Documente Academic
Documente Profesional
Documente Cultură
wear it tonight!
50+
dazzling
designs
Presented by Beadwork magazine
create your
ownearring
wardrobe
great wire jewelry made simple
best
TOOLS,
expert
TIPS
&
easy
TECHNIQUES
easywiremagazine.com
SPECIAL ISSUE
Exclusive Projects
EZWS-081000-001:EW_C1_2008 spclty 9/16/08 5:14 PM Page c1
EZWS-081000-002:Layout 1 9/12/08 5:08 PM Page 2
EZWS-081000-003:Layout 1 9/16/08 10:42 AM Page 3
contents
GET WI RED
page 6
CONTRI BUTORS
page 8
MUST-HAVE
WI REWORKI NG TOOLS
page 12
25 USEFUL TI PS FOR
THE WI RE J EWELRY
ARTIST
page 14
WI RE BASICS FOR
SUCCESS
page 16
30 EARRI NG DESIGNS
page 46
GALLERY OF GREAT
WI RE PROJ ECTS
page 90
RESOURCES
page 94
Departments
EZWS-081000-CONTENTS:EW-4_5-TOC 9/8/08 10:28 AM Page 4
&
LEARN AS YOU CREATE!
Weve pulled together the most common
wireworkingtechniquesjewelry makers
use and ordered themso that you can start
simpleandprogresstomore involvedskills.
The technique sections begin with
instructions and illustrations and are
followed by four projects you can make using
your newlyacquiredskill. We hope our
wireworking lessons will helpyou learnand
perfect newskills so that you can expand your
jewelry-making repertoire.
J UMP RI NGS
19 HOW-TO
20 Ceramic Circles
21 Copper Ring Necklace
22 The Right Angle
24 Spectra Bracelet
26 Spectra Earrings
SI MPLE LOOPS
28 HOW-TO
30 Simply Stones Necklace
31 Cool Waters Bracelet
32 Joyful Blue Earrings
33 Keith Raku Bracelet
WRAPPED LOOPS
36 HOW-TO
38 Sarahs Necklace
39 Calla Lilies
40 Unlocked Romance
Bracelet
42 Elishas Corals
COI LS
50 HOW-TO
51 Ancient Finds
52 Coiled Pearl Necklace
54 Imagine Bracelet
55 Wrapped Wire Drop
Pendant
SPI RALS
56 HOW-TO
58 Spiral Link Bracelet
60 Cascading Spirals Pendant
61 Spirals
3
Earrings
62 Raku Waves
TEXTURE
66 HOW-TO
68 Copper Dog Bone Bracelet
70 Textured S-Link Bracelet
MIXED TECHNIQUES
74 Having A Ball
76 Pacifying Pendants
78 Culture Cuff
79 Double Loop Earrings
80 Coiled Rainbow Necklace
82 River Stones Necklace
84 Vineyard Coils Bracelet
85 Peridot Chandelier Earrings
86 Suspend-A-Bead Pendant
88 Spiraled Hoop Earrings
89 Paisley Earrings
Cool Waters Bracelet, see page 31 for instructions.
Techniques Projects
EZWS-081000-CONTENTS:EW-4_5-TOC 9/15/08 5:48 PM Page 5
6
It wasnt all that long ago that I began making jewelry with wire. Id been beading
for years, and then I went to metals school and got a jewelers bench certificate.
So, I had a pretty broad knowledge of jewelry making. But when they told me we
would start a magazine on making jewelry solely from wire, I thought, hmmm, Id
better study up on that! So heres the good news: its easy! Truly, it is way easier
than it looks.
What I love about wire jewelry is the heft and substance of it. Its like metalsmithing,
but so accessible and so ultimately doable. With a few tools that you may already
own, a spool of wire, and some favorite beads, you can whip up a bracelet or ear-
rings in an hour, or even less. And theres an array of wire choices. You can pick up
craft wire, plated wire, and colored wire in your local craft store, and steel and
copper wire in the hardware store. Sterling and gold-filled wire are available from
lots of online jewelry suppliers.
As with most crafts, eventually you can fill a room with tools and materials for
your hobby, but initially, all you need are five simple tools, which are detailed for
you on page 10. And dont let the wire gauges intimidate you. Check out Wire
Basics on page 12 its everything you need to know about buying wire.
Then when youre ready to dive in, weve defined six of the most popular wire tech-
niques and broken them down into easy-to-follow steps, followed by inspired
jewelry designs using what youve just learned.
Theres no doubt in my mind that you will be swept up in the delight of working
with wire. So, when youre itching for more, Step by Step Wire Jewelry magazine is
published five times a year and is filled with more jewelry-making inspiration! Enjoy!
Denise Peck
Editor-in-Chief
dpeck@interweave.com
Looking for more jewelry-making inspiration?
Check out the following Interweave Press publications:
Step by Step Wire Jewelry is published five times a year and is packed with detailed
and illustrated how-to projects. This magazine is for wire jewelry makers of all levels.
Inside each issue are articles by expert and well-known authors showing readers how
to make attractive, inexpensive, and creative wire jewelry using tools, wire, stones, find-
ings, beads, gems, jigs, pearls and more. For more information about Step by Step Wire
Jewelry, visit stepbystepwire.com.
Wire Style a new book by Denise Peck, editor-in-chief of Step by Step Wire Jewelry, is
a collection of 50 contemporary, stylish, and wearable designs from top designers. Tech-
niques are explained in detail, including wire wrapping, weaving, coiling, chain making,
hammering, texturing, and oxidizing. Learn how to wire-wrap found objects, make chain
maille, create spirals, and make jump rings, earwires, and clasps. Order your copy now
at interweave.com.
Easy Wire Really!
get wired
EDITORIAL
EDITOR-IN-CHIEF Denise Peck
ASSISTANT EDITOR Sara E. Graham
COPY EDITOR Liz McGehee
PUBLISHING
PUBLISHER David Pyle
ADVERTISING MEDIA SALES DIRECTOR
Marilyn C. Koponen
ADVERTISING MANAGER Karen H. Nuckols
ADVERTISING MANAGER Kate Wiggins
CLASSIFIED ADVERTISING Kelli Garcia
AD TRAFFICKERS Becky Asmussen, Teresa Warren
MARKETING & PROMOTIONS
MARKETING SERVICES MANAGER Michele P. Erazo
MARKETING MANAGER Leigh Trotter
ART & PRODUCTION
DESIGN Robin Hayes
PRODUCTION MANAGER Scott Tobin
WEB BUSINESS DEVELOPMENT MANAGER
Tricia Gdowik
PHOTOGRAPHY Jim Lawson
Designs in this issue of Easy Wire are for inspiration and per-
sonal use only. Easy Wire does not recommend, approve, or
endorse any of the advertisers, products, services, or views
advertised in Easy Wire. Nor does Easy Wire evaluate the
advertisers claims in any way. You should, therefore, use
your own judgment in evaluating the advertisers, products,
services, and views advertised in Easy Wire. Exact repro-
duction for commercial purposes is contrary to the spirit of
good craftsmanship.
For advertising information, call Marilyn C. Koponen at (877)
613-4613, e-mail marilynk@interweave.com.
For sales information, call (800) 272-2193, e-mail
sales@interweave.com. Visit the Interweave Press website
at interweave.com.
For editorial inquiries, call (970) 669-7672, e-mail
beadwork@interweave.com.
Beadwork (ISSN 1528-5634) is published bimonthly by Interweave
Press LLC, 201 E. Fourth St., Loveland, CO 80537-5655. (970) 669-
7672. USPS #018-351. Periodicals postage paid at Loveland, CO
80538, and additional mailing offices. All contents of this issue of
Beadwork are copyrighted by Interweave Press LLC, 2007. All rights
reserved. Reproduction in whole or in part is prohibited, except by
permission of the publisher. Subscription rate is $29.95/one year
in the U.S., $34.95/one year (U.S. funds) in Canada and $39.95
(U.S. funds) in other countries (surface delivery). Printed in the
U.S.A. POSTMASTER: Please send address changes to Beadwork,
PO Box 469105, Escondido, CA 92046-9107.
Visit our website
beadworkmagazine.com.
EZWS-081000-EDITORIAL:EW-6_7-editorial-masthead 9/15/08 7:11 PM Page 6
7
e
a
s
y
w
i
r
e
FOUNDER, CREATIVE DIRECTOR Linda Ligon
CEO Clay B. Hall
PRESIDENT Marilyn Murphy
CFO Troy Wells
VP, E MEDIA Eric Shanfelt
VP, SALES AND MARKETING Stephen Koenig
VP, CONSUMER MARKETING Bob Kaslik
VP, PRODUCTION Trish Faubion
VP, TECHNOLOGY T.J. Harty
VP, DIVISION PUBLISHER ART & JEWELRY GROUP
David Pyle
BOOKS
PUBLISHER Stephen Koenig
EDITORIAL DIRECTOR Tricia Waddell
ART DIRECTOR Pamela Norman
For questions regarding our book program,
call (970) 669-7672
MondayFriday, 8:00 a.m.5:00 p.m., MST
or e-mail books@interweave.com
MAGAZINES
FI BER GROUP
Cloth Paper Scissors Fiberarts
Handwoven Interweave Knits
PieceWork Quilting Arts
SpinOff
ART & JEWELRY GROUP
American Artist Beadwork
Colored Stone Drawing
Jewelry Artist
Step by Step Beads
Step by Step Wire Jewelry
Stringing Workshop Watercolor
Interweave Press LLC
201 East Fourth Street
Loveland, Colorado 80537
(970) 669-7672
Visit our website
interweave.com.
INDEPENDENT PUBLISHERS SINCE 1975
Inspiring, encouraging, and supporting
creative self-expression through craft media.
An Aspire Media company
201 East Fourth Street Loveland, Colorado 80537-5655
(800) 272-2193
Shipping is $4.95 for the first book, $1.00 for each additional book
7IRE3TYLE
o Unique !ewelry Designs
Denise Peck
From the editor of Step by Step
Wire Jewelry magazine. Wire Style
is a collection of fty contempo-
rary, stylish, and absolutely wear-
able designs. The book will begin
with a chapter on wire jewelry
tools and basic techniques and
then feature 50 captivating and
never before published wire
jewelry projects with complete
materials lists and written
instructions.
Wire Style has something for
wireworkers of every skill level, budget,
and personal style. Basic wireworking skills are explained and illustrated
with step-by-step photography, and each project provides a new opportunity to
coin, weave, loop, hammer, and wrap stunning one-of-a-kind jewelry.
Paperbound, 8/z x o/q, zo pages
o phoIographs, charIs
lS8N g)8--g668-o)o-8
5g.g
./7!6!),!",%/2$%24/$!9
50 Chic Designs
for You to Make
Find us online at
interweavebooks.com
EZWS-081000-EDITORIAL:EW-6_7-editorial-masthead 9/16/08 10:47 AM Page 7
JANE DICKERSONis managing editor of Step by Step
Beads and editor of Creative Jewelry. She is also a
contributing editor of Step by Step Wire Jewelry.
8
LORI ANDERSONstarted beading as a way for a
stay-at-home mom to express her creativity, amidst
diapers and the Teletubbies. With a diverse work
background that includes the Air Force, marketing
and sales, and a degree in Biology from the Univer-
sity of Virginia, Lori has found her niche in the artisan
jewelry world.
contributors
DANIELLE FOXis the editor of Stringing and the
author of the new book Simply Modern Jewelry (Inter-
weave, 2008). She lives near Boulder, Colo., where
she enjoys running, biking, and hiking.
MELINDA BARTA is managing editor of Beadwork
and Stringing. She is the author of Hip to Stitch: 20
Contemporary Projects Embellished with Thread (Inter-
weave, 2005) and the new multimedia jewelry book
Custom Cool Jewelry: Create 200+ Personalized Pen-
dants, Charms, and Clasps (Interweave, September
2008).
KERRYBOGERTis alampworkbeadartist andjewelry
designer. Sheis alsoaformer graphicdesigner turned
stay-at-homeMomof threewildandwoolykids.
Knownfor her diversestyle, Kerrys designs range
fromsleek, simplecreations, toover-the-topplayful
pieces that grabattention. Tofindout moreabout her
uniquebeads andjewelry, visit kabsconcepts.comor
sendanemail tokerry@kabsconcepts.com.
JODI L. BOMBARDIER is a self-taught jewelry
designer, who discovered wire wrapping about 3
years ago, and knew that she had found her niche.
Her jewelry is currently sold in stores in Arizona and
Utah. Please visit her Web site at Jewels-By-
Jules.com for more designs, and her blog at
Online-Wire-Wrapping-Instructions.com for helpful
hints and tips, free and low-cost tutorials. E-mail
Jodi@Jewels-By-Jules.com.
MARIA DAO was born in Caracas, Venezuela, and
lives in Australia. She is inspired by the colors and
landscapes of her adopted country. She runs a small
business of made-to-order designs for special occa-
sions, and professional pearl restringing for jewelry
stores. See more designs at northcoastbead
makers.com, or e-mail her at mdsigns@aapt.net.au.
SARA E. GRAHAMis assistant editor of Step by Step
Wire Jewelry, Easy Wire, and Jewelry Artist. She
creates for her Lovestruck Jewelry line in her spare
time, when shes not indulging in music and creative
writing. Her work has been featured in Step by Step
Wire Jewelry, Creative Jewelry, and on Beading Daily.
See more designs at myspace.com/lovestruckjewelry
or starshiner7272.etsy.com.
KAREN KEEGANhas been creating custom jewelry
for five years through her business, Karen Keegan
Designs, and has been a decorative painter for more
than 15 years. Currently, she is the event manager for
Bead Fest.
DENISE PECK is editor-in-chief of Step by Step Wire
Jewelry and Easy Wire, and senior editor for Jewelry
Artist. Her first book with Interweave, Wire Style was
released in August 2008, and she is working on her
second book, 100 Wire Earrings. An editor by trade
and a jeweler at heart, she is a metalsmith with a
bench jewelers certificate from Studio Jewelers, Ltd.
in New York City, and makes and sells her own
jewelry when she can find the time.
JEAN POWER is a beading and jewelry designer and
writer, who lives in London, England. When not
teaching, writing, or beading, shes the editor of the
United Kingdoms only beading magazine, Bead.
ELIZABETH MURRAYis assistant editor of Beadwork
and Stringing, and remembers spending every penny
she saved as a child on beads. While shes not playing
on her softball team the Flat Tires, shes stringing,
stitching, and wire working.
LESLIE ROGALSKI is editor-in-chief of Step by Step
Beads and Creative Jewelry. She has been an artist and
writer (among other things) all her life.
JANICE BERKEBILE has always been attracted to the
fanciful rather than the practical. A native of the
Pacific Northwest, she is inspired by the organic
forms found in nature, Japanese motifs, textiles tech-
niques, and the sinuous lines found in the Art
Nouveau movement. Her focus is sculptural wirework
combined with mixed media. She has partnered with
Tracy Stanley to form Wired Arts, wiredarts.net.
EZWS-081000-CONTRIBUTORS:EW-8-contributors 9/8/08 10:31 AM Page 8
9
e
a
s
y
w
i
r
e
EZWS-081000-009:1 9/15/08 12:02 PM Page 9
Aso sponsored by:
8ue Moon 8eads Art Cay Word USA, |nc. kIngs & 1hIngs I8ead.com
....
c...|., ..|. .. ...| ||. . .. ..
1he sensaIional P8S 1elevision series |usI Ior
8eading and !ewelry Making
WiIh hosI KaIina lorIe
Sponsored by
lnIerweave 8ead Group
!oin us Ior
Iabulous design ideas hoI Irends valuable Iips Ior beginners & pros
and Ihe laIesI in Iechnology.
visiI beadsbaublesand|ewels.com Ior every pro|ecI Irom Ihe show
WaIch Ior special co-hosI appearances by Marlene 8lessing, LdiIor-in-chieI oI 8eadwork,
and Leslie kogalski, LdiIor-in-chieI oI SIep by SIep 8eads.
8eads, 8aubles and !ewels airs naIionally on P8SI
SupporI your local sIaIion by becoming a memberI
Relp bring Ihis series Io your communiIy.
Call, wriIe or email your requesI Io Ihe program manager aI your local P8S sIaIion.
1o I ind ouI how, or Ior Iimes in your area visiI us on Ihe web aI beadsbaublesand|ewels.com
EZWS-081000-010:Layout 1 9/16/08 11:12 AM Page 10
11
e
a
s
y
w
i
r
e
For those who like to dig for treasure
15 Main St. Freeport, Maine 4500 sq. ft.
and denitely worth the trip!
1.877.92.BEADS
We offer Free Shipping at: BeadinPath.com
Use EWIRE1 coupon for $5 off your order!
See site for details.
Dig in our store!
or Dig online!
EZWS-081000-011:1 9/15/08 12:27 PM Page 11
Wire or flush cutters, as their name suggests, have sharp edges
that cut beading wire and gauged wire straight and evenly, leaving
few or no burrs.
Both chain and flat nose pliers have smooth jaws that are used
to grip and create bends in metal wire, hold wire, or open and
close jump rings. Flat nose pliers are excellent for creating sharp
bends in wire. Chain nose pliers are better for reaching into
small spaces because their jaws have a smooth, rounded outer
surface and are more tapered than those of flat nose pliers.
Round nose pliers have smooth, conical jaws that are used to
make loops with metal wire. Both short and long nose round
nose pliers are available, but the short nose variety are preferred
by most beaders because they offer more leverage for starting
wire spirals, making small loops, etc.
Chasing hammers have a large, smooth face on one end for flat-
tening wire and metal, and a smaller, round, ball-peen end for
creating texture. Its called a chasing hammer because it is also
used for striking chasing toolstools that make marks in sheet
metal. Hammering also serves to harden wire, making it more
durable. Use hammers with bench blocks: smooth, flat blocks of
polished solid steel.
Nylon jaw pliers straighten wire and make it easier to work with.
Use them with colored copper wire (craft wire) to prevent
marring the wire.
chain nose pliers
wire or flush cutters
round nose pliers
tools
The Fab Fiveof Wireworking
eady to begin your wireworking journey? Then equip yourself with the following must-have
tools: wire or flush cutters, chain and/or flat nose pliers, round nose pliers, a chasing
hammer and bench block, and nylon jaw pliers. While many more wireworking tools
including variations of the aforementionedare available, these are the tried-and-true
basics, the ones that will get you through all of the projects in this magazine.
R
12
EZWS-081000-TOOLS:EW-12_13-tools 9/8/08 10:46 AM Page 12
A poor workman blames his tools.
With these indispensable implements, youll make the most of your talentsno excuses.
bench block
RESOURCES: Check your
local bead shop or see page 94
for more information. Wire cutters
and round and flat nose pliers: Fire
Mountain Gems and Beads. Hammer,
bench block, and nylon jaw pliers:
Fusionbeads.com.
chasing hammer
nylon jaw pliers
[ tool-buying tips ]
Purchase the highest-quality tools you can affordyou
wont be sorry! Swedish- and German-made pliers tend to
be the best, though other wonderful pliers are being made
in the United States, Pakistan, and elsewhere.
Choose pliers with a box joint (they should be labeled as
such). Box joints maintain the alignment of the pliers
jaws, even when under stress.
Choose pliers with handles that fit comfortably in your
hands. Ergonomic pliers are more expensive than other
pliers but might pay off in comfort.
Take good care of your pliers. Do not use them to cut
gauges of wire heavier than they were meant for (the
packaging should tell you this information) and do not use
them to cut steel wireit will ruin your pliers.
13
e
a
s
y
w
i
r
e
EZWS-081000-TOOLS:EW-12_13-tools 9/8/08 10:46 AM Page 13
14
1Instead of precutting pieces of wire, you can work directly
from your spool to avoid wasting wire.
2When snipping wire, always hold your non-dominant hand
over the blades to keep small pieces from flying toward your face.
3With jump rings, closures should be flush so there isnt a space
between the two ends of the rings. When closing a ring, run your
finger over the closure. If you feel a little step, adjust as needed.
A properly closed ring should look like its one continuous ring.
4To make matching earrings, make both at the same time. That
way, the bends will be identical.
5If youre using fine wire to make wire wrapped loops, dou-
bling the loop will make them stronger.
6When making coils, work close to the end of the mandrel,
sliding the coil back as you near the end. Make sure each succes-
sive coil is right next to the one before it, leaving no gaps. Applying
tension as you wrap will help with consistency.
7When using a metal file, push the file against the wire end,
then lift and repeat. Do not file back and forth.
8Its always a good idea to start a project by running your cut
wire pieces through a polishing cloth to clean and straighten them.
9A pair of bent nose pliers are the best tools to use when
opening and closing a lot of jump rings. Hold them so the tips point
straight up to the ceiling, gripping the ring on either side of the
opening. This way you have good surface area of the jaws holding
the ring, but the tips do not obscure your work.
10Use a scrap piece of plastic-coated telephone wire the size
of your good wire, and experiment with different design choices.
It is reusable, and you can avoid wasting precious metal wire. Once
its bent, the good wire is difficult to restore to its original shape.
11Wire becomes stiffer the more you manipulate it. Thats
called work-hardening, and can often be used to your advantage.
12If you decide to make your own earwires, half hard wire is
best. But if you only have dead soft wire on hand, you can work-
harden it by hammering it a few times with a hard plastic or
rawhide mallet.
13For wire links, be sure not to hammer any wire where it is
on top of another piece of wire, as this will weaken the links.
14You can work-harden your wire pieces by placing them in
a rotary tumbler with stainless steel shot and a drop of dish soap
for about an hour. This will also help give your wire a nice finish.
15When you wire wrap beads in a link pattern, make sure that
the bead loops are facing the same direction, or the links will not
lie properly.
16For spirals, you will get a better grip on the wire if you hold
the spiral back a bit from the tip of the pliers.
17If you are marring your wire when you are spiraling, you are
either squeezing too hard, or you need to softly file the edges of
your pliers.
18A ball peen hammer has a balled side and a flat side. The
balled side can be used to texture your wire with small divets. The
flat side can be used to flatten and spread your wire. When choos-
ing a ball peen hammer, make sure the flat side has no sharp
corners/edges on it. It should be gently rounded around the edges
to avoid marring your metal.
25
useful tips
for the wire jewelry artist
These tips were complied by the contributors and editors of Step by Step Wire Jewelry. The
tips are designed to help make jewelry with metal a little easier, but each artist works in
their own unique way. Maybe youll come up with your own tips and tricks along the way!
EZWS-081000-TIPS:EW-14_15-tips 9/15/08 6:10 PM Page 14
15
e
a
s
y
w
i
r
e
19If you like the look of antiqued, or darkened silver, you can
use liver-of-sulfur, available from jewelry suppliers.
20If you plan to antique your wire pieces, some beads might
lose their color when dipped into liver-of-sulfur. Test a spare bead
in the solution, or antique your wire before starting a project.
21To work-harden jump rings, hold each ring with both sets
of pliers. Bring one pair of pliers toward you, and push the other
pair away from you. Repeat back and forth until you feel the jump
ring stiffen.
22Flat nose pliers work well for restraightening small, unwanted
curves in your wire.
23When working with very fine wire, it can easily kink. Avoid
kinking by working with shorter pieces of wire, and keep your eye
on it as you work.
24Pearls usually require 24- to 28-gauge wire to fit through
the fine holes.
25Silver tarnishes from humidity in the air. To help keep your
silver from tarnishing, keep your wire in plastic bags and add a
small silica/desiccant package that often comes with new shoes
and handbags.
www.METALLIFEROUS.com
online shopping now available
offering everything
to create beautiful jewelry
Sterling Silver
Findings
Vintage Beads
Tools
Swarovski
JAX Chemicals
Books
Receive a FREE pair of pliers with any $50 order
enter code EWS at checkout
www.METALLIFEROUS.com
EZWS-081000-TIPS:EW-14_15-tips 9/15/08 6:10 PM Page 15
TYPES OF WI RE
You can buy wire in different shapes (round, half round, rectangu-
lar, square, triangular, or twists) by the ounce, pound, inch, or foot.
Round was used in all the projects in this issue. Buy wire that
has been annealed, a softening process that keeps wire from
snapping when bent. The higher the gauge, the thinner
the wire. The most readily available wire sizes range from
26-gauge (thinnest) to 14-gauge (thick).
METALS
Copper is the softest and least expensive
wire so its a good wire to practice on.
Orangish-brown in color, it can be pol-
ished to a high sheen and lacquered to
reduce oxidation or dipped in a liver-of-
sulfur solution to speed oxidation for a
blackish or greenish look.
Craft wire is copper wire with a perma-
nent color coating. Be gentle with craft
wire; it is often very soft.
Gold-filled wire is made by overlaying a
brass or brass-and-copper wire with a thin
layer of 14k gold that renders it tarnish-resis-
tant. Be very sure to use smooth tools when youre
working with gold-filled wire so you dont scrape off
the overlay.
Memory wire is made of tough, permanently coiled steel. It is so
strong that you have to use heavy-duty cutters to cut it (it will mar
the blade of small wire cutters). You can also break memory wire
by bending it back and forth many times with pliers. Memory wire
comes in necklace, bracelet, and ring widths.
Niobiumis a strong, lightweight, hypoallergenic wire that comes
in a range of rich anodized colors. The surface mars easily and
should be cleaned with a mild detergent.
Sterling silver is an alloy that contains 92.5 percent silver and 7.5
percent copper (or other metal). It is the most popular metal to
use in wireworking because it is readily available and relatively
inexpensivealthough silver prices have risen sharply recently,
and that has resulted in ever-changing prices.
Vermeil is sterling silver coated with at least 10k gold.
wire basics
hat follows are descriptions of the wire youll use to create your stylish, fun wireworked
jewelry, as well as 25 tips to help you quickly gain mastery of this popular
jewelry-making art. This style of metal jewelry offers so many design options for the begin-
ner to expert. All you need are a few basics, a good work area, and the desire to cut, spiral,
coil, and hammer your way to wire beauty!
for success
W
COPPERBelieve It or Not
A few decades ago, many people in the United States who were
suffering from rheumatic illnesses began wearing copper bracelets
to seek healing relief. Sufferers claim that the metal reduces
inflammation, improves the flow of blood and oxygen, and detoxi-
fies the system. Copper has long been viewed by New Age healers
as a powerful metal, capable of stimulating ones flow of energy,
whether mental or physical. Copper is also the metal associated with
the astrological signs Taurus and Sagittarius.
16
EZWS-081000-BASICS:EW-16_17-basics 9/8/08 10:47 AM Page 16
WI RE HARDNESS
Temper describes the hardness or softness of wire. Most wire
comes in dead soft, half hard, and hard tempers. Wire is softened
by heating or annealing; it is hardened by being hammered or, in
the factory, by being drawn through holes in a metal draw plate.
Wire hardens just by being worked (work-hardened). Most of the
projects you will make use either dead soft or half hard wire. Dead
soft wire offers no resistance when youre working with it, which
seems like a plus. However, if you grasp a piece of dead soft wire
and try to make a sharp right-angle bend, the wire turns limply to
make a weak and curving bend. Half hard wire is ideal for wirework
because the wire resists you. Its very quality of resistance helps
you form a sharp angle when you work with it.
SI LVERBelieve It or Not
Silver is used in traditional medicine for both dentistry and surgical
implants because it is both malleable and conductive. In fact, the
latter quality is what some New Age healers believe conducts the
bodys negative and positive spiritual energies. Some healers have
even turned to silver to treat degenerative brain diseases, hormonal
imbalances, and hepatitis. For believers, silver is seen as a mirror to
the soul. In Greek and Roman mythology, in the Silver Age, humans
began to develop civilization.
GOLDBelieve It or Not
Gold is the metal that has fueled many a myth, mining expedition,
and lust for wealth, from stories of King Midas and the golden
touch, to the legendary city of gold, El Dorado. For New Age believ-
ers, gold is seen as the master healer, with properties that can
assist healing of such things as heart and neurological disorders. In
Western medicine, golds lack of toxicity, resistance to corrosion,
and conductivity have made it a chosen material for dentistry and
arthritis treatment. In certain ancient Asian cultures, gold was
added to statues in the belief that it would bring the statue to life.
Wire Gauge Chart
Millimeter Sizing Chart
Round
Oval
17
e
a
s
y
w
i
r
e
EZWS-081000-BASICS:EW-16_17-basics 9/8/08 10:47 AM Page 17
18
EZWS-081000-018:1 9/15/08 11:26 AM Page 18
technique:
jump rings
Spectra Bracelet, page 24
HOW TO:
J UMP RI NGS
1. Use two pairs of pliers to grasp each
side of a jump rings opening. Twist the
pliers in opposite directionsdont pull
them apartso that you open and close
the ring without distorting it.
[ tips ]
Use two pairs of flat nose or chain nose
pliers (or a combo of the two) to open
jump rings. Round nose pliers work, but
will mar the metal.
Make sure to twist the halves of the jump
ring toward you and away from you at the
same time and in a smooth, straight
motion to ensure that the halves line up
again when closed.
If the jump ring does not close perfectly
and you end up with a gap in the ring, use
flat or chain nose pliers to carefully
squeeze the jump ring at intervals around
its circumference and return the ring to its
original shape.
1
Copper Solo Necklace, page 21
19
e
a
s
y
w
i
r
e
EZWS-081000-TECHJUMP:EW-19-technique jump rings 9/8/08 10:53 AM Page 19
p
r
o
j
e
c
t
j
u
m
p
r
i
n
g
s
20
MATERIALS
12mm Greek ceramic donuts, 4
10mm silver jump rings, 4
Silver earwires, 2
TOOLS
Chain nose pliers, 2 pairs
Finished Size: 1
1
2"
1. Open all four jump rings, using two pairs
of chain nose pliers.
2. Slip one jump ring through two donuts,
and close.
3. Slip a second jump ring through one of
the connected donuts, and close.
4. Attach an earwire to the second jump
ring.
5. Repeat Steps 24for the other earring.
RESOURCES: Check your local bead store.
Ceramic Circles BY DENISE PECK, EDITOR-IN-CHIEF
Greek ceramic donuts jazz up a simple pair of jump ring earrings.
EZWS-081000-CERAMIC:EW-20-ceramic circles 9/8/08 10:54 AM Page 20
21
e
a
s
y
w
i
r
e
MATERIALS
Copper 40mm pendant with connector
loops
Medium-weight 3mm x 5mm copper
chain, 6"
Rubber tube necklace, 18", with
magnetic clasp
Copper jump rings, 2
TOOLS
Flush cutters
Chain nose pliers, 2 pairs
Finished Size: 18" necklace with 1
1
2"
pendant.
1. Cut two pieces of medium-weight chain
3" each.
2. Open two jump rings.
3. Fold one piece of chain over the rubber
tube necklace like a bail.
4. Catch both ends of the chain and one
connector loop on the side of the pendant
in an open jump ring, and close the ring.
5. Repeat Steps 34 on the other side of the
pendant.
RESOURCES: Check your local bead store. Copper
pendant: Patricia Healey, PatriciaHealey@
verizon.net. Chain: Out On a Whim, whim-
beads.com. Rubber tube necklace: China Mountain
Turquoise, shop.cmtbeads.com.
Copper Solo Necklace BY LESLIE ROGALSKI
Copper is definitely in, and why not show off that fashion fact by making it your focal piece?
EZWS-081000-COPPERRING:EW-21-copper ring necklace 9/8/08 10:54 AM Page 21
22
The Right Angle BY DENISE PECK, EDITOR-IN-CHIEF
Beautiful crystal triangles paired with copper make a rather yin-yang combination, that would look as good with jeans as it
would with a little black dress.
p
r
o
j
e
c
t
j
u
m
p
r
i
n
g
s
EZWS-081000-RIGHTANGLE:EW-22_23-Right Angle 9/8/08 10:55 AM Page 22
23
e
a
s
y
w
i
r
e
MATERIALS
20mm Crystallized-Swarovski Ele-
ments triangle crystals, 6
10mm copper jump rings, 12
3mm copper jump rings, 5
6mm copper jump rings, 2
12" copper 4mm x 3mm chain
Copper lobster clasp
TOOLS
Chain nose pliers, 2 pairs
Flush cutters
Finished Size: 18"
1. Open all the 10mm jump rings. Add two
to each crystal triangle, and close them.
2. Open all the 3mm jump rings and
connect all the crystals by attaching a 3mm
jump ring to the 10mm jump rings between
each crystal.
3. Cut the chain into two equal lengths and
attach one length to each side of the string
of crystals, using the last 10mm jump ring
on each end crystal.
4. Add a 6mm jump ring to the end of one
side of the chain. Add a 6mm jump ring,
and the lobster clasp to the other side of
the chain.
RESOURCES: Check your local bead store. Crystals
and chain: Fusion Beads, fusionbeads.com.
EZWS-081000-RIGHTANGLE:EW-22_23-Right Angle 9/15/08 5:52 PM Page 23
24
Spectra Bracelet BY SARA E. GRAHAM, ASSISTANT EDITOR
Bold and beautiful aluminum jump rings show a spectrum of colors. This piece will go with anything you wear!
p
r
o
j
e
c
t
j
u
m
p
r
i
n
g
s
EZWS-081000-SPECTRABRACE:EW-24_25-Spectra Bracelet 9/8/08 10:57 AM Page 24
25
e
a
s
y
w
i
r
e
MATERIALS
18-gauge
1
4" green anodized
aluminum jump rings, 8
18-gauge
1
4" yellow gold anodized
aluminum jump rings, 8
18-gauge
1
4" pink anodized aluminum
jump rings, 8
18-gauge
1
4" red anodized aluminum
jump rings, 8
18-gauge
1
4" orange anodized
aluminum jump rings, 8
18-gauge
1
4" turquoise anodized
aluminum jump rings, 6
18-gauge
1
4" purple anodized
aluminum jump rings, 6
Silver-plated double-strand clasp
TOOLS
Flat nose pliers, 2 pairs
Chain nose pliers (optional)
Finished Size: 7"
1. Thread a pink jump ring through one of
the clasp openings. Close the ring.
2. Create a single-link chain from the pink
ring in the following order: red, orange,
yellow gold, green, turquoise, and purple.
3. Continue the chain with pink, red, orange,
yellow gold, green, turquoise, and purple
rings. Repeat this step one time.
4. To finish the first chain, add on pink, red,
orange, yellowgold, and green, threading
the green ring onto the corresponding loop
ontheother sideof theclasp. Closethat ring.
5. On the part of the clasp where you just
finished the first chain, thread a pink ring
onto the other loop of the clasp.
6. Repeat Step 2. You should be adding
rings in the opposite direction of the first
chain.
7. Repeat Step 3.
8. To finish the second chain, repeat Step
4, threading the green ring through the
other loop on the opposite side of the clasp.
Close the ring.
RESOURCES: Check your local bead store. Rings:
The Ring Lord, theringlord.com. Clasp: Michaels,
michaels.com.
EZWS-081000-SPECTRABRACE:EW-24_25-Spectra Bracelet 9/8/08 10:57 AM Page 25
p
r
o
j
e
c
t
j
u
m
p
r
i
n
g
s
26
MATERIALS
18-gauge
1
4" red anodized aluminum
jump rings, 4
18-gauge
1
4" orange anodized alu-
minum jump rings, 4
18-gauge
1
4" yellow gold anodized alu-
minum jump rings, 4
18-gauge
1
4" green anodized alu-
minum jump rings, 4
18-gauge
1
4" turquoise anodized alu-
minum jump rings, 4
18-gauge
1
4" purple anodized alu-
minum jump rings, 4
18-gauge
1
4" pink anodized aluminum
jump rings, 2
18-gauge
1
4" silver anodized aluminum
jump rings, 2
Rhodium earwires, 2
TOOLS
Flat nose pliers, 2 pairs
Chain nose pliers
Finished Size: 2
1
4"
1. Open one silver jump ring with two pairs
of flat nose pliers. Thread on two closed red
jump rings. Close the silver ring.
2. Link two open orange jump rings to the
red jump rings. Close the orange rings.
3. Link two open yellow gold jump rings to
the orange jump rings. Close the yellow
gold rings.
4. Link two open green jump rings to the
yellowgoldjumprings. Closethegreenrings.
5. Link twoopenturquoise jumprings tothe
green jumprings. Close the turquoise rings.
6. Link two open purple jump rings to the
turquoise jump rings. Close the purple rings.
7. Link one open pink jump ring to the
purple jump rings. Close the pink ring.
8. Open up the loop of an earwire with
chain nose pliers. Thread the silver ring
through the loop, and close. Repeat Steps
18 for the other earring.
RESOURCES: Check your local bead store. Rings:
The Ring Lord, theringlord.com. Earwires:
Michaels, michaels.com.
Spectra Earrings BY SARA E. GRAHAM, ASSISTANT EDITOR
Link anodized rings in a simple pattern to add some lightweight cheer to your ears.
EZWS-081000-SPECTRAEAR:EW-26-Spectra Earrings 9/8/08 11:01 AM Page 26
More than
booths at
the Bazaar
130
130
Cold Connections
for Red Hot Mamas
Connie Fox,
Instructor
B R O U G H T T O Y O U B Y
AUGUST 20-23, 2009
King of Prussia, PA
(Philadelphia area)
SEPT. 24-27, 2009
Portland, Oregon
F U T U R E E V E N T S
C l a s s r e g i s t r a t i o n c o m i n g s o o n a t w w w. b e a d f e s t . c o m
Valley Forge
Convention Center
Learn wire-working techniques from our expert
instructors in our full and half-day classes.
May 1 3, 2009
May 1 3, 2009
60
60
More than
fabulous bead &
wire jewelry
making workshops
S P E C I A L E V E N T S
Meet the Instructors Reception
Moonlight BeadIn
Classic Rings
Redefined
Michael D. Sturlin,
Instructor
Acorn Capped Beads
Janice Berkebile,
Instructor
Vortex Bracelet
Debra Danyi,
Instructor
EZWS-081000-027:Layout 1 9/12/08 5:10 PM Page 27
28
technique:
simple loops
Cool Waters Bracelet, page 31
Raku Bead Bracelet, page 33 Joyful Blue Earrings, page 32
Simply Stones Necklace, page 30
EZWS-081000-TECHSIMPLE:EW-28_29-technique simple loops 9/15/08 5:54 PM Page 28
29
e
a
s
y
w
i
r
e
HOW TO:
SI MPLE LOOPS
1. To form a simple loop, use flat nose pliers
to make a 90 bend at least
1
2" from the
end of the wire.
2. Holding the wire so that the bent piece is
pointing toward you, grasp the wire after
the bend with round nose pliers.
3. Roll the pliers toward the bend, but not
past it, to preserve the 90 bend. Use your
fingers to continue the wrap around the
nose of the pliers.
4. Trim the wire next to the bend, if needed.
SI MPLE-LOOP LI NKS
To make a simple-loop link, form a simple
loop on each end of a bead. Repeat with
another bead, attaching one of the loops to a
loop of the first link.
[ tips ]
Open a simple loop as you would a jump ring.
To determine where to place your round nose pliers
on the wire, imagine the size of loop you would like to
make, then place the nose of the pliers on the bent
wire at a distance from the fold that equals about
one half of the circumference of the loop you imag-
ined. Remember, where you grasp the wire with the
nose of the pliers will also determine the size of the
loopmake smaller loops by grasping the wire at the
front of the nose of the pliers; make larger loops by
grasping the wire at the back of the nose.
To make consistently sized loops, use tape or a
fine-point permanent marker to mark the place on
the pliers where you will grasp your wire.
1
2
3
4
EZWS-081000-TECHSIMPLE:EW-28_29-technique simple loops 9/8/08 11:05 AM Page 29
p
r
o
j
e
c
t
s
i
m
p
l
e
l
o
o
p
s
30
MATERIALS
20-gauge vintage brass craft wire, 15"
15mm agate Dzi beads, 5
12mm glass rings, 2
Antiqued 4mm x 2mm brass chain, 12"
6mm antiqued brass jump rings, 4
Antiqued brass lobster-claw clasp
TOOLS
Round nose pliers
Chain nose pliers, 2 pairs
Polishing cloth
Flush cutters
Finished Size: 16"
1. Working directly off the spool of wire, pull
several inches of wire through the polish-
ing cloth several times to harden it.
2. Using the middle of the jaws of the
round nose pliers, make a simple loop on
a piece of wire. Cut it off the spool, leaving
an additional
3
4" wire. Thread the wire
through a bead, and make a simple loop
on the other end.
3. Connect all the stone links by opening
a simple loop on one link and slipping it
onto a simple loop of another link. Before
connecting the centermost stone, slip a
glass ring over the loop, and rest it against
the stone. Repeat on the other side of the
center stone.
4. Cut the chain into two 6" lengths, and
add a 6mm jump ring to all four ends.
5. Attach one length of chain to each end
of the stones, using the jump rings.
6. Attach the lobster clasp to one end of
one of the chains using the jump ring.
RESOURCES: Check your local bead store. Wire:
Parawire, parawire.com. Glass rings: Sunyno,
sunyno.etsy.com. Beads: Fire Mountain Gems and
Beads, firemountaingems.com.
Simply Stones Necklace BY DENISE PECK, EDITOR-IN-CHIEF
Agate Dzi beads and brass are a great match to make an elegant and earthy necklace.
EZWS-081000-SIMPLY:EW-30-Simply Stones Necklace 9/8/08 11:06 AM Page 30
31
e
a
s
y
w
i
r
e
MATERIALS
19-gauge annealed steel wire, 30"
Assorted 10mm20mm porcelain
beads, 6
Silver focal bead
Hook clasp with jump ring
TOOLS
Flush cutters
Round nose pliers
Chain nose pliers
Finished Size: 7"
1. Cut seven pieces of steel wire, 3" each.
2. Make seven beaded links by turning a
simple loop on each wire, threading on a
bead, and finishing with another simple
loop.
3. Connect the links by opening each loop
as you would a jump ring, connecting to the
next link, and closing the loop.
4. Add the jump ring on one end of the
bracelet, and the hook on the other end.
RESOURCES: Check your local bead store. Porcelain
beads: Joan Miller, joanmiller.com. Metal barrel
bead: Anne Choi, annechoi.com. Annealed steel
wire: Sears Hardware, sears.com.
Cool Waters Bracelet BY DENISE PECK, EDITOR-IN-CHIEF
Steel wire lends a rustic touch to beautiful porcelain beads.
EZWS-081000-COOLWATERS:EW-31-Cool Waters 9/16/08 5:24 PM Page 31
p
r
o
j
e
c
t
s
i
m
p
l
e
l
o
o
p
s
32
MATERIALS
Silver 20-gauge craft wire, 3
1
2"
15mm stamped resin beads, 2
6mm faceted glass bicones, 2
Triangle-shaped pewter spacer
beads, 2
Rhodium earwires, 2
TOOLS
Round nose pliers
Chain nose pliers
Flush cutters
Finished Size: 2
1
2"
1. Cut the 20g silver craft wire into two
pieces, each approximately 1
3
4" long.
2. On one piece of 20g craft wire, make a
simple loop on one end of the wire with
round nose pliers.
3. Thread on a spacer bead, a faceted glass
bicone, and a stamped resin bead.
4. At the top of the wire, make another
simple loop, making sure there is a little
space between the loop and the resin bead.
5. Adjust the loops with chain nose pliers,
ensuring that the loops are both facing the
same way.
6. Attach an earwire. Repeat Steps 26 for
the other earring.
RESOURCES: Check your local bead store. Wire:
Parawire, parawire.com. Stamped resin beads:
Susan K. Nestor Studios, susanknestor.com.
Triangle pewter spacer beads: Family Glass,
familyglass.com. Faceted glass bicones and
earwires: Michaels, michaels.com.
Joyful Blue Earrings BY SARA E. GRAHAM, ASSISTANT EDITOR
These stamped resin earrings are chunky, but light, and balance on the wire with simple loops.
EZWS-081000-JOYFUL:EW-32-Joyful Blue Earrings 9/8/08 11:08 AM Page 32
33
e
a
s
y
w
i
r
e
MATERIALS
16-gauge half hard wire, 1 spool
Ceramic raku 14mm beads, 4
Sterling 12mm beads, 3
Toggle clasp or S-clasp
TOOLS
Round nose pliers
Heavy-gauge cutters
Marker
Finished Size: 7
1
2"
1. With the 16g wire still attached to the
spool, thread on a ceramic bead.
2. Make a large loop on the free end of the
wire with round nose pliers. Use the largest
part of the pliers to get a big loop. You may
want to mark that spot right on the pliers
so that each loop will be consistent in size.
3. Slide the bead up against the loop.
4. Leave about 1
1
2" of wire on the other
side of the bead, and cut the wire from the
coil with heavy-gauge cutters.
5. Make a loop. The loop should match the
loop on the opposite side of the bead. Make
sure there is not a lot of space for the beads
to slide around.
6. Repeat with all the other beads, making
loops at both ends.
7. Connect the links by gently opening a
loop on one side of each, sliding on the next
link, and closing the loops.
8. Open the loop on one end of the bracelet.
Slip on the clasp and close the loop.
RESOURCES: Ceramic raku beads: Keith OConnor,
keithraku@msn.com. Jump rings and toggles:
MultiCreations NJ, (732) 607-6422. Wire: T. B.
Hagstoz & Sons Inc., hagstoz.com.
Keith Raku Bracelet BY KAREN KEEGAN
This gorgeous ceramic bead and simple loop bracelet deserves to be named after the beads creator, Keith OConnor.
EZWS-081000-RAKUBEAD:EW-33-Raku Bead Bracelet 9/8/08 11:13 AM Page 33
EZWS-081000-034:Layout 1 9/12/08 5:11 PM Page 34
35
e
a
s
y
w
i
r
e
Natural Touch
Resin Beads
www.naturaltouchbeads.com
707.781.0808
Retail/Wholesale
See our online catalog
RESIN BEADS
HAVE BIG HOLES
AND EASY TO WIRE!
EZWS-081000-035:1 9/15/08 12:24 PM Page 35
36
technique:
wrappedloops
WRAPPED LOOPS
1. To form a wrapped loop, make a 90 bend
at least 2" from the end of the wire.
2, 3. Holding the wire so that the bent piece is
pointing toward you, grasp the wire after the
bend with round-nose pliers and form a
simple loop with a tail that overlaps the bend.
4. Hold the loop with flat or chain nose
pliers and use another pair of pliers or
your fingers to wrap the tail tightly down the
neck of the wire to create a couple of coils.
5. Trim the wire as closely to the neck
of the wire as possible.
6. Use flat or chain nose pliers or the front notch of
crimping pliers to softly press the remaining wire
tail against the neck of the wire.
1
2
3
4
5
6
EZWS-081000-TECHWRAPPED:EW-36_37-technique wrapped loops 9/8/08 11:14 AM Page 36
37
e
a
s
y
w
i
r
e
11
10
HOW TO:
8
9
12
[ tips ]
Use round or flat nose pliers to squeeze together
the coils if you made them too far apart.
See Simple Loop Tips for more tips on making loops.
7
DOUBLE WRAPPED LOOPS
To make a double wrapped loop, simply create a
wrapped loop as usual, then use the tail wire to
coil back up over the first coils, toward the loop; trim.
WRAPPED-LOOP LI NKS
7. To make a wrapped-loop link, form a
wrapped loop on each end of a bead. Repeat
with another bead, attaching one of the loops
to a loop of the first link before coiling the
tail down the neck of the wire.
WRAPPED-LOOP BAI LS
8. Center the bead on a 3" or longer piece of
wire. Bend both ends of the wire up the sides
of the bead.
9, 10. Bend one end straight up at the center of the
bead and the other horizontally, so that it is
perpendicular to the first wire. Wrap the hor-
izontal wire around the straight-up wire to
form a couple of coils.
11, 12. Form a wrapped loop with the straight-up
wire, wrapping it back down over the
already-formed coils.
EZWS-081000-TECHWRAPPED:EW-36_37-technique wrapped loops 9/8/08 11:14 AM Page 37
p
r
o
j
e
c
t
w
r
a
p
p
e
e
d
l
o
o
p
s
38
MATERIALS
20-gauge silver craft wire
3 lampwork or focal Czech glass beads
6 black Czech rectangular glass beads,
0.6mm x 1.5mm
Black twisted oval glass bead, 8mm x
1.2mm
6 black cube beads, 4mm
15 glass rice pearls, 0.5mm x 0.7mm
Silver leaf charm
12 silver spacer beads
7 silver jump rings
2 silver end caps for cord
Hook clasp
4 flat headpins
Black PVC cord
Glue
Extension chain
TOOLS
Round nose pliers
Flat nose pliers
Flush cutters
Finished Size: 3
1
2" centerpiece on an 18"
cord.
1. Cut lengths of wire to begin making each
cluster. The lengths may vary, depending
on the pattern you desire.
2. Make your first set of two bead clusters
(Cluster 1). Make a tiny wrapped loop with
round nose pliers on one end of each wire.
Thread the beads on the wires in this order:
one black cube bead, one glass rice pearl,
one metal spacer, one lampwork or focal
bead, one metal spacer, one glass rice pearl,
one black cube bead. Make a simple or
wrappedlooponthe other ends of the wires.
3. Make the second set of two bead clus-
ters (Cluster 2). Make a wrapped loop on
one end of both wires. Thread the beads on
the wires in this order: one rectangular black
bead, one glass rice pearl, and one rectan-
gular black bead. Make a simple or wrapped
loop on the other ends of the wires.
4. Make the first single cluster (Cluster 3).
Make a wrapped loop on the end of the
wire. Thread the beads on the wire in this
order: one glass rice pearl, one metal spacer,
one twisted oval black bead, one metal
spacer, and one glass rice pearl. Make a
simple or wrapped loop on the other end of
the wire.
5. Thread one glass rice pearl onto four
headpins, and make a simple or wrapped
loop on the ends.
Sarahs Necklace BY MARIA DAO
Create bead clusters and slip them onto a PVC cord.
EZWS-081000-SARAHS/CALLA.qxp:EW-38_39-Sarahs Necklace-Lilies 9/15/08 5:26 PM Page 38
39
6. With a piece of wire, make a simple or
wrapped loop, and thread on a single rec-
tangular black glass bead. Make a simple
or wrapped loop on the other end. Repeat
with another single rectangular black glass
bead once, black cube beads twice, and a
lampwork/focal bead once.
7. To make the first group of dangles
(Dangle 1), connect Cluster 1 with a wired
rectangular black bead and a wired glass
rice pearl with a jump ring on the top loops.
Repeat for the second dangle.
8. Make the second group of dangles
(Dangle 2) by connecting Cluster 2 with a
wired black cube bead and a wired glass
rice pearl with a jump ring on the top loops.
Repeat for the second dangle.
9. Make the third dangle (Dangle 3) by
connecting Cluster 3 with the wired lamp-
work/focal bead and the metal leaf with a
jump ring on the top loops. You only need
one of these dangles.
10. Cut the PVC cord to your desired length,
and thread on a spacer bead, one Dangle 1,
a spacer bead, one Dangle 2, a spacer bead,
one Dangle 3, a spacer bead, one Dangle 2,
a spacer bead, and one Dangle 1. Center the
dangles on the cord.
11. Apply glue to the leather end caps on
the ends of the cord. If you are using the
fold-over caps, secure the caps on the ends
with flat nose pliers. Attach an extension
chain and hook clasp using jump rings at
each end of the leather caps.
RESOURCES: Check your local bead store. Lamp-
work beads: KimmyG from Northcoast
Beadmakers, northcoastbeadmakers.com. Czech
glass beads: Wholesale Beads, wholesale-
beads.com.au. PVC black cord, findings, spacer
beads, and leaf charm: Feeling Inspired?, feelingin-
spired.com.au. Wire and findings: A&E Metal
Merchants, aemetal.com.au.
MATERIALS
Calla lily Lucite beads, 2
4mm Crystallized-Swarovski
Elements bicone crystals, 2
24-gauge 3" headpins, 2
Earwires
TOOLS
Round nose pliers
Chain nose pliers
Flush cutters
Finished Size: 2
1
2"
1. Thread a crystal onto each headpin.
2. Thread each headpin into a calla lily bead.
3. Make a wrapped loop on each headpin
and attach the earwires.
RESOURCES: Check your local bead store. Calla lily
beads: The Beadin Path, beadinpath.com. Crystals:
Artbeads.com.
Calla Lilies BY DENISE PECK, EDITOR-IN-CHIEF
Pretty vintage Lucite beads seem to flow from within when paired with crystals.
e
a
s
y
w
i
r
e
EZWS-081000-SARAHS/CALLA.qxp:EW-38_39-Sarahs Necklace-Lilies 9/15/08 5:26 PM Page 39
p
r
o
j
e
c
t
w
r
a
p
p
e
e
d
l
o
o
p
s
40
MATERIALS
Gray 5mm potato pearls, 6
Peach 6mm x 4mm button pearls, 7
6mm x 4mm crystal rondelles, 6
Fine silver 38mm x 25mm 4-hole
decorative lock focal piece
Sterling 15mm toggle clasp
Brass 1
1
2" headpins, 19
4 brass 3mm x 4mm oval jump rings
2 natural brass 5mm jump rings
10" of textured brass 4mm x 6mm oval
chain
TOOLS
Flush cutters
Flat nose pliers
Chain nose pliers
Round nose pliers
Finished Size: 7"
1. Use one 3mm x 4mm jump ring to attach
one end of one 2" piece of chain to one hole
of the focal piece. Repeat to attach another
2" piece of chain to the other hole on the
same side of the focal piece. Use one 5mm
jump ring to attach the free ends of the two
previous pieces of chain to one half of the
clasp. Repeat this entire step for the other
half of the bracelet.
2. Use a headpin to string one gray pearl,
and form a wrapped loop that attaches to
one of the 3mm x 4mm jump rings attached
to the focal piece. Repeat using a peach
pearl and the same jump ring. Repeat again
using a crystal and the same jump ring.
Repeat this entire step three times, attach-
ing three dangles to each of the 3mm x
4mm jump rings.
3. Use a headpintostringa crystal, andform
a wrapped loop that attaches to one of the
pieces of chain. Repeat six times, using the
remaining beads and headpins and attach-
ing the dangles randomly to the four pieces
of chain and 5mmjump rings.
RESOURCES: Check your local bead store. Pearls:
Austin Gemand Bead, austingemandbead.com.
Swarovski crystals: FusionBeads.com. Focal piece:
Elemental Adornments, eadornments.com. Clasp:
Green Girl Studios, greengirlstudios.com. Headpins
and jump rings: Ornamentea, ornamentea.com.
Chain: ADAdornments, adadornments.com.
Unlocked Romance Bracelet BY DANIELLE FOX
A unique lock focal piece is adorned with crystals and wrapped pearls. Add a brass chain, and wear your secret on your wrist.
EZWS-081000-UNLOCKED:EW-40-Unlocked Romance 9/8/08 11:20 AM Page 40
41
e
a
s
y
w
i
r
e
Designs on the left were made using:
Quick Links
Quick Links Connectors
Beadstrom Chain Nose Pliers
Ear Wires
Gold Plated Head Pins
Design by Margot Potter
Learn how to make this design at:
www.beadalon.com/goldendel.asp
Design by Margot Potter
MANUFACTURING WIRE SINCE 1976
www.beadalon.com
Make it with Beadalon.
Connector
MMM
CC
PROUD CORPORATE SPONSOR PROUD CORPORATE SPONSOR
L
ww
#32
thebigbeadbook
online beading directory at beadingdaily.com
Now online at http://directory.beadingdaily.com
My Local Bead Shop
555-555-1212
123 Main Street
My Town CO 80538
Find a local bead shop, club or supplier online!
The new online Big Bead Book provides thousands of
beading related resources. Plus, you can share your
opinions with other beaders via a rating system.
Visit us on the web today!
EZWS-081000-041:1 9/15/08 7:10 PM Page 41
42
Elishas Corals Necklace BY MARIA DAO
Chunky red coral adds a hot flair with silver craft wire and glass beads.
p
r
o
j
e
c
t
w
r
a
p
p
e
e
d
l
o
o
p
s
EZWS-081000-ELISHAS:EW-42_43-Elishas Corals 9/8/08 11:20 AM Page 42
43
e
a
s
y
w
i
r
e
MATERIALS
18-gauge silver craft wire
20-gauge silver craft wire
3 base metal hoops, approximately 2
1
4" diameter
3 base metal hoops, approximately
3
8"
diameter
Silver base metal chain, approximately
13" long
2 large accent glass beads, about
1
1
8" long
5 coral barrel beads
3 coral coin beads
Coral chili bead
8 silver spacer beads, 7mm
7 base metal oval silver jump rings,
1
2mm diameter, 20-gauge
Large round silver accent bead,
approximately 20mm diameter
2 large oval silver accent beads,
approximately 25mm long
Medium round silver accent bead,
approximately 15mm diameter
Large amber bead
15mm glass bead
10mm glass bead
8mm glass bead
TOOLS
Round nose pliers
Flat nose pliers
Flush cutters
Finished Size: 30"
1. Arrange the beads into the followingsec-
tions: two sections of coral barrels with
spacer beads on each end; three sections
with coral barrels only; two sections with
large oval silver accent beads; one section
withone large roundsilver accent bead; one
section with a mediumround silver accent
bead; onesectionwiththe15mmglass bead;
one section with the 10mmglass bead; one
sectionwiththe8mmglassbead; onesection
with the large amber bead and spacers on
each end.
2. Using 18g craft wire, measure and cut
enough wire to fit through each bead
section, leaving enough room to make
simple loops on both ends. The lengths will
vary depending on the size of each bead, or
stack of beads.
3. Make a simple loop on one end of each
section of beads.
4. Push the beads down toward the first
loop, and make a loop on the other end of
each section.
5. Repeating Steps 24 with the 20g wire,
make the following sections: one section of
three coral coin beads with spacer beads
on each end; two sections with one large
accent glass bead.
6. Using 20g wire, make a wire-wrapped
briolette using the coral chili bead.
7. Connect the 8mm bead section to a small
hoop, then connect the coral chili briolette
to the 8mm bead section. Set aside.
8. Cut 12" of chain, leaving about an extra
inch to use later.
9. Attach all the sections together in the
following order: coral barrel with spacers to
one end of the chain, large oval silver bead,
jump ring, large hoop, 15mm glass bead,
plain coral barrel, accent glass bead, jump
ring, large hoop, jump ring, coral coin
cluster, large round silver, plain coral barrel,
jump ring, small hoop, accent glass bead,
small hoop, coral barrel with spacers, jump
ring, large hoop, jump ring, 10mm glass
bead, amber bead with spacers, large oval
silver bead, the remaining links of the chain,
plain coral barrel, a medium round silver
accent bead, and the other end of the chain.
10. Attach the accent tassel to a large hoop
of your choice.
RESOURCES: Check your local bead store. Wire and
findings: A&E Metal Merchants, aemetal.com.au.
Coral beads, metal beads, large glass beads:
Feeling Inspired?, feelinginspired.com.au.
Metal hoops and chain: Wholesale Beads,
wholesalebeads.com.au.
EZWS-081000-ELISHAS:EW-42_43-Elishas Corals 9/8/08 11:20 AM Page 43
EfdXkk\in_Xkk_\
gXjj`fefijb`ccc\m\c#
n\_Xm\k_\g\i]\Zk
dX^Xq`e\]fi\m\ipfe\
fepflic`jk>\kXaldg
fepfli_fc`[Xp^`]k
^`m`e^kf[Xp
Pflcce[1
<og\ik`ejkilZk`fe
?Xe[p_`ekjXe[k`gj
Kfejf]]legifa\Zkj
8e[jfdlZ_dfi\
(''"jkpc`j_
_fn$kfgifa\Zk
[\j`^ej]fi
k_\]Xj_`fe$
ZfejZ`fljY\X[\i%
;`jZfm\i_fk
e\nn`i\gifa\Zkj
]fi\m\ipjb`cc
c\m\c`eXe\Xjp
jk\g$Yp$jk\g
]fidXk%
E\nY\X[\ij
n`cce[Zi\Xk`m\
Y\X[`e^gifa\Zkj
n`k_\Xjp
jk\g$Yp$jk\g
`ejkilZk`fej%
@ejg`i`e^Y\X[
k\Z_e`hl\j
]fik_\
gXjj`feXk\#
\og\i`\eZ\[
Y\X[\i%
G\i]\Zk
>`]k6
Cffb`e^
]fik_\
<eafpjki\jj$]i\\
j_fgg`e^Xk
`ek\in\Xm\%Zfd
EZWS-081000-044:Layout 1 9/17/08 12:13 PM Page 44
45
e
a
s
y
w
i
r
e
CHAkM FACIOkY
www.chormloclory.com
866-867-5266
Engraved Tags
Made in the USA
Message Links
Text Chat Charms
'RXEOH5DLQGURS
2UJDQLF6KDSH
&DWHJRU\
www.unicornebeads.com
5NICORNE
"EADS
WE HAVE YOUR TOOL!
BEZEL FORM
TM
www.wirewraptemplates.com
Still using a
RING MANDREL
to form an OVAL?
EZWS-081000-045:1 9/15/08 12:14 PM Page 45
46
1. Designer: Leslie Rogalski Techniques: Jump rings, wrapped loops. 2. Designer: Danielle Fox Technique: Jump rings. 3. Designer: Karen Keegan
Technique: Jump rings. 4. Designer: Jean Power Techniques: Coils, simple loops. 5. Designer: Elizabeth Murray Technique: Wrapped loops.
Have a few minutes? Then you can make any of these
earrings. All were created using one or a combination of the
techniques described in this magazine. Make a pair for a
last-minute gift, then make a pair for yourself! Find resource
information on page 94.
1 2 3
4 5
30earring
designs
EZWS-081000-EARRINGS:EW-46_49-earrings 9/8/08 11:21 AM Page 46
6. Designer: Jane Dickerson Techniques: Wrapped loops. 7. Designer: Jodi L. Bombardier Technique: Simple loops. 8. Designer: Danielle Fox
Techniques: Wrapped loops, jump rings. 9. Designer: Jean Power Techniques: Wrapped loops, simple loops. 10. Designer: Jane Dickerson
Technique: Wrapped loops. 11. Designer: Sara E. GrahamTechniques: Hammering/texturing, wrapping. 12. Designer: Karen Keegan
Techniques: Wrapped loops, jump rings. 13. Designer: Karen Keegan Technique: Jump rings. 14. Designer: Jean Power Technique: Simple loops.
6 7 8
9 10 11
12 13 14
47
e
a
s
y
w
i
r
e
EZWS-081000-EARRINGS:EW-46_49-earrings 9/8/08 11:21 AM Page 47
48
15. Designer: Jane Dickerson Technique: Wrapped loops. 16. Designer: Jodi L. Bombardier Techniques: Spirals, simple loops. 17. Designer: Denise Peck
Technique: Jump rings. 18. Designer: Karen Keegan Technique: Wrapped loops. 19. Designer: Denise Peck Technique: Wrapped loops. 20. Designer:
Melinda Barta Technique: Wrapping. 21. Designer: Karen Keegan Techniques: Wrapped loops, jump rings. 22. Designer: Leslie Rogalski Technique:
Jump rings. 23. Designer: Jean Power Technique: Simple loops.
15 16 17
18 19 20
21 22 23
EZWS-081000-EARRINGS:EW-46_49-earrings 9/8/08 11:21 AM Page 48
24 25 26
27 28 29
30
49
e
a
s
y
w
i
r
e
24. Designer: Denise Peck Techniques: Spirals, wrapped loops. 25. Designer: Jane Dickerson Technique: Wrapped loops. 26. Designer: Leslie Rogalski
Technique: Jump rings. 27. Designer: Melinda Barta Technique: Wrapping. 28. Designer: Danielle Fox Technique: Wrapped loops. 29. Designer:
Sara E. GrahamTechnique: Coils. 30. Designer: Sara E. GrahamTechniques: Hammering/texturing, simple loops, jump rings.
EZWS-081000-EARRINGS:EW-46_49-earrings 9/8/08 11:21 AM Page 49
50
technique:
coils
Wrapped Wire Drop Pendant, page 55
Ancient Finds, page 51
[ tips ]
COI LI NG GIZMO
For fast, easy coils, use a Coiling Gizmo, a
tool with which you make coils on a coiling
rod by turning a hand crank. (If using this
tool, see the manufacturers manual for
detailed instructions.)
Imagine Bracelet, page 54
1. To make a coil, use one hand to hold the
end of your wire against a mandrel (or
whatever object you want to coil around).
With the other hand, wrap the wire
around the mandrel.
1
2
2. To remove the coil, slide it off the
mandrel. Add a simple loop on either
end to use the coil as is or cut the
coil to make jump rings or split rings.
HOW TO:
EZWS-081000-TECHCOILS:EW-50-technique coils 9/8/08 12:53 PM Page 50
51
e
a
s
y
w
i
r
e
MATERIALS
20-gauge silver wire, 3'
5mm silver jump rings, 4
Bronze coins, 2
Sterling earwires, 2
TOOLS
Coiling Gizmo
Chain nose pliers, 2 pairs
Flush cutters
Finished Size: 2"
1. Cut the wire into two 1
1
2' lengths.
2. Use the smaller mandrel in the Coiling
Gizmo, and coil both pieces of wire.
3. With chain nose pliers, carefully lift up
the last coil on both ends to a 90 angle
from the end of the coil.
4. Gently bend the coil into a U shape, and
slip on a coin.
5. Press the ends of the coil together so the
lifted coils meet. If they dont meet, twist
them so they do.
6. Insert one jump ring through the two
lifted coils. Add a second jump ring through
the first. Add an earwire. Repeat Steps 16
for the other earring. Antique with liver-of-
sulfur if desired.
RESOURCES: Check your local bead store. Coins and
wire: Fire Mountain Gems and Beads, firemountain
gems.com. Coiling Gizmo: Michaels, michaels.com.
Wire: T.B. Hagstoz &Son, hagstoz.com.
Ancient Finds BY DENISE PECK, EDITOR-IN-CHIEF
These ancient-looking treasure coins dangle playfully from silver coils!
EZWS-081000-ANCIENTFINDS:EW-51-ancient finds 9/16/08 5:25 PM Page 51
52
Coiled Pearl Necklace BY JODI L. BOMBARDIER
Each segment of pearls can be made individually, and connected with jump rings or soldered rings.
p
r
o
j
e
c
t
c
o
i
l
s
EZWS-081000-COILEDPEARL:EW-52_53-coiled pearl necklace 9/8/08 12:56 PM Page 52
MATERIALS
24-gauge half hard silver wire, 35"
22-gauge dead soft silver wire, 56"
8mm soldered silver jump rings, 6
8mm freshwater pearls, 35
6mm jump rings, 2
Toggle clasp
TOOLS
Flush cutters
Chain nose pliers
Round nose pliers
Finished Size: 17"
1. Cut 5" of 24g wire. Form a wrapped loop,
string five pearls, and form a second
wrapped loop with a soldered jump ring
attached.
2. Cut 8" of 22g wire. Wrap the wire twice
around the base of the wrapped loop that
doesnt have the soldered jump ring, and
coil the wire around the first pearl. Wrap
the wire twice around the space between
the first pearl and the second pearl, and coil
around the second bead. Repeat this for the
remaining pearls.
3. Wrap the 22g wire twice around the base
of the second wrapped loop. Snip the ends
of the 22g wire, and gently squeeze the
ends down with chain nose pliers.
4. Cut 5" of 24g wire. Begin a wrapped loop
and attach it to the soldered jump ring
before wrapping it closed. String five pearls
and form a second wrapped loop with a sol-
dered jump ring attached.
5. Cut 8" of 22g wire. Wrap the wire twice
around the base of the wrapped loop
attached to the first segment made. Coil the
wire around the first pearl.
6. Wrap the wire twice around the space
between the first pearl and the second
pearl, and coil around the second pearl.
Repeat this for the remaining pearls, and
wrap the wire twice around the base of the
second wrapped loop.
7. Snip the ends of the 22g wire, and gently
squeeze the ends down with chain nose
pliers. Repeat this five more times, for a
total of seven pearl segments.
8. Attach the toggle with jump rings.
RESOURCES: Check your local bead store. Wire and
6mm jump rings: Rio Grande, riogrande.com. Sol-
dered jump rings: Kalpataru Import, Inc.,
kalpatarubeads.com. Freshwater pearls: Evergreen
Trading, (213) 688-2723. Toggle: Tierra Cast,
tierracast.com.
53
e
a
s
y
w
i
r
e
EZWS-081000-COILEDPEARL:EW-52_53-coiled pearl necklace 9/8/08 12:56 PM Page 53
p
r
o
j
e
c
t
c
o
i
l
s
54
MATERIALS
Approximately 8" length of beading
wire
22-gauge hot pink craft wire, 6"
22-gauge lavender craft wire, 8"
Toggle clasp
Round stamped resin beads, 4
10 pewter triangle-shaped spacer
beads
2 silver-plated crimp tubes
TOOLS
16-gauge mandrel
Chain nose pliers
Flush cutters
Finished Size: 7"
1. At one end of the bracelet, slide on one
crimp and one half of the toggle. Loop the
beading wire back through the crimp tube,
and smash the crimp tube with chain nose
pliers.
2. Cut a 6" length of 22g hot pink craft wire.
On a mandrel, make a coil about 3" long.
Slide the coil off the mandrel and cut the
coil into two even sections. Set aside.
3. Cut an 8" length of 22g lavender craft
wire. On a mandrel, make a coil about 4"
long. Slide the coil off the mandrel, and cut
the coil into three even sections. Set aside.
4. Stringontothe beadingwire a spacer, one
of the hot pink coils, and another spacer.
5. String a resin bead, a spacer, one of the
lavender coils, and another spacer.
6. String on another resin bead, a spacer,
another lavender coil, and another spacer.
7. String on another resin bead, a spacer,
the last lavender coil, and another spacer.
8. Thread on the last resin bead, another
spacer, the last hot pink coil, the last spacer,
and the other crimp tube.
9. Add the other half of the clasp, and loop
the remaining beading wire back through
the crimp tube.
10. Pull the beading wire tightly with chain
nose pliers. Smash the crimp tube with chain
nose pliers, and cut the excess wire.
Resources: Check your local bead store. Beading
wire: Beadalon, beadalon.com. Resin beads:
Susan K. Nestor Studios, susanknestor.com.
Wire: Parawire, parawire.com.
Imagine Bracelet BY SARA E. GRAHAM, ASSISTANT EDITOR
Colorful stamped resin, paired with hot pink and lavender coils, evoke the colors and images of the Summer of Love!
EZWS-081000-IMAGEBRACE:EW-54-imagine bracelet 9/8/08 12:57 PM Page 54
55
e
a
s
y
w
i
r
e
MATERIALS
2 pieces of 16-gauge wire, 5
1
2" each
1 piece of 20-gauge wire, 3"
2 pieces of 22-gauge wire, 34" each
Large briolette drop bead
Chain or cord
TOOLS
Round nose pliers
Chain nose pliers
Flush cutters
Finished Size: 2
3
4"
1. Take one of the 16g pieces of wire, and
make a simple loop at both ends.
2. Leaving a 1" tail, begin wrapping the 22g
wire around the shaft of the thicker wire.
Once you reach the end, trim the ends.
3. Repeat Steps 12.
4. Take the briolette and use the 20g wire
to make a wire-wrapped bail.
5. Gently curve one of your pieces of
wrapped wire into a U shape. Curve the
ends in to meet each other to form a pear
shape. Gently curve the wire halfway down
so it no longer lies flat. Repeat with the
other piece of wrapped wire.
6. Thread the two pieces of wrapped wire
together as shown in the finished piece.
7. Attach the wrapped drop to the simple
loops on the wrapped wires.
8. Separate the simple loops on the other
ends to attach to a chain or cord of your
choice.
RESOURCES: Check your local bead store. Wire:
Scientic Wire Co, wires.co.uk.
Wrapped Wire Drop Pendant BY JEAN POWER
Stunning copper-wire coils are combined with a dramatic crystal drop to make an eye-catching pendant.
EZWS-081000-WRAPPED:EW-55-wrapped drop pendant 9/8/08 12:58 PM Page 55
56
technique:
spirals
Spirals
3
Earrings, page 61
Raku Waves, page 62 Cascading Spirals Pendant, page 60
Spiral Bracelet, page 58
EZWS-081000-TECHSPIRALS:EW-56_57-technique spirals 9/16/08 11:09 AM Page 56
57
e
a
s
y
w
i
r
e
HOW TO:
SPI RALS
1. To start a spiral (or scroll), make a small loop
at the end of a wire with round nose pliers.
2. Enlarge the piece by holding onto the spiral
with chain nose pliers and pushing the wire
over the previous spiral with your fingers
for as many revolutions as desired.
3. If desired, bend the tail wire 90 at the top
of the spiral. Use as a headpin or form a simple
loop to attach to other items.
S-SHAPED DOUBLE SPI RALS
4. To create double spirals in the form of an S,
scroll one to the center of the wire.
5. Repeat on the other end of the wire, spiraling
the wire in the opposite direction.
1
2
3
4
5
EZWS-081000-TECHSPIRALS:EW-56_57-technique spirals 9/8/08 12:59 PM Page 57
p
r
o
j
e
c
t
s
p
i
r
a
l
s
58
Spiral Link Bracelet BY JODI L. BOMBARDIER
Form heavy-gauge wire into decorative pieces, link them all together with jump rings, and create an unusual bracelet.
EZWS-081000-SPIRALBRACE:EW-58_59-Spiral Bracelet 9/8/08 12:59 PM Page 58
59
e
a
s
y
w
i
r
e
MATERIALS
16-gauge dead soft wire, 33"
16-gauge 6mm jump rings, 16
TOOLS
Flush cutters
Chain nose pliers
Round nose pliers
Finished Size: 7
1
4"
1. Flush cut both ends of a 3" piece of 16g
wire. Start a coil on one end, then on the
opposite end, rolling the coils toward each
other. Work both ends, coiling a small
amount at a time so that both are the same
size. Continue until the coils touch.
2. Place the round nose pliers between the
coils, and gently bend the coils away from
each other, bending each a little bit at a time
until they once again touch each other.
Repeat to make 10 coils.
3. Flush cut both ends of a 3" piece of 16g
wire. With the small end of the round nose
pliers, make a small loop at the end of the
wire. Using the largest part of the round
nose pliers, grasp the wire just under the
small loop, and roll the pliers away from
you, creating the hook.
4. At the other end of the wire make a coil
in the opposite direction of the hook. Attach
the spiral hook with a jump ring.
5. Attach five pairs of coils together with
jump rings through both spirals. Attach all
the pairs together with single jump rings.
Attach a jump ring to the center of the last
coil for the hook insertion.
RESOURCES: Check your local bead store. Wire and
jump rings: Rio Grande, riogrande.com.
EZWS-081000-SPIRALBRACE:EW-58_59-Spiral Bracelet 9/8/08 12:59 PM Page 59
60
MATERIALS
20-gauge silver craft wire, 5"
22-gauge hot pink craft wire, 6"
22-gauge lavender craft wire, 6"
24-gauge fuchsia craft wire, 7"
24-gauge Pacific blue craft wire, 7"
3mm silver-plated jump ring, 1
Cord or chain of your choice
TOOLS
Chain nose pliers
Round nose pliers
Flat nose pliers
Flush cutters
Finished Size: 4
1
2"
1. Begin to form a spiral with the 5" piece
of 20g silver wire. When youve looped
about four or five times around, stop. Make
a simple loop on the other end of the wire.
2. Go back to the spiral, and finish forming
it. Flatten gently with flat nose pliers, and
make a 90 bend so a straight wire sits on
top of the spiral.
3. Repeat Steps 12 with all the colored
wires.
4. Open up the hot pink simple loop slightly,
and thread it through the bottom of the
silver spiral. Close the hot pink loop.
5. Repeat Step 4 with the lavender spiral.
6. As in Step 4, attach the fuchsia spiral to
the pink, and the Pacific blue spiral to the
lavender.
7. Slide a jump ring through the loop of the
silver spiral. Attach to a cord or chain, and
close the jump ring.
RESOURCES: Check your local bead store. Wire:
Parawire, parawire.com. Jump ring: A.C. Moore,
acmoore.com.
Cascading Spirals Pendant BY SARA E. GRAHAM, ASSISTANT EDITOR
Coloredspirals dangle beautifully froma single silver spiral. Get creative anduse your favorite colors, or addmore spirals for fun!
p
r
o
j
e
c
t
s
p
i
r
a
l
s
EZWS-081000-CASCADING:EW-60-Cascading Spirals Pendant 9/15/08 5:58 PM Page 60
61
e
a
s
y
w
i
r
e
MATERIALS
22-gauge hot pink craft wire, 5"
24-gauge seafoam craft wire, 5"
24-gauge black craft wire, 5"
3mm silver-plated jump rings, 2
Earwires, 2
TOOLS
Chain nose pliers
Round nose pliers
Flat nose pliers
Flush cutters
Finished Size: 2
1
4"
1. Form a spiral with the 5" of 22g hot pink
wire. When you get about
1
4" from the end,
bend the wire to a 90 angle with flat nose
pliers. Form a simple loop on the other end.
2. Repeat Step 1 for the 24g seafoam and
24g black wires.
3. Open a silver-plated jump ring, and
thread on the spirals. Close the jump ring.
4. Thread the jump ring onto an earwire.
5. Repeat Steps 14for the other earring.
RESOURCES: Checkyour local beadstore. Wire:
Parawire, parawire.com. Earwires: Michaels,
michaels.com. Jumprings: A.C. Moore,
acmoore.com.
Spirals
3
Earrings BY SARA E. GRAHAM, ASSISTANT EDITOR
Take a colored spiral, then cube it! These triple spirals create very lightweight dangles for your ears.
EZWS-081000-SPIRALSCUBED:EW-61-SpiralsCubed 9/12/08 1:32 PM Page 61
p
r
o
j
e
c
t
s
p
i
r
a
l
s
62
Raku Waves BY DENISE PECK, EDITOR-IN-CHIEF
Steel spirals, hung from rustic raku beads, are strung to make a stylish necklace.
EZWS-081000-RAKUWAVES:EW-62_63-Raku Waves 9/12/08 1:33 PM Page 62
63
e
a
s
y
w
i
r
e
MATERIALS
Rectangular 20mm x 25mm raku
beads, 4
12mm round black vintage Lucite
beads, 5
Leather corded necklace
20-gauge annealed steel wire, 12"
TOOLS
Round nose pliers
Flush cutters
Chain nose pliers
Finished Size: 20"
1. Cut the steel wire into four 3" lengths.
2. Make a small spiral, andbendthe remain-
ing wire up fromthe spiral at a 90 angle.
3. Slip on a raku bead, and finish with a
simple loop. Repeat for the remaining raku
beads.
4. Alternate stringing a Lucite bead and
a raku spiraled bead onto the corded
necklace.
RESOURCES: Check your local bead store. Lucite
beads: The Beadin Path, beadinpath.com. Raku
beads: Flamin Turtle Raku, flaminturtle.com.
EZWS-081000-RAKUWAVES:EW-62_63-Raku Waves 9/12/08 1:33 PM Page 63
201 East Fourth Street Loveland, Colorado 80537-5655
)NTERWEAVEBOOKSANDMAGAZINES
AREAVAILABLEATCRAFTSTORESAND
BOOKSTORESEVERYWHERE
to Indulge
7IRE3TYLE
o nquc !cwcry Dcsgns
$ENISE0ECK
rcn Lhc cdLcr c 3TEPBY3TEP7IRE*EWELRY nagaznc ccncs a ccccLcn c o ccnLcn-
pcrary, sLysh, and ahscuLcy wcarahc dcsgns cr hracccLs, ncckaccs, carrngs, and
pcndanLs handpckcd rcn a ccccLcn c Lcp |cwcry dcsgncrs. undancnLa wrcwcrkng
Lcchnqucs arc cxpancd n dcLa, ncudng wrc wrappng, wcavng, ccng, chan nak-
ng, hanncrng, LcxLurng, and cxdzng.
Paperback, 8
/z x o
/q, zo pages
o phoIographs, charIs
5:.y
AVAl l A8l N0W!
*EWELRY3TUDIO7IRE7RAPPING
,INDA#HANDLERAND#HRISTINE2ITCHEY
Takc Lhc nysLcry cuL c wrc wrappng wLh nsdcr sccrcLs Lc Lhc craL pus prcgrcs-
svc sk-hudng prc|ccLs LhaL Lcach a rangc c wrappng Lcchnqucs. rc|ccLs ncudc
carrngs, pns, and wrc-wrappcd pcndanLs pus Lhc hghy scughL-aLcr wrc-wrappcd
cahcchcn.
*EWELRY3TUDIO3ILVER7IRE&USING
,IZ*ONES
Ths wcrkshcp-n-a hcck Lcachcs a Lhc sks nccdcd cr Lhs nc-nuss, nc-uss vcrscn c
svcrsnLhng: usng svcr wLhcuL scdcr Lc crcaLc hcauLu |cwcry. CrcaLc rngs, car-
rngs, hracccLs, ncckaccs, and pns, ycu can cvcn nccrpcraLc sLcncs and cuhc zrccna
cr cxLra dazzc.
Paperback, 8
/z x g, z8 pages
qoo phoIographs
5zz.y
Paperback, 8
/z x g, zo pages
oo phoIographs, o illusIraIions
5zz.y
<Q^RQO`CMe_
N
L
W
I
"
EZWS-081000-064-065:Layout 1 9/15/08 12:53 PM Page 64
interweavebooks.com
CU^Q6QcQX^e Your Passion for
'ETTING3TARTED-AKING-ETAL*EWELRY
-ARK,AREAU
'ETTING3TARTED-AKING-ETAL*EWELRYs Lhc dca nLrcducLcn Lc ncLa nakng. Thc
Lcchnqucs arc snpc, Lhc Lccs acrdahc, and Lhc spacc rcqurcncnL sna.
Rardcover, 8 x 8, z pages,
zo phoIographs
'ETTING3TARTED-AKING7IRE*EWELRYAND-ORE
,INDA#HANDLERAND
#HRISTINE2ITCHEY
^ gudc cr Lhc Lruc hcgnncr, ycu' carn cvcry aspccL c wcrkng wLh Lhs pcpuar and
cndurng craL.
Rardcover, 8 x 8, g6 pages,
oo color phoIographs,
) color illusIraIions
3TEPBY3TEP*EWELRY7ORKSHOP
Snpc Tcchnqucs cr Scdcrng, Wrcwcrk, and McLa !cwcry
.ICOLA(URST
Ths nuL-Lcchnquc gudc cr Lhc ncvcc |cwcry nakcr ccvcrs a rangc c a Lhc hascs
nccdcd Lc gcL sLarLcd crcaLng grcaL dcsgns: Lranscrrng dcsgns Lc ncLa, hng, sawng,
scdcrng, pcrcng, pckng, crgng, as wc as hcw Lc usc wrc and nakc sLcnc scLLngs,
pus ccanng ycur |cwcry cr LhaL hnshng Lcuch.
Paperback, 8
/z x , z8 pages
o phoIographs