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BECOMING A WRITER
Welcome!
Welcome to the handout that accompanies this course. It's in two parts the first contains the four principles I believe are essential for good writing. The second contains the writing exercises. Use the writing exercises to practice writing. To get into the swing when you're feeling unmotivated. To develop techniques that will improve your writing. Use them like a warm-up at the gym. And you'll discover that I don't want you to spend long on the exercises. Three minutes is enough. It really is meant to be the warm-up! If you're new to writing then the exercises will help you build confidence. The confidence to just get your words down. If you're a more experienced writer then some of the exercises have been designed to stimulate your creativity. To make you look at description and story-telling as essential components of your non-fiction writing. This is just a selection of what I talk about to help you get your book out into the world. You can find more resources on writing, publishing and marketing your books at http://thebigbookproject.com See you there!
Cathy Presland
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Contents
What Makes Good Non-Fiction Writing? ..............................................................................................3 Exercise One: Lists..............................................................................................................................12 Exercise Two: The Why Question Getting In Touch With Yourself ...............................................13 Exercise Three: The Random Connection Getting Your Writing Brain In Gear ............................14 Exercise Four: Finding the Good in People Connecting With Your Reader .................................15 Exercise Five: Processes Writing to Teach ....................................................................................17 Exercise Six: Principles Writing to Teach........................................................................................18 Exercise Seven: Starting to Tell Stories .............................................................................................20 Exercise Eight: A Single Sense ..........................................................................................................23 Exercise Nine: Giving Advice Writing To Teach .............................................................................24 Exercise Ten: Opposites The Other Side of the Argument ............................................................25 Exercise Eleven: Write Less; Keep It Simple .....................................................................................27 Exercise Twelve: Fall In Love with Your Writing ................................................................................29 Where To Find Out More... .................................................................................................................30
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a strong connection, it is also important to show flaws. To reveal an internal conflict. That this adds interest and reality to your writing and will help create a connection with a reader. Readers love to connect with someone who isn't perfect. Someone who has made mistakes and has setbacks on their journey. Especially if your story resonates with what they are currently experiencing (because we all have flaws!).
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Organisation
You need to be able to organise your ideas into themes or a logical progression and flow. You need a main idea. You need to be clear about what you are writing about. One of the biggest mistakes I see first-time authors make is that they try to get too much into that first book. Make your book about one big idea. One concept; one argument. Save the rest of your ideas for the next book! You also need to be able to get your knowledge over in a step-by-step process that does not read like a set of instructions for self-assembly furniture translated through at least three obscure foreign languages. You must be able to break your ideas down into the building blocks of a process. Keep it simple. And remember to express your point of view in more than just one single way to connect with more readers. One person may connect with facts and logic. Another may connect with emotion and feelings. You need to be able to create content that covers all the ways your readers learn and engage. Have you ever had the experience of being taught something and no matter how many times a teacher explains it, you just don't get it? And then they explain in another way, or another person chips in and suddenly it's completely obvious to you and you don't understand what you were missing? Well if you explain your concepts or communicate your ideas in different ways then more of your readers will "get" your point and your idea and you will be able to connect with more people.
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Engagement
You need to be able to engage with a read so that they feel part of your story. This can be by constructing analogy or metaphor to connect with their imagination. Or through story-telling. And remember the importance of language. Use plain language. There's often less need than we think to use highly technical and sophisticated language in our writing. Think about the level of knowledge of the person you are talking to with your writing. How can you humanise the connection? How can you make it fun as well as informative. We talk about eating our "greens", rather than eating our "brassicas". We talk about storytelling rather than creating a fictional narrative. These are small points but connect with the vocabulary your reader is using; rather than the one that might impress your peer group. Engagement comes from experience. Even though you are writing non-fiction, maybe how-to information, it isn't just about lists and tactics. People remember your stories. They tell your stories to other people. Your audience grows. Write about your failures, your successes and most of all your battles internal and external. Be honest, be open. It can be hard to craft the perfect, imperfect life story with the right amount of inspiration. You'll get better at it the more you write but don't be afraid to talk about your own experiences in your books. The third part of engagement is all about enjoyment. If you don't enjoy (and let me go as far as love!) what you're writing about it will show up. That doesn't mean you will love every moment you sit down and write far from it most of us have to force ourselves to sit down and write. But if you don't have some love for what you're writing about then find something else to do. Maybe writing isn't your thing? Do video. Or maybe writing IS your thing but you're a fiction writer not a journalist. Find the love. Find the fun. Be a better writer!
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continues on the road they are on now. Many non-fiction authors write because of a deep desire to help other people overcome or learn what they now know. But knowledge is not enough to create lasting change. You need to be able to motivate and convince. Learn to write persuasively, Maybe throw in some humour if that's appropriate. You want to be remembered. Like Oscar Wilde said "the only thing worse than being talked about is not being talked about."
Brevity
For successful non-fiction writing, I think you need to be able to be concise. Maybe even pithy. But certainly succinct. If you have a single idea, a simple theme that repeats and develops through your book, or through your blog post, then you will write a better book than if you try and scatter too many poorly thought through seeds all across the pages. You need to be able to express your ideas briefly and in summary. Yes, you will want to develop them and to expand them and tell stories around them. But some readers will just skim maybe before they buy or maybe to get the meat of the book or blog before deciding to read it all. You need to organise and structure and have sections that are very easy grasped. Remember to keep it simple!
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3. Creativity
Storytelling
Stories are like a magic thread that connects the content of a book whether it's a theme that is repeated, or a series of case studies to illustrate a point or a result. Or whether it's the story of the you , or your hero or heroine the person who's story you are telling through the book. There needs to be highs and lows, conflict and resolution, crossroads that are faced, maybe a few dragons slain. And ultimately a happy ending. You don't have to be a superb story-teller. You just need to understand that some element of personalisation will make your book better. I think Malcolm Gladwell is exceptional at story-telling and humanising his journalism. His writing isn't telling us anything original or new it's journalism, reporting on what others are saying but it is brilliantly told.
A Voice
Your book needs a voice whether that is your voice as the teacher and leader. Or whether you are writing a non-fiction memoir about someone else are you telling it from their perspective, the perspective of someone close to them, an interested observer? Think about a book like Midnight in the Garden of Good and Evil told from the perspective of the young journalist who comes to investigate a murder but becomes embroiled in the actual story itself. Is it journalism? Is it fiction? It certainly reads like a good thriller in parts. It's a book that crosses the genres but that has a very distinctive voice.
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Curiosity
And a good way to invoke creativity is to simple remain curious about what might happen. Many fiction writers say they love the writing best when the characters seem to take on a life of their own and take the story places they didn't plan for. The same can be true of non-fiction. While you want to be careful research doesn't take over from writing, it can still be fun to follow a strand and add material as you write. What would happen if you added a new chapter to amplify a point, or what could happen if you reader too your advice but implemented it differently. Allow a little "out of the box" exploration because it can make your book much more interesting. I love it when I give workshops or presentations because the participants always have much more creative questions than I could have come up with myself. And you'll see that some of the exercises rely on using questions to provoke your imagination and your writing and to perhaps end up with something you didn't exactly plan for. Be open to the unexpected.
4. Confidence
Ulitmately, any writer needs the confidence to put their work out there. Even if you don't feel your writing is as good as you want it to be who does?! Even if you have self-doubt, you need to be able to put your word out into the world. Most writers will struggle with self-criticism at some point or another the trick is to just be able to get on with your writing and be open to reflecting, learning and improving as you continue to put pen to paper (or finger to keyboard).
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And your confidence and technique will grow the more you write and the more you read. Be a reader. Expand your horizons by reading outside your genre. Metaphors, story-telling, detail, sweeping description, pure poetry. Whatever it is you admire in others, take in as much or it as you can. And ironically, when you are in the flow, you probably notice it less than when it's tough to get the words down. If you've had a good day, or a good hour, or even a good fifteen minutes writing, then relax, take a breath and feel very, very proud of yourself. You're a writer!
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Exercise Three: The Random Connection Getting Your Writing Brain In Gear
OK this one is about making connections starting to be creative and link words together that might not make sense initially. It's not about what you write think of it like warming up when you go to the gym. You aren't doing the heavy lifting yet just starting to flex your muscles so that you can react faster when you go and do your chosen sport. Pick a book off your shelf a fiction or non-fiction it really doesn't matter. Pick five words at random as you flick through the book and write them down. Now start your timer and make as many different sentences as you can with those same five words and any other connecting words you want between them. Do as many as you can in the time. Then go again with the same five words if you want! So, if I open a book and find the words: heat, mechanical, Peter, water, traffic, I might write: Peter sneered at the standing traffic. The heat was sweltering and the mechanical sound of the bus was driving him to distraction. Water dripped off his head... The bus rode over the water like a moth flickering to the heat of a lamp. And so on...
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Exercise Four: Finding the Good in People Connecting With Your Reader
We have to be able to see more than one side of a story or situation to be a successful writer. Your reader may have been in the situation where you have also been and that's great because you can connect through your own experience. But you may be offering advice or telling the story of someone else. And remember we all have flaws but those flaws don't define us they are just part of our story. So this exercise is about looking at something or someone you don't like and turning that around so that you make them more sympathetic. As a writer you must love all your characters they all have something to offer even if they fell off the wagon and didn't complete your programme. Be sympathetic towards them. This exercise can help you to do that. Pick a person you know or used to know or even an imaginary person. But someone you don't like. Whether this is a character from history, a character from fiction or legend, or a person you know, used to work with, went to school with... It works better if it's a person you don't like, or someone you believe to be inherently bad. Now we are going to find the good in that person. Set your timer and answer this question: The good in this person is that...
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For example, I might write about someone I used to work with, who I found to be rude and objectionable... The good in this person is that he works hard The good in this person is that he wants to do the right thing The good in this person is that he is generous The good in this person is that he is trying to make the best of a situation he doesn't really want to be in As you write, allow yourself to inhabit the other person's shoes. Allow their motivations to drive your writing. See things from their perspective. Try not to qualify your responses ("the good in this person is that he thinks he is doing the right thing" is subtly different from "the good in this person is that he is doing the right thing" as the first is actually from your perspective you are inferring that although he thinks he is doing the right thing, somehow he isn't. Don't do this try and actually see it from their side and be generous to their motivations. Go for it and enjoy!
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you can say something like this "there are three things I want you to remember - ...." and then list them quickly. You might be making it up on the spot in response to a question but you will sound oh so professional! And it's the same in writing of course your principles will evolve and become stable as you teach. But that combination of processes and principles is priceless in organising your content.
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And we can go further with this exercise. Take a picture from a magazine, or a fleeting glimpse of someone you see on a train and imagine their back-story. This can be a lot of fun to play with a friend (or even a child if you have children!). And the point of these easy (and fun!) exercises is to give you confidence to express what you are thinking and also to get you into the habit of working with your imagination. Take a photo of you, or a picture from a magazine. Or if you are out, then pick someone walking by. Set your timer and write out as many possible scenarios as you can that could explain or describe the picture. So a picture of a woman on the platform of a train station might go like this: She is waiting for her husband to return from war She is about to get on a train to go for a job interview Julie was desperate for her first coffee of the morning. She had left the house early that morning. Earlier than usual because... She's about to go shopping for a birthday present for her oldest son who is going to be thirteen next week. He wants a new bike but she can't afford that so she plans to get him some model planes and a new kite. I was the woman in the blue dress. It was a Monday and I could still feel the solitude of the weekend spent alone as I waited for the train onto the city... Make your writing as detailed or as brief as you like just go with what comes and then next time you do this exercise create a different scenario. You can write from any perspective hers, an observers, the detached third person narrative. Try different perspectives. Personally I think your writing will be
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better when you write from the "I" perspective in the first person. You will get inside your character more deeply. It's very unlikely you'll be writing your non-fiction book in the first person, but it's a more natural way to express ourselves and being inside the character means we allow that person to take us on his or her journey very important when we come to empathise with the person we are writing for in our real book. Play around and discover this for yourself. When it comes to writing up case studies for your book you can then translate them into the third person. Or you can let the person in your case study tell the story for themselves, through an interview perhaps. This is very powerful material to include in your book.
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If you are also taking the Instant Author course http://cathypresland.com/instantauthor, you will know that we talk about connecting with your reader through a variety of methods that are not too different from this!
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and feel it from his or her perspective. Again, we are helping you re-frame to see the other side of the story. This exercise is also a good one to do with a friend, or another writer. Take it in turns to take opposing views and hone your debating talent until it is razor sharp!
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If you want to lose weight quickly and easily without hunger pangs, switch to mainly eating vegetables with small amounts of protein (133 characters, just squeezing in!) Cabbage is a natural anti-inflammatory eat more if you're feeling tired or you have an infection (I have no idea if these things are true btw!) You'll find many writing exercises and books about creativity and starting. And yes, starting is important, but editing and knowing how to cut down and to clean up our work, is, quite possibly, even more important. This exercise will stand you in good stead when you get the editing part of the process.
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Cathy Presland
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