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Primary Sources Pauley, Gay. "Fashion Designers: Let the Hemlines Fall Where They May.

" The Dispatch [Lexington, N.C.] 5 July 1957: 4. This newspaper article from, The Dispatch, was written about the hemline controversy that the New Look caused. This article helped me understand how widespread the controversy was. Rockwell, Norman. Rosie the Riveter. N.d. Rosie the Riveter Museum, California. The Rosie the Riveter painting was an iconic and inspiring propaganda for World War II. The government used this to help aid them to get women to operate factories during the war. I used this to explain why women started to dress more utilitarian during the war. The Bar Suit. 1947. Sketch. Paris. This is a sketch of the most iconic ensemble in the collection, the Bar Suit. The suit is the most recognizable design in the New Look collection. The Bar Suit. 1947. Photograph. ADAGP Archives, Paris. This photograph is the original photograph taken after the collection debuted. This photograph is the most iconic image from Diors first collection. Christian Dior Portrait. N.d. Photograph. Paris. This portrait of Christian Dior was taken near his childhood home in Normandy, France. The Chanel Suit. N.d. Photograph. House of Chanel. Paris. This is a photograph of the Chanel Suit, by Coco Chanel. It is the suit that gave Dior his most competition. Chanel wanted to bring back a straight-edged silhouette, unlike Dior who wanted to define it. This image was a good way to compare two designers of the time. Dior Working on a Sketch. N.d. Photograph. Maywald Archives, n.p. This photograph is of Christian Dior working on what would make his career. Lisa Fonssagrives at Paddington Station. 1951. Photograph. Harper's Bazaar. Web. This photograph shows that the characteristics of the New Look, a cinched waist and a full skirt, were still very popular four years after the collection came out.

Miss Dior. Dior. Dior, n.d. Web. 19 Feb. 2013. This video used original clips from 1947 of the New Look. It gave me sense of what was going on in the Parisian fashion world in 1947 after the collection debuted. New Look Perfume 1947. 1947. Photograph. Dior, Paris. This photograph is of Diors New Look perfume. He created the fragrance to add to the already feminine collection. "Paris Collections: Complete Report." Vogue 1 Mar. 1953: 104-15. Print. "Paris: The Breath of World Fashion." Vogue: The International Fashion Issue 15 Mar. 1953: 64-65. Print. The two issues of Vogue from 1953 included pictures and descriptions of Diors collection. The ads and other articles in the magazine also gave me a sense of the time period. Spring/Summer Sketch. N.d. Sketch. Paris. This was a sketch of the New Look by Dior himself. This sketch gave me an idea of how cinched the waists and full skirts were imagined by Dior. Tablecloth Bras. N.d. Photograph. Buffalo University, n.p. This photograph showed me how little fabric and money had during World War II to make their clothing. For example, in the photograph, a woman used a tablecloth to make a dress. Tulip Line. N.d. Photograph. Paris. This photograph is an example of how Dior wanted to really accentuate the feminine figure. The puffy sleeves and peplum top cinch the waist in to minimize it. The Four Vagabonds. Rosie the Riveter. 1942. Vinyl recording. I used a clip of this song by The Four Vagabonds on my website to show what an impact the propaganda poster had on woman in the workforce. Vogue Magazine 1947. 1947. Photograph. Vogue, Paris. This is the cover of the Vogue Magazine that the New Look first appeared in. The magazine cover gave me an idea of the role Vogue played in the publicity of the collection.

Secondary Sources "Christian Dior- Designer Fashion Label." NYMag.com. New York Media, n.d. Web. 28 Jan. 2013. I used this website to educate myself on the Dior brand itself. This helped me explain how the brand expanded into the empire it has become in the fashion world today. Duncuff Charleston, Beth. "Heilbrunn Timeline of Art History." Christian Dior (19051957). I used this timeline to give me background on the collection itself. I also used this website to give me a visual of what Diors the collection looked like. "New Look." Voguepedia. Vogue, n.d. Web. 28 Jan. 2013. "Christian Dior Brand." Voguepedia. Vogue, n.d. Web. 28 Jan. 2013. I used these two Voguepedia web pages to give background on how Vogue played a big role in the publicity of the collection. Peplum. N.d. Photograph. Paris. This photograph shows the similarities, the basic ideas in both collections, from Diors spring/summer collection in 1947 to the spring/summer collection in 2013. The basic ideas from both collections "Rosie the Riveter: Women Working During World War II." National Park Service. National Park Service, n.d. Web. 20 Feb. 2013. I used this website for background on Rosie the Riveter. It gave me some basic information on what the poster was and what it was used for. 1930s Long, Slim Look. 1996. Photograph. University of Vermont, n.p. 1950s Clothing. N.d. Photograph. Buffalo University, n.p. I used these photograph as a comparison of what fashion looked like before and after the New Look.

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