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Until her death in 1999, Ms. Olds was highly regarded as one of the leading experts on the design of childcare facilities. She held a doctorate in Human Development and Social Psychology from Harvard University and was the founder and director of The Child Care Institute, an annual training program for designers and child-care professionals, co-sponsored by Tufts University and The Harvard Graduate School of Design. Much of the philosophy around the design of The Cedarhouse School comes directly from Ms. Olds teachings in this book.
Our sense organs are designed to detect changes in stimulation rather than to monitor a steady state or constant input. They therefore require movement and change, even though the built environment tends to be static and unchangeable. While dramatic fluctuations in stimulation level can be frightening and disorienting, patterns of movement that are moderately diverse help to maintain optimal levels of responsiveness and make us feel comfortable. behavior is optimum at moderate levels of stimulationthe comfort zonerather than when there is too much or too little stimulation. The relationship between performance and stimulation is actually non-linear: Although performance tends to increase with increasing stimulation, at some point, too much stimulation leads to a decrease in performance. In fact, because behavior at the two ends of the spectrum looks identical, it is often difficult for a teacher to know whether a childs disinterest is due to boredom or overarousal. Comfortable settings provide neither too much sameness or too much contrast, but what Fiske and Maddi call difference-within-sameness. Nature best exemplifies this differencewithin-sameness concept providing us with some of our most comforting experienceswafting breezes, babbling brooks, sunlight dancing on leaves. The sense of calm we experience in a beautiful natural setting is perhaps due to natures capacity to establish rhythmic patters of change akin to our own physiological rhythms. Children also appreciate, and need to have, extensive experiences outdoors. By contrast, the over- or underarousing levels of sensory stimulation present in many child care centerslong, echoing corridors; cold tile floors; groups of identical tables and chairs; glaring fluorescent lights; artwork hung indiscriminately; bright, chaotic colors and patterns everywhereexacerbate feelings of disease. The many ways in which design can provide difference-within-sameness are discussed throughout this book. Among the most important are variation in architectural elements such as scale, floor height, ceiling height, and lighting, variety in the texture of finish materials, and the presence of soft elements such as carpets, couches, and pillows. Each group room also presents opportunities to create separate places for engaging in different activities: areas that are warm and cozy; hard and sterile; dark or light; noisy or quiet. Varied spaces prevent boredom and discomfort by enabling children to seek out stimulation that suits their moods and levels of arousal at different times of the day. Variety is the spice of life is a good adage to keep in mind when designing for comfort.
Privacy. Because adults must have full view and ready access to children in child care settings, a childs opportunity for privacy is often neglected. However, like adults, children suffer when possibilities for retreat are not available. Window seats, platforms, cubbyholes, fiberboard barrels with cutouts, and small enclosures provide real ideal spots to get away from it all. Certain design tactics can also assist in maintaining a balance between access to the child and the childs need for privacy. Predictability. Institutional settings are inherently unpredictable: one is never sure what will happen next, who will arrive, and for what purpose. Unpredictability increases childrens lack of ease and control. A well-designed center is decipherable by a child. For example, upon entering a room, the first thing a child wants to know is: How did I get in here? How do I get out? What other spaces is this space connect to? Boxlike rooms with few connections, or womblike enclosures that create too much environmental protection, are as distracting and unsettling as too much physical stimulation or visual input; children feel cut off from things around them, not knowing what might occur to interfere with their activity. Doors and windows that are informative and distinctive give reassuring answers to these questions. Spaces designed to support predictability often involve a vista or an elevated position so that occupants can scan all areas of the room and anticipate future events. This is one reason why lofts and changes in level can be valuable. A building whose scale is small, and designed as a cluster of spaces is more interpretable than one consisting of many rooms off long corridors. Predictability also can be increased by using interior windows or walls of glass, by keeping boundaries low and partially transparent, by well-modulated lighting and sound, and bold graphics. Orientation. Solidity at ones back is another essential of environmental control. Adults instinctively place their own chairs and desks against a wall or in a protected corner, but they often leave children vulnerable in the more exposed areas such as on the floor in the middle of the room. For children to experience a sense of safety and control, they need to sit so their backs are against the walls in the rooms most protected places.
experiences many limitations at once, such as ineptitude, decreased movement, and decreased control, then the comfort dimension must be given more attention than normal.