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Lee Konitz : Ten Gradients of Improvisation

on "All the Things you Are" 1st Gradient Bbm7 Fm7   Eb7 Ab^ 
on "All the Things you Are"
1st Gradient
Bbm7
Fm7
 
Eb7
Ab^
 
  
    
Db^
G7
 
C^
 
   
2nd
Bbm7
Fm7
 
Eb7
Ab^
 
  
 
   
 
    
  
3
3
G7
Db^
C^
   
   
   

   
3
3
3rd
Ab^
Fm7
    Bbm7
Eb7
  
   
   
       
    
3
3
G7 Db^    C^         
G7
Db^
  
C^
  
     
    
   
4th
Bbm7
Fm7
    
Eb7
Ab^
 
   
 
   
   
  
  
   
 
3
3
G7
Db^
C^
         
  
   
    
    
3

JazzGuitarLessons.net

2

5th Eb7 Ab^ Bbm7 Fm7          
5th
Eb7
Ab^
Bbm7
Fm7
   
      
    
 
       
 
   
G7
Db^
   
C^
   
   
      
  
   

Still using melody targets but displacing for new melodies

6th Fm7 Bbm7 Eb7 Ab^          
6th
Fm7
Bbm7
Eb7
Ab^
   
    
    
     
   
   
  
Db^
G7
C^
  
    
   
       
   
   
    
3

More new melodies

7th Eb7 Fm7 Bbm7 Ab^          
7th
Eb7
Fm7
Bbm7
Ab^
      
    
   
  
   
 
   
G7
Db^
C^
      
        
   
      
 
   
3
3
still a subtle reference to the original song
8th
Fm7
Bbm7
Eb7
Ab^
  
     
   
  
     
    
   
3
Db^      C^    G7    
Db^
    
C^
G7     
    
  
   
3

Totally new theme

3 9th Bbm7 Fm7       Eb7 Ab^   
3
9th
Bbm7
Fm7
   
Eb7
Ab^
   
  
         
3
 
         
   
Db^
G7
C^
     
     
   
 
   
   
       

An act of PURE inspiration

10th
10th

Fm7

Bbm7

Eb7

Ab^

   

 

 

Db^

G7

C^

   

 

 

 

 

 

 

     

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