ffi

T Tideo art irrstallarions have been featured in rnuseums V ona ealleries for manv years no\g but they are rarelv
given a chance to shine in their or'vn right. The Artists Cilema, part of the Frieze Art Fair held in Regent's Park, seeks to address this imbaiance by treating {ilm and video art $'ith the respect it deserves. This year The Artists Cinema, which was first showcased at last year's event, has been expanded to include five r,r'orks specially commissioned by Frieze Projects and LLTX - a non-profit organisation that promotes the art of the moving image. These works will be shown at two daily sittings. In addition to the commissioned rvorks, there are eight programmes of films, each compiled by artists or curators, grouped around specfic themes. These wi-ll include some peformance in the ci,nema, interacting with film work.

programmfs, the cr-rmmissioned r.vork and tl're perlbrmance *.ork. lly roie is to coordinate. I certainlv wouldn't claim authorship ol the project itsell
What is the motivation for the proiect? The idea is to exhibit this work to ils optimum standard. We are trying to move aw'ay from the u'avs in rvhich lilm and video are olten shown in t-he muser:m situation .where you walk into a room, have a look fitr a couple ol minutes and then lealn the room again' Instead, 'fhe

Artists Cinema really tries to instill the principles of cinema into the exhibition of the artists' r,vork' To achieve this, we have fixed start times and quite a dense schedule of programtnes every dal: Unlite in
most galler.v installatiotrs, the audience has to arrive

Ian \{rhite, co-ordinator ol -fhe Artists Cinema, used to curalc the LUX cinema when it was based on Hoxton Square. When that closed, he began curating the fi1m programme at the Whitechapel Art Gallery. He works on other lreelance projects too, mainly rvith artists who make films and videos, and also writes for arts magazines. Over co{Iee at the Barbican, he explained what The Artists Cinema is aiming to achieve.
MJ: What is The Ariist$ Cinema? I\,V: The whole idea behind the project is about using the cinema auditorium as an exhibition space. So the

((

for the start of the

programme, and rve don't generallv let latecomers iu alter the programme has siarted. Each plogramrne also runs for about an hour \{ie have tried to provide the best and most comfortable space possible for experiencing these particular r,r'orks^

))

How would you describe the programme this year? To characterise the programme in the broadest sense, each ol the curators was asked to focus on contemPorary lvork over historical work. While some chose to include historical aspects, the reason for doing so rvas reaily to articulate something about contemporary practice. So, would you describe the contemporary as a unitying theme for the project? \4Ie11, I suppose w'e r.vouldn't really characterise the project in that way. It is not a thematic project. It is just about shos.ing artists' $'ork. In fact, I ivould say that the dir''ersiw of the progranme is probabl,v one ol' its strengrhs. >

programme consists almost exclusively of fi1rn work made by artists, although there are one or two rvhich are ma1'be more documentary-based and iie in more
ambigprous territory.

What does your role as coordinator involve?

I rvork independentlv coordinating the invited

ffi
The Art of Film
cat:i
nr,eo
r-rl iirr:

iilrn in

scrni'-

it:slaticrr:ilsrr lrlcarlt tiri i.r.rirlclt

L,i

Lhr lllm. iri

r.r''ri siliil:rr rvar' t(; ebsllr('r 1-rairriirg.

So, a key feature of the praject is ihat the works are shown in their original format? \es. A mirscum rniqht tl:inslcr a i'.r.,i'L lo liclt:l fi-rr"nr::r and cxhibit a {llnr ori l)VI) lit'r:;rusc ii nris}rt lr,, rhr. casiest t.il most trcortr.;nric;rl rla! ol shou.inq a *orL. \\ic reallr, trv lii all times to shot rhe-' *.orLi in its irrtcnclecl lbrmat. r.r'hetl'rel th;rr is Supcr'-tl ur llintlt ,rl -l-his 35mm. is a leallt lliric:rl a-rpcct o{ rhc proj,:c{.: to t1'-\' to shou, evr:rv rr'or-k in thc {irnn:r1 t.h:tt tl'rr: flirle

nrakcr illter)di'd.
How were the a'1ists chosen lor the commissioned pieces? 1.l1 a sroup ol' Lrs. [i \v:1s n.rt an opell -qubmission pnlccss. In rnanr.. rvavs. lhc struarturc is cluitt inlorrnal. 'J'hr ttarD rcally r:orrsists ol Pollr' Staple. the clirector ol lticze Projcr:ts, Ben Clook. rhr clircrtol o1' LUX. and mvscll. \\'c also consultcd *'ith other colleasrrs at Friezc. llhis realll'shaped t'ho r'r'c n'anted to rvork u.itl-r. One of the impor'tirrt things fbr Lrricze Projccts is lcnrr to \r'ork rvith the same artisl &r'ici:. \\'hat r.r,as inli-,lning ortr choice rvas that rvc rvzurlccl lo lvork u..ith a ltro:rcl r:rnqrr of people, rvho n'ould come ['onr vr:n'ciillercnt placcs ald mavbt' understand cinema irr vclv ciillbrcrt u'ilvs.

'l'hcv r'r'erc t:hosrn

) ;
r
Abave: A still from Presto

Perfect Sound by Manon de Boer

ls there a blurring between what is art and what is cinema?

Or do you view the pieces solely as artistic pieces?

thev'rc all rvori;s ol art. But all ol this work can be sho*'n in a cincma" It is reall,v al.ror-rt hor,r'adr.untulous or -fher hort' an-rbitious a cinema proqlamrna:r chooses to be. project is absolr-rtclv about a kincl ol'cinema, it isjust !1ot about fcrturc lilms in Lhc stanclard cinrrna sense.
\,\'e11,

What's new this year?

After the Frieze Ad Fair has finrshed, aren't the commissioned pieces going to hope{ully be screened in independent cinemas before main features?

rc
irebre

The proeran:me has rlfectivr,'lv t:rp;urck:d this 1'r:a.r' to incorpor-atc lite perftrrrrauct' u,orks. *.lrich is ttmcrdouslr err:iting. Sntne r.rl thi: rvork

rtc ;rrc shorving is cxhibiteci so l;uehi it's quite nll c1'cnl. ,\ ltichald Sct'ra {lhr qr'' arc shorvine called {,oior ,\icl
hasrr'1

brer: shor.vn lbl

\?s. therc

ar-c fir-e comnrissionecl rvorks anci thr:r. bi: disrriilrted Jrv rhe

till

Inclcper-rdent (lincrna O1llce and the,v u.ill plav lcatr-rre films in cincmas across thc collnLr):

ricliculouslv lcing pr:rior1 ol'1inr. Thc Rir:h:r'cl Stn-a stuclio didn't er.eu know rvhere a print r'r.as ancl arc har-ing to rnake :,i nerv print li:rr
us

)9

to shorv

What are the project's antecedents? In :r sensc. the ;\rtists Clincrn;r is a modernist proiccr. It is abor-r{ a set ol ol)tinllun condiLions and it is re:rllv aboul shorving',vork in its intendccl lormal. J'his is another rnodcrnist lropc. il' vou likr- A cultnral l:istorv bchincl thal an artist-s' r:irri:ma might ilc is in sonre rvavs der"ivecl {i'orn projccts likc thc Lonclnn Filmnrakcrs Co-nyr. lt is also irr{irrmcd 1;1 stnrclLualist fiim-rlaking lhclc thc mlrtcrial

What are some of the challenges of ihe project? \'\e11, this ali tirkrs placc in a tent in a park. it is clLrite exlraordinar,v to he al:lc to br-rilcl a cinerna in thc fir's1 placc in this situation. let :rlonc to har,c all ol thr prcr.jt:ciion eguiptrt:nt ancl tc shon t:vcrvthirrq- io at r.rptimurn -l-he stalldarcl. It u-oi'kecl verv rr,rll last \r,::l'. pcr'lblmi'urct: lorks are a str)p ul-) in ternrs,if'cloine somrihinq- clel
n.rolr: aml;itir-,ris.

Do ihe performance works run at the same time as the films?

They irappen in the cirema. Thel'are incorporated inlcr the cinema programme. There is one project, raarking the 40th anniversary oi' the London Filmrnakers' Co-op. In this, two ol the originating artists, lfalcolm LeGrice anci Gill Eatherleyi rvill each make an expanded cinema per{ormance. N'Ialcolm is sherwing a lilm during rvhich a ligirt bulb is srvitched on and o{I' in the auditorium, so it bleaches out the screen and lights the room at random. Gill is shou'ing a piece cail,ed Alserture Szoeel '"vhere she sweeps the Iloor and the screur r.r.ith a broom. 'I'hat js anc of the programmes vou would see il vou w'ere to visit the cinema. 'Ihe climax ol the project is a perlbrmance b,v Stephan Dillemuth and the k2 Ar-rlbau Organisation, basecl in Nlunich. We don't really knorv rvhat they are doing,vet, but it is going to be spectacular. It is a piece ol'work they are developing specially lor this. It is an allsinging, alldancing finaie of some description! There lvill be a number of people performing in front of the screen and interacting.
So, the project is encouraging people 10 think about film, as a medium, in a different way? Eractll'. It is t4'ing to ask people to step out ol the way in rvhich they might ordinarily approach cinema and to consider a diflerent range of experiences. We are also republishing four text pieces by Yoko Ono from 1964 which are insh'uctions for fiLms. In some senses, they are imaginarl' films, which the audience receives instmctions fbr and constructs irr their own minds. The audience is also free to make the work rvhich they are instructed to make. Each dav of the Fair there rvi1l be a diflerent instmction piece. Part of our desire to republish them in this way rvas to open people's minds to alternatir''e way-s of approaching the work" Who should come? Every*one should come. There are some people who will actuaily know something about the material alread,v and then want to come and see it, but otherwise the audience is incredibiy broad. Certainlli the diversity of the programmes and the performances is such that it attracts a real cross-section. \,v"e n'ou1d like to encourage peopie to come specially lbr the cinema, so that the cinema itsell becomes a reason to r.isit the Fair. You pay to come into the Fair, tiren the cinema is {iee once 1'ou are ir-r.
The Artists Cinema runs at the Frieze Art Fair in Regent's Park on 12-1sth October. Color Aid by Richard Serra, part of the Film As Event programme, runs on Friday at 1.30pm and Saturday at 5pm" Malcolm LeGrice and Gill Easterley's pieces form the

Nothing ln Common programme, running on Friday at 5pm.

STILE:INBRIEF
trAI{ GE:I.{IT.S HOIYTO -CHQO S-E f TIE RIG.I{I IEAbIS --- EXP-ERT TIPS

FNOM\,iARfrTBONERE

RS

THEEXPF,RTS
LesleyTorson Coowner,Trilo{1r

CatherineWest
P

rivate stzoppi n g di rector, Matches

BrigitteComazzi
D es

ign d i reeto r, C o m ptok d es Cota n ni e rs

Lisa Butcher Design er, Long Tall Sa lly

NormaDavis
Head offashion, Shoon

Buyinganewpair ofjeans can be

a

minefield. Do I sacrifice sryle for

comfor*Wll thesejeans make me tookfat? Will I everfind apair that fits me properly? Thankfully, in Mary4ebone, there is aparticularly good selection ofjeans to be found in local shops. The followingshapeby-shape guide, featuring advice fi:om local retailers should haveyou findingyour perfect pair in no time.
Regular

Whattrmds an goingtobekE this season? Catherine West There are *ree styles that I really love this season. The boyfriend. jean from Current Elliot, relaxed and slouchy pale, distressed denim atAcne; and Made in Heavent high-waisted, narrowjean that flares at the knee - very Charliet Angels.

Lesley Torson The biggest trend this season is boyfriendjeans and

distressed washes. The boyfoiendjeans

come in manysryles,with the most popular being a roll upjean. This is fabulous for the summer with a pretty blouse or simple t*hirt and flat shoes. Thesejeans should be worn slouchy and are very comfortable to wear while lookingvery on trend. Many brands do great versions, but Scarlet {fom

RAVENisverypopular.
How
do yot
t.

clwose thc ranges

yut

stock?

There is no such thing as "normal", butifyou are aregularshape and can pretty much fit into anything, then thejeans world is your o;ater,
What dn yru adaise a rustomcr to lnokfn? Iesley Torson The most important thing is to find a flattering, well fitting pair that suits your body shape. You should also think about what lifesryle youwantyourjeans to suit- do you want an everyday pair with flat shoes or a smarter pair for wearing with heels? Footwear can be a determining factor. At Trilogywe give fiiendly advice from experts who make the whole experience much easier.

Catherine West At Matches we focus on diversity. Our range varies from on trend and directional denim to wardrobe staples. We always make sure each season we pick up a new denim label that there's been a great

buzzaboul
Comploirdes Colonnierc h.os its mtnrmxge ofjeans. W4ut arethis seasonl s$lzs? Brigitte Comazzi The Destroyj eans

in slimlineblack add a touch ofrock to an outFt, while the high-waisted Daire flatters female curves with a soft flare. H;per-trendy boyfitjeans such

Doyshould be worn oversized, rolled up atthe ankle andwith heels

as

forafeminine twist-

Tall

Up until quite recently, shopping forjeanswas a nightrnare fora tall rvoman. Many even had to resort to men'sjeansjust to get an inside leg longer than 32". Luckily, the bad old days are behind us. Long Thll Sally hasjustlaunched
a

new range ofjeans

designed bryrnodel and TVfashion guru Lisa Butcher. Tiilogy also srocks mnges with longer leg lengths. Hou would you
ad,aise a

tall womnn lo

f,nd hnperferrjeans? LisaButcher Check that the pockes are in the rightplace foryourshape. Don't go too tight or too bagg,v. Darkercolours will always be more flattering. When you tr7 onjeans look atyouruelf from everyangle and don't
forget to look at your torso as well, muffin tops are not a good look! The heightof the waistband is key. LesleyTorson We stocksome brands panicularly suited to such customers. Noti$do a36" leg as do Seven For

0L Scarlei bv RAVEU CA Bo)'iriend.ieans by Con]ptoir des Cotton ie

03 iOotingnide legjns
by Long Tall Saily 04 Cigarelte lgrieans J Brand
il:,,

AllMankind.
Mosl rangxfm tntlpeoltle jusl seern to
ad"d thc

Lisa Butcher That's why lang Thtl Sally is a specialist. We add to all the

bngth to the lcgs andforget that

nee ds to b e. lnngn

wery t hin g

measurements, makingjeans longer in the torso, fhe crotch etc, so the fit will alw4's be better.
As a tall lad,y younelf, what zoas ymr inspiration wlvn designing tlw range?

Lisa Butcher I design clothes that I would wear myself for any occasion and that I'm happy wearing.

I'm addicted ro skinnyjeans. It's important to look at the fabric, cut

and elasticity content, which is key to holding the shape.Jeans need to be com$ enough to wear all daylong.
Fetite Petite women don'turant to look

Curvy

Ladieswith real curves can find the hunt forjeans particularly t ytng.
WmS utould you

CatherineWestJ Brand's I-ove Story

is a

su.gatfor the canin

h.d,y ?

darkdenim flaredjean that

not

slamped bytheir.jeans, butit's often as simple asjust nrming up

the legs.

Wwt

styles suit petite zoonwnT is a

Lesley Torson A greatjean for a petite

woman

mid-rise, straight leg with

flats, ora greatflarejean with wedges to really elongate the legrs.J Brand's Love Story has become a classic and
suits mostbodyshapes. Cadrerine West A slim leggedj ean

likeJ Brand cigarette leg

is

perfect.

balances the hips. If)'ou're pear shaped, the raised waist extends the leg and the high pockets make the bottom look perky. I live in mine. Ncrma Davis NYDJ Tummy Ti_rck leans are high-waisted, very comfortable to wear and flatter all shapes.They lift your bunocks and hold your rumm)' in, which usually means you need to go down at least one size. You witl feel and look slimmer in seconds.They come in a wide range of sryles: bontcui, straight, skinny, flared leg and crop.

sTb{tK

B:AGOFBEYOND
_caT:HRI?{_Wf LLS,THE_CREAT_tra"E_D IRE-CTORO-F AU-STBAI-IAI{ACCE-S-S-ORIE,S--B-RAND:MIMC:Q.-ON D-E SI-G-,I{ A.ND tr LVE S $.{SP_I RATIO,N.

P.W

What uas your inspimtinz for this season\ collcction and h,ou did it comc allout?

It all started with the thought of Iceland -the vast expanses ofwhite, the water creatures, polar bears and native tribes.We thoughtabout
vikings, and this prompted thoughts of hear,yknots, engravings, metal studding, laser etching, wooden

the world. They meet to share their stories of inspiration and style, as all sisters do, in the sparkle of dawn. Phew...then we started designing
Has openingstmesin tfu Whad, any impart myow appraarhtn dcsign?

Wh.o are you de signing for? Any woman who lores the experience we offer. We've found over the years thatwe appeal to a broad cross section of ages. Mothers and

From

purely creative standpoing

daughters often shop together at Mimco and we love that there is a certain democracy in this approach.
By embracing all women, and focusing on self expression, it makes the desigrr process flow freely. With a handbag, is practicality as importa,nt as sfyle?

and cast metal components. At Mimco, however, we like to have a diverse point ofview, so alongwith snowcapped mountains, came the thought ofgreen pastures and old English manors. Crystals, pearls, tweed, felt, handknits and intricate chains. To tie the tr+'o together we referred to some ancient history borrowed from the Icelanders, who believe in the Hudulfolk- the hidden people. Fairies and elves. This was absolute goldto us. Ourmuseswould
be two sisters - one from the icy tundra and one from the shambolic manorhouse on the otherside of

no. We believe that trends and style moods happen on an international Ievel andwe have always needed to be alvare ofwhat ourwomarl wants, wherever she lives. From a colour and material perspective, yes. We have had to take into accountthe seasonal

differences - Australian winters are nota patch onyours! Hau daa the Australian charactrt of the hbelcora through? There's a sense of fun and a relaxed mood. We hope to convey, a feeling of light heartedness in the products we design and the campaigns we put together.

Absolutely. We think about strap versatility, pocket placement and whatthese pocketswill be usedfor,

leather choice and colour

whether the bagcan be wornwith

a multitude of outfis, thusgaining value and longevity.

- and

What uoukl ytu ad,uise custorners to

uhm lruying a handbag inaestmcntpiece?

lnok for

a.s a,n

jj
Opening in the UK means we haae to take into account the seasonal dffirences -,4ustralian winters are not a patch on jours
LINKS
Mimco
7a M a rylebo n e Hrgih Street

Find something thatyou lor.e, and that suits you - don't follow rends slavishly. This wayyou will continue
to love itinyears t0 come.
Somt

and laborious process which relies on

having

a smorgasbord of materials and components to playwith.

afymn

picces are quite embellished.

Veryimportant. Wefocus on the

price architecture every season,

ls it imltartant to offer a god, Nfice spread?

How woukl you integrate an embeilished

'Weworkon ablend ofdetailed and simple bags-aimingto always offer somettring for everyone, or rnore importantly, something for every facet of a woman's personality. The
detailed or embellished pieces are strongerwhen worn with a simple look

piece into

anoutft?

ensuringwe offervalue to our customer with every purchase - be it a hair comb or a leather handbag. We always want her walking out of our store feeling she got a beautifully designed object at a fair price.
What utn we expect fm ruxt seaxm? A bit of old school nostalgia mixed with the sharpness ofan earlyg0s aesthetic.

- boyfriendjeans, classic shrunken

Lrlazer and

ankle boots for example.

Hats, fcscinators, hair accasoria and jewellny are now important eleynents ofyom range. Is the design process aery
'\A/e

Tailored shapes are important, while elements of luxejervellery take

influence from a speakeasy mood. As always we've played with a bevy of
materials - textured sheep, buffalo, goat and cow leafhers, crystals, pearls, chains, turquoise, red coral, rvood,
acetate, acrylic.

o2a74869778
mimco.com.au

physically make all of the racing andjewellery samples in our Melbourne head office. It's a tactile

diJferant fm tlww items than for bags

ST\.LE:INBRIEF
lpurclrEn's:_L:oo_K_M_o_D_E:LANn_p-RES_Er{TERLTsA i FUTCHER TAL_KS To__LorJrs:e uCru:NZTE ABOU T

l_D_:ES*rGN,_FI_EIG_HTAN_D_HI,RcLAMoRouSMuM /---------------.. I --- -- -- - --

Model and style expertLisa Butcher

has lent her expertise to designing
a

something different and I'm alwap up for a challenge. I have never

new collection for Long Tall Sally

ideal for providing tall women with chic, comforuble, well-fitting separates, tailored to their needs.

designed clothes before and

I decided that I'd lora to give it a try especially after my experiences on WhatNotTolVear.
Creating chthingfm tall people is mwe just add.ing inrlus n tfu kS lr"gth. What kq points d,o yu lune in rnind when designing for nllwomen? Ijust designed clothes that I would
conplicated, than

collection I went to a lot of "tall" sections in shops and found that they
dojust add some length to the leg. That's not really good enough. They fail to consider that our torsos might be longer too! That is where Long Tall Sally are really good. They have considered everything.
An1
sp ecif c

Lisa started her modelling career teenager, winning Elle's Face of 1987 competition on her l5th birthday. Shebecame one ofthe UK's
as a

most successful models, working with fashion industrygreats such as

inspiratinw

Igotveryinspired bysome of the

clothes my mother used to wear. My

photographer Norrnan Parkinson, whose images ofher helped launch

her career. She worked with everyone

from Yves Saint Laurent to Max

Factor and graced the covers of countless magazines. Since then, Lisa has become known as a style
expertand telwision presenter. After hosting the first series of Britain's NextTop Model, she andhergood friend Mica Paris took the reins of BBC's What Not To Wear from Trinny and Susanna, providing style advice forwomen across the country. Already the face (and very tall frame) of the brand, Lisa has brought her own personal style to her new collection at Long Tall Sally - her first experience ofdesign.
How did,youwrneto d,esign this collcction

wear myself, and, importantly, things that l felt were missing fiom my wardrobe. Researching this

mother was very glamorous when she was younger- in fact she still is. She inspired a ferv ofthe dresses. In the collection there is a bold floral print maxi-dress. It is basically a copy of one thatshe hadwhenshewas 18. She had it hand-made when she was in Indonesia. The Long Tall Sally dress is a differentmaterial, butitis exactly the same shape. When designing th6 collection, I went through photos and sarv the dress and thought that I would
love to recreate it.
Was il impofiantJbryou to include a uarie$ ofpieces - m.axi-dresses, shirts,
uesls, jackets,

yans- inyw

collec-tion?

Yes.

Being six foot, none of my dresses are ever long enough. Everything ends up atyour ankles, or worse, your calves. Ijlrst wanted
to finallyhave a proper length. It is

forLongThllSally? When I first came on board as the face of LongTall Sally, the company asked me in what capaciq.. I rvanted to be involved rvith them. I did my
research and met the whole team. I really love who they have as their designers. Their head designer, Deborah, is fantastic. Ijust thought to myself, "If I am going to pur my name to something, Imightaswell go the rvhole hogwith it." I love rrying

LINKS
LongTallSally

2L2SChiltemStreet 0207487 3370

Iongtallsally.com

the same with the sleeves of a.iacket. Youjust get a bit bored with things not being the right length. I also looked at what were going to be the key pieces for the season. One of the things I wanted rvas a lovely fitted jeanjacket-rvith the sleeves the right length of course. So, I designed that. AII my vests were too short as well. I wanted to design some vests which fit the way they are meant to fit.

Da you

haw afanurite piecc?

is

Everything I have designed is somethingl'dlike towear. There

:1ii::i

an eastern inspired green dress- the

Nirvana maxi-dress - with lots

ofbells and embellishmenl There is a gypsyfeel to itand I love the colour.

Are thne any items which are particularly Jl attning fm' t all u omzn?

Really wide-legged trousers.

They can't really be worn by smaller women. You have to be tall. It's the

with tlrrn-ups. That's why I wanted to put those in as well.

same
ttVh.hh col.cus

and,fnints

woft

particulw$ ttell on tall womm? Colouris all down to skin tone and so has nothing to do with height. With prints, ifyou are taller, you can wearlarger prints. That'swhyI did
the dresswith the massiveflowers, inspired by my mother. One of the things I have noticed u'ith tall women is that, because of theirheight, they alreadystand outso much, so there is a tendency to want to dress in a waywhich doesn't draw any extra attention. I thought, let'sjrut celebrate whatwe have.You can'tchange it. I wanted to use patterns and fabrics which would flatter the taller shape. Hmt
on has

your career in fashion impaetcd

style?

Certainly going into TVhas impacted on mypersonal sryle. From the age of 15, I rvas in the fortunate position to be dressed by a lot ofdesigners. Back athome, however, Iwas completely scruffy. Doing TV, I realised that if I am going out and telling other people what they should wear, I should do
what I am advising myself,

lmn perconal

Wfuitis abasix staple uttfitinwhich a wonutn cannotgounong?

tall

Agood fitting pair ofjeans-no

question. Once you find a sryle which suitsyou, stick to it. There is nothing

Also, a goodjackelYou can dress up or dor,r'n. You can't go wrong!

than a poorly fitting pair ofjeans particularly if they are too short. w,orse

it

STYf-H

ffinffihrru
After years af ie.ui,ng around the axxl,d f,or magazin,e, ad,vertisi'ng nrul rrcusk aideo slwats as #rc golrt hy,i1s$ligtfor tlze foshi*n srd ercttrtain'wter# iwhstries' biggest na,m.es, J*:mns Byawn h,ns ret:erctly laicl dmun roots - t$;e,ning lr.is ftrst eaer saton, $n. tlw r,orizEr af Manlievitte Place
13\'

i.or

tsA l.{( :KENZIF:

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aB::OUTD_ESICil{,.MATERIALS_:A}{DII.{SHRATTOT.{

@E_1S__CHILD_RE._1$S_WrannntqLr_E_RS

Marylebone is lucky to have a great selection of childrenswear retailers. Whetheryou are looking for something smart or something casual, something practical or something pretty for your bundle ofjoy, you are sure to find it here. We asked some of the local retailers to share their thoughts and advice.
Design

account. To develop our designs we scour vintage markets and look at old knitwear patterns which rve adapt to suit our sryle. We are a^ssisted in this byan amazingladyin Scotland who helps create our children's and
trabies' handknit designs. Wh.ue d.oes your inspiration come from for dc s rgning chi ldrm's clntlw s ? Rachel Riley I love the craft of making clothes, so anything that is hand-made inspires me.We have designed several of our prints this season, and those are all screen printed, like the cherryor the cor-al print. I love hand smocking and other hand-made details such as elastic ruching and embroideries to match the prints. There is also a retro feel, so a lot of the design insprration
is

Materials

mitteru, hats and booties in I|lhal makes msh'trwre ,"prri*fb go otl for child,rm and b alti,e s ? Victoria Stapleton Cashmere makes awonderful soft and, yes, a luxurious
You prod.uce cashmere.

start to a baby's life. It is especially gentle on delicate skin. Not only is

cashmere soft,

butitis also incredibly

Rachel Riley There is a naivety in children's clothes that is so refreshing. It's fun ro use timeless prints and embroideries,just as it's lovely to share classic books with your

Are thne any paflicular points to bear in rnind, when deigning fm childrm?

light and warm, making it perfect trabies and children alike.

Are there any rnaterfuk whichwot* tnrticuJar$ well fm children\ clothu ? Rachel RileyThere is a high thread

foi

count cotton that I love for plains

and that I have used for a base cloth for the prints too. I always like to use fabric that is machine washable and thatimproves afterwear, so that you can hand itdown to siblings, and it still looks great! I have also discovered yarns that I love to knit with. We have cotton/bamboo cardigans thatfeel divine, and cotton cashmere that is machine washable on thewoolprogramme.
Multi-brandshops
You sou.rce arange the world^ What
chaose

children. Also, children's clothes

need to be comfortable for running around in and having fun, so they need to look good and be easy

ffom homemade children's clothes

40s and 50s.

ofthe

toweartoo. Brigitte Comazzi Two signifi cant

aspects to keep in mind are comfort and easycleaning. Are tlvre ary tlarxicukn challmga whzn d.ai,gning knituear

THEEXPERTS
Rachel Riley Owner and designer, Rachel Riley Brigitte Comazzi Design directon Amptot des Cotanniers Victoria Stapleton Owner and creative director Brora
Prune Allain des Beauvais
Com munications Director;

Victoria Stapleton

for

rhild,ren

\,Ve

know that

children love to wear cosy, colourful and comfortable clothing and we

ofbrandsfrun around,

designwith thisin mind. Myown children both inspire and model

Brora's designs and make the best critics of our new styles and colours. lf they are particularly keen ro wear a specific sample, this will often turn out to be one of ourbestsellers, so I tend to take their opinion into

you laok fm whm abrandtostoch?

d.o

yu

Bonpaint

Luella Bitelli When sourcing

new brands, the most

Luella Bitelli
Buyer, Blossom Motherand Child Erica Loi CocoMarylebone

important

is stfe and comfortcombined. We source the

thing for Blossom

tlest collections from around the world ensuring they can be worn as a complete look or mixed and

CHILDREN'SMENU

and shor-t corduroyjumpsuits. For

reminder of Funny Face, flannel andwool are blended together with tea rose velvet.
a sweet

Brigitte ComazziThe pieces I paticularlylike are: the Dulie dress in cotton, I love the romantic spirit shirtwith the Dolvnerskirl
Best-sellers

of the embroidery and the Doleon T:

So cute!

l\4mt are

What exac'tly do ue look for in Morylcbane? the best-wlling items?

PruneAllain des Beauvais Three months ago Bonpointlaunched the newversion of Eau de Bonpoint, created byAnnick Goutal (the sister of Marie France Cohen, the founder

ofBonpoint)- Eau de Bonpoint

%
Bonpoint

EricaloiI

matched for individual stfe. try to find brandswhich

well but man- made fitrres are not as easy to sell due to a baby's

are innovative and differ-ent, but at the same time child-Iike and

delicate skin.
Trends

remains the house's signature fragrance, made with bitter orange, essence of petitgrain and bergamot. There is the Eau de Senteur for babies and the Eau de toilette for children. It is accompanied by the latest addition to the product line: ascented candle. The line's nelv packagingis simple and eleganr. The bottle containing the preciorx fragrance is delicatelyswathed in a cotton handkerchief adorned with
Bonpoint's emblematic cherry, It has been afavourite ofmothers and their children for more than 20 years! Victoria Stapleton For children, our stripy hoodies are afirm favourite everyseason.We have had so many customers rdrite to us to say that their child wont even take them off for bedtime. Our babies' blankets, bonnets andbooties are in particular snapped up by adoring grannies, aunts, godparents andfriends as the perfectgiftfor the newaddition to the famiiy. Of course, theyarealso bought try mothers - who are mostly also our customers themselves. EricaLoiArange of brands are very

comfortable. I *rinkitis imporrant to look at the quality of the brand as well as its designs. French brands
tend to sellveryr,r'ell because

oftheir

highly established quality knorryn around the world.

Are there any
to be

diffnwrtfatnrs whbh haae takm into accountwhen seleAing clothcs for babies, cts opposed to clntlus

Wh&t d0 jou think are tfu bigat trend; in child.rmnteor this season ? Luella Bitelli The biggest trend for children this season is definitely stripes and floral prins for both baby

fmtnd.d,lers?

Luella Bitelli For newborns, comfort is imperative and for toddlers, we

boyandgirl. Prr neAllain des Beauvais This winter Bonpoint takes its influence from films and cinema. There are
several themes: scholarly fashion, reinterpreting Ttre Graduate, where
navy, red and khaki mix and match

look for dothes wh ich are expressive in style and functionality. Erica Loi With baby clothes, comfort is the crucial element. Buttons down the back of a baby-gro, fior example, are not popular with most of our customers as theycause discomfort to the baby's back. Also fabrics are veryimporlanl all natural fibres sell

with belted check trench coats, reefer-jackets with crests, mini kilts
with brass buttons oreven lowsuede boots; cowboy chic with a sheepskin cardigan and cowboyboots; What's NewPussy Cat? tunics with Indian embroidery mix with bell-bottoms

popular, from DKNYand Burberry

to Sarah Louise and Ikks. We are also verywell knslyn for our alphabet caterpillar soft toys, which disappear off our shelves after five minutes of receiving a new delivery!

\tatvhrlrcNrc lus rlne cf { lre

Irt xr reltrr;rres ir u.el i llter:

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ior design shi-rps

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so it's b<"t{cr to h:ur a snvrllcls<xne r=tsl' eJrairs. The sa-r'ing

fess

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fhotrr the filncrional u) thc {:!{:{:a(let1{. \'\'c clun rvittrr * xrt* of 'Hal:'lcbonc',c r-etaik:rs. to fincl r,rr.rt llir.>re.

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Prexs & puofic

en#geffient, Di]/eftimefiti

slgrr,rtnre rrultcri:rl.r- Our {inirberi irr blach- grct,ituci rr'hie are srill grring str err-lg. bt-rt tr.e l&*'e rcecnfh. inturdlrcecl rlt'rt ri, x x I f i rr isl rtr likc nicr ;rllic golcl,

sihcrorhlonzc.
\I't*tt
ate

rlicps lirrxrtir-t f kxiriil{nnd p*iirrr, irrrel Skrnelilrril .gt{-}ck$ s$}}}c gt'tl,rf l.r,it1\r..igrers, {.igtuing is ai,* i r,ir+l. Manr' 1)si 4)k, f r-ri f( ) { igh t eaerh r:r.rrrrnr'if h

llaria Bald*naSartori C*faunder, firtigia

Arfi6nd6 M6rg6fi
C,a

llp

big

tr*ilt ir caokzwte?

u nvy rn a n agier,

&ptyqrre

Samantha Faf e.rrilon'labk:t ":rr:c., a r lrl iil li"cwr pnxlucts efri uell clrnirrg tirc ri{il}}rlic r: fiilk'lfffl })i' pi'{:fr l.irrg ar ret a ur nralin g e.e1ui;lr r i:erif il r tlrc antu rn lr. f

(hire

t*$knlrcr'[y"rx.r is

iuq

clir.cr${i lls

our

HCIME.AMATR*q

mucll thc

bq.:{tr:r"

Sarnantha Faferson Olu- lir u'crs ha nrl pick tlre prcxhrcr-s f,i'orsl fi?idt: slxrrvs and strppliers, scul'eirr g t ni<1itr:. lulrul clce oraterl picc{-s f K}nLrxciusitc
r

l',rrl r:j.rean pott!"'$r{:s ar rd r-:crarrricirts.

ir Jrrceirret is in rlecr:tnd rrt'll rkr orrr best to acqurire it frll- our crL$t{)ri1rri, 1:lr{{. il abi<ie hvir rigerrnus tc*titrg

If

prrrccr-lule t ha t crrsr n-es

-.r

I prr xltr<

t,s

ral.n tlicir plafer (xl

nrrr"s[rc*lt'<lr.

j:,
i:: i: 1i

!a

FEU Elr Bors

Rocrn fragrance
gJ

-,

f{at dtytttt

rrc$e

rcom.fittgrcmre-l
tr'trr:

Ilaria Balduino Sartnri

krrik iu-

s{ei1ls anil plarrts irnclSerrotrs to Sieitrr'. :rnclfrsrm tlrose *e dr"r'rl+rir the srerrl.l w'ltich arr rrlr.is{.e*rcatire ancl fiagr:tnt-

Aruanda Morgan l] iptlqile'r f l'aErancc r:cperton'is:rn *cle t(i lr:rtru? ilnrt lirlc inEr-erlir::rx-s.
Seemi*gh' ri*i;rlr:, tllev arc irr r calitv a v:phistir:aterl re-lnl'erttir"ilr of ira(rut.
E:rctr {izgr;trx:c exprerses a ffiolrreitt ()t ;r pli{(ei a f it'ld in Prrrtencr"lrt

r'-)ri

Li;ir iii,

stil'nlltef, itra}'ltl ercrtiugat hrftneo it gar{irli ce;rerc"l rt'ilX.l nlofi } irlg {[err. !|lu$ uw tke higtttui{s i.rt x*tn.f tngwnre? Amancla b{organ S'c scc {reltLs,ah i { r

pr{}drr.t r?rlge: orl l!'eeki]{}Ltld "$r ii rrish oil klp {='ooki!'atr lx'iurds ike Altr{ llartanr15K,[.i" dle nexi,*,tekon
f

Isabelle Kamneiao {.}r-:r 5{an{e}vrne

sho6r l ms
]

lrcn

a sutcc.-ss

rvith i ntcril;r

silieo'ne pic Itr n rte'lsl ls thtre q r&Tr.t {/r {r,{rr,irl/t { p*x[urt yu* jbe{

r{esiglrerx, tl'[r*r vi,si[ rxrr"xtrcrB J{-{rttt irig f br n err' ide.as" {J u r t'cdesiqqt:rj nrur:hrlar

tliiltI

Sarnantha Paterson Tl-re {rtrtrble egfl ceidrller is bcing reinrt"trrlucecl

ittIrrt.,l lm'l,l'

rulit coXlrrtirirr fin tlre lN:elruirn atrd tlw lixurrgr h*re lrcn;r gt:at riLrecrljs, as has our r:alrgc.r-rf occirsiern;* I ft"rn rritutc-,..
$electingstock Ilrxe dt y*u dttttu u*k'h ilcttts ttt stark?

:rf'ter :r cor:sie{rr"ablt" i:rr-icd cf'treiug rtnar';rilable. Thr* cf'fl:r' a rrurltiturle *('r:r:x.rking ancl serl i*l{- lx;ssihilities"
Best-sellers

llie se-;L* rrx glrlrttEe. .\s rte nlctl iriti ' rno!e !1trti-lr1lmal we;rt-['iq:r. the.re is arr ine:rsasc in mcre lrornell', e:rxuiiirljnsf xenrs like olxilxmerx, *rlltal. fbu elc txilsarul parchrruli. Anl rf tlrese itn]itliiii firng:rsfie tc ccnrbine rvit"h a f lcral*s:cnr !ikr: rurse rx iasmirx: fix";*t iildr.tlgcrrt, ceirnf irrl-ing f r:gratrcc. Hoitr ttxtulrl wu, ruft,i.sr q rtt.siuucr !o stied
;L.i

Itr;ftutrtrisr *fr*s;!fixtru,l

ll'ltir*

fnzxl'w ls dr? lixwing

p(rtintlnrb
I

Ffagnus Ensiuad T hings rcitlt irtritt u ls r tl r: r[r'cr,t;tlt'rl t t't lrt tricr

Magnns Englund A rr.tutrlrcr o{' *tings arc lakell iilL{.} ;rfe{-}r!nt: g*rel dr:sign; a rnanl rir.rf urirrg r;ualitr' rv'hieir l:cllecr.s Skaudilun * e{hor; a re:;r*ona}ric price in ietraricn t<i the eluali&, - retailel's r.:alr llrv lcLs of cheap things macle t r r r<lel' dr rl riorti t'irctttt t-;tat tc.'s i t r
la r a

tc{}E!. -f t {igftr}r ($ ? Arnanda Morgan A scerrt inf lrrerrces the arurospllel'e acc{}rcling to {he experiencr: erf earhindivietrual. \{e "srrggest eliffcrcnt fiirg]:i{nces i{}r

sliflbl'rnt mx;llls - f()r

crlur

rsarnl?trc, l clrr

chcosc: polnanelcr fr;r-th+: kife:hcrr or- lar,en<ler firr the lx:clrrx-rrtt. Ilarira Balduino Sartori Ther-e :rr-r:
1ri;tl1i"1i''d\is f+ chrxrse. Sottre 1:r"cfi"i" to clrlNrsc l-ry lllr;rtd, or ix'.xtil:n. r:r' {jvcnt" &)u}e litr<r: t$ ciralrgc ftagiarree: Sx'{[re r'<rorn, <>tlrers iike to uss: a pai:r;e:ular s(rlt thft luglv*rt . l,te like tr-r *grc;rk fo tlre irrdivirtrtrat r:rr,ierlr:Iter to nrake rlw r'igtrt c [xrir:e"

;rnd text ite elo{}r st(.}l}pet's rvi{.[r e:lt1s on. lra.nrJ eiu'l'q.{ ro,c;rrelrn bir-d$ trndl r]lr;rlk1:$ - thel'ie ;rll ren poptti;rr. Samanrha Fnterxon b{arr{eh<xre I figh Sm"eer is an epicrrreart eirieentlr, eci

;rrrat Jrl;rt

r.'s.

llt it it t otr t r ir'ru

r.hrrt

d$($n't rllakc:i prnclrrt bef-teri

ll'

ricl

;-x'cfbssir:'lr*l

qru*itt errokfit
lv'{.,I1

e axtd

l';rilge cmrker"s alre'rr,'$ etr.r

thcie,

ulcrkx'nr, ek:rign. If r-lree"e's also a se rrse of'lunlrxrr irt the.: prerdtr:ts" illen so

prcrlrrer that i"s irtter"estirtg;rnrl ple*ing t<l lock at artcl wtrich reflecrrs 'ttx xtr'r rt ist lt,rf Ih<' t't lror of itrll

"sf1;I-

Chrxssirtg sktsses, wh.t{.fr,er it lx for th.e.t'ir.ut t*ne nr {,h.e 2}rrl, ti'me , crm, be frau,ght u.rith, rlil{tr:u.{.ty. I:{rw "slmll I g"rt nhout rlwo.sittgT 14'hnt rc]l,ltirslrils nle ls*st? I)oe.s t,hat frrtrne sltape wl(lke rn( k]ok gekJ? Do tr ,n{}.}he lil{c'nt to looft, ge{h5'/ Slwm.lr} [ rJunse c,n &xf]tn.silw t'rarne _r,rs {rrl,inafft*wtn{. {.}r' slt*'*kl I thange fr'{itnsi ftt{irc _f}eque'ntly? Tb guide you througlt thc ktltyrirtth of di/feren.t {rantes and lpns t'hri*,s, iot, {rskn{ IIr ,\tephr,n f {r$skins{}n tt /tar"{:ntr $t lhs rrbzu?ttd, &Lr.urtt'}sa,n,e optirinn:i fLo{yx Pope Pnrtnsrs - lb, his rtduire.

ti

\\httl
,tt,ttl,l

rtrr yrtttr ttn ltirt r.t rtf tuli'ir'r

,1',tu

gi," ltt \ttttt, rtltt ittlttt It4\ !(t ,ttt ttl

\\i:
(

ussr'ss t'lreI tIrt:r rrle{} ol.,ti{ :rIIl frrrrrr I}:rt' 11it'r. {iir lc:anrl Ilx.n 1\'c

*lttt*,s far lli.r frt:l !itur'l

r-r'l:n lrt:ii ri r: {iil:il iiditrsillrt:1rt. T-lier' rrlrs{ ;il\{} li'< l culrli* t:rlrlt"rvith tlre inli!r irlu:rl "-lrx,k"'- ilriit tltt' {l".unlr

ti(l(.r\(ll il lr!ilrrfil IIl(

isiclt
r':.!ti(

itt lt rr.r lrtri,

( rlr

i. \\'.;llr,r l.tlc

it{ \p( { {;ili(rl\

irt{,r

)ir f hi: c l ir: rr{'s I i fi'st i lt:. trtt'r.;a-rrlir r-q fiirnrer e hcic'r'- 1s{r !rl?-guet ll,rtrrt stt lr': to:rri{ tlrlil lirr r'*lr;rlrr'.

1f latlics lturl, l.rus hrit it is;r ctxx.l irlt,:;r lilr-thctn 1o ('()nl(: irl nt:;rrittg t I rri r- I rair t ir:r,l lxu:L I'r'i ri rr t l rr,: {iu:r,'-

uivt'. 51;et t;rr:li's oti f iie" l;ii'r' itrii,Lr';r \l.tl{.!iu |]t ;il r, i.liii. ;t i i1'r itr r1 rr t.iri,,rr [i] :ul1!]rie Iookirrg tll ll]a' t\i:;!l'{'r'. T'i rt" clitr ri r rrlrsl ri*tit'r'si ;rnrl t h is$urlrt:tiltrr's i{ r!rlr ert'ctill r irr(9.:( i{1(.d i{. ru;* }x:;rrr irtel;iirr. liit:rn to lx ingiri .r i t ititr, I rr lr,, !-t r{ }ti\ i lrr'il I r.r rr,rr,rlit,,
:in11

r-ipticlrs, fi-;rrnr-"s {1rai i*'d' trxr ol t{x} }it-{t('pl1 1r}lgl{:{l ;ll {' rrrrstrital:lc :rs t[]ri!' ( r(iaf{r 1'r'r-1 {hi( k ;rttr i t tltrigl lt lr {c'trr, t. .\1s,,. r :rr i l, rt .r :rrrri lriii x;ri lt.trsq.* ltlq.rl .r tirirrtrrrrrrrr tle;;tf l of ii:nlte t{r il.r,tt N}(.in{.t {}{ il}{l rt'i,i{li!rg 1rtlr-titrrt is l't:rrrrlt tle l.
litr-'sr.

l:rr'ge

!.s

ii

fx'.st f rt

fillcit; lutlti,;rt ir,llct! il ttntt'.."

It't rt\t'ittt'ttt rtr to sfit/t !o.satttt,lliiitg r'lrtt.tir

1i*i:r,tr'lr.
1.1:l;t't

II
ir
rtf lttr.tt't

r's]u

i)u

lrtlrti*
,f

iir'irt!i'irltnl

It ir irnportarlt Llrlt tllt t.licrit li'r'ls ..)1ttl()r't:rl)l{r lr,itlr t ltt fi-;irire fit

lcgi r.'li:r*at'to io[]rxr. lrich f ?rs]liorr li;trnts

I{ rrrrt r.t:'rnt to kr.'t.1r r{}tr}-sl}(.{'Ilr('l{ts

1r'lrr!rr:s rxt tli.rl irasis, t ir is llfri1-i(ir's :t q(x r{1

iikt' llr r ]t:rrtg{: r'lrrrf

llfu

lcr- il'l.trstc lrrrli' friglr

ft,rtt, r,2t ltl f,,n t,1

firr

a 1t'rv 1rii1.r's.

fl]('n

:r.

l'l:rssir'f'r'arrre

A FERFE{I'T- SPF:C

I}{II,P:

irc rnt;]'r srritabir:. 5o rcalh,it i-r n i trd ir:idr lal ii r xl fi n:r nc i:il cleE: isior l. Brr{ l.$i}ilteir:}- f i-arrtr,: r,ort chs;r.rsc. thr: rrl{}st i n l [,xjr tilnl ;r:ilx:C i iS 1r; eet t hc
r.'urltrld
a

clesign rnrist sr.lit:.iJllc firr rtrrir' a.e:t' rhape. This is r,,1tt're tlrc ar"tr ice
f

six'ct;re lrr. d.k;r]&rct l{:irssuiubilill is "1lv,rtr'trx rrrl:rtrl {,r[\lx]( ialirt J:rr trrr' gllt:h as f e;rr tltralin';rnr.i rr-rrrre;il sur{-:rc:c intt'gl'in'. f'his elrtr r.xtlrIrt ;rrrr':rt.rl Ilr lrri r4rfit il.rrr 1ir i,rr'
l,
I

r.t

}}lf:i( t l,.rrr tl i;rl lit.

t

,r{ ;r 11 ralii it r I rIiil rer r:irru l;.r{ ir

i.s

r;r

inr':rhral;lc.
t"tftr.t of liw

I rrl'

It is:i cr>urrn*r r. lreliclrlrat rori shorrlel

ll'fvrl
trljc

i it'

r .,; I t r t t r kl,r*o t r t I u t t t y -*

t t r

r gk ttst's

nrs

tttz:

ntrtrtr{ly li';rr*c.
-

t Il.rttgr'\(,ilt

ql;!rlr\rrlrh

rrltr-il rilllt

popttUrt (

Irart tto

s1;t:r:iiir:

*;;oprrlar''
Ii

Strrnr,' ;rcople: 1;r'rf i:t' a nrit

rr

r;il ist
s

ligtrnteight rirnlcss strJc. ()rhet

pre:;r, r i1.;'ticnr r h -.t nEes. I lorrt:'r1,:iu,l rr-ri. :rs t'\l lt'r'it't lr,.r I r ri)l ir i.rr!\. r!f: sctr 11{)I i} :i1it,"c'ti}r lcs. rre a:u} 3f..(.. rlc t.ctrir':r'a I i*r r r I ler lsr.s ai rd h'a lr ie::i
r.

Irre tar-a r.noi"e deline:c[ airrl lrc-';lvier' look. Tlir: t[rin.ti- is tllat-:tltlr*trgit f.ashit xr rtr-r* i irr'r' ita trlr rlar ir 1.rart,
1

long beJole rirc c:lient realiss,:s ii. l-r,'nser l:r:r*rt lc rl:l l lagerl- ilr elr
r

rr,itIr scratclr-r'esicl:trIi. acat

itig . fi*t.

e\ei-vonr-" ls ari
rve,

il

rrlir irlrr;rl. hcrrcc

It:tlt.'to ratcr'{irt er.crv rtt'r:el.

st:r:riching br rilrls r 11; otr tirt: r,'c-rrt r r .rf"iht: lrng. l-]ris wilI af'{ir."t I iEuatr

Itr'futt a*: lhe hig twrtis i.tt r1'nt,r,r.tr? Rcl t r r rlt'sigr r\ ulx or rr irr,l :rI pr (iscrlt - firarnes str'[t'rl f lcrrr r lrc 1{Ji0s arie I {i(is.-l-hese ilre (l:rssii:rbut rr.illr a tr{ist" Soine ar.t: lrt'aqr .rl rr I rrt.rr [(' li urrr vil rr :r,rtl ]r r .!ur r r t {l

ili'

acriiti: Fl'iirrt* r':,1tt 1lc<.r.rtirr: <1ir't-r'agtrl ttirtuttr tl irrrr iikt '1r,,t... I lr,.rr ilir.r
t
e I * r r igr: t I *..ir' sltr:x.'s tlut lr t.heii' sire:r'urrJrs a rtrl il:t sPtr{.1;1{lcs ?ir'c {}r} ttitfi'fitcr. ;lttcl g:rr.n'itlc a fir'st inrprcs-.ir;n lrix:n r'oir rnccl (iLilet'E.
ir

bleak

;ttt lrct, lill{ lr !{l L'.ltrei l.rrlilr. Il

rg. Itr'r.4rie

lr r<r'n-' r ifi.l'r-l

a{'etaies. T'lrt.:rr f l}t'r'e lirc ritrrl{ iLlnrinaied plu*iir'* trhe re sereral

cr.rlrittt's *re lar'cr cri (.]11 t(]fJ oi. t:ar.'lr rxtrer ro eii'r: ain:ru,ine, liglrr le'f lcctinl4<lualif ics- \'!'itlr rnettl fl'lr1rcs. nr\r rttgLar-in gs rr'l:i(kr rr.eillg r herrrir,al rir- las*r' let:ltrt!r1rrcs ottel lan{aslic rlc'signs. lt is llrelie rretu rncth<icls {}f clrsign. a.lrrell:i:i rctt"o. rr:lrich rrc rvill

i( (

llroosing spc(' !.;r{r1* {i;l r::lr i lt{r'r.rr islr l;rt rIl()t.'( tri{11 rhl. r't1rt'ri, rirr. n{,\r lIr;rn il r';r. ilr rlrr.lr.t:1. (,,rlrt. :rr{ th(' dar s *f }xring };FlS fi-arnrs. Kirl: rrcertr t{} br aitl';1.lcci ir; rire'il:
spr' (
f t

l|:haf a*tukl yrttt ttrttnrnctttl if .\!/tit/'()ttr ft*s frt i liurltr glrt.t.trs fi*'ll*ir r ltilti /

:r l{'r

{)l'iil tll(.lirirrrr'.

ii('lct a lifl

i1(i!.

rr' i I

I ir'rr.rk fr;r'

llrtttr qbou! *ltrnur.fiitr:.t lrt glri.s,tc.t? ,\* lrnse.r fot r',tto)r*it? {-lortL:rr.'t lt'rrsfs hilr't: (-ornc ir iorrg r.r,ar 'r si r-lcr: tlrel f r .,it bcrn r rr e ava ilalrl e'. Nur'

.x)|tItd

r-arnrs tlxrt :rre rr x11f611'11lilc" lli:-c!hlr.. !;rtr'{.}nq. I iu}rtrgc'i gl lt. e'r ilcr r rf i tl a r t<i flln. 11 e h avc ;r dr.'rl ir-':rrcr{ c hi klrcrr"s

f(!t 5lt( r'r'r:lrtl rrc.l. (.('t {.tilt 1;r eu,r'iJrti*ns rrirlv :i{ilI firrt rhcir visiort trre ttrr i.r ith spr:ct:rr:k:s tIralr irillr r,rrrl;rr f lcrrrr'o- I llrirr';r:rfir.lrfs r\:itir liigll :rltigrllitf.isr11 or rr,i{lr pr csl :r.r 4 ri;,r, rtl lc l'<:c.1 r.r i rt ll r'r'J{i i r g llr('\( r illti,rtr trr rrt ll.r.rIi:[.rrrr r.. rr;rr iirrrl tlr:rt;rltlr,,rrglr { {}rtl.i( I l-,,r.r, a,,
}

cr' }:r:il.et' eonr {i rrt a lrrl itrqlrrr.e-tl herltlr Jix'the e*:, I lcl':crei', pati(:tu c{ }ri rlil ia r rr r rri{ I r irf'tt:rr:a r-r arr{i }}1'Ei{rn6, is sli}tr irnpt:rutirt: mat t:r iir ls
erf
f

:tti';l lriri( ll ttr.tkt'sr lrt,t'ritl{ ][)(1 f;lr lt's;rrr rrrj, 'r.rlrlr'r.llx.t 'flrcucltrr
als<r
11t

iq.rrr r'.

cllrxise tlrcii' {-rit'n r,';},s{"s. sllfrrtii cor<ls ;ir lrl clclilI i rrtr l'kratrs.
i\-cl1 :ic srrngl.irts{,,s

arr{l t!}l}r-is

slJc{ftrckr" lii.: e:ul q:rr"it tl-r slXrclarlrs

firl'b;rlrir:r-

g,{N{is
Rcger Pope & Partners 4l- f,'lew Caven{Jish Street 82A 7935 23"24 ftJEie{pape.ca.uk

accotrt nt orlaf.r: t}'rc,se

f

p i es{:

r' i

hrriirc ]l()l ll:in:rllv

j,ir u i{
{

s "

ar; sttr-'cersf

trl;rs

ST\.LE:INBRTAF
is a tirne af vetrr tv*ten rnar4't){"us thin\ eitlrer conseiorasb, or subeonsciotsh'" atrotrt nesring. The nights

The rvinter
qfi:arc

in and the claw get colcler and rve thiuk aborrt snrrggtring up athorne arxl forgettingatrorrt the rr.or{d erul.side. Whaf be*ea"way" to nest than to chansc se.rrne a$peef*s of srrr horne enr,irotlffierlt-e. lnterior desigrr and harne furnishings lrane nel.er been rrtnne poprrlar irr the LTK tlran at t&e monncnt. The Conran Shop ft n ber:n a fixtr"tn: <tn Maryleirone
is one of aran__v the UKand is a treasur troi offurniturr" ht-rmcwares a*d gifts. Palll.Xlickens is the eornpan,v's creati.r'e directcrr and is respcnsiblc fi;r pieking the eornueopia cf goociies - fi-om the late$t nerv products ter familiar moclern classics-t'hich $/e sce in store. F{aving started he r career in the [-ibcr*'gruduate rr-aining corlrse, lrith a focrls sn textiles" Poll,s socll knert ttrat she nantect to be a bu,ver in home fhnrrisiricgs. Slre began atT"hc Conrau Shop as the s*lo trruver lepar-ting rcr Priseilla fartucci*, then the lruying directo4lxltrre taking a 1 0 yerr de.trxrr rhrorrgh Ffonscon Hrrnre, Armani easa.WcN;lwrlrdts, Cra,te & Banel, Litrertcand Anthrcp<*ogie. Her career has notrn cern.e full circle and she has r"etrlrncd to hen naots atThc Cr:nr**n Shop. Ferlly's rr:le is dil'erse an<ll,erybuq', bur{.she has raken ihe ticne tc allow u-qasneakpeek intqr the wqrrldafan

High Streersince r:pcnirrg in thc I990s. It

*ro Cicnran Shctp;

irn

in

fluentiai tastern"rker.

CREATTVE DIRtrCTOR

LETSIJSSHINEALIGHT

l17a$ rlas yotu' wile rEtt*r, dat **lst? TIre abilitr,'tr,' gcncratr ir"lr,tx, to make c{ereri.sicr'ns anel to 6inc[ solrrticrrs,
J

is alrrans

ror;nr {irr itre txre-off,

rlt"

tofalir nncxpected atrcl [hc n'haekl'. ll'fwl

ulw * w
rtrli:ire &t you trcr'e f'rrr rusfrj$tl,tt rks ig"tt *t g/*,rk'sigrt i tr g rt wttra ?

rr,ork a(:trrss all visrurl areas of the

bilsincss

buvirrg, el.irykn; graphies,

arhertising, strx-e lar.nrrt - and I r:.ccri to lrc aF:le tojurnp irrcnrallyti'on'r (in{j f{i, [.lre of]ter: Tial'elling ls alvr arr irrlplrrtant parl cif t tre iob - [ re'gnlarh t.rar,el trr lrulia" Srruilr A{i'iea arrel Erlrrrpe eirher elerelcping prrxlrrcls cn butilrgvirrmge pieetx ftrr rhe slr*;rs.
i{rws lt: slodt? \t irfr :t f-initu spri{(i to filland:r. targer rr rrnrtrer rif' pr<.id[rr(:ts, rr r reeci frr lrnlc a rigorerr"w piaeesc of'selee(ir.'n.
r:ftrnse

Finr-[ <xre

thirrg trr fircr.* on arxi [a

lrui lcl l.ortr rrr<;in ;uxrutel- Th is calr [:* a r"int:rue rag. aspcial sc{a cra bearrtiftrl luirr-or. Don't bc :tfi-airl to nrir thing:s np in r,eilrr orvli ruiiqrre rvar'. A lcit {rt rl'hat is slxci:ll atzutrt'I'h,e {i-lnr:an Slmp is d're r*-av *.e pr-tt pr oclrrr:ts togtlxer

- &l'rxa.rrlpie,
[{trrt rlo )gu

a vinf:rge f;rr"nrhorlse tabie rvit-h ckrssic c<llf-ern;xx ary ehairr

runel a state,me:,lt

perldanI Iighr:.

You'Il find frxrrc instliration the {er{rnni{s gatlrerry at the VA Maseurn tlzan in c,II tfu tre,nd rel]$rts pttt togtther

in

tt
r-rf

Thls bcgins in eli*::ussierns lt'ilh tlrc

nrerehandising teaur &r ferc:rn errr
gulx; iar the range. Pr"txllre{saf Llrer} sr iut'ecel or devetrrtpeel :ttrorcling 'Itrev *re drr.:n rericrt'ccl tqr this.

ir

l'bu ]mzv.lti.yf hprtt lc n lurgr ttu.de.fitir Pais" t)rtx yau gii.*: tts nn. idac of ra$
t t ft rcd u I
"1

t.xr: i t i r t g

ot t sl trst.tert

*f

I fu

in sctct:al

sf.rgd:s"

ilx:lucling beine

agrproreel l:r' fr:r<:rtcc, befirr<. {11{i1'

arc o{ficiaXli'irtchtrlccl in tlle rangc. dotott kxli fi;r! tcam, it.G ilrtporlirrri tlra{ *e arr trrassiona.tc abotl{ ltre proelrrct. T'lre rtreeisi<xt to irrcllrele $or1ietllil1g is r.err'tr:lacli artd rr,irite - thcrc are 11{ } !{r r-v n leas - Fl'e a r e krt:ki lrg firr
17"ltat

,L* a

z#tirh tpptt'ilf s* ht'l'lw Conicx Slut{;? l1k'-rcr."c soru cing pr'<rlucts *rr-orrr {)r*rkrr"rr I.irirrg eollcctiau lbr surnrnel' 2fll() a*ei ;+e *runei ple ntv t-r{'exciring pnx*-rcts acr<xs mlauy eif rx-u" kev d{prt}:{'rilent$. The r:otrl.ertirin n'ill lx eallc'd Out irr the FrestrrAiranel is:rfxlat r."elaxr:d lir,fu tgcr{d(xl"'s. ur*iilg a lof o(' lurfural nrue rialsrvlricb zuc pr:retical, ra{l h r lir,t' rnitlr, :utrl lnespcnsivr".
A.

Ja i r

I he rrr:rr cclaruics p1:rl lerv ilt t he \i&A hfr.rsetrrn than ill all the trenel lcpol''rs

plrl itlgetlier. {}cvrc lvtat nn *a[f tnx*.frnn*riki'

pnri.urt orikw?

shciving h"rs been par:t ril tlic rangc ferr :rs Long :ts I eltn rcrncmbcr.
Etrrr.r

It

is a

rr'onderflil. spari:rl piece

favrrlrrifr rrert' pr-oelucr of rnirrc Lbrsrrrnnrerslrop;ring arr,l tra:el is a

<rf trzrg*

rr:[cetirxr

rnacle irr (
;rue

]arnkrlia
rie'.

$trlr-rlgc in an intc:r"t:*tirrg finish *'hieh r,loes n*[ eiatc. It iras;rlrvtrs be-'crl a persorutl fat,<lrrite. !s it iut{xtr trtnl tu

ieteas

th:it

tgcrt{i

11

ilhilr

r-itrr

dcsigll

fi'*rrn reer.e:lerl fish f?rod saeks Ix'

1r{JrlK:n'si g!"lJup*
rr

cthos: {:{)r1t{rn}x.rra rr; sr"uli"s}r. ecnerti<: ;rr:r;'tlruts of excc:li*lt qtrirlilv at a rr'irle r"anger cif priee poiurt*. {hre cif tite ,rr'onrier-filtr thirrgs ;rbrclrt The Con rarr 51rr4r is th:rt rr-e can rsrallr,srln aninost rilrl thirlg" f,r"niir a Hi-fi burrr$'{.o a r';llLrge Frcriclr floristk uibie .

- r}rer,

quirkl, *'cli

ixje* q sttsr

of h.u tnr:ut

r:t<Ic,,

crxr-frieliril-s a rul

q ldt<-. r:e"ccnt

itut lvnnt'
l''es

elesigtt?
u.:r1. tXr ings

ll'ilh sa maur rirlli,wrtt fiv{y{u{:ts {rtt o{fir". Tur mtts[. f*nw lrt keep ertni:t things iti rnitrd. iyt r*rfer us ktr:p tltt tu.,:le:e *fwtpnl"
tl'lat t
cri trrkr

Itrh*t etr tht ttpraninglrunds ir.fi.tr"triiu* *rtd,liuuislting? Ther:e isa nervfr:cl in tt-,ulter upherlsrerr-. ti{}ffi tlrc rilsualrrerx of tire extcFnal :ic'ailr rietail r:n errtr n'tlr. F krr;n sofa fo fhr: r::xtrarirdinalT brtftfi.litlft

jrrx*rpascd. for example.

br tl"le

are rnixcd or b1' prltti ng

ulr.expecteel pieees sicle trv side,

"(r'wen" issuet $r? Ltet'T itttfx;ttnn! lo m{:at} to}isttrtvss. {ax yan.su.ggest auy e&k;sira [ & Iiirrxttl frrxfu ats?

karltcr of !Irc ltfassinra ii,itcrril fr.'nl

Pedrlelr:r Frau. Also,:rn rmructr;rt u.$e $f' ruaterirds *,lricjr p*sh txxrndaricsi, strcl'l asTixn Dixem'.s e:rs[ ir*n s:iramfifiecl, siEts: ta*:[c*, lhe Shaprcllnlrrg rrhk, lg'ith ilssnrflx;ard in.spir:eci top, al'tlxc 1,'i r-trrn'i:i rr glr,r$ rableri"

d*-?lr*

rr.s,r,

li'e tleiulealxrut. dre charzrcter oi'*reir

di ffi.:rcrrt cleBar{rreeut arxl *,hat ruc .il1 f r'\'illg to r)!icr the rrrst{}rrrer irl r aelms of s{rJci, iria.tc:ri?r1aftcl f*ne titrrr. ll'e also thittk ab*:rrtt r:ur pric<: arcllitec'nue- rrrak i;rg stur: ttr:rfir.lrat

!l:e Xr;ne a gl cwin riurge of,lramboo prexlucls r:racte iil \.'ietnam. Bamb<x; is stnstailrabtre, fast grrnvingernrt t${.} per cent bi$-desracllhi*. A[-sr.i, rhe Srcnhlr I.ight ftam *trr \{ell C<msxcleied a ans{: is nrade f,run reeralerl g{vorerp_l'1ene witlr n e-rt k'el priu'Lagfurg,

, ne lrixe cxl

all tr*."r,els. {}ln'inr-rsly. rie alrt'x's reqitire rr.ell<i{'!br eerrtrri

dcsignerl pniek x:t tliru r{'fer"s

vaXr

le

i ftrr

r*on:er'. As r.lell as illl this" the,rt:

fr it lnllet toJill'ntt ln'tttls ttt ltt slit l: to zttitrt{ ytu {ike? [,o<lk :lf. elcrvdt ing alrcl t.herr ele; r'ourr' orvn crjit. Tre:*rds :rlre oftelr rx'el"l'atr:d - r.errr w.ill finetr nlore irrs;riration irr

piut l hi#l}iglrt De*igrr C};rssics. Alrv of'these ard great ilnst-tllrnf pieces - fi"illrr t-}rc Sa;rrinen elini ug
\\'lwl utnthl
st{:}lre we
be a

grctrt

'ruzttstnu,nt

ln

tahle to the B;u"eeJoila etlair.