 watt amp
• Standard guitar strap
• Electronic tuner
• Padded gig bag
• Wooden guitar stand
• Picks & cable
• Instructional DVD
69
signature basses Fieldy Signature Bass…71
Gary Willis Signature Basses…72
Doug Wimbish Signature Basses…73
K5 is a
“The
masterpiece.”
Fieldy in Ibanez – The Untold Story.
the basics
• Powerful ADX active pickups.
• Original Vari-Mid EQ sweepable
midrange allow you to dial in or
dial out any kind of bass sound (or
as Fieldy says, “Take the midrange
and turn that $%#@$ off”).
• Body of padauk and mahogany
provides the tremendous low-end
and sustain needed for Korn’s
brand of heavy rock.
K5OL
• 5pc. K5 Wenge/Walnut neck
• Padauk/Mahogany
/Padauk body
• Medium frets
• Die Cast 5-String bridge
• IBZ ADX5N neck pu
• IBZ ADX5B bridge pu
• Vari-Mid 3-Band eq
• color: OL
GWB35BKF
• 3pc GWB neck
• Basswood body GWB105NTF
• Fretless • 3pc GWB neck
• B105 bridge • Light Ash body
• SFR-GWB Custom pu • Fretless
• EQB-GWII eq • B105 bridge
• color: BKF • Bartolini GW pu
• Bartolini NTBT eq
• color: NTF
“It has its own sounds,

but it’s also transparent;
you get sounds out of your hands.
When you can dial in an
instrument to this level of
performance, it’s amazing .”
the basics
• Gary Willis is the unchallenged name in 5-string fretless playing and 5-string
fretless basses.
• 2-band EQ with bypass switch (active/passive) matches any kind of amplification.
• Curved pickup provides separate coils for precise string balance.
• Finger-rest/ramp designed by Gary Willis refines right hand technique and
prevents players from digging into the strings (“the worst thing you can
do on a fretless”).
• Sure Grip tuning knobs inspired by Gary Willis allow fast restringing and
precise fine-tuning even during the heat of a gig.
72
the basics
• The wide range of tones needed by the first call N.Y. session artist who’s played
with everyone from Living Colour to the Rolling Stones.
• 5 pc maple/bubinga neck with quartersawn bubinga fret board offers
superior strength, tone and response.
• Neck-thru body with ash wings allows unlimited upper fret access.
• Hipshot® licensed tuners provide tuning stability combined with lighter weight
for better neck/body balance.
• 2-band EQ customized for Doug Wimbish offers wide and rapid tone adjustments.
• EMG® active pickups.
DWB3TO DWB35BBL “I designed the DWB

• 5pc. DWB4 Maple • 5pc. DWB5 Maple so I could get a wide and
/Bubinga thru-neck
• Light Ash body
• Medium frets
/Bubinga thru-neck
• Light Ash body
• Medium frets
different range of sounds
• Accu-Cast B200 bridge • Accu-Cast B205 bridge with ease both live and in
• EMG 35P4 neck pu • EMG 40J neck pu
the studio. One of the
• EMG 35J4 bridge pu
• EQB DW2 2-Band eq
• color: TO
• EMG 40J bridge pu
• EQB DW2 2-Band eq
• color: BBL
best 5-string basses
Ibanez has ever made—
and that says something!”
electronics
& accessories Tone Blaster Guitar Amplifiers …76-77
Sound Wave Bass Amplifiers …78-79
Classic Effects Pedals …80-81
Tone-Lok Effects Pedals …82-83
Cables & Accessories …84-85
Tremolos …86-87
Neck Dimensions & Electronics …88-89
Finishes …90-91
Guitar Player Guitar Player Guitar Player

Readers’ Choice Award Editors’ Pick Editors’ Pick
Best Stompbox 2004 TS808 Tube Screamer Tone Blaster Half Stack
TS9 Tube Screamer June 2004 February 2004
Vintage is not spoken on these pages. Ibanez amps are spec’d and voiced for today, tomorrow and beyond. Our
combination of tonally versatile active eqs, maximum features for minimum bucks, and speakers specifically voiced
for each amp continues to win accolades from Guitar World, GuitarOne and Guitar Player Magazines (including an
Editor’s Pick for our TB100 half-stack). That’s why Ibanez continues to be the fastest growing line of amplification.
TB100H
• 100 watt @ 8ohms
• 120 watt @ 4ohms
• Two footswitchable discrete
TB100R channels (clean and crunch)
• 100 watt @ 8 ohms using w/independent active
internal speaker 3-band EQ and level controls
• 120 watt @ 4 ohms using optional • Footswitchable mid-shift on
extension speaker the overdrive channel
• 2-12” “POWER JAM” speakers • “Crunch” circuit available
• Two footswitchable discrete channels on the clean channel
(clean and crunch) w/independent • Reverb with independent level
active 3-band EQ and level controls controls on the clean and
• Footswitchable mid-shift on the overdrive channels
overdrive channel • Effects loop
• “Crunch” circuit available on the • Headphone jack
clean channel • Footswitch jacks
• Reverb with independent level controls • Four button metal footswitch
on the clean and overdrive channels • Detachable Casters
• Effects loop • w 28” h 10” d 10.5”
• Headphone jack • Weight: 33.7 lbs
• Footswitch jack
• Closed-back cabinet design TB412A
• Speaker extension jack • Angled front speaker cabinet
• Four button metal footswitch • 4-12” “POWER JAM” speakers
• Detachable Casters • Switchable mono/stereo
• w 29.2” h 22” d 12.8” • w 31” h 31.5” d 14.5”
• Weight: 74.2 lbs • Weight: 92.4lbs
TB212 TB412S
• Extension Cabinet • Straight front speaker cabinet
• 2 - 12” “POWER JAM” speakers • 4 12” “POWER JAM” speakers
• w 29.2” h 18” d 12.8” • Switchable mono/stereo
• Weight: 57 lbs • w 31” h 31.5” d 14.5”
• Weight: 92.4 lbs
Sample Settings
Smooth Lead
For smooth long sustain with warm distortion, switch your guitar to
the neck humbucker and turn up the Mid and Bass controls on the amp.
Heavy Rhythm
Switch your guitar to the bridge humbucker. On the amp,
scoop the Midrange and turn the Gain to max for a focused,
TB412A/412S Input Panel tight low-end and aggressive treble with sizzle.
Switchable stereo/mono func-
tions. Hook up 2 - 4 cabinets to
TB100H using each 16 ohm input
(use 4 ohm input when using TB100H
one cabinet). Cabinet features Accessories Storage
a center internal divider board Fuzzy Allows convenient storage
providing sonically independent For a fuzzed out tone from the clean channel, switch on the Boost of cables, footswitches
left and right sound chambers. and turn up the Gain Middle EQ controls. or whatever.
TB25R
• 25 watt guitar amp with reverb
• 10” Ibanez “POWER JAM” speaker
• Clean and Overdrive Channels
• Active 3-band EQ
• Footswitch jack
• Headphone jack
• Open-back cabinet design
• Optional IFS1 footswitch
• w 17.3” h 16” d 9.5”
TB50R
• 50 watt guitar amp with reverb
• 12” Ibanez “POWER JAM” speaker
• Two footswitchable discrete channels (clean and crunch)
w/ independent active 3-band EQ and level controls
• Footswitchable mid-shift on the overdrive channel
• “Crunch” circuit available on the clean channel
• External speaker jack
• Effects loop
• Headphone jack
• Footswitch jack
• Closed-back cabinet design
• Two button metal footswitch
• w 20.5” h 18.5” d 11”
• Weight: 40 lbs
TB225C
• 25 x 25 watt stereo guitar amp with reverb
• Chorus with speed and depth controls
• 2 x 10” “POWER JAM” speakers
• Two discrete channels (clean and crunch) with
independent active 3-Band EQ and level controls
Power Jam Guitar Speaker Drivers PJ1216G • Footswitchable chorus and channel switching
Ibanez original “Power Jam” brand speaker drivers feature extremely • Headphone out
high efficiency and are voiced tight with focused low-end for today’s • Stereo/mono effects loop
heavy music styles. 100wrms/200wmax input rating. • Open-back cabinet design
• Two button metal footswitch
• w 24.5” h 16.5” d 10.5”
Heavy Duty TB15R

• 15 watt guitar amp
Metal Footswitches with reverb
Many 100 watt amps feature plastic
• 8” “POWER JAM” speaker
footswitch assemblies, but Ibanez
100 watt Tone Blaster amps come
• Clean and
standard with heavy-duty metal foot-
overdrive channels
switch units with LED indicators.
• Headphone out
• CD input
• Closed-back
cabinet design
• w 13.3” h 13.4” d 8”
IFS1
Optional latching footswitch IBZ10G (pictured on pg. 52)
with metal housing for use • 10 watt guitar amp
with TB25R and TA225. • 6.5” speaker
• Tone Blaster distortion
• CD inputs for jamming
• w 11” h 12.5” d 8”
• Weight: 13 lbs
IFS2 TB25R Speaker Driver TB225C Chorus

Latching footswitch PJ1008G The TB225C features
with metal housing This original design Ibanez stereo chorus and stereo
comes standard speaker may be one of send & return functions
with the TB225 and the best 10” 8 ohm guitar for the lush chorus
77
TB50R, and is avail- speakers in the world. atmospheres and room-
able as an option for Loaded in the TB25R and filling presence only
the TA35 acoustic- TB225C, which feature achievable with
electric amplifier. open back cabinets. a true stereo amp.
Speaker System
The SW100 is equipped with a
15” Power Jam bass speaker
and a piezo tweeter which can
be turned on or off via a front
panel switch.
Rear Panel
Includes extension speaker
jack, tuner output, and Send
and Return jacks.
3-Way Middle
Frequency Select
Rotary Switch
Easily selects 250Hz,
500Hz or 800Hz mid-range
frequency positions.
SW100
Direct Out • 100 watt @ 8ohms using
The SW100’s Direct Out internal speaker
is a transformer-balanced • 145 watt @ 4ohms using optional
XLR connector-output which extension cabinet
features completely controlled • Tilt-back design
low impedance works for ex- • 15” speaker and piezo tweeter
tremely low signal-level loss. with on/off switch
Pre- or Post-EQ switchable and • Active 4-Band EQ with selectable
GND Lift switch-equipped to midrange (250Hz/500Hz/800Hz)
avoid ground loops with other • Limiter with LED indicator
connected equipment. • Sensitivity switch
• Effect blend control
• Master Volume Control
Sample Settings • CD Inputs
• Headphone out
• Transformer balanced DI
(XLR type) with pre/post switch
and ground lift switch
• Line out
Walking • Effects send and return
For a Motown-style fretless bass tone, cut Treble and • Extension speaker out
Presence and switch the tweeter off. (145 watts at 4ohms)
• Closed back cabinet
• w 21.6” h 23.2” d 19.5”
• Weight: 67 lbs
SW115S
• Bass extension speaker cabinet
Slap • 15” Speaker and piezo tweeter
Scoop the mid range on 800Hz, switch tweeter on and
with on/off switch
turn the Bass and Presence controls up. Heavy bottom
• Closed back cabinet
thumbing and smooth-but-clear pull tones.
• Heavy duty casters
• w 21.6” h 20” d 19.5”
• Weight: 53 lbs
Aggressive
Boost Bass and Treble with forceful playing styles.
Whether you’re playing modern funk or traditional thump, Ibanez bass amps feature the right power,
tone control, and speakers for the job, whether you’re onstage or backstage.
SW20
• 20 watt dedicated bass amp
• 8” coaxial speaker for
wider frequency response
Power Jam Bass Speaker • Limiter
Ibanez’s original “Power Jam” bass speaker
• Variable input
drivers. The PJ1508B 15” 8 ohm speaker driver
with 10dB gain
features a 2” voice coil and big 55oz ceramic
• CD inputs
magnet for full bottom end and warm midrange.
• Headphone out
300wrms/600max input rating.
• Closed-back cabinet
• w 13.2” h 14.4” d 10.8”
SW35
• 35 watt dedicated bass amp
• Tilt-back design
• 10” coaxial speaker for
wider frequency response
SW65 • Limiter with LED indicator
• 65 watt dedicated bass amp • Variable input with 10dB gain
• Tilt-back design • Master volume control
• 12” speaker with piezo tweeter • CD inputs
• Active 4-band EQ • Headphone out
• Limiter with LED indicator • Line out
• Variable input with 10dB gain • Effects send and return
• Master volume control • Closed-back cabinet
• CD inputs • w 16.4” h 17.8” d 14.4”
• Headphone out • Weight: 34.3 lbs
• Line out
• Effects send and return
• Closed-back cabinet
• w 18.2” h 20.2” d 16.5” IBZ10B (pictured on pg. 52)
• Weight: 44.4 lbs • 10 watt dedicated bass amp
• 6.5” Speaker
• 3-band EQ with
presence control
• Headphone out
• Enlarged closed-back cabinet
for “phatter” bass tone
• w 11” h 12.5” d 8”
• Weight: 13 lbs
Co-Axial Speaker System
Coaxial speakers on the SW20 and
SW35 feature a tweeter mounted in the
center of the speaker’s pole piece. This
design avoids having a particular “hot
spot” or “sweet spot” as often found in Limiters Cab Construction
separate speaker/tweeter setups and All Sound Wave series bass SW35, SW65 and SW100
provides the full natural sound needed amplifiers are equipped feature tilt-back design
for acoustic guitar reproduction. The with internal limiter which provides for better
SW20 features a PJ804C coaxial speaker circuitry. Extremely natural monitoring while providing the
(20wrms/40wmax input rating). The limiting minimizes distor- larger cabinet size needed
SW35 is equipped with the PJ1004C tion and keeps the low-end for more volume and real,
79
(40wrms/80w max input rating). smooth and punchy. full bottom end.
AD9 analog delay FL9 flanger
Flanging is a time delay effect using very short time
Discrete echo is one of the most dramatic effects in the
music industry. Bulky tape and “spinning disk” units
have given way to the convenience and reliability of solid
delays mixed together with the input (dry) signal. This
creates a series of peaks and notches in the signal’s CS9 stereo chorus
response through the audible spectrum. When the The chorus effect uses a small time delay that’s
state delays. The AD9 Analog Delay uses a compander time delay is varied, the peaks and notches move or varied to produce a slight pitch bend. When the
with pre- and de-emphasis for an exceptionally clean “sweep.” The FL9 Flanger features an extremely quiet delay signal is mixed with the input (dry) signal,
delay. The Delay Time control adjusts the delay time and time delay section creating an unusually noise-free the resultant sound moves with a rich, thick
the Delay Level control allows the artist to adjust the mix flange. The sweep and width may be changed as well undulation. This is the effect of multiple voices
between dry and delayed signals. The Repeat control as overall time delay. This allows the artist to center the playing in unison. The CS9 Stereo Chorus provides
permits the number of repeats to be controlled without flanging action in a particular part of the sound. Flange stereo outputs that add an exciting dimension of
runaway. Two outputs enable the dry and delayed signals intensity may be adjusted with the feedback control. movement to the second. The sweep speed and
to be separately routed for dramatic special movement. The FL9 Flanger provides quality and flexibility that width controls allow the artist to elicit slow wide-
The quality and features of the AD9 Analog Delay make defies comparison. — FL9 description in 1984 Ibanez ranging sweeps or a more rapid vibrato. The CS9
it the professional’s choice. — AD9 description in 1984 Sound Effects catalog. Stereo Chorus—the industry’s finest realization of
Ibanez Sound Effects catalog. an exciting new sound. — CS9 description in 1984
Ibanez Sound Effects catalog.
TS808 the original tubescreamer

It’s back—the incomparable overdrive pedal that’s been
described as “the Holy Grail of Tubescreamers.” Our 2004
TS808 reissue features the same famous standout square
footswitch of the original and the even more famous warm
tones of the JRC4558 chip used in most of the original
TS808’s. Ignore any over-the-counter lookalikes. If your
tone is suffering from a lack of real warmth, the TS808
is the real, non-generic prescription.
TS9/TS9DX tubescreamers
Both our TS9 Tubescreamer reissue and TS9DX Turbo
Tubescreamer feature the TA75558 chip used in most of
the original TS9’s with the TS9DX adding three settings
for increased low-end crunch.
effects chain & Smooth Blues
Light overdrive with subtle slow chorus
Death Chunk
Massive distortion with time-delay phase
setting samples AMP GUITAR AMP GUITAR

Here are some examples of interesting effects you can get by combining different
Ibanez effects. Note that when combining stompboxes, the order the effects are
placed in (the effects chain) can be as important as the settings themselves.
Mode: Chorus Mode: Flanger Void: 1

Krazy: Normal Krazy: Normal Edge: Sharp
Electric Dream Shred Wah Flashback

Warm delay with lush chorus Fast attack wah with stinging distortion Full-wah with hard reverb
AMP GUITAR AMP GUITAR AMP GUITAR
Type: Wah Range: 30-160

Distortion: Off Mode: Echo
Frankenstein Frankenstein on Steroids

Funky fuzz Whacked synthesizer
AMP GUITAR AMP GUITAR
Waveform: Center
Mode: 3
Damage: 0% Mode: Auto Wah
Delay: Slow
Waveform: Center
Mode: 3
Damage: 0% Mode: Chorus
Krazy: Normal
Mode: Auto Wah
Delay: Slow
81
On the outside, Tone-Lok effects are equipped with our exclusive “set and forget”
Push-Lok rotary pots. Push the knobs down and your tone settings lock securely
inside the case. No more lost settings or knobs broken.
On the inside, Tone-Lok pedals feature hi-fidelity components carefully tweaked
with the constant input from a new generation of Ibanez players. And all this great
stuff comes encased in cool looking, road tough metal boxes at prices the working
player can afford.
weeping demon
The most variable and controllable guitar wah you can get. The Weeping Demon’s
shrieks, cries, wails and seductive siren songs will have your audience screaming
for more. The Weeping Demon features spring and normal footboard action, select-
able wah range, fine tuning controls and more.
a. Mode Lever
Changes the mode so the effect can be
turned on and off with the FOOTSWITCH (f)
or with the AUTO SWITCH (effect turns off
a1 when pedal is in the upright position).
a1. AUTO SWITCH Mode
a2. FOOTSWITCH Mode
a2
b. Auto-Off Delay
c1 In the AUTO SWITCH mode, you can set
the effect-off either on standard instant-off
when the pedal is returned to the full upright
position or a delayed-off by turning the
control clockwise.
b c. Range
c1. RANGE SWITCH for switching between
LOW and HIGH frequency response.
c2
c2. RANGE FINE TUNING allows fine tuning
within either the LOW and HIGH RANGE
SWITCH settings.
e d. Spring Tension
f Adjusts the tension of the footboard
return-spring in the AUTO SWITCH mode.
e. Pedal Friction
Turn clockwise for more footboard
resistance; counter clockwise for a looser feel.
f. Footswitch
Allows on-off switching of the effect
independent of the footboard when the
d MODE LEVER is in the FOOTSWITCH Mode.
CF7 Chorus/Flanger
The CF7 creates whooshing jet plane
sounds, shimmering soundscapes and
contemporary “Korny” chirps and blurbs.
AW7 Autowah The schizo “KRAZY” switch lets the CF7
There are autowahs. And there are be a conservative Dr. Jekyll with the
“NORMAL” mode (classic chorus and DE7 Delay/Echo
autowahs. But the Tone-Lok AW7 isn’t just Add new dimensions to your sound with
any autowah. It’s got standard wah where flanger). Or you can turn the pedal into the
proverbial Mr. Hyde...the “WHACK’D” mode the DE7 Delay/Echo pedal. Get the best
both the highs and lows are cut and it’s of both worlds: high tech digital sounds
got a wah setting where only the highs are imitates the contemporary modulation
sounds used by today’s phattest rock comparable to expensive rack units or
cut. And it’s got distortion. A notch filter warm vintage tape echo sounds –all with
provides the sound of a standard wah bands. It’s like getting four pedals in one.
a simple flick of the switch. TIME, REPEAT PD7 Phat-Hed Bass Overdrive
pedal left at one setting (a favorite wah and LEVEL controls help you dial in just the Why let guitarists rule the stage? Loaded
pedal technique of Joe Satriani). You can right amount of delay, while stereo outputs with growling low-end distortion, the PD7
even change the chain order of the effects can be used for a more spacious sound. levels the playing field for the rock bassist.
to get different tones: either distortion to With a range of 30ms to 2.6 seconds, the The PD7 is armed with three pre-amp style
wah or wah to distortion. DE7 is the only sound solution for every SB7 Synthesizer Bass voicings and an attack control switch,
playing situation. If you’re looking for new tones or you’re which accents the amount of harmonic
still smoldering with resentment against content in your sound. With DRIVE, LO, HI,
synth bass keyboard players, the SB7 is and LEVEL knobs, dialing in a thunderous
the ticket. You’ve got real time feel—in bass sound has never been easier.
other words no annoying tracking errors
and delays. You can even play chords.
PH7 Phaser
Designed to emulate the effect of
a rotating speaker, the PH7 has a
switchable phase circuit capable
of either four or eight stages of
smooth phasing. With these two
very different tonal modes, you can
PM7 Phase Modulator go from a subtle shimmer to all out
If you’ve gone through one phase after 70’s “ Let’s Get Funky” phasing.
another, maybe it’s time for the final
phase. The PM7 Phase Modulator offers
three types of waveforms to give you ev-
erything from classic phaser to DJ effects
to toy ray gun sounds. Since good things
come in threes, the PM7 also has three
phase stages: vintage, deep and dry, and
deep and pronounced. With some minor FZ7 Fuzz DS7 Distortion SM7 Smash Box
tweaking, the PM7 goes from traditional to Far out! A complete 60’s The most versatile Ibanez The Smashbox is the most
21st century and beyond. flashback with none of the distortion pedal ever, capable aggressive weapon in the
drawbacks, the FZ7 is the of producing a wide range of Tone-Lok distortion arsenal.
ultimate in psychedelic fuzz. smooth, dynamic overdrive Armed with obscene amounts LF7 Lo Fi
TS7 Tubescreamer With the FZ7’s tone, drive, tones. From a subtle tonal of gain, tight low end, and The first dedicated filter pedal for the
The Tubescreamer isn’t just a and level controls, it’s never nudge to walloping rock n roll searing highs, the Smashbox guitar, the LF7’s voltage controlled analog
stompbox, it’s an institution. Our been easier to get the right crunch, the DS7 delivers days is THE heavy rock sound for high and low pass filters allow you to
latest generation Tubescreamer, retro tones. You can even of sustain and gobs of gain. the contemporary guitarist. emulate transistor radio and megaphone
the TS7, is no exception. With the engage the DAMAGE switch Special “VOID” noise gate type sounds. Best used at the end of a
Tubescreamer’s classic subtle-but- for that ratty, broken speaker and “EDGE” (sharp/smooth) signal chain in combination with other
smooth overdrive, the TS7 expands sound. Yeah, baby, yeah!! controls let you handle pedals, this ticking time bomb creates
the expressiveness of your guitar Dial in, tune up, drop down anything from all-out shred wide soundscapes of far out tones that
Battery Compartment while maintaining its tonal integrity. or whatever turns you on. to machine-gun metal previously required a massive rack
Tone-Lok effects feature Tone adjustments are provided by riffs and rhythms. of analog electronics. The Lo Fi also
convenient top-loading, the classic three knob configuration performs equally well with vocals, drum
fast-access battery with an added “hot” switch for an machines or in any “mix-down” context.
extra gain boost.
compartments. Pedals don’t
83
need to be removed from
effects boards when it’s
time to change the battery.
Series 96 Premium Cable
• 10-year replacement warranty
• The quality and fidelity of the best-known
premium brand at a more affordable price.
• 96 micro-strands of silver plated copper
core wires offer low impedance and
maximum signal transfer.
• Heavy-duty plug contact terminals reinforced
for even more strength and durability than
many other premium brands.
Series DS Low Noise Cable

• 10-year replacement warranty
• “Basic” in price only. DS cable offers
pro-quality and durability at
standard cable prices.
• Double-shielded construction.
Series 96 96 silver plated core strands Specifications

NSC6 6’ 96 Cable 6’ / 2 STRAIGHT PLUGS
NSC6L 6’ 96 Cable 6’ / STRAIGHT & RIGHT ANGLE PLUGS
NSC10L
NSC15
NSC15L
10’ 96 Cable
15’ 96 Cable
15’ 96 Cable
10’ / STRAIGHT & RIGHT ANGLE PLUGS
15’ / 2 STRAIGHT PLUGS
15’ / STRAIGHT & RIGHT ANGLE PLUGS
tuners
NSC20L 20’ 96 Cable 20’ / STRAIGHT & RIGHT ANGLE PLUGS
Series DS Double Shielded Cable Specifications

DSC05LL 0.5’ DS Cable 0.5’ / 2 RIGHT ANGLE PLUGS
DSC08LL 0.8’ DS Cable 0.8’ / 2 RIGHT ANGLE PLUGS LU10 AC109
Standard 9-volt
Wide-size easy-to-read AC309
DSC6 6’ DS Cable 6’ / 2 STRAIGHT PLUGS 200mA adaptor
chromatic LED tuner Heavy duty 9-volt for Ibanez
DSC6L 6’ DS Cable 6’ / STRAIGHT & RIGHT ANGLE PLUGS 300mA adaptor compact effects.
DSC10 10’ DS Cable 10’ / 2 STRAIGHT PLUGS for multiple
MU30 digital Ibanez DC3 & DC5
DSC10L 10’ DS Cable 10’ / STRAIGHT & RIGHT ANGLE PLUGS Metronome/chromatic compact effects. Splitter cords to power
DSC10LL 10’ DS Cable 10’ / 2 RIGHT ANGLE PLUGS tuner with LCD display 3 or 5 pedals from one
DSC15 15’ DS Cable 15’ / 2 STRAIGHT PLUGS adaptor.
DSC15L 15’ DS Cable 15’ / STRAIGHT & RIGHT ANGLE PLUGS
DSC15LL 15’ DS Cable 15’ / 2 RIGHT ANGLE PLUGS
DSC20 20’ DS Cable 20’ / 2 STRAIGHT PLUGS
DSC20LL 20’ DS Cable 20’ / 2 RIGHT ANGLE PLUGS IS5BK
DSC25 25’ DS Cable 25’ / 2 STRAIGHT PLUGS
GU20
84 Guitar and bass tuner. Manual
and automatic tuning. Output IS10BS
PT32 Guitar Stand
jack for effect board use.
Signature Models Item # Color Thickness Material
picks
STEVE VAI B1000SV BR(Brown) / GR(Green) / MP(Pink) Heavy Polyacetal
STEVE VAI B1000SVR WH(White) Heavy Polyacetal
New for 2005! Ibanez picks featuring

traditional styles, artist signature models PAUL GILBERT B1000PG BK(Black) / CA(Candy Apple) Heavy Celluloid
and special no-slip “Grip Wizard” picks. /JB (Jewel Blue) / PW (Pearl White)
Series Item # Color Thickness Material

SAND GRIP WIZARD BPA16HS Black / Blue / Red / White Heavy Polyacetal
BPA16MS Black / Blue / Red / White Medium Polyacetal
RUBBER GRIP WIZARD BPA16HR Black / Blue / Red / White Heavy Polyacetal
BPA16MR Black / Blue / Red / White Medium Polyacetal
STANDARD CELLULOID BCE16H Black / Hair-lined Gold / Tortoiseshell / White Heavy Celluloid
BCE16M Black / Hair-lined Gold / Tortoiseshell / White Medium Celluloid
BCE4T PL(Pearl) / Tortiseshell(SL) Thin Celluloid
Accept no substitutes! Only Ibanez cases and bags are

made to fit the unique shapes of Ibanez guitars and basses.
If it doesn’t say Ibanez on the case, it isn’t an Ibanez.
RGCB
Guitar
Shoulder
Bag
WorldTour™ Sling Bags
The ultimate gig bag for players on the go.
Adjustable sling-style strap (across chest) with
cell phone mesh pocket. Top panel pocket for
BBP cable and wires. Outer pocket with sections
GBP for string winders, tools, flashlights, pens, etc.
Inner pocket for sheet music, pedals or small
4-track recorders. Exterior all-purpose mesh
pocket. Soft quick- pickup handle for fast
escapes from fans.
RG140C
IGB Guitar Bag

(IBB available for bass)
UV1000C M100C
GSB (Red)
The ingenious Ibanez GBP guitar and BBP BSB (Brown) Guitar Sling Bag
bass combination bags feature a separable Bass Sling Bag
backpack and heavy-padded gig bag. AF200C
In the last two decades, no other guitar maker has done so much to advance the art
and science of the tremolo. The Edge-PRO, Edge-PRO II, and the new Edge III represent
significant advances in the evolution of the locking tremolo.
Edge-PRO
Edge-PRO
The Edge-PRO features a unique Sound Metal Chip on each saddle which help
increase sustain right at the most critical area, the intonation point.
To avoid the problem of string holder blocks getting lost during string changes,
the Edge-PRO’s sliding string holders are actually part of the bridge and won’t
drop from the saddle unit. With the Edge-PRO design, there’s no need to cut off
the ball of your strings when installing new strings.
Edge-PRO II
Edge-PRO II
Like the Edge-PRO, the Edge-PRO II features sliding string
holders and string balls do not have to be cut off.
Arm Height and Torque Adjustment

In addition, the Edge-PRO II features two screws in the
arm pocket, which allow easy adjustment of the arm
height and torque.
Arm Height and Torque Adjustment
Edge III
Edge III
The new Edge III is similar in construction and
feel to the original Edge locking trem, however
it also features lower profile fine-tuners
inspired by the Lo-PRO Edge and massive
new-design saddles.
Edge III
The ZR tremolo may be the most significant advance in locking tremolos since the first
locking tremolo. Most floating tremolos use a knife-edge system, but the ZR tremolo uses a
ball-bearing based system for precision and friction-free smooth action.
ZR Built-In Intonation Adjustment Tool

Just unscrew the built-in intonation adjustment tool from the base and screw it into the bottom
of each saddle for quick adjustments.
ZERO POINT System

This unique system stabilizes the bridge and insures tuning stability by consistently returning the tremolo Offset Saddle Locking Bolt Arm Torque Adjuster
to the center point (or zero point). In addition to the usual tremolo springs, the ZERO POINT system The locking bolt is offset from the center of the The arm torque is easily adjusted by tightening
features two additional springs which insure the bridge’s return to the center point. saddle, which allows easy access to the bolt with- or loosening the screw located in the arm holder.
out loosening the strings.
Ball Bearing Pivot Manually Adjustable Zero Point System

Smoother than smooth. The ZR tremolo's ball The Zero Point system adjustment on the S1625
bearing pivot system allows ultra-smooth arm and S1625FB can be quickly set by hand–there’s
control. The pivot's precise movement virtually no need for a hex wrench. (All 2005 S guitars)
guarantees tuning stability.
87
Bartolini Custom (BTB) Bartolini MK1 (SR)
Volume Volume
Bass Boost/Cut Bass Boost/Cut
Mid Boost/Cut Balance

Balance Mid Boost/Cut
Treble Boost/Cut
Treble Boost/Cut
Mid-Freq Switch
1 Khz, 500Khz, 250 Khz
EQB-GWII (GWB) Bartolini NTBT (GWB)
SCALE WIDTH WIDTH THICKNESS THICKNESS

Volume w/EQ NECK MODEL LENGTH AT AT LAST AT AT RADIUS
Bypass Switch NUT FRET 1ST FRET 12TH FRET
Volume
Pull: Bypass
GUITAR NECK DIMENSIONS
GUIT
TOP: Treble Boost/Cut
TOP: Treble Boost/Cut AS/AR/AX/GAX 628mm/24.75" 43mm 57mm 20mm 22mm 305
BOT: Bass Boost/Cut
BOT: Bass Boost/Cut
AR
ARTCORE (AS/AM) 628mm/24.75" 43mm 58.5mm 21.5mm 23mm 305
AR
ARTCORE (AF/AG) 628mm/24.75" 43mm 58.5mm 21.5mm 26.5mm 305
EQB-DWII (DWB) EQB-II B (BTB) AR

ARTCORE (Others) 628mm/24.75" 43mm 58.5mm 20mm 22mm 305
AT 648mm/25.5" 40.5mm 56mm 21mm 23mm 305
Volume w/Gain Boost AX-XL 686mm/ 27" 42mm 56mm 20mm 22 mm 305
Balance Volume AX7 628mm/ 24.75" 48mm 65mm 20mm 22mm 305
GB 628mm/ 24.75" 43mm 57mm 20mm 23mm 305
Bass Boost/Cut Balance
IC/DT 628mm/ 24.75" 42mm 56mm 20mm 22mm 305
Treble Boost/Cut TOP: Treble Boost/Cut ICX/RVX 648mm/ 25.5" 43mm 56mm 19mm 21mm 400
BOT: Bass Boost/Cut
JEM 648mm/ 25.5" 43mm 56mm 19mm 21mm 430
JS 648mm/ 25.5" 42mm 56mm 20mm 22.3mm 240
EQB-IIC (SR) EQB-II D (RD)
JSM 628mm/ 24.75" 43.5mm 57mm 20.2mm 23.3mm COMPOUND
Volume w/Push-Pull JTK II 648mm/ 25.5" 42mm 56mm 21.5mm 23mm 305
Volume Pickup Coil Selector Switch
JTK I 648mm/ 25.5" 43mm 56mm 20mm 22mm 305
Balance
Balance MMM 712mm/ 28" 43mm 56mm 21.2mm 23mm 400
EQ Bypass Switch
TOP: Treble Boost/Cut Bass Boost/Cut NDM 648mm/ 25.5" 42mm 56mm 20mm 22mm 240
BOT: Bass Boost/Cut PGM 648mm/ 25.5" 43mm 56mm 17mm 20mm 430
Treble Boost/Cut
PM 628mm/ 24.75" 43mm 57mm 21mm 23mm 305
GRG/GRX/SA/GSA 648mm/ 25.5" 42mm 56mm 19.5mm 21.5mm 400
EQB-II DX (SRX) EQB-III (EDB) SA PRESTIGE 648mm/ 25.5" 41mm 56mm 21mm 23mm 250
SZ/GSZ 638mm/ 25.1" 43mm 57mm 21mm 23mm 305
Volume
Volume UV/K7/WIZARD7 648mm/ 25.5" 48mm 66mm 19mm 21mm 430
Balance Bass Boost/Cut
WIZARD 648mm/ 25.5" 43mm 56mm 18mm 20mm 430
Bass Boost/Cut Balance WIZARD II 648mm/ 25.5" 43mm 56mm 19mm 21mm 400
Mid Boost/Cut
BASS NECK DIMENSIONS
Treble Boost/Cut
Treble Boost/Cut AR
ARTCORE(ASB/AGB) 864mm/34" 42mm 56mm 23.5mm 26mm 380
BTB4-34 864mm/34" 41mm 63mm 20mm 22mm 305
PHAT-II (GSR) Style Sweeper (SR) BTB5 PRESTIGE 889mm/35" 47mm 76mm 20mm 22mm 500
BTB5 889mm/35" 47mm 76mm 20mm 22mm 500
Phat EQ Boost Volume BTB6 PRESTIGE 889mm/35" 54mm 90mm 20mm 22mm 1000
Front Pickup Volume Style Sweeper BTB6 889mm/35" 54mm 85mm 20mm 22mm 500
Tone Finger-Slap DWB 864mm/34" 39mm 60mm 20.5mm 23mm 305
Balance
Rear Pickup Volume TOP: Treble Boost/Cut DWB35 864mm/34" 45mm 69mm 21mm 23mm 400
BOT: Bass Boost/Cut EDB4 864mm/ 34" 38mm 62mm 20.5mm 22mm 305
EDB5 864mm/ 34" 45mm 67mm 20.5mm 22mm 305
Tone Character SW Vari-Mid Hi-Fi (SR) GAXB 812mm/32" 41mm 62mm 21mm 22mm 305
(GAXB) GSR4 864mm/34" 41mm 62mm 21mm 22mm 305
GSR5 864mm/ 34" 45mm 67mm 21mm 22mm 305
Volume
Volume GWB 864mm/34" 45mm 67mm 19mm 21mm 305
TOP: Treble Boost/Cut
BOT: Bass Boost/Cut ICB 864mm/34" 40mm 64mm 20mm 24.5mm 350
Tone Character Balance
Switch TOP: Mid Frequency Boost/Cut K5 864mm/34" 45mm 67mm 19.5mm 21.5mm 305
BOT: Mid Frequency RD 864mm/ 34" 41mm 63mm 21.5mm 23.5mm 250
SR4 PRESTIGE 864mm/ 34" 38mm 60mm 20.5mm 22.5mm 305
SR4 864mm/ 34" 38mm 62mm 20.5mm 22.5mm 305
Vari-Mid III (K5) Vari-Mid III B (BTB)
SR THRU-NECK 4 864mm/ 34" 38mm 62mm 21.5mm 23.5mm 305
Volume SRX4/SRP 864mm/ 34" 38mm 62mm 21mm 23mm 305
Volume
TOP: Treble Boost/Cut Bass Boost/Cut SR5 PRESTIGE/SR5 864mm/ 34" 45mm 67mm 21.5mm 23mm 305
BOT: Bass Boost/Cut Balance
SR THRU-NECK 5 864mm/34" 45mm 67mm 21.5mm 23.5mm 305
Balance Treble Boost/Cut
SRX5 864mm/ 34" 45mm 73mm 21mm 23mm 400
TOP: Mid Boost/Cut TOP: Mid Boost/Cut
BOT: Mid Frequency SR6 PRESTIGE 864mm/34" 54mm 83mm 21.5mm 23mm 500
BOT: Mid Frequency
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IDB (INDIGO BLUE BURST) DVS (DARK VIOLIN SUNBURST) BT (BUTTERSCOTCH TRANSPARENT) BG (BLADE GREY) AB (ANTIQUE BRONZE)
IPT (IRON PEWTER) FB (FIRESPEAK BLUE) CA (CANDY APPLE) BI (BLACK IRON) AM (AMBER)
JB (JEWEL BLUE) GAB (GOLD AMBER BURST) CBL (CUBED BLUE) BK (BLACK) ANF (ANTIQUE VIOLIN FLAT)
LA (LIGHT AMBER) GD (GOLD TOP) CN (CHARCOAL BROWN) BKF (BLACK FLAT) ANT (AGED NATURAL)
MB (METALLIC BLUE) GK (GALAXY BLACK) CNF (CHARCOAL BROWN FLAT) BKN (BLACK NIGHT) ASB (AUTUMN SUNBURST)
MBK (METALLIC BLACK) GN (GRAY NICKEL) DAM (DARK AMBER) BM (BROWN MAHOGANY) AV (ANTIQUE VIOLIN)
MG (METALLIC GRAY) GP (GRAY PEWTER) DRF (DARK RED STAINED FLAT) BP (BLACK PEARL) BB (BLACKBERRY)
MLB (METALLIC LIGHT BLUE) HS (HONEY SUNBURST) DSF (DARK STAIN FLAT) BRS (BLACK RED SUNBURST) BBL (BRIGHT BLUE)
MOL (MAHOGANY OIL) IB (ICE BLUE) DVF (DEEP VIOLET FLAT) BS (BROWN SUNBURST) BBS (BLACKBERRY SUNBURST)
VLF (VIOLIN FLAT) TL (TRANSPARENT LAVENDER) SVF (SILVER FLAT) OL (OIL) MR (METALLIC RED)
VLS (VIOLIN SUNBURST) TLF (TRANSPARENT LAVENDER FLAT) TBL (TRANSPARENT BLUE) RB (ROYAL BLUE) MRB (MIRAGE BLUE)
VSL (VITAL SILVER) TO (TRANSPARENT ORANGE) TBR (TRANSPARENT BROWN) RBB (ROYAL BROWN BURST) MRR (MIRAGE RED)
VT (VINTAGE SUNBURST) TOR (TRANSPARENT ORANGE RED) TBS (TRANSPARENT BLUE SUNBURST) RMR (ROCK MIRROR) MW (MOON SHADOW)
VTB (VINTAGE BLUE) TQ (TURQUOISE) TCR (TRANSPARENT CHERRY) SB (SUNBURST) NBK (NEBULA BLACK)
VV (VINTAGE VIOLIN) TR (TRANSPARENT RED) TFB (TRIFADE BURST) SBB (STAINED BLUE BURST) NF (NATURAL FADE)
WBR (WEATHERED BROWN) TRD (TRANSPARENT RED) TG (TRANSPARENT GRAY) SOL (STAINED OIL) NM (NAVY METALLIC)
WH (WHITE) TSG (TAPED STAINED GRAY) TK (TRANSPARENT BLACK) SPB (SAPPHIRE BLUE) NT (NATURAL)
WK (WEATHERED BLACK) VA (VINTAGE AMBER) TKF (TRANSPARENT BLACK FLAT) SV (SILVER) NTF (NATURAL FLAT)
FINDYOUR
FIND YOURvoice
Many people find their voice – their instrument voice – in a
dreadnought guitar. The full-bodied tones with both lows and clarity of
the classic mahogany-boded, spruce-topped dreadnought make it one
of the most effective voices in acoustic guitar. As a matter of fact, we TABLE OF CONTENTS
don’t think it’s unreasonable to say that the mahogany dreadnought Intro …92-93
is one of the most influential voices in music, period. Steve Via Signature EP7 …94-95
Artwood Series …96-101
This explains why you see (and hear) so many mahogany Exotic Woods Series …102-103
dreadnoughts. Including here in his catalog. AES Series …104-105
AEF Series …106-109
But perhaps you’re looking for a slightly different voice. We have AEL Series …110
them. And if you’re looking for something completely different, or even AEG Series …111
completely off the wall, we have those, too. After all, we’re Ibanez. AEB Series …112
DT Series …113
Our quest is to find new and different voices. And we think we’ve found Talman Series …114
some excellent ones. Our 2005 line-up is bursting at the seams with Masa Series …115
different sizes, different shapes, different woods, different electronics PF Series …116-117
and different colors, both sonic and visual. V Series …118-119
GA Series …120
So if you’re looking to a different voice – or a mahogany Mandolins …121
dreadnought voiced just right for you… Packages …122-123
Cases, Amps, Accessories …124-125
…you’ve come to the right place. Turn the page. And find your voice… Features & Electronics …126-127
“ When I was 15 years old, I focused heavily on playing acoustic
guitars for a year or so. I have owned many acoustic guitars
since then, but like my electric guitars, there were elements
I wanted in the design that I couldn’t find in any acoustic
guitars. I knew the day would come when I would have the
opportunity to be a part of an acoustic guitar that would rock
any world. Ibanez and I spent many hours honing in on creat-
ing an acoustic that would merge the beauty and integrity
of the JEMs. This guitar sounds phenomenal acoustically or
plugged in. It’s a dream to play and isn’t living dreams what
this business is all about?” STEVE VAI
STEVE VAI
Like his groundbreaking Ibanez
JEM electric models, Steve’s Vai’
Euphoria acoustic-electric has feat s
ures found in no other guitar. The
brilliant clear highs of top, back
and sides of quilted maple (finish
in low gloss for increased resonan ed
ce) are perfectly balanced with
the acclaimed warmth of B-Band
’s UST pickup and A5 EQ. The resu
is a truly exceptional instrument. lt
EACH EUPHORIA EP7 IS AUTOGRAPHED

ON THE GUITAR’S SOUNDHOLE LABEL BY STEVE VAI.
TTHE
HE EP7
EP7EUPHORIA
EUPHORIA
guitar FEATURES
Quilted Maple Top, Back and Sides
Tree of Life Green Pearl Inlay
Brass Rosette
Mahogany Neck
Rosewood Bridge and Fretboard
Abalone Headstock Inlay
Satin Gold Grover® Tuners
B-Band® UST Pickup
B-Band® A5 Pre-Amp
Resonant Forest Green Finish
Ivorex II™ Nut and Saddle
Custom Euphoria Bridge Pins
95
to be the most popular solid-topped
Why do Artwood guitars continue you -
year? Because they offer more qual
guitars in their price range year after cost a lot more. Mos t Artwoods
guita rs that
ity, sound and value than many
Artwoods are also available in the
are the popular dreadnought size, but
volu mino us jumbo sizes (including a 7-
compact grand concert and the -
ve selection of cutaway® acoustic-elec
string). There is also a comprehensi man ®
, B-Ba nd and Ibanez.
mps by Fish
trics featuring pickups and Prea
ART WOOD
fitted with onboard chromatic
For 2005, all AW acoustic-electrics are
ARTWOOD
guitars FEATURE
outp uts.
tuners and balanced 1/4” and XLR
impressive firsts for 2005 such as our
The Artwood line-up has a number of
extraordinarily beautiful AW700NT, and
first Artwood with quilted maple, the
sounds of walnut, the AC110NT. But
our first Artwood with the rich warm
AW flagship model, the AW1400NT,
perhaps the most impressive is our new Solid Top
rose woo d back and sides.
the first Artwood to feature solid Die-Cast Tuners
Rosewood Fretboard and Bridge
D’Addario® EXP™ Strings
Advantage™ Bridge Pins
AJ200ECEAV AJ307ECENT
• Cutaway Jumbo Body • 7-String
• Solid Engelmann Spruce Top • Cutaway Jumbo Body
• Flamed Maple Back and Sides • Solid Engelmann Spruce Top
• Gold Grover® Tuners • Rosewood Back and Sides
• Fishman® Acoustic Matrix® Pickup • Gold Grover® Tuners
• Fishman® PREFIX PLUS T™ Pre-Amp • Fishman® Acoustic Matrix® Pickup
with Onboard Tuner • Fishman® PREFIX PLUS T™ Pre-
• Balanced 1/4” and XLR Outputs Amp with Onboard Tuner
• Antique Violin High Gloss Finish • Balanced 1/4” and XLR Outputs
• Natural High Gloss Finish
VIBRANT BRACING
Artwood guitars feature High Vibration Bracing
(HVB) which provides even greater strength and
less resonance-interfering body contact than
traditional scalloped bracing.
DOVETAIL NECK JOINT

Dovetail neck joints in the Artwood Series, custom-
arily found on much more expensive instruments,
provide the excellent stability and strength required
by instruments made for professional performance.
96
AW500ECENT
• Cutaway Dreadnought Body
• Solid Engelmann Spruce Top
• Mahogany Sides with Solid Mahogany Back
• Maple Body and Neck Binding
• Deluxe Artwood Abalone Headstock,
Fretboard and Bridge Inlays
SOLID MAHOGANY
• Gold Grover® Tuners Solid woods provide greater resonance while
• Fishman® Acoustic Matrix® Pickup laminated woods provide greater strength, feedback
• Fishman® PREFIX PLUS T™ Pre-Amp resistance and a more affordable price. The AW500
with Onboard Tuner and AW500CENT feature solid mahogany backs with
laminated sides, while the AW1050CERLG features
• Balanced 1/4” and XLR Outputs
solid mahogany back and sides.
AW300ECENT
• Figured Bubinga Body
• Deluxe Artwood Pearl Headstock,
Fretboard and Bridge Inlays
• Gold Grover® Tuners
• Fishman® Acoustic Matrix® Pickup
• Fishman® PREFIX PLUS T™ Pre-Amp
with Onboard Tuner
FLAMED MAPLE
Backs and sides of flamed maple give the AW200VV,
AW200ECEVV AW200CEVV, and the AJ200CEAV, an exquisite
• Cutaway Dreadnought Body appearance and brilliant tone with strong projection
• Flamed Maple Back and Sides
with Onboard Tuner
• Vintage Violin High Gloss Finish
AW1050ECERLG
• Western Canadian Red Solid Cedar Top
• Solid Mahogany Back and Solid Mahogany Sides BUBINGA
• Maple Body and Neck Binding
• Deluxe Artwood Abalone Headstock, Fretboard The beautifully flamed bubinga bodies on the
and Bridge Inlays AW300 and AW300CENT models offers a tight,
• Gold Grover® Tuners solid sound, with more sustain, and a rich bass
that can be felt as well as heard.
with Onboard Tuner
• Resonate Low Gloss Finish 97
AW120ECERDV
• Mahogany Back and Sides
• Ibanez / B-Band® SQR Pickup
• Ibanez AEQ-SRT Shape Shifter™
Pre-Amp with Onboard Tuner
• Resonant Dark Violin Low Gloss Finish
AW700NT
AW100ECENT • Dreadnought Body
• Cutaway Dreadnought Body • Solid Engelmann Spruce Top
• Solid Engelmann Spruce Top • Quilted Maple Back and Sides
• Mahogany Back and Sides • Maple Body and Neck Binding
• Abalone and Wood Vine Rosette
• Fishman® Sonicore Pickup
• Diamond Abalone Inlay
• Ibanez AEQ-SST Shape Shifter™
Pre-Amp with Onboard Tuner • Gold Grover® Tuners
• Balanced 1/4” and XLR Outputs • Natural High Gloss Finish
AW100LECENT
• Left-Handed
AW20ECEHS
• Solid Sitka Spruce Top
• Maple Back and Sides
• Gold Die-Cast Tuners
• Honey Sunburst High Gloss Finish
AW12CENT
• Chrome Die-Cast Tuners
• Ibanez AEF-SS Shape Shifter™ Pre-Amp
AW500NT AW1400NT AW300NT
• Dreadnought Body • Dreadnought Body • Dreadnought Body
• Solid Engelmann Spruce Top • Solid Engelmann Spruce Top • Solid Engelmann
• Mahogany Sides with Solid • Solid Rosewood Back and Sides Spruce Top
Mahogany Back • Maple Body Binding • Figured Bubinga Body
• Maple Body and Neck Binding • Deluxe Artwood Abalone Head- • Deluxe Artwood Pearl
• Deluxe Artwood Abalone stock, Fretboard and Bridge Inlays Headstock, Fretboard and
Headstock, Fretboard and • Gold Grover® Tuners Bridge Inlays
Bridge Inlays • Natural High Gloss Finish • Gold Grover® Tuners
• Gold Grover® Tuners • Natural High Gloss Finish
• Natural High Gloss Finish SOLID ROSEWOOD
The new Artwood flagship model, the AW1400NT is the
first AW to feature solid rosewood back and sides.
QUILTED MAPLE
The AW700NT is the first Artwood to feature quilted
maple, which provides a bright sound in combination
with the enhanced lows of a dreadnought
99
AW200VV
• Dreadnought Body
• Flamed Maple Back and Sides
AW40NT • Gold Grover® Tuners
• Dreadnought Body • Vintage Violin High Gloss Finish
• Tree of Life Abalone Inlay
AW120RDV
• Resonant Dark Violin Low Gloss Finish
AW100NT AC110NT
• Dreadnought Body • Grand Concert Body
• Solid Engelmann Spruce Top • Solid Sitka Spruce Top
• Mahogany Back and Sides • Walnut Back and Sides
• Gold Grover® Tuners • Maple Body Binding
• Natural High Gloss Finish • Diamond Abalone Inlay
WALNUT
Another AW first for 2005, is the AC110NT,
the first Artwood with walnut back and
sides. The warm tones of walnut work
extremely well when balanced with the
enhanced projection, highs and mids of a
grand concert-sized body.
AW20HS AW12NT AW12BK AC12NT
• Dreadnought Body • Dreadnought Body • Dreadnought Body • Grand Concert Body
• Solid Sitka Spruce Top • Solid Sitka Spruce Top • Solid Sitka Spruce Top • Solid Sitka Spruce Top
• Maple Back and Sides • Mahogany Back and Sides • Mahogany Back and Sides • Mahogany Back and Sides
• Gold Die-Cast Tuners • Chrome Die-Cast Tuners • Chrome Die-Cast Tuners • Chrome Die-Cast Tuners
• Honey Sunburst High Gloss Finish • Natural High Gloss Finish • Black High Gloss Finish • Natural High Gloss Finish
101
rtant components in an instrument.
Sound and playability are the two most impo
l aspect enhances your perfor-
But very few will deny that a standout visua
three unique instruments were
mance. The appearance and sound of these letely new and different voice.
who is looki ng for a comp
designed for the player guitars – even among guitars
new EW
You won’t find anything else quite like the
that are much more expensive.
EXOTIC
EXOTIC WOOD
WOOD
guitars FEATURE
AEL Body Without Cutaway
Chrome Die-Cast Tuners
Mahogany Neck
D’Addario EXP Strings
EW20ASNT
• AEL Body
• Quilted Ash Top,
Back and Sides
• Natural High
Gloss Finish
EW20QMBBD
• AEL Body
• Quilted Maple Top, Back
and Sides
• Bleached Blond Gloss
Finish
EW20ZWNT
• AEL Body
• Zebra Wood Top,
Back and Sides
• Natural High
Gloss Finish
102
The EW20ASNT features The EW20QMBBD’s quilted Eye-arresting zebra-
ash with a good balance of maple back and sides provides wood model on the
snappy highs and good lows. the brightest tones of the three EWZW20NT provides
Exotic Wood models. rich, warm tones similar
to (but not exactly like)
that of a mahogany-
bodied guitar.
tion
warm resonant tones and a large selec
Slim necks, feedback resistant bodies rics som e of the
ez AE acoustic-elect
of attractive finishes are what make Iban
perfo rman ce instr ume nts ever made. AE models are available in five
finest live-
slim AEF, the large r AEL, the very slender AEG, AEB
different series: the original bo, designed for – but
mini -jum
bass models and, new for 2005, the AES g these guitars even more live-
rock and rolle rs.M akin
not limited to – stage-active ard chromatic tuner and
an onbo
performance-friendly is the addition of els.
uts to all 2005 AE mod
balanced 1/4” and XLR outp
AES20EBK
• Spruce Top
• Abalone and Pearl Inlays
• Abalone Rosette
• Black Die-Cast Tuners
• Black High Gloss Finish
Two years ago, Ibanez offered an original
design mini-jumbo-sized guitar
known as the JX. We discontinued it in favor
of other designs because we
thought no was interested. We were wron
g. (And did we hear about it.) So to
make things right, we’ve incorporated the
rock and roll JX body shape into our
new AES line. The AES features the smal
lest and slenderest body of the Ibanez
AE acoustic-electric lineup.
AES10ETBS AES10EAM
• Quilted Ash Top, Back and Sides • Quilted Ash Top, Back and Sides
• Chrome Die-Cast Tuners • Chrome Die-Cast Tuners
• Transparent Blue Sunburst High • Amber High Gloss Finish
Gloss Finish
AES
AES
guitars FEATURE
AES Mini-Jumbo Body
Die-Cast Tuners
Mahogany neck
Rosebridge bridge and fretboard
Fishman® Sonicore® Pickup
Ibanez AEQ SST Shape Shifter Pre-Amp
With Onboard Tuner
Balanced 1/4” and XLR Outputs
D’Addario EXP Strings
Ivorext II Nut and Saddle
Advantage Bridge Pins
DIAMOND SHAPED
SOUNDHOLE
We asked ourselves, how could we make
our AE guitars – instruments already
acclaimed as the ultimate live performance
acoustic-electrics – even better? And then
Mr. Larry Fishman gave us the answer.
For 2005, Ibanez is proud to present our

new AE flagship model, the AEF100, featur-
ing the Fishman® Aura™ system, which
gives live-performance acoustic-electrics
the kind of control and sounds previously
only available in controlled studio-environ-
ments using very high-end microphones.
Like all 2005 AE models, the AEF100
features an onboard chromatic tuner and
balanced 1/4” and XLR outputs.
AEF100EACV
AEF
AEF
STEEL STRING-
• Quilted Maple Top, Back and Sides
STEEL-STRING
• Abalone Body Binding
guitars FEATURE
• Deluxe Fretboard Inlay
• Abalone Rosette
• Fishman® Aura™ Acoustic Imaging
Blender System with Onboard Tuner
• Antique Cherry Violin Gloss Finish Die-Cast Tuners
Mahogany Neck
D’Addario® EXP Strings
Ivorex II™ Saddle and Nut
FISHMAN® ONBOARD AURA™

The Fishman Onboard Aura uses six selectable custom
Acoustic Sound Images created especially for the
AEF100EACV – each Image made with a different top shelf
microphone – so the plugged-in tones precisely match the
AEF100CEAV’s unamplified voice. The Sound Images can
be blended easily with the standard pickup signal
according to taste. The Aura also includes a programmable
active 3-band EQ, onboard tuner, anti-feedback control,
chromatic tuner with mute and more.
AEF37ESSG AEF37ETCS
• Quilted Maple Top, Back and Sides • Quilted Maple Top, Back and Sides
• Pearl Block Abalone Inlay • Pearl Block Abalone Inlay
• Abalone Rosette • Abalone Rosette
• Gold Grover® Tuners • Gold Grover® Tuners
• Ibanez / B-Band® SQR Pickup • Ibanez / B-Band® SQR Pickup
• Ibanez AEQ-SRT Shape Shifter™ • Ibanez AEQ-SRT Shape Shifter™
Preamp with Onboard Tuner Preamp with Onboard Tuner
• Sunset Gold High Gloss Finish • Transparent Cherry Sunburst High
Gloss Finish
The AEF is the original AE shape, which offers a narrow, feedback resistant
body for comfort, clear highs, strong midrange punch and powerful projection.
In the greatly expanded AE line-up, the AEF body is more compact than the
AEL, but larger than the AES and AEG. 107
AEF30EOS
• Flamed Maple Top
• Arched Maple Back
• Pearl Block Abalone Inlay
Preamp with Onboard Tuner
• Orange Sunburst High Gloss Finish
AEF30EMS
• Marine Sunburst High Gloss Finish
AEF30ETVS
• Transparent Violet Sunburst High
Gloss Finish
AEF30ETBK NARROW NECK /

• Flamed Maple Top LARGER BODY
• Pearl Block Abalone Inlay We heard it over and over again. Players loved
narrow neck of our nylon-string AEG model, but
they wanted a fuller-sized body. So we’ve created
the AEF20CSNERLG, a guitar with an impossible to
• Ibanez AEQ-SRT Shape Shifter™ pronounce model number but an easy-to-play Ibanez
Preamp with Onboard Tuner nylon-string neck on an AEF body. A solid cedar top
• Transparent Black High Gloss Finish enhances the warm nylon-string tones.
AEF20CSNERLG AEF18ETVS AEF18EBK AEF18ENT AEF1812ENT
• Nylon-String • Spruce Top • Spruce Top • Spruce Top • 12-String
• Solid Cedar Top • Arched Mahogany Back • Arched Mahogany Back • Arched Mahogany Back • Spruce Top
• Arched Mahogany Back • Mahogany Sides • Mahogany Sides • Mahogany Sides • Arched Mahogany Back
• Mahogany Sides and Neck • Fire Rosette • Fire Rosette • Fire Rosette • Mahogany Sides
• Mahogany Rosette • Chrome Die-Cast Tuners • Chrome Die-Cast Tuners • Chrome Die-Cast Tuners • Fire Rosette
• Gold Classical Die-Cast Tuners • Ibanez / B-Band® SQR Pickup • Ibanez / B-Band® SQR Pickup • Ibanez / B-Band® SQR Pickup • Chrome Die-Cast Tuners
• Rosewood Bridge and Fretboard • Ibanez AEQ-SRT Shape • Ibanez AEQ-SRT Shape Shifter™ • Ibanez AEQ-SRT Shape • Ibanez / B-Band® SQR
• Ibanez / B-Band® SQR Pickup Shifter™ Preamp with Onboard Preamp with Onboard Tuner Shifter™ Preamp with Pickup
• Ibanez AEQ-SRT Shape Shifter™ Tuner • Black High Gloss Finish Onboard Tuner • Ibanez AEQ-SRT Shape
Preamp with Onboard Tuner • Transparent Violet Sunburst • Natural High Gloss Finish Shifter™ Preamp with
• 14th Fret Neck/Body Joint High Gloss Finish Onboard Tuner
• Resonant Low Gloss Finish • Natural High Gloss Finish
AEL
AEL
The AEL offers the largest body of the Ibane
z AE acoustic-electric guitars, making it guitars FEATURE
gged as well as plugged-in live performance. To
particularly well suited for unplu
body, the new AEL50 is equipped with
complement the warm lows of the larger AEL AEL Body
chosen for their natural and warm sound reproduction.
B-Band electronics, which were Die-Cast Tuners
Mahogany Neck
AEL20ETBS AEL20ETRS AEL50SERLG AEL10EBK AEL10LEBK

• AEL Body • AEL Body • AEL Body • AEL Body • Left-Handed
• Flamed Maple Top • Flamed Maple Top • Solid Spruce Top • Spruce Top • AEL Body
• Maple Back and Sides • Maple Back and Sides • Flamed Sycamore Back and Sides • Mahogany Back and Sides • Spruce Top
• Abalone Rosette • Abalone Rosette • Maple Body and Neck Binding • Abalone Rosette • Mahogany Back and Sides
• Gold Die-Cast Tuners • Gold Die-Cast Tuners • Wood Vine Inlay • Chrome Die-Cast Tuners • Abalone Rosette
• Fishman® Sonicore Pickup • Fishman® Sonicore Pickup • Abalone Rosette • Fishman® Sonicore Pickup • Chrome Die-Cast Tuners
• Ibanez AEQ-SST Shape • Ibanez AEQ-SST Shape Shifter™ • Gold Die-Cast Tuners • Ibanez AEQ-SST Shape Shifter™ • Fishman® Sonicore Pickup
Shifter™ Preamp with Preamp with Onboard Tuner • Ibanez / B-Band® SQR Pickup Preamp with Onboard Tuner • Ibanez AEQ-SST Shape
Onboard Tuner • Transparent Red Sunburst • Ibanez AEQ-SRT Shape Shifter™ • Black High Gloss Finish Shifter™ Preamp with
• Transparent Blue Sunburst High Gloss Finish Preamp with Onboard Tuner Onboard Tuner
High Gloss Finish • Resonant Low Gloss Finish • Black High Gloss Finish
110
AEG10EVS
• Advantage Bridge Pins
AEG
• Vintage Sunburst High Gloss Finish
STEELAEG-STRING
guitars FEATURE
STEEL-STRING
AEG Body
Abalone Rosette
AEG10NETNG Chrome Die-Cast Tuners
• Nylon String
Spruce Top
• Spruce Top
• Mahogany Neck, Back and Sides Mahogany Neck, Back and Sides
• Abalone Rosette Rosewood Bridge and Fretboard
• Gold Classical Tuners Ibanez AEQ-SST Shape Shifter™ Preamp
• Fishman® Sonicore Pickup with Onboard Tuner
• Ibanez AEQ-SST Shape Shifter™ Fishman® Sonicore® Pickup
• 14th Fret Neck/Body Joint Balanced 1/4” and XLR Outputs
• Tangerine High Gloss Finish D’Addario® EXP™ Strings
Ivorex II Saddle and Nut
AEG10EBK
• Advantage Bridge Pins
THE AEG OFFERS A SLEEK AND SLENDER BODY

THAT’S EVEN SMALLER THAN THE ORIGINAL AEF ACOUSTIC,
BUT LARGER AND MORE TRADITIONAL THAN THE AES.
IBANEZ AEB BASSES FEATURE A 32” SCALE
WHICH PROVIDES BETTER ARTICULATION THAN ACOUSTIC-
ELECTRIC BASSES UTILIZING A SHORTER SCALE.
AEB
AEB
guitars FEATURE AEB10EBK AEB10ELG AEB305ELG
• 4 String Bass • 4 String Bass • 5 String Bass
32” Scale • AEL Body • AEL Body • AEF Body
• Black High Gloss Finish • Low Gloss Finish • Natural Low
Chrome Die-Cast Tuners Gloss Finish
Spruce Top
Mahogany Neck, Back and Sides
Fishman®, Sonicore® Pickup
Ibanez AEQ-SS Shape Shifter™ Pre-Amp
with Onboard Tuner
112
Daytrippers were designed for players who like to
travel. While they’re smaller than standard guitars
and feature a smaller price, you get standard
EADGBE tuning, full-size guitar tone, and the quality
and playability you expect from Ibanez.
DTMETBL
• “Mini-E”
• Cutaway Mini-Dreadnought Body
• Spruce Top
• Mahogany Neck, Back and Sides
• Rosewood Bridge and Fretboard
• Ibanez Piezo Pickup
• Ibanez AEQ201 Preamp with 2-Band EQ
• Transparent Blue High Gloss Finish
DTMANT
• “Mini-Art”
• Mini-Dreadnought Body
• Spruce Top
• Mahogany Neck, Back and Sides
• Rosewood Bridge and Fretboard
MINI-DREADNOUGHT GUITAR • Natural High Gloss Finish
DTFB
All new Daytripper Gig Bag
features more padding and
an extra large storage pouch.
DREADNOUGHT &
MINI-DREADNOUGHT SIZE COMPARISON
Body Dreadnought Mini-Dreadnought
Width 15.75” 12.5”
Depth 4.75” 3.5”
Length 20.0” 16.0”
STANDARD SIZE GUITAR Neck Scale 25.1” 22.5”
113
TALMAN
TALMAN
guitars FEATURE
electric guitarist who wants to
Our double-cutaway Talmans are perfect for the
ut losing the comfort and play-
gain the full tones of an acoustic guitar witho
mode ls feature the clarity of a bridge pickup combined
ability of an electric. TCY
sound of a magnetic soundhole
with a spruce top. TCM models feature the warm
pickup combined with an ash top.
Chrome Die-Cast Tuners
Mahogany Neck
TCY20VV TCY20TRS TCM50VBS TCY10BK TCY10TBS

• Figured Ash Top and Body • Figured Ash Top and Body • Figured Ash Top • Spruce Top • Spruce Top
• Abalone Rosette • Abalone Rosette • Mahogany Back and Sides • Mahogany Neck, Back • Mahogany Neck, Back
• Ibanez Piezo Pickup • Ibanez Piezo Pickup • AP2 Magnetic Soundhole and Sides and Sides
• Ibanez AEQ201 Preamp • Ibanez AEQ201 Preamp Pickup • Ibanez Piezo Pickup • Ibanez Piezo Pickup
with 2-Band EQ with 2-Band EQ • Ibanez AEQ200M Preamp • Ibanez AEQ201 Preamp • Ibanez AEQ201 Preamp
• Vintage Violin High • Transparent Red High with 2-Band EQ with 2-Band EQ with 2-Band EQ
Gloss Finish Gloss Finish • Vintage Brown Sunburst • Black High Gloss Finish • Transparent Blue Sun-
High Gloss Finish burst High Gloss Finish
114
MASA
You don’t have to choose between an acou
stic-electric with the warmth of
a magnetic pickup and the clarity of a
MASA
guitars FEATURE
bridge pickup. You can get both in
one guitar. Inspired by the memory of Mr.
Masao “Masa” Hoshino, president
of the Ibanez company from 1981 to 1984
, Ibanez MASA Commemorative
models offer the rich warmth of our AP2
magnetic soundhole pickup with the
crystalline clarity and superb definition
of the Fishman® Sonicore® bridge
pickup. Best of all, you can get any mix
Chrome Die-Cast Tuning Machines in between.
Mahogany Neck
AP2 Magnetic Soundhole Pickup
Fishman® Sonicore® Bridge Pickup
AEQ-3MX Pre-Amp
SX72TBS FX72NT SX72TBC

• SX Body • FX Body • SX Body
• Figured Ash Top and Body • Spruce Top • Figured Ash Top and Body
• Transparent Blue Sunburst • Mahogany Back and Sides • Transparent Black Cherry
High Gloss Finish • Natural High Gloss Finish High Gloss Finish
115
is the cornerstone of our Perfor-
Professional features at an affordable price
only check their instruments in the
mance guitars. Other major manufacturers
m inspe ctions before shipping them to
Performance price range with rando
stic guitar, from the least expensive
stores in the States. But every Ibanez acou
line Artwo ods, is inspected and set up
Performance model to our top of the
z quality control.
according to the stringent standards of Ibane
PC5NT
• Grand Concert Body
• Original Design Wood Rosette
PF512NT
• 12-String
PF5NT
PF5BK
PF5LNT
• Left-Handed
116
PERFORMANCE
PERFORMANCE
guitars FEATURE
Spruce Top
PF15ECEBK Gold Die-Cast Tuners
• Pearl Rosette and Headstock Logo Mahogany Neck, Back and Sides
• Fishman® Sonicore Pickup D’Addario® EXP™ Strings:
• Ibanez AEQ-SST Shape Shifter™ Ivorex II™ Nut and Saddle
PF15TRS PF5ECENT PF15MS

• Dreadnought Body • Cutaway Dreadnought Body • Dreadnought Body
• Pearl Rosette and • Original Design Wood Rosette • Pearl Rosette and
Headstock Logo • Fishman® Sonicore Pickup Headstock Logo
• Transparent Red Sunburst • Ibanez AEQ-SST Shape • Marine Sunburst
High Gloss Finish Shifter™ Preamp with High Gloss Finish
Onboard Tuner
guitars with a brand name
You could say that our new V-Series provide
me. But V-Series guitars offer a
at a price you would expect from a no-na
afford able price s. By gettin g a guitar with the Ibanez
lot more than ultra-
Ibane z quali ty, sound and set-up as
name, you also get the assurance of
well as the Ibane z limite d lifetim e warra nty.
V70VS
• Vintage Sunburst High
Gloss Finish
VC70NT
• Grand Concert Body
V70NT
V70BK
VV
guitars FEATURE
V70CENT V70CEBK
• Cutaway Dreadnought Body • Cutaway Dreadnought Body
• Ibanez AEQ-200 Preamp with 2- Band EQ • Ibanez AEQ-200 Preamp with 2- Band EQ
• Natural High Gloss Finish • Black High Gloss Finish
Select Spruce Top

Chrome Tuners
Mahogany Back and Sides
119
e tones of a nylon string guitar
GA
GA
guitars FEATURE
Some songs simply demand the intimate, subtl
Along with our tradit ional G5 classical, Ibanez offers
and nothing else will do. upper-access. The GA6
easie r
modern acoustic-electrics with cutaways for a thinner body, narrow
body while the GA5T CE has
features a classical-sized classical 12th fret).
the tradit ional
neck and a 14th fret body joint (instead of impro ve with age.
reson ant solid top that will
The GA60SCE features a Spruce Top
guitars have another advantage: Classical Tuners
In addition to their great tone, nylon-string Mahogany Neck
steel string counterparts, which
they’re much easier on the fingers than their
nt instru ment s. Unfor tunately, many really affordable Rosewood Bridge and Fretboard
makes them great stude
ment s (don’t be seduced by cheap Natural High Gloss Finish
beginner classical guitars aren’t real instru
). The new GA3, on the other hand, is a real instru-
department store imposters
ment with real playability, sound and quality.
GA3 GA5 GA5TCE GA6CE GA60SECE

• Classical Body • Classical Body • Thinline Classical Cutaway Body • Classical Cutaway Body • Classical Cutaway Body
• Spruce Top • Spruce Top (2 3/4” depth vs. traditional • Spruce Top • Solid Spruce Top
• Agathis Back and Sides • Mahogany Back and Sides Classical 3 7/8” depth) • Mahogany Back and Sides • Mahogany Back and Sides
• Chrome Classical Tuners • Chrome Classical Tuners • Spruce Top • Gold Classical Tuners • Gold Classical Tuners
• Mahogany Back and Sides • Ibanez Piezo Pickup • Fishman® Sonicore Pickup
• Gold Classical Tuners • Ibanez Preamp with 4-Band EQ • Ibanez AEQ-SST Shape Shifter™
• Narrow Nut (46mm width vs. tra- • Natural High Gloss Finish Preamp with Onboard Tuner
ditional classical 52mm width) • Natural High Gloss Finish
• Ibanez Piezo Pickup
• Ibanez Preamp with 3 –Band EQ
• 14th Fret Neck/Body Joint
120
Over 20 years ago, Ibanez had one of
the most impressive selections of
traditional fretted instruments in the
business, including some very fine man
dolins. We are extremely proud that our -
Ibanez mandolins met the very high
standards of Mr. Bill Monroe, the Fath
er of Bluegrass Music, who played one
for a time We are very pleased to retur
n our mandolins to the Ibanez family
fretted instruments. As with the origi of
nal Ibanez of the ’70s and ‘80s, our 2005
line-up of mandolins adheres to the
highest standards of Ibanez craftsma
while still offering a price that the work nship
ing musician can afford.
For the traditional player who eschews
anything electric, we offer two pure
acoustic mandolins. The standard mod
el, the M510BS, features a mahogany
body. The deluxe M511BS features a
solid top for a sound that improves with
age and a maple body for brilliant high
s and projection, For the “less tradi-
tional” player, the M510EBS features
a piezo pickup and tone controls to mak
sure the incomparable sound of the man e
dolin can be heard in any venue.
M510EBS
• A-Style
• Select Spruce Top
• Chrome Hardware
• Single Coil Magnetic Pickup with
Volume and Tone Passive Controls
• Brown Sunburst High Gloss Finish
M510BS
• A-Style
• Select Spruce Top
• Chrome Hardware
M511SBS
• A-Style
• Solid Spruce Top
• Maple Back and Sides
• Gold Hardware
To Get Out and Jam!” – guitar,
Jam Packs come with “Everything You Need
-to-p lay DVD that makes the learning easy, and
electronic tuner, an Ibanez learn ®
is individually inspected and features
a whole lot more. Every Jam Pack guitar
a lifetime limited warranty. PF104SBK PF104SNT
• Available with IJP2SBK • Available with IJP2SNT
• Dreadnought Body • Dreadnought Body
• Solid Spruce Top • Solid Spruce Top
• Mahogany Neck, Back • Mahogany Neck, Back
and Sides and Sides
• Chrome Die-Cast Tuners • Chrome Die-Cast Tuners
• Rosewood Bridge and • Rosewood Bridge and
Fingerboard Fingerboard
• Black High Gloss Finish • Natural High Gloss Finish
JAM PACK
IJP2SNT (NATURAL)
IJP2SBK (BLACK)
JAM PACK QUICKSTART

IJV50
V50NT
• Available with IJV50
• Spruce Top
• Agathis Back and Sides
• Chrome Tuners
• Rosewood Bridge and Fingerboard
122 • Mahogany Neck

PACKAGE CONTENTS
AEG4BK
• Available with AEG4JPBK
• AEG Body
JAM PACK • Bridge Piezo Pickup
Natural or Black Dreadnought PF104S Solid Top Guitar • Gig Bag • Passive 2-Band EQ
• Electronic Tuner • Instruction DVD • Instruction Book • Chord Chart • Canadian Spruce Top
• Guitar Strap • Extra Strings • Guitar Picks • Accessories Pouch • Agathis Back and Sides
• Mahogany Neck
• Rosewood Bridge
and Fingerboard
JAM PACK QUICKSTART

V50 Dreadnought Guitar • Gig Bag • Electronic Tuner • Guitar Strap
• Accessories Pouch • Free Instruction DVD when purchaser
registers online.
JAM PACK JOLT JAM PACK JOLT

IJAG4BK
AE4BK Acoustic-Electric Guitar • IBZ10A 10 Watt Acoustic Amp
• Guitar Cable • Gig Bag • Chromatic Electronic Tuner • Instruc-
tion DVD • Instruction Book • Chord Chart • Strap • Extra Strings
• Guitar Picks • Accessories Pouch
GUITAR CASES
Accept no substitutes!! Only genuine Ibanez cases and
bags are designed specifically to fit and protect your
Ibanez acoustic guitar.
70WG ABP AEB10C
• Gig bag for dreadnought guitars Now you can have it all. Well, at • Hard shell case for AEB30
least you can carry it all in style.
The ingenious Ibanez APB combi- AEB50C
nation bag features a separable • Hard shell case for AEB10
backpack and heavy-padded gig
bag (with extra movable padding
for different axes).
AEL50C
• Hard shell case for AEL
AEG10C
• Hard shell case for AEG
AC100C
• Hard shell case for AC10, PC, GA,
TCY, SX, TCM and VC
PF50C
• Hard shell case for dreadnoughts
and AEF
GB5C MS200 MS200D MS205 MS205ST

Straight Stand Straight Stand Boom Stand Short Boom Stand
• Hard shell case for AJ200 and AJ307 (Round Base)
TAMA MIC STANDS

124 For micing vocals, guitars and amps, these four stands from Ta
Tama–the strongest
name in drum hardware–offer fast set up, stability, and roadworthy durability.
TROUBADOUR
There’s nothing like the pure and natural sound of an unplugged acoustic
guitar. Until you want to reach a wider audience. Then you need to plug in.
Ibanez acoustic-electric amplifiers feature hi-fidelity components, versatile
EQ systems and our extended range Power Jam speakers so your growing
audience will still get your message loud and clear.
TA35 FRONT PANEL

The TA35 features onboard chorus with
depth and speed control, reverb and micro- IBZ10A TA35 Troubadour
phone and CD inputs. The pre-amp section • 10 watt dedicated acoustic • 35 watt dedicated acoustic amplifier
of the TA35 has been specially voiced for the guitar amplifier • 10” custom made coaxial speaker.
acoustic guitar and the TA35 can function as • 6.5” speaker • Switchable chorus with speed and
a powered mixer for solo gigs. • 3-band EQ depth control
• Switchable chorus with depth control • Switchable Reverb with level control
• Headphone out • Active 3-band EQ with
• Open-back cabinet design sweepable midrange
• w 10.9” h 12.5” d 7.5” • Internal limiter
• Weight: 10.6 lbs • Two discrete channels for
vocals and guitars
TA20 Troubadour • XLR balanced input on mic channel
• 20 watt dedicated acoustic • CD/Aux input
guitar amplifier • Master volume
• 8” custom-made coaxial speaker • Line out POWER JAM PJ804ACPP ACOUSTIC SPEAKER
• 3-band EQ with sweepable midrange • Footswitch jack
• Internal limiter • Optional IFS2 2-button footswitch 8” co-axial compact speaker system with polypropylene cone, round rubber edge and
mica cone HF driver provide the best response from a compact closed-cabinet format.
TA35 REAR PANEL • Switchable chorus with speed and • Sealed back/kick back cabinet
depth control • w 16.5” h 17” d 14.6”
Features line output (approximate 0dBm • Reverb with level control • Weight: 31 lbs TA225 Troubadour
level), footswitch jack for reverb and chorus
• Line out
on and off. Speaker output allows hookup to • 25 x 25 watt stereo dedicated acoustic guitar amplifier with reverb
extension speaker with minimum 4 ohms. • Sealed back cabinet
• Chorus with speed and depth controls (guitar channel only)
• w 12.6” h 14.2” d 10.5”
• 2 x 10” POWER JAM speakers with two mini-tweeters
• Weight: 20 lbs
• Two separate channels Vocal: with XLR and 1/4” inputs, 2-band EQ
and level control Guitar: with 1/4” inputs, 3-band EQ,
sweepable midrange and level control
• Footswitchable reverb (global)
• Optional IFS1 footswitch
• Headphone out
• Effects loop
• Closed-back design
• w 24.8” h 19.5” d 10.4”
TA35 SPEAKER SYSTEM

40wrms/80wmax co-axial speaker driver and
closed back cabinet provide both powerful
lows and crystal clear highs.
2005 FEATURES IVOREXII® NUT & SADDLE
ADVANTAGE BRIDGE PINS
These new pins really are an advantage over old-fashioned pins. Advantage pins are
easier to take out and easier to put in than standard pins. A special bulb-shaped end
Ibanez’s new Ivorex II is stronger and more durable than bone and makes the pin easy to grip and also prevents the pin from being pushed in too far.
even harder than the original Ivorex! Ivorex II is specially formulated to Best of all, with Advantage, the pin and string stay put.
provide ultra-fast response and maximum sound transfer to the body. In
addition, Ivorex II allows brilliant highs and more pronounced lows with
less mid-range, which make Ivorex II fitted guitars perfect for amplification.
Ibanez is proud to feature D’Addario® EXP™ strings on many 2005 Ibanez

acoustic guitars and basses. EXP strings retain brightness three to four
times longer than the same uncoated string, but they have an uncoated STANDARD PINS ADVANTAGE PINS
string’s great natural feel. With standard pins, the ball can become caught Advantage bridge pins hold
up on the end of pin, which can result in string the string ball where it should
slippage during tuning and playing, as well as be –right under the top for better
the pin popping out–usually at the worst time. sound,stability and security.
DIVERSITY IN SIZE, SOUND AND STYLE
AEF AEL AEG DREADNOUGHT MINI- GRAND

The original Ibanez AE Series If you’ve wanted the com- The AEG body style offers With their full sound, strong bass, DREADNOUGHT CONCERT
body is large enough to offer fort of an AE body, but even more live performance and clarity in chording and soloing, The traditional dreadnought shape, The grand concert is a
full, natural acoustic sound required a larger body for comfort and tonal projection. dreadnoughts have become the but in a size that’s much more descendent of the old
in highly amplified venues, unplugged or mic’d per- most popular acoustic body style. compact, comfortable and mobile. orchestral acoustic guitars,
while still providing feed- formances, the new larger Width 15” instruments designed to be
back resistance and com- AEL body style strikes just Depth 3 1/8” Width 15 3/4” Width 12 1/2” audible over large instru-
plete playing comfort. the right balance in size Length 19” Depth 4 3/4” Depth 3 1/4” mental ensembles in the
and sound. Length 20” Length 16” days before amplification.
Width 15 3/4”
Depth 3 1/2” Width 16” Width 14 3/4” - 15”
Length 20” Depth 5” Depth 4” - 4 1/2”
Length 20” Length 18 1/2” - 19 1/4”
JUMBO MINI-JUMBO SX FX TALMAN CLASSICAL

After long and careful experi- Shaped like the very large Designed for the player pre- The FX body style was Combines the rich sound of an The traditional size
mentation, Ibanez found that jumbo, but medium sized, ferring a smaller size, the SX also designed to highlight acoustic with the size, upper for nylon string guitars.
the jumbo size with a cut- the mini-jumbo is increas- body was designed to com- the wide tonal range of fret access and radical rock Ibanez also offers a narrow-
away was the best choice ing in popularity due to its plement the combination of the MASA Commemorative and roll looks of an electric. er “slimline” version of this
for the extended low-end full tone combined with a soundhole and bridge pick- models. But it has a fuller body in the GA5TCE acous-
range of the 7-string guitar. comfortable rounded size. ups in the MASA Commem- size for a big rich tone that Width 14” tic-electric nylon string.
orative models. rings out even when the Depth 3 1/4”
Width 16 1/8” Width 14 1/2” amps are off. Length 18” Width 14 3/4”
Depth 4 3/4” Depth 3 3/4” Width 14 1/2” Depth 4”
Length 20” Length 19” Depth 3 1/8” Width 15 3/4” Length 19”
Length 18 7/8” Depth 3 3/4”
Length 20”
ELECTRONICS
AP2 MAGNETIC PICKUP, FISHMAN®
SONICORE® PICKUP, AND IBANEZ
AEQ3MX EQ
The MASA Commemorative’s AP2 soundhole pickup has even
more warmth than the original AP1. Why so much? Because
the AP2 was designed to perfectly balance and complement
the crystalline clarity of Fishman’s Sonicore bridge pickup.
With the AEQ3MX 3 Band EQ blend control, you can move
easily between the rich lows of a soundhole magnetic pickup
and the articulate highs of a bridge pickup–and easily dial in
anything in between. Then the active 3-band EQ allows you
to effortlessly slide into the exact right sound and an onboard
tuner (2005 models) allows you to get things in tune quickly.
With the MASA Commemorative’s unique combination of
technologies, everything’s completely under control.
IBANEZ AEQ-SS SHAPE EDWIN McCAIN

SHIFTER™ EQ AND AEQ-SSR
SHAPE SHIFTER™ EQ
WITH SQUEALREPEAL™
With the Ibanez Shape Shifter pre-amp,
you spend the bare minimum time tweak-
ing controls and the absolute maximum
time playing. The 3-band EQ features a
tone shaper that’s much like the loudness
contour on your stereo. However, instead of
just an on-and-off switch, the AEQ-SST and
AEQ-SRT tone shaper features an actual
loudness contour control so you can exactly
determine the level of the contour and get MIKE EINZIGER
the right sound. The Shape Shifter is also incubus
very quiet and features a phase reverse
switch for reducing feedback. There’s a
separate battery compartment for easy
battery changes.. The AEQ-SST is designed
to complement the Fishman® Sonicore®
pickup. The AEQ-SRT SquealRepeal™ LARRY MITCHELL
complements the Ibanez / B-Band® SQR
pickup which combines the warm tone of
a B-Band bridge transducer with an Ibanez
split-pickup design that reduces body feed-
back. 2005 Ibanez Shape Shifter pre-amps
include an onboard chromatic tuner.
FISHMAN® ACOUSTIC
MATRIX® PICKUP &
FISHMAN® PREFIX PLUS T™
PRE-AMP DAVID WILLIAMS
Fishman’s exclusive Acoustic Matrix pickup michael jackson
EDDY ZAK VAUGHAN RHEA
provides true high fidelity flat response with toby lightman von ray
no dead spots. The PREFIX PLUS T EQ spe- marc brovssard
cifically complements the Acoustic Matrix
pickup with active shelving bass and treble
controls with parametric midrange control
for smooth and musical tone shaping. The
PREFIX PLUS T also features an active bril-
liance control with a phase reversal switch JOEY DUENAS
and an adjustable notch filter for fighting
feedback. 2005 PREFIX PLUS T pre-amps
include an onboard chromatic tuner.
127
KEVIN CARLBERG MAT DAUZAT
pseudopod kelly osbourne
hydrovibe
artist roster
GUITARS
Keith Aazami Bad Acid Trip Jani Liimatainen Sonata Arctica, Altaria Mark Clayden
Dave Aguilera Bleed The Dream Logan U.P.O. Creature Deadsy
Russell Ali Ka Mana Daron Malakian System Of A Down Mike D’Antonio Killswitch Engage
Lance Arny Flaw Tarver Marsh Good Luck Travesty Matt Deis All That Remains
Chris Arp Psyopus Andy Martin Rob Derhak moe.
Matt Bachand Shadows Fall David Manley Jill Scott, Session Barry Donaghy Harem Scarem
Sheryl Bailey Matt Matera Dead To Fall Shawn Economaki Stone Sour
Rob Balducci Buz McGrath Unearth Fieldy Korn
Terry Balsamo Evanescence James Mcllroy Cradle of Filth Matt Fisher Eyes of Fire
Jackson Benge (hed) planet earth Pat Metheny Bill Gaal Kingdom of Snakes
George Benson Steve Miloszewski City Sleeps Roland Guerin Marcus Roberts Trio
Shane Blay Larry Mitchell Gustaf Hielm
Chris Broderick Jag Panzer Munky Korn Tara Johnson Martyr A.D.
Bronson Mushroomhead Mike Mushok Staind Percy Jones
Norman Brown Noodles The Offspring Greg K. The Offspring
Gizz Butt The More I See Ramon Ortiz Ankla Carol Kaye
Chris Camozzi Solo Artist, Michael Bolton Kevin Palmer TRUSTcompany Joe Keyser Skinless
Erik Carlsson Rob Patterson Doctor Z Dan Kurtz The New Deal
Noah Carpenter Skinless Lukas Previn Jim Loughlin moe.
Dino Cazares Brujeria, Asesino Josh Rand Stone Sour Robbie Merrill Godsmack
Audley Chisholm Maxi Priest, Big Mountain Paul Raymond UFO Doug Miller Crazy Town
John Conley Scar Culture Eddie Rendini Cold Clint Norris As I Lay Dying
Rusty Cooley Outworld Pete Ricci Lo-Pro Rufus Philpot Planet X, Down to the Bone
Fran Cosmo Boston Steve Richards Taproot Paul Romanko Shadows Fall
Jim Davies Matt Roberts 3 Doors Down Daron Story
Jason DeCosta Sound of the Struggle Omar Rodriguez The Mars Volta Hannah Tosco Justincase
Todd Deguchi 3rd Strike Tony Rohrbough Byzantine Gerald Veasley
Rob DeHaven Still Naïve Eric Sands Pete Way UFO, Waysted
Brad Delson Linkin Park Joe Satriani Mick Whitney 36 Crazyfists
Mike DeWolf Taproot Satyr Satyricon Gary Willis Tribal Tech
Dominic Pulse Ultra Al Schnier moe. Doug Wimbish Head Fake, Living Colour
Doug Doppler Doppler John Scofield Mark Young (hed) planet earth
Fletcher Dragge Pennywise Arthur Seay Unida, House of Broken Promises Zoltan U.P.O.
Ed Faris Level Mike Shinoda Linkin Park
Mordy Ferber Dwight Sills
Jon Finn Jon Finn Group Barry Stock Three Days Grace ELECTRONICS
David Fiuczynski Screaming Headless Torsos Ken Susi Unearth Pete Anderson
David Fransson Divison of Laura Lee Steve Swanson Six Feet Under Audley Freed Chris Robinson
Marty Friedman Corey Taylor Stone Sour James Fukai TRUSTcompany
Fuzz Deep Banana Blackout Mick Thomson Slipknot John 5
Adriel Garcia City Sleeps Fredrik Thordendal Meshuggah Jason Hook Hilary Duff
Rocky George Andy Timmons Adrian Legg
Paul Gilbert Racer X Greg Trammell 12 Stones Mike Sarkisyan Spineshank
Chad I. Ginsburg CKY Greg Tribbett Mudvayne Matt Scannell Vertical Horizon
Gravy Mushroomhead Kraig Tyler Crazy Town Mike Scott Prince and the NPG
Billy Graziadei Biohazard Dave Uhrich Traa P.O.D.
Jon Greasley Steve Vai
Marten Hagstrom Meshuggah Paul Waggoner Between The Buried And Me
Paul Hanson Dustie Waring Between The Buried And Me ACOUSTICS
Head Korn Dave Weiner Steve Vai Kevin Carlberg Pseudopod
Oli Herbert All That Remains David Williams Michael Jackson Matt Dauzat Hydrovibe, Kelly Osbourne
Dexter Holland The Offspring Joe Dean
Steve Holt 36 Crazyfists Joey Duenas
Joel Johnson Martyr A.D. BASSES Michael Einziger Incubus
Rob Johnson Magnitude 9 Chris Adams Byzantine Ross Grant Pseudopod, JEM, Dogfysh
Jon Kita Diecast Jett Beres Sister Hazel David Lowery Cracker, Camper Van Beethoven
Kirk Kolaitis Diecast Adam Blackstone Jill Scott, Musiq, The Roots Mudrock Producer, Engineer
Eric Krasno Soulive Chad Bowser The A.K.A.s Ty Taylor “We Will Rock You” Cast
John LaMacchia Candiria Nelson Braxton The Braxton Brothers Eddy Zak Marc Broussard, Toby Lightman
Pete Lesperance Harem Scarem Terry Butler Six Feet Under Ryan Zwiefelhofer Acceptance
2005 collectors catalog

1726 Winchester Road, Bensalem, PA 19020 · 327 Broadway, Idaho Falls, ID 83402 · In Canada: 2165-46th Avenue, Lachine, Quebec, H8T-2P1 · In Australia: 88 Bourke Road, Alexandria, Sydney, NSW2015 ·
In New Zealand: 148 Captain Springs Road, Onehunga, Auckland · In Mexico: AV. Toluca No. 323, Col. Olivar De Los Padres, Mexico D.F., 01780, Mexico · $8.00 in U.S.A. · ©2005 Printed in the U.S.A. (50m)

IBANEZ Product Catlog 2005

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IBANEZ Product Catlog 2005

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ibanez.

Electric Guitars, Electric Basses, Acoustic Guitars

table of contents Electric Guitars

Double Edge Tremolo

put provides added tone control. for controlling midi devices.

Gibraltar Plus Bridge

• IBZ INFS3 mid pu

GRG170DXBKN GRG170DXJB GRX20ZBKN GRX20ZJB

New BKN Black Night Metallic

The SA was designed for players

SAT Pro Trem

• Raw rock and roll simplicity and double-humbucking

GAX75GP GAX70WH GAX30JB

AX110XL 27” Scale Neck

26 Jet King Rocker Switches

“Creating our own signature

When I pick up any other

• JSM set-in neck

Then along came Artcore. We thought we’d give

Flame Maple Bodies

AFS77TMG AFS75TDTQ AFS75TTBL

* Vibrato licensed by Fred Gretsch Enterprises in the U.S.

AXD82PDVS AWD82TBL AWD82LTDBK AWD82TTRD FWD60TOR

Musical Merchandise Review Music & Sound Retailer

Basslines® Ibanez Pickups EQ Bypass Switch B400 Milled

You’ve achieved a level

SR505BM SR405LA SR305DXMW GSR205BK SR506BM

Traditional looks. Radical everything else. The EDB’s ergonomic Luthite

The Ultimate In Simplicity

“It has its own sounds,

DWB3TO DWB35BBL “I designed the DWB

Guitar Player Guitar Player Guitar Player

Heavy Duty TB15R

IFS2 TB25R Speaker Driver TB225C Chorus

TS808 the original tubescreamer

setting samples AMP GUITAR AMP GUITAR

Mode: Chorus Mode: Flanger Void: 1

Electric Dream Shred Wah Flashback

AMP GUITAR AMP GUITAR AMP GUITAR

Type: Wah Range: 30-160

Frankenstein Frankenstein on Steroids

AMP GUITAR AMP GUITAR

a1. AUTO SWITCH Mode

a2. FOOTSWITCH Mode

Series DS Low Noise Cable

Series 96 96 silver plated core strands Speciﬁcations

Series DS Double Shielded Cable Speciﬁcations

New for 2005! Ibanez picks featuring

Series Item # Color Thickness Material

Accept no substitutes! Only Ibanez cases and bags are

IGB Guitar Bag

Arm Height and Torque Adjustment

Arm Height and Torque Adjustment

ZR Built-In Intonation Adjustment Tool

ZERO POINT System

Ball Bearing Pivot Manually Adjustable Zero Point System

Mid Boost/Cut Balance

EQB-GWII (GWB) Bartolini NTBT (GWB)

SCALE WIDTH WIDTH THICKNESS THICKNESS

EQB-DWII (DWB) EQB-II B (BTB) AR

EACH EUPHORIA EP7 IS AUTOGRAPHED

DOVETAIL NECK JOINT

For 2005, Ibanez is proud to present our