Japanese Art Katalog

catalog
20 06/20 07
Japanese Art
Dear reader, A new catalog and new developments for Hotei Publishing, specialist in publications on Japanese art and culture. We are pleased to inform you that Hotei Publishing will continue and expand its activities as an imprint of Brill. Based in Leiden since 1683, Brill has a strong history in the field of Asian Studies. In this catalog you will find Hotei Publishings latest titles as well as a complete list of all Hotei titles acquired by Brill, with its renowned beautifully illustrated books on Japanese artists, exhibition catalogs and academic titles. In addition to our publications on Japanese prints, this catalog also includes titles covering a variety of other subjects within the field of Japanese art, such as painting, export lacquer, porcelain and much more. Hotei Publishing is looking forward to further develop its publication program under Brill and to make the fascinating field of Japanese art accessible to an ever wider audience of scholars, collectors and general readers. In this respect, Hotei Publishing is also interested to learn about current research projects on Japanese art and welcomes new manuscript proposals. Hotei Publishing works with an international team of museum curators, art historians, and specialist authors, producing a great number of books in close cooperation with museums.Whether providing new information or shedding new light on familiar territory, we aim to present materials in accessible style and with an abundance of color illustrations of superb quality. If you wish to be kept informed of further developments of Hotei Publishing, please consider subscribing to our quarterly electronic bulletin through http://www.brill.nl/e-bulletins. And if you would like to search across the full range of titles published by Brill, please refer to the catalog section of our website at www.brill.nl. We trust our catalog brings you interesting publications for your library and thank you for your continued interest in Hotei Publishing! Yours sincerely, Inge Klompmakers Acquisitions Editor Hotei Publishing klompmakers@brill.nl
All prices may be subject to change without prior notice. Prices do not include VAT (applicable only to residents of the Netherlands and residents of other EU member states without a VAT registration number). Prices do not include shipping & handling except for journals where shipping and handling is included in the price (applicable to all customers worldwide). Customers in Canada, USA and Mexico will be charged in US Dollars. Please note that due to fluctuations in the exchange rate, the US dollar amounts charged to credit card holders may vary slightly from the prices advertised.r states without a VAT registration number). Prices do not include shipping & handling except for journals where shipping and handling is included in the price (applicable to all customers worldwide). Customers in Canada, USA and Mexico will be charged in US Dollars. Please note that due to fluctuations in the exchange rate, the US dollar amounts charged to credit card holders may vary slightly from the prices advertised. ri
Contents
japanese art
3 New & Recently Published titles 9 Japanese Prints & Print Artists 16 Japanese Art and The West 19 Japanese Art 23 Academic Series 27 Authors Index 29 Order form
brill Catalog 2006 / 2007
Hotei Publishing
Hotei Publishing
japanese art
Brill welcomes Hotei Publishing as a new imprint of Brill. Specializing in books relating to Japan and established in Leiden, Hotei publishes lavishly illustrated books on Japanese print artists and painters, and a variety of other manifestations of Japanese art and culture, as well as exhibition catalogs. E.g, the Famous Japanese Print Series (FJPS) presents complete series of Japanese prints with all images of a particular series illustrated full page along with elaborate descriptions. In addition, Hotei publishes two academic series, Japonica Neerlandica (JN) and Hotei Academic European Studies on Japan (ESJ), covering history, religion, and art history. Highlights in Hoteis publication history include: Kawase Hasui: The Complete Woodblock Prints (2003), a two-volume catalogue raisonn of the famous 20th century landscape print artist Kawase Hasui (1883-1957); of more recent date, Japanese Export Lacquer 15801850 (2005), a 400-page work with more than 600 illustrations, addressing a fascinating material aspect of relations between Japan and the West; and The Hotei Encyclopedia of Japanese Woodblock Prints (2005), a major two-volume reference work on the history of Japanese prints, containing essays by the foremost specialists in the field, with an elaborate reference section and many appendices of artists signatures, publishers seals, and the like.
Hotei Publishing works with an international team of museum curators, art historians, and specialist authors, producing a great number of books in close cooperation with museums.Whether providing new information or shedding new light on familiar territory, Hotei always presents materials in accessible style and with an abundance of color illustrations of superb quality. Pictures are invariably of excellent quality and as close to the original as possible. All Hotei publications, equally appealing to general readers, collectors, and academics, can truly be characterised by both attractiveness and sound scholarship.
New & Recently Published Titles
Chikanobu
Modernity and Nostalgia in Japanese Prints

Bruce A. Coats, Allen Hockley, Kyoko Kurita and Joshua S. Mostow
Publication year 2006 ISBN 90 74822 886 Hardback (pp. 208, 280 colour ills.) List price EUR 79.- / US$ 99.-
Chikanobu. Modernity and Nostalgia in Japanese Prints is the first monograph in English on the Meiji print artist Ysh Chikanobu (1838-1912), well known for his depictions of women and scenes of Japanese history and legends. Author Bruce A. Coats presents a detailed overview of Chikanobus life and works, placed within the historical and artistic context of Meiji Japan, when its rapid modernization and westernization created an interest for old Japan among the Japanese and when the arts underwent significant changes as well. Essays by Bruce A. Coats, Allen Hockley, Kyoko Kurita and Joshua Mostow draw upon various topics related to Chikanobus work, such as Meiji literature and the heroic ethos in the late Meiji period. Works donated to the Scripps College collection form the core of the illustrative material. The images are accompanied by elaborate descriptions and in a number of cases compared with similar designs from other artists. Two of Chikanobus well known series of 50 prints each, Snow, Moon, Flowers (Setsugekka) and Eastern Brocades: Day and Night Compared (Azuma nishiki chya kurabe) are illustrated in their entirety. And with over 270 full color illustrations, Chikanobu. Modernity and Nostalgia in Japanese Prints truly displays the richness of the intense Meiji print palette.
japanese art

received his Ph.D. in art history from Harvard University. His teaching and research interests include Japanese prints, East Asian architecture and the history of gardens. Allen Hockley, Associate Professor of Art History at Dartmouth College, received his Ph.D. from the University of Toronto. He has written widely on Japanese prints and photography and is presently finishing a book on early Japanese photography. Kyoko Kurita, Associate Professor of Asian Languages and Literatures at Pomona College, received her Ph.D. in Japanese Literature from Yale University. Currently she is doing research at Waseda University, on changes in the concept of the future in modern Japan. Joshua S. Mostow, Professor in the Department of Asian Studies at the University of British Columbia, received his Ph.D. from the Comparative Literature and Literary Theory Program of the University of Pennsylvania. He has published extensively on the relationship of Japanese literature and the visual arts, and recently served as Adjunct Professor in the School of Womens Studies, Josai International University.
Bruce A. Coats, Professor of Art History and the Humanities at Scripps College,
Heroes of the Grand Pacification

Kuniyoshis Taiheiki eiy den
E. Varshavskaya
Haiku & Haiga

Moments in Word and Image
Edited by Ron Manheim
japanese art
Publication year 2006 ISBN 90 74822 69 X Hardback (192 pp., 50 color ills.) List price EUR 95.- / US$ 128.25 The book introduces the print-series Taiheiki eiy den or Heroic Biographies from the Tale of Grand Pacification, designed by Utagawa Kuniyoshi (17971861), who is considered the founder of the heroic genre in Japanese prints. The series is devoted to the final years of the sixteenth century civil wars and the key figure of the day, Toyotomi Hideyoshi (1536?98). All fifty prints of the series are reproduced in full colour. Each print is accompanied by a translation of the extensive texts incorporated into the composition and detailed historical and cultural commentaries. The introductory essay reviews the peculiarities of Kuniyoshis warrior images, explores the roots of Toyotomi Hideyoshis popularity and discusses the texts in the prints as a source of information on the late medieval warriors outlook and battlefield practices.
Publication year 2006 ISBN 90 74822 86 X ISBN 978 9074822 86 2 Cloth with dustjacket (208 pp.) List price EUR 45.- / US$ 60.75 This bilingual (German/English) publication supports the exhibition Haiku & Haiga Augenblicke in Wort und Bild Japanische Rollbilder aus vier Jahrhunderten, held in Museum Schloss Moyland (Bedburg-Hau, Germany) in April 2006. This selection of beautiful Japanese scrolls shows the poetic power of the combination of the word and the image. The texts on all 78 exhibited objects are published in Japanese (in kanji and in transcription) as well as in German/English translation, supplemented with comments. Contributions by specialists among which Prof. Dr. Ekkehard May, Dr. Anna Beerens and Dr. Dan McKee.
Elena Varshavskaya teaches art history at the Rhode Island
Ron Manheim is art historian, and currently deputy artistic
School of Design in the USA. Since the mid-1990s she devoted special attention to the Taiheiki eiy den print set, in combination with Japans late 16th century history and the treatment in the arts of the banned historical topics under the strict censorship regulations in Japan of the 1840s.
director of the Museum Schloss Moyland where he co-organized earlier the major exhibition Seen with a Brush Japanese Drawing and Painting from the 17th tot the 20th Century. The Gerhard Schack Collection.
The Hotei Encyclopedia of Japanese Woodblock Prints

General Editor: Amy Reigle Newland Specialist Advisers: Julie Nelson Davis, Oikawa Shigeru, Ellis Tinois and Chris Uhlenbeck
japanese art
Publication year 2005 ISBN 90 74822 65 7 ISBN 978 9074822 65 7 Cloth with dustjacket (2 vol., 600 pp., over 300 color illus.) List price EUR 195.- / US$ 263.25 The Hotei Encyclopedia of Japanese Woodblock Prints will serve as a source of quick reference as well as an in-depth study of all aspects of Japanese prints from the Edo (1600-1868) to Taish (1912-26) periods. The first section of The Hotei Encyclopedia is divided into four main subject areas: historical background, the art history of Ukiyo-e prints, print production (materials and techniques, the publishing trade) and the history of collecting Japanese prints, with a shorter fifth section on conservation. Each subject area contains a longer survey article which is accompanied by shorter essays that highlight specific topics pertaining to Japanese prints and their development. The second section of the book comprises an extensive alphabetical listing of well over a 2000 carefully crossreferenced entries on individual print designers and schools, publishers, carvers, printers and collectors, major Kabuki actors, materials and techniques, conservation, subjectmatter/iconography, literature and miscellaneous print-related terminology. This is followed by various appendices, including such aspects as seals of publishers and carvers, signatures, maps and chronological tables. With this ambitious project Hotei Publishing hopes to fill the gap for an extensive reference work and introduction to Japanese prints, one that will prove a valuable resource for teachers and students, art collectors, librarians and interested lay-people alike.

Amy Reigle Newland has worked as a specialist editor and
writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries.

Volume I
All essays are richly illustrated with prints from private and museum collections.The Hotei Encyclopedia of Japanese Woodblock Printscontains over 300 full color illustrations.
japanese art

Essays onmaterials, techniques and the publishing trade are included in a separate section on Japanese print production.
Volume 1contains useful information for the present collectorof Japanese prints as well as a history of Japanese print collecting worldwide.
Essays on the history of Japanese prints are grouped chronologically, having alonger survey article accompanied by shorter essays treating more specialist topics.

Volume II
The Hotei Encyclopedia of Japanese Woodblock Prints includesextensive sections on artists signatures, date and censor seals and publishers seals.
japanese art

More than 2000 entries on a wide range ofsubjects related to Japanese prints are included in Volume 2.
Hokusai and His Age
Ukiyo-e Painting, Printmaking and Book Illustrations in Late Edo Japan

Edited by John Carpenter
Japanese Erotic Fantasies
Sexual Imagery of the Edo Period

Edited by Chris Uhlenbeck and Margarita Winkel
japanese art
Publication year 2005 ISBN 90 74822 57 6 ISBN 978 9074822 57 2 Cloth with dustjacket (357 pp., 227 color & 126 b/w illus.) List price EUR 99.- / US$ 133.65 This profusely illustrated volume, which collects essays by a distinguished roster of specialists in Japanese art, presents a wide range of current scholarship on the Edo artist Katsushika Hokusai (17601849) and his immediate artistic and literary circles. Achieving worldwide renown for his dramatic landscape print series such as the Thirty-six Views of Mount Fuji, Hokusai also excelled in book illustration, erotica, and privately commissioned woodcuts called surimono. Less well known, Hokusai was a highly accomplished and prolific painter who produced not only pictures of courtesans of the pleasure quarters, the normal stock-in-trade of an ukiyo-e artist, but a prodigious output on historical and legendary themes. This volume provides new insights into all these diverse aspects of the polyvalent artists corpus. Contributors: Asano Shugo, Gian Carlo Calza, John T. Carpenter, Timothy Clark, Doris Croissant, Julie Nelson Davis, Roger Keyes, Kobayashi Fumiko, Kobayashi Tadashi, Kubota Kazuhiro, Naito Masato, David Pollack, John M. Rosenfield, Timon Screech, Henry D. Smith II, and Tsuji Nobuo. Published in cooperation with: The International Hokusai Research Centre, University of Venice, Sainsbury Institute for the Study of Japanese Arts and Cultures Art, Research Center Ritsumeikan University, Kyoto.
Publication year 2005 ISBN-90 74822 66 5 ISBN 978 9074822 66 4 Cloth with dustjacket (248 pp., 277 color illus.) List price EUR 75.- / US$ 101.25 This is the first modern study on Japanese erotic print art (so called shunga), illustrating a large selection of the best works mainly from private collections in Europe and the USA. The publication shows highlights from the oeuvre of Kitagawa Utamaro, Katsushika Hokusai, Suzuki Harunobu, Utagawa Kunisada, Utagawa Kuniyoshi and many others. It outlines the artistic developments from the early period to the end of the 19th century when Western themes began to appear in Japanese erotic art. Various essays written by international experts describe this fascinating genre in its social, historical and artistic context, discussing themes like homosexuality, voyeurism, life in Edos brothels, techniques of composition etc.

Christiaan Uhlenbeck has been a Japanese print dealer
since 1982 and has curated exhibitions on Ukiyo-e, Shin-hanga and Japanese photography since the 1990s. His main interest is the commercial environment of Japanese printmaking, about which he initiated a conference in 2001. He has recently turned to the investigation of the methodology in the study of Japanese prints. Margarita Winkel, Ph.D (2004) currently teaches at the Centre for Japanese Studies, Leiden University, and is publisher of the academic series of the Research School of Asian, African and Amerindian Studies (CNWS) at the same institution.
John T. Carpenter is Donald Keene Lecturer in the History
of Japanese Art at the School of Oriental and African Studies, University of London, and Head of the London Office of the Sainsbury Institute for the Study of Japanese Arts and Cultures.
Japanese Prints & Print Artists
Strong Women, Beautiful Men
Japanese Portrait Prints from the Toledo Museum of Art

Laura Mueller
Visions of Japan
Kendall H. Brown
Kawase Hasuis Masterpieces
Publication year 2004 ISBN 90 74822 68 1 ISBN 978 9074822 68 8 Paperback (152 pp., 100 color illus.) List price EUR 39.50 / US$ 53.33 ISBN 90 74822 80 0 ISBN 978 9074822 80 0 Cloth with dustjacket (152 pp., 100 color illus.) List price EUR 89.- / US$ 120.15 Following on the success of the catalogue raisonn Kawase Hasui: The Complete Woodblock Prints published by Hotei Publishing in 2003, Visions of Japan: Kawase Hasuis Masterpieces brings together in a single volume one hundred of the artists most celebrated prints. Fully illustrated, this publication includes annotated descriptions for each work, as well as two essays on Hasuis life and work by Dr. Kendall H. Brown. Kawase Hasui (1883-1957) is considered the foremost Japanese landscape print artist of the 20th century, and he is most closely associated with the pioneering Shin-hanga (New Prints) publisher Watanabe Shzabur (1885-1962). Hasuis work became hugely popular, not only in his native Japan but also in the West, especially in the United States. His valuable contribution to the woodblock print medium was acknowledged in 1956, a year before his death, when he was honoured with the distinction of Living National Treasure.
japanese art
Publication year 2005 ISBN 90 74822 78 9 ISBN 978 9074822 78 7 Paperback (96 pp., 58 color illus.) List price EUR 35.- / US$ 47.25 Shin-hanga, literally meaning new prints, was the name given to a Japanese print artists movement in the early years of the twentieth century. It sought to revive the traditional style of Ukiyo-e woodblock prints of the Edo period (1610-1868). The connection between Shin-hanga and the Toledo Museum of Art began when Yoshida Hiroshi, one of the leaders of the movement, and his artist wife met J. Arthur MacLean and Dorothy Blair, at that time connected to the John Herron Art Museum in Indianapolis. When Mr. MacLean and Miss Blair established Toledos Asian Art Department in 1927-28, they decided to collaborate with their friends the Yoshidas on two exhibitions of modern Japanese prints, which took place in 1930 and 1936. This book accompanies the Museums exhibition, Strong Women, Beautiful Men, which explores the concept of the human form in Japanese woodblock prints. Many of the works in the extensive Toledo collection deal with the genre of popular figures, such as Kabuki actors in famous roles and bijinga, images of beautiful women.

Laura J. Mueller is completing her Ph.D. at the University
of Wisconsin, Madison; the topic is Entertaining Virtue: The Naturalization of Confucianism in Edo Print Culture. She is also Van Vleck Curatorial Intern at the Chazen Museum of Art, Madison, Wisconsin.
Kendall H. Brown is Associate Professor in the Department
of Art at California State University, Long Beach, California, where he teaches the art of India, China and Japan. Following his research into sixteenth- and seventeenth-century Japanese painting his interests turned to the twenthieth century and to woodblock prints. He is currently writing a social history of Japanese gardens in North America.
Famous Japanese Print Series

When Japanese graphic art developed into a truly commercial art form around 1765, publishers immediately took to publishing prints in series. Artists were asked to design sets of prints linked to classical Chinese numerical categories or to everyday Japanese experiences. It is striking that many of the serial graphics of Japans great woodblock-print artists, such as Utamaro, Hokusai, Hiroshige, Kuniyoshi, Kunisada and Yoshitoshi, show such remarkable unity of concept and form. They also engendered endless ambiguity, creating levels of meaning often difficulut to interpret nowadays. In this Famous Japanese Print Series, Hotei Publishing seeks to do justice to the serial concept of the artists and publishers. By illustrating all the prints comprising each set we gain a better overview of the aesthetic considerations that inspired the artists and the commercial motives of their publishers.
A Courtesans Day: Hour by Hour

Essays by Cecilia Segawa Seigle, Alfred H. Marks, Harue M. Summersgill, Amy Reigle Newland and Monika Hinkel, with assistance from Kodaira Takashi and Ishigami Hidemi
japanese art
Alfred H. Marks is Professor Emeritus
10
Publication year 2004 ISBN 90 74822 59 2 ISBN 978 9074822 59 6 Paperback (182 pp., 67 color illus.) List price EUR 45.- / US$ 60.75 Famous Japanese Prints Series, 2 A courtesans day in the carefree atmosphere of the famous pleasure quarter the Yoshiwara in Edo (present-day Tokyo) was carefully planned to an hourly schedule. This sequence of 12 and later 24 hours proved a convenient device for Japanese print artists and their publishers when devising sets of prints showing favourite beauties of the day engaged in daily activities. In this second volume of Hotei Publishings Famous Japanese Prints Series, three sets centred on the theme of the hours of the clock in the pleasure quarters are discussed in detail: - Kitagawa Utamaros The Twelve Hours of the Green Houses (Seir jnitoki, c. 1794) - Tsukioka Yoshitoshis Twenty-four Hours in Shinbashi and Yanagibashi (Shinry nijyoji, 1880-81) - Toyohara Kunichikas Scenes of the Twenty-four Hours, A Prictorial Trope (Mitate chya nijyoji, 1890-91) A contextual and visual analysis of these works by the authors provides the reader with an insight into the broader cultural and artistic milieu of the early and later nineteenth century.
of American Literature at SUNY, New Paltz, New York, where he taught from 1963 to 1985. Monika Hinkel is currently working on a Ph.D. at the Department of Japanese Studies, Bonn University on the topic of the historical prints of Toyohara Kunichika, with a focus on the Western influences on his art. As part of her doctoral studies she received a scholarship from the German Academic Exchange Service (DAAD) in 2001 to be guest researcher at Gakushuin University, Tokyo. Amy Reigle Newland has worked as a specialist editor and writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries. Cecilia Segawa Seigle is Professor Emerita of Japanese Studies in the Department of East Asian Languages and Civilizations, University of Pennsylvania, where she taught from 1984 to 1999. Harue M. Summersgill is Professor Emerita of Japanese Language and Literature at Chaminade University, Honolulu, where she taught from 1976 to 1997.
Hiroshiges journey in the 60-odd provinces

Marije Jansen
Printed to Perfection
Twentieth-century Japanese Prints from the Robert O. Muller Collection

Joan B. Mirviss, Amy Reigle Newland, Chris Uhlenbeck, Marije Jansen with Henk Herwig General editor: Amy Reigle Newland
Publication year 2004 ISBN 90 74822 60 6 ISBN 978 9074822 60 2 Paperback (176 pp., 79 color illus., 70 ills, mostly colour) List price EUR 45.- / US$ 60.75 Famous Japanese Prints Series, 1 Utagawa Hiroshige (1797-1858) designed a series of 70 landscapes depicting the provinces of Japan between 1854 and 1856. It was the first of a number of sets from the highly productive years of his later life. The designs comprising Famous places in the 60-odd provinces (Rokuju yoshu meisho zue) are taken from all corners of Japan. Designs published before this series had already depicted the famous routes between Edo and Kyoto, the Tokaido and the Kisokaido, and various well known locations such as the famous waterfalls, Lake Omi and the Jewel Rivers, but a series on such a grand scale devoted to the provincies was a novelty. It evidently met with critical acclaim as the publishers Koshimuraya Heisuke issued several editions. In this study, the author Marije Jansen briefly discusses Hiroshiges life and the formal aspects of this series. Jansen takes as her point of departure the set in possession of the German collector Gerhard Pulverer, which is generally acknowledged to be a superb example of a first edition, and compares this series to a number of other sets in public and private collections. The detectable printing variations in each design are carefully analysed, making this an indispensable tool for collectors.
Publication year 2004 ISBN 90 74822 73 8 ISBN 978 9074822 73 2 Paperback (132 pp., 129 illus., 125 colour ills.) List price EUR 35.- / US$ 47.25 Robert O. Muller can be considered the most important collector in the world of twentieth century Japanese prints. He amassed over 4500 designs, tracing back the artistic developments of the past century to the Meiji period (1868-1912). His holdings, now in the Arthur M. Sackler Gallery of Art in Washington D.C., include the finest possible examples of artists specialized in the portrayal of female beauty such as Hashiguchi Goy (1880-1921), It Shinsui (1898-1972) and Torii Kotondo (1900-1976), the earliest and best works of the two major landscape artists Kawase Hasui (1883-1957) and Hiroshi Yoshida (1876-1950) as well as numerous works by other, less famous artists providing a comprehensive and fascinating overview of the Shin hanga (New Print) movement. Robert O. Mullers exquisite taste and critical attitude has resulted in a collection in the finest imaginable condition. The Arthur M. Sackler Gallery of Art staged the first major exhibition from this collection in the months of November and December of 2004. This catalogue accompanies the first exhibition from the donation to the Arthur M. Sackler Gallery of Art of over 4000 prints by the American collector Robert O. Muller, held November 6 2004-2 January 2005.
japanese art
11
Joan B. Mirviss is an expert and dealer in Japanese art,
Marije Jansen is a M.A. graduate of Japanese Studies from
Leiden University and is currently working for Hotei Japanese Prints, Leiden.
specializing in prints, paintings and contemporary ceramics. She is currently serving as a consultant to the Freer Gallery of Art and the Arthur M. Sackler Gallery with respect to the Robert O. Muller Collection. Amy Reigle Newland has worked as a specialist editor and writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries.
Kawase Hasui
The Complete Woodblock Prints

Kendall H. Brown with an essay by Watanabe Shichir General Editor: Amy Reigle Newland Catalogue Contributors: Inge Klompmakers, Merel Molenaar, Amy Reigle Newland, Okura Haruko, Dick N.W. Raatgever, Robert Schaap and Chris Uhlenbeck
Heroes of the Kabuki Stage
An Introduction to the World of Kabuki with Retellings of Famous Plays, illustrated by Woodblock Prints
Henk & Arendie Herwig
japanese art
12
Publication year 2003 ISBN 90 74822 46 0 ISBN 978 9074822 46 6 Cloth with dustjacket (592 pp., 690 colour & 100 b/w illus.) List price EUR 350.- / US$ 472.50 This publication illustrates the entire oeuvre of Kawase Hasui (1883-1957) in color. The illustrations are predominantly taken from the two largest collections of Hasui prints in the world: the collections of Robert O. Muller and the Watanabe family. This bilingual publication includes essays by Ken Brown and Watanabe Shichir, facsimiles of seals and signatures and a bibliography.
Publication year 2001 ISBN 90 74822 61 4 ISBN 978 9074822 61 9 Cloth with dustjacket (360 pp., 280 color illus.) List price EUR 110.- / US$ 148.50 Heroes of the Kabuki Stage is written for Kabuki lovers and collectors of Kabuki woodblock prints alike, eager to know more about the interesting images on their prints. The book is a concise introduction to the world of Kabuki, placed in the historical and social context of Tokugawa and Meiji Japan between 1603 and 1912. Several aspects of Kabuki tradition, such as the playhouse itself, the interaction between actors and audiences, as well as the development of plays are explained. The elaborate costumes, make-up and different acting styles are discussed and illustrated. A brief historical outline is given of actor prints and their designers in both Edo (present-day Tokyo) and Osaka. A large section of the book is dedicated to retelling the 37 popular Kabuki plays, set against the background of their origins and supplemented by theatrical anecdotes. Main scenes of the plays and leading actor roles are amply illustrated by woodblock prints produced over a period of more than a century. An extensive index on roles, actors, playwrights, subjects and attributes will enable the reader and print collector to find his way in the spectacular world of Kabuki.
Kendall H. Brown is Associate Professor in the Department
of Art at California State University, Long Beach, California, where he teaches the art of India, China and Japan. Following his research into sixteenth- and seventeenth-century Japanese painting his interests turned to the twenthieth century and to woodblock prints. He is currently writing a social history of Japanese gardens in North America.
Arendie H. Herwig-Kempers was the first female
orthopaedic surgeon in the Netherlands. After a career of almost 20 years in the operating theatre, she turned to Art History and obtained her Masters degree in architecture, from Leiden University. She regularly writes articles about architecture and Japanese art. Henk J. Herwig is a retired Associate Professor of Zoology and Cell Biology at Utrecht University in The Netherlands and since 1992 has been Editor-in-chief of Andon, the renowned Bulletin of the Society for Japanese Arts.
Yoshitoshis One Hundred Aspects of the Moon

John Stevenson
Crows, Cranes & Camellias

The natural World of Ohara Koson 1877-1945
Publication year 2001 ISBN 90 74822 42 8 ISBN 978 9074822 42 8 Cloth with dustjacket (272 pp., 165 color illus.) List price EUR 94.- / US$ 126.90 Tsukioka Yoshitoshi (1839-1892) was the most influential and prolific woodblock print artist of Meiji Japan. This book presents his masterpiece, the wildly popular One Hundred Aspects of the Moon (Tsuki Hyakushi). The series was begun in 1885 and completed just before the artists death in 1892. New designs were eagerly awaited, with editions selling out before dawn on the day of publication. The introduction of this book comprehensively treats the artists life and work. Each of the one hundred images in the series is shown here in full colour and nearly life-size. Opposite each design a commentary gives the story behind the picture. These wonderful tales form a panorama of Japanese history and legend that resonates with the richness and subtlety of traditional Japanese culture. This is a reprint of the 1992 San Francisco Graphic Society publication. After graduating from Oxford at the age of twenty, John Stevenson worked in the USA and Nigeria. He lived for twenty years in Asia and has written on several areas of Asian art. He has served as acting curator of Chinese art at Seattle Art Museum, and now works in book production.
Amy Reigle Newland, Jan Perre and Robert Schaap
japanese art
Publication year 2001 ISBN 90 74822 38 X ISBN 978 9074822 38 1 Cloth with dustjacket (208 pp., over 200 color illus. + 550 small color & b/w illus.) List price EUR 95.- / US$ 128.25 This book about Koson is the first Western publication of his oeuvre of prints and paintings. It provides all known information on the artists life and work, his teachers and publishers, facsimiles of his signatures and seals and illustrations of an estimated seventy-five percent of his total print output.
13
Japanese Erotic Prints
Shunga by Harunobu and Korysai

Inge Klompmakers
Publication year 2001 ISBN 90 74822 37 1 ISBN 978 9074822 37 4 Paperback (160 pp., 68 color illus.) List price EUR 39.50 / US$ 53.33 This title presents a ravishing selection of shunga by the first full-colour woodblockprint masters: Harunobu and Korysai. The prints used for this book are of a remarable quality, their radiant colours perfectly preserved by the albums in which they were kept. The first volume in a series on erotic prints by famous Japanese woodblock-print artists, this book contains a detailed general introduction to the genre of shunga. In addition to a description of the historical and cultural settings of the prints, it focuses in particular on the locations and interiors where the erotic action takes place.
Amy Reigle Newland has worked as a
Inge Klompmakers is currently acquisitions editor for Hotei Publishing and has
worked for a number of years in Japanese art galleries, including Sothebys Amsterdam.
specialist editor and writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries. Robert Schaap works as a graphic designer and has focused on books relating to Japanese prints for some fifteen years. Over the years he has written numerous articles and reviews on various aspects of Japanese prints, and has (co)-organized several exhibitions on Japanese prints. Jan Perre was an architect and a long time collector of Japanese prints.
Surimono
Poetry & Image in Japanese Prints

Charlotte van Rappard-Boon and Lee Bruschke-Johnson
The Ear Catches the Eye

Music in Japanese Prints
Magda Kyrova
Publication year 2000 ISBN-10 90 74822 30 4 ISBN-13 978 9074822 30 5 Paperback (192 pp., 168 color illus., 168 colour ills.) List price EUR 45.- / US$ 60.75 The ear catches the eye presents a clear picture of the diversity of Japanese instruments and their use in the Kabuki and N theatres, during various festivals and within the celebrated Yoshiwara pleasure quarter. The 150 featured prints depicting musical instruments have been described at length, the photographs of the actual instruments are accompanied by thorough explanations of their shape and use. This catalogue accompanied an exhibition held at the Gemeentemuseum, Den Haag. Publication year 2001 ISBN 90 74822 34 7 ISBN 978 9074822 34 3 Paperback (160 pp., 125 color illus.) List price EUR 41.- / US$ 55.35 Surimono (lit. printed object) are privately published prints inscribed with a dedication or poem that reflects upon everyday themes. This catalogue includes more than 150 illustrations of prints drawn from the splendid Amsterdam Rijksmuseum collection. It also contains in-depth essays discussing the history of surimono and the subjects depicted in the prints, which incorporate seasonal references and classical themes. Most of the poems on the selected prints have been translated into English. This publication is an important reference work in the study of surimono.
japanese art
Magda Kyrova studied Art History at Leiden University and is a retired Curator of
Iconographical Collections at the Music Department of the Gemeentemuseum, The Hague.
Mount Fuji
14
Sacred Mountain of Japan

Chris Uhlenbeck and Merel Molenaar
Publication year 2000 ISBN 90 74822 32 0 ISBN 978 9074822 32 9 Paperback (128 pp., 128 color illus.) List price EUR 17.50 / US$ 23.63 Mount Fuji has always stirred the imagination of artists. Many Japanese print artists, including some of the greatest like Hokusai and Hiroshige, have attempted to capture the spirit of this mountain in their designs. This book offers an overview of the many faces of Mount Fuji as seen through the eyes of such artists. The introduction focusses on Mount Fuji in mythology, early portrayal, pilgrimage history, and its depiction in Japanese prints - in particular, the work of Hokusai and Hiroshige. The catalogue contains further chapters on Mount Fuji from the Tkaid, Fuji and the Chushingura drama, Fuji and poetry (surimono), Fuji seen from Edo (present-day Tokyo) and Fuji: The thirty-six views.
Charlotte van Rappard-Boon
compiled the 5-volume catalogue of Japanese prints in the Rijksmuseum collection and has contributed widely to exhibition catalogues in the field. Lee Bruschke-Johnson successfully defended her doctoral dissertation entitled The Calligrapher Konoe Nobutada: Reassessing the Influence of Aristocrats on the Art and Politics of Early Seventeenth-Century Japan in 2002 and currently works as independent scholar in the Netherlands.
Christiaan Uhlenbeck has been a Japanese print dealer since 1982 and has curated
exhibitions on Ukiyo-e, Shin-hanga and Japanese photography since the 1990s. His main interest is the commercial environment of Japanese printmaking, about which he initiated a conference in 2001. He has recently turned to the investigation of the methodology in the study of Japanese prints. Merel Molenaar is a M.A. graduate of Japanese Studies from Leiden University. She currently works for the Japanese Embassy in the Netherlands.
The Female Image
20th Century Japanese Prints of Japanese Beauties

Shinji Hamanaka and Amy Reigle Newland
Heroes & Ghosts
Japanese Prints by Kuniyoshi (1797 - 1861)

Robert Schaap. Introduction by Amy Reigle Newland. Essays by Timothy T. Clark, Matthi Forrer and Inagaki Shinichi
Publication year 2000 ISBN 90 74822 20 7 ISBN 978 9074822 20 6 Cloth with dustjacket (216 pp., 280 color illus.) List price EUR 119.- / US$ 160.65 The female image is a comprehensive survey of the genre of bijinga (prints of beautiful women) produced in the Shin hanga tradition that evolved in the early twentieth century. This bilingual (Japanese/English) publication is lavishly illustrated with works from Japanese, European and American public and private collections. Prints by major artists such as Hashiguchi Goy (1880-1921), Torii Kotondo (1900-76) and It Shinsui (18981972) are included, as are examples from more obscure print designers which have rarely been reproduced.
Publication year 1998 ISBN 90 74822 10 X ISBN 978 9074822 10 7 Cloth with dustjacket (280 pp., 380 color & 39 b/w illus.) List price EUR 68.50 / US$ 92.48 This publication offers the most comprehensive survey of Kuniyoshis work in a Western language, fully expressing the artists versatility. More than three hundred illustrations from public and private collections are accompanied by essays on Kuniyoshis comical pictures, deluxe printed images (surimono) and paintings, making this book an invaluable source of information for Japanese print lovers.
japanese art
Robert Schaap was trained as an industrial designer and
writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries. Shinji Hamanaka completed a postgraduate artcourse at the Tokyo University of Fine Art and Music. He is currently working for the Yamatane Museum of Fine Arts in Tokyo. He has written several articles on his major field of survey: Pre-modern and modern Japanese pictures.
later received a British Council Scholarship Award to study graphic design at Hornsey College of Art in London. As a graphic designer he has focused on books relating to Japanese prints for some fifteen years, and over the last twenty-five years he has been collecting Japanese prints and paintings. He is a member of the Board of the Society for Japanese Arts and serves as Editor of the Societys journal Andon. Over the years he has written numerous articles and reviews on various aspects of Japanese prints, and has (co)-organized several exhibitions on Japanese prints like Beauty & Violence. Japanese Prints by Yoshitoshi 1839-1892 and Heroes & Ghosts. Japanese Prints by Kuniyoshi 1797-1861 and was the main author of their accompanying catalogues.
15
Time Present and Time Past
Images of a forgotten Master: Toyohara Kunichika (1835 - 1900)

Amy Reigle Newland with an essay by Shigeru Oikawa
Publication year 1999 ISBN 90 74822 11 8 ISBN 978 9074822 11 4 Cloth with dustjacket (176 pp., 166 color & 6 b/w illus.) List price EUR 79.- / US$ 106.65
Time Present and Time Past is the first publication in English to treat in detail the life and work of Toyohara Kunichika (1835-1900), who today is considered one of the last Ukiyo-e masters. Kunichikas designs were drawn from established Ukiyo-e genres like Kabuki actor prints ( yakusha-e) and prints of beautiful women (bijinga), he was however a man of his time and this is reflected in his modern use of color, composition and subjects. The book includes reproductions of 135 of Kunichikas prints, an extensive bibliography and an overview of signatures and carvers seals.
writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries.
Japanese Art and The West
Japanese Woodblock Prints
Western Influences on Japanese Art

Hiroko Johnson
The Akita Ranga Art School and Foreign Books
A Bibliography of Writings from 1822 - 1993 entirely or partly in English Text

Compiled by William Green for the Ukiyo-e Society of America, Inc (New York)
japanese art
Publication year 1993 ISBN 90 74822 01 0 ISBN 978 9074822 01 5 Cloth with dustjacket (292 pp.) List price EUR 86.50 / US$ 116.78 An ultimate research tool for the study of Japanese prints, this publication represents eight years of research by the author William Green. It lists over 6000 publications dating from 1822 to 1993 and principally focuses on those in the English language. The bibliography is divided along thematic lines into fifteen chapters and also comprises three indexes, making it an easy-to-use reference work for students, scholars and collectors alike.
Publication year 2005 ISBN 90 74822 64 9 ISBN 978 9074822 64 0 Cloth with dustjacket (176 pp., 57 illus.) List price EUR 74.- / US$ 99.90 The Akita Ranga art school is a by-product of rangaku, Dutch learning, an important intellectual movement in eighteenth-century Japan. Akita ranga artists, highly influenced by illustrations in Western books, created a new direction in Japanese art by using Western techniques such as chiaroscuro (shading) and perspective. Odano Naotake (1750-80), a leading Akita ranga artist, illustrated Kaitai shinsho, Japans first anatomy book. Dr. Johnson first analyses how Naotake applied new techniques to traditional Japanese art and created a quasi-Western style of painting. Secondly, she focuses on Lord Satake Shozan (1748-85), who wrote Japans first art theory and criticism on Western art and whose complete text is translated and incorporated in this book. Shozan also based his three sketchbooks on foreign books, especially the Schouwtoneel der Natuur by Noel A. Pluche, and wrote an encyclopaedia of scientific lore. By focusing on the influence of illustrations in foreign books, Johnson brings a new perspective to Japanese art history.
16
Hiroko Johnson is currently Assistant Professor at San Diego State University where
William Greens (1915-2005) discovery

of Japanese woodblock prints came during his service as a medical service corps officer in Korea and Japan in the 1950s. In 1973 he founded the Ukiyo-e Society of America under whose auspices he has spent eight years recording and compiling the bibliography Japanese woodblock prints.
she teaches Japanese Art History. She has written numerous articles in Japanese and English on Ito Jakuchu, Shen Nanpin, the artistry of basket makers and the Akita Ranga school.
Japanese Export Lacquer 1580-1850

Oliver Impey and Christiaan Jrg
Fine & Curious
Japanese Export Porcelain in Dutch Collections

Christiaan J.A. Jrg
Publication year 2005 ISBN 90 74822 72 X ISBN 978 9074822 72 5 Cloth with dustjacket (384 pp., 657 illus., 600 colour ills.) List price EUR 225.- / US$ 303.75 Japanese export lacquer 1580-1850 is the first full treatment of lacquerware made to European demand, its transportation and the lacquer market in Europe as well as the effect of lacquer and its use in a European context. Trading patterns and its use are described in detail, based on the documentary evidence of Europeans in the Far East, on notes kept by the Portuguese in Japan, on the important and comprehensive archives of the Dutch East India Company (VOC) and to a lesser extent and for a shorter period, of the English Honourable East India Company, as well as on contemporary comments and inventories within Europe.
Publication year 2003 ISBN 90 74822 16 9 ISBN 978 9074822 16 9 Cloth with dustjacket (304 pp., 420 color illus.) List price EUR 135.- / US$ 182.25 An enduring witness to Dutch-Japanese relations is Arita export porcelain made for the Dutch market in the 17th and 18th centuries. The Dutch East India Company (VOC) was instrumental in ordering and distributing a variety of export wares. While many of these exquisite pieces have been lost over time, numerous examples are still preserved in public and private collections in The Netherlands. Professor Dr Jrg discusses the variety of export ware and the extraordinary pieces in those collections, many of which are published here for the first time.
japanese art
17
Dr Oliver Impey (1936-2005) was Senior Curator in the Department of Eastern Art at
the Ashmolean Museum, Oxford, and Reader in Eastern Art at Oxford University. His research concentrated on the export arts of Japan from the late sixteenth to the early twentieth century, and on their effect in Europe. Professor Dr Christiaan Jrg is a former Curator and Head of Research of the Department of Oriental Export Art at the Groninger Museum, Groningen. He lectures on the material culture of East-West interactions in decorative art at Leiden University. His research focuses on Chinese and Japanese export art for the Dutch market for the period 1600-1800, in particular porcelain and lacquer.
Professor Dr Christiaan Jrg is a
former Curator and Head of Research of the Department of Oriental Export Art at the Groninger Museum, Groningen. He lectures on the material culture of EastWest interactions in decorative art at Leiden University. His research focuses on Chinese and Japanese export art for the Dutch market for the period 1600-1800, in particular porcelain and lacquer.
Japanese Export Porcelain
Catalogue of the Collection of the Ashmolean Museum, Oxford

Oliver Impey
Plunder and Pleasure

Japanese Art in the West, 1860 - 1930
Max Put
Publication year 2002 ISBN 90 74822 39 8 ISBN 978 9074822 39 8 Cloth with dustjacket (264 pp., 500 color illus.) List price EUR 135.- / US$ 182.25 The Ashmolean Museums collection of Japanese export porcelain is perhaps the most comprehensive collection in the West. The present catalogue includes only the export wares, the Arita, Ko-Imari and Kakiemon porcelains of the years between about 1660 and 1740, the peak period of the trade. More than 400 pieces are included in the catalogue, each illustrated - some more than once - in colour, with some comparative material. This is probably the largest corpus of Japanese export porcelain published in any single volume, and will be an invaluable source for comparative studies. Many pieces have never been published before.
japanese art
Publication year 2000 ISBN 90 74822 09 6 ISBN 978 9074822 09 1 Cloth with dustjacket (152 pp., 20 b/w illus.) List price EUR 49.- / US$ 66.15 Plunder and pleasure is the first book of its kind to provide an in-depth study of the role played by dealers and collectors of art in the late 19th and early 20th centuries, when the Western craze for East Asian art was at its peak. The book comprises an overview of Japonisme and the translation into English of two important French texts detailing the trade in Asian art at this time: Notes dun Bibeloteur au Japon by the art dealer Philippe Sichel (1839/40-99) and Souvenirs dun vieil Amateur dArt de lExtrme-Orient by the collector Raymond Koechlin (18601931). Both translations are extensively annotated. A discussion of the content and significance of the translations as well as short biographical sketches of Sichel and Koechlin are also included. Plunder and pleasure casts new light on the subject of Western tastes for East Asian art during this period and furthers our understanding of the cultural relations between the Far East and the West that were going on at this time.
Dr Oliver Impey (1936-2005) was Senior Curator in the Department of Eastern Art at
18
the Ashmolean Museum, Oxford, and Reader in Eastern Art at Oxford University. His research concentrated on the export arts of Japan from the late sixteenth to the early twentieth century, and on their effect in Europe.
Correspondance adresse Hayashi Tadamassa

Institut de Tokyo, Institution Administrative Indpendante, Centre Nationale de Recherche pour les Proprits Culturelles
Publication year 2001 ISBN 4 336 04310 8 ISBN 978 433 604310 8 Cloth with dustjacket List price EUR 190.- / US$ 256.50 During the last twenty years of his life, the art dealer Tadamasa Hayashi (1853-1906) received an important and impassioned correspondence from around the world. Through these letters the friend of many artists, collectors and intellectuals, and the specialist in Japanese art and connoisseur of Western art, reveals himself to us. These letters allow us to determine the fundamental role played by Hayashi Tadamasa in the West and in Japan.
Max Put is a freelance art historian
and runs a bookstore in Leiden devoted to publications on Japanese art. His areas of interest include twentieth-century architecture, and the impact of Japanese art on the West in the late nineteenth and early twentieth centuries.
Japanese Art
A Guide to Japanese Art Reflecting Truth Japanese Photography in the 19th Century Collections in the UK
Gregory Irvine Edited by Nicole Coolidge Rousmaniere and Mikiko Hirayama
Publication year 2004 ISBN 90 74822 76 2 ISBN 978 9074822 76 3 Paperback (112 pp., 60 b/w illus.) List price EUR 39.95 / US$ 53.93 Publication year 2004 ISBN 90 74822 74 6 ISBN 978 9074822 74 9 Paperback (204 pp., 90 color illus.) List price EUR 17.50 / US$ 23.63 This publication is a comprehensive guide dealing specifically with important collections of publicly available Japanese art in the UK. It identifies the wide range of Japanese art collections nationwide, making them known and accessible to all those interested in Japans unique art and culture. The guide contains cross-references in the index to town, county, type of holding, etc., and regional maps. Color and black and white photographs of key objects from the collections are included. This publication shows how scholarly investigation of Japanese photography in recent years has entered an important transitional stage moving beyond its focus on the introduction of new discoveries and descriptions of collections, to a more sophisticated investigation of photography in historical and cultural contexts. At one time marginalised as either a practical technique or amateur art form, photography has now earned full recognition as an area of scholarly inquiry. It now invites reflection on issues of visuality, technology, and national identity in Japanese art during its transition to modernity as well as in contemporary society. Contributions by Himeno Junichi (on the early development of photography in Japan), Sebastian Dobson (focussing on the colourful figure of Felice Beato), Luke Gartlan (on Baron Raimond von Stillfried-Ratenicz), Allen Hockley (on photographic albums produced by commercial studios in the 1880s and 1890s), Kinoshita Naoyuki (exploring the tradition of war portraiture in Japan) and Mikiko Hirayama (describing the transition from the pioneering stages of photography in Japan into the modern era).
japanese art
19
Nicole Coolidge Rousmaniere Ph.D. (1998) is founding Director of the Sainsbury
Gregory Irvine is the curator in the
Asian Art Department of the Victoria and Albert Museum, London, responsible for the collections of Japanese metalwork, particularly arms and armour.
Institute for the Study of Japanese Arts and Cultures, Norwich. Her research interests include, Japanese decoration, early modern ceramics in East Asia and trade networks, the history of exhibition and collecting in Japan and in Europe. Mikiko Hirayama Ph.D. (2001) was the Robert and Lisa Sainsbury Fellow at the Sainsbury Institute for the Study of Japanese Arts and Cultures in 2002. She is currently Assistant Professor of Japanese Art History at the University of Cincinatti, Ohio.
Japanese Art
The Koto
A Traditional Instrument in Contemporary Japan

Henry Johnson
Identifying Japanese dolls

Notes on Ningy
Lea Baten
Publication year 2004 ISBN 90 74822 63 0 ISBN 978 9074822 63 3 Cloth with dustjacket (200 pp., 101 illus.) List price EUR 75.- / US$ 101.25 The koto is a unique Japanese musical instrument. It has a history in Japan of over 1200 years and today does much to represent Japans traditional past. This book examines this fascinating instrument in terms of its physical form, manufacture and instrument types, its performance traditions and social organisations, and its contexts of performance. Each of these aspects is explored in detail, providing ways of understanding the place of this traditional instrument in contemporary Japan. This well illustrated volume is the first in English to examine the koto in such depth. It brings together in one volume a detailed study of this remarkable instrument. Integral to this study is a look at the social organizations of koto performance, and how they regulate and influence the transmission of the instrument and its music. Emphasis is placed on the internal structures of performing traditions, as well as inside and outside perspectives that are important in establishing ones place as a player, Johnson also examines the koto and the significance of its main performance contexts, beginning with the role of the player and of mediated contexts. He demonstrates how different music traditions have used and devised notations systems as an additional means by which traditions identify themselves. Also included in the book is an examination of scales, tunings and music genres, as well as the instruments idiomatic language of music ornamention.
Publication year 2000 ISBN 90 74822 36 3 ISBN 978 9074822 36 7 Hardback (144 pp., 82 color illus.) List price EUR 24.95 / US$ 33.68 Lea Batens unique and resourceful book assists in the identification of the familiar and unfamiliar figurines known as ningy, and explores the roots of the word itself. This book not only identifies and describes ningy, detailing their history and meaning, but also contains a comprehensive index and one of the most extensive bibliographies on the doll motif ever published in English. Scholarship, clear illustrations, and a touch of humour guarantee a fresh and original approach to known and unknown ningy.
20
japanese art
Henry Johnson is an ethnomusicologist at the University of Otago, New Zealand,

where he teaches and undertakes research in Ethnomusicology and Asian Studies. Actively involved in interdisciplinary and intercultural studies, he lectures and performs on a number of instruments, including the Japanese koto and shamisen, Javanese and Balinese gamelan, and Indian sitar.
Lea Baten, an international authority
on the dolls, folk toys, and games of Japan, wrote three books and numerous articles on the subject, and contributed the section on Japanese ornamental dolls to the prestigious 34-volume Grove/ Macmillan Dictionary of Art.
Japanese Art
Symbolism & Simplicity

Ken Vos
Korean Art from the Collection of Won-Kyung Cho
Shishi and other netsuke
The Collection of Harriet Szechenyi

Rosemary Bandini
Publication year 2002 ISBN 90 74822 50 9 ISBN 978 9074822 50 3 Paperback (104 pp., 90 color & 61 b/w illus.) List price EUR 35.- / US$ 47.25 Symbolism & Simplicity contains a fine selection of Korean literati paintings and porcelain from the outstanding collection of Dr. Won-Kyung Cho. The paintings and porcelains illustrated in this book reflect the dynamism and the search for harmony that underlie Korean culture. The refinement and formal symbolism of these aristocratic arts also typify the strict Confucianist society that has evolved in Korea since the 16th century.
Ken Vos is presently curator of the Japanese and Korean department of the National
Museum of Ethnology in Leiden, The Netherlands. Publication year 1999 ISBN 0 9535733 0 3 ISBN 978 09 5357303 5 Cloth with dustjacket List price EUR 105.- / US$ 141.75 Long-time collector Harriet Szechenyi concentrated on collecting netsuke of animals and celestial beings. These beautiful miniature art objects have been described at length by Rosemary Bandini. This richly illustrated book shows the reader some fine examples of this beautiful Japanese art form. The appendix contains pictures of the signatures found on the netsuke, a very useful guide to the collector. A graduate in modern languages, Rosemary Bandini first came into contact with Japanese art when working in the Japanese Department of Sothebys London and currently works independently as a dealer in Japanese art.
japanese art
Kimono
Paul van Riel and Liza Dalby
21
Publication year 2000 ISBN 90 74822 41 X ISBN 978 9074822 41 1 Hardback (144 pp.; 120 color photographs) List price EUR 24.95 / US$ 33.68 Any first time visitor to Japan will be struck by that most beautiful symbol of its ancient culture: the kimono. This book contains a selection of the numerous encounters photographer Paul van Riel had with people wearing kimono all over Japan. In the introduction Liza Dalby describes the kimonos transformation from daily clothing to formal wear over the course of the 20th century. Her personal experiences give us a glimpse of the meanings the kimono has for the geisha. Photographer Paul van Riel (1948) has roamed the world with his cameras, on assignments for magazines and international cooperations. He is also a contract photographer with the prestigious Black Star photo agency in New York. He is currently concentrating on various book projects and a series of exhibitions worldwide. He has visited Japan over fifty times since 1978 to cover a wide range of subjects.
Liza Dalby is one of the worlds experts on geisha and kimono and the author of bestselling titles such as Kimono Fashioning Culture; Geisha and The Tale of Murasaki.
Japanese Art
Academic Series
The Index of Inr Artists

E.A. Wrangham Edited by Joe Earle
European Studies on Japan

Many of the studies on Japan undertaken in Europe do not receive the international attention they deserve due to their publication in languages other than English. While tapping a rich vein of philosophical and multilingual theories and concepts, and despite the fact that Europes libraries and other collections are rich in materials that no longer survive in Japan, these studies are not widely read outside their countries of origin. This new series aims to give the scholars working on these studies an international, English-language forum. However, this does not mean non-European authors are excluded from participating in this series; in fact, they can play an essential part in volumes that contain collections of essays or comparative studies.
Written Texts - Visual Texts
Woodblock-printed Media in Early Modern Japan

Edited by Susanne Formanek and Sepp Linhart
japanese art
Publication year 1995 ISBN 0 9525194 4 5 ISBN 978 09 5251944 7 Cloth with dustjacket (368 pp., 2000 b/w illus., 2000 b/w ills.) List price EUR 150.- / US$ 202.50 The index of inr artists is the first reliable guide to the Japanese artists whose signatures appear on the miniature Japanese medicine-cases called inr. The result of thirty-five years study by the owner of the worlds most comprehensive inr collection, this book contains 2704 entries with more than 2000 signature photographs gathered from public and private collections throughout the world. The text includes concise biographical details of the artists and a listing of the main publications and collections where their works are to be found. This publication is an essential guide to the understanding of one of the worlds most important miniature art forms. Publication year 2005 ISBN 90 74822 58 4 ISBN 978 9074822 58 9 Cloth with dustjacket (368 pp., 153 b/w illus.) List price EUR 89.- / US$ 120.15 European Studies on Japan, 3 This volume brings together essays discussing various aspects of Japanese illustrated books, some of which were originally included in the German publication Buch und Bild (1995), while others appear here for the first time. Titles include The First Japanese Newspapers (Sepp Linhart), The Cooking- and Eating Culture in the Second Half of the Edo-Period and its Dissemination (Harada Nobuo), The Printing of Illustrated Books in Eighteenth-Century Japan (Shirahata Yozaburo), The SocioHistorical Background of the Depiction of Measles (Hartmund O. Rotermund), Documentary Literature in the Late Edo Period (Stephan Kohn), Discourses on Femininity on Edo-Period Sugeroku Games (Susanne Formanek).
22
E.A. Wrangham received a Master of
Susanne Formanek is an academic researcher at the Austrian Academy of
Arts degree from Cambridge University. He is a long time collector of Japanese art and has written numerous articles on the subject. Joe Earle is Chair of the Department of Art of Asia, Oceania, and Africa at the Museum of Fine Arts, Boston, where he has mounted several Japanese exhibitions.
Sciences, Vienna, Austria. Sepp Linhart is Professor of Japanese Studies at the University of Vienna, a post he has held since 1978. He has authored eight books on Japan and acted as (co)-editor for twenty-five. He is presently working on the construction of a database of Japanese caricature prints dating from 1842 to 1905.
Academic Series
The Commercial and Cultural Climate of Japanese Printmaking

Edited by Amy Reigle Newland
Births and Rebirths in Japanese Art
Essays Celebrating the Inauguration of The Sainsbury Institute for the Study of Japanese Arts and Cultures
Edited by Nicole Coolidge Rousmaniere
Publication year 2004 ISBN 90 74822 49 5 ISBN 978 9074822 49 7 Cloth with dustjacket (272 pp., 18 color illus. & 48 b/w illus.) List price EUR 75.- / US$ 101.25 European Studies on Japan, 2 Volume 2 of Hotei Academic European Studies on Japan is a compilation of essays covering subjects relating to the artistic environment of the artists and the economic considerations of Japanese print production. The essays are extended versions of the lectures presented at the First International Conference on Ukiyo-e, organized by Hotei Publishing. Contributions by Chris Uhlenbeck, David Waterhouse, Roger Keyes, Shigeru Oikawa, Asano Shugo, Timothy Clark, John Carpenter, Timon Screech, Matthi Forrer, Ellis Tinios and Philip Meredith.
Publication year 2001 ISBN 90 74822 44 4 ISBN 978 9074822 44 2 Cloth with dustjacket (232 pp., 21 color & 111 b/w illus.) List price EUR 75.- / US$ 101.25 European Studies on Japan, 1 This volume brings together five essays by prominent scholars of Japanese studies, each taking up a central topic in Japanese cultural history. Based on a series of lectures marking the inauguration of the Sainsbury Institute in Norwich and London, each essay introduces in concise and readable form subjects that the authors have worked on as part of larger publishing projects. Written or translated specifically for this collection, each author has distilled their views on an aspect of their research that relates to an important artistic, cultural, or intellectual birth or rebirth in Japanese history. Medieval Zen concepts of the transmigration of the soul are explored in Helmut Brinkers discussion of death poems and commemorative portraits of Zen priests. Tsuji Nobuo, moving back and forth between ancient and modern times, tests the tenability of arguments that contemporary enthusiasm for manga and anime in Japan can be seen as a revival of modes of viewing images established as far back as the twelfth century. Focussing on Western influence on Japan during early modern times, Timon Screech analyses controversies over curative practices that occurred in eighteenth-century Japan as symptoms of a struggle over ideological positions that impregnated medical concerns. The final two essays discuss the modern age, with Donald Keene exploring the biography of the individual who occupied the throne during the Meiji Restoration of 1868 and John Rosenfield showing how Nihonga fits into a broader cultural movement motivated by the desire to preserve a national cultural identity.
japanese art
23
Amy Reigle Newland has worked as a

specialist editor and writer on Japanese woodblock prints for some fifteen years, with a particular interest in works of the late nineteenth and early twentieth centuries.
Nicole Coolidge Rousmaniere Ph.D. (1998) is founding Director of the Sainsbury
Institute for the Study of Japanese Arts and Cultures, Norwich. Her research interests include, Japanese decoration, early modern ceramics in East Asia and trade networks, the history of exhibition and collecting in Japan and in Europe.
Academic Series
Japonica Neerlandica
Japonica Neerlandica is a book series originally issued by Amsterdam publisher J. C. Gieben. The books are trade editions of scientific treatises on subjects relating to Japanese culture andhistory written by Dutch- or foreign scholars working in The Netherlands. The series is published under the auspices of the Dutch Society for Japanese Studies (Nederlands Genootschap voor Japanse Studin, NGJS).
Dismissed as elegant fossils
Konoe Nobutada and the role of aristocrats in Early Modern Japan

Lee Bruschke-Johnson
Japonius Tyrannus
The Japanese Warlord Oda Nobunaga Reconsidered

Jeroen Lamers
japanese art
24
Publication year 2004 ISBN 90 74822 52 5 ISBN 978 90 74822 52 7 Cloth with dustjacket (256 pp., 29 b/w illus.) List price EUR 75.- / US$ 101.25 Japonica Neerlandica, 9 Konoe Nobutada (1565-1614) was a famous calligrapher and head of a high-ranking aristocratic family. Nobutadas contributions to the art and culture, have frequently been overlooked, largely because of the common misperception that aristocrats were too outdated, impoverished and powerless to be worthy of discussion. Dismissed as Elegant Fossils seeks to reinstate aristocrats as key players in the competition for political and artistic supremacy by examining Nobutadas calligraphy and painting, his turbulent relationship with Tokugawa Ieyasu, and his familys role in marital politics.
Publication year 2001 ISBN 90 74822 22 3 ISBN 978 9074822 22 0 Cloth with dustjacket (292 pp., 10 b/w illus.) List price EUR 75.- / US$ 101.25 Japonica Neerlandica, 8 Oda Nobunaga (1534-82) is one of the best-known figures in Japanese history. However, no standard biography existed on this warlord who was the prime mover behind Japans military and political unification in the late 16th century. Japonius Tyrannus fills the gap in our knowledge about Nobunaga, and the chronological narrative provides a thorough analysis of his political and military career.
Lee Bruschke-Johnson successfully defended her doctoral dissertation entitled The

Calligrapher Konoe Nobutada: Reassessing the Influence of Aristocrats on the Art and Politics of Early Seventeenth-Century Japan in 2002 and currently works as independent scholar in the Netherlands.
Jeroen Lamers (b. 1967) studied at the

University of Leiden (The Netherlands), Cambridge (UK) and Coimbra (Portugal), where he read classical Japanese and 16th-century Portuguese philology. In 1998 he successfully defended his doctoral dissertation entitled Japonius Tyrannus: A political biography of Oda Nobunaga (1534-1582), which has been adapted for this publication.
Academic Series
A Study into the Thought of Kgy Daishi Kakuban

With a translation of his Gorin kuji my himitsushaku
Henny van der Veere
Publication year 2000 ISBN 90 74822 23 1 ISBN 978 9074822 23 7 Cloth with dustjacket (304 pp.) List price EUR 75.- / US$ 101.25 Japonica Neerlandica, 7 Kakuban (1095-1144) is the second most important figure in the history of the Shingon sect of Esoteric Buddhism, but there are few studies about him in Western languages. This work contains a biography and a discussion of Kakubans works, focusing on his doctrines. Although it is widely believed that Kakuban incorporated Amidist ideas and practices into Shingon, this study shows that Kakubans aim was to explain the practices of other schools from an orthodox Shingon point of view. The translations of Kakubans major works, the Amida hishaku and the Gorin kuji my himitsushaku, clearly support this idea.
The Private Correspondence of Isaac Titsingh Vol. I (1785-1811)

Introduced and edited by Frank Lequin
Publication year 1990 ISBN 90 5063 052 9 ISBN 978 9050630 52 8 Hardback (534 pp., 8 b/w plates) List price EUR 68.50 / US$ 92.48 Japonica Neerlandica, 4 Although educated in medicine and law, Isaac Titsingh (17451812) decided to enter the VOC as a Junior Merchant. From 1779 to 1785, he was Director of the VOC in Japan, where he was detached to the island of Deshima. Titsingh owned the first extensive Japanological collection in Europe, and wrote a trilingual series of studies on Japan, as such becoming the first Dutch Japanologist. The two volumes contain 300 of his letters in the original Dutch language; the Preface and Introduction are in English.
japanese art
Henny van der Veere was educated at the University of
Leiden, where he focused on Indian and Japanese studies. Rev. Van der Veere is a specialist in Asian religions and Esoteric Buddhism. He was initiated into the Buzan branch of the Shingei-Shingon sect in 1997.
The Private Correspondence of Isaac Titsingh Vol.II (1779-1812)

Introduced and edited by Frank Lequin
25
Catalogue of Pre-Meiji Japanese books and maps in public collections in The Netherlands
Henri Kerlen
Publication year 1992 ISBN 90 5063 057 X ISBN 978 9050630 57 3 Hardback (534 pp., 33 b/w plates) List price EUR 68.50 / US$ 92.48 Japonica Neerlandica, 5 Although educated in medicine and law, Isaac Titsingh (17451812) decided to enter the VOC as a Junior Merchant. From 1779 to 1785, he was Director of the VOC in Japan, where he was detached to the island of Deshima. Titsingh owned the first extensive Japanological collection in Europe, and wrote a trilingual series of studies on Japan, as such becoming the first Dutch Japanologist. The two volumes contain 300 of his letters in the original Dutch language; the Preface and Introduction are in English.
Publication year 1995 ISBN 90 5063 467 2 ISBN 978 9050634 67 0 Cloth with dustjacket List price EUR 77.50 / US$ 104.63 Japonica Neerlandica, 6 An overview of Japanese illustrated books in public Dutch collections with detailed descriptions of nearly 2000 titles and extensive indices.
Academic Series
Zeamis Talks on Sarugaku
BRILL S RE L ATE D TITLE S
An annotated translation of Sarugaku dangi with an introduction on Zeami Motokiyo

Erika de Poorter
Japanese Theatre and the International Stage

Edited by Stanca Scholz-Cionca and Samuel L. Leiter
October 2000 ISBN 90 04 12011 4 ISBN 978 9004120 11 2 Hardback (xiv, 498 pp.) List price EUR 113.- / US$ 153. Brills Japanese Studies Library, 12 This is the most internationally comprehensive collection on Japanese theatre ever published. A team of authors from ten nations contributes twenty-five wide-ranging essays, covering everything from kagura ritual forms to postmodern angura.
Samuel L. Leiter, Ph.D. (1968), New York University, is Professor of Theatre,
Publication year 2002 ISBN 90 74822 47 9 ISBN 978 9074822 47 3 Cloth with dustjacket (304 pp.) List price EUR 75.- / US$ 101.25 Japonica Neerlandica, 2 This work is a translation by Erika de Poorter of the important Sarugaku dangi (Talks on Sarugaku), a collection of comments by the actor, playwright and critic Zeami (1363-1443) as recorded by his son Motoyoshi. Sarugaku is the original term for N, the classical Japanese theatre of which Zeami is the founding father. The Sarugaku dangi is generally considered as belonging to Zeamis transmitted writings (densho), but more specifically it forms part of his treatises on N (Ngakuron). The Sarugaku dangi is a unique source for the history of early N. The present translation, preceded by an extensive introduction on Zeami and his work, is directed at theatre specialists with no knowledge of written Japanese, and is also intended as a reference work for Japanologists.
Brooklyn College and the Graduate Center, CUNY. He has published widely on Japanese theatre, the history of New York theatre, and the work of the great international stage directors. Stanca Scholz-Cionca, Ph.D. (1980), Habilitation (1996), is at present Professor in Oslo (Norway) and Trier (Germany). She has published several books and articles on Japanese literature and culture, classical and modern, as well as on Japanese theatre. Recently she wrote a book on Kygen in the 17th century (Mnchen, Iudicium 1998) and edited a collection of essays, Japan - Reich der Spiele (Mnchen, Iudicium 1998).
26
japanese art
Meeting the Sensei

Maya Mortimer
The Role of the Master in Shirakaba Writers
Progressive Traditions
An Illustrated Study of Plot Repetition in Traditional Japanese Theatre Helen S.E. Parker Publication year 2005 ISBN 90 04 14534 6 ISBN 978 9004145 34 4 Hardback + CD rom (xii, 196 pp.) List price EUR 107.- / US$ 145. Brills Japanese Studies Library, 22 This study highlights the relationships between different genres of traditional Japanese theatre through plot repetition and illustrated analysis of performances.
Publication year 2000 ISBN 90 04 11655 9 ISBN 978 9004116 55 9 Hardback (xviii, 290 pp.) List price EUR 110.- / US$ 149. Brills Japanese Studies Library, 11 Casting new light on the literary Shirakaba movement and on its charismatic leader Mushanokoji Saneatsu, this thorough study for the first time reveals Shirakaba as a highly significant episode in the cultural history of 20th century Japan.
Erika de Poorter is a retired Associate
Professor of Japanese studies at Leiden University and an authority on N theatre. She has published extensively on the subject.
Maya Mortimer, is a free-lance
Helen S.E. Parker, D.Phil (1994) in
researcher in modern Japanese literature and culture. A number of her articles have appeared in Japan Quarterly.
Oriental Studies (Japanese), St Annes College, University of Oxford, is Lecturer in Japanese at the University of Edinburgh. Her main areas of interest are traditional Japanese theatre and its illustration through multimedia.
Authors Index
21 20 9 24
8 3 22
16 15 12
17 18 18
The Collection of Harriet Szechenyi Baten, L., Identifying Japanese dolls, Notes on Ningy Brown, K.H., Visions of Japan, Kawase Hasuis Masterpieces Bruschke-Johnson, L., Dismissed as elegant fossils, Konoe Nobutada and the role of aristocrats in Early Modern Japan Carpenter, J. (ed.); Hokusai and His Age Ukiyo-e Painting, Printmaking and Book Illustrations in Late Edo Japan Coats, B.A., Chikanobu, Modernity and Nostalgia in Japanese Prints Formanek, S. (ed.); Linhart, S. (ed.), Written Texts - Visual Texts, Woodblock-printed Media in Early Modern Japan Green, W., Japanese Woodblock Prints, A Bibliography of Writings from 1822 - 1993 entirely or partly in English Text Hamanaka, S.; Reigle Newland, A., The Female Image, 20th Century Japanese Prints of Japanese Beauties. Herwig, H., Herwig, A.; Heroes of the Kabuki Stage An Introduction to the World of Kabuki with Retellings of Famous Plays, illustrated by Woodblock Prints Impey, O.; Jrg, C.J.A., Japanese Export Lacquer 1580-1850 Impey, O., Japanese Export Porcelain, Catalogue of the Collection of the Ashmolean Museum, Oxford
Bandini, R., Shishi and other netsuke,
5 11
Reigle Newland, A.; The Hotei Encyclopedia fo Japanese Reigle Newland, A. (ed.), Printed to Perfection, Twentieth-century Japanese Prints from the Robert O. Muller Collection Reigle Newland, A. (ed.); Kawase Hasui The Complete Woodblock Prints Reigle Newland, A. (ed.), The Commercial and Cultural Climate of Japanese Printmaking Reigle Newland, A., Time Present and Time Past, Images of a forgotten Master: Toyohara Kunichika (1835 - 1900) Reigle Newland, A.; Perre, J.; Schaap, R., Crows, Cranes & Camellias, The natural World of Ohaha Koson 1877-1945 Parker, H.S.E., Progressive Traditions, An Illustrated Study of Plot Repetition in Traditional Japanese Theatre Poorter, de, Zeamis Talks on Sarugaku, An annotated translation of Sarugaku dangi with an introduction on Zeami Motokiyo Put, M., Plunder and Pleasure, Japanese Art in the West, 1860 - 1930 Rappard-Boon, Ch. van, Bruschke-Johnson, L.; Surimono Poetry & Image in Japanese Prints Riel, P. van; Dalby, L., Kimono Coolidge Rousmaniere, N. (ed.), Births and Rebirths in Japanese Art, Essays Celebrating the Inauguration of The Sainsbury Institute for the Study of Japanese Arts and Cultures
Woodblock Prints
12 23 15
13
26 26
18 14 21 23
japanese art
Institut de Tokyo, Institution Administrative Indpendante, Centre Nationale de Recherche pour les Proprits Culturelles, Correspondance adresse
Hayashi Tadamassa Irvine, G., A Guide to Japanese Art Collections in the UK Jansen, M., Hiroshiges journey in the 60-odd provinces Johnson, H., The Koto, A Traditional Instrument in Contemporary Japan Johnson, H., Western Influences on Japanese Art, The Akita Ranga Art School and Foreign Books Jrg, C.J.A., Fine & Curious, Japanese Export Porcelain in Dutch Collections Kerlen, H., Catalogue of Pre-Meiji Japanese books and maps in public collections in The Netherlands Klompmakers, I., Japanese Erotic Prints, Shunga by Harunobu and Korysai Kyrova, M.; The Ear Catches the Eye Music in Japanese Prints Lamers, J.P., Japonius Tyrannus, The Japanese Warlord Oda Nobunaga Reconsidered Lequin, F., The Private Correspondence of Isaac Titsingh Vol. I (1785-1811) Lequin, F., The Private Correspondence of Isaac Titsingh Vol.II (1779-1812) Manheim, R., Haiku & Haiga, Moments in Word and Image Mortimer, M., Meeting the Sensei, The Role of the Master in Shirakaba Writers Mueller, L.J., Strong Women, Beautiful Men, Japanese Portrait Prints from the Toledo Museum of Art
19 11 20 16 17 25 13 14 24 25 25 4 26 9
19
Reflecting Truth, Japanese Photography in the 19th Century Schaap, R., Heroes & Ghosts, Japanese Prints by Kuniyoshi (1797 - 1861) 26 Scholz-Cionca, S. (ed.); Leiter, S.L. (ed.), Japanese Theatre and the International Stage 10 Seigle, C.S.; Marks,A.H.; Summersgill, H.M.; Newland, A.R.; Hinkel, M., A Courtesans Day: Hour by Hour 13 Stevenson, J., Yoshitoshis One Hundred Aspects of the Moon 8 Uhlenbeck, Ch. (ed.), Winkel, M. (ed.); Japanese Erotic Fantasies Sexual Imagery of the Edo Period 14 Uhlenbeck, Ch., Molenaar, M.; Mount Fuji Sacred Mountain of Japan 4 Varshavskaya, E., Heroes of the Grand Pacification, Kuniyoshis Taiheiki eiy den 25 Veere, H. van der, A Study into the Thought of Kgy Daishi Kakuban, With a translation of his Gorin kuji myo himitsushaku 21 Vos, K., Symbolism & Simplicity, Korean Art from the Collection of Won-Kyung Cho 22 Wrangham, E.A.; Earle, J. (ed.), The Index of Inr Artists 15
Coolidge Rousmaniere, N. (ed.); Hirayama, M. (ed.),
27
The Complete Collection of Jades Unearthed in China (15 Volumes)

Fang Gu
japanese art
28
October 2006 ISBN 7 03 016009 6 Hardback (3600 pp.) List Price EUR 1950,- / US$ 2632, Science Press, Bejing, China
This series presents over 4000 fine pictures of unearthed jades in China, covering the most complete collection of the last 80 years, especially from 1950s on, of Chinas archaeological field research. Among the overall 15 volumes sorted by regions, ninety percent of the jades are, for the first time, presented in high quality color pictures to the public. These pictures show the clear and original appearance of the jade, with compendious text descriptions of each item, in both English and Chinese, offering key information such as its history, size, and current status. For most items, a detailed description on the appearance is also provided. The English texts are especially edited by native speakers for international readers. The series is compiled by a prestigious editing team of 10 Chinese specialists, with jade expert Fang Gu as the chief editor. The institute of Archaeology at the Chinese Academy of Social Science (CASS), together with over 1000 experts at 260 provincial and local institutes of archaeology, contributed to the project.
conte nts
Volume 1 Beijing, Tianjin, Hebei Volume 2 Inner Mongolia, Liaoning, Jilin, Heilongjiang Volume 3 Shanxi Volume 4 Shandong Volume 5 Henan Volume 6 Anhui Volume 7 Jiangsu, Shanghai Volume 8 Zhejiang Volume 9 Jiangxi Volume 10 Hubei, Hunan Volume 11 Guangdong, Guangxi, Fujian, Hainan, Hongkong, Macau, Taiwan Volume 12 Yunnan, Guizhou, Tibet Volume 13 Sichuan, Chongqing Volume 14 Shaanxi Volume 15 Gansu, Qinghai, Ningxia, Xinjiang
Please send me the following title(s)

Author/Title ISBN | ISBN | ISBN | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | Author/Title Author/Title Qty Price Qty Price Qty Price
Where to Order
Book Orders
CUSTOMERS OUTSIDE THE AMERICAS
Standing Orders: For your convience, our series are available on standing order. Simply indicate the series name on this order form and the volume number from which you would like your order to commense. We will then automatically send you each new volume. The standing order ensures that your series library is complete and you receive each volume upon publication. Series Series Commencing from Vol. No. Commencing from Vol. No.
BRILL c/o Turpin Distribution Stratton Business Park Pegasus Drive Biggleswade Bedfordshire SG18 8TQ United Kingdom T +44 (0) 1767 604-954 F +44 (0) 1767 601-640 brill@turpin-distribution.com
CUSTOMERS IN THE AMERICAS
Please enter my subscription to the following journals

Title Qty ISSN | ISSN | | | | | | | | | | | | | | | | | | | | | Price Price Title Qty
BRILL P.O. Box 605 Herndon,VA 20172-0605 USA T (800) 337-9255 (toll free, US & Canada only) T +1 (703) 661-1585 F +1 (703) 661-1501 cs@brillusa.com
ORDER FORM
Client no. First Name M / F Last Name Job Title Organization Address Home / Work City / State Zip code Country E-mail Telephone Fax
Journal, Loose-Leaf Orders and Online Products

ALL CUSTOMERS WORLDWIDE
29
BRILL c/o Turpin Distribution Stratton Business Park Pegasus Drive Biggleswade Bedfordshire SG18 8TQ United Kingdom T +44 (0) 1767 604-954 F +44 (0) 1767 601-640 brill@turpin-distribution.com
m Send me an invoice m Charge my credit card Card no. Exp. date: / CVC Code* Creditcard type VAT no. | | | | | | | | | | | | | | | | |
www.brill.nl
Signature Subscribe to Brills Electronic Bulletins and stay fully informed on new and forthcoming titles, news and special offers! Visit our website www.brill.nl and subscribe to the Electronic Bulletin(s) of your choice! For our Conditions of Sale see www.brill.nl
All prices may be subject to change without prior notice. Prices do not include VAT (applicable only to residents of the Netherlands and residents of other EU member states without a VAT registration number). Prices do not include shipping & handling except for journals where shipping and handling is included in the price (applicable to all customers worldwide). Customers in Canada, USA and Mexico will be charged in US Dollars. Please note that due to fluctuations in the exchange rate, the US dollar amounts charged to credit card holders may vary slightly from the prices advertised.
Brill offers publications in the following areas:

African Studies Ancient Near East & Egypt Arts Asian Studies Biblical Studies & Religious Studies Classical Studies History Human Rights & International Law Jewish Studies Middle East & Islamic Studies Slavic & Eurasian Studies Social Sciences STM & Biology
BRILL P.O. Box 9000 2300 PA Leiden The Netherlands T +31 (0)71-53 53 566 F +31 (0)71-53 17 532 cs@brill.nl BRILL 112 Water Street, Suite 601 Boston, MA 02109 USA T 1-617-263-2323 F 1-617-263-2324 cs@brillusa.com
www.brill.nl

Japanese Art Katalog

Încărcat de

Informații document

Descriere originală:

Titlu original

Drepturi de autor

Formate disponibile

Partajați acest document

Partajați sau inserați document

Opțiuni de partajare

Vi se pare util acest document?

Este necorespunzător acest conținut?

Drepturi de autor:

Formate disponibile

Japanese Art Katalog

Încărcat de

Drepturi de autor:

Formate disponibile

catalog

brill Catalog 2006 / 2007

brill Catalog 2006 / 2007

New & Recently Published Titles

Modernity and Nostalgia in Japanese Prints

New & Recently Published Titles

Heroes of the Grand Pacification

Haiku & Haiga

brill Catalog 2006 / 2007

Elena Varshavskaya teaches art history at the Rhode Island

Ron Manheim is art historian, and currently deputy artistic

New & Recently Published Titles

The Hotei Encyclopedia of Japanese Woodblock Prints

Amy Reigle Newland has worked as a specialist editor and

New & Recently Published Titles

The Hotei Encyclopedia of Japanese Woodblock Prints

New & Recently Published Titles

The Hotei Encyclopedia of Japanese Woodblock Prints

New & Recently Published Titles

Hokusai and His Age

Ukiyo-e Painting, Printmaking and Book Illustrations in Late Edo Japan

Japanese Erotic Fantasies

Sexual Imagery of the Edo Period

Christiaan Uhlenbeck has been a Japanese print dealer

John T. Carpenter is Donald Keene Lecturer in the History

Japanese Prints & Print Artists

Strong Women, Beautiful Men

Japanese Portrait Prints from the Toledo Museum of Art

Kawase Hasuis Masterpieces

Laura J. Mueller is completing her Ph.D. at the University

Kendall H. Brown is Associate Professor in the Department

Japanese Prints & Print Artists

Famous Japanese Print Series

A Courtesans Day: Hour by Hour

Alfred H. Marks is Professor Emeritus

Japanese Prints & Print Artists

Hiroshiges journey in the 60-odd provinces

Twentieth-century Japanese Prints from the Robert O. Muller Collection

Joan B. Mirviss is an expert and dealer in Japanese art,

Marije Jansen is a M.A. graduate of Japanese Studies from

Japanese Prints & Print Artists

The Complete Woodblock Prints

Heroes of the Kabuki Stage

Kendall H. Brown is Associate Professor in the Department

Arendie H. Herwig-Kempers was the first female

Japanese Prints & Print Artists

Yoshitoshis One Hundred Aspects of the Moon

Crows, Cranes & Camellias

Amy Reigle Newland, Jan Perre and Robert Schaap

Japanese Erotic Prints

brill Catalog 2006 / 2007

Shunga by Harunobu and Korysai

Amy Reigle Newland has worked as a

Japanese Prints & Print Artists

Poetry & Image in Japanese Prints

The Ear Catches the Eye

Sacred Mountain of Japan

Charlotte van Rappard-Boon

Japanese Prints & Print Artists

The Female Image

20th Century Japanese Prints of Japanese Beauties

Heroes & Ghosts