Documente Academic
Documente Profesional
Documente Cultură
Materials Required.
01. Plywood above 6 mm thickness. 02. White cotton cloth. 03. Chalk power. 04. Fevicol. 05. Flat Brush (above 3" width). 06. Sand Paper (emery sheet). 07. Arabic Gum. 08. Coloured Jaipur Stones. 09. Gold foil (paster on papar) 10. Poster Colors. 11. Rounded Brushes (000, 0, 2, 4, 6,8) 12. Black Pilot Pen. 13. Multi colours transparent ink (photo color). 14. Cutter, Ruler, Yellow carbon paper, pencil. 15. Reference art to trace
02.
Method
04.
(Tracing of design)
07.
IV Decorating Stage
1) To get a smooth effect on the glittering area of the tanjore art. You need to apply one more layer of embossing gum over the stones/pearls. 2) Wait for one hour. Now pick a bowl of water & cotton. Dip a piece of cotton in the water, and squeeze it to remove extra water. 3) Now with the wet cotton, gently rub circular manner on the embossed area. 4) Keep in mind that you need to maintain the neatness on the painting area too.
(complete picture)
VI. Painting:
Now paint the figures and background carefully with poster colours . The painting is normally done using white colour for the key figure and slightly shading it with blue or the normal body colour. The depiction is normally static and the painting does not reflect any action or movement. The usage of the background colours is mostly striking - it is a dark hue of red, blue or green. The paintings are characterized by pillars and curtains in the side, and some smaller compartmentalization at the bottom or top to accommodate small figures.
The Frames
Tanjore paintings were framed in two types of structures; 08. the wooden type made of plain wood 09. and the Chettinad type, which have an extra Ornate design .