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Williamson bought the Witches Mill in the Isle of Man and converted it to a restaurant and witchcraft museum which opened in 1951. Gardner was employed as Resident Witch and courted much publicity through the media. This coincided with the repeal of the Witchcraft Act in 1951. The two men wanted to take the Witches Mill in different directions, hence the breakdown of their relationship. Williamson sold the building to Gardner in 1954 (who continued to run it as a museum until his death on 12th February 1964) and moved his collection to Windsor. Royal Windsor was not happy to house a Museum of Witchcraft so he was forced to move again to the Cotswold village of Bourton-on-theWater. Here he received numerous death threats and the museum was repeatedly firebombed; there were even dead cats strung up on trees in his garden. It was time to move again, so in 1960 the museum relocated to Boscastle where it has remained ever since. Cecil ran the museum until midnight at Halloween 1996 when it was sold to the current owner Graham King. Cecil Williamson died in 1999 at the age of 90 and we hope the museum will remain a lasting tribute to this remarkable man. 16th August 2004: This date entered the history books as one of the worst floods in modern British history. Boscastle was swamped by over 3 metres of flood waters after approximately 20 centimetres of rain fell in hours. Graham King, owner of the museum and a local coastguard, was the first to raise the alarm. The museum was severely damaged with over 2 metres of sewage and water knocking down walls and filling up the entire ground floor. As you walk around the museum youll see the flood line marked on the walls.
This picture shows some of the mud and sewage that was left in the museum. The dotted line shows the level the flood water settled at in the museum. Waves and surges went even higher!
It was several days before staff and volunteer groups could gain access to assess the damage and begin the museum cleanup. Although the ground floor was devastated, the upper floor and library were untouched, so books and paintings were sent to The National Maritime Museum in Falmouth and the Royal Cornwall Museum in Truro to protect them from further damp. Cleanup and salvage of artefacts started as soon as possible and remarkably over 90% of the artefacts were saved. Unfortunately most of the archive material kept in the storeroom was lost. All the mud was painstakingly sifted and each item cleaned, disinfected and carefully restored. Walls were reinstated, new floors laid and the electrics checked and replaced. Display cases have been donated from all over the country, notably the Natural History Museum in London and the Puppet Museum in Eastbourne, and cash donations came in from all over the world. While most of the exhibits were elsewhere we took the opportunity to redesign the layout of the museum. Those of you who have visited before will notice a considerable difference. Although the flood was a disaster at the time, the museum staff have remained positive and have resurrected the museum so it is better than ever.
What is Witchcraft?
It is generally accepted that a witch is someone who practises magic or sorcery; however the meaning of the word witch has changed through history. In the medieval period the term witch had almost entirely negative connotations. Later the expression White Witch was used to describe someone who practised good magic. Village wise women and cunning folk used magic to curse and cure. 19th century Cornwall was home to a good number of cunning folk or Pellars who made a living as healers, councillors and therapists. They were an important part of village life. Some witches made their income from lifting or banishing curses.
Tammy Blythe, Cornish Wise Woman. Picture courtesy of the Royal Cornwall Museum
Today, traditional village witchcraft and cunning still survives but it is hard to find. Modern witchcraft or Wicca is a nature based religion and lifestyle. Practitioners celebrate the changing cycles of nature with the eight major festivals of the year (sabbats) as well as full moons (esbats). Thousands of witches practise their in Britain today. Throughout the witches are quietly worshipping the Ones, revering nature and working magic.
Alex Sanders and coven members
Images of Witchcraft
Here we show some of the stereotypes that have developed over the ages, from 16th and 17th century woodcuts to the more recent Harry Potter phenomenon. The word witch conjures up the image of an old hag with a pointy hat, a broomstick and a wart on her nose; but in ancient Greece and Rome artisans decorated vases and urns with images of young beautiful witches who were powerful seductresses. Over time the image changed from beautiful sorceress to ugly hag; servant of the Devil. Pre-Raphaelite painters returned to the ancient myths and painted witches as alluring young maidens for example, Circe (J.W. Waterhouse) and Morgan Le Fay, sister of King Arthur (F. Sandys). Cloth witches on broomsticks have long been popular as toys and household decorations, and hung above doors and windows as protective amulets. Our collection shows examples from Britain, the USA, and many from Eastern Europe, including Baba Yaga, the Slavic Arch Crone, Goddess of Wisdom and Death. Witches feature heavily in fairy tales. Grimms Fairy Tales and the stories of Hans Christian Andersen usually show witches as evil women bent on eating children or being unpleasant to princesses. The Malleus Maleficarum (Sprenger and Kramer, 1486), the most important and sinister book on demonology ever written, led to the trials and murder of thousands of men and women in the 16th and 17th centuries. Thankfully, recent books show witches in a more positive light. Most notable is the Harry Potter series which focuses on the importance of friendship and overcoming evil.
Carving of Meg Merrilies Witch from the Richel Collection
Persecution of Witches
July 1566, Chelmsford Essex: The first major trial for witchcraft in England was the case against Agnes Waterhouse. She was found guilty of bewitching to death and hanged two days later. During the next 150 years, thousands were condemned to death on flimsy evidence and confessions extracted under torture. Even possessing a cat (familiar) could be classed as evidence. It is not known exactly how many were put to death for witchcraft but estimates vary from 100,000 to several million. In England witches were usually hanged whereas in Scotland, Germany and France they were burnt. One common test of witchcraft was to throw the bound suspect into deep water. If they floated they were guilty and executed. If they sank they were innocent but usually ended up being drowned! This method was a favourite of the Witchfinder General, Matthew Hopkins (d1646), who was responsible for the trials and executions of hundreds of people in the eastern counties. Some clergy wanted to save people from the Witchfinders cruelty and being wrongly charged with witchcraft. They introduced Witch Weighing: weighing a person against a bible. If heavier than the bible, they were innocent.
Matthew Hopkins
On display in the museum is a Scolds Bridle of the type used in the witch trials of women. It is a metal cage made to go over the head with sharp prongs which are forced into the mouth to pierce the tongue and cheeks. 1684, Exeter, Devon: Alice Molland was the last person to be executed for witchcraft in England. 1944, Old Bailey, London: Helen Duncan was the last person to be convicted of witchcraft in England.
A Scolds Bridle
Note: Some sacred sites have been damaged by irresponsible visitors lighting fires, carving names into rock faces and leaving non-biodegradable offerings. Please respect these sites and remember the local legends of Spriggans, spirits that will take revenge on those who damage their sacred places!
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Healing
There has been a resurgence of ancient healing methods. Witches of old were expert herbalists and have passed down thousands of remedies.
Some Uses of Herbs on Display Meadowsweet: diarrhoea, nourishing the bowels. Echinacea: colds, flu, inflammatory skin conditions. StiJohns Wort: depression, anxiety and bruising. Garlic: antiviral, blood cleansing and infections. Borage: fevers, lung complaints and a diuretic. Burdock: boils, eczema, and rheumatic conditions. Sages: Sore throat, dyspepsia, blood cleansing. Wintergreen: an astringent, and for rheumatism. Juniper Berries: flatulence, kidney & bladder problems. (From Mrs Grieves Herbal)
Cure a wart by placing a piece of stolen meat on it then burying the meat; as it decays the wart will vanish. Or tie knots in a piece of string, carefully touch each knot to the wart and bury the string. As it decays the wart will be cured. If all that fails sell your wart to an ash tree. Place an offering of money or food under the tree and recite this spell: Ashen tree, Ashen tree, Pray thee buy this wart off me. Poppets (dolls) can be used for healing. The wax figurines we display were used to represent people who had some form of illness. They can be massaged with ointments or even have a pin stuck in the appropriate area to lance a boil. It is important to get permission from the ill person before any healing work is carried out. You may notice several items shaped like parts of the body such as the breast-shaped jars used to help women having trouble breast feeding. This is based on the principle that like affects like or Sympathetic Magic.
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It is no accident that the Protection display has been placed opposite the Curses. We show examples of these charms found both locally and beyond. Mirrors are the simplest form of protection. Simply position one behind your door or visualise yourself surrounded by mirrors to deflect evil intent. Note the large witch ball which is similarly used to reflect evil. There are a number of examples of hag stones (stones with a natural hole) hanging on cords throughout the museum. They are usually placed above a door or window as protection. Tie your keys to a hag stone to prevent them from being lost. Our display features many charms with animal associations. The horseshoe is a well known symbol of good fortune, but ensure the ends point upwards when it is nailed above the door so the luck doesnt fall out. The horses skull on display was found suspended in a barn to protect the building and its occupants. Look below the main display cabinet and you will see a dead cat posed as if chasing a rat. Similar cats have been found buried in the walls of buildings all over the country and were used as an effective charm to deter rats and mice. Animal organs pierced with thorns or slivers of wood are sometimes found in the chimneys of old cottages. The organ represents the witch who has overlooked or cursed the house. As the charm disintegrates, so does the power of the witchs curse. A witch post carved with the typical symbols of hearts and crescent moons, as our example shows, is placed within the fireplace or door frame to protect the home.
Protection
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Mandrakes
This collection of carved mandrake roots is on loan from the family of the late Bob Richel of Amsterdam. Historically, the mandrake was closely associated with magic and was valued as an aphrodisiac, a fertility drug and a powerful anaesthetic. It is mentioned in the Bible: Rachel uses its fruits to help her conceive Joseph. Mandrake should be treated with great reverence. The Greek Philosopher Theophrastus (4th century BC) recommends that anyone digging up the plant should draw three circles round it with a sword, face west and dance around it chanting about love. Medieval manuscripts depict the mandrake root as human in shape, and tell how it lets out such a terrible scream when uprooted that it would strike dead anyone who heard it. Dogs were often used to pull up the plant to save people from its fatal screams. It was thought that mandrakes sprang up beneath gallows and took on the shape of the person whod been hanged. The 17th century philosopher Rist believed the mandrake took its life force from the hanged man, and describes the plant being kept in miniature coffins. Our beautifully made coffins are from the Richel Collection and have a dark and mysterious quality, presumably relating to ideas of spiritual transformation and rebirth. It is said that you should never give a mandrake away - if you do it will either bring you bad luck or it will come back to you. The mandrake in the middle of those shown below was given to Bob Richel by the museum and it has returned to us since his death. Mandrakes have come back into the public eye since featuring in the recent Harry Potter books.
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Poppet
Many of the items in the museum show intricate work suggesting the seriousness with which the curses were carried out. To aid the concentration when constructing a poppet, repetition of the intent is required. Examples of this are the two knitted poppets. Knitting is an excellent way of focusing and involves a lot of input from the witch carrying out the curse. It would be simple to work strands of hair into the dolls for added effect. Nowadays the use of photographs is becoming more popular with pins being stuck into the picture of the intended victim. Many modern witches believe in the law of threefold return: that is, what you give out will come back to you with three times the intensity. Most Wiccans also live by the Wiccan Rede of: An it harm none do what you will In other words do whatever you like as long as it does not harm anything or anyone, including yourself. Not everyone lives by this rule and cursing still goes on today to some degree.
A Knitted Poppet
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There is an interesting combination of traditional witchcraft items such as scourges and birds feet with more ritual magic tools like the phallic wands. Note the painting of the ritual sword plunged into the skull.
Many of the artefacts represent male and female sex organs. Phallic pendulums and carved wooden vulvas show sex obviously played an important role in the rituals of this group as it does in many magical societies. Of interest are the depictions of hands (notice the middle fingertips are painted red), and the use of magical alphabets. We are still trying to decipher much of what was written. The collection is undergoing further study with the combined assistance of Bristol University and the University of Amsterdam.
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Old Horny
Baphomet
Most of these Baphomet images are from the Richel collection and are based on the famous description by Eliphas Levi. The figure combines attributes of masculine, feminine and the animal world which symbolise perfection: the absolute. Dont miss the beautifully carved example located top left of the exhibit. It is said Baphomet was worshipped by the Knights Templar, although these claims come from confessions made under torture during the Inquisition - thus it remains a contentious issue.
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The Goddess
Modern witches worship the Goddess and her partner the Horned God. She is worshipped in many forms, often as a triple deity representing the Maiden, Mother and Crone - the waxing, full, and waning moon. In the Middle Ages, witches were sometimes accused of following the classical Goddess Diana. The Canon Episcopi, an ecclesiastical document written in 900AD, portrays Diana as leader of the witches: ...some wicked women, perverted by the Devil, seduced by illusions and phantasms of the night, to ride upon certain beasts with Diana, the goddess of the pagans In 1899, Charles Leland published a book entitled Aradia, The Gospel of the Witches which tells the legend of Aradia, daughter of Diana, who was sent to earth to establish witchcraft. Leland claims to have translated the book from a document given to him by a traditional Etruscan witch. Aradia is one of the many Goddesses recognised and worshipped by witches today. Hidden amongst the carvings in medieval churches, one may sometimes find a Sheela-na-Gig. She usually has prominent or enlarged genitalia held open by her hands, and is thought to be a fertility symbol or protective deity although no one is sure.
Sheela-Na-Gig
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Tarot cards date from at least the Renaissance period and are very popular today. The symbolism held within the cards is extremely ancient. We keep an ever growing collection in our library. Ordinary playing cards can be used for divination and have the advantage of not being obviously occult. Dowsing with pendulums and rods is a form of divination and is also an accepted means of locating an underground water supply. Our exhibit includes some hand-forged Cornish dowsing rods. Tea-leaf reading (tasseomancy) is strongly associated with the Gypsies and the English. The reader Fortune telling cup predicts the future from the patterns made by the leaves. Ouija Boards are used to contact spirits and were popular in the late 19th and early 20th centuries. They went out of favour but have recently experienced a resurgence.
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Sea Witchcraft
Witches are greatly influenced by their surroundings and in Cornwall there has always been an affinity with the sea. Witches work with the elements and it was, and still is, believed that they can influence the wind and rain. Predicting and controlling the weather was vital to sailors, fishermen and farmers. Before going to sea, sailors would buy the wind tied in a handkerchief or rope from a witch. The wind was released by untying the knots as required. The first knot produced a gentle wind to fill their sails; the second knot produced a strong wind and the A sorcerer selling the wind tied in third a tempest. We have not found any knots to sailors. spells for calming the wind. 1555 One of the museums prized possessions is a caul, a membrane sometimes covering a childs head at birth. They were much sought after by seamen as they were supposed to prevent drowning. It is common to find glass fishing floats hanging in cottage windows in Cornwall. These are the local equivalent of witchballs and will offer protection from curses and evil. They can also be used for scrying. The museum shows many examples of charms made with the fruits of the sea; for example, shell charms for love and fertility, mermaids purses used as spirit houses, sea horse charms to protect against the evil eye, and lobster claws containing written spells to attract a good catch. If you meet some fishermen we recommend that you ask them about their superstitions and taboos. You will find many are still followed today.
A Mermaids Purse
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Working T ools
On display is a vast selection of tools used during rituals. Some witches use beautiful, elaborate paraphernalia whilst others prefer simple handmade tools. An altar may be a simple cloth laid on the ground or a convenient flat stone in a sacred place. The four elements are represented along with the Goddess and God. Often something seasonal is included like flowers, grain or leaves. Earth: represented by a pentacle, a dish of salt or earth. Our pentacles are fashioned out of wood, brass and stone. Air: represented by feathers, a bell or smoke from incense in a censer or thurible. Our display includes Alex Sanders censer which he claimed was given to him by Aleister Crowley. Fire: represented by a candle or lantern. A log fire is recommended when circumstances permit. Water: represented by a chalice, bowl or cauldron. Water for use in ritual is often collected from a sacred well or special place. Athame: The black handled knife directs magical power and represents the God and male energy. It is never used to cut or draw blood. Bolline: The white handled knife is used for cutting magical herbs etc. and may be inscribed with magical symbols. Wands: are generally used for directing the flow of energy. Different woods have different magical qualities. Broomsticks/Besoms: are used to symbolically sweep the ritual area clean of any unhelpful energies. They are also a convenient means of transport for the more accomplished witch! Scourges: are used symbolically in some traditions during initiation. They are not used to cause harm to the initiate.
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Modern Witchcraft
Since the repeal of the 1735 Witchcraft Act in 1951, it has been legal to practice witchcraft in Britain. Several personalities influenced the revival of witchcraft but none more so than Gerald Gardner and Alex Sanders. They both formed and documented systems of beliefs and rituals that incorporated traditional material gathered from practising witches. Gardnerian and Alexandrian Wicca form the basis of most, but not all, modern witchcraft. In Cornwall and other remote counties, remnants of the traditional craft survive unaffected by modern trends. Some witches meet in covens while others prefer to practise as a solitary or with their magical Painting of Gerald Gardner partners, but most will celebrate the same courtesy of Patricia Crowther seasonal festivals. Many prefer to work outdoors in ancient sacred sites but this is not always practical. Throughout the country thousands of temples or ritual areas have been created in attics, cellars and spare bedrooms of urban houses. Some witches prefer to work skyclad (naked) as clothing can impair energy flow. This is obviously not always appropriate especially if celebrating outdoors at the Winter Solstice! Modern witchcraft is a religion: witches worship the Goddess in her many forms and the Horned God. The religion does not have a set of rules other than Do what thou will, but harm none. Followers come from diverse backgrounds and all walks of life. Wicca or Witchcraft is a Pagan religion along with Druidry, Shamanism, Odinism and many others. Throughout the country there are many Pagan groups and organisations that arrange open rituals and social meetings that anyone can attend. Correspondence courses and training are also available.
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The Harbour Boscastle Cornwall PL35 0HD e-mail: museumwitchcraft@aol.com Or visit our website at: www.museumofwitchcraft.com
The owner of the Museum of Witchcraft acknowledges the tremendous help and support given by: The late Cecil Williamson The Friends of the Museum The Pagan Federation The Children of Artemis Rosalie Basten John Hooper/Hoopix
Also in Boscastle
Books, Music, Incense, Pictures, Crystal Balls, Tarot, Crystals, Magical Artefacts and Paraphernalia. (Next to the Old Mill)
The Otherworld
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The museum is totally dependant on visitors; unlike most museums it does not receive any grants. The museum cannot survive without you, our visitors. It is your museum.