Documente Academic
Documente Profesional
Documente Cultură
Music by
Franz Waxman
Cinematography George Barnes Editing by Studio Distributed by Release date(s) Running time Country Language Budget Box office W. Donn Hayes Selznick International Pictures United Artists
April12,1940 (USA)
Rebecca is a 1940 American psychological dramatic thriller directed by Alfred Hitchcock as his first American project and his first film produced under his contract with David O. Selznick. The film's screenplay was an adaptation by Joan Harrison and Robert E. Sherwood from Philip MacDonald and Michael Hogan's adaptation of Daphne du Maurier's 1938 novel of the same name. It was produced by Selznick[2] and stars Laurence Olivier as the aristocratic widower Maxim de Winter, Joan Fontaine as his second wife, and Judith Anderson as the housekeeper, Mrs. Danvers. The film is a gothic tale about the lingering memory of the title character, Maxim de Winter's dead first wife, which continues to haunt Maxim, his new bride, and Mrs Danvers. The film won two Academy Awards, including Best Picture, out of a total 11 nominations. Olivier, Fontaine and Anderson were all Oscar nominated for their respective roles. Since the introduction of awards for actors in supporting roles, this is the only film named Best Picture that won no other Academy Award for acting, directing or writing. Rebecca was the opening film at the 1st Berlin International Film Festival in 1951.[]
Plot
The film begins with a female voiceover: "Last night I dreamt I went to Manderley again", to images of a ruined country manor. The heroine is a very young (and nameless) woman (Joan Fontaine), a paid companion to the wealthy but obnoxious Edythe Van Hopper (Florence Bates). The heroine meets the aristocratic widower Maximilian (Maxim) de Winter (Laurence Olivier) in Monte Carlo. They fall in love, and within two weeks they are married. Maxim takes his new bride to Manderley, his country house in Cornwall, England. The housekeeper, Mrs Danvers (Judith Anderson), is domineering and cold, and is obsessed with the great beauty, intelligence and sophistication of the first Mrs de Winterthe eponymous Rebeccaand preserves her former bedroom as a shrine. Rebecca's sleazy cousin Jack Favell (George Sanders) appears at the house when Maxim is away. The new Mrs de Winter is intimidated by her responsibilities and begins to doubt her relationship with her husband. The continuous reminders of Rebecca overwhelm her; she believes that Maxim is still deeply in love with Rebecca. She also discovers that her husband sometimes becomes very angry at her for apparently innocent actions. Trying to be the perfect wife, the young Mrs de Winter convinces Maxim to hold a costume party as he did with Rebecca. The heroine tries to plan her own costume, but Mrs Danvers suggests she copy the beautiful outfit in the portrait of Caroline de Winter, an ancestor. At the party, when the costume is revealed to Maxim he is appalled; Rebecca wore the same outfit at their ball a year ago, shortly before she died. The heroine confronts Danvers, who tells her she can never take Rebecca's place, and almost manages to convince her to jump to her death. A sudden commotion reveals that a ship is sinking. The heroine rushes outside, where she hears that during the rescue a sunken boat has been found with Rebecca's body in it. Maxim admits that he had earlier misidentified another body as Rebecca's, in order to Mrs Danvers tries to persuade Mrs de Winter to conceal the truth. At the very beginning of their marriage Rebecca had leap to her death told Maxim she intended to continue the promiscuous and perverse sex life she had led before the marriage. He hated her but they agreed to an arrangement: she would act as the perfect wife and hostess in public, and he would ignore Rebecca's privately conducted affairs. Rebecca grew careless and complacent in her dealings, including an ongoing affair with her cousin Jack Favell. One night, Rebecca informed Maxim that she was pregnant with Favell's child. During the ensuing heated argument he hit her, she fell, hit her head and died. Maxim took the body out in a boat which he then scuttled. Shedding the remnants of her girlish innocence, Maxim's wife coaches her husband on how to conceal the mode of Rebecca's death from the authorities. In the police investigation, deliberate damage to the boat points to suicide. Favell shows Maxim a note from Rebecca which seems to indicate she was not suicidal. Favell then tries to blackmail Maxim, but he tells the police. Maxim is now under suspicion of murder. The investigation then focuses on Rebecca's secret visit to a London doctor (Leo G. Carroll), which Favell assumes was due to her illicit pregnancy. However, the coroner's interview with the doctor reveals that Rebecca was mistaken in believing herself pregnant; instead she had a late-stage cancer. The doctor's evidence persuades the coroner to render a finding of suicide. Only Frank Crawley (Maxim's best friend and manager of the estate), Maxim, and his wife will know the full story: that Rebecca lied to Maxim about being pregnant with another man's child in order to goad him into killing her, an indirect means of suicide. As Maxim returns home from London to Manderley, he finds the manor on fire, set alight by the deranged Mrs Danvers. The second Mrs de Winter and the staff manage to escape the blaze, but Danvers dies in the flames.
Adaptation
At Selznick's insistence, the film adapts the plot of du Maurier's novel Rebecca faithfully.[] However, one plot detail was altered to comply with the Hollywood Production Code, which said that the murder of a spouse had to be punished.[] In the novel, Maxim shoots Rebecca, while in the film, he only thinks of killing her after she taunts him, whereupon she suddenly falls back, hits her head on a heavy piece of ship's tackle, and dies from her head injuries, so that her death is an accident, not murder. According to the book It's only a Movie, Selznick wanted the smoke from the burning Manderley to spell out a huge "R". Hitchcock thought the touch lacked subtlety. While Selznick was preoccupied by Gone with the Wind (1939), Hitchcock was able to replace the smoky "R" with the burning of a monogrammed nglige case lying atop a bed pillow. Hitchcock also edited the picture in camerashooting only what he wanted to see in the final filma method of filmmaking that did not allow Selznick to reedit the picture. Although Selznick insisted that the film be faithful to the novel, Hitchcock did make some other changes, especially with the character of Mrs Danvers, though not as many as he had made in a previous rejected screenplay, in which he altered virtually the entire story. In the novel, Mrs Danvers is something of a jealous mother figure, and her past is mentioned in the book. But in the film, Mrs Danvers is a much younger character (the actress, Judith Anderson, would have been about 42 at the time of shooting) and her past is not revealed at all. The only thing we know about her is that she came to Manderley when Rebecca was a bride. Hitchcock made her more of a mysterious figure with subtly lesbian overtones, overtones which match well with du Maurier's own bisexuality.
Cast
Laurence Olivier as Maxim de Winter Joan Fontaine as The Second Mrs de Winter George Sanders as Jack Favell Judith Anderson as Mrs Danvers Nigel Bruce as Major Giles Lacy Reginald Denny as Frank Crawley C. Aubrey Smith as Colonel Julyan Gladys Cooper as Beatrice Lacy Florence Bates as Mrs Edythe Van Hopper Melville Cooper as Coroner Leo G. Carroll as Dr. Baker Leonard Carey as Ben Lumsden Hare as Tabbs Edward Fielding as Frith Forrester Harvey as Chalcroft Leyland Hodgson as Mullen Mary Williams as The Head Maid Keira Tate as The Parlour Maid Rose Trace as The Parlour Maid Sandra Phillip as The Parlour Maid Kelly Sanderton as The Parlour Maid Herietta Bodvon as The Housemaid
Hitchcock's cameo appearance, a signature feature of his films, takes place near the end; he is seen, back turned to the audience, outside a phone box when Jack is making a call.
Awards
Rebecca won two Academy Awards and was nominated for nine more:[]
Best Writing, Screenplay Robert E. Sherwood and Joan Harrison Rebecca was twice honored by the AFI in their AFI 100 Years... series AFI's 100 Years...100 Thrills #80 AFI's 100 Years...100 Heroes and Villains Mrs Danvers, #31 Villain
References
[1] Box Office Information for Rebecca (http:/ / www. the-numbers. com/ movies/ 1940/ 0RBCC. php). The Numbers. Retrieved January 30, 2013. [3] http:/ / www. imdb. com/ title/ tt0077067/ combined [4] http:/ / www. imdb. com/ title/ tt0056398/ combined [5] http:/ / www. youtube. com/ watch?v=Tr59DKnFKx0
External links
Rebecca (http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=5132) at the American Film Institute Catalog Rebecca (http://www.allrovi.com/movies/movie/v40592) at AllRovi Rebecca (http://www.rottentomatoes.com/m/1017293-rebecca/) at Rotten Tomatoes Rebecca (http://www.imdb.com/title/tt0032976/) at the Internet Movie Database Rebecca (http://tcmdb.com/title/title.jsp?stid=87781) at the TCM Movie Database Criterion Collection essay by Robin Wood (http://www.criterion.com/asp/release.asp?id=135&eid=186& section=essay) Rebecca Eyegate Gallery (http://www.eyegate.com/cine/Rebecca/) Rebecca trivia (http://classichollywood101.blogspot.com/2010/07/behind-scenes-of-rebecca-1940.html) Streaming audio Rebecca (http://ia700508.us.archive.org/0/items/ScreenGuildTheater/Sgt_43-05-31_ep146_Rebecca.mp3) on Screen Guild Theater: May 31, 1943 Rebecca (http://ia700201.us.archive.org/9/items/Lux15/Lux_50-11-06_Rebecca.mp3) on Lux Radio Theater: November 6, 1950
License
Creative Commons Attribution-Share Alike 3.0 Unported //creativecommons.org/licenses/by-sa/3.0/