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original Mona Lisa was safely hanging in the palace of Fontainebleau along with King Francis Is other masterpieces, rather than a dead mans house in Milan, one thousand kilometers away. All of these facts have contributed to making this painting very precious and famous, but the main reason that makes the Mona Lisa so special is the brilliant, genial conception and new approach to painting. Leonardos new experiment, his esfumato technique, blending shadows and light on Mona Lisas portrait, was executed with utmost precision. Mona Lisas expression eludes the viewer who questions whether she is happy or sad. His esfumato technique is disturbingly effective. Leonardo softened all sharp outlines by very subtle and gradual blending of one tone into another through the use of thin, intricate layers, half the width of a human hair, to give the illusion of depth or three-dimensionality. Amazingly certain areas have as many as thirty layers of almost transparent, hand made paint. Is it a dream image, a vision, or a portrait of a real woman? The setting and background overflow with symbols and messages screaming to be understood. Is art imitating nature? The dreamy background landscapes are at different levels, so if you look at Mona Lisa from the left she looks taller than from the right. Only a great master of perspective like Leonardo could so effortlessly create this illusion of depth to its fullest advantage. The great Florentine painter Georgio Vasari describes the painting in full detail but I wonder where he saw it as he never visited Fontainebleau where Leonardo da Vincis portrait was on display. We know that he visited Francesco Melzi, Leonardos last assistant and artistic heir, several times after his return to Italy. Did Vasari see a copy made by Melzi? I believe that there are several copies of a Mona Lisa still hidden in dusty attics or secret vaults around the world. Leonardo was not a prolific painter and when he did a major work it was talked about and most certainly copied by many artists, as was the case of Leda and The Swan, which is lost, but copied extensively, as well as The Annunciation, The Baptism of Christ, The Battle of Anghiari among others. It is unconceivable that this, even then, very celebrated painting would not be copied by the best artists of the period. It was their form of paying homage to a great artist. Imagine if we could see the Mona Lisa in its original colors as Vasari describes it in his 1550s edition of LIVES OF THE MOST EXCELLENT PAINTERS, SCULPTORS, AND ARCHITECTS,: Seeing that her eyes had that luster and watery sheen which are always seen in life, and around them were all these rosy and pearly tints, as well as the lashes, which cannot be represented without greater subtlety. The nose, with its beautiful nostrils, rosy and tender appeared to be alive. The eyebrows through his having shown the manner in which the hairs spring from the flesh, here more close and here more scanty, and curve according to the pores of the skin, could not be more natural. The mouth, with its opening, and with its ends united by the red of the lips to the flesh-tints of the face, seemed, in truth, to be not colors but flesh. In the pit of the throat, if one gazed upon it intently, could be seen the beating of the pulse. Aggressive retouching throughout past centuries has erased Mona Lisas eyebrows and eyelashes but recent x-rays of the painting show that they originally existed.
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Mona Lisas fame exploded to a new high when it was stolen on August 21 19ll. The Louvre was closed for a full week. Guillaume Apollinaire, a French poet who had once said that the Louvre should be burnt down, was the first to come under suspicion. He was arrested and put in jail. The plot thickened when Apollinaire implicated the painter Pablo Picasso, who was also questioned and put in jail. Both men were later cleared and released. Everyone thought that the painting was lost forever. The actual theft was a very simple and easy caper. Vincenzo Peruggia, one of the Louvres employees, was an Italian patriot who believed that the painting should be returned to Italy. On that fatidic day he snatched the painting when there was no one around, hid it in a broom closet until closing time and walked out with the painting under his coat. For two years he kept the Mona Lisa in his Paris apartment. Finally he was caught in Italy when he attempted to sell the painting to the Uffizi Gallery in Florence. The Mona Lisa was returned to the Louvre in 1913 after it had been exhibited all over Italy. Vincenzo served six months of house arrest and became Italys new national hero. The painting was again removed from the Louvre during World War II and taken safely to several secret places. I am not even going into the shooting, rock and other vandalistic attacks this art work has gone though. Lately we have been bombarded with a multi million dollar campaign by a Swiss corporation wanting to add more value to a painting they own claiming it to be a first version of Mona Lisa by Leonardo da Vinci. It is called the The Isleworth Mona Lisa. This oil on canvas, which was not Leonardos medium, is a poor representation of the original. Late 1400s canvas made out of hemp was introduced as a new material for painting in a few regions of Europe but it was not the most popular and favorite medium then. The Isleworth woman, her posture, veil, her hair, eyes, mouth, does not capture the simple beauty and elusiveness of the original. It could very well be a copy by an amateur artist of the 17th century. We have the technology to exam the composition of pigments and lacquers in this painting against what Leonardo used, as well as the canvas but none of it has been done. Instead they rely on reviews of scholars who claim to be Da Vincis experts. I do not believe that The Isleworth painting is by Leonardo or anyone from his school or time.
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The Mona Lisa has created mystery and questioned the unknown from the day it was first seen, right up to the present day, which is exactly what art is supposed to do. This everlasting masterpiece is still breathtaking despite the ravages of time and subsequent dreadful retouching. However, the paintings fame now works against it. Dear Mona Lisa has her own private space at the Louvre now, but she is enclosed by bullet proof Plexiglas and you cant get close to it without attracting the attention of the museums security guards. And the worst part is that most visitors to the Louvre are more concerned about catching a camera-phone picture of the painting instead of admiring the genial conception and execution of this master piece. What a blockbuster of a film this artwork could make! Ton Pascal is a writer, designer of all things and artist. He also loves history and is an avid reader, so it is very natural that his latest book is a time leap into the 16th century. LEONARDO THE LAST YEARS starts in 1516 and spans three and a half years of Leonardo da Vincis life. Follow Ton Pascal on Twitter @tonpascal Buy the book on Barnes & Noble or Amazon.com http://amzn.to/HhNUKN Check all about Leonardo on http://www.leonardo-tly.com/
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