Journal of Jazz Studies vol. 7, no. 1, pp.

145155 (Spring 2011)

Jazz Research Bibliography (20052006)

James McGowan and Robin Desmeules This bibliography compiles articles of interest in jazz music scholarship that appeared in journals not specifically dedicated to jazz study. This installment adds two additional years to the three previous bibliographies contained in volumes 11 (19992000), 12 (20012002), and 13 (20032004) of the Annual Review of Jazz Studies. Also included in this installment are relevant articles published before 2005 that were omitted in the previous installments. Articles excluded from this bibliography include reviews, work without original research or interpretation (particularly if only a few pages long), and material that addresses other jazz art forms (e.g., literature, poetry, dance). For non-English articles or journal titles, we specify the language of the article. The titles of nonEnglish articles are presented as they appear in the journal and in English translation, when feasible. Thanks go to those who have suggested articles for inclusion. For future installments, we welcome recommendations of any scholarly articles that appear in non-jazz journals after 2006, as well as articles published from 1999 to 2006 that were not included in previous installments. Please email complete citations of articles to James McGowan (jjmc321@gmail.com) and Robin Desmeules (rdesmeules@gmail.com).
Allsup, Randall E. Mutual Learning and Democratic Action in Instrumental Music Education. Journal of Research in Music Education 51/1 (Spring 2003): 2437. Alper, Garth. How the Flexibility of the Twelve-Bar Blues Has Helped Shape the Jazz Language. College Music Symposium 45 (2005): 112. Al-Zand, Karim. Improvisation as Continually Juggled Priorities: Julian Cannonball Adderleys Straight, No Chaser. Journal of Music Theory 49/2 (Fall 2005): 209 239. Appelrouth, Scott. Body and Soul. American Behavioral Scientist 48/11 (2005): 14961509. Asai, Susan. Cultural Politics: The African American Connection in Asian American Jazz-based Music. Asian Music 36/1 (2005): 87108.

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Atkins, E. Taylor. Sacred Swing: The Sacralization of Jazz in the American Bah Community. American Music 24/4 (Winter 2006): 383420. Bachner, Sally. He Had Pushed His Imagination into Buddys Brain, or, How to Escape History in Coming Through Slaughter. Rethinking History 9/23 (June September 2005): 197220. Balachandra, Lakshmi, Robert C. Bordone, Carrie Menkel Meadow, Philip Ringstrom, and Edward Sarath. Improvisation and Negotiation: Expecting the Unexpected. Negotiation Journal 21/4 (October 2005): 415423. Balachandra, Lakshmi, Frank Barrett, Howard Bellman, Colin Fisher, and Lawrence Susskind. Improvisation and Mediation: Balancing Acts. Negotiation Journal 21/4 (October 2005): 425434. Barratt, Elizabeth, and Hilary Moore. Researching Group Assessment: Jazz in the Conservatoire. British Journal of Music Education 22/3 (2005): 299314. Barrett, Samuel. Kind of Blue and the Economy of Modal Jazz. Popular Music 25/2 (2006): 185200. Benadon, Fernando. Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm. Ethnomusicology 50/1 (Winter 2006): 7398. Benson, Bruce Ellis. The Fundamental Heteronomy of Jazz Improvisation. [Article written in English.] Revue internationale de philosophie 60/238 (2006): 453467. Berish, Andrew. Dissections and Intersections of the Jazz Scene: An Interview with Aaron Goldberg. Echo 5/1 (Spring 2003). Borgo, David. Sync or Swarm: Musical Improvisation and the Complex Dynamics of Group Creativity. Algebra, Meaning, and Computation: Essays Dedicated to Joseph A. Goguen on the Occasion of His 65th Birthday; Lecture Notes in Computer Science 4060 (2006): 124. Bowers, Jane M. The Enigma of Jimmy Yanceys Early Years: Notes Toward a Biography. American Music 24/2 (Summer 2006): 133171. Brennan, Matt. Down Beats and Rolling Stones: The American Jazz Press Decides to Cover Rock in 1967. Popular Music History 1/3 (2006): 263283. Brennan, Matt. The Rough Guide to Critics: Musicians Discuss the Role of the Music Press. Popular Music 25/2 (May 2006): 221234. Burke, Patrick. Oasis of Swing: The Onyx Club, Jazz, and White Masculinity in the Early 1930s. American Music 24/3 (Fall 2006): 320346. Burns, Lori. Feeling the Style: Vocal Gesture and Musical Expression in Billie Holiday, Bessie Smith, and Louis Armstrong. Music Theory Online 11/3 (2005). Burrows, Jared B. Musical Archetypes and Collective Consciousness: Cognitive Distribution and Free Improvisation. Critical Studies in Improvisation / tudes critiques en improvisation 1/1 (2004).

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Butterfield, Matthew W. The Power of Anacrusis: Engendered Feeling in Groovebased Musics. Music Theory Online 12/4 (2006). Capuzzo, Guy. Pat Martinos The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory. Music Theory Online 12/1 (2006). Carney, Court. New Orleans and the Creation of Early Jazz. Popular Music and Society 29/3 (2006): 299315. Ceraso, Steph. Swinging through Spheres: Jazz, Gender, and Mobility. Nebula 3/2 (2006): 4654. Chandler, Karen A., and Jack McCray. ...But the Greatest of These is Charity: The Charleston Jazz Initiatives Study of the Jenkins Orphanage Bands. Journal of Arts Management, Law and Society 34/4 (Winter 2005): 306318. Coclanis, Angelo P., and Peter A. Coclanis. Jazz FuneralA Living Tradition. Southern Cultures 11/2 (Summer 2005): 86-92. Cohen, Harvey G. The Marketing of Duke Ellington: Setting the Strategy for an African American Maestro. The Journal of African American History 89/4 (Autumn 2004): 291315. Cotro, Vincent. Virtuosit et invention musicale dans le jazz: Pistes de rflexion et d'analyse / Virtuosity and Musical Inventiveness in Jazz: Paths for Reflection and Analysis. [Article written in French.] Analyse Musicale 52 (December 2005): 112 123. Cotro, Vincent. La rsurgence du pass dans le jazz contemporain : une problmatique post-moderne? / The Resurgence of the Past in Contemporary Jazz: Postmodernist Problems? [Article written in French.] Revue de musicologie 91/2 (2005): 425454. Culicover, Peter W., and Nancy A. Ritter. Linguistics, Cognitive Science, and All That Jazz. Linguistic Review 22/24 (2005): 227248. Danaher, William F. Gender Power: The Influence of Blues Queens, 1921 to 1929. American Behavioral Scientist 48 (July 2005): 14531467. Dessen, Michael. Asian Americans and Creative Music Legacies. Critical Studies in Improvisation / tudes critiques en improvisation 1/3 (2006). Dixson, Adrienne D. Extending the Metaphor: Notions of Jazz in Portraiture. Qualitative Inquiry 11/1 (2005): 106137. Ellison, Mary. Dr. Michael White and New Orleans Jazz: Pushing Back Boundaries While Maintaining the Tradition. Popular Music and Society 28/5 (2005): 619638. Fabbri, Paulo. Jazz: lo imprevisto de improviso / Jazz: The Unexpected of Improvisation. [Article written in Spanish.] Revista de Occidente 290291 (July August 2005): 5565.

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Fabris, Bernardo V., and Fausto Borm. Catita na leadsheet de K-Ximbinho e na interpretao de Z Bodega: aspectos da hibridao entre o choro e o jazz / Catita in the Leadsheet of K-Ximbinho and in Its Interpretation by Z Bodega: Aspects of Hybridization between Choro and Jazz. [Article written in Portuguese.] Per musi: Revista acadmica de msica 13 (June 2006): 532. Farrington, Holly E. Narrating the Jazz Life: Three Approaches to Jazz Autobiography. Popular Music and Society 29/3 (2006): 375386. Feinstein, Sascha. Yusef Komunyakaas Testimony and the Humanity of Charlie Parker. Callaloo 28/3 (Summer 2005): 757762. Feldon, F. Dreams That Dance: An Interview with Jazz Recorder Player and Drummer Eddie Marshall. American Recorder 46 (January 2005): 1621. Feldstein, Ruth. I Dont Trust you Anymore: Nina Simone, Culture, and Black Activism in the 1960s. Journal of American History 91/4 (March 2006): 1349 1379. Franklin, Judy A. Jazz Melody Generation Using Recurrent Networks and Reinforcement Learning. International Journal on Artificial Intelligence Tools 15/4 (August 2006): 623650. Franklin, Judy A., and Krystal K. Locke. Recurrent Neural Networks for Musical Pitch Memory and Classification. International Journal on Artificial Intelligence Tools 14/12 (FebruaryApril 2005): 329342. Gibson, Will. Material Culture and Embodied Action: Sociological Notes on the Examination of Musical Instruments in Jazz Improvisation. Sociological Review 54/1 (2006): 171187. Gim, Mi-og. Historical, Socio-cultural, and Musical Inquiry of Jazz. [Article written in Korean.] Nangman eum'ag / Nangman Quarterly 17/2 (Spring 2005): 149179. Gim, Mi-og. Study of Blues Focusing on Its Historical Change. [Article written in Korean.] Eum'ag gwa munhwa / Music and Culture 12 (2005): 171204. Givan, Benjamin. The South-Grappelli Recordings of the Bach Double Violin Concerto. Popular Music and Society 29/3 (2006): 335357. Grachten, Maarten, Josep-Llus Arcos, and Ramon Lpez de Mntaras. A Case Based Approach to Expressivity-aware Tempo Transformation. Machine Learning 65/23 (December 2006): 411437. Griffith, Frank. Jazz in 1960s British New Wave Cinema: An Interview with Sir John Dankworth. The Journal Of British Cinema and Television 3/2 (November 2006): 330340. Hagberg, Garry. Jazz Improvisation: A Mimetic Art? [Article written in English.] Revue internationale de philosophie 60/238 (December 2006): 469485.

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Hartman, Michelle. This Sweet/Sweet Music: Jazz, Sam Cooke, and Reading Arab American Literary Identities. MELUS 31/4 (Winter 2006): 145165. Harvard Law Review Association. Jazz Has Got Copyright Law and That Aint Good. Harvard Law Review 118/6 (April 2005): 19401961. Hawkins, Alfonso. A Non-Negotiable Blues Catharsis: Billie and Ursa Lady Sings the Blues and Corregidora. The Western Journal of Black Studies 29/3 (Fall 2005): 656 665. Hewitt, Nicholas. Black Montmartre: American Jazz and Music Hall in Paris in the Interwar Years. Journal of Romance Studies 5/3 (Winter 2005): 2531. Howland, John. Jazz Rhapsodies in Black and White: James P. Johnsons Yamekraw. American Music 24/4 (Winter 2006): 445509. Hurley, Andrew W. Summertime in Indonesia? The Indonesian Jazz All-Stars 1967 Tour of Europe. Perfect Beat: The Pacific Journal of Research into Contemporary Music and Popular Culture 8/1 (July 2006): 321. Iglesias, Ivn. La hibridacin musical en Espaa como proyeccin de identidad nacional orientada al mercado: El jazz-flamenco / Musical Hybridization in Spain as a Projection of National Identity Connected to Market Forces: Jazz Flamenco. [Article written in Spanish.] Revista de musicologa, 28/1 (June 2005): 826838. Jamin, Jean. Sonner comme soi-mme: Ce que ne nous disent pas les vies de Billie Holiday / Sound as Yourself: What the Lives of Billie Holiday Do Not Say to Us. [Article written in French.] LHomme: Revue franaise danthropologie 17778 (JanuaryJune 2006): 179197. Jamin, Jean. Voix sans issue / A Dead-end Voice. [Article written in French.] LHomme: Revue franaise danthropologie 170 (AprilJune 2004): 199229. Johnson, Bruce. Australian Jazz: A Cultural and Historical Overview. SONUS: A Journal of Investigations into Global Musical Possibilities 26 (Spring 2006): 122. Johnson, Bruce. White Noise: Jazz and Australian Modernisation. ACH: The Journal of the History of Culture in Australia 2425 (2006): 251272. Jones, Ryan Patrick. You Know What I Mean? The Pedagogical Canon of Cannonball Adderley. Current Musicology 7980 (SpringFall 2005): 169205. Kaldas, Pauline. Beyond Stereotypes: Representational Dilemmas in Arabian Jazz. MELUS 31/4 (Winter 2006): 167185. Kalmanovitch, Tanya. Jazz and Karnatic Music: Intercultural Collaboration in Pedagogical Perspective. World of Music 47/3 (2005): 135160. Kastin, David. Nicas Story: The Life and Legend of the Jazz Baroness. Popular Music and Society 29/3 (July 2006): 279298.

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Kater, Michael H. New Democracy and Alternative Culture: Jazz in West Germany after the Second World War. Australian Journal of Politics & History 52/2 (2006): 173187. Kemper, Stefan. Mercy, mercy, mercy: Ein Klassiker aus dem Jazz-Repertoire / Mercy, Mercy, Mercy: A Classic from the Jazz Repertoire. [Article written in German.] Musik & Bildung: Praxis Musikunterricht 38/4 (OctoberDecember 2006): 5055. Kimsey, John. One Parchman Farm or Another: Mose Allison, Irony and Racial Formation. Journal of Popular Music Studies 17/2 (August 2005): 105132. Knowles, Pamela. Thirteen Kinds of Desire: A Collaboration. Callaloo 28/3 (2005): 578581. Kramer-Johansen, Finn J. The Norwegian Jazz Archive: A Centre of Authority. Fontes Artis Musicae 51/2 (AprilJune 2004): 262266. Kraut, Robert. Why Does Jazz Matter to Aesthetic Theory? Journal of Aesthetics and Art Criticism 63/1 (Winter 2005): 315. Kubik, Gerhard. The African Matrix in Jazz Harmonic Practices. Black Music Research Journal 25/12 (SpringFall 2005): 167222. Lane, Jeremy F. Jazz as Habitus: Discourses of Class and Ethnicity in Hugues Panassis Le Jazz Hot (1934). Nottingham French Studies 44/3 (Fall 2005): 40 53. Larson, Steve. Composition versus Improvisation? Journal of Music Theory 49/2 (Fall 2005): 241275. Lehman, Stephen H. I Love You with an Asterisk: African-American Experimental Composers and the French Jazz Press, 19701980. Critical Studies in Improvisation / tudes critiques en improvisation 1/2 (2005). Levy, Brian. Polyrhythmic Superimposition in Jazz Hemiola and Implied Meters before 1965. Sonus: A Journal of Investigations into Global Musical Possibilities 27/1 (Fall 2006): 5269. Lewis, George E. Gittin' to Know Y'all: Improvised Music, Interculturalism and the Racial Imagination. Critical Studies in Improvisation / tudes critiques en improvisation 1/1 (2004). Lopes, Paul. Signifying Deviance and Transgression: Jazz in the Popular Imagination. American Behavioral Scientist 48/11 (July 2005): 14681481. Lortat-Jacob, Bernard. Limage musicale du souvenir: Georgia on My Mind de Ray Charles / Memorys Musical Image: Georgia on My Mind by Ray Charles. [Article written in French.] LHomme: Revue franaise danthropologie 17778 (JanuaryJune 2006): 4972.

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Louth, Paul. Lifelong Learning and the Informally Trained Jazz Musician. International Journal of Community Music D (2006). MacDonald, Raymond A. R., and Graeme B. Wilson. Constructions of Jazz: How Jazz Musicians Present Their Collaborative Musical Practice. Music Scienti: The Journal of the European Society for the Cognitive Sciences of Music 10 (Spring 2006): 59 83. MacDonald, Raymond A. R., and Graeme B. Wilson. Musical Identities of Professional Jazz Musicians: A Focus Group Investigation. Psychology of Music 33/4 (October 2005): 395417. Magee, Jeffrey. Everybody Step: Irving Berlin, Jazz, and Broadway in the 1920s Journal of the American Musicological Society 59/3 (Autumn 2006): 697732. Majer, Gerald. Le serpent qui danse (Jazz Music in Chicago in the 1970s). [Article written in English.] The Georgia Review 59/3 (Fall 2005): 649671. Martin, Henry. We Remember Clifford: Variation Technique at the Middleground. [Article written in English.] Tijdschrift voor muziektheorie 11/1 (February 2006): 1 8. Martin, Henry. Balancing Composition and Improvisation in James P. Johnsons Carolina Shout. Journal of Music Theory 49/2 (Fall 2005): 277299. Martin, Henry. Charlie Parker as Composer. Musica Oggi 24 (2005): 2843. Martin, Henry. Jazz Theory and Analysis: An Introduction and Brief Bibliography. [Article written in English.] Zeitschrift der Gesellschaft fr Musiktheorie 2/23, Band 2 (2005): 169171. Maxwell, Ian. Music as a Cultural System: Sensibility and Interpretation (Miles Daviss Doo-Bop Compared to Gurus Jazzmatazz). Context: Journal of Music Research 31 (2006): 519. May, Lissa Fleming. Early Musical Development of Selected African American Jazz Musicians in Indianapolis in the 1930s and 1940s. Journal of Historical Research in Music Education 27 (October 2005): 2132. Mccombe, John P. Reinventing Bird: The Evolving Image of Charlie Parker on Film. Post Script 25/1 (Fall 2005): 2237. McDonald, Chris. Rock, Roll and Remember?: Addressing the Legacy of Jazz in Popular Music Studies. Popular Music History 1/2 (2006): 125145. McKnight, Mark. Charivaris, Cowbellions, and Sheet Iron Bands: Nineteenthcentury Rough Music in New Orleans. American Music 23/4 (Winter 2005): 407 425. Meckna, Michael. Louis Armstrong in the Movies, 19311969. Popular Music and Society 29/3 (2006): 359373.

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Morand, Katell. Apprendre chanter / Learning to Sing: An Essay on Teaching Vocal Jazz. [Article written in French.] LHomme: Revue franaise danthropologie 177178 (JanuaryJune 2006): 107129. Muller, Carol Ann. The New African Diaspora, the Built Environment and the Past Jazz. Ethnomusicology Forum 15/1 (June 2006): 6386. Nicholls, Tracey. Dominant Positions: John Coltrane, Michel Foucault, and the Politics of Representation. Critical Studies in Improvisation / tudes critiques en improvisation 2/1 (2006). OGrady, Thomas. The Decisive Moment: The Metronome All-Stars, 1949. Journal of American Culture 28/4 (December 2005): 377390. Orr, Mark G., and Stellan Ohlsson. Relationship between Complexity and Liking as a Function of Expertise. Music Perception 22/4 (Summer 2005): 583611. Pierrepont, Alexandre. Let My Children Hear Music: Pour une ethnographie des phnomnes de transmission dans le champ jazzistique / Let My Children Hear Music: For an Ethnological Study of How Jazz Is Transmitted. [Article written in French.] LHomme: Revue franaise danthropologie 177178 (JanuaryJune 2006): 73105. Piedade, Accio Tadeu de Camargo. Jazz, msica brasileira e fricao de musiclidades / Jazz, Brazilian Music, and the Friction of Musicalities. [Article written in Portuguese.] OPUS: Revista da Associao Nacional de Pesquisa e PsGraduao em Msica (ANPPOM) 11 (December 2005): 197207. Pond, Steven F. Jamming the Reception: Ken Burns, Jazz, and the Problem of Americas Music. Notes 60/1 (September 2003): 1145. Porter, Eric. Jeanne Lees Voice. Critical Studies in Improvisation / tudes critiques en improvisation 2/1 (2006). Prouty, Kenneth E. Canons in Harmony, or Canons in Conflict: A Cultural Perspective on the Curriculum and Pedagogy of Jazz Improvisation. Research and Issues in Music Education 2/1 (September 2004). Prouty, Kenneth E. A History of Jazz Education: A Critical Reassessment. Journal of Historical Research in Music Education 26 (April 2005): 79100. Prouty, Kenneth E. Orality, Literacy, and Mediating Musical Experience: Rethinking Oral Tradition in the Learning of Jazz Improvisation. Popular Music and Society 29/3 (2006): 317334. Ramanna, Nishlyn. Biography, Taste, and Identity Construction in the Production and Reception of Some Contemporary South African Jazz. South African Journal of Musicology: SAMUS 25 (2005): 7182. Ramirez, Rafael, et al. Discovering Expressive Transformation Rules from Saxophone Jazz Performances. Journal of New Music Research 34/4 (December 2005): 319 330.

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Ramirez, Rafael, and Amaury Hazan. A Tool for Generating and Explaining Expressive Music Performances of Monophonic Jazz Melodies. International Journal on Artificial Intelligence Tools 15/4 (August 2006): 673691. Ramirez, Rafael, and Amaury Hazan. "Understanding Expressive Music Performance Using Genetic Algorithms." Applications of Evolutionary Computing, Proceedings 3449 (2005): 508516. Ramshaw, Sara L. Deconstructin(g) Jazz Improvisation: Derrida and the Law of the Singular Event. Critical Studies in Improvisation / tudes critiques en improvisation 2/1 (2006). Rasula, Jed. Jazzbandism (American Music, Jazz). The Georgia Review 60/1 (Spring 2006): 61124. Robinson, Jason. The Challenge of the Changing Same: The Jazz Avant-garde of the 1960s, the Black Aesthetic and the Black Arts Movement. Critical Studies in Improvisation / tudes critiques en improvisation 1/2 (2005). Rustin, Nichole T. Mary Lou Williams Plays Like a Man!: Gender, Genius, and Difference in Black Music Discourse. The South Atlantic Quarterly 104/3 (Summer 2005): 445462. Rustin, Nichole T. Cante Hondo: Charles Mingus, Nat Hentoff, and Jazz Racism. Critical Sociology 32 (March 2006): 309331. Rye, Howard. Showgirls and Stars: Black-cast Revues and Female Performers in Britain 19031939. Popular Music History 1/2 (2006): 167188. Sakakeeny, Matt. Disciplinary Movements, the Civil Rights Movement, and Charles Keils Urban Blues. Current Musicology 7980 (2005): 143168. Salamone, Frank A. Jazz and Its Impact on European Classical Music. The Journal of Popular Culture 38/4 (2005): 732743. Savran, David. The Search for Americas Soul: Theatre in the Jazz Age Theatre Journal 58/3 (October 2006): 459476. Sawyer, R. Keith. Group Creativity: Musical Performance Collaboration. Psychology of Music 34/2 (April 2006): 148165. Scaturro, Fabrizio. Free Jazz di Ornette Coleman, per unanalisi formale e timbrica hen / Free Jazz by Ornette Coleman: A Formal and Printed Analysis. [Article written in Italian.] Nuova rivista musicale italiana 39/1 (JanuaryMarch 2005): 53 66. Scott, Andrew. Forward Motion in an Improvisation by Miles Davis: A Galperian Reduction and Analysis of So What. Music Research Forum 20 (2005): 2338. Scott, Andrew. From Grant Green to B.B. King to T-Bone Walker: Consistent Approaches to the Blues. Soundscapes: Journal on Media Culture 8 (2005).

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Seddon, Frederick A. Modes of Communication during Jazz Improvisation. British Journal of Music Education 22/1 (May 2005): 4761. Serrano, Basilio. Juan Tizol: His Talents, His Collaborators, His Legacy. Centro Journal 18/2 (2006): 8399. Siddall, Gillian.I Wanted to Live in That Music: Blues, Bessie Smith and Improvised Identities in Ann-Marie MacDonalds Fall on Your Knees. Critical Studies in Improvisation / tudes critiques en improvisation 1/2 (2005). Skarpathiot, Eln. A Duke and an Underdog Beyond Category: Ellingtons Influence on Charles Mingus. [Article written in Greek.] Polyfnia 6 (Spring 2005): 107122. Smith, Ayana. Blues, Criticism, and the Signifying Trickster. Popular Music 24/2 (May 2005): 179191. Stanbridge, Alan. Of Sunshine and Happy Endings: Jazz, Parody, and the Limits of Interpretation. Critical Studies in Improvisation / tudes critiques en improvisation 1/1 (2004). Strunk, Steven. Notes on Harmony in Wayne Shorters Compositions, 196467. Journal of Music Theory 49/2 (Fall 2005): 301332. Szlamowicz, Jean. Le mythe des musiciens de jazz amricains Paris dans les annes 1960: une rvisionde lhistoire contemporaine / The Myth of the American Jazz Musicians in Paris in the 1960s: A Revision of Contemporary History. [Article written in French.] Revue franaise dtudes amricaines 104 (June 2005): 8099. Taylor, Fredrick J. Black Music and Musicians in the Nineteenth Century. The Western Journal of Black Studies 29/3 (Fall 2005): 615621. Terrat, Richard G. A Pregroup Grammar for Chord Sequences. Journal of New Music Research 34/4 (December 2005): 355360. Titlestad, Michael. Jazz Discourse and Black South African Modernity, with Special Reference to Matshikese. American Ethnologist 32/2 (2005): 210221. Waadeland, Carl Haakon. Strategies in Empirical Studies of Swing Groove. [Article written in Norwegian.] Studia Musicologica Norvegica: Norsk rsskrift for Musikkforskning 32 (2006): 169188. Waters, Keith. Modes, Scales, Functional Harmony, and Nonfunctional Harmony in the Compositions of Herbie Hancock. Journal of Music Theory 49/2 (Fall 2005): 333357. Wehr-Flowers, Erin. Differences Between Male and Female Students Confidence, Anxiety, and Attitude toward Learning Jazz Improvisation Journal of Research in Music Education 54/4 (Winter 2006): 337349.

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Wessberg, Erik Axel. Et originalarrangement fra 1976: Gene Puerlings og Robert Farnons version af The More I See You / An Original Arrangement from 1976: Gene Puerlings and Robert Farnons Version of The More I See You. [Article written in Danish.] Musik & Forskning 30 (2005): 127140. Whyton, Tony. Birth of the School: Discursive Methodologies in Jazz Education. Music Education Research 8/1 (2006): 6581. Williams, Linda F. Reflexive Ethnography: An Ethnomusicologists Experience as a Jazz Musician in Zimbabwe. Black Music Research Journal 25/12 (Fall 2005): 155165. Williams, Patrick. Standards et standardisation: Sur un aspect du rpertoire des musiciens de jazz / Standards and Standardization: On an Aspect of the Repertoire of Jazz Musicians. [Article written in French.] LHomme: Revue franaise danthropologie 17778 (JanuaryJune 2006): 748. Wills, David. Notes Towards a Requiem: Or the Music of Memory (Derrida). Mosaic: A Journal for the Interdisciplinary Study of Literature 39/3 (September 2006): 2746. Wong, Deborah. Asian/American Improvisation in Chicago: Tatsu Aoki and the New Japanese American Taiko. Critical Studies in Improvisation / tudes critiques en improvisation 1/3 (2006). Wright, Todd, and John Higby. Appalachian Jazz: Some Preliminary Notes. Black Music Research Journal 23/12 (SpringFall 2003): 5365. Zoesch, John R. III. Discontented Blues: Jazz Arrangements and the Case for Improvements in Copyright Law. Catholic University Law Review 55/3 (Spring 2006): 867904. ABOUT THE CONTRIBUTORS

JAMES MCGOWAN is assistant professor of music at Carleton University. He holds a PhD in theory from the Eastman School of Music, and masters degrees from the University of North Texas and the University of Toronto. As reflected in his publications and presentations, his primary research interests are in jazz and popular music theory, as well as the analysis of chromatic tonal music. ROBIN DESMEULES completed her masters degree at Carleton University in Ottawa, Ontario. Her thesis explored issues in jazz and gender in Toronto. Originally from Sudbury, Ontario, Robin holds a BA with a combined specialization in music and political science from Laurentian University. She also trained at Humber College as a jazz saxophonist, and will begin her PhD in ethnomusicology at Memorial University in the fall.
The Journal of Jazz Studies (JJS) is published by the Institute of Jazz Studies at the Newark campus of Rutgers, The State University of New Jersey. The editors of JJS are Edward Berger, Henry Martin, and Dan Morgenstern; the managing editor is Evan Spring. JJS is hosted online by the Rutgers University Libraries at http://jjs.libraries.rutgers.edu.

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Jazz Research Bibliography (20072008)

James McGowan and Robin Desmeules This bibliography lists scholarly articles about jazz music that appeared in journals not specifically dedicated to jazz study. This project was begun a few years ago by Keith Waters and Jason R. Titus, who compiled bibliographies for volumes 11 (19992000), 12 (20012002), and 13 (20032004) of the Annual Review of Jazz Studies. We compiled the next installment (20052006), which was published in the previous issue (volume 7.1) of this journal. This installment adds two more years (20072008), as well as a few relevant articles published before 2007 that were inadvertently omitted. The criteria for inclusion are the same as in the previous installment. The research in the articles listed in the bibliography addresses topics in jazz history, theory, ethnomusicology, education, and cultural studies. Articles that deal with criticism, acoustics, music cognition, business, philosophy, and other peripheral areas are included if they include significant interdisciplinary content that, in our opinion, could be relevant to the primary research foci of the bibliography. Articles excluded from this bibliography include reviews, work without original research or interpretation (particularly if only a few pages long), and articles that address other jazz art forms (e.g., literature, poetry, dance). All non-English titles are listed in both the original language and in translation where possible (as one will find in English-language search engines). URLs are given only when the articles are available free online. For future installments, we welcome recommendations of any academic articles that appear in non-jazz journals after 2008, as well as those published between 1999 and 2008 that were not included in this or previous installments of the bibliography. Please email complete citations of articles wherever possible to James McGowan (jjmc321@gmail.com) or Robin Desmeules (rdesmeules@gmail.com).
Abreu, Christina D. Celebrity, Crossover, and Cubanidad: Celia Cruz as La Reina de Salsa, 19712003. [Article written in English.] Latin American Music Review / Revista de Msica Latinoamericana 28/1 (SpringSummer 2007): 94 124.

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Agoston-Nikolova, Elka. Improvisation and Variation: Post-Communist Bulgaria Challenges National Folklore Tradition. Folklore: Electronic Journal of Folklore 39 (2008): 716. Alper, Garth. Towards the Acceptance of a Bachelor of Music Degree in Popular Music Studies. College Music Symposium 47 (2007): 156166.

Alexander, Ben. For Posterity: The Personal Audio Recordings of Louis Armstrong. The American Archivist 71/1 (2008): 5086. Amaya, Hector. Racialized Documentary Reception of Ken Burns Jazz. Television and New Media 9/2 (Mar 2008): 111130.

Armstrong, Lil Hardin, with introduction by Michael Hicks. Satchmo and Me. American Music 25/1 (Spring 2007): 106118. Bakan, Michael B., Benjamin D. Koen, Megan Bakan, and Fred Kobylarz. Saying Something Else: Improvisation and Music-play Facilitation in a Medical Ethnomusicology Program for Children on the Autism Spectrum. College Music Symposium 48 (2008): 130. Barron, John. Lessons from the Bandstand: Using Jazz as a Model for a Constructivist Approach to Music Education. Music Educators Journal 94/2 (Nov 2007): 1821.

Benadon, Fernando. Commentary on Matthew W. Butterfields The Power of Anacrusis. Music Theory Online 13/1 (Mar 2007). http://www.mtosmt.org/issues/mto.07.13.1/mto.07.13.1.benadon.html Bthune, Christian. Minstrelsy. [Article written in French.] LHomme 183 (JulySept 2007): 147161. Black, Steven P. Creativity and Learning Jazz: The Practice of Listening. Mind, Culture & Activity 15/4 (OctDec 2008): 279295. Bonnerave, Jocelyn. Pour une cologie musicale: les performances du jazz / For a Musical Ecology: Jazz Performances. [Article written in French.] LHomme 181 (JanMar 2007): 103129. Borge, Jason. La Civilizada Selva: Jazz and Latin American Avant-garde Intellectuals. [Article written in English.] Chasqui: Revista de literatura Latino Americana 37/1 (May 2008): 105119. Braggs, Rashida K. Lost Jazz Lives Recovered between Fact and Fiction. Journal of Popular Music Studies 20/1 (2008): 2643. Braxton, Anthony. Keynote Address at the Guelph Jazz Festival, 2007. Critical Studies in Improvisation / tudes critiques en improvisation 4/1 (2008). http://www.criticalimprov.com/article/view/520/1009 Bugge, Peter. Normalization and the Limits of the Law: The Case of the Czech Jazz Section. East European Politics and Societies 22/2 (Spring 2008): 282318. Buscatto, Marie. Tenter, rentrer, rester: les trois dfis des femmes instrumentistes de jazz / Tempting, Entering, Staying: The Three Challenges of Instrumental Jazzwomen. [Article written in French.] Travail, genre et socits 19/1 (Apr 2008): 87108.

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Butterfield, Matthew W. Response to Fernando Benadon. Music Theory Online 13/3 (Sept 2007). http://www.mtosmt.org/issues/mto.07.13.3/mto.07.13.3.butterfield.html Cahn, Dan. The Effects of Varying Ratios of Physical and Mental Practice, and Task Difficulty on Performance of a Tonal Pattern. Psychology of Music 36/2 (Apr 2008): 179191.

Calamel, Charles. Le Jazz comme anthropologie: crativit et reliance, linterface du monde jazz et du monde de lcole / Jazz as Anthropology: Creativity and Reliance, Interface between the World of Jazz and the World of Education. [Article written in French.] Cadmo 16/1 (2008): 3752. Callender, Clifton. Interactions of the Lamento Motif and Jazz Harmonies in Gyrgy Ligetis Arc-en-ciel. Intgral 21 (2007): 4177. Carletta, David M. Those White Guys are Working for Me: Dizzy Gillespie, Jazz, and the Cultural Politics of the Cold War During the Eisenhower Administration. International Social Science Review 82/3-4 (2007): 115134. Carson, Charles. Bridging the Gap: Creed Taylor, Grover Washington Jr., and the Crossover Roots of Smooth Jazz. Black Music Research Journal 28/2 (Spring 2008): 115.

Carter, R. OBrian. The Fox-Trotters of Vieil-Armand: Jazz and the Practice of Forgetting in Interwar France. Historical Reflections / Reflexions historiques 33/3 (Fall 2007): 449473. Chaumier, Jacques. crits sur le jazz: La production ditoriale francophone de 1926 2005 / Writings on Jazz : French Language Publications from 1926 to 2005. [Article written in French.] Documentaliste 44/6 (2007): 392395, 422 424. Chivallon, Christine, and Jacki Assayag. Black Atlantic Revisited: Une relecture de Paul Gilroy pour quelques prolongements vers le jazz / Black Atlantic Revisited: An Interpretation of Paul Gilroys Book Extended Toward Jazz. [Article written in French.] L Homme (2008): 187188, 343374.

Collier, Geoffrey L., and James Lincoln Collier. Studies of Tempo Using a Double Timing Paradigm. Music Perception: An Interdisciplinary Journal 24/3 (Feb 2007): 229245.

Cooper, B. Lee. Do You Know What it Means to Miss New Orleans?: Discovery, Dominance, and Decline of Crescent City Popular Music Influence, 1946 2006. Popular Music and Society 31/2 (May 2008): 151190.

Coulthard, Karl. Looking for the Band: Walter Benjamin and the Mechanical Reproduction of Jazz. Critical Studies in Improvisation / tudes critiques en improvisation 3/1 (2007). http://www.criticalimprov.com/article/view/82 Creech, Andrea, Ioulia Papageorgi, Celia Duffy, et al. Investigating Musical Performance: Commonality and Diversity among Classical and Non-Classical Musicians. Music Education Research 10/2 (2008): 215234.

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Dempsey, Nicholas P. Hook-ups and Train Wrecks: Contextual Parameters and the Coordination of Jazz Interactions. Symbolic Interaction 31/1 (Winter 2008): 5775.

Dennis, Michael Macaulay. Miles ahead: Using Jazz to Investigate Improvisation and Market Orientation European Journal of Marketing 41/5-6 (2007): 608 623. Dougherty, Carissa Kowalski. The Coloring of Jazz: Race and Record Cover Design in American Jazz, 1950 to 1970. Design Issues 23/1 (Winter 2007): 47 60.

Dreyfus, Kay. I Cannot Find a Corner in the World Where I am Welcome: The Australian Wartime Experience of the Weintraub Syncopators. Journal of Musicological Research 26/2-3 (AprSept 2007): 281314.

Drott, Eric. Free Jazz and the French Critic. Journal of the American Musicological Society 61/3 (Fall 2008): 541581. Edney, Kathryn. Resurrecting the American Musical: Film Noir, Jazz, and the Rhetoric of Tradition in City of Angels. The Journal of Popular Culture 40/6 (Dec 2007): 936952.

Edwards, Brent Hayes. Crossroads Republic. [Subject: the encounters of trumpeter Lester Bowie and Nigerian bandleader Fela Anikulapo-Kuti.] Transition 97 (2007): 94119. Epperson, Bruce. Uncertain and Unverifiable: Jazz Metadiscography and the Paradox of Originality. ARSC Journal 39/2 (Fall 2008): 215239. Farrington, Holly. I Improvised Behind HimAhead of Time: Charles Mingus, Kenneth Patchen and Jazz/Poetry Fusion Art. Journal of American Studies 41/2 (Aug 2007): 365374.

Faulkner, Robert R., and Howard S. Becker. Studying Something You Are Part of: The View from the Bandstand. [Article written in English.] Ethnologie franaise [Paris] 38/1 (2008): 1521. Ferm, Michele. Revealing Representations of Jazz in the Weimar Republic. Social Science Journal 45/2 (June 2008): 240257. Ford, Phil. Jazz Exotica and the Naked City. Journal of Musicological Research 27/2 (2008): 113133.

Gardner, Bettye J., and Niani Kilkenny. In Vogue: Josephine Baker and Black Culture and Identity in the Jazz Age. The Journal of African American History 93/1 (Winter 2008): 8893. Givan, Benjamin. Apart Playing: McCoy Tyner and Bessies Blues. Journal of the Society for American Music 1/2 (May 2007): 257280.

Goodrich, Andrew. Utilizing Elements of the Historic Jazz Culture in a High School Setting. Bulletin of the Council for Research in Music Education 175 (Winter 2008): 1130.

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Goodrich, Andrew. Peer Mentoring in a High School Jazz Ensemble. Journal of Research in Music Education 55/2 (2007): 94114. Gratier, Maya. Grounding in Musical Interaction: Evidence from Jazz Performances. Musicae Scientiae 12 /1 (2008): 71110.

Grazian, David. The Jazzmans True Academy Ethnography, Artistic Work and The Chicago Blues Scene. [Article written in English.] Special edition titled Lart du travail. Ethnologie franaise 38/1 (2008): 4957. Gridley, Mark. Misconceptions in Linking Free Jazz with the Civil Rights Movement. College Music Symposium 47 (2007): 139155.

Harker, Brian. Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing. Journal of the American Musicological Society 61/1 (Spring 2008): 67121. Hewitt, Nicholas. Black Montmartre: American Jazz and Music Hall in Paris in the Interwar Years. Journal of Romance Studies 5/3 (Winter 2005): 2531.

Hobsbawm, Eric J. Trois ges du jazz / Three Ages of Jazz. [Article written in French.] Mouvement sociale 219 (AprJune 2007): 111114. Hobson, Janell. Everybodys Protest Song: Music as Social Protest in the Performances of Marian Anderson and Billie Holiday. Signs 33/2 (Winter 2008): 443448.

Honing, Henkjan, and W. Bas de Haas. Swing Once More: Relating Timing and Tempo in Expert Jazz Drumming. Music Perception: An Interdisciplinary Journal 25/5 (June 2008): 471476. Howland, John. The Blues Get Glorified: Harlem Entertainment, Negro Nuances, and Black Symphonic Jazz. The Musical Quarterly 90/3-4 (Fall Winter 2007): 319370. Hulse, Brian. Improvisation as an Analytic Category. [Article written in English.] Tijdschrift voor Muziektheorie [Dutch Journal of Music Theory] 13/1 (2008). Jenkins, Chadwick. A Question of Containment: Duke Ellington and Early Radio. American Music 26/4 (Winter 2008): 415441. Johnson, Gaye Theresa. Sobre Las Olas: A Mexican Genesis in Borderlands Jazz and the Legacy for Ethnic Studies. Comparative American Studies 6/3 (2008): 225240.

Jones, David M. Postmodernism, Pop Music, and Blues Practice in Nelson Georges Post-Soul Culture. African American Review 41/4 (Winter 2007): 667694.

Kaplan, Viktor. Die heilende Wirkung des Jazz: Rhythmus, Melodie und Improvisation offnen zahlreiche therapeutische Moglichkeiten / The Healing Effects of Jazz Rhythm, Melody and Improvisation Offer Numerous Therapeutic Possibilities. [Article written in German with English translation.] ProCare 14/5 (May 2009): 69.

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Keightley, Keir. Music for Middlebrows: Defining the Easy Listening Era, 1946 1966. American Music 26/3 (Fall 2008): 309335.

Kernodle, Tammy L. I Wish I Knew How it Would Feel to be Free: Nina Simone and the Redefining of the Freedom Song of the 1960s. Journal of the Society for American Music 2/3 (2008): 295317. Kirschbaum, Charles. Careers in the Right Beat: US Jazz Musicians Typical and Non-Typical Trajectories. Career Development International 12 /2 (2007): 187 201. Kossak, Mitchell. Attunement and Free Jazz. Voices: A World Forum for Music Therapy 8/2 (2008). https://normt.uib.no/index.php/voices/article/viewArticle/431/355

Kreiss, Daniel. Appropriating the Masters Tools: Sun Ra, the Black Panthers, and Black Consciousness (195273). Black Music Research Journal 28/1 (Spring 2008): 5781. Krsti, Milo. Jazz Standards of a Ballad Character. New Sound: International Magazine for Music 30 (2007): 102108. Kubacki, Krzysztof. Jazz Musicians: Creating Service Experience in Live Performance. International Journal of Contemporary Hospitality Management 20/4 (2008): 303313.

Lehman, Stephen H. McLeans Scene: Jackie McLean as Improviser, Educator, and Activist. Critical Studies in Improvisation / tudes critiques en improvisation 3/2 (2007). http://www.criticalimprov.com/article/view/300 Leigh, James. Jazz Below the Water Line. Ploughshares 33/4 (Winter 2007): 67 79.

Limb, Charles J., and Allen R. Braun. Neural Substrates of Spontaneous Musical Performance: An fMRI Study of Jazz Improvisation. PLoS ONE 3/2 (2008): 19.

Lock, Graham. What I Call a Sound: Anthony Braxtons Synaesthetic Ideal and Notations for Improvisers. Critical Studies in Improvisation / tudes critiques en improvisation 4/1 (2008). http://www.criticalimprov.com/article/view/462 Mantie, Roger. Schooling the Future: Perceptions of Selected Experts on Jazz Education. Critical Studies in Improvisation / tudes critiques en improvisation 3/2 (2007). http://www.criticalimprov.com/article/view/307

Marlo, David. Afrofuturism and Post-Soul Possibility in Black Popular Music. African American Review 41/4 (Winter 2007): 695707.

Martin, Denis-Constant. Can Jazz Be Rid of the Racial Imagination? Creolization, Racial Discourses, and Semiology of Music. Black Music Research Journal 28/2 (FallWinter 2008): 105123. Martin, Henry. We Remember Clifford: Variation Technique at the Middleground. [Article written in English.] Tijdschrift voor Muziektheorie [Dutch Journal of Music Theory] 11/1 (2006).

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Maxile, Horace J., Jr. Signs, Symphonies, Signifyin(g): African-American Cultural Topics as Analytical Approach to the Music of Black Composers. Black Music Research Journal 28/1 (2008): 123138. May, Lissa Fleming. Early Musical Development of Selected African American Jazz Musicians in Indianapolis in the 1930s and 1940s. Journal of Historical Research in Music Education 17/1 (Oct 2005): 2132. McCann, Bryan. Blues and Samba: Another Side of Bossa Nova History. LusoBrazilian Review 44/2 (2007): 2149.

McCleese, Don. Seeds Scattered by Katrina: The Dynamic of Disaster and Inspiration. Popular Music and Society 31/2 (May 2008): 213220. McGee, Kristin. The Feminization of Mass Culture and the Novelty of All-Girl Bands: The Case of the Ingenues. Popular Music and Society 31/5 (2008): 629 662. McLeod, Katherine. Oui, Lets Scat: Listening to Multi-Vocality in George Elliott Clarkes Jazz Opera Qubcit. Mosaic [Winnipeg] 42/1 (Mar 2009): 133150.

Menanteau, Alvaro. Jazz en Chile: su historia y funcin social / Jazz in Chile: Its History and Social Function. [Article written in Spanish.] Revista Musical Chilena 62/210 (JulyDec 2008): 2638. Michel, Philippe. La complexe diversit du ragtime: une culture musicale entre Noirs et Blancs, chanson et piano, folk, pop et classique / The Complex Diversity of Ragtime: A Musical Culture between Blacks and Whites, Song and Piano, Folk, Pop, and Classical. [Article written in French.] Revue de musicologie 93/2 (2007): 435467. Morrison, Steven J., Alexander R. Trevino, and Vern Sielert. Jazz Expertise and Its Relationship to Pitch and Rhythm Placement among Trumpet Players. Bulletin of the Council for Research in Music Education 175 (Winter 2008): 3141.

Mosley, Albert. The Moral Significance of the Music of the Black Atlantic. Philosophy East and West 57/3 (July 2007): 345356.

Mouellic, Gilles. Cette vieille magie noire de Koffi Kwahul: un pacte avec le jazz / That Old Black Magic by Koffi Kwahul: A Pact with Jazz. [Article written in French.] Esprit crateur 48/3 (Fall 2008): 8996. Muller, Carol. Musical Echoes of American Jazz: Towards a Comparative Historiography. Safundi: The Journal of South African and American Studies 8/1 (2007): 5771. Muyumba, Walton. Improvising over the Changes: Improvisation as Intellectual and Aesthetic Practice in the Transitional Poems of LeRoi Jones/Amiri Baraka. College Literature 34/1 (Winter 2007): 2351.

Njoroge, Njoroge. Dedicated to the Struggle: Black Music, Transculturation, and the Aural Making and Unmaking of the Third World. Black Music Research Journal 28/2 (FallWinter 2008): 85104.

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Noice, Helga, John Jeffrey, Tony Noice, and Roger Chaffin. Memorization by a Jazz Musician: A Case Study. Psychology of Music 36/1 (Jan 2008): 6379. Omojola, Bode. Black Diasporic Encounters: A Study of the Music of Fela Sowande. Black Music Research Journal 27/2 (Fall 2007): 141170. Parent, Emmanuel. Ralph Ellison, critique de LeRoi Jones / Ralph Ellison, a critique of LeRoi Jones. [Article written in French.] LHomme 181 (JanMar 2007): 131150.

Patrick, Brian D. Presencia y funcin del jazz en la narrativa espaola de vanguardia / Presence and Function of Jazz in Spanish Avant-garde Narratives. [Article written in Spanish.] Hispania: A Journal Devoted to the Teaching of Spanish and Portuguese 91/3 (Sept 2008): 558568. Perchard, Tom. Writing Jazz Biography: Race, Research and Narrative Representation. Popular Music History 2/2 (Aug 2007): 119145.

Pickhan, Gertrud. Ein Fenster zur Freiheit: Jazz in der Volksrepublik Polen / A Window on Freedom: Jazz in the Peoples Republic of Poland. [Article written in German.] Osteuropa 56/11-12 (NovDec 2006): 283296. Pinsker, Sanford. Afternoons in Albert Murrays Living Room. The Sewanee Review 116/2 (2008): 311318.

Polaschegg, Nina. Freiheit und Struktur: Regeln, Normen und Vorschriften in der improvisierten Musik / Freedom and Structure: Rules, Standards, and Specifications in Improvised Music. [Article written in German.] Neue Zeitschrift fr Musik: Das Magazin fr neue Tne 169/5 (SeptOct 2008): 3841. Poutiainen, Ari. Vedt sitte vaan omasta elmst: Katoava persoonallisuuden myytti jazzmusiikissa / Just Draw It from Your Own Life, Then: The Disappearing Myth of Personal Character in Jazz Music. [Article written in Finnish.] Musiikin suunta 29/3 (2007): 1826.

Prouty, Kenneth E. The Finite Art of Improvisation: Pedagogy and Power in Jazz Education. Critical Studies in Improvisation / tudes critiques en improvisation 4/1 (2008). http://www.criticalimprov.com/article/view/346 Quintero Rivera, Angel G. Migration, Ethnicity, and Interactions between the United States and Hispanic Caribbean Popular Culture. [Article in English; translated by Mariana Ortega Brea.] Latin American Perspectives 34/1 (Jan 2007): 8393. Raether, Keith. Coltranes Sound. The Southern Review 43/3 (2007): 534547.

Ramirez, Rafael, Amaury Hazan, Esteban Maestre, and Xavier Serra. A Genetic Rule-Based Model of Expressive Performance for Jazz Saxophone. Computer Music Journal 32/1 (Spring 2008): 3850. Rapport, Evan. Bill Finegans Gershwin Arrangements and the American Concept of Hybridity. Journal of the Society for American Music 2/4 (2008): 507 530.

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Regis, Helen A, and Shana Walton. Producing the Folk at the New Orleans Jazz and Heritage Festival. The Journal of American Folklore 121/482 (Fall 2008): 400440. Rice, Marc. Prelude to Swing: The 1920s Recordings of the Bennie Moten Orchestra. American Music 25/3 (Fall 2007): 259281.

Rippey, Theodore E. Rationalisation, Race, and the Weimar Response to Jazz. German Life and Letters 60/1 (Jan 2007): 7597. Roberts, Robin. Two Sides of Frenchmen Street and New Orleans Hybrid Music: The Panorama Jazz Band and the Zydepunks. Popular Music and Society 31/2 (2008): 201212.

Rollefson, J. Griffith. The Robot Voodoo Power Thesis: Afrofuturism and AntiAnti-Essentialism from Sun Ra to Kool Keith. Black Music Research Journal 28/1 (Spring 2008): 83109. Sagee, Alona. Bessie Smith: Down-Hearted Blues and Gulf Coast Blues Revisited. Popular Music 26/1 (Jan 2007): 117127.

Saul, John, and Joanne Saul. Voicing Silence: The Legend of Buddy Bolden. Critical Studies in Improvisation / tudes critiques en improvisation 3/1 (2007). http://www.criticalimprov.com/article/view/243

Scheit, Gerhard. Beat und Off-Beat: Die Synkope als Freizeit-Signal in der fordistischen Arbeitsgesellschaft / Beat and Off beat: Syncopation as a Freetime Signal for the Ford-model Work Force. [Article written in German.] Neue Zeitschrift fr Musik: Das Magazin fr neue Tne 168/2 (2007): 3641.

Serrano, Basilio. Puerto Rican Musicians of the Harlem Renaissance. Centro Journal 19/2 (Fall 2007): 94119. http://redalyc.uaemex.mx/src/inicio/ArtPdfRed.jsp?iCve=37718205 Sparti, Davide. Lo spettro dellirriconoscibilit: Identit e incertezza nel jazz / The Threat of the Unrecognizable: Identity and Uncertainty in Jazz. [Article written in Italian.] Rassegna italiana di sociologia 48/4 (2007): 623652, 777 778, 781.

Stanbridge, Alan. From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value. Critical Studies in Improvisation / tudes critiques en improvisation 4/1 (2008). http://www.criticalimprov.com/article/view/361 Stras, Laurie. White Face, Black Voice: Race, Gender, and Region in the Music of the Boswell Sisters. Journal of the Society for American Music 1/2 (May 2007): 207255.

Steinbeck, Paul. Area by Area the Machine Unfolds: The Improvisational Performance Practice of the Art Ensemble of Chicago. Journal of the Society for American Music 2/3 (2008): 397427. Steinbeck, Paul. Analyzing the Music of the Art Ensemble of Chicago. [Article written in English.] Tijdschrift voor Muziektheorie [Dutch Journal of Music Theory] 13/1 (2008).

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Stephens, Vincent. Crooning on the Fault Lines: Theorizing Jazz and Pop Vocal Singing Discourse in the Rock Era, 19551978. American Music 26/2 (Summer 2008): 156195.

Tate, Greg. Black Jazz in the Digital Age. Critical Studies in Improvisation / tudes critiques en improvisation 3/1 (2007). http://www.criticalimprov.com/article/view/287/431 Taylor, Corey M. Blue Order: Wallace Stevenss Jazz Experiments. Journal of Modern Literature 32/2 (Winter 2009): 100117. Tietze, Richard L. Jazz and American Identity: Case Study of a College Course. Psychology of Aesthetics, Creativity, and the Arts 2/4 (Nov 2008): 245255.

Szlamowicz, Jean. You Cant be Serious! Gershwin et lentre-deux amricain / You Cant be Serious! Gershwin and the American Intervening Period. [Article written in French.] Revue franaise dtudes amricaines 117 (2008): 26 49.

Tkweme, W.S. Blues in Stereo: The Texts of Langston Hughes in Jazz Music. African American Review 42/3 (FallWinter 2008): 503512.

Tolson, Gerald H. Jerry, and Michael J. Cuyjet. Jazz and Substance Abuse: Road to Creative Genius or Pathway to Premature Death. International Journal of Law and Psychiatry 30/6 (NovDec 2007): 530538. Tucker, Sherrie. When Did Jazz Go Straight?: A Queer Question for Jazz Studies. Critical Studies in Improvisation / tudes critiques en improvisation 4/2 (2008). http://www.criticalimprov.com/article/view/850

Tymoczko, Dmitri. Scale Theory, Serial Theory and Voice Leading. Music Analysis 27/1 (Mar 2008): 149. Vargas, Joao H. Costa. Jazz and Male Blackness: The Politics of Sociability in South Central Los Angeles. Popular Music and Society 31/1 (Feb 2008): 3756.

Von Schilling, James A. Hearing the Boswell Sisters. Popular Music and Society 31/2 (2008): 191200. Wager, Jans B. Jazz and Cocktails: Reassessing the White and Black Mix in Film Noir. Literature-Film Quarterly 35/3 (July 2007): 222228.

Wallmark, Zachary. An Alternative Temporal Approach to Jazz Improvisation in the Music of Andrew Hill. [Article written in English.] Tijdschrift voor Muziektheorie [Dutch Journal of Music Theory] 13/1 (2008). Ward-Steinman, Patrice Madura. Vocal Improvisation by Australian and American University Jazz Singers: Case Studies of Outliers Musical Influences. Bulletin of the Council for Research in Music Education 177 (Summer 2008): 2943. Ward-Steinman, Patrice Madura. Confidence in Teaching Improvisation According to the K-12 Achievement Standards: Surveys of Vocal Jazz Workshop Participants and Undergraduates. Bulletin of the Council for Research in Music Education 172 (Spring 2007): 2540.

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Ward-Steinman, Patrice Madura. Vocal Improvisation and Creative Thinking by Australian and American University Jazz Singers: A Factor Analytic Study. Journal of Research in Music Education 56/1 (Spring 2008): 517. White, Michael G. Reflections of an Authentic Jazz Life in Pre-Katrina New Orleans. Journal of American History 94/3 (2007): 820827. http://www.journalofamericanhistory.org/projects/katrina/White.html Willis, Vickie. Be-in-tween the Spa[ ]ces: The Location of Women and Subversion in Jazz. The Journal of American Culture 31/3 (2008): 293301. Wipplinger, Jonathan. The Aural Shock of Modernity: Weimars Experience of Jazz. Germanic Review 82/4 (Fall 2007): 299320. Wriggle, John. Chappie Willet, Frank Fairfax, and Phil Edwards Collegians: From West Virginia to Philadelphia. Black Music Research Journal 27/1 (Spring 2007): 122. Yudkin, Jeremy. Chasin the Truth: The Lost Historiography of American Vernacular Music. American Music 26/3 (Fall 2008): 398409.

ABOUT THE CONTRIBUTORS

JAMES MCGOWAN is an assistant professor of music at Carleton University. He holds a PhD in theory from the Eastman School of Music, University of Rochester, and masters degrees from the University of North Texas and the University of Toronto. As reflected in his publications and presentations, his primary research interests include theory and analysis of jazz, popular music, and nineteenth-century art song. ROBIN DESMEULES completed her masters degree at Carleton University in Ottawa, Ontario. Her thesis explored issues in jazz and gender in Toronto. Originally from Sudbury, Ontario, Robin holds a BA with a combined specialization in music and political science from Laurentian University. She also trained at Humber College as a jazz saxophonist.

The Journal of Jazz Studies (JJS) is published by the Institute of Jazz Studies at the Newark campus of Rutgers, The State University of New Jersey. JJS is hosted online by the Rutgers University Libraries at http://jjs.libraries.rutgers.edu.