EIGHTEENTH-CENTURY MUSIC, VOLUME 8 - ISSUE 02 CONTRIBUTORS Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 173-174 doi: 10.

1017/S1478570611000029, Published online by Cambridge University Press 25 Jul 2011

EDITORIAL EMILY I. DOLAN Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 175-177 doi: 10.1017/S1478570611000030, Published online by Cambridge University Press 25 Jul 2011

TO MAKE OF LISBON A NEW ROME: THE REPERTORY OF THE PATRIARCHAL CHURCH IN THE 1720S AND 1730S JOO PEDRO D'ALVARENGA Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 179-214 doi: 10.1017/S1478570611000042, Published online by Cambridge University Press 25 Jul 2011

A PATRON AMONG PEERS: DEDICATIONS TO HAYDN AND THE ECONOMY OF CELEBRITY EMILY GREEN Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 215-237 doi: 10.1017/S1478570611000054, Published online by Cambridge University Press 25 Jul 2011

ALIGNMENT, ABSORPTION, ANIMATION: PANTOMIME BALLET IN THE LOMBARD ILLUMINISMO ELLEN LOCKHART Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 239-259 doi: 10.1017/S1478570611000066, Published online by Cambridge University Press 25 Jul 2011

FORGIVE US OUR DEBTS: VIEWING THE LIFE AND CAREER OF JOHANN FRIEDRICH FASCH (16881758) THROUGH THE LENS OF FINANCE Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 261-286 doi: 10.1017/S1478570611000078, Published online by Cambridge University Press 25 Jul 2011

HAYDN'S FORGOTTEN QUARTETS: THREE OF THE PARIS SYMPHONIES ARRANGED FOR STRING QUARTET DAVID WYN JONES Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 287-305 doi: 10.1017/S147857061100008X, Published online by Cambridge University Press 25 Jul 2011

ROBERT O. GJERDINGEN MUSIC IN THE GALANT STYLE New York: Oxford University Press, 2007 pp. ix + 514, isbn 978 0 19 531371 0 LUDWIG HOLTMEIER Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 307-326 doi: 10.1017/S1478570611000091, Published online by Cambridge University Press 25 Jul 2011 IRVING GODT, ED. JOHN A. RICE MARIANNA MARTINES: A WOMAN COMPOSER IN THE VIENNA OF MOZART AND HAYDN Rochester: University of Rochester Press, 2010 pp. xvi + 299, isbn 978 1 58046 351 5PETER WOLLNY EIN FRMLICHER SEBASTIAN UND PHILIPP EMANUEL BACH-KULTUS: SARA LEVY UND IHR MUSIKALISCHES WIRKEN Wiesbaden: Breitkopf & Hrtel, 2010 pp. 145, isbn 978 3 7651 Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 326-329 doi: 10.1017/S1478570611000108, Published online by Cambridge University Press 25 Jul 2011 ANNETTE LANGRAF AND DAVID VICKERS, EDS THE CAMBRIDGE HANDEL ENCYCLOPEDIA Cambridge: Cambridge University Press, 2009 pp. xxi + 858, isbn 978 05 2188 192 0 Jonathan Keates Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 329-331 doi: 10.1017/S147857061100011X, Published online by Cambridge University Press 25 Jul 2011 DANUTA MIRKA METRIC MANIPULATIONS IN HAYDN AND MOZART: CHAMBER MUSIC FOR STRINGS, 17871791 New York: Oxford University Press, 2009 pp. xv + 332, isbn 978 0 19 538492 5 JUSTIN LONDON Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 331-334 doi: 10.1017/S1478570611000121, Published online by Cambridge University Press 25 Jul 2011

Cambridge University Press 2011.

EIGHTEENTH-CENTURY MUSIC, VOLUME 8 - ISSUE 02 ALBERTO JOS VIEIRA PACHECO CASTRATI E OUTROS VIRTUOSES: A PRTICA VOCAL CARIOCA SOB A INFLUNCIA DA CORTE DE D. JOO VI So Paulo: Annablume, 2009 pp. 354 + CD ROM, isbn 978 85 7419 933 7 Rogrio Budasz Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 334-337 doi: 10.1017/S1478570611000133, Published online by Cambridge University Press 25 Jul 2011 GIOVANNI BATTISTA PERGOLESI (17101736), ED. MARTIN HASELBCK STABAT MATER(WIENER VERSION) Stuttgart: Carus, 2009 pp. iv + 124 Jane Schatkin Hettrick Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 337-339 doi: 10.1017/S1478570611000145, Published online by Cambridge University Press 25 Jul 2011 LEONARDO VINCI (16901730), ED. GAETANO PITARRESI ORATORIO DI MARIA DOLORATA Bologna: Ut Orpheus, 2009 pp. xx + 152, ismn 979 0 2153 1611 9 Christine Jeanneret Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 339-341 doi: 10.1017/S1478570611000157, Published online by Cambridge University Press 25 Jul 2011 IGNAZ JOSEPH PLEYEL (17571831) SYMPHONIES CONCERTANTES, VIOLIN CONCERTO David Perry (violin), Isabella Lippi (violin), Victoria Chiang (viola), Baltimore Chamber Orchestra / Markand Thakar Naxos, 8.570320, 2009; one disc, 79 minutes Tony Gable Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 341-344 doi: 10.1017/S1478570611000170, Published online by Cambridge University Press 25 Jul 2011 GOTTFRIED HEINRICH STLZEL (16901749) TWO SERENATAS Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele / Telemannisches Collegium Michaelstein / Ludger Rmy cpo, 777 094-2, 2007; two discs, 103 minutes Amanda Babington Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 344-346 doi: 10.1017/S1478570611000182, Published online by Cambridge University Press 25 Jul 2011

GEORG PHILIPP TELEMANN (16811767) SUITES FOR STRINGS B'Rock Et'Cetera, KTC 4027, 2008; one disc, 50 minutes Steven Zohn Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 346-348 doi: 10.1017/S1478570611000194, Published online by Cambridge University Press 25 Jul 2011

MARK TATLOW (Operahgskolan i Stockholm) writes: Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 349-350 doi: 10.1017/S1478570611000200, Published online by Cambridge University Press 25 Jul 2011

BLINDING US WITH SCIENCE? MAN, MACHINE AND THE MASS IN B MINOR - CORRIGENDUM JOSHUA RIFKIN Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 351-351 doi: 10.1017/S1478570611000261, Published online by Cambridge University Press 25 Jul 2011

OLTRE LE NOTE: L'IMPROVVISAZIONE NELLA MUSICA OCCIDENTALE DAL SETTECENTO ALL'OTTOCENTO LA SPEZIA, 1517 JULY 2010 ROGRIO BUDASZ Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 352-356 doi: 10.1017/S1478570611000212, Published online by Cambridge University Press 25 Jul 2011 G. B. PERGOLESI, THE TRANSMISSION AND RECEPTION OF NEAPOLITAN MUSIC IN SAXONY AND BOHEMIA DRESDEN, 1214 NOVEMBER 2010 CLAUDIO BACCIAGALUPPI Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 356-358 doi: 10.1017/S1478570611000224, Published online by Cambridge University Press 25 Jul 2011 DEVOZIONE E PASSIONE: ALESSANDRO SCARLATTI NEL 350 ANNIVERSARIO DELLA NASCITA, A ROBERTO PAGANO PER I SUOI 80 ANNI NAPLES AND ROME, 1516 DECEMBER 2010 Angela Fiore Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 358-361 doi: 10.1017/S1478570611000236, Published online by Cambridge University Press 25 Jul 2011

Cambridge University Press 2011.

EIGHTEENTH-CENTURY MUSIC, VOLUME 8 - ISSUE 02 WHAT IS A CADENCE? THEORETICAL AND ANALYTICAL PERSPECTIVES ON CADENCES IN THE CLASSICAL REPERTOIRE ACADEMIA BELGICA, ROME, 1719 JANUARY 2011 DAVID SEARS Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 361-364 doi: 10.1017/S1478570611000248, Published online by Cambridge University Press 25 Jul 2011 KEYBOARD CULTURE IN EIGHTEENTH-CENTURY BERLIN AND THE GERMAN SENSE OF HISTORY CORNELL UNIVERSITY, 1013 MARCH 2011 Martin Kster Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp 364-366 doi: 10.1017/S147857061100025X, Published online by Cambridge University Press 25 Jul 2011

ECM volume 8 issue 2 Cover and Front matter Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp f1-f4 doi: 10.1017/S1478570611000017, Published online by Cambridge University Press 25 Jul 2011

ECM volume 8 issue 2 Cover and Back matter Eighteenth-Century Music, Volume 8, Issue 02, September 2011, pp b1-b6 doi: 10.1017/S1478570611000273, Published online by Cambridge University Press 25 Jul 2011

Cambridge University Press 2011.