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25 Music
25 Music
y = 1/5.*sin(3.2332*x)+sin(7.23423*x)+sin(13.32523*x)+sin(8.2324*x) +sin(2.424*x)); sound(y) One can superimpose sounds in Matlab, by running multiple sound(y)s back to back and then listen to them terminate one-by-one until a single sound is heard. Now we can plot the repeating pattern for the harmonics: Figure 25-1: Three Harmonics
Harmonics have a repetitive pattern too short to distinguish any differences while listening. By mixing non-harmonics, we obtain chords that may repeat over much longer periods so that one may hear cycles. By adding many additional non-harmonics we can get dial tone sounds. Though there is no period , one can see evenly spaced peaks which produce a repetitive like sound, a dial tone. Program 25-2: Creating Stereo Sound y1 = 1/3 .* (sin(2*x)+sin(4*x)+sin(8*x)); y2 = 1/3 .* (sin(3*x)+sin(6*x)+sin(12*x)); y = [y1' y2']; sound(y) Table 25-1: Frequencies of the Third Octave Note A3 Frequency (Hertz) 220
25 Music
B3 C3 D3 E3 F3 G3 A4
How can we calculate these steps? We denote a waveform with frequency f0 and its harmonic with frequency f1. By definition: f1/f0=2. We also note that all of the frequencies between will have the same multiple (denoted by h) from the previous frequency. Say f0 is A3 than A3+ = A3*h. Now to the computation of h: Equation 25-1: Step Frequency Multiplier for the Even-Tempered Scale f1 = h * h * h * h * h * h * h * h * h * h * h * h * f0 f1/f0 = h^12 2 = h^12 h = 12th root of 2 = 1.059463094 The half step always has a fixed ratio in the Even-Tempered Scale that is h. For example C3/B3 = 261.6/246.9 = 1.059463094.
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Now we can fill in the frequencies of the sharps and flats as well:
Table 25-2: Sharp and Flat Frequencies of the Third Octave Note A3 A3+B3B3 C3 C3+D3D3 D3+E3E3 F3 F3+G3Frequency (Hertz) 220 233.1 246.9 261.6 277.2 293.7 311.1 329.6 349.2 370.0
25 Music
G3 G3+A4A4
Since there are six whole tones in the space of an octave, wed expect 9/8 ^ 6 => 2 but it = 2.027, so the tones are not evenly distant. Equal temperament does away with this problem. Pythagoras found that the octave, fifth, and forth had the most harmonious sounds. A songs key is the
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25 Music
octave forward from the starting note. On the Diatonic Scale, the multiples between the same notes may vary with Octave. Hence, the same piece of music played in a different key tends to sound quite different unlike when playing a piece with the Even-Tempered Scale. This problem with uneven multiples manifests itself in other areas. For example, 12 fifths doesnt equal 7 octaves, though they are the same key on the piano. This is known as the Pythagorean comma. This imbalance in the frequency distance between keys means that it is impossible to construct Pythagorean tuned piano. The frequency of C1 = f The frequency of C8 = 2^7 f = 128f from Octave multiplication. The frequency of C8 from multiples of fifths is 3/2 ^ 12 f = 129.74f The problem doesnt manifest significantly when playing music in a single octave, but when playing music across octaves one cannot for example tune the 8th octave to the 7th fifth since they are not compatible. One cannot build a Pythagorean piano.
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25.3 Fractals
In the kabbalistic Tree of Life, the microcosm reflects the macrocosm, the sefirot in man reflect the sefirot of G-d. Man is created in the image of G-d. This recursive principle is the essence of fractals, which are repeated images within images. The natural world is composed of fractals that are the trails, or visual representation, left by the dynamic (continuously moving) systems that created them. A tree is fractal in nature a single branch resembles the entire tree, a smaller twig resembles the branch, even the structures of the veins in the leaves exhibit the same branching process as the tree itself. Granted, the patterns at different scales are not exact replicas of one another, but the idea is the same. The patterns created by the rocks of a rugged coastline also repeat themselves at different scales a snail crawling along the nooks and crannies of the rocks on the shore traverses a meandering path similar to the one you would take on a hike along the cliffs, which in turn is similar to the general outline of the coast viewed from an airplane. Natural fractals reach a point where the pattern (at the biological level, anyway) stops; however, in a true scaling fractal (for instance, the Koch snowflake), this detail continues ad infinitum.
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25 Music
25.5 Television
A kabbalist should not have a TV, yet there are spiritually uplifting programs such as Little House on the Prairie.
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Math and Music Harmonious Connections, Trudi Hammel Garland and Charity Vaughan Kahn, Dale Seymour Publications, page 40. Math and Music, page 62. Math and Music Harmonious Connections, Trudi Hammel Garland and Charity Vaughan Kahn, Dale Seymour Publications, page 132.
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25.1 Even-Tempered Scale 25.2 Pythagorean Diatonic Scale 25.3 Fractals 25.4 Fibonacci Ratio 25.5 Television