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11

03
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BalhdsoftJieTrail

-many chirdedfbrguitar

BOY SCOUTS OF AMERSCA

1979 Printing Copyright 1970

Boy Scouts
Printed
in

of America

U.S.A.

ISBN 0-8395-3224-5
No. 3224

14M979

JE^Si.tiPio'^ics

Soxx^s

42
70

^Wes^evn ^AllAds

Soxm^s o^

Ixxspix'Ci.'t^ioxs.

HO
121

p^ii^e ^a^lla^ds

Singing

is

fun,

and learning

to sing

and lead songs

is

an

important part of your patrol and troop program. Songs are a natural for troop meetings, hikes, camping
trips, or

when you and your buddies

are simply working

together.

good songfest is a part of most campfire programs. Around a blazing campfire you and your fellow Scouts will
enjoy singing most.

Songs

will create

enthusiasm and

set a

mood

for your

meetings.

The songs in this book are the kind Scouts are singing every day at camp, troop meetings, and on hikes. Ranging from songs for gay moments to those for quieter times, they are the favorites of Scouts and Scouters across
America.

Song Leading
Relax, you don't have to be a professional singer or the

campfire songs. Use simple deliberate up-and-down motions with one or both hands to fit the beat or the words. With practice you can develop
director of a

symphony

to lead

a style of your own.

For the
well

song you lead, choose one that is simple and known by the group. Try an old favorite as a warmerfirst

upper.
Select your songs in advance

and be sure you know them


ease.

well enough to teach

them with

Set the pitch for songs by humming or singing the first few bars. Get the correct pitch and the whole group will sing easily. If you pitch your song too high or too low, stop the
song, get the correct pitch,and start over.

Loud singing
a song to

in

good

spirit is fine,

but a group shouting

make

noise will soon get out of control.

Never ask the group what song they would like to sing. You will receive too many suggestions and become confused. Be enthusiastic and wear a smile as you lead songs. The way you feel will soon catch on with the group you are
leading.

through a couple of times so the boys have a chance to learn the words and tune. Then try quietly singing it together, so everyone will get the feel
it

To teach a song, sing

of

it.

instrumental background will help, even if it is provided by only a single instrument such as a harmonica or
guitar. Guitar chords are

An

shown

for each song.

Try group

group in your troop. This will make a nucleus for a good song session. It can learn new songs in advance and put them across when
to organize a singing

taught to the troop. At campfires, follow the fire as you lead songs. Begin with lively songs while the flames leap high. As the fire dies down, sing quiet songs. Close meetings, campfires, or songfests with songs that have a patriotic or inspirational flavor. Lasting impressions will be made as boys quietly
sing a favorite closing song.

Hail, Hail, the Gang's All

^ ^^
G>

Here

>

:>G

>
all

Hail!

Hail!

the gang's

>
J.

>D7
J

Mj
Nev
-

;
er

> ;^j.
mind the weath
-

J
er

^m
Here
!S'

here,

>

>G
1
Hail!

^
are

P
>
I

we

to-geth-er.
<*G

>
^-

'

'^all

J.

Hail!

the gang's

here,

>D7
I

>
.1

>
right

J'j
Let

the

fun

be

gin

|J^o
i>

L^
now.
now.

Used by permission of Bobbins Music Corp., NY.

How Do You Do?

^j'''ii-i

I
C J

J-IJ
. .

} } p

^^.^

How do you do, Mis-ter

How do you do?


C

P
P.
'

^^
C
Is there
F.
' '

j'

j'
I

J^

^
F.

an

y-thing that
F.
'

we can

do

for

you?

fjV

'

'"
.

bK
I

J'

n
)i

1'

>

.1

^m ^^
sbi
. .

We'll do
I

the best

we can

Stand by you
I
.

like

F
**
I

J'

J J Z==K

fi'

man.

How do vou do Mis-ter

. .

How do vou do?

Substitute

name of person

being honored in place of dotted

lines.

Hello! Hello!

Kev:EFlat.

Time: 4/4

Divide the singers into four groups; each sings one Hello and
holds
it

through

to the

completion of the full chord. Sing the

middle part in unison.

Jnl

eI>

^^
Hel
-

^J

#-i-

f
Hel
;b
-

rg
We're glad
to

Hel

- lo,

lo,

lo,

meet you,

^^
We're glad

# #

t
-

Ii^
lo,

to greet you.

Hel

hel

- lo,

hel

lo,

hel

lo.

We're Here for Fun


Tune: "Auld Lang Syne"

We're here for fun right from the So drop your dignity!
Just laugh and sing with
all

start,

your heart,

And show your loyalty. May all your troubles be forgot,


Let this night be the best; Join in the songs we sing tonight. Be happy with the rest.

We're All Together Again, We're Here

m
i
i

7E

i
all

}
to
-

J
geth
-

J
er

J a

We're

m m
4
gain,

i
we're
1 1

i
here.
D

E
We're

we're

here,

all

to

-geth

er

a-

i i

D7

5
here.

And

who

^
G

gain, we're here, we're

knows

when

^
all

t
-

j^^
geth
-

to

er

a-

gain.'

^
?
we'll

be

sing-ing

.:

All to-geth-er

a-gain, we're

here.

O Dad

O' Mine
Key: B Flat.
v/ith Lad.

Tune: "Sweet Adeline"

Time: 4/4

Boys use Dad. Fathers echo

Dad o' mine (0 Lad o' mine), Dear Dad o' mine (Dear Lad o' mine),
We'll stand as one (We'll stand as one), In rain or shine (In rain or shine);

Each night and day (Each night and day),


always say (I'll always say), You're the best friend in the world,
I'll

Dad

o'

mine (0 Lad

o'

mine).

Copyrijihted

title

used by permission of M. Witmark and Sons, N.Y.

The More We Get Together


Tune: "Ach

Du

Lieber Augustine"

Key

of

The more we get together, together, together, The more we get together, the happier
For your friends are
we'll be.

my friends,

And my friends are your friends,


The more we get together, the happier
we'll be.

The more we get together, together, together. The more we get together, the happier
For you know that
I

we'll be.

know,

And I know that you know,


The more we get together, the happier
we'll be.

tiioxm
Three Wood Pigeons

S
E
three

m
^r

Three wood

^
^
pig
-

pig -eons,

wood

pig -eons,

i^
sit
-

J'

;
on

;
a

i i
tree.

Three wood

eons

ting

Leader: Look! One has flown away?

Group: Oh! Wailing

Two wood

two wood pigeons, Leader: Look! Another has flown! Group: Oh-h-h! Louder wailing
pigeons,

etc.

One wood

pigeon, one

wood

pigeon, etc.

Leader: Oh, oh, oh! There goes the last one!

Group: Oh-h-h! Very loud wailing

No wood

pigeons, no

wood

pigeons, etc.

Leader: Look! One has returned! Joyfully

Group: Ah-h!

One wood

pigeon, etc.

Leader: Another has returned!

Loud cheers

Two wood

pigeons, etc.

More rapidly

Leader: Hurray! The third one has returned! Tremendous


cheers

Three wood pigeons,

etc.

Rapidly and enthusiastically

Variation: Three persons

may

represent the pigeons and "fly"

in or out vjith comical antics.

John Brown's Baby


Tune: "John Brown's Body"

John Brown's baby had a cold upon its chest, John Brown's baby had a cold upon its chest, John Brown's baby had a cold upon its chest, And they rubbed it up with camphorated oil,.
Motions
1st

time sing straight through

2d time
baby

omit singing

"baby" and substitute motion of rocking

3d time omit
4th

''cold" and

substitute a coughing sound

time same

as

third only substitute striking chest for

''chest"

5th

time same as fourth only omit

last line

and rub chest

The Grand Old Duke of York


Tune: "A-Hunting

We Will Go"
of York,

The grand

old

Duke

He had ten thousand men. He marched them up the hill.


Everyone stands up

And marched them down


Everyone sits down

again.

And when you're


Everyone up

up, you're up;

And when

you're down, you're down.

Everyone down

And When you're only halfw^ay up, Everyone halfway up You're niether up nor down. All up All down
Repeat several times, each time getting faster.
10

Ravioli
Tune: "Alouette"
A//; Ravioli,
I

like ravioli.

Ravioli,

it's
I

the best for me.


it

Leader: Have
All: Yes,

got
it

on

my chin?

you got

on your chin.

Leader:
All:

On my chin?
I

On you chin. OH-h-h-h-h


Ravioli,
like ravioli.

Ravioli,

it's

the best for me.


Point to the items

(Continue
as each

tie,

shirt, pants, shoes, floor, walls.


is

added by the song leader. It is repeated by the chorus and all preceding verses are sung in reverse order.)
I

new word

All: Ravioli,

like ravioli.

Ravioli,

it's

the best for me.

Leader:

Is it all
it's all

over?
over.

All: Yes,

Leader: Yes,

it's all

over.

Bingo

^
n
-

There

was

farm

er

had

dog

^
r
-

And

^l-4rJ-Fr
was
his

r
-

Bing

name- o,

I -

LJ
-

0,

^^
G
-

0,

I -

^^
-

0,

And

Bing

was

his

name

0.

Sing song through six times, the first time ju^t spelling out thv name B-I-N-G-0; second time, spell out first four letters and clap the "0"; third time, spell out first three letters and clap the "G" and "0"; etc., until all five letters are clapped out.
11

Points to Mineself
G7

$
I

FT^
F
points to

i:

r
is

mine-self, vas

das

here;

G7

t
is

Das
C

mine

<f>^

e M M
P learned in

top-notch-er,

ya
C

ma - ma
_

dear.

G7

'^

Top-notch-er,

top-notch-er,

ya mac

ma

dear.

mm
G7

Mf
der

school,

^^
boom-boom!

Dat'swot

As you
Point

sing this action-fun song, point to the proper part of


it

your body when you mention


to the top

in the song.

For example:

of your head as you sing topnotcher. Continue

singing and add another part of your body for each verse and

repeat others, going backward

from

last
list

item

to first.

Try as

many

verses as you want, u^ing the

below.

For the boom

boom,c/ajD hands,

bang on

tables,

or stamp feet.

Chorus (Repeat after each


I

verse.)
is

das here; Das is mine sweat browser, ya mama dear, Sweat browser, topnotcher, ya mama dear.
Dat's wot
12
I

points to mineself, vas

learned in der school, boom-boom!

Repeat chorus.

Point

to

Sing

Top

of

head

Topnotcher

Brow

Sweat browser

Eye

Eye winker

Nose

Horn blower

Mustache

Soup strainer

Mouth

Lunch eater

Chin

Chin chowser

Neck

Rubber necker

Chest

Chest protector

Tummy
Foot

Breadbasket

Foot stomper

13

She'll Be Comin' the Mountain


Novelty arrangement

'Round

in italics

$i
She'll be

4 y,

i
'^s^^

com-ing 'round the moun-tain when she comes

^
G 9

^
G
W

com-ing 'round the moun-tain when she comes

She'll be

Q
,
I

' D7

i|
| 1

J
i

s^,^

the moun-tain, She'll be com-ing 'round the moun-tain, She'll be

fiJ
j

JJ i
com-ing 'round

She'll be

com-ing round the moun-tain when she comes.

Sing each stanza and make appropriate gestures three times. Following the last singing of each stanza, repeat sounds and gestures of all preceding stanzas.

For example: At
Scratch, scratch!;

the end of the sixth stanza you say

Yum, yum!; Hack,

hack!; Hi, Babe!;


all the

Whoa,

back!;

Woo, hoo! and go through


mountain
twice.

motions.

She'll be comin' 'round the

When

she comes, "Whoo, hoo!" Pull do wyi on imagiyiary whis tie cord

She'll be drivin' six

white horses

When

she comes, "Whoa, back!"

Pull back on reins.


14

go out to meet her When she comes, "HI, Babe!" Wave nght hand, palm front, left

And,

we'll all

to fight.

And we'll kill the old red rooster When she comes, "Hack, hack!"
Chopping motion with right hand.

And we'll all have chicken 'n' dumplings When she comes, "Yum, yum!"
Rub stoynach.

And we'll wear our bright red woollies When she comes, "Scratch, scratch!"
Scratch
ribs.

Tra, La,

La

Swiss

(Refrain) Tra

m
rf

^
Tra
I

s
la la la la la

f
la la la, la la la.

la la la la la

^'

^"^
la la la,

Tra

la la la la la

h
1.

\\
Tra

'

'
I

r"f
la.

II

la la la la

(Sing the refrain at the beginning (tnd after each rerse, sirai/ing

on the refrain and doing

tfie

appropriate motions for each rerse.)

2. 3.

And in and out, and left and right, etc. And up and down, and left and right, etc. And up and down, and left and right, And in and out, and left and right, etc.
15

^
If

You're Happy
Ab

^
If

i
-

vou

re

hap
^

pv
^^

and

you

=
^^

^/

''
\

^
l^k

know

it

clap

your

hands-

1' r r - py hap and Ab

t?

if

you

know

^
it

If

you're

t
clap

t
your
F

f-

Db

If

r
If

g
you're

M'
F
to

m Mf m ^^
J

hands

hap-py

and you

Ab
t

r
ought

^
show
it

r
If

^
you're
I

know

it

Then you

real-ly

Ab i2=r=F

E^
I'

A.b

r
clap

''i;
I

hap

py

and

you know

it

your

hands.

If you're

happy and you know Clap your hands. Clap-clap happy and you know

it,

If you're

it,

Clap your hands. Clap-clap If you're happy and you know it. Then you really ought to show it.
If you're

happy and you know

it,

Clap your hands. Clap-clap

For following and motiojis.


If you're

verses, repeat first verse

and substitute

neiv words

happy and you know it. Stamp your feet. Stamp-stamp

16

If you're

happy and you know

it.

Shout
If

HOORAY!
know
it,

you're happy and you


three. Clap-clap,

Do all

stamp-stamp,

HOORAY!

One

^
#
rj)-"'^

Finger,

One Thumb
t

^
0-

^
One
^'
I

t
0
0-

^
one
J hand,
J'

^
2.

One

fin-ger,

one

thumb,

Keep

f
ing.

> >
fin
-

>

mov

ger,

one thumb, one hand, Keep

^-J-

J
-ing.

M
fin-ger,
l

mov

One

r one thumb, one hand, Keep


i'

M'

(^Atp
mov
-

J
ing.

j'^'
j'

j'j'

^
gay.

And

we'll

all

be hap-py and

One finger, one thumb, one hand, two hands, Keep moving.
Repeat three times.

And

we'll all be

happy and gay.

3.

Add in turn: One arm 4. Two arms 5. One leg


6.
7.

Two legs
Stand up sit down Turn around

8.

NOTE
Words are accompaiiied by }}i()ti<)}is irith Ji)i(/er, tJiunib, hand, raising arms, stamping foot, standing-up and sifting-doioi actions.

17

Johnnie Verbeck
Bb

i
There

i^

^^=^\ d'
a

}. jH

i
-

^
his

was

lit

tie

Dutch -man,

Cm

$
(l^

i
name

t
was
John
-

nie

Ver

beck.

He

J
was

Ji

;.'

i
in

'

i
-

^1

ji

dealer

sau

sa

ges

and

i^''

^.

J'

.!'

^^ did
-

sau

er

kraut

Bb

and

spec.

5-

?
sau
-

made

the

fin

es

sa

ges

^
that

He

Cm

^m
-

?
you
did
see.

ev

er

But

one

day

he

in

vent

ed

m
won
18
-

d
der
-

i
ful

p
sau
-

sage

ma

chine.

Chorus

Oh, Mister Johnnie Verbeck,

How could you be so mean?


I

told

you you'd be sorry

For inventing that machine.


All the neighbors' cats

and dogs

Will never

more be

seen,
to

For

they'll be

ground

sausages

In Johnnie Verbeck's machine.

One day

little fat

boy came walking

in the store,

He bought

a pound of sausage and piled


to whistle

them on the

floor;

The boy began

and he whistled up a tune,

And

all

the

little

sausages went dancing 'round the room.

Repeat chorus.

One day

the machine got busted and the

blamed thing

wouldn't go.

So Johnnie Verbeck, he climbed inside


it

to see

what made

so;

His wife, she had a nightmare and walking

in

her sleep,

She gave the crank an awful yank and Johnnie Verbeck

was meat.
Repeat chorus.
19

m ^
Where,
oh
where,

Paw-Paw Patch

>
is

>
Su
-

oh

where

sie?

^>^''i-

J'

J'

^
where,

J'

E
where

^
Su
-

Where,
I

oh

oh

is

sie?

^^
Eb
Where,
oh

#
where,

#
oh

^^
Eb
where
is

Su

sie?

Eb

I
the

i
paw-paw
patch.

Way down

yon-der

in

Chorus Picking up paw-paws; put 'em in a basket.

Picking up paw-paws; put 'em in a basket. Picking up paw-paws; put 'em in a basket.

Way down yonder in the paw-paw patch.


Come along, boys, and let's go find her. Come along, boys, and let's go find her. Come along, boys, and let's go find her. Way down yonder in the paw-paw patch.
Repeat chorus.
She's a queen of old Hawaii. She's a queen of old Hawaii.

She's a queen of old Hawaii.

Way down yonder in the paw-paw patch.


Repeat chorus.
20

She can teach you how to hulu. She can teach you how to hulu. She can teach you how to hulu. Way down yonder in the paw-paw patch.
Repeat chorus.

Pick a Bale of Cotton


Negro work song

ytj, >
Gon
-

IJ
jump

J
down,

J'-

J
-

j'jij'ji).^
j^
a day

na

^
I'

turn a

round, Pick a bale of cot-ton, Gon-na

;i

ji
a
bale

J'-

jump down, turn

a-round,

Pick

^
<S, r

)I

fi

!
of

^m
cot-ton

Oh, Lor-dy,

Pick a bale

^
r.
Pick a

jr

^S
bale

Oh, Lor-dy,

a day.

Me and Me and Me and Me and


Gonna Gonna Gonna Gonna

my wife's gonna pick a bale of cotton, my wife's gonna pick a bale a day. my wife's gonna pick a bale of cotton, my wife's gonna pick a bale a day.
pick-a, pick-a, pick-a, pick a bale of cotton. pick-a, pick-a, pick-a, pick-a, pick a bale a day.
pick-a, pick-a, pick-a, pick-a, pick a bale of cotton.

pick-a, pick-a, pick-a, pick-a, pick a bale a day.

Repeat chorus.
Collected and adapted by John A. and Alan Lomax. Copyright 1936, Folkways Music Publishers, Inc., N.Y.

Used by permission.

21

Three Jolly Fishermen

te ?
There

E
were
G7
F
three
jol

^m
?
men,
G7

^^m
fish
-

er

There
F.

F
^' ^'

i>'
were three

'
jol
-

f
ly

If
fish
-

r
er

I''

men

i)'J

\l

^
fish
-

}
er";

f^=^
f

"Fish-er,

"men, men, men.

i'

^
"Fish
-

}
er,

>
fish
-

j
er";

s=s;=5;
f

J men."
F

P
There

"men,
F

men,

}
(!J>^

j'

^m
fish
-

G7

n
men.

were three

jol

ly

er

The The

first

one's one's

first

name was Abraham, name was Abraham,


etc.

Abra, Abra; ham, ham, ham,

The second The second

one's one's

name was name was

I-I-saac,
I-I-saac,

I-I, I-I; zik, zik, zik, etc.

The The

third one's third one's

name was Ja-a-cob, name was Ja-a-cob,

Ja-a, Ja-a; cub, cub, cub, etc.


22

They They

all all

went up went up

to Jericho, to Jericho,

Jer-i, Jer-i; cho, cho, cho, etc.

They should have gone They should have gone


Amster, Amster;
Variation:

to
to

Amsterdam, Amsterdam,

sh, sh, sh, etc.


Fisher, fisher
this

Have one group shout


Amsterdam.

and a second

group shout men, men, men. Repeat


Jacob, Jericho, and

for Abraham, Isaac,

Camp Menu Song


F
F.

(f.^iji;.j
To-day
F
is

j^-jiijiiJ^'iJ
is

^^
F
h
I

Mon-day! To-day

Mon-day! Mon-day Hasenpfeffer!


F.

C7
I

.'

J^

.'

J
I I

J
I

Ev-'ry- bo-dy

hap

py?

Well,

should say!

As you
named.

sing this song, add a day each time until all days are

Today is Tuesday! Tuesday, string beans. Monday, Hasenpfeffer; everybody happy?


Well,
I

should say!
is is is is

Today Today Today Today Today

Wednesday! Sou-oop,
Thursday! Roast
Friday! Fish,
etc.

etc.

beef, etc.

is

Saturday! Payday, etc. Sunday! Church. Very softly


and sing

Variation: Divide into groups; have each group rise

one day's menu.


23

Throw

It

Out the Window

; ; z=z > J
-

r=s z=z
went
C7^

J^

^,

^
h

Old Moth
3
rf

er

Hub-bard
V

to

the cup-board to
3"

m
F
get

.-

^5 I
"

C7

^^
a
bone.
3

^^
she
got
there
a^

^
the

her poor dog


3

When
C7

Q C7

^-^

FF=^
cup-board was bare,

She

threw
F h
\

it

out the
I

win-dow, the
C7
I

^s
F

^.

Ji

f i

'

win-dow, the win-dow,

She threw

it

out

the win-dow.

C7

^^^
#
got
there the

5=5=4:
#

When

she

cup-board was bare.


F

She

C7

wf
threw

p
it

f
out

m
the

m
win
-

dow.

Sing as a group song using a new Mother Goose rhyme each time you repeat melody. Substitute She threw it out the window/or last line of each rhyme and make thromng motions vnth arms.
24

Mary had a little lamb,


Its fleece

was white as snow

And everywhere

that Mary went She threw it out the window, The window, the window, She threw it out the window. And everywhere that Mary went She threw it out the window.

Variation: Divide the group into two or


starts

by singing a
starts.
its

more teams. One team rhyme. As soon as one team finishes,


is

another

team

eliminated if it fails to start singing

as soon as

turn comes.

Chester!

Tune: "Yankee Doodle"

Sing through once without action. Repeat four times, acting


out an additional line each time.

Chester, did you 'ear about Harry?


Strike chest, touch ears, pat head.

He "chest" got back from


1

the

Army.

Strike chest and back, then fold arms.

he knows how to wear a rose. Touch ear, nose,'lapel. Hip! Hip! Hooray for the Army!
'ear

Raise fists for cheers; fold arms.


25

Ham

and Eggs

Tune: "Tammany"

i^

'll
Ham

J
and

J
eggs,

i-

i i
i
111-

J
I

J
like

J
mine
ji

fried

J
I

J
like

ji
fried

mine

^ ^ ^
Ham
and eggs,

nice

and

brown.

up G7

side

down.

^
Ham
F

^^ #
and eggs,
C7
.

and

eggs,

Ham

g')'^
fi

Ji

Flip'em Flop'em

Flop'em

Flip'em

Ham and eggs!

Variation: Divide boys into two groups

and sing a second

time.

Tap knees rapidly

to

imitate frying.

Ham and eggs.


First group sings.

Ham and eggs.


Second group
sings.

I like

mine

fried nice

and brown.

First group sings.

26

like

mine

fried upside

down.

Second group echoes.

Ham and eggs,


First group sings.

Ham and eggs,


Second group
yells.

Flip 'em
First group yells.

Flop 'em
Second group
yells.

Flop 'em
First group yells.

Flip 'em

Second group

yells.

Ham and eggs!


Allsiyig.

27

The Paddle Song


D
minor throughout song

^^'

^
Our

J'

}.

}
and

j
bright,

pad-dies

keen

^^
Flash-ing
like

^
sil-ver.

^^
Swift
as

the

iE5
wild

9E
goose

flight,

rE

r-

f
and

3
swing.

Dip, dip,

Some

boys can sing throughout song

J'
dip,

J
dip,

i
and

swing

Dip, dip, and swing

them back.
flight.

Flashing like silver; Swift as the wild goose


Dip, dip, and swing.
28


Hi Ho! Nobody
Three-part round

Home
c

i^
^

Fm

Fm

^
Hi.

;
no
-

ho

bod

home,

^
A round

Fm

_^
; ;
I

J
none.
C|

meat nor drink nor

P
Yet

Fm

mon-ey have

Fm

i^' f~i:
will
I

rt
be

\r
mer

Three Blind Mice


Key: D.

Time: 6/8

m
i

A7

D
^-^rd
'

continue pattern

A7
-

^^ ^

^#7^

i
p
ran

^
\

S'i

Three blind mice, three blind mice,


J
j'

See how they run.

dj^Jsee

iJ_ii
run.
\-

!>
They

r
all

^^
the

how

they

I1'^-^

i
wife.

t=i

^
off

^^
with

af-ter

farm-er's

She
J'

cut
J'

their

tails

^hr

J
knife.

ir
ev
-

M
er see
J-

F
such
a

carv-ing

Did

you

iSi
sight

J
in

J
life

E
Ij.
J
^
II

your

As

three

blind

mice?
29


London's Burning
Three-part round

m^
1.

(C())ifi}iue <))(

chord)

Eb

^
[W

Eb

2.

^^m
it

Lon-don's burn-ing, Lon-don's burning. Look


3.

i
cil,

'"['

^^

yon-der, look

it

yon-der. Fire, Fire, Fire, Fire,


Variation:

And we have no

wa-ter.

Have part of group

(very few) imitate sirens

throughout the song, and others

may

imitate noise of fire

equipment by shaking
etc.

keys, tapping chair or table nith pen-

Row, Row, Row Your Boat A round


One chord
D

m=^ i
*

i^H

^.

^
^^

?
^
-

i
ly

s;

eyitire

song

Row, row, row your boat Gent

down

the stream;

^frrh fyi^fH^l^\^-}\n. j l
Mer-ri-ly, mer-ri-ly, mer-ri-ly, mer-ri-ly Life
is

but a dream.

30

Down
^'

by the Station
Eb
I

Lee Ricks

Slim Gaillard
tz^za!

gf)^^'^

-^

t 7^^
BY

i
the

DOWN
Eb

THE STA
Eb

TIOX

ear-ly

in

^
all

ir

i
-

5
J-

J'

J-

*
lit-tle

J-

J'

^m
J

morn
Bg

ing,

See

the

puff-er bel-lies

Eb

^
in

Ja
Bt '7

}}.
the

row;

See

sta-tion-

i
mas-ter

J *
lit-tle

turn the

han-dle

E^
Chug, chug,

y''-^

r
toot,

fc3
toot.

^
Off

^^
One chord entire song
''
I

we

go.

Are You Sleeping?

A round

Key: F
.

ij

=i
.

Are

r r f you sleep-ing, are you sleep-ing?Broth-er John,


'
-

f
I

i
1'
1

yr

I'

f
I

!
ring-ing;

Broth-er

John.

Morn

B> p Morn-ing

''

i'

'

ing

bells

are

-tf*

bells are ring-ing,

Ding ding dong, ding ding dong!


31

ly

The Horses Run Around

m ^ ^
feet

E
The
hor
-

^^
a

ses

run

round,

their

i
are

E
Oh,

on

the

ground,

^
will

*
wind
the
clock

who
G7

while

I'm

a-

_79
way,

*
a-

"s^.!

/ .

f
Go

s ^p
get

way,

the

ax,

^
hair

^
a

there's a

on

ba

by's

chest;

Oh,

n
is

I?

:^^^

boy's best friend

his

mo-ther,

his mo-ther.

While looking out the window, a second-story window, I slipped and sprained my eyebrow on the pavement, the pavement,
32

Go get the Listerine, sister has a beau, Oh, who cut the sleeves off father's vest,
A-peeking through the knothole,
leg,

his vest.

in

grandpa's wooden
ocean, the ocean.

Oh, who has built the shore so near the Go get the alcohol, Willy wants a rub,

For grandma's teeth


While walking
moonlight,

will

soon

fit

baby,

fit

baby.

in the

moonlight, the bright and sunny

She kissed

me

in the

eye with a tomato, tomato.

We feed the baby garlic so we find him in the dark,


An onion,
is

a husky vegetable, a table.


shingle,

She spanked him with a


tingle.

and made

his panties

Because he socked his little baby brother, his brother, A snake's belt always slips, just because he has no hips. And he wears a necktie around his middle, his middle.
From The XeirSii{j Feat. Copyright
1955.

Used by permission.

Want a
C

Girl

Key:
I

want a girl, just like the girl That married dear old Dad; She was a pearl and the only girl That Daddy ever had.

A good,

One I want a girl,

old-fashioned girl with heart so true. who loves nobody else but you,
just like the girl

That married dear old Dad.


Copyrighted 1911
permission.

renewed 1938 by Harry Von Tilzer Music Publishing Co., N.Y. Used by
33

Ivan Skizavitzsky Skivar

i^)2

JlJ
The

sons

^^
of

har
-

i
dy

the

proph-et were

and

jv^
bold,

u'lr
And
*

r
-

^
to

nfear,

quite

un

ac

cus-tomed

i>J

i'j'

J
of

ij
all

J
a

^
I

But the brav-est

was

m
told,

I
Named
Ab-dul
El

Bul-Bul

meer.

^1
man

am

If

they wanted a man to encourage the van, Or to harass the foe in the rear;

Or

storm a redoubt, they would set up a shout, For Abdul El Bul-Bul Ameer.
to
in

There were heroes

plenty and

men known

to fame,

Who fought in the ranks of the Czar;


But none of more fame than a man by the name Of Ivan Skizavitzsky Skivar.

He could sing like Caruso, both tenor and He could play on the Spanish guitar;
In fact, quite the cream of the Muscovite

bass,

team

Was Ivan
One day

Skizavitzsky Skivar.

Muscovite shouldered his gun And walked down the street with a sneer; He was looking for fun when he happened to run Upon Abdul El Bul-Bul Ameer.
this bold

"Young man,"

said Bul-Bul, "is existence so dull.


to

That you're anxious


34

end your career?

For, infidel,

know you have

trod on the toe

Of Abdul El Bul-Bul Ameer.


"So take your last look at the sunshine and brook, And send your regrets to the Czar; By which I imply that you are going to die. Mister Ivan Skizavitzsky Skivar."

I've

Been Workin' on the Railroad

I've

been workin' on the railroad

All the livelong day,


I've

been workin' on the railroad

Just to pass the time away;


Can't you hear the whistle blowing?
Rise up so early in the morn;
Can't you hear the captain shouting:

"Dinah blow your horn!"

Dinah Dinah Dinah Dinah

won't you blow, Dinah won't you blow, won't you blow your horn, your horn! won't you blow, Dinah won't you blow, won't you blow your horn!
in the kitchen

Someone's Someone's Someone's

with Dinah,

in the kitchen I in the kitchen

know;

with Dinah,

Strummin' on the

old banjo.

Fee-fi-fiddely I oh!

Fee-fi-fiddely I o-o-o-oh!
Fee-fi-fiddely I oh!

Strummin' on the

old banjo.

Fee-plunk, fi-plunk, fiddely-I-oh plunk!


Fee-fi-fiddely-I-oh, plunk, plunk, plunk!

Fee

fi

fiddely-I-ohhh

Strummin' on the

old banjo.

35

The Quartermaster's Store

^
r
1i
U
J*

There

are

snakes,

snakes,

snakes

I'lj
big

M
e^

jil ni
'

T'
store,

m
A i
i

as gar-den rakes, at

the

=fet

f
store.

^
at the

U
i

There are snakes, snakes, snakes

B7

nj
^
eyes
are

j-i

^
i

big as garden rakes, at the Quar-ter-mas-ter's

store.

^
i

i
dim,
I

^
see.

;
I

My
B7

can-not

^
my
B.7

B7

^^
not
got

^^
I

have
E

as

specks with me.

not

i
got

^
my
rice,

have

specks with me.

There are mice, mice running through the

At the At

store, at the store.


rice,

There are mice, mice, running through the


the quartermaster's store.

Repeat chorus.
36

There are

rats, rats, big as alley cats,

At the

store, at the store.


rats, rats, big as alley cats,

There are

At the quartermaster's
Repeat chorus.

store.

John Jacob Jingleheimer Schmidt

i^
John
Jac
-

I
ob
Jin-gle-heim-er

^
Schmidt,

i>'

F
is

i
too.

^
i

His name

my name

When-

M
ev-er

i
go
out,

5
the
peo-ple

we

al-ways shout,

"John

Jac

ob

Jin

gle

heim

er

I
Schmidt!"

Da-

da -da

da -da-

da -da.

Repeat four times, each time softer until, on the last verse, mouth the first four lines and end by singing Da- da- da- da da -dada.
Inc.,

Music used by permission of Rytvoc,

N.Y.

37

The Animal Fair

m
^)i'
^j'^'
(j.j'

i
I

\\

}
an
-

^
i

;
-

iJ^^
fair,

}
The
J

went
i'

to

the

mal
J=i:

J
the

J
J^

birds

and

beasts
^'

were

there.

^'

'r
old

I'

t'

IT

iT

^
Was J
He

The

ba-boon
J'

bv

the

light

of

the

moon,

J'
-

J
au
-

J-

comb

ing

his

burn

hair.

ii>
The

.1'
1

i'
-

J
-

i
the

fun

ni

est

was
J'

monk,
'fc-

1'

I'

I'

J'
e
-

i
phant's

-<:

climbed

up

the

el

trunk.
^
i:

mM
The
el

^
r

f
on
^

F
his

f
knees,

-e -phant sneezed

and

fell

And

#
be

~^

1^

-*
(?
I

f
monk?
j

^
The
Variations

what

came
J'

of

the

>
the

monk, the

monk,

monk, the

monk.

When song
38

is

sung through

once, a small

group

may

sing the

last line

over and over as a chant while rest sing the song a

second time.

Other

lyrics for the

''monkey" line: ''The monkey he got drunk,


"

and fell

on the elephant's trunk.

Smile Song
Tune: "John Brown's Body"
Key: B Flat

any trouble just to S-M-I-L-E, It isn't any trouble just to S-M-I-L-E. There isn't any trouble, but will vanish
It isn't

like a bubble,

If you'll

only take the trouble just to S-M-I-L-E.


It isn't

any trouble just to G-R-I-N, Grin, etc. Third verse: It isn't any trouble just to L-A-U-G-H, etc. Fourth verse: It isn't any trouble just to HA! HA! HA!
Second verse:

HA! HA!

etc.

Oh!
By

How

Hate To Get

Up

in the

Morning

Irving Berlin

Chorus

"Oh! how I hate to get up in the morning, Oh! how I'd love to remain in bed For the hardest blow of all, is to hear the bugler You've got to get up, you've got to get up, You've got to get up this morning!

call:

Someday I'm going to murder the bugler, Someday they're going to find him dead
I'll

amputate

his reveille,

and step upon

it

heavily,

And spend

the rest of

my life in bed."

Copyright 1918 by Irving Berlin. Copyright renewed 1945 by Irving Berlin. Used by permission of Irving Berlin Music Corp., N.Y.

39

Drool Song
r^
^1^''
tf

r>

rs

Bb
f

y-^
Just plant

wat

er-mel

on

seed up-

r
on

jjj
and
<^
fib

^3
juice

my grave
r^

let

the

run

r^

##>
^
I

ff

through. Just plant a watermelon seed up-on


F.
.

my grave, That's

J'

'i
all
I

^^
fib

ask

of

vou.

Chick-en and pos-sum

are

i
ji

might

^
-

fine,

r
ain't

u'
like

But there

no taste

^ u'

Bb

>

sb

zzzx

wat-er-mel-on rind. Just plant a

wat-er-mel-on seed up-

i
40

^
on

3
=

^-r^
let

^^

my grave and

the

juice

run through.

From TlieSamter. published by The Boy Scouts

Association of Great Britain

Pink Pajamas
Tune: "Battle
I

Hymn of the Republic"

wear my pink pajamas in the summer when it's hot. wear my flannel nighties in the winter when it's not. And sometimes in the springtime and sometimes in the fall, I jump right in between the sheets with nothing on at all.
I

Chorus
Glory, glory, Hallelujah; Glory, glory, what's
it

to you.

Balmy

breezes blowing through you,


at
all.

With nothing on

Michael Finnegan
G

4'''}
There

I
'

li

I '

I'

I '

1'

''

was

an

old

man named

Mich-ael Fin-ne-gan,

^=s
G

;
He
had whisk-ers
on

^'

}\

}\

}i

his

chin-e-gan,

^m
wind blew

]i

^
them
off

f
grew
in

^
.'i

The

and

they

a-gain,

^f^
Poor

^
old

Ji

Ji

Ji

}
e
-

1
41

Mich-ael

Fin-ne-gan,

Be -gin

gan.

a.t;s:*tot^ic3

The Stars and Stripes Forever


Words by Bob Russell
Moderately

Music by John Philip Sousa

$s
There

E
a -loft

^
in

soft

and

friend

ly

breeze Flies

the
-

Red, White,

^m
and Blue
'

a-bove

!?|J
vou.

'

'

And

un- furled

ii

mem

ries

^
with

^
world
of
'

her
I

Of

the

men

who

said,

who

i
proud

'
-

J.
ly

J
"I

?
love

said

vou.

i)"^\'
When
'^

\H'
I

^
r see
1

^^

^
and
the

m
Stripes,

the

Stars

<f>^

i*J

J
is

Then mv heart

m ^^
drum
wild
-

Iv

beat

^^^

^
ing,

^
So

j|

J
to

J
be

U
part

J
of

J
the

r
dream

proud

42

^)^'^

J
That

J
is

N
al
-

\'

g
on
the

^
^1' J

ways
J

march,
XI-

ir

J
be

r
will

^
.,
ev
I

J
'rv

And

bless -ed

breeze,

fj
That

J
will

fJ

J
the

J.

J
J

rus-tle

Stars

and
^'J

Stripes for-

i
ev
er,

J
the

J
pa-

I'm

part

of

gal

lant

J
rade,

Of

those

who

r car-ry

'
I

on

the

^a
Stars

i
and

^
J
Stripes
for
-

ev

er

Copyright 1897 and 1925 by John Church Co., Philadelphia. International copyrinht secured. Sole selling ayent in United Slates and Canada, Hill and Range Songs, Inc., Beverly Hills. Used by permission.

43

America
By Rev. Samuel
F.

Smith

Key: G.

Time: 3/4

My country!

'tis

of thee,

Sweet land of liberty, Of thee I sing; Land where my fathers

died,

Land

of the pilgrims' pride.

From

mountain Let freedom ring.


ev'ry

side

My native country, thee.


Land of the noble Thy name I love;
I

free,

and rills, Thy woods and templed hills.


love thy rocks

My heart with rapture thrills


Like that above.

Let music swell the breeze,

And ring from

all

the trees.

Sweet freedom's song; Let mortal tongues awake.


Let all that breathe partake. Let rocks their silence break.

The sound prolong.

Our fathers' God, to Thee, Author of Liberty, To Thee we sing; Long may our land be bright With freedom's holy light.
Protect us by

Thy might.

Great God, our King.


44

God Bless America


By
Irving Berlin

Moderately
F

iBE
God
C
that

^ i
bless

w
-

^
ca

mer-i

Land

^ ^^
F
F

ix
love

i
J

Stand be G

^
-

side her-

^
and

J
with

J
a

IJ
light

guide

her

Thru

the night

i
r

3Z
bove F

Z
From
.

i ^^

To
Vp F

the moun-tains' C c

^
i
white
i

from

i
to the prai
-

1
ries
-

F
II

3r

#
-

I
with

the
C

ceans
y

foam

i
God
c

bless

m
F

Dm
J
-

Gm

^
-

mer

ca-

p
C
y.

n:

My home

Bb

i
sweet

n:
home
Gm

xz:

God
F

bless

^M
A
F
-

mer-i-ca

^^

Dm

2L
sweet

^m
45

My home

home.

Copyright IMVt. God

Bli-ss

Tunney. litW

trustees. L'seil by permission of Irvinji Berlin

Anu-riia Fund. A.L. Berman. chairman: Ral()h G. Bunche: and Gene Music Corp.

America, the Beautiful


By Katherine Lee Bates
Kev:BFlat.
Time: 4/4

'

M
0,

J
-

J
-

^^
for

beau

ti

ful

spa

cious

skies,

For

i
am
F
-

i
ber waves

^'

-^
pur
C

^
-

of grain,

For

pie

moun
F

tain

$ i

5:

ji
-

I'
l

P
AJ
J'

maj

es

ties

bove the fruit-ed plain.

mer

ca!

^
A
I
I

'i'

J
ca!

mer
B^
.

God

El^
.11

(V

r^
thee.

.1'

shed His

grace on

And crown

thy good with

l''i
broth
-

J
I

^^
-

er

hood

From

sea to shin

ing

sea.

46

0, beautiful for pilgrim feet,

Whose

stern, impassioned stress,

A thoroughfare for freedom

beat,

Across the wilderness! America! America! God mend thine every flaw.

Confirm thy soul

in self-control,

Thy

liberty in law!

0, beautiful for heroes proved. In liberating strife,

Who more than self their country loved,


And mercy more than life! America! America! May God thy gold refine.
Till all

success be nobleness,

And every gain divine!

0, beautiful for patriot dream.

That sees, beyond the years. Thine alabaster cities gleam, Undimmed by human tears. America! America! God shed His Grace on thee, And crowm thy good with brotherhood

From

sea to shining sea.

47

The Star-Spangled Banner


By Francis
Key:
Scott

Key

A Flat.

Time: 3/4

you see, by the dawn's early light. What so proudly we hail'd at the twilight's last gleaming? Whose broad stripes and bright stars, thro' the perilous
say, can
fight.

we watched were so gallantly streaming. And the rockets' red glare, the bombs bursting in air, Gave proof thro' the night that our flag was still there! say, does the star-spangled banner yet wave O'er the land of the free and the home of the brave?
O'er the ramparts

On the shore, dimly seen thro' the mist of the deep, Where the foe's haughty host in dread silence reposes. What is that which the breeze, o'er the towering steep,
As
it

fitfully

blows, half conceals, half discloses?

Now it catches the gleam of the

morning's first beam. In full glory reflected, now shines on the stream 'Tis the star-spangled banner. long may it wave O'er the land of the free and the home of the brave.

48

Forward America
Music by Larry Corbett,
Jr.

m
For
-

^ ^
s
ward
A-mer-i-ca,
It's

and

coun-

my home

my

r
For
-

If

Jn-j j;j'
I

m
try.

^
'J'
I

ward

A-mer-i-ca,

It's

the land most

a i

^'

dear to me.

We

will sing

my country

'tis

of

Thee,

^.Jj^p

Jll^n'Jy
-

f
-

J
-

Sweet land

of Lib

er

ty

As we go For

ward A

^.I.HJl.HJf
mer
i

i
l

^^
coun-try-try

ca.

It's

my

home and my

49

Boy Scouts

of

America

^ ^ ^^
fib

Words and music by Jack Combs and Jimmy Clark


nb
e\>
s;

t
-

We're the

Boy

Scouts

of

mer-i

ca

E^

B^
1-

B^
^-

B^
!
-

B^

i
Q

K
Scout-ing

-''

U.
new.
E^
Efc;

for things a

B^

fib

E^

Our
F

ac-tiv-i-ties

lead

to

vic-to-ries in
vi>

B^

nb

all

we

set out

to

do.

We're the Boy


E^
A^

B^

E^

(^f\>

J.

i^
I

/
E^

.u
ca,

J.

j^

Scouts of
A^

A- mer-iE^

y''"

hand each day

^ ^
E^
fib

We

g
B^

1^

plan hand in

To do

bet-ter than need be done

Fm

Fm
.1'

E^

E^ E^

^>^^

y jj
till all

J-

h J.
i

l^

ffeFfl

our goals are won champs with a win-ning way.

50

X i^3

d-

4
to

i
and
E^'

Wr
in-teg-ri-ty

b^

We're loy-al

pur-pose
B^^

P
is

lb

e''

E
b

J.

;'
i

-^

Pledged to

^^

^
*
l

the Scout Oath e


pb

ter-nal-ly
fib

With

;'JJ^'N
ii'

;'j,

^
to

verve and con- vic-tion

we sing our song


.b

ikeep
lb

i-

imer-i

J-

I
fib

A
J

ca strong.

-fP

j'
l

^fi"'.].

Scouts of
n
1.

A
b Eb

merEb

^
i

We're the Boy

^
Br
:

^^^
and
this

Ab

ca,

we
3

Ab

have to
b

say

Join us and we'll stand be-

^-^

Cm
i-

Fm

gb

fib

^>^'''

#
be
-

i
side

f
side

you,

you
Bb

all

the

rb

Fm

^^
""^

E
The Boy
Scouts
of

mer-i-

^
E^'

way

Fm

^
you
all

fib

^
ca
fib

will

Stand be-side

the way.

51

'

'

There's Something About a Boy Scout


Tune: "There's Something About a Soldier" by Fred Waring

March tempo

^
a
-

m
bout
a

There's some-thing

Boy Scout, There's

f
-

m
4''
F

some

M'
a
-

r
a

thing

bout

^
^
.

i
There's
F

Boy Scout,

#
t

0-

some-thing
F

a-bout
F,

a
.

Boy Scout

L
fine;

^
He'll

^'

^'

^
F

^^
that
.

'

is fine, fine,

F,

work

for

badge
,

of

mer-it.

He's

^ m
<ff/r
F
.

r chance proud of the


B^

gg

r
to

^^
it,

wear

He's learned to be preB^

B^
'
I I

r
the time,
bI>

f'

J,
He

pared

all

time, time.

will nev-er
bI^

be an

B^^

r
If he'll

r
-

t
Cm
I

^
^

out-law

bey the

Scout Law, He's

i
52

^
a-

G
I

r
bout,

r
line,

'

ev-er

up and

he toes the

line,

Cm
I

Cm ZEU

^m
t^
to

Cm

p
best, That's
e

line.

On

his

oath

do his

^m m ^^
*
nou^h, you know

('
I

'

I'

r
a-bout a

the rest, There's some-thin^

^^
is

Bov Scout

that

tine,

fine,

fine.

Cnpyriyht l!t.j:5 l).v Lawivncf Wiijiht MiisicCi). Ftnm I'si'd hy piTiiiission.

/^-//>

WillSnii/. Mills

Music Inc. N.Y

Boom! Boom! Gee To Be Scouting


Eb

It's

Great

^^^
Boom!
.

Boom!
A

Gee
AEb

it's

great

to

be

Bb

Scout-ing.

m ^
Boom!
Ab

Boom! Gee

it's

great to be

B7

Eb

B^

Eb

out-ing,

hik-ing

and camp-ing

all

day long. Boom!


B?
Eb

|i-'

7
Boom!

J
it's

Gee

great

to

be

Scout

ing!

53

I've

Got That Scouting Spirit

Tune: "Joy

in

My Heart"

I've got that

Up in my Up in my Up in my

Scouting head, head, head.

spirit,

I've got that

Up in my Up in my

Scouting spirit. head, head, to stay.

Fve got that Scouting

spirit,

Deep

in

my heart, etc.

Continue as in first verse.

Fve got that Scouting

spirit,

Down

in

my feet, etc.

Continue as in first verse.

I've got that

Scouting
etc.

spirit,

Allover me,

Continue as in first verse.

I've got that

Scouting Spirit,

Up in my head.
Deep
in

my heart,
Scouting
spirit,

Down in my feet.
I've got that

Allover me,

Allover me,

all

ways.

Used by permission of John D. Cooke.

54

Scout Leader's Prayer


Tune: "Marcheta"

Key: E Flat

Bv Talman H. Trask

^t
Our
C

Fa

i ^s
ask Thee
F
.

^
ther
C.

i i
in

-0

^
-

Heav

^
a-bove us,
F
dai
-

en
C

We
F

i
in
.

forguid-ance
F
1 1 I

our
C
i

ly task.

May

^
C,

<yr

^ r

^
i

m
To

vir-ture

and manhood
C

stand strong-ly

a-mongst

us.

f
give
all

Thee we
_.

of

our

^
F

^
F^

thanks.

Dm

A
J
i

Dm
r-

i
E

^- Dm
^
A.,

^
To
,

The

Scout Oath, the Scout Law, their E

les-sons un-fold-ing

i
our vouth,
in

num-bers

^^
3^^
r
live

^C

un

told,

Our

^mm

r nr
it

r
it,

j^

^^
C,
,

mot-to, our

Good Turn, may we


C

and teach
F

Great

J
of

''

'J
-

2k
pray.

Spir

it

Scout
I'uli.

ing

we
ami

I'si'd liy iH'inii>siun

Kay i Kay Musir

Cniii.. Ni'w Vi>ik.

Ctilf Coiii. Cliiratru, ro|iyri>ilu

itwiUTs.

I'.il;).

55

Be Prepared

$
Oh
c

X
Be
Pre-pared
F
J'

^
J

^j,^

>
a

J.

^
C7

Pre-pared Pre-pared, the

'

mot
F

to

of

Boy Scout; Oh

Be

^
pared
F

i
Pre-pared,

t
the

i
mot
-

t
to

^
of

Pre-pared Pre-

eb

i
Scout.
c

*:

^
Pre
-

^
Pre
-

i
pared,

i
the

pared

i
mot
-

m
to

^
Pre-

of

good Scout, Pre-pared

$
pared,

i^

IJ
mot
-

J'

J
of

i
a Scout.

the

to

We're on the Upward Trail


We're on the upward trail, We're on the upward trail, Singing as we go. Scouting bound. We're on the upward trail. We're on the upward trail,
Singing, singing, ev'rybody singing,

Scouting bound.
56

Hiking
Tune: "Caisson Song'

4'i

iImJ
0-ver
In
hill,

J'

MJ

^
We
You
hik-ing

o-ver dale,

will hit the

green-wood

^^
D
trail,

and

out, all a-round,

A
s;

ADD i
will nev-er see us

*-"^
-

p
T

As the Boy Scouts go

a
-

long,

frown, As the Boy Scouts go hik-ing a

long.

^S^
Qtf

> g>MJ_;';i[?
i

M ^
F
me,

And Bm
I

it's

hi!

hi!

hee!

The

B. S. A. for

tPl'
Qit

'f

ji

M
it

A
l|

A
l|

llll'
^

Shout out our name and shout

strong.

Where'er we go.

.L

.
i

we

will

al-ways know That the Boy Scouts go hik-ing a-long.

Philmont Grace
For food, for raiment. For life, for opportunity, For friendship and fellowship We thank Thee, Lord.

57

Philmont Hymn

mf

i
-

^m
As
c
-

Sil

ver

on the sage,

Star

lit

skies a-bove,

1
hills,
_,

i
-

pen cov-ered

Coun
c

try that

love,

^
G

i
thee.

^i^ m
.^^_
^
Out
in

Phil-mont here's to

Scout

ingpar
C

dise,

^-5^

1^^
to
-

God's coun-try

night.

^^

i
Ea
-

Wind
G

in whis-p'ring pines,

th

*
-

V
moun-tains
rise,

Pur

pie

A-gainst an a-zure sky,


c

^^
C

glesoar-ing high,

m
c

i
Scout-ing
C

Out

m
par-a-dise,

Phil-mont here's to thee, G

in

God's coun-try

to-night.

58

Trail the Eagle

Tune: "On Wisconsin"

Key: C.

Time: 2/4

Trail the Eagle, Trail the Eagle,

Climbing

all

the time.

First the Star and then the Life,

Will on your

bosom

shine.

Keep climbing!
Blaze the
trail

and we
call;

will follow,

Hark the

Eagle's

On, brothers, on until we're Eagles


Copyright by Edwin H. Morris Music Co.,

all.

Inc.,

and Broadcast Music,

Inc.,

N.Y.

Pack Up Your Troubles


Tune: "Smile, Smile, Smile"

By George Asaf

Pack up your troubles

in

your old kit-bag,

And

smile, smile, smile.

Now we're a'hiking on the old Scout trail,


Smile, boys, that's the style.

What's the use of worrying? It never was worthwhile SOOO!


.
. .

Pack up your troubles

in

your old kit-bag,

And smile, smile,


MCMXV

smile.

Copyright in all countries by Francis of Chappell &Co., Inc., N.Y.

Day & Hunter and used by

special permission

59

The Torch

of Scouting

Words by O.A. Kirkham

Music by V.E. Carroll

m
For C
-

rs:
J'

jJ
ye
^-

^
of
:

^m
i

ff

ward

sons

men
G

who

with

<Jif

fT^M'
topre-serve
c.

"

^
a

might and main, Worked


C

^ ^
3

i
Na
-

t
tion.

^^
true,

and build
^"^T

^
will

Now

with
^"--^

cour

age

we

p
C

Q ^

^
with

r
do.

?>
Know
h
-

I
ing that right

m
is

p
-

dare and

ev

er

E
I

MMr
h

r
ev

^
-

us

Car

ry high

the torch

er

Am
_
\

mar-ching.
rs Q rr\

Car
c ^.

ry high

the torch

of

true
3"

rri rs

rs r>

t
Scout
c
-

^
^^

i
G
ii' i
i i

ing.

For-ward
//

ye sons

^^"3

If
60

'''f

fJiI
pre-serve

might and main.

We will

and build

Na-tion.

Scout's Good-Night Song

Tune: "Santa Lucia"

^^ m
Foot-steps

^^
are bend-ing;

on

dis-tant trail

Camp-ward
P

Bl^

E
fire

^
11

B^

J^

i>

i
J.
send-ing;
b*^

Birch
\>

and bub-bling stew


e!^

Rich o-dors
e!^

m ^ ^
Here
Bl^

M,

^
tire;

is

your heart's de-sire, Rest when your feet shall


F
F
Bl^

(}/i'ffJ'J'j^ij'
-

^-^'ir

"

pen air and pals and food and

fire;

Joy nev'er end-ing.

Campfires are burning low,

No

longer leaping;

Scouts sing their evening song,

Shadows come creeping; Sun sinks below the west,


Good-night and may you rest; Blankets warm and by soft sounds caressed; Scouts all are sleeping.
61

Boy Scout's Prayer

Words and music by Gwen Beck


c

$
i

zr

^^
o

f
one,

Now
c
*

the day

is

done;

Boy Scouts one by

E #

#
in

prayer

^
,

IE

Bow your head

to the

Lord up there.

i
Oh
O
I

thank you

for

this

beau

^
-

i
day,

=Ce:

ti-ful

Oh

Lord.
c

Oi

i
C

'

3 I
the trees
in
I

Thank you

for the moun-tains,

i
Thank you
O

for the sun-shine

^m ^
F
,

the

lane;

that shines

through the rain;


C

^M
for
this

Thank you

beau

- ti -

ful

dav.

And
c

^m
as
1

m
i
62

^
r

-*

camp

J i
the
trail

Uraise

J
m\

eyes

^
to

on

to

night,

and

i
the
,

moon

lit

sky,

C
'

and O
J
I

pray,

Oh

tf'r

"^iJ-

1.

J
Lord

hear m-y prayers

to-night.

J thank you

J
for

j
this

i
beau
-

i P

31:

ti -

ful

dav

men.

On My Honor
Words and music by Harry
o
Bartelt

D7

iS
i
%
^
i
D
a-

!^
-

On my

hon

or

I'll

do

my

best

to

^^^
du
-

r
God.

TP

J'^ W
I

If
-

r
or

F
I'll

S
do

my

ty

to

On my hon
A.

do

my

^^
to serve

D.7

J
as
I

..

W
may.

best

my eoun-try
D
I'
I

^
Ji
to

fe^ w

On my

hon-or

^^
I'll

J'

J^J
best

do

my

f do my Good Turn each


I

J J
A

p
^

!S>f T

'r
.

m
D,

day

To keep

my
G

bod-y

f
^ f

i^
-

strength-ened C

and

S
To
.

keep G

my mind a ^C

wakened. D7

fol-low paths of

right-eous-ness.

! It I On my hon

i '
-

n
I'll

'^^my
best.

or

do

63


Camporee
or

Jamboree

Hymn

Words and music by M.H. McMasters


i>
E^?

K^

e1?

^^ 5
Blaz
-

3
ing camp-fires

^m
vi>

i>

.Jt>

make our spir


B.t>

its

light,

E^

E^

eI>

e^

nb

eI^

eI^

yg
As
jt?

^
we meet
in
e''

J
fel
-

JI J
low
-

J
I

i
-

ship

to

night;

e!?

e^

Eb
i

e\>

b^

pb

^^ P
Scouts
u
-

1^

I
ed

i
r
for

r
nit
-

r
a

^
free,

world that's

^f

E^

E^

EJ>

sb

B^

E^
s
'

e'

;?
light
-

I
ed
in

"

Fires have

our

jam-bo-ree.

Fading campfires 'neath a starry sky, Silv'ry bugles sound their lullaby,
Scouting friendships fashioned here today, Bind us closer when we are aw^ay.

Father, guide us, where brave men have trod, Help us know the Fatherhood of God,

Here beside us let us know Thy May we show the Brotherhood

plan, of

Man.

64

I'm Happy

When

Tm

Hiking

EnKlish hiking sonK

^ S^ ^^
F
F

^
I'm C
i\}'
tf*

f
d

w-

Tramp, tramp, tramp, tramp, tramp, tramp, tramp, tramp.


F

2^

\r

hap

py when I'm hik

ing,

pack

up

Gm

C7
^'
i
^i'
I

J
-

J
ing

1^^
off

^
I '

on

my

back.

I'm hap F
'

py when I'm hik

the beat

en

p
i

<Si*''
track.

r
Out

c
-

j'ljji
pen
F

in the o

coun-try, that's the place for

Gm

i'

'i-

l|

^
^ I

'l
|

I't:

f'

'l l

me.

With a true Scout-ing friend

to the jour-ney's end,

if't

f'

r
-

^^ i
ty,

r
fif
-

\
ty

^miles
F

S
a

ten, twen-ty, thir

for

ty,

$ ^^
day.

^iJJI^'i

^^
65

Tramp, tramp, tramp.

(Repeat tramp to end.)

Copyright by Neil A. Kjos Music Co.. Chicajfo. Used by permission.

Scouting Marches

On
John
T.

O.B.

Mathews

Boudreau

^^ ^
.i>

<?

-^

Scout-ing march-es, Scout-ing march-es, Scout-ing


,i>

i
march
-

p
es
on.-

^
Strong and read
F7
-

y,

B''

^A J

^
stead-y,

nz
Till

i
the
goal
is

true and

won.

^ ^
right

i>

f
nev
-

i
er,

^
For the

Daunt - ed

cour

age
,b

ev

er,

i>

*-

XE.

>
y

i
To
our home-land
B7

FIGHT

ON!
F7

c(Ar
I

"
|

g
loy
-

g
ing

^
al

I"
march
-

I"

=a

ev

er

Seoul

es

on

Copyriiiht by O.B.

Mathuws and John

T. Boudri'uu. I'si-d

l)y

piTmissinn.

66

Scouting

We Go

^
4> 1
go,

^
-

-*

W
Scout
-

i
ing

Scout

ing

we

go,

we

'J

J
- lit

i-

'^^
-

Sun

trails

and lands where wa

ters

i
flow

^
By
the
camp-fire's
friend
-

ly,

flam

ing

C7

i
Tune:

i
glow.

'i
Scout
-

^
ing

J^

^
go,

i
-

we

Scout

ing

we

go.

Hail! Hail! Scouting Spirit

"My Hero" from The

Chocolate Soldier

Key: B Flat
Hail! Hail! Scouting Spirit,

Best in the land;


Hail! Hail! Scouting Spirit,

Loyal we stand.

Onward and upward we're treading, Always alert to make Scouting ready,

We are prepared.
Hail! Hail! Scouting Spirit.
Hail! Hail! Hail!
Ust'd by permission of

Remick Music Corp., Nrw York, copyri^hi owners.

67

. .

You Can

Tell a Scout

Tune: "Long, Long Trail"

Key:

A Flat.
tell

Time: 4/4

You can
lines.

a Scout from

Insert troop number, city, or

camp name

in place of dotted

You can tell him by his talk; You can tell a Scout from You can tell him by his walk; You can tell him by his manner, By his appetite and such. You can tell a Scout from But you cannot tell him much.
.

Sonmitk-cupyriuhli'tl Lst'd hy iK'iniission.

liv

M. \Viimark& Sons. N.V

Scout Hearted

Men

Tune: "Stout Hearted Men"

Give

me some men, who are

Who will
Start

fight for the right

Scout hearted men. they adore.

me with ten, who are Scout hearted men, And I'll soon give you ten thousand more.

Oh! Shoulder to shoulder and bolder and bolder They grow as they go on the fore!

Then

There's nothing in the world can halt or mar a plan


Scout hearted

When
(."opyri^ht

men can

stick together

man

to

man!

hy Harms. Inc.

NY. This

paraphrast- uswl hy iKTmissiun.

68

Here's to the Boy Scouts

^
meet,

h
Boy Scouts
of

rti

Here's to the

A mer
-

ca!

Here's to the

^ ^^
s
Scouts where-ev-er they

G7

may

be,

A sal-ute to ev-'ry Scout we


_
' I

m
Not a

A7
I

rr^'a^

'-^
-

one shall know de

feat.

Be

e Pre-

if
F
lis.

=
be.

S
C7

i
is

pared our mot-to ev-er


7

Our em-blem

the fleur-de-

'

% ^
we'll

OurOathandLaw we
07

willo

bey,

And

jjU'iJii
a Good Turn ev
-

r
day!

'ry

69

Back in the Saddle Again


Words and music by Gene Autry and Ray Whitley

G7

it
I'm

J
back

tf

#
the

'

^
-

J
die

i
a
-

O
gain

^^^

in

sad

$ z=z

*
is

S f^
a
friend

&* E
the

Out where a friend

Where

^^
long-horn
cat
-

I'

r
the

^^
low-ly jim -son

tie

feed, on

^J)J-

1^

^
a
-

^
gain.
Rid-in' the

weed; I'm back

in the

sad -die

i ^
^
70

izzzi
t

,0

^
mv
old fort
-

*
v
-

range once more,

Tot

in'

four

^J

^Jlj

J J
-

[-

^
on-ly law

i
is

Where you

sleep out ev-'ry

ni^ht where the

i^
right;

i
I'm back
in

the

sad -die

-gain.

g>

3r
^^

tf^
-

11

Whoo-pi

ti

yi

yo

Rock-in' to and fro

*
in

i
the

back

sad

die

a-

^^in.

ij
Whoo
i-c
>

^
-pi
-ti

^
-yi

i
Ko

e>

-ya

my way

G7

J
in

J
the

'

^
sad -die
a
-

^^
gain.
Calif.

back

CopyriKht bv Western .Music Pub. Co.. Hollywood.

Used by permission.

71

The Old Chisolm Trail


Lively
Traditional

as im f
Well,

i
come

^
a-long, boys,

0 -0

0-

0-

and

lis-ten to

m
M
tell

^
trou-bles on the
old Chis-holm
trail.

my

tale.

I'll

you

all

my

B7
i

(fy*

.n
i

JJJTji .ni'.n ff'^jj I


i

ii

Come-a ti y y ip-py yip-py yay ,y ip-py yay Come-atiyi yip-py ,yip-py yay
!
,

On a ten
I

dollar horse

and a forty dollar saddle

started out a-punchin' those long-horned cattle.

I'm up in the morning before daylight

And
Oh,

before
it's

gets to sleepin' the old moon's shining bright.

bacon and beans almost every single day


sooner be a-eatin' prairie hay.

And
I

I'd

went

to the boss for to


it

He had
So
I

figured out

draw my roll, was nine dollars


and said
I

in the hole.

went up
I

to the boss

won't take that

And
I'll

slapped him in the face with

my old slouch hat.


mean
boss man.

sell

my outfit just as soon as I can,


I

'Cause

ain't punchin' cattle for


in the saddle

no

With my knees
I'll

and

my seat in the sky,


and
by.

quit punchin' cattle in the sweet by

72

Red River Valley


Not
too slow

?S=i~\
From
C

E
^

M'
val
-

F
ley

this

they

say

^^
you
r

are

G
J'
I

j/> jj J
go-ing,

J'

f
will

^
sweet

We

miss your bright eyes

and

m ^^ m ^^
M
-

;e

$
tak-ing
the

smile,

For

they

say

you

are

sun

shine,"

i
bright
-

^^^
D
our
path

^
That

ens

way

while.

Refrain

i
i

^
s;

i
r
sit

r
side
if

Come and

by

my

you

i
=^
love

^
Do
f
1'

E
''

[
to

1'

me,

not

hast -en

bid

me

ff

^1

^'

If

^'

dieu,

But

re-

mem-

F ber

G
s;:

D
'
>'

rr J
And

J'

J
girl

^^
the

^ Red Riv-er
G

J"

;s

Val -ley,

the

that has loved you so

true.
73

Co}i tin ued oh next pafir

think of the valley you're leaving? Oh, how lonely, how sad it will be. Oh, think of the fond heart you're breaking, And the grief you are causing me to see.

Do you

From

this valley they say go,

you are going;


too?

When you

may your darling go,

Would you

leave her behind unprotected,

When she loves no other but you?


your home by the ocean. May you never forget those sweet hours that we spent in the Red River Valley, And the love we exchanged 'mid the flow'rs.

As you go

to

The Cowboy's Sweet Bye and Bye


Tune:

"My Bonnie"
Time: 3/4
I

Key: G.

Last night as
I

lay on the prairie


in the skies,

And gazed at the stars

wondered if ever a cowboy Could drift to that sweet bye and bye.
Chorus
Roll on, roll on. Roll on,
little

dogies,

Roll on, roll on.

Roll on, roll on. Roll on


little

dogies, roll on.

The road to that bright heavenly region Is a dim narrow trail, so they say, But the road that leads down to perdition Is posted and blazed all the way.
Repeat chorus.

They speak of another Great Owner Who's never o'erstocked, so they say But who always makes room for the sinner Who drifts from the straight narrow way.
Repeat chorus.
74

They tell of another great roundup, Where cowboys like dogies will stand, To be marked by the Riders of Judgment, Who are posted and know every brand.
Repeat chorus.
Courtesy of
Bill Pollock.

Home on the Range


(?/fi;
Oh

;i'-^r
me
a

J
i

jj
i

m
Where
the
dis-

give

home where

the buf-fa-lo roam,

.|,'F

} }

J'.

;UJ j ].M'r
Where sel-dom
is

deer and the an-te-lope play.


C

heard a

G r

A',i'. i'?

i'M|.^
And
G
I

''!':
G

'

cour-ag-ing word,

the skies

are not cloud-y

all

day.

^
play
c

^ f Home, home on

J J
Where

i i I }

J'

the range.

the deer and the an-te-lope

Sf

^5
-

'

#
sel

^
heard

s
a dis-

Where

dom

is

<!J>Mh
Where
the air
is

ffnH'
And
the skies are

^'^

^'^"i^
all

cour-ag-ing word,

not cloud-y

day

so pure,

The zephyrs so free. The breezes so balmy and lite, That I would not exchange my home on the range,
For
all of

the cities so brite


75

Clementine
Kev:G.
Time: 3/4

In acav-ern, in acan-yon,

Ex-ca- vat

ingfor a mine, Dwelt a

I
fe

Ail
his

min-cr, For-ty-nin-er,

And

dauKh

^
-

i
-

'

ter,

Cle

men-tine.

Oh my

i s>
(j;

^ J

t^ ^ s
#
<

m
You
are
-

dar-ling,

Oh my

dar-lin^,

Oh my dar

lin^ Cle-men-tine,

r
lost

r^^

'^-

^'

N-;Ji^
ful sor-ry, Cle

and gone

for-ev-er,

Dread

men

tine.

Chonis

Light she was and like a fairy, And her shoes were number nine; Herring boxes, without topses, Sandals were for Clementine.
Repeat chorus.

Drove she ducklings to the water, Ev'ry morning just at nine;


Hit her foot against a splinter,
Fell into the

foaming

brine.

Repeat chorus.

76

above the water, Blowing bubbles, mighty fine; But alas! I was no swimmer, So I lost my Clementine.
lips

Saw her

Repeat chorus.

Old Paint

^
i
My
I'm a

Smoothly

Cowboy song
c

'A

5
-

^^
I'm a-leav-ing
I

Good
C

by,

old Paint,
I

Chey
W

enne,
GTI

Ci

i
foot
in

i
stir
-

i
-

'^37'

the

rup,

my

po

ny won't

stand;

a
-

1=1

^=5==^
off to

leav-ing

Chey-enneand I'm

Mon-tan'.

G7

^
-

f
-

^
leav
-

Good

by,

old Paint, I'm a

ing

Chey

enne,

I'm riding old Paint and a leading old Fan; Good-by, little Annie, I'm off to Montan'. Good-by, old Paint, I'm a-leaving Cheyenne. Go hitch up your horses and give them some hay, And seat yourself by me as long as you stay. Good-by, old Paint, I'm a-leaving Cheyenne.
77

The Dying Cowboy


Rather slowly

m
i

;
"0

^'
p

M
me
words

"
l

'^

'^

M
the
lone prair-

bur-

not

on

^=
ie";

^
These
^-

^^
J

'

r-j'
and

J'

i
5
who

came

low

mourn-ful

$
jl>

^
J
From

^'

E
F
lid

^m
2=Ji
lips

ly.

the pal-

of

a youth

^
r

;
On

J
his

^
dy

^
ing

lay

^ ^ i
1^

f
at

^
of

.^.

M<-

bed

the

close

day

It

matters not,

I've oft

been

told,

Where

the body lies

when

the heart grows cold,

Yet grant, oh grant this wish

to

me:

bury
78

me

not on the lone prairie.

"0 bury me not" and But we took no heed

his voice failed there,

of his dying prayer.

In a narrow grave just six by three,

We buried him there on the lone prairie.

And

the cowboys

now

as they

roam

the plain,

For they marked the spot where

his bones

were

lain.

Fling a handful of roses o'er his grave.

With a prayer

to

Him who his soul

will save.

79

The Happy Wanderer


Antonia Ridge
I

Friedn W. Moller

love to go a-wander-ing, A-long the

moun-tain track, And as I go, I love to sing, My knap-sack on my back. Val-de

ri Val-de ra Val-de ra Val-de ha ha ha ha ha ha Val-de ri,- Val-de


ra.
I

My knap-sack on my back.
wander by the stream

love to

That dances in the sun, So joyously it calls to me, "Come! Join my happy song!"
I

wave

my hat to all I meet,

And they wave back to me. And blackbirds call so loud and sweet From ev'ry green-wood tree.
High overhead, the skylarks wing, They never rest at home But just like me, they love to sing,

As o'er the world we roam.


Oh,
Oh,

may

go awandering
I

Until the day

die!

may I always laugh and sing, Beneath God's clear blue sky!

By special permission of the Sam Fox Publishing Company,

Inc.

80

This Land Is Your Land


Woody Guthrie
This land
is

Gospel Tune
is

your land, this land

my land,
wa-ters,

From Cal-i-for-nia to the New York Is-land, From the red-wood for-est to the Gulf Stream This land was made for you and me.
As I went walking that ribbon of highway I saw above me that endless skyway, I saw below me that golden valley, This land was made for you and me.

roamed and rambled, and I followed my footsteps. To the sparkling sands of her diamond deserts, All around me a voice was sounding, This land was made for you and me.
I

When the sun came shining, than I was strolling. And the wheat fields waving, and the dust clouds

rolling,

A voice was chanting as the fog was lifting,


This land was

made

for

you and me.

81

Chaparral Song

i
^

^=f

the

In

land

^
of
1^1

m
the

Dm

Las

sen,

where

^
is

ij

J
brush

tim-ber

tall,

There are

cer-tain

^
patch
-

J
through

i:
which

t
must
crawl

es

we

Some

^ m
spe-cies
Stiff;

^^
Dm
are

^
while

lim-ber,

oth-ers

are

J
they

JtL
i

r
all

^
fly

And

will

JT
back

|i
I

^
with
a
biff.

at

your

nose

82

^
Oh,

Dogie Song
Sung rhythmically
to the

swing of riding a horse

Im
m

J'
'

^ ^^
r P
'

17

p
r

i'

1^
'

^
^

As

was a-walk-ing

one morn-in^ for pleasure

P
I'
I

w
a

^
0'

w
I

spied a

bold

cow-boy

come
D

rid-in^

lon^.

His

ifllt^^

I!
I

MJ.

hat was thrown back and his spurs were a jing-linK

^m
G
.

^
r>

?
he
rs

h ij J ETzzjrzzrz:^
i

DO
Il

^h Vd=*
And

as chorus nil G

he ap-proached

was
O

sing-ing this song.

Whoop
c

ee

ki

yi

yo

Get

^
c
of

J'

; '

^
It's

N
your
i

t
[^

and

long

lit - tie

dog-ie.

mis-for-tune

<S)'r
none

''

"
I

^
yi

my

own.
c
.''

Whoop-ee
f

ki

i'

''
I

i
D7

J'

J
- ie.

yo

Get a

-long

lit-tle

dog

O^
!i

jh^.
know
84

J'

|:

i:

I'

;.
be

II

that

Wy-om

ing will

your new home.

It's

early in the springtime,

we round up

the dogies,

bob off their tails; Round up the ponies load up the chuck wagon, And throw the dogies out onto the trail.
chorus

Mark and brand and

Shenandoah
Slowly

<J,ll;^

j,||J,n|f|.
I

^^
Way, hey, you
roll

Traditional

Oh, Shen-an-doah,

long to hear you.

ing

y^'Jfi'l^' ?
riverl
'

S
I

J'

Jjr
Way,

Oh, Shen-an-doah,

U $m
hey,

we

'

re

bound a-way 'Cross the wide Mis - sour -

long to hear you,

^=r#

i.

Oh, Shenandoah,

love your daughter,

Way,
Way,

hey, you rolling river!


I

Oh, Shenandoah,
hey, we're

love your daughter.

bound away

'cross the

wide Missouri.

Oh, Shenandoah, I'm bound to leave you. Way, hey, you rolling river! Oh, Shenandoah, I'll not deceive you.

Way,

hey, we're

bound away

'cross the

wide Missouri.
85

JLn^t,

Al

Waltzing Matilda

put

1
Once

}
a

}
jol
-

ly
E\>

swag

man

Cm

AP

camped by a

bil

la

bong

Un

der the shade of


I

rf'^''"

r
cool
-

M
i

r
tree,

^
AjT Ab

B
^
1^

bah

And he sang

as he watched and

Cm
I

(jr"

J'

>
-

''
till

j'

ji
bil
-

ji
ly

wait

ed

his

boiled,
fib

Eb

i f
'You'll

1
F

come

a-waltz-ing,

^
r
til
-

sb?

^E
Ma - til
Ab

^s W
.

da,,

with me!"

chorus.

^
Q
I

Eb
r
K[y Eb

B
^'

Waltz-ing Ma-

da,

waltz-ing Ma-til -da,

Bg Bb
F

gj*''""

r
You'll

r
fib

1?

If

'N
with me.

come a-waltz-ing

im
86

Eb

Ma - til - da Cm

a
And
Ab
he

^^^ i J
-

;
-

sang as he watched and wait

ed

till

his bil

ly boiled.

8^7

e|>

"You'll

come a-waltz-ing

Ma

- til -

da with me!"

Down came

jumbuck

to drink beside the billabong,

Up jumped the swagman and seized him


And
bag;*
"You'll

with glee;

he sang as he talked to that jumbuck in his tucker-

come

a-waltzing, Matilda, with me."

Repeat chorus.

Down came the stockman, riding on his thoroughbred;


Down came the troopers one, two, three.
"Where's the bag?*
"You'll
jolly

jumbuck, you've got

in

your tucker-

come a-waltzing, Matilda, with me."

Repeat chorus.

Up jumped

the

swagman and plunged

into the billabong,

"You'll never catch

me

alive," cried he.

And

his ghost

may

be heard as you ride beside the billa-

bong,*
"You'll

come

a-waltzing, Matilda, with me."

Repeat chorus.
^Substitute this line for third line of chorus
Used by permission of Carl Fischer.
Inc..

N.Y.

87


Walking
at

Night

Translated version and

Czech folk song byA.D. Zanzig

m
i i
ff/

f
^

r-

J'
1

^'
-

}
the

J'

Home from
^

^
-

Walk-in^ at night

long

mead - ow way,

i
(
a

t
be
-

Ss ?
side

the dance

my

maid - en gay,

M
at night

f^^
the

Walk

ing

long

mead
f
-

ow way,
ll

J'
I'

JJ
p-

r
be
.,.
-

M
my

I''

I'

m
i

Home from the dance Much faster.

side

maid

en

gay. Hey!

f^ #
# fczf

but second time

MM* 4-V
f h

pp

^'

m
>
#

Sto-do-le,

sto-do-le,

sto-do-le, pum-pa,

O
p-

>

Sto-do-le,

pum-pa,

^^
sto-do-le,

t
pum-pa.

fcz:

M
\

IM
>
f

i?

^m
>
Sw:eetly

Sto-do-le,

sto-do-le,

sto-do-le,

pum-pa,

>
I?

>
-^

.i

!
pum.

Sto-do-le,

pum-pa,

pum,

pum,

Nearing the wood, we heard the nightingale, it echoed over hill and dale. Nearing the wood, we heard the nightingale, Sweetly it echoed over hill and dale. Hey!
88

Many

the stars that brightly shone above,


of love. of love. Hey!
Co., Boston.

But none so bright as her one word

Many the stars


But none
From
lisher

that brightly shone above,

so bright as her one

word

SiuqiiiQ America, published by C. C. Birchard

and and National Recreation Assn., copyright owner.

Used by permission of pub-

Auld Lang Syne


By Robert Burns
Should auld acquaintance be forgot, never bro't to mind? Should auld acquaintance be forgot And days of auld lang syne?

And

Chorus

For auld lang syne, my dear, For auld lang syne; We'll tak' a cup o' kindness yet For auld lang syne.

And here's a hand, my trusty And gie's a hand o' thine;


We'll tak' a cup
o'

friend,

kindness yet,

For auld lang syne.


Repeat chorus.

89

Zum Gali Gali


Palestinian Folk

Tune

Key:

E minor

Steadily

,rn^ rn^-\mn
\

fTjin
long.

As we work we

sing a song,

We sing it

all

day

When we

reach the end of the day,

We will dance, and sing, and be gay,

J J J

'J 3^=^

w mp
\

Zum ga-li ga-li gal-li, Zum gal-li gal-li, Zum ga-li gal-li gal-li, Zum ga-li gal-li.

Alouette
French-Canadian canoe song
Allegretto

Each time you sing the melody, add a new word in the measure before the Oh! Have group repeat this and sing
all preceding
3.

verses in reverse.
5.

Le

nez; 4.

Le cou;
E
-

Le

pied;

6.

Le

dos;

7.

Les pattes
G

m ^
Al
-

D7
;

^
k

ou

et

te,

Gen-tile

Al

^
-

ou

et

te,

o E
Al ou
-

^
et
-

D7
\

G
N

Fine

fi=3i

te,

Je

j'
Je

I -

}
-

te

plu

me

^
te

f
-

plu

me

rai.

rai

la

tete,

90

<!f>^r
Je

ff

If
plu
-

p-

ji
|.

J
tete.

te

me

rai

la

chorus.

D7

DC

Et

la

tete;

Et

la

tete;

Oh!

The Far Northland


Tune: "Road to the Isles" from Songs of the Hebrides

By M. Kennedy-Eraser

P'^ 1
^>T
J'

I,

i
the

II

(
far

r
North
-

w-

f
a-

It's

land that's

^-

A)
me

;]
As

j,
I

^
I

;,

j'

^'

^ ^

call-inK

a-way

ite *fe i i ^&


road,
for-est
in the

^^
^
It's

take

with m\ pack-sack to the

the

call

on

^^
me
of

the

p
As
step

r
I

J'

pi
for

North

with the sun-liKht

my

jH')
load.

iJ'^ ii J
It's

^V-tr-rf=:t 4' d # 4
'

the load.

By Lake Dun-can and Clear-wa-ter

to

jm WJ^'
Bear-skin

J..M
I

J'iOj^jJ^JrgF
see the loon and hear his plain-tive

will go,

Where you

i\

U.
wail;
If

^t=\
you're

^m
your
in-ner

think -ing in

heart

there's

Con tin ued on next page

91

u
1

'

^'>^'
in

^
1
1

"1

i|

swag-Ker

my step.

You've nev-er been

a-lonj; the bor-rier

Ml
^S^
P
take
I

iJMrrr rf^^c
the
far North-land that's a-call-injj

-'''f
me a-way As

trail. It's

^'.

f
with

j;

J'i>-

ii
to

J.

my

pack-sack

the

road.

Yodeling Song

i
By an
old Swiss mill,

On

a spark-ling

rill,

U-lee-

<!J/J
0,

>
U
-

g
lee

i'

M^
e,

^
-

J
-

JL

U
j'

lee

0,

Lives a

i^^'

}
maid
J
-

^
en

J
fair,

^.

JH

J'
-

J^.

1
-

In

gar

den rare;

U
pI

lee

^'

i^''
o,

p
-

^
-

Mr
lee!

J'

f
-

U-lee

U-lee
1^'
loves

0!

am

f
-

^/

F glad

J
to

^r know,

^'

^
me
jr

^
so,

^'

^
^
I

That she

U-lee
?
[

y
4^''

i r
-

i r
-

ir
-

J
-

e,

e,

e,

U
I

lee

0!

Tho
i.

i'

^'

.fi

i'

J'
-

cross the sea,

She
f"
-

will

wait

for me.

U-lee

4>'
92

f
e,
.

"

J!
-

''
i

r
e,

"

e.

The Herdsman
With
spitit

i^h'^

^
1.

The

Ho
herds

^"^^
JL^'
is
1

^
ry, he

-man

mer

sinKS

all

day

long;

He

seek

eth

his

i^O
flock

^
as

O
he

I'

chant

eth

this

song.

Ho -

m
r
le

J'
-

t
-

a,

Ho

le

m
-

a,

Ho

}
le
-

>n
a,

t
-

at
e''-

r
-

I'

'

Ho-le-e

a.

Ho

le'- a,

Ho-le-e-

>

if
/

t
/

?
a,

f
-

!
le
-

If
-

Ho

le

a,

Ho -

a!

milking on the hillside But at evening Belle calls him:


In the
is

morning he

till

noon,

"Come Hans!" "Coming soon."

93

Battle

Hymn of the Republic


Key:

Folk melody

Flat.

Time: 4/4

By Julia Ward Howe

Mine eyes have seen the glory

He He

is

coming of the Lord; trampling out the vintage where the grapes of wrath
of the

are stored;

hath loosed the fateful lightning of His terrible swift sword;


is

His truth
Chorus

marching

on.

Glory, glory! Hallelujah! Glory, glory! Hallelujah! Glory, glory! Hallelujah!

His truth
I

is

marching

on.

have seen Him in the w^atchfires of a hundred circling camps; They have builded Him an altar in the evening dews and damps; I can read His righteous sentence by the dim and flaring lamps; His day is marching on.
Repeat chorus.

He

has sounded forth the trumpet that shall never


is

call

retreat;

He

sifting out the hearts of

men

before His judgment

seat;

Oh, be swift,
feet!

my

soul, to

answer Him! be jubilant,

my

Our God

is

marching on.

Repeat chorus.
94

Roll, Jordan, Roll


r^EC

4=

?
roll.

Roll, Jor-dan,

Roll, Jor-dan,

^
B>

==5
I

roll.

* ^E
want
to

go

to

Heav-en when
E^

die, to

hear Jor-dan

roll

E^

i
1.

i M^'
Bi^ Bb
I

if

^
B^ bP

B.t>

E^

^
E^ e^
E^ B^

^
my
E^^

Oh, broth-ers, you ought

t'have been there,

Yes,

Et> E^

E^

Lord!

sit-ting

in

the

Kingdom, To hear Jor-dan

roll.

Oh, preachers, you ought t'have been there,


Yes,

my Lord!

A-sitting in the
roll.

Kingdom,

To hear Jordan

Michael

Row

the Boat Ashore

(jfAi'

jN'
i
jah!

i'

^'

f
aI

M
shore,
h

'
'

Mich-ael, row the

boat
J

Hal
Jl

le

y
$

3z:

J.

lu-

Mich-ael,

row

the

boat a

shore,

Hal

le -

jah!

95

You Can Dig My Grave

$
i

9
You
can
dig

W
grave
F7

my

^
with
a

3
sil-ver spade,

U
dig

J J
my
grave

J,
with a

You can

dig

my

grave

with a

sil-ver spade,

^
'Cause 'Cause

fib

/^^TN

Bb

i
a-gon-na
be

J
long

i
er.

ain't

here

much

There's a long white robe up in

Heaven for me, There's a long white robe up in Heaven for me, There's a long white robe up in Heaven for me,
I

ain't

a-gonna be here much longer.

Heaven for me, There's a starry crown up in Heaven for me, There's a starry crown up in Heaven for me,
There's a starry crown up in
I

ain't

a-gonna be here much longer.

There's a golden harp up in

Heaven for me. There's a golden harp up in Heaven for me. There's a golden harp up in Heaven for me,
'Cause
96
I

ain't

a-gonna be here much longer.

You can pluck one You can pluck one You can pluck one
'Cause
I

Heaven string and the whole Heaven string and the whole Heaven

string and the whole

rings,
rings,

rings,

ain't

a-gonna be here much longer.


verse.

Repeat first

Jacob's Ladder
Key:

Flat

6f

'

#
-

i
ing

-*

*
lad-der,

'

&-

We are

climb

Ja

cob's

We are

$
climb

s
-

^^
Jac-ob's
lad-der,

t
We
G
are
C

s
climb
-

ing

ing

^
Jacob's

#
Sol-diers
of

ladder,

the

Cross

^^

Every round goes higher and higher,


Soldiers of the cross.

etc.

Do you
Yes,

think

I'd

make a soldier?

etc.

Soldiers of the cross.


I'd like to

be a soldier,

etc.

Soldiers of the cross.

We are climbing higher and higher, etc.


Soldiers of the cross.

97

In the Good Old Summertime


chorus
lb
*-=-

4^"

J
In

i'
zr-

^
sum
-

the

good old
Eb
I

mer

time,

^m
y
J
'

Bb

r the

ir

i
-

In

good old Bb

sum

mer

time,

Mj
r
ba

|'

fir
thesha
F7
i

r
-

^^
With
Bb

Stroll-ingthro'

dy lanes,

your

bv

mine;

i
i)''

p
her hand

hold

and she
Bb

holds yours,

^^
i
That
in

You

And

r
that's

r
a

f
ve
-

ry good

sign

Bb

i
she's

2
your
C7

-(-

toot

sey

woot

^
sey

the

Eb
-tf-

F7

B?
II
-

i>''

good old

sum

mer

time.

Copyright Edward B. Marks Music Corp. Used by permission.

98

Down

in the Valley
D7

m
Down
in the

^
val
-

0-

f
val-ley

i
low,

ley,

the

so

D7

?
Hang your

i
head

^
over,

i
wind blow;
D7

hear the

rj
Hear

'i:
wind blow,
dear,

f
hear the wind
blow;

the

t
Hang

your head

^ ^
o
-

ver,

hear the wind blow.

Write

me a letter containing three lines,


question: Will you be mine? question: Will you be mine?

Answer my
Answer my
Build

Will you be mine, dear? Will you be mine?

me a

castle forty feet high,

So

can see her, as she rides by; As she rides by, dear, as she rides by; So I can see her, as she rides by.
I

Roses love sunshine, violets love dew. Angels in heaven, know I love you;

Know I
Angels

love you, dear,


in

know I love you; heaven, know I love you.


99

Green Grow the Rushes,


-

Oh

Lender

All

i
I'll

sing

you one

Ho. Green grow


Leader

the

rush-es,

oh,

^^

?
Ho!

M
one

F=K
J

^
and

^
ev^- er

what

is

your one

One

is

and
Leader

all

a-lone

t^
more
shall

}
be-e

J''

i
so.

If

'^'-

-^^

E
rush
^'
-

Green grow the


Le(i(ler

es, oh,

^
i

i
Hos.

I'llsingyou

two

f
two
Hos!

what are your

^^r

p-

^'
HI

IP'

Two two the

HP r^
all in

y white boys

clothed and

green ho.

(j>M
One
is

M
one and

ii^;i
all

ij'-i
ev-er
All

J }
more
shall

a-lone and

i^
be-e so.

Leader

^^
I'll

sing you three

Hos.

Green grow the


Leadei

what are your three


p-

?
Hos.
;'

Three three

(f.f

i i
lil-y

171

Two two the

white boys

clothed and

^p
rush-es, oh,

the

ri -

vals.

all in

green ho.

^.pfp
One
100
is

M^^
all

J
and

i'^-'''

J ^
shall

.!!.

one and

a-lone

ev-er

more

be-e so.

Leader continues
lot

to

add one more verse while group joins


is

in

singing hack through all of previous verses. This song

of fun and will prove popular with the crowd once they
it.

catch on to

Four

for the gospel

makers

Five for the cymbals at your door Six for the six proud walkers

Seven for the seven stars in the sky Eight for the April rainers Nine for the nine bright shiners

Ten

for ten

commandments

Eleven for the eleven that went to Heaven Twelve for the twelve apostles

Dixie
Words and music by Dan D. Emmett Key: C
wish I was in the land of cotton, Old times there are not forgotten; Look away! Look away! Look away! Dixieland. In Dixieland where I was born in, Early on one frosty mornin'; Look away! Look away! Look away! Dixieland.
I

Chorus

Then

wish

w^as in Dixie,
I'll

In Dixieland

take

my

Hooray! Hooray! stand to live and die


in Dixie. in Dixie.

in Dixie;

Away, away, away down south Away, away, away down south

There's buckwheat cakes and Indian batter.

Makes you fat or a little fatter; Look away! Look away! Look away! Dixieland. Then hoe it down and scratch your grabble, To Dixieland I'm bound to travel. Look away! Look away! Look away! Dixieland.
Repeat chorus.
101

He's Got the Whole World in His Hands


Moderately fast

^^
ft
in in

E^

E^
ti

>

J
whole
world

He's got the

M
He's got

l|

^^
^
big, roun'

His hands, He's got the

world

m^
,|/i,
I

^E=rf
the

His hands,

wide

world

J in

.1

.1

^g^
in

His hands; He's got the whole world

His hands.

He's got the wind and the rain in His hands, He's got the sun and the

moon

in

His hands,

He's got the wind and the rain in His hands;

He's got the whole world in His hands.


He's got the
little
little

bitty
bitty

He's got the

He's got the little bitty He's got the whole world in

baby baby baby

His hands, in His hands, in His hands; His hands.


in

He's got you and me, brother, in His hands. He's got you and me, brother, in His hands. He's got you and me, brother, in His hands; He's got the whole world in His hands.
102

He's got He's got He's got He's got

everybody here in His hands, everybody here in His hands, everybody here in His hands; the whole world in His hands.

He's got the whole world in His hands, He's got the whole wide world in His hands, He's got the whole world in His hands; He's got the whole world in His hands.
Copyri^jht 1951, Mills Music, Inc. Used by permission of the copyright owner.

Got Shoes

(^A^jJ
I

(^

^^

J-p

got shoes, you got shoes, All God's chil-dren got shoes.

^A'f
When

nn
I

^'^'
p
I

^^ ^
go to

f r gon-na put on Heab'-n

r^'

g
^
^
a-bout
\

walk

all

ob- er God's Heab'n,

Heab'n,

^^
ain't

my shoes, Gon-na

Heab'n;

j/^'

H'

n' n>
go-in' there,

Ev-'ry-bod-y talk

Heab-n'

^A- jj. Hfr


Heab'n,

-^'^'
i

r
all

^F^

-^--^^"
i

Heab'n, Gon-na walk

ob-er God's Heab'n.

103

When

the Saints

Go Marching In

i
c

?
Oh, when
c
the

f
Saints

go c

march-ing

$
in,

i
Oh,

1
when
the

Saints

go

$f
march
c
-

^
ing

'

O
in,

i
P

*
Lord,

^
I

want

^
to

i
be
in

that

num-ber,
C

When

the

i
Saints

go

march-ing

^
G7

i
in.

And when the revelation comes, And when the revelation comes. Lord, how I want to be in that number, When the revelation comes.
And when the new world is revealed, And when the new world is revealed, Lord, how I want to be in that number, When the new world is revealed.

And when the sun begins to shine, And when the sun begins to shine. Lord, how I want to be in that number, When the sun begins to shine.
104

And when they gather 'round the throne, And when they gather 'round the throne, Lord, how I want to be in that number, When they gather 'round the throne.
Used by permission of Edwin H. Morris and
Co., Inc., N.Y.

Blow

the

Man Down
^ }
\

ftil

J-|>-

^ }
lad-dies,

^-

^
F

Oh, blow the

man down,
A7

blow the

man down.
Em

m
I^
^
I

^
aye,

i
blow
the

If

^'

(?

Way,

man down!

Oh, blow the

man

J' lad
-

j) blow

i'

P
man
down,
.

down,

dies,

the

A7
'
I

i
Give
us

>

I'

some

time

to

blow

the

man down.

^
"
105

._

Anaiijiiimnl

n|i\ rinlil !!.>. Mills

Music,

iiu-. Isi-il

li.\

iHTmissiini .Mills .Mu>ii-.

Ini-.

Swing Low, Sweet Chariot

fe
chwus

s;

E
sweet
:nar

w
Swing low,
i

ot,

l'^ w
F

i
-

J^

i
to

>
cary
-

J^

v^om

in

for

ry

me

home,

$
Swing
F

^
low,

MA
sweet
^.

;
i

j-^.
ot,

char

/Vnf

<!^>ui

J'
-in'

ji

J
to

J'

i
-

rz

Com

for

car

ry
Bi>

me home.
F

^
1

jf)^
I

Jp^i
o-ver Jor-dan

> IJM' i
and
be
-

looked

what did
fore

I I I

see.

If

you

get

there

do.

The
I'm

bright-est

day
up

that

ev-er

saw,

some -times

and

some-

times down,

4'^

ii
for

ji

>

Mr
me
home,

^
Tell

Com-in'

to

car-ry

When
But
F

<5

'

^'

^'

J
I'm

JMi
com-in'

ji^ji
af-ter
in'

j^
me,
too,

band
all

of

an -gels

my friends
en wash'd

comsins

Heavstill

my
feels

a
-

way,
bound.

my

soul

heav'n

ly

106

li

}
for

jl

)
car
-

i
ry

^
me
home.

Com

in'

to

Oh, Susanna
By Stephen Foster
Key: F

come from Alabama, With my banjo on my knee;


I

I'm going to Louisiana,

My true love for to see.


It

rained

all

night the day

hft,

The weather it was dry; The sun so hot I froze to death;


Susanna, don't you cry.

Chorus

Oh, Susanna, oh, don't you cry for me;

come from Alabama, With my banjo on my knee.


I've

Oh, Susanna, oh, don't you cry for me;

come from Alabama. With my banjo on my knee.


I've

had a dream the other night, When everything was still; I thought I saw Susanna A-coming down the hill. The buckwheat cake was in her mouth, The tear was in her eye; Says I, I'm coming from the South; Susanna, don't you cry.
I

Repeat chorus.
107

KumBaYah
Slowly

ff)?^
Kum

} N'ba
yah,

^
ba
yah!

my Lord, Kum

Kum ba

$
yah,

i
my Lord,

s
Kum
ba
yah!

^
Kum ba
C C
i

^
yah,

lij

J'Jjj

j-jj^^
Lord,

r\

my Lord, Kum ba yah!

Kum ba yah.

Someone's crying, Lord, Someone's crying, Lord, Someone's crying, Lord,


Lord,

Kum ba yah! Kum ba yah! Kum ba yah!

Kum bay a.

Someone's singing. Lord, Someone's singing, Lord, Someone's singing, Lord, Lord, Kum ba ya.

Kum ba yah! Kum ba yah! Kum ba yah!

Someone's praying. Lord, Someone's praying. Lord, Someone's praying. Lord,


Lord,
108

Kum Kum Kum

ba yah! ba yah! ba yah!

Kum bay a.

SCOUT LAW VERSION


(Repeat verse with score.)

A A A

Scout Scout Scout


Lord,

is is
is

trustworthy. Lord,
loyal.

Kum

ba yah!

Lord,

helpful. Lord,

Kum ba yah! Kum ba yah!

Kum bay a.

A Scout is friendly, Lord, Kum ba yah! A Scout is courteous, Lord, Kum ba yah! A Scout is kind, Lord, Kum ba yah! Lord, Kum ba va.

A Scout is obedient. Lord, Kum ba yah! A Scout is cheerful, Lord, Kum ba yah! A Scout is thrifty. Lord, Kum ba yah!
Lord,

Kum

ba ya.

A Scout is brave. Lord, Kum ba yah! A Scout is clean. Lord, Kum ba yah! A Scout is reverent, Lord, Kum ba yah!
Lord,

Kum

ba va.

These words

ui-rt' iinn)duct.'(i al thi-

National Cuuniil Annual Meeting held

in

Cleveland. Ohio.

Max

liti4.

109

I>iK*t,til

Onward, Christian Soldiers


Key:

Flat
Sir

By Sabine Baring-Gould and

Arthur Seymour Sullivan

Onward, Christian soldiers! Marching as to war, With the cross of Jesus Going on before.
Christ, the royal Master,

Leads against the

foe;

Forward

into battle,

See His banners go!

Chorus

Onward, Christian soldiers, Marching as to war. With the cross of Jesus Going on before.

Onward, then, ye people. Join our happy throng,


Blend with ours your voices In the triumph song; Glory, laud, and honor

Unto Christ the King;


This thro' countless ages Men and angels sing.
Repeat chorus.
110

Grace
Bv Marie Gaudettel

^^ i

fcS
^
<

^^
J'

>

J'

God

has

cre-at-ed

new
#

^^
=i;=s;

day,

i
i

tf

^
may

sil-ver

and green and

gold:

Live that the sun-set

ijjV'
I

'

11
I

-'

f
I

^
to

find

us

worth-y His gifts

hold.

Grace Song
By Gen. Lew Wallace and Laurence Danforth

^
$

^
of
all

if

^
have

'Tath-er

God:-

What

we

^ i here
is

1
of

P
Take Thou
J

i
our

Thee;

4-r

igf^'U
us,

Jif
to

thanks and bless

Help us

do

Thy

will."

Ill

Sholom A'leychem
Peace to You, Angels of God. Give Us of Your Blessings. A melody sung on Friday evening to welcome God's Angels to the home in accordance with legend I. Goldfarb

Not
iz

too fast

<fi>'l

g Sho-lom

Jl-

M iiJMJ
i
von
y'"

Jjjil

a'-ley-chem

mal-a'-chey ha-sho-reys

^'M'^'
mal-a'-chev

:e5
el

Mi

^ ^^
^~V
-me-lech

i p

'^

a
^'

*fc

i^
iJ'

ma-chey ha-m'

lo-chim

Bo-a'-chem

M
J
-

S ^^ ^V M H' ^ M
* ^ ha-ko-dosh bo-ruch hu
^'

^^
rT~l
Fine

V>V

fi

V-

sho-lom

mal-a'-chev ha-sho-lom

r!
a'
-

f mal

^
el

iJ
yon

^
-

chev

Mi

me-lech
i^

j/

g^
Bor-chu-

p
-

'^

''
I

i-B

> ji fi jii -^
ruch hu.

^^ n
ni

^ M n MM i
mal-chey ha
I'-sho-

m' lo-chim ha-ko-dosh bu

lom

mal-a'-chev

^m s
mal-a'-chev

^ g ha-sho-lo

^
m

el

von

Mi

me-lech

j/

Qn

,M

.,

L^^

^
-

D.C.dlFiue
I

mal-chey ha

m'lo-chim

ha-ko-dosh bo

ruch hu.

112

Come,

Sabbath Day

A simple melody in keeping with the Sabbath, the day of rest


By
G. Gottheil and

A.W. Binder

Slowly

^^
Come,

i
r1 J^^
r
the

Sab-bath day, and bring peace and heal-ing

^^
rir III
-

jA W

J ^

I \

J 4

4
'

r
I

r
I

r
I

on

thy wing.

And

to

ov

^^

r
di
-

#
Thou

Speak of
-^

f vine

^
'ry

trou

bled breast

P
shalt

be-hest.

Thou

v
rest,

rest!

Thou
ev'ry cheek the tear,

shalt

Wipe from

Banish care and silence fear. All things working for the best, Teach us the divine behest.
shalt rest,

Thou

shalt rest!

Come, All Ye Faithful

Tune: ''Adeste Fideles"


Key:

A
all

come,

ye faithful, joyful and triumphant,

come ye to Bethlehem! Come and behold Him, born the King of Angels!
come
ye,

come, come, come,

let let

us adore Him,
us adore Him,

let

us adore Him, Christ, the Lord.


113

Abide With
Henrv

Me
William H. Monk, 1861

F. Lvte. 1847

^^
A
-

bide with me! Fast

is
The
<j)^'""

i
J
^

dark-ness

^
J
i

ir

i
r
r
e
-

falls the

ven

tide;

>J
a
-

deep-ens;

Lord, with

me
^

bide!

When

r
fail,

3i:

oth-er
J

help-ers

and com-

forts flee.

jA,}
Help

J
of

S
a
-

the help- less,

bide

with

Swift to its close ebbs out life's little day; Earth's joys grow dim, its glories pass away;

Change and decay in all around I see; Thou who changest not, abide with me!

Faith of Our Fathers


Key:

G
still,

Faith of our fathers, living


In spite of dungeon,
fire,

and sword;

how our hearts beat high with joy. Whene'er we hear that glorious word.
Chorus

Faith of our fathers, holy faith, We will be true to thee till death. Faith of our fathers, we will strive. To win all nations unto thee; And through the truth that comes from God, Mankind shall then indeed be free.
Repeat chorus.
114

Father, We Thank Thee for the Night


Bv Rebecca
J.

Weston and Daniel Batchellor

m
i
i
In
all
Isi'd
li\

P'U
And

tJ'

J'

Fa-ther,

we

thank Thee

for

the

night,

F=K
for

^
pleas-ant

^s
rest

the

morn

ing

For
It

and food

and

lov

^
ing

liuht;

care,

?
And
to
all

E
that

lJ
makes
the

If
dav

~|
so
fair.

II

do the things we should, To be to others kind and good;

Help us

we do, in work or play, To grow more loving ev'ry day.


piTmissidn of thv
fniiyri^rhl

duiUT. Oliver

l)itsiin ((nuiiaiix

Hr\ n

Mawr. Prim.

Worship the King Key: A Flat


worship the King all glorious above, gratefully sing His power and His love; Our Shield and Defender, the Ancient of Days, Pavilioned in splendor, and girded with praise.

The

wonders untold. Almighty, Thy power hath founded of old,


earth, with
its

store of

Hath stablished

it

fast by a changeless decree.


like a

And round

it

hath cast,
care

mantle, the sea.


recite?

Thy bountiful
It

what tongue can


it

breathes in the

air,

shines in the light.

It

steams from the


sweetly

hills, it

descends to the plain.

And

distills in the

dew and

the rain.
115

All Hail the

Power

of Jesus'

Name

Tune: "Coronation"

By Edward Perronet and


All hail the

Oliver Holden

power

of Jesus'

name!

Let angels prostrate fall; Brin^ forth the royal diadem,

And crown Him Lord

of

all.

(Repeat last two lines)

Crown Him, ye morning stars

of light.

Who fixed this floating ball; Now hail the strength of Israel's
And crown Him Lord
On
of
all.

might.

(Repeat last two lines)

Let ev'ry kindred, ev'ry tribe


this terrestrial ball

To Him all majesty ascribe, And crown Him Lord of all.

(Repeat last two lines)

Oh, that with yonder sacred throng We at His feet may fall;
We'll join the everlasting song,

And crown Him Lord

of

all.

(Repeat last two lines)

Work

for the
F

Night
fc

Is

Coming

^m
Q
F

Work,

for

the

^^
night
is

^
com
F

bI^

i
ing,

St

Work
B-^ B^

thru

the

morn-ing hours.
C,

Work
r

while the

dew

is

F
I
'

4'
116

i'l

'

.MJ.

HJ
Work

.Ni.!

spark-ling,

Work mid

spring-ing flow'rs.

while the day grows

i^
bright
-

^J

J
er

]
|

:.
-

J
the

Un

der

glow-ing

sun.

^m^^
Work,
for the night
is
is

:^

i
When man's work is done.

com-ing,

Work,

for the ni^ht

coming,

Work

thru the sunny noon.

Fill brightest

hours with labor. Rest comes sure and soon.

Give ev'ry Hyin^ minute

Something to keep in store. Work, for the ni^ht is coming, When man's work is o'er.

Church

in the

Wildwood

There's a church in the valley by the wildwood.

No lovelier place in the dale, No spot is so dear to my childhood,


As
the
little

brown church

in the vale.

Chorus
0, come, come, come, come.

Come to the church


0, come

in the

wildwood,

to the church in the dale.


is

No spot
As
the

so dear to

my childhood.
in the vale.

little

brown church

How sweet on
To
0,
list to

a bright Sabbath morning,


bell.

the clear ringing

Its tones so

sweetly are calling,

come

to the

church

in

the vale.

Repeat chorus.
117

Day

Is

Dying

in the

West

Tune: "Chautauqua"
Key:

A Flat.
is

Time: 6/4

Day

dying in the west, Heaven is touching earth with rest; Wait and worship while the night Sets her evening lamps a-light

Through
Chorus

all

the sky.

Holy, holy, holy. Lord

God

of hosts!

Heaven and earth are full of Thee, Heaven and earth are praising Thee, Lord Most High!

When forever from

our sight. Pass the stars, the day, the night. Lord of angels, on our eyes Let eternal morning rise,

And shadows end.


Repeat chorus.

Come, Thou Almighty King


Key:

Come, Thou Almighty King, Help us Thy name to sing, Help us to praise:
Father! all-glorious, O'er all victorious,

Come and
118

reign over us,

Ancient of Days!

Come, holy Comforter!

Thy sacred witness bear


In this glad hour:

Thou, who almighty art, Now rule in every heart,

And

ne'er

from us depart.

Spirit of power!

My Father's House

i^ ^

^m
me
C7
to

P
my fath-er's
F
to

Oh, won't you come with

C7

house,

To my
F

fath-er's house,
rr

my Fath-er's

^^^
F
house.

J
to

Oh, won't you come with


F

me
C7

my Fath-er's
F

i5
house.

i
There
is

3E
peace, peace,

2C
peace.

m
house.

There's sweet
In

communion
in

there, in

my

Father's house,

my Father's house,
is

There's sweet

communion

my Father's house. there, in my Father's

There

peace, peace, peace.

There'll be no parting there, in

In

my Father's
is

There'll be

my Father's house. my Father's house. no parting there, in my Father's house.


house, in
119

There

peace, peace, peace.

A'don Olom

Lord of the World, Who Reigned Alone While Yet the Universe Was Naught, With Him My Soul Rests in Fearless Calm.
traditional Jewish

The

hymn which

ends the Sabbath and high

holyday services

Moderately

Cm

Cm

$
n

i:

1=3 ;=5
A' -don

^
0lorn

a'-sher mo-lach

^
Cm
na-a'-so

i
B'-

Gm

Gm

te

rem-kol

y'-tzir

niv-ro

L'-evs

v'-

Cm

i
chef-tzo
kol

A
-

Cm

Cm

D.C.

zay

me-lech

sh'-mo

nik-ro.

V'ach-aray kich-los ha-kole L-vah-do yim-loch no-raw

V'hoo haw-yah, v'hoo ho-veh V'hoo vee-veh b'sif-araw.

B'yah-do af-kid roo-chee B'ace e-shan v'ah-eraw

Vim roo-chee g'vee-yah-see


Adonoi
lee v'lo e-ra\v.

120

There's a Long, Long Trail


Key:

There's a long, long trail a-\vinding


Into the land of

my dreams,

Where

the nightingales are singing

And

a white

moon beams:

There's a long, long night of waiting


Until
Till

my dreams all come true;


when
itf

the day

I'll

be going

down

That
I

long, long trail with you.


|)i'rmii()n

X'll

li.\

M.

\\

iimaik

ti Siiii>.

N.V.. co|i.vrii:lu iiuniTs

Around the Campfire Bright


O.A. Kirkham

jintj
Oh! F

J.

j^

;'

blaze. We'll store

^
07

set the camp-fire

burn-ing,

Let's sit a-round

the

r^

^
coming

i
good mem-'ries
f"

f
up,

^
To
J

E
in

^m
i w
^ -W7

use

^m
days.
bI>

some right C7

J.
pic-

;
ture

of good

J
fac-es
all

U.
light.
1^

i
Who

com-rades? With

aJ.

?
121

sat be-neath the stars and sang, A-round the camp-fire bright.

Tell

Me Why

^^
Tell

m
me why
G
C
ati:^::

JUF
F

u;
Tell

the stars do shine,

^^
why
the

^^
i

vy twines, Tell

^ ^^
me why

me

the sky's so

i'

-'

r^
Tell

ij

^
just

i
I

blue,

me (Camp)

why

love vou.

Because God made the stars to shine, Because God made the ivy twine. Because God made the skies so blue,

Dear

old (Camj))

that's

why

love you.

Campfire Medley
Key:

G
will shine tonite,

Our boys Our boys


They're

our boys will shine;

will shine tonite, all

down

the

line.

all

dressed up tonite, don't they look

fine!

When

the sun ^oes down, and the


will shine.
lies lies

moon comes

up,

Our boys

My Bonnie My Bonnie My Bonnie

over the ocean. over the sea;

lies

over the ocean,

0, brinK back

my

Bonnie

to

me.

brin^ back my Bonnie to me, BrinK back, brin^ back, to me; brin^ back my Bonnie to me. BrinK back, brin^ back,
Sailing, sailing, over the
122

bounding main,

For many a stormy wind shall blow Ere Jack comes home again!
Repedt.

Key: F

Goodnight, ladies! Goodnight, ladies! Goodnight, ladies! We're going to leave you now Merrily we roll along, roll along, roll along, Merrily we roll along, o'er the deep blue sea.

In the Evening by the Moonlight


James A. Bland
Xot
too sloir

$ mW
In the

>

>

^
by

J^

ev-'ning

the moon-light

You could

^
G7

fib

^
i
m^J^
j'stJ

hear those

camp

ers

^?=t
by

^
C7

}.
-

}
In

E
the

sing

ing,

^^
could
'

ev-'ning

the

moon

light

You

J
those

?
J'

^
J
F

i'-

J.

^
the

hear

ech

oes

ring -ing.

How

A
would

>
it!

>

Ji

camp
fib

sit

^ ^
-

ers

en -joy

They would

f
lis -

all

night

and
C7

ten

As
F

^
we
light.

G7
^
in

^>0
sang

;
the

>

>
by

Ji

>

itr-i

^=^

ev'-ning

the

moon-

12a

Vive

rAmour

$
A'
!

Let
''

^^
ev
-

T
good

^
fel

ry

low
F7

now

:
,

V
-

=^ P
com
'\

join in

song,
B'

Vi

ve

la

pag-

i
w $

f
me;
B I?

1'
1

1'

**

Suc-cess to each
F7

oth-erand

pass

it

a-long,

F
Vi
-

;
ve

?:
la

?
com
-

^
pag
me:
^

i
1

^
Vi

^ ^
i^

9
i

1^

r. i

ve

^"^

Now wider and wider our circle expands,


compagnie! We sing to our comrades Vive la compagnie!
la

Vive

in

faraway lands,

Repeat chorus.

Scout Vesper
Tune: "Tannenbaum"

Key: G.

Time: 3/4

Softly falls the light of day,

While our campfire fades away


Silently each Scout should ask:

my daily task? Have I kept my honor bright?


"Have
I

done

Can I guiltless sleep tonight? Have I done and have I dared


Everything
to be

prepared?"

125

By

the Blazing Council Fire


"Till

Tune:
Key:

We Meet A^ain"
Time: 3/4

Flat.

By

the blazing council

fire's light,

We

have met in comradeship tonight. Round about the whispering trees Guard our golden memories
so before

And

close our eyes in sleep, Let us pledge each other that we'll keep

we

Scouting friendships, strong and deep,


Till

me meet
usfd
li.\

again.

Soni;

til If

|iriiiiissi(in

nf Kcinick Music

('iii|i.. (nii\ri;ihi

nu

iic

Taps
Key: F.

Time: 4/4

Day is done, gone the sun, From the lake, from the hills. From the sky;
All
is w^ell,
is

safely rest,

God

nigh.
light

Fading

dims the

sight,

And

a star
afar,

gems

the sky,

Gleaming

bright.

From

drawing nigh.

Falls the night.

12()

Abide With

Me

114 120

Forward America

49
The
10

A'DonOlom
All Hail

Grand Old Duke

of York,

the Power of Jesus'

Name

16

God Bless America


Grace
111 111

45

Alouette

90
44 46

America

Grace Song

America, the Beautiful

Green Grown the Rushes, Oh


Hail! Hail! the

100
4

Animal

Fair,

The

38
31

Gang's

All

Here

Are You Sleeping?

Ham and
121

Eggs

26

Around the Campfire Bright


Auld Lang Syne

Happy Wanderer, The


Hello! Hello!

80

89

Back

in

the Saddle Again


of the

70

Herdsman, The

93
69
World

Battle

Hymn

Republic

94

Here's to the Boy Scouts

Be Prepared
Bingo
11

56

He's

Got

the

Whole

His

Hands
105
Great To Be ScoutHi Ho!

102

Blow the Man Down

Nobody Home
57 on the Range

29

Boom! Boom! Gee


ing

It's

Hiking

53
of

Home
America

75

Boy Scouts

50
62
Fire

Horses Run Around, The

32

Boy Scout's Prayer, A


By the Blazing Council
Campfire Medley

How Do You Do'


126
f

You're Happy Got Shoes

16

122 23

103
I'm Hiking

Camp Menu Song

'm Happy

When

65 123

Camporeeor Jamboree Hymn


Chaparral Song

64

n the Evening by the Moonlight


n the

82
117

Good Old Summertime


12

98

Church

in

the Wildwood

Points to Mmeself

Clementine

76
113
1

van Skizavitzsky Skivar


've

34 35

Come,

Sabbath Day

Been Workin' on the Railroad


Got That Scouting Spirit
a Girl

Come, Thou Almighty King

18

've

54

Cowboy's Sweet Bye and Bye, The


Day
Is

74

Want

33 97
10
37

Dying 101

in

the West

118

Jacob's Ladder

Dixie

John Brown's Baby

Dogie Song

84
31

John Jacob Jingleheimer Schmidt


Johnnie Verbeck

Down
Down

by the Station
in

18

the Valley

99

KumBaYah

108

Drool Song

40
78

London's Burning
Michael Finnegan
Michael

30
41

Dying Cowboy, The


Faith of Our Fathers

114
91
1 1

Row

the Boat Ashore

95
8

Far Northland, The


Father,

More We Get Together, The

We

thank Thee for the Night

My

Father's House

119

127

Chester!

25
Ye Faithful
7
in

Shenandoah
113

85
112

Come,

All

Sholom A'leychem
Smile Song
the Morn-

Dad O'Mine
Oh!

39

How

Hate To Get Up

Stars and Strips Forever, The

42 48

ing

39
107
Trail.

Star-Spangled Banner, The

Oh, Susanna Old Chisolm


Old Paint

Swing Low, Sweet Chariot

106

The

72

Taps
Tell

126
122
121
a

77

Me Why

One

Finger,

One Thumb
63

17

There's a Long, Long Trail

On My Honor

There's

Something About

Boy

Scout

Onward, Christian Soldiers Worship the King


115 59

110

52
This Land
Is

Your Land

81

Pack Up Your Troubles


Paddle Song, The

Three Blind Mice

29
22
9

28

Three Jolly Fishermen


Three

Paw-Paw Patch
Philmont Grace Philmont

20
57

Wood
It

Pigeons

Throw

Out the Window

24

Hymn
41

58
21

Torch of Scouting, The


Trail of Eagle

60

Pick a Bale of Cotton

59
15

Pink Pajamas

Tra, La, La

Quartermaster's Store, The


Raviolli

36

Vive I'Amour

124

11

Walking

at

Night

88

Red River Valley


Roll,

73

Waltzing Matilda

86
7

Jordan, Roll

95 30

We're

All

Together Again, We're Here

Row, Row, Row Your Boat


Scout Hearted

We're Here for Fun We're on the Upward

6
Trail

Men

68

56 104
116

Scouting Marches On Scouting

66

When
Work

the Saints Go Marching In


for the Night
Is

We Go

67

Coming

Scout Leader's Prayer

55
61

Yodeling Song

92
96 68

Scout's Good-Night Song

You Can Dig My Grave You Can


Tell a

Scout Vesper
She'll

125

Scout

Be Comin'

Round the Mountain

14

ZumGaliGali

90

128

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