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A MANUAL OF
PRECIOUS STONES
AND
ANTIQUE GEMS.
LONDON
Wl
A MANUAL OP
PRECIOUS STONES
AND
ANTIQUE GEMS.
HODDER
M.
'
WESTROPP, M
Eontton
FLEET STREET.
1874.
[All rights
reserved.']
ENCES
PREFACE.
I
amateurs
and
and
also
gems those usually called hard or fine of some other stones and substances which
;
and
In the second part I have noticed the principal precious stones, and other substances employed for glyptic purposes, known to the ancients, and described by ancient
others.
writers,
identification of
them with
which
those
I
known am much
Mr. Maskelyne. In all ages precious stones and engraved gems have been
men of taste, not only for the transcendent of colour and the brilliancy displayed in these stones, beauty but also for the art exhibited in the engravings on them.
favourites of
Even
M56315
PREFACE.
great patron of the glyptic art displayed in them, and such an admirer of gems, that he would allow no artist but
Pyrgoteles to engrave his royal countenance, and that only on an emerald. Mithridates was a great gem collector.
by Pompey's con-
Romans
was an
art, six
Julius Cassar
which he dedicated in the temple of his patron goddess, Venus Victrix. Augustus, Maecenas, and Hadrian, were also gem collectors: though Maecenas passionately loved
cabinets of
gems, the sight of his emeralds, beryls, and pearls, he declared, could not console him for the departure of
Horace.
Among
the
Romans
Roman
Senators outvying one another in the extravagant them. Nonius, a Roman Senator, was
which he possessed.
A century ago
men
were vying with each other in collecting antique gems. The Dukes of Marlborough and of Devonshire, the Duke of
Montague, the Earls of Carlisle and Besborough, and Lord Algernon Percy, were among the noblemen whom cultivated tastes induced thus to expend wealth on collections of In the last few years classical and archaeological interest.
a fresh impulse has been given to their study in England by
PREFACE.
ix
by the British Museum. number of collectors of the last few years and of the
present day
may be
some
enumerated,
priceless
who
are
the fortunate
and exquisite gems. Mr. possessors Mr. Mr. Hamilton, Mr. Hertz, Townly, Payne Knight, Mr. Rhodes, Mr. King, Mr. Maskelyne, 1 Mr. Beresford
of
in
England
the
Duke
Duke de
in
M.
Fould,
M. Roger,
the
Among
most famous
public
collections
we may
Museum, the
Museum, Naples
Mr. Maskelyne's
collection
is
not
exquisite specimens of glyptic art it contains, but also for the beauty of the stones themselves, which have been selected with
CONTENTS.
PRECIOUS STONES.
NON-METALLIC MINERALS.
Carbon
:
Diamond, page
Bort, 9.
1.
Carbonado,
9.
Alumina :
White Sapphire, 15. Yellow Sapphire, or Oriental
Topaz, 16.
Lemon-coloured Sapphire, or
Oriental Peridot, 17.
10.
Aluminates of Magnesia
Spinel Ruby, 18. Balas Ruby, 18.
Rubicelle, 18.
Almandine, 18.
:
Aluminates of Glucina
Chrysoberyl, 19.
Silicates of
Cymophane,
:
19.
Garnet, 20.
Carbuncle, 21.
Essonite, 21.
Almandine,
Siriam, 21.
21.
Pyrope, 21.
CONTENTS.
Silicates of
Emerald,
Beryl, 25.
Aquamarine, 25.
Silicates of Alumina
and Fluorine
Pink Topaz,
26.
Magnesia
Chrysolite, 27.
Peridot, 27.
Silicate of Alumina, Magnesia,
lolite, 30.
Olivine, 28.
and Iron
Silicates of Zirconia
White Jargoon,
28.
Ked
or
Jacinth-
Red Tourmaline,
or Eubellite, 29.
Kyamte,
Silicates of
31.
:
Moonstone, 31.
Sunstone, 31.
Silicate of
Amazon
Stone, 31.
Hyperstene, 32.
Silicate of Lime,
Magnesia
Diopside, 32.
Silicate
Idocrase, 32.
CONTENTS.
Silicate of
Crocidolite, 31.
Silicate of Alumina, Soda,
Noble Serpentine,
33,
and Magnesia
Jadeite, 34.
Silicates of Alumina,
Lime, Soda :
Obsidian, 35.
:
Labrador, 35.
Silicate of
Agalmatolite, 35.
Silicate of Magnesia
:
Steatite, 36.
Sulphate of Lime
Selenite, 36.
Phosphate of Alumina
Bone, coloured
"by
copper
Odontolite, or
Bone Turquoise,
37.
SILICA.
Vitreous Quartz
Eock Crystal
Citrine, 42.
40.
Iris, 42.
Amethyst, 40.
Cairngorm, or Yellow Quartz, 41.
Eubasse, 42.
Avanturine, 42.
Prase, 43.
CONTENTS.
Chalcedonic Quartz:
Heliotrope, 47.
Agate, 47.
Eye Agate,
49.
Dark Red,
Sard, 44.
44.
Sardonyx, 45.
Onyx, 44.
Chalcedonyx, 45.
Mocha
Chrysoprase, 50.
Plasma, 46.
Jaspery Qua/rtz
Jasper, 50.
:
51.
Eed
Jasper, 51.
Porcelain
Egyptian Pebble,
51.
Hydrous SiUca
Matrix of Opal,
Fire Opal, 39.
Hyalite, 39.
39.
Hydrophane,
39.
Common
Opal, 38.
Cacholong, 39.
METALLIC MINERALS.
Iron
:
Magnetite, 52.
Haematite, 52.
Marcasite, 52.
Copper
Azurite, 53.
Malachite, 53.
CONTENTS.
ANTIQUE GEMS.
xvi
CONTENTS.
A MANUAL OF
PKECIOUS STONES
AND
ANTIQUE GEMS.
THE DIAMOND:
THE diamond
in
pure carbon crystallized. It is found both regular crystalline forms, and in an amorphous state.
is
(i)
The
1
According to Professor Goeppert, (" On the Vegetable Nature of Diamonds,") experiments show that diamonds cannot be produced by Plutonic agency, as they become black when subjected to a high degree of temperature. That they are, on the contrary, of Neptunian origin, and were at one time in a soft condition, is proved not only
PRECIOUS STONES.
The most famous mines of India were those of Golconda, the territory of the Nizam; and at Raolcondal, near
Diamonds
also occur in
in
Mahanuddy, near
Ellore.
however, now imported By into Europe from the Brazils. They are found mostly in alluvial soil derived from the materials brought down from
the
bordering the higher parts of the valleys in the Cerro di Fria, Minas Geraes, and San Paulo, and 2 in the beds of rivers.
hills
district of
'
,
(
fc
ihb' impression of grains of sand and crystals on the surface of them, .but also by the enclosure of certain foreign bodies, such as of '.otJ4erf dry-stals, ^germinating fungi, and even vegetable structures a higher organization. If Professor Goeppert's conclusions be accepted, confirming and extending as they do the views held by Newton, Brewster, and Liebig, diamonds seem to be the final product of Professor the chemical decomposition of vegetable substances. " The Morris writes, however (" On Gems and Precious Stones "), matter derived from that the diamond has been organic supposition must not be adopted too hastily. The crystallized carbon may have been produced by condensation from a state of vapour, or by the gradual displacement of carbon, from its combination with chlorine
by
sulphur by some other element, or, as suggested by Professor There is another direction iu Maskelyne in the following passage which the production of the diamond may be looked for. It is well known that iron, when surcharged with carbon, though it may dissolve it in a state of fusion, deposits the excess of carbon when it Some other metal, or some cools, but in the graphitic modification. change in the conditions with the same metal, might cause the ex" In illustration of trusion of the carbon in the form of diamond/ this suggestion, Mr. Morris exhibited a fine specimen of crystallized graphite, prepared by Mr. David Forbes from its solution in iron The varieties of at a high temperature, and subsequently cooling. crystalline forms would infer a slow process and freedom of motion among the molecules, due to a viscous state. 2 Until lately the diamond had never been traced to its matrix, but this has now been done in at least two instances in Brazil. The first was in 1839, and the rock which contained it was described by
or
'
:
THE DIAMOND.
Brazilian diamonds are of different specific gravity the Indian, and are inferior in lustre and brilliancy. Diamonds of the best quality come from Borneo (Sarawak).
to
The
Diamonds are
and
to
Its brilliancy
is
attributed
and reflecting powers, and it was the observation of these properties which led Newton to infer it
high refractive
was combustible, a conclusion which was verified in the same year (1693) by the Florentine Academy. The diamond
possesses also the property of flashing out the colour of the rainbow, which a piece of the heavy glass used to counterfeit
to, at least,
as effective a degree.
It
becomes phosphorescent on exposure to the light, and the smaller diamonds become phosphorescent by a much shorter
The most valuable exposure than those of larger size. diamonds are perfectly colourless, and are then said to be
of the purest water.
sive, blue,
The
colour suite
is,
also opalescent.
M. P. Chasseau as gres psammite, a sort of sandy freestone, the The dislocality being the Serro de Santantonio de Grammagoa.
it many diamonds, as the rock was but deeper it became harder, and consequently, more difficult to work. (King, "Precious Stones," page 59.) Professor Maskelyne also writes " In Brazil it has been traced to its rock home in itacolumite (a micaceous quartzose schist often containing talcose minerals and intersected by quartz veins) and also in a hornblende, also continuous with the itacolumite." 3 M. Gallardo Bastant, who has much studied the origin of precious
B.2
PRECIOUS STONES.
the hardest known substance, a diamond is very a brittle; slight blow struck in the direction of the plane of
Though
cleavage,
effect
of causing
it
to split*
its
The diamond
the size.
valued
according to
weight
in
carats (3| grains each), the value rising very rapidly with
or rosettes,
brilliants, rose
diamonds
is
Of
the most esteemed, as it displays the lustre of the stone to the greatest advantage.
In a brilliant, the table is the upper surface, the girdle i.s the broadest part of the stone, and should be at one-third of the whole depth, the portion above it being the bezel; the
culet
is
the whole depth of the stone being equal to the width across the girdle. Rose diamonds have triangular facets over the surface of the stone, the under side being flat.
flat
much
in
stones, has
opinion in regard to the change of colour in the diamond produced " by heat. "The yellow diamond," he says, is a compound of carbon and the fluoride of aluminium, and its yellow colour is changed into
which
observed with the topaz, fluoric acid, the yellow colour of which also changes to rose-colour at an elevated temperature. This change of colour is due to the absorption of carbonic
rose-colour.
is
is
a compound of aluminium,
silex,
and
acid,
A
1
and analysis shows traces of this gas." green diamond is the rarest of all gems. carats) sold lately at Mr. Hancock's for 300Z,
The large rose-tinted brilliant belonging to the Brunswick sold at the sale, of his things for 2824L
Duke
of
4 This gem being composed of infinitely thin laminae deposited over each other in a direction parallel to the faces of the primitive crystal, it can be easily split by a blow of a knife in the direction of
these laminee.
(King,
THE DIAMOND.
native
Indian work,
art of cutting
in
bangles,
rings, &c.
The
by Louis van Berguen, a citizen of Bruges, in 1456, previously to which time the diamond was only known in its
rough, or in
cutting
is
its
cleaned state.
At
effected chiefly
by the
Jews of Amsterdam.
The diamond was sometimes, but very rarely engraved. In the Paris Exhibition, 1867, was a ring Avith an engraved diamond, said to be by Jacopo da Trezzo. In the Royal
Collection
is
when Prince
of
Wales, bearing the device the ostrich plumes between the letters C. P., very neatly cut, upon a large yellow diamond,
a table
to
Jxf
in diameter.
The
Cavalier Costanza
is
said
have made several engravings upon the diamond in the Mr. King gives a notice of beginning of the last century.
The
largest
dia-
mond
is
of which there
is
any record
that
described by
'
Taver-
nier as belonging to
280
carats.
When
Taverbe-
Mirgimola,
(4.)
iiier
writes,
who
PRECIOUS STONES.
Mogul, his master, made a present* of Shah Sehan, with whom he took refuge, it
was
in the rough,
cele-
size, is
that
or
of
Another fine diamond in the same collection is the Crown of the Moon, 146
carats.
The
The Mattam.
(5.)
Europe
The Russian
rose-cut.
Catherine
for 90,0007.,
It
is
and
said
The
Orloff.
(6.)
a pension of 40007.
sceptre.
It is yellow, rather
thick, and is covered with facets, pointed both at top and bottom
;
like a rose
it is
THE DIAMOND.
The Regent or Pitt diamond, 136| carats. It was bought by the Duke of Orleans, then Regent of France, of Pitt, the
Governor of Fort St. George, It was found in Golconda. crown jewels.
in the
French
The The
Austria
Pigott.
(10.)
The Regent.
(9.)
PRECIOUS STONES.
The Piggott diamond, 82J
lottery in
carats,
was disposed of
l.y
brilliant, formerly the property of the late Mr. Hope, is of a most brilliant It is valued at 30,000/. sapphire blue.
London (1801) for 30,000/. The Hope diamond, 44J carats. This
(the
as
124i
carats,
found at
the Bogageni mine, Brazil. It has been Star of South Africa, 46J carats. valued at 20,000/. It is now in the possession of Messrs
(io.)
TheNassack.
The
of modern times is the which became the property of the Queen of England on the annexation of the Punjaub by the East India Company in 1850. It is reputed to be 4000 years old by Indian tradition. It is said to have belonged to the Rajah of Mjayin 60 B.C., and to have remained in the possession of his successors until India was subdued by the
Koh-i-noor,
It is mentioned by Tavernier in 1665, as the the of Great Mogul. It was called the Koh-i-noor, property When brought to this country itor " Mountain of light." The carats. 186^ beauty of this stone being weighed
Mohammedans.
greatly marred by
its
manner
it.
in
which
it
had been
This was skilfully and successfully accomplished, under the care of Messrs. Garrard, by two workmen from the great atelier of Mr. Foster of Amsterdam. Although the weight
THE DIAMOND.
of the stone has been reduced from 186i to 103f carats,
its
its
value as
stone, the
a precious
diamondjs
and
Bort.
Carbonado
is
a term applied to an
amorphous,
imperfectly
lized
black,
crystal-
variety
which
It
is
said
to
(12.)
10
PRECIOUS STONES.
THE KUBY.
the oriental topaz, the oriental ruby, the sapphire, are pure crystallized alumina, oriental the amethyst, emerald, and are all classed under the
THE
name of corundum.
They
are
dif-
may
possibly be pro-
variously
termi-
considered, next
to
the
When
good colour, and free from flaws, it diamond itself in value. Rubies are for the most part
seldom exceeding eight or ten carats. The specific gravity is 3'9 to 4*1, its hardness superior to any known substance It is except diamond, being numbered 9 in Moh's scale.
THE RUBY.
11
98'5
I'O
iron
....
0*5
The
to
the deepest carmine. The colour most prized is a rich and lovely crimson known as the " pigeon's blood," but
its
scarlet tints
;
It
is
never a large
whereas the sapphire occurs in very considerable masses, a ruby above the size of three carats is worth more than a diamond of the same weight. The finest stones are
stone
for
They
are
said
to
These mines are rigorously guarded, no European being allowed to approach them on any pretence. They are a
own
finest specimens.
titles is
Ruby
of the
Shah of
Persia.
(14.)
ing of which has been given bv Tavernier, weighed 175 < The King of Burcarats.
12
PRECIOUS STONES.
is
mah
egg-
said
to
possess
a ruby as
large
as a pigeon's
Europe is that presented the of to III., Sweden, Czarina, upon his visit to her in 1777. It is equal in bulk to a small hen's egg, and is of fine colour.
by Gustavus
very large one is in the French crown jewels. It adorns the order of the Golden Fleece, and is cut into the
The
At the
sale of the
Chinese
idol,
dition
from China. The stone was not to say of remarkable purity, but the workmanship of the image was excellent.
THE SAPPHIRE.
13
THE SAPPHIRE.
THE
ruby,
iron.
sapphire
it
is
the blue variety of corundum. Like the of alumina coloured pure composed by oxide of
is
it
In hardness
all
is
occurs of
tints
divided them into two kinds, the male and female, the first being' of a deep indigo colour, and the second a light blue.
The latter is also sometimes termed a water sapphire. The colour which approximates to blue velvet of the shade " bleu de roi " is the most valuable. The formerly called
sapphire occurs generally in crystals of much larger size than the ruby. This stone is chiefly brought from Ceylon
and Pegu.
the
sapphire known, weighing 132 carats, is in Mineralogie, Paris. It has been called the
"Wooden-Spoon Sellers," from the occupation of the man who found it in Bengal. It is also called the " Ruspoli,"
after a former owner.
It is lozenge-shaped with six faces, and was bought by Pcrret, a Parisian jeweller, for 170,000 francs (6800/.). A statuette of Buddha, about an inch high, carved out of one entire and perfect sapphire, is in
.the Mineralogical
Among
is
the sapphires famous for their historical interest that in the Lennox or Darnley jewel, belonging to her
Majesty.
This historic
relic is a
set
14
PRECIOUS STONES.
Its date
is
Margaret Douglas whose husband and Earl of Lennox and Darnley, Mary's the son, Regent them to their ends by murder. of both came consort,
for that
was made
Another, not less interesting, is the sapphire which, set as a ring, was at the moment of Queen Elizabeth's death,
closed by order,
to her brother,
thrown out of a
Robert Gary, son of Lord Hunsdon, and later Earl of Monmouth, who at once took horse to Scotland and presented the token to James
It
now
and
is
Cork and
of Charlemagne, which was found neck of the Emperor on the opening of the from suspended his sepulchre in 1166, has two large rough sapphires, and a portion of the Holy Cross in the centre, set round with
Orrery.
The Talisman
gems.
It
was presented
to
Aix-la-Chapelle. the late Emperor, Louis Napoleon III. In the centre of the cross on the summit of the Imperial State Crown of England is a rose-cut sapphire, which
tradition says
It afterwards
came out of the famous ring of Edward the Confessor, so long treasured up on his shrine, and the heritage of which gave his successors the miraculous power
of blessing the cramp-rings.
is
large, broad-spread sapphire (partly drilled), the crown by his Majesty King George IV.
purchased for
superb sapphire, engraved with the heads of Henry IV. and Marie de Medicis, face to face, signed 1605, by
Coldore, the gem portrait-painter of Queen Elizabeth, was M. T. F. Leturq of Paris. lately in the collection of
THE SAPPHIRE.
15
Geneva was an engraved sapphire ring, bearing the royal arms of England, which once belonged to Mary, Queen of
Scots.
the
stone
generally
used
for
the
6 by Pope Honorius.
In the
Londesborough collection is an Episcopal ring, gold, with sapphire, French work of the twelfth century. It was found
in the tomb of Thierry, Bishop of Verdun, 1165. The ring of William of Wykeham, Bishop of Winchester, was a
The word
sapphire," according to some, appears to come from the Syriac saphilali, ,the name in that language of the sapphire. The sapphire, in Greek sappheiros, M. Maskelyne writes,
was the name applied by the Greeks and Romans to what we call lapis lazuli. But it is obviously a word foreign to
the Greek tongue. According to the Talmud, the tables 01 the law were fashioned of sappir ; the word is connected
with the roots from which are derived the Hebrew terms for a
book,
writing,
it
engrave, but
and
this
may
This root is "safar," to or engraving. seems also to have the meaning " to shine," be the source of the application of the name
WHITE SAPPHIRE.
White sapphire is the pure
colourless crystallized alumina,
6 The writer of an article on Finger-Kings in the " British Quarterly Eeview" (July, 1874), says, "In 1194 the fashion of the episcopal ring was settled by Pope Innocent III., who ordained that it should be of- solid gold, and set with a precious stone, on which nothing was to be cut. The stones usually chosen were the ruby,
indicating glory, the emerald, for tranquillity and happiness, and cardinal's ring is set with a crystal, for simplicity and purity.
is
given
when a
title is
16
PRECIOUS STONES.
generally, however, exhibiting a faint blue tint, which is sometimes expelled by heat. When cut and polished, from its brilliancy it has been passed as a diamond. It is also
called
Lux
Sapphire.
ORIENTAL TOPAZ.
The
oriental topaz is a
name given by
It
is
jewellers to the
generally of a pale yellow variety straw yellow, but sometimes exhibits a beautiful golden tint, and almost equals the diamond in brilliancy, for which
of corundum.
Some good specimens set frequently mistaken. in the Townsheud are S.K.M. collection, rings
it
is
in
ORIENTAL AMETHYST.
The
violet variety of
corundum
is
amethyst.
It
is
often formed
It may be distinguished sapphire in the same crystal. from the ordinary amethyst by its superior brilliancy and It is a gem of rare play, as well as by its hardness.
occurrence.
Jewellers
frequently confound
fine
it
with the
from
A
is
specimen
set in a ring,
in the
Townshend
collection,
S.K.M.
ORIENTAL EMERALD.
The
but
it
oriental emerald
which
is
the green variety of this species, of the splendid mineral after It is lustrous, but the true emerald. named,
is
almost invariably of an extremely pale hue.' It is said to be the rarest of all gems ; there are some fine specimens in In the British Museum are the Grime Gewolbe, Dresden.
two specimens of
The author
also possesses
THE SAPPHIRE.
ORIENTAL AQUAMARINE.
17
The
oriental
When
the green
peridot.
STAR SAPPHIRE.
The
is
it
is
sometimes
called, asteria,
in
formed from the more opaque kind of stones, which when the boss form (or en cabochon\ exhibits a six-rayed star
corresponding in the direction of the rays with the direction " of those planes along which the crystal may be " cleaved
as nearly
is
in
taken to get the centre of the star the middle of the stone. Star
sapphires are generally of a pale blue, sometimes nearly white, but when these stones possess a fine blue colour,
large prices have been obtained for them.
'
STAR EUBY.
a similar stone to the above, but of a ruby red colour. It generally occurs of a smaller size than the
star
is
The
star sapphire,
and
is
much
rarer.
All these star stones come from Ceylon. In the Townshend collection, S.K.M., are some good specimens of these stones. valued in the east.
GIRASOL SAPPHIRE.
girasol sapphire is a stone similar to the above, which shows a glimmering light on the surface. Sapphir
The
chatoyant
stone,
is
jewellers to a similar
on a
OPALESCENT SAPPHIRE.
This sapphire cent reflections.
is
of a milky white
tint,
is
fine
example
in
Museum, Jermyn
Street.
18
PRECIOUS SI ONES.
PRECIOUS SPINELS.
precious varieties of spinels, which comprise a large mineralogical group, consist essentially of alumina, combined
THE
iron.
They
generally occur in octahedral crystals. These are the spinel ruby, the balas ruby, the almandine ruby, and the rubicelle. They are found in Ceylon, Siam, Pegu, and other
eastern countries, in rolled pebbles, in the beds of rivers. The spinel ruby is a scarlet variety of considerable fire, and
of a rich colour.
colour,
The
balas ruby
tint
is
of a delicate rose-pink
Its
showing a blue
name
is
anciently
Balastan.
Both these stones are termed rubies by jewellers, and deeper tinted kinds are sometimes sold for the true ruby. They may be readily distinguished from the Oriental
and
or true ruby by inferior hardness, and specific gravity; also by the crystallization, which is of an octahedral
form.
Many
under the
name of
said to have been given to Edward Prince of Wales, the Black Prince, by Don Pedro of Castile, after the battle of Nagara, A.D. 1307, and now in the Imperial State Crown of
Almandine is the name applied to is a spinel. the variety which sometimes occurs with a tint containing more blue than the balas ruby, and approaching the almanRubicelle is a name given to the dine garnet in hue.
England,
orange-red variety.
THE CHRYSOBERYL.
19
THE CHRYSOBERYL.
THE
chrysoberyl,
is
called
also
a compound of alumina and the oxide glucina. chrysolite, It belongs to the rhombic system of crystallization. It of a and occurs sometimes greenish-yellow colour, usually
of a yellowish-brown hue.
is
it
It
is
nearly equals the diamond, while in hardness it parency is very nearly the rival of the sapphire. It is found in
of rivers.
Brazil and Ceylon, in rolled pebbles, in the alluvial deposits fine specimen of this stone, for which Mr.
Hertz
is
is
said to
among the
have received 300 guineas from Mr. Hope, recent acquisitions of the mineral department
CYMOPHANE.
a term given by French jewellers to the Cymophane mineral species of the chrysoberyl, which, when cut en caboclion, exhibits like a drop of water, or the pupil of an
is
eye,
on
its
moving about inside it, and also a band of light floating surface. Its name is derived from Kv/*a, a wave, and
to appear.
<a/w,
This variety
is
Fine specimens of this stone may be seen beryl cat's-eye. in the Townshend and Beresford Hope Collections in the
20
PRECIOUS STONES.
THE GARNET.
PRECIOUS lime, and
Brazil,
garnets
iron,
are
silicates
of
alumina,
magnesia,
hedral crystals,
and are mostly found in rhombic dodecain granite or mica slate. Ceylon, Pegu,
"
The word and Bohemia, supply these stones. is said to be derived from granaticus, as its pregarnet"
seed of the
pome-
granate.
Crystals of Garnet.
(16)
which
are distin-
THE GARNET.
chemical composition.
21
Of
known
are the
almandine, the siriam, the essouite, the hyacinthine, the pyrope, the guarnaccino. The most esteemed kind is the siriam, or oriental garnet,
so called from Siriam, a city of Pegu, it being formerly the chief mart for the finest garnets. The colour ranges from the deepest crimson to a violet purple, in some instances
the red colour rivalling the finest oriental amethyst being due to the presence of protoxide of iron, and the
;
violet to
manganese.
is
The almandine
be a corruption of Pliny's alabandine, a term applied to the garnet from its being cut and polished at Alabanda.
essonite, or cinnamon-stone, is an alumina lime of a cinnamon or reddish-yellow tint. garnet The hyacinthine garnet is of a dark orange-red tint. It
is
The
frequently confounded
writers,
The pyrope
is
or Bohemian garnet (a variety oi iron garnet) a deep blood red, and of a fiery character, hence it is
fire
garnet.
It is found in
Bohemia
Saxony, and other parts of Germany. Guarnaccino is the Italian name for the brownish-red
garnet.
The
-colour.
is
of an orange-red
Carbuncle
is
the
name given
;
when
to say of a boss form, usually hollowed out underneath to allow the colour of the stone to be seen.
cut en caboclwn
that
The
lield in
when
22
PRECIOUS STONES.
having the appearance of having been scratched on the
face,
stone.
Small cups are occasionally made in India from the larger crystals of this stone, which sometimes occur the size
of a
fist.
THE EMERALD.
23
THE EMERALD.
is a silicate of alumina and glucina, which, some by mineralogists, owes to a little chromium the transcendent green which characterizes it. 7 It crystal-
THE
emerald
it is
said
p. 125), the
Until very lately, Mr. Bristowe writes ("Glossary of Mineralogy," colouring matter of the emerald was supposed to be due
two per cent, of oxide of chromium. This been proved to be incorrect by Mr. Lewy's recent chemical investigations into the formation and composition of the emerald of Muzo. The quantity of chromic oxide obtained by analysis was so small as to be inappreciable, in fact, too minute to be weighed separately, and the beautiful tint of the emerald is shown by M. Lewy to be produced by an organic substance, which he considers to be a carburet of hydrogen, similar to that chlorophylle which constitutes the colouring-matter of the leaves of plants. Those emeralds are of the darkest tint which contain the greatest amount of organic matter, and the colour is completely destroyed at a low red heat, which renders the stone white and opaque, while, on the other hand, heat produces no loss of colour in those minerals which are coloured
by oxide of chrome, breaking readily at right angles to the axis of the prism. The emeralds, when first extracted from the mine at Muzo, are so soft and fragile that the largest and finest specimens can be reduced to powder merely by rubbing them between the fingers, and the crystals often crack and fall to pieces after being removed from the mine, apparently from loss of water, as the chrome
garnet Uwarovite. The organic colouring matter of the emerald is probably derived from the decomposition of the animals whose remains are now found fossilized in the rock which forms the matrix of
the stone.
Lewy
obtained
from 1*65 to 2*15 of water, from which he has arrived at the conclusion that emeralds have been formed in the wet way, that is to say, that they have deposited from a chemical solution.
24
PRECIOUS STONES.
in
lizes
hexagonal prisms, with the sides striated longiIt is rarely found without a flaw, and is tudinally.
extremely
the
brittle.
It ranks next
It
occa-
in the sec-
tion,
an example
in
in the
Townshend
collection
the South Kensington Museum. The stones of the finest colour are
found
at
Muzo,
in
New
of
flaws. They are said to come from the mountains of Canjargum, in the Deccan, which have also yielded an abundant supply of beryls. In the Loan Exhibition of 1872 were some oriental
emeralds, set as drop earrings, contributed by her Majesty the Queen. They are remarkable for their size, the stones
are uncut, but polished over the surface and pierced. The mines of Ekaterinberg in Siberia furnish emeralds
of superior quality.
of the
The emerald said to be the largest known is the property Duke of Devonshire it measures 2 inches in height,
:
and 2i across. It weighs 8 oz., 18 dwts. It is reported to have been brought to this country by Don Pedro, and was found at Muzo.
This is surpassed, however, by a magnificent stone in the possession of Duleep Singh, which is three inches long, two Mr. Eastwick mentions an wide, and half an inch thick.
emerald in the Persian collection as big as a walnut, covered with the names of kings who had possessed it.
THE EMERALD.
25
ALL emerald \\ X 1J inches was exhibited by Harry Ernanuel at the Exhibition 1862. vinaigrette in the
Hope
collection
is
THE BERYL.
The beryl is of the same chemical composition as the emerald, and comprises two varieties, the aquamarine, of a The crystalpale azure or sea-green tint, and the yellow. lization is the same as that of the emerald. Indian beryls
are from Canjargum, in the Deccan. Crystals of beryls of enormous size are found in North America. One beryl
from Grafton, N. A., weighs 2900 Ibs. it is 32 inches in one direction, and 22 in another, transverse, and is 4 feet 3
;
inches long.
Some
fine
Mountains, Co.
Down,
in
Aquamarines are frequently employed in jewellery, in An aquamarine, said to bracelets, necklaces, brooches, &c.
be the largest known, set as a sword-hilt, which formerly belonged to Joachim Murat, King of Naples, is in the Beres-
Hope collection, S.K.M. Another equally large, if not larger, is in the possession of Mr. Hancock, Bond Street. It measures 2| x 2f inches. There is a large crystal of beryl in the British Museum.
ford
by the
EUCLASE.
The
and
euclase
is
also of the
is
the emerald.
It
brittleness, it
same chemical composition as of a pale blue colour. From its rarity It is, howis never used in jewellery.
It
is
26
PRECIOUS STONES.
TOPAZ.
The The
the
lizing in
rhombic prisms with striated sides. topaz has been divided by jewellers into two kind?, oriental and occidental. The oriental is the yellow
sapphire, and the occidental a fluo-silicate of alumina. The occidental topaz may be divided into three varieties, the yellow, the blue, and the white. The yellow, the prevailing tint, passes from a pale
Saxony.
(18)
Brazil.
(19.)
Siberia.
(20.)
Crystals of Topaz.
colour.
topaz.
Some jewellers call this deep orange tint an oriental The finest of these come from Villa Rica, Brazil.
also furnishes topazes of a pale yellow, bordering on
Saxony
canary colour.
They
Siberia,
in the
are
in
found also
Scotland, in
Mourne Mountains.
blue comes from Brazil, and
The
Novas
SILICATES.
in Brazil,
27
is
called in that
country.
The
d'
In lustre the white topaz surpasses rock crystal. purest varieties are called Gouttes d'Eau (Pingos
is
:
Agua). In the pink topaz this colour orange topaz to a low red heat
it
Brazilian ruby. The pink variety is, however, sometimes found in nature. The word " topaz " is derived from Topazios, the name of an island in the Red Sea, whence, according to Pliny, the
ancients obtained the stone
known
to
them
as topazios, but
which was
in reality a chrysolite.
The
true topaz
was
unknown
to the ancients.
CHRYSOLITE.
Chrysolite
is
It is usually found in angular slightly tinted with green. or rolled pieces, rarely crystallized. The crystals, usually
8, 10,
It occurs in
Upper Egypt, Mexico, Auvergne, and near Constantinople. As a gem the chrysolite is deficient in hardness and play of colours, but when the stones are large and of good colour, and well cut and polished, it is made into necklaces,
hair ornaments, &c.
From
It
its
softness
it
ancients.
THE PERIDOT.
The
It is
peridot is a yellow green variety of the chrysolite. found in rolled pebbles in Ceylon, Persia, Egypt, and
It is soft for a precious stone, being just under It was rarely used by the ancients for
Bohemia.
quartz in hardness.
engraving on, but modern works frequently occur in it. The name Peridot is derived from the Arabic feridet, a
precious stone.
28
PRECIOUS STONES.
OLIVINE.
an olive-green variety of the same stone, but inferior in colour and clearness. It occurs in yellowishor embedded masses and grains. olive-coloured, green, Minute specimens occur in lavas and basalts grains of
Olivine
is
;
it
filling
up
cavities in aerolites.
ZIRCON OR JARGOOX.
The
zircon
is
in alluvial
suite,
beds in Ceylon.
It
(21.)
Crystals of Zircon.
(1'2 )
The
brilliancy
white, or colourless variety, is the nearest match in and refractive energy to the diamond. It is most
abundant in the
its
common
it
has
The
in
colourless zircon
also cut
and sold as a
false
diamond
The green
olive-tinted zircon
is
found in Ceylon.
SILICA TES.
29
The yellow is of a honey tint, also found in Ceylon. The red or true hyacinth, or jacinth, is remarkable
its
for
fine lustre
and hardness.
It occurs in the
sands and
and
is
often sold
by the
It is
and never of a large size. Expilly, in Auvergne, and lately at Mudgee in Australia, in The hyacinth or jacinth, rolled pebbles of a larger size.
frequently sold
by
dealers,
and mentioned
in collections of
some recent authors, The name zircon is from is in reality a hyacinthine garnet. the Arabic word zerk, signifying a gem, and the word hyacinth from the Persian and Arabian yacut, a ruby.
in the writings of
The grey
gists solely
or slightly
smoky
variety
is
by some mineralo-
named
jargoon.
TOURMALINE.
a silicate of alumina with boracic acid, Tourmaline in Its optical characters hexagonal crystals. occurring are valuable, in consequence of its
is
the
black, brown, blue, green, red, yelThe low, and white, or colourless.
finest colour is that of the
ruby-red
When
free
from flaws,
it
constitutes
a fine stone.
crystal of Tounr.aiine.
The
finest
known
Museum.
30
PRECIOUS STONES.
uncommon form and
Symes
by the
dimensions, and was presented King of Ava. It has been valued
Siberia.
It is of
to Colonel
variety from Brazil is called the Brazilian emerald, and is often used as a precious stone. It is worn by the Roman Catholic Bishops of South America as a signet
The green
stone.
yellow and brown varieties are chiefly brought from Ceylon. The yellow has been termed the Ceylon chrysolite.
The The
is
called Indicolite.
Black tourmaline or schorl is very abundant in granite. The white variety, which is very rare, is found in the
island of
silicate
of
alumina,
magnesia,
It
is
and
iron,
found in
Ceylon in rolled pebbles. It is also termed dichroite, as it shows different colours in two directions, appearing of a deep
blue colour along the vertical axis, but red or yellowish grey when viewed by transmitted light at right angles to the
axis of the prism.
It is occasionally
is
employed as an ornamental
stone,
and
sometimes passed off as a sapphire. The transparent variety, found in small rolled masses
by
is
derived from
iov (violet),
in allusion to its
bluish-violet colour,
when viewed
its
in
name
dichroite,
from
SILICA TES.
31
KYANITE.
Kyanite
when
a silicate of alumina of a delicate sky-blue transparent, and of a fine blue colour, it is sometimes
is
;
It is generally imported from cut and employed as a gem. It is, India, cut and polished as a variety of sapphire.
It
is
found at
St.
Gothard,
Its
Switzerland, in Carinthia, Bohemia, and Styria. name is derived from KVO.VOS (blue).
MOONSTONE.
Moonstone
a
silicate
is
is
of alumina, potash and soda. It presents a pearly or silvery play of colour not unlike that of the moon, which
gives
it
its
name.
Jt
'is
an ornamental stone, but is more prized on the Continent than in England. It is soft compared with other gems.
The
CROCIDOLITE.
Crocidolite
is
silicate of iron,
SUN STONE.
a translucent variety of adularia or potash with minute felspar (orthoclase), of yellowish colour, and disseminated iron of of oxide throughout, spangles
Sunstone
is
It
Siberia,
and Norway.
AMAZON STONE.
Amazon
It is
a pale green variety of felspar (orthoclase)' exhibits a nacrous reflection ; it is excesand opaque,
is
32
PRECIOUS STONES.
The name
is
discovery by the the of ornaments the Indians Spaniards amongst dwelling upon the River Amazon, near which it occurs in rolled
its first
masses.
times,
The
stone from
Lake
"Baikal in Siberia
is
some-
though
made
lime.
It is of various shades
found in translucent crystals, in veins traThe more transat Ala, in Piedmont. serpentine versing and sometimes cut worn as gems. are crystals parent
HTPERSTENE.
silicate of magnesia, lime, and a large proportion of protoxide of iron ; it is of greyish or greenish-black colour with lamellar structure, and a bright metallic, pearly lustre.
It is found in
It is
sometimes
IDOCRASE
Is a silicate of alumina, iron, lime, magnesia.
It
is
found
in crystals in the cavities of volcanic rocks in Mount VesuThe finest specimens, however, come from Ala, in vius.
is
extensive
It is cut
at Naples,
and Turin,
and
sold
LAPIS LAZULI
of alumina, soda, lime with sulphur, of a beautiful azure colour. Spangles of iron pyrites sometimes
Is a
silicate
bearing
great
SILICA TES.
33
resemblance to gold. It is generally found in granite, and Notwithis brought from Persia, China, and Bucharia. of and its its not lustre, being suscepstanding deficiency
very exquisite polish, the beauty of its colour has caused this stone to be used in jewellery generally for brooches and shirt studs. It is seldom employed for seals
tible of a
on account of
its
comparative softness.
The beautiful pigment produced from this stone, when finely powdered and careThe name lazuli is probably derived from fully washed. the Arabic azul, blue.
NOBLE SERPENTINE.
A hydrated
silicate
of magnesia.
This name
is
applied
NEPHRITE
JADE.
An anhydrous silicate of magnesia. Its colour varies from a creamy white to a dark olive-green. The hardness
of this stone renders
It
is
it
translucent, very tough, breaking with a coarse, splinIt is found in Egypt, China, from the quartery fracture.
ries of
Kuen-lun, New Zealand, North America. China furnishes ornamental vases and cups of this stone, elaborately carved, where the variety called Yu is highly 8 It is carved into handles of swords and daggers in prized.
8
" Between Yurkland and Ladak, and about a mile from Gulbusha, of the old jade works, piles of rough broken lumps of jade, which had been thrown aside, also small caves
alluvial bank,
deposited
pebbles of jade,
is
where they had dug out the waterYeshamba-i-ab, which from its The considered the most valuable.
the
'
34
PRECIOUS STONES.
Cups of a mottled variety come from Siam. In " is fashioned into Zealand a variety called " poenamu
India.
New
lucent kind
chiefs.
The pure transclubs (meri), hatchets, idols (called Tiki). is made into ear-pendants, and worn by the
It is also
is
used in
New
The
name nephrite
kidney, in allusion
The French frequently curing diseases of the kidney. name jade is said to be derived from hi-jada, the Spanish word for kidney. According to Estner it is from the name
igida,
by which
it is
called in India.
JADEITE.
A
in
silicate
India
for
The
Chinese variety
of a delicate green.
The rude
figures of
and
it
green colour, not transparent, mixed with white, carved skilfully polished, found in tombs in Mexico, are of this
stone.
It
in high estimation.
The
monarch Montezuma's imperial robe was of this stone. It was supposed by the Spaniards to be an inferior emerald
(baja esmeralda).
quarries extend over an irregular belt of a mile or so in length, and 200 or 300 feet in breadth along the mountain side, and in this space
there are the entrances of at least 100 mines. " Jade-rocks were often feet in thickness.
many
a
straw-green, through the different shades of green up to nearly black. The latter resembles the " The Jade Quarries of Kuen-lun," by Cayley. nephrite of Siberia."
surface
light
cut
varies
from
Macmillan's Magazine, Oct., 1871. Dr. Rennie (" Peking and the Pekingese," vol. i. p. 291) mentions seeing at Peking a very rare variety of green jade, to which great
value
is
attached.
It
was termed
Fate-su-ee.
SILICATES.
35
silicate
of alumina,
lime,
and potash.
It
exhibits
beautiful chatoyant and golden reflections, and is usually of It is found in Canada, Norway, and greyish-blue colour.
it
was
origi-
It occurs also nally brought, and hence derives its name. in the Oriental verde antique of Greece, and in porphyries.
From its play of colour and chatoyant reflections it is sometimes used in jewellery for ornamental purposes, and also
for carving grotesque
heads in
relief.
OBSIDIAN.
It consists in general of 80 silica, 10 alumina, with various minor percentages of potash, soda, lime, oxide of iron. It is a volcanic glass of various colours, but usually
black or greenish-black; a green variety occurs in California. The principal localities in which it is found are
Iceland, Siberia,
Hungary,
New
Zealand,
New
Caledonia,
Mexico, Peru, Madagascar, South Sea Islands, Melos, and other islands in the Grecian Archipelago, California, and N.W. America.
Lipari Islands,
It
is
remarkable for
its
and
other primitive races, who made it into arrow-heads, knifeThe ancient inhabitants of Mexico, and blades, razors, &c.
also the
used
it
AGALMATOLITE.
of alumina and potash. Its usual colour is white or red, or both colours intermingled in bands and
silicate
D 2
36
PRECIOUS STONES.
It
is
patches.
also
called figure-stone,
pagodite, and
is
brought from
seals.
It is
China, carved into grotesque figures and distinguished by its chemical composition from
steatite,
silicate
yellow,
of magnesia, of various tints of white, grey, It has generally a soft and green, and red.
feel,
unctuous
and yields
The white variety the tongue; It is also called soapstone. is carved into beautiful ornaments at Agra, in India.
SELENITE.
hydrated sulphide of lime, a translucent variety of gypsum. It is frequently used for ornamental purposes for
necklaces, bracelets, &c.
TURQUOISE.
of alumina, tinted with phosphate of iron, and phosphate of copper, of a beautiful sky-blue. It occurs This is the true turquoise de la reniform, stalactitic.
vieille roche,
A phosphate
The
best comes
from Persia, from the mines of Ansar, near Nishapur, in Khorasan. It has also been found in Arabia Petrasa. It
takes a fine polish, and
in
low cabochon.
It
is
cut
for
ornamenting swords, daggers, cups, &c. This stone is very liable to lose its colour under the action of alkalies, such as
are contained in soap, or even by exposure to the light and the action of the air. The Mexicans had also a turquoise which they used, as the Persians have always done, to orna-
ment
There
is
also a green
variety.
TURQUOISE.
According to Mr. Eastwick,
in the Persian
37
Treasury
is
the finest turquoise in the world, three or four inches long and without a flaw.
ODONTOLITE.
Odontolite, or turquoise de la nouvelle roche, also termed occidental, or bone turquoise, appears to be bone or ivory-
coloured by oxide of copper. It is found in Languedoc. The colour is generally fine, but of an inky-blue, which is never seen in the Persian turquoise. Its texture is very
compact.
38
PRECIOUS STONES.
PRECIOUS OPAL.
OPAL
silica,
is
and 5
The most highly prized is the noble or precious which exhibits a rich play of prismatic colours, which
from minute
lines,
with microscopic
incipient crystalli-
due
not due to any colouring matter, but is in consequence of the diffraction of the light produced by these fine lines. When held between the eye and the
zation.
lamina, formed
by
light
it
tint,
with a
milky transparency.
By
reflected light
it
beautiful iridescent colours, green, yellow, red, blue, violet. Fine stones are It is always cut with a convex surface.
Golden opal
varieties
is
colour, an orange-yellow,
do not exhibit the peculiar The common present. termed opalescence. They are sometimes play of colours other ornaments. and made into pins, cane-heads,
The
finest
opal
of
Josephine's,
entitled
the
The
Vienna.
largest opal
known
is
in the
fist,
Imperial Cabinet of
It is the size of a
man's
PRECIOUS OPAL.
ounces, but
in the
is full
39
of fissures.
Townshend
opal
is
Collection,
The
and
found in
in small
FIRE OPAL
Is a rich hyacinth-red variety of opal, from Mexico. It is also called Girasol and Sun opal. fine specimen is in the
Beresford
Hope
Collection,
S.K.M.
HYALITE.
HTDROPHANE.
of opal of a dull appearance, but which when immersed in water acquires all the opalescent tints of the
precious opal.
It is also of
A variety
moistened becomes quite transparent. It adheres to the Its name is derived from tongue. t>Swp, water, and <cuW,
to appear.
CACHOLONG.
its being found in great It on the borders of the River Cach, in Bucharia. beauty
is
A variety of opal,
so called from
nearly opaque, of a milky or bluish-white colour, dull somewhat pearly lustre within. It is
MATRIX OF OPAL.
porphyry containing minute veins of opal, running Snuff-boxes and other ornaments are made through it.
of
it.
40
PRECIOUS STONES.
ROCK CRYSTAL.
silica crystallized.
This colourless variety of vitreous quartz consists of pure It is very common in. granite and other
rocks and veins, in the shape of rock-crystal, presenting itself in six-sided prisms, terminating at one or both ends in
It scratches glass, and six-sided shining pyramids. harder than felspar, but is not so hard as topaz. It
is
is
(24).
(25).
found in various
globe;
in
localities in
almost
several Indies, Ceylon, Brazil, in of where the parts England, Ireland, Scotland, crystals are called diamonds, such as Bristol diamonds, Isle of
the
East
Wight diamonds, Irish diamonds. It is employed for ornamental purposes. In India it is cut into cups, vases, some
elaborately carved.
AMETHYST.
iron and manganese.
VITREOUS QUARTZ.
or violet colour.
41
amethysts are brought from It is also found and Siberia. India, Persia, Ceylon, Brazil, in Ireland. It is chiefly used for brooches and other ornafinest
The
mental purposes.
The deep
by jewellers,
YELLOW CRYSTAL.
This variety of quartz
is
sometimes called
false topaz.
The wine-coloured variety is called Cairngorm, after the name of the mountain in Invernessshire, where it is found.
It is frequently
powder-horns, snuff-boxes, and other articles belonging to Highland costume. This yellow variety is found in every
part of the world, in Brazil, Switzerland, Siberia, India.
The deep-coloured crystals found in Brazil are called " cinnamon-stone, the French term being pierre de cannelle." fine kind is also found in Spain, of a dark yellowishheated becomes
tint.
light-coloured,
and
BLUE CRYSTAL.
Water- worn pebbles of crystal, of a beautiful blue colour, are found in France in the stream of Rioupezzouliou, near
Expilly, in Auvergne they have been called saphirs de France, or saphirs de Puy-en-Velai.
:
ROSE QUARTZ.
It is sometimes colour, probably produced by manganese. in and When cut jewellery. polished, and of employed
good colour,
it
is
spinel.
It
is
found in
42
PRECIOUS STONES.
Rabenstein, in Bavaria, in a vein of manganese traversing granite, in France, in Finland, and also in Scotland and
Ireland.
CITRINE.
A variety of crystal
of a lemon-yellow colour.
SMOKY QUARTZ.
is
brown
or smoke-coloured tint.
It
IRIS.
The name
applied
by French jewellers
to a variety of
rock crystal, possessing the property of reflecting the prismatic colours by means of natural flaws in the interior of
the stone.
It
may
be
produced
by dropping by heating and The Empress cold water. of ornaments made of this
artificially
or
RUBASSE.
A name given by
crystal with
French
rose-coloured
cracks.
These
fissures
are
and artificially produced by heating the crystal red-hot then plunging it into a solution of purple of cassius, or carmine.
AVANTURINE.
and containing minute yellow spangles of mica. in India, Bohemia, Cape de Gata, in Spain, and
found
in Siberia.
artificial
Many
made of
It
it.
An
variety of
is
made
at Venice.
was discovered by
CHALCEDON1C QUARTZ.
chance (par avantura),
let fall
43
workman having
this.
accidentally
some brass
The
beautiful green variety is found in India, which is sometimes used for glyptic purposes. In the collection of Dr. Wise is a lingam of green avanturine, with the head of
Siva carved on
it.
PRASE.
but hard green impure translucent variety of vitreous quartz, the colour of which is caused by an admixdull
ture of amphibole.
name
is
very frequently confounded by some writers with plasma, It is found in the iron-mines of a green chalcedony.
Breitenbrunn, near Schwartzenberg, in Saxony, and on the Harz.
CHALCEDONY.
Pure chalcedony is a most intimate mixture of silica in the two states of quartz and opal, and in variable proportions.
It
is
colourless,
it
forms a
plasmas, &c.
WHITE CARNELIAN
Is the milk-white variety of chalcedony.
SAPPHIRINE.
A
tint.
name
44
PRECIOUS STONES.
CARNELIAN.
The red variety of chalcedony. Its colour ranges from a clear bright red tint to a deep reddish-brown. The colour
due to the presence of iron. The Occidental variety, so to distinguish it from the Oriental variety, or sard, is generally of a dull red, and is deficient in the rich hues of
is
named
It is susceptible of a high polish, and for that reason, and the brightness of its colour, it has always been a favourite substance, much used for seals, brooches,
It
is is
The name
SARD.
only applied to the Oriental variety of or red The sard, when in its perfeccarnelian, chalcedony. tion, is of a full, rich reddish-brown colour, and when held
is
The name
sard
between the eye and the light exhibits a deep ruby colour, approaching to cherry red, or blood red. The French term the deep brownish-red variety of this stone, almost inclining
to black, sardoine,
finest sards
alone cornaline.
The
are also
come from Cambay and Surat in India. They found in Arabia. The sard was much used by the
is
name given by
lapidaries
and
its
it
It
and
is
chiefly
ONYX.
CHALCEDONIC QUARTZ.
45
The name is more especially applied to the strata white. of agate, when cut in only two parallel horizontal layers, the white being uppermost. There are two varieties of onyx,
the Oriental and the Occidental.
texture,
The
It
Oriental
is
of a fine
India.
stein, is
generally comes from The Occidental variety, especially that from OberThe finest onyxes, from softer than the Oriental.
the earliest times, came from India, principally from Broach, near Cambay, and from Malwa; the greater number at the
present day come from Uruguay, in Brazil, and are worked up into ornamental stones at Oberstein. These are mostly The word onyx is derived from all artificially coloured.
ow,
a nail, because
it
has a white in
(Pliny.)
it
resembling that in
SARDONYX.
variety of chalcedony consisting of alternate parallel layers of white and red chalcedony, and in some instances
introduced.
of more than two layers, when an upper brown one is When used for the purposes of art, it is so that the white layer is over the red, or sard. arranged
The
Oriental variety
is
;
used by ancient
the Occidental variety is that geneornaments at the present day. This variety of onyx has been defined by Pliny as presenting a white layer over one of sard (candor in sarda), like the human nail over flesh.
artists
CHALCEDONYX.
A variety of chalcedony,
46
PRECIOUS STONES.
AGATHE-ONYX.
Agathe-onyx
is
to that
variety in which the upper layer is opaque and white, the lower transparent, and either colourless or a pale yellow.
This is the material most frequently employed for modern carving, and is often termed the German onyx, where the ancients preferred almost exclusively for that purpose the opaque and rich-coloured strata of the Indian sardonyx.
NICOLO.
variety of onyx so called, when the lower layer is When used for black, and the upper one of a bluish tint.
intagli,
the design
is
lower one.
nicolo
is
The name
onyx).
BANDED AGATE.
When
It
an agate
is
it is
JASPER ONYX.
These are varieties
in
JASPER AGATE.
layers
PLASMA.
lustre,
leek-green translucent chalcedony, possessing a and sometimes exhibiting small black spots.
waxy The
present
by ancient engravers came from India ; at the day it comes from Schwarzwald, near Baden; Hauskopf, near Oppenau. Many antique intagli occur in
stone used
this stone.
CHALCEDONIC QUARTZ.
The word plasma
prasina.
is
47
It is called
or prasma.
This stone
a dull green vitreous quartz, a mistake frequently some writers of the present day.
made by
HELIOTROPE.
A translucent green
The
finest
AGATE.
Agates are mixtures
varieties of chalcedony.
in
alternating
layers
of various
by
infiltration
of siliceous waters into cavities in trapin the agate mark the successive and
new
often concentric walls of the cavity as from time to time In amygdaloid deposits were formed in the interior.
they are mostly found in the form of hollow balls or geodes, coated inside with quartz or amethyst. The hardest and finest-coloured are those of India and Uruguay, in Brazil.
The
Softer agates are found in Germany, and in other localities. finest varieties are termed Oriental. From these
stones,
the
onyx,
when
cut in
The
in a small tract
among the Rajpipla hills, on the banks ot the Nerbudda; they are not to be met with in any other part of Guzerat, and are generally cut and polished in
Cambay.
" In the neighbourhood of Broach, nodules of agate are
9
ii.
p. 20.
48
PRECIOUS STONES.
procured by sinking pits in the dry season in the channels of torrents. Their colour when recent is dark olive-green,
The preparation which they undergo is, inclining to grey. sun for several weeks, and then calcito the first, exposure
The latter process is performed by packing the stones in earthen pots, and covering them with a layer five or six inches thick of dried goat's-dung. Fire is then
nation.
ficiently cool to
applied to the mass, and in twelve hours the pots are sufbe removed. The stones which they con-
are now examined, and are found to be some of them and others nearly white, the difference in their respective tints depending in* part on the original quality of
tain
red,
colouring matter, and in part, perhaps, on the difference inthe heat to which they have been exposed." l
Immense quantities of agates are obtained from Uruguay, which are cut and polished at Oberstein, in Rhenish Bavaria, whence they are exported to all parts of the world. Agates are also found at Oberstein, and in Scotland.
Sicily furnishes
The
creased,
colours of agate,
when
indistinct,
may
be also
in-
by steeping
first
in oil or honey,
and afterwards
oil
honey absorbed by
dark brown,
or black, according to the quantity that has penetrated, is in proportion to the more or less porous nature of the stone or parts of the stone.
which
The
less
is
iron,
to turn
into red.
i.
p. 255.
CHALCEDON1C QUARTZ.
49
These practices are adopted at Oberstein, in Germany, at the present day. These stones are much employed in a polished state for
as brooches, bracelets, beads, seals, All these articles, sold at wateringplaces in different parts of England, are made from agates, which come from Brazil, but which are cut and polished at
articles,
ornamental
paper-knives,, &c.
Oberstein,
in
Germany.
of
in
Sicily
Sicilian
agates are
frequently
used
them.
for
handles
knives
The churches
Lapidaries have given distinctive names to the numerous moss agate, ribbon agate, eye
agate, fortification agate, zoned or banded agate, variegated agate, brecciated agate, mocha stone.
Moss agate is that variety which encloses dendritic or moss-like markings of various shades.
Ribbon agate is so straight and parallel.
called,
when
Eye
agate,
agate
is
prized in India.
Fortification agate, when the layers are zigzag, from its general resemblance to the outline of a fortification. Zoned or banded agate, when the stone is so cut that the
layers, usually
is
it.
It
sometimes styled tri-coloured. Brecciated agates consist of fragments of jasper, bloodstone, cornelian, &c., cemented by a paste of chalcedony.
Mocha
taining
stone
is
and
plants, occasioned probably by the infiltration of iron or manganese. It is found in Arabia, whence the name mocha
50
PRECIOUS STONES.
Others say
it is
stone.
stone.
Sicily,
is derived from that of the river Achates, where, according to Theophrastus, agates were
first
found.
CAT'S EYE.
A variety of
blackish.
and
displays a peculiar floating lustre, resembling the contracted pupil of a cat's eye when held to the light, which is supposed to be caused
it
When
cut en cabochon
by -the presence of small parallel fibres of asbestos. It is mostly used as a ring-stone. The finest kinds come from Ceylon and Malabar. It is greatly esteemed by the modern
in
Hindoos, and a high value set on it. The largest known is It formerly the Beresford Hope collection, S.K.M. of It is to the King Candy. belonged hemispherical, 1J
inches in diameter.
bel-occhio.
The
Italian
name
for
cat's
eye
is
CHRYSOPRASE.
apple-green variety of chalcedony, coloured by oxide It is only found at Kosemuth, in Siberia. of nickel. In
An
France
it is
much used
and
ornaments.
JASPER.
A compact variety
yellow, brown, or green colour, sometimes blue or black. red jasper, of a vermilion colour, is found in a breccia in
Pebbles of red jasper are found India, and also in Egypt. on the plains of Argos ; yellow jasper is found at Vourla,
51
bay of Smyrna. Red jasper is coloured by the peroxide yellow and brown by the hydrate of, iron green jasper is coloured by a mixture of the green mineral
;
chlorite.
When
it
is
called
A variety with
green comes from Siberia, yellow, red, and white from India.
Egyptian jasper occurs in the form of pebbles on the banks of the Nile, and is zoned with shades of brown, frequently spotted with black. Sicily furnishes a fine variety of jasper, of which cups,
tables, altars,
even
pillars
Jasper
is
manu-
knife-handles,
articles.
jasper (jaspis) is undoubtedly a word of Semitic It is the Hebrew jashpeh (firm, tough), from origin. jashat (to be strengthened), a derivation that derives
The
some
interest
all
the Semitic
(Phoenician) gems we know are engraved on green jasper, known as jaspis by Greek and
daries.
2
a chloritic
Latin lapi-
BLOODSTONE.
green jasper spotted with red spots. It is often used In the middle ages it was held in high esteem ; as the red spots were supposed to be the blood of Christ.
for seals.
It is found massive in India, Bucharia, Tartary,
Siberia.
is
is
termed jaspro sanguineo (sanguineus jasper). often confounded with heliotrope, or green
spots..
E 2
52
PRECIOUS STONES.
MAGNETITE.
magnetic iron ore, consisting of about 69 iron peroxide with 31 iron protoxide. It is of iron-black colour, with a
metallic lustre
It
is
strongly magnetic, especially when massive. found in India, Hungary, Saxony, Siberia, France,
;
HEMATITE.
peroxide of iron, opaque, of an iron-black colour with It' is found in France, Spain, Germany, red streaks.
Russia, and in
It
is
and
is
many parts of England. sometimes hard enough to take a very fine polish, thus used for polishing glass, gold, steel, and other
metals.
It is distinguished from magnetite by its red streaks. Babylonian cylinders and intagli are frequently found of
this stone.
MARCASITE.
White
polish,
and
It takes a good iron pyrites, or sulphuret of iron. is cut into facets, like the rose diamond. In
was formerly much employed for ornamental purposes, when it was made into shoe and knee buckles, and set in
It
pins, bracelets, &c.
DIOPTASE.
silicate
MALACHITE.
vitreous lustre.
in the
53
It
occurs disposed in
small crystals
on
quartz copper mines at Altyn Tube, in Siberia. It has been sold for emerald by ignorant dealers. specimen of this stone passed off as an emerald may be seen in the
Geological
Museum, Jermyn
Street.
MALACHITE.
It occurs in reniform, Green carbonate of copper. in copper mines. Its and masses stalagmitic botryoidal,
colour
is
green, to a dark
up
into
finest
Fine specimens are worked and other ornaments. The variety comes from Siberia, about 100 miles south of
opaque kind.
vases,
snuff-boxes,
Bogoslofsk.
at Burra-Burra.
Fine specimens are also found in Australia, The name is derived from /xaXa^, the
its
resemblance in colour
AZURITE.
Blue carbonate of copper, of an azure blue colour. It It is also generally occurs associated with malachite. has been called chessylite, a name which given to it from
Chessy, near Lyons, where
it
54,
PRECIOUS STONES.
PEARLS.
Pearls
are
concretions
in
formed of
infinitely
(usually a grain of sand), for the purpose of preventing the irritation its roughness would otherwise occasion to the
tender inmate.
They
black.
The principal pearl-fisheries are in the east, on the west coast of Ceylon, in the Bay of Manaar, in the Persian Gulf. They also come from Panama and California.
They
are
much
The
of the
is
one
known.
The
presented to her
fine.
equally
The
largest
known
is
pearl,
set
as a pendant,
in the Beresford
Hope
Collection, in the
South Kensington Museum. It is pear-shaped, and measures 2 inches deep by 2| in circumference at the longer end.
The Shah
All the different varieties of the pearl, together with an example of the pearl-bearing oyster, exhibiting the pearl in
the fish,
may
Museum.
AMBER.
55
AMBER.
fossilized
gum
shades of yellow, from the palest primrose to the deepest orange, sometimes brown. Its lustre is resinous or waxy,
and varies
It
from transparent
;
The composi;
oxygen, 10'52.
becomes negatively electric by friction. According to Goeppert, amber is the mineralized resin of extinct coniferse, one of which he has named Pinites succinifer, or amberbearing pine-tree. Amber is found in abundance on the Prussian coast of
the Baltic, from Dantzig to Memel, also on the coast of Denmark, in, Sweden, Norway, Moravia, Poland, Switzerland,
and
in France.
It is also found
on the
Sicilian coast
near Catania, at Hasen Island in Greenland, and occasionally on the coast of Norfolk, Essex, Sussex, and Kent. That found on the coast is distinguished as marine
amber.
The
is
dug out of mines, and is generally found in alluvial deposits of sand and clay, associated with fossil wood, iron pyrites, and alum shale.
They appear
Insects and other animals frequently occur enclosed in it. to have been entangled in the viscous sub-
is
piece of amber in which is a small fish. Yellow amber, cut in facets or simply in heads for
bracelets
and necklaces, was in fashion some years ago. At the present day it is chiefly used in the east by the Turks, Egyptians, Arabs, Persians, and the natives of India, .to
ornament their pipes, arms, the saddles and bridles of their At the present day in Europe it is still used for the mouthpieces of pipes. The translucent yellow variety
horses.
56
PRECIOUS STONES.
the rarest and the most prized by the Orientals. In the of Mineralogy in Paris is the handle of a cane
is
Museum
made of pure limpid yellow amber. The semi-opaque or " clouded " variety was much prized in England in the age of Pope and Gay.
JET.
variety of lignite (fossil the colour is velvet black.
'Jet
is
wood imperfectly
mineralized),
of the Baltic,
in Yorkshire.
found principally in the amber mines on the coast where it is known by the name of black
It is there
made
and
is
CORAL.
Coral is a production secreted by marine asteroids, polypi, It is composed of carbonate of lime, a little or zoophytes. magnesia, and a very small percentage of oxide of iron. It
It
assumes a peculiar plant-like form with numerous branches. is found of several colours, red, pink, green, brown, and
The pale delicate pink yellow, as well as white and black. is the most valued, and realizes a high price.
Coral
is
many
That adapted for purposes of ornament parts of the globe. comes almost entirely from the Mediterranean, and is found
principally on the African coast.
it
is
and
FLUOR SPAR.
A fluoride of calcium,
FLUOR SPAR.
fluoric acid.
57
either crystallized
in cubes,
in
earthy.
red.
The red tints are produced by exposing it to heat. The finest specimens for ornamental purposes come from
Cliff in Derbyshire,
Tray
also
and are
called
Blue John.
in
It is
Cornwall.
It occurs, too, in
Mont
in Italy,
in the
Lombardian Alps.
into
In Derbyshire
articles,
it
is
largely
manufactured
ornamental
tazzas,
vases, &c.
Eight large blocks of fluor spar have been lately discovered at the Marmorata, the site of the ancient Emporium, on the banks of the Tiber, Rome, where they were evidently imported from the East, with other blocks of Oriental
was some years ago in the possession dealer in antiquities of the name of Rolli, which he sold to the Jesuits, who had it cut up into thin slabs to
fluor spar
A block of
of a
marble found there. This variety of fluor spar exhibits all the colours of the Occidental kind, violet blue, purple, green, red, with veins of white (hornstone) winding through it.
Roman
Rolli
now known
3
58
ANTIQUE GEMS.
ANTIQUE GEMS.
ADAMAS.
CORUNDUM.
THE adamas
of Pliny has been identified by many writers with the diamond, but we are inclined to adopt Professor Dana's opinion, that it is doubtful whether Pliny had any
acquaintance with the real diamond. According to Pliny, "the Indian adamas appeared to have a certain affinity to crystal, being colourless and transparent, having six angles, polished faces, and terminating
like a
pyramid in a sharp point (laterum sexangulo Icevore turbinatus in mucronem), or also pointed at the opposite extremities, as though two whipping-tops (turbines) were
This description joined together by their broadest ends." which a of corundum the form of delineates correctly crystal
hexagonal, commonly occurring crystallized in six-sided It is also found in obtuse and acute double hexaprisms.
is
It
is
generally found
and transparent, but frequently with a The crystallization of the diamond, on the
octahedral,
other hand,
and hence
it is
evident
it is
not
of the adamas, Pliny says, is beyond all it expression, owing to which indomitable powers it is that has received the name which it derives from the Greek (a,
not,
The hardness
and
Sa/xaw, to subdue).
The corundum
is
next in hard-
ANTIQUE GEMS.
ness to the diamond. " These " are stones," he further says, tested with the anvil, and will resist the blow to such an
extent
split
as to
make
asunder."
This, however,
the iron rebound, and the very anvil is not the case with diamond,
as
it is
slight
very brittle, and splits readily when struck with a blow in the direction of the plane of cleavage.
"
:
When by
good fortune
this
stone does happen to be broken, it divides into fragments so minute as to be almost imperceptible. These particles
are held in great request by engravers, who enclose them in iron, and are enabled thereby, with the greatest facility,
to cut the very hardest substances
known." Fragments of corundum, from time immemorial, have been used by Indian lapidaries for cutting and polishing the hardest gems. When
first
adamantine spar.
"
Some
mineralogists,"
1
Mr. King
writes,
60
ANTIQUE GEMS.
the paradox that the adamas of the Romans was not the sufficient answer to this is, diamond, but the sapphire.
that such
large sapphires as the ancients frequently engraved (the signet of Constantius, for instance, weighing 53 And besides carats) could not be termed punctum lapidis.
this the latter stone could not
of
its
own
fragments.
The
punctum" Mr. King must be well aware that the signet of Constantius, and all other engraved sapphires, belong to a late date
of the Empire, 2 and consequently after the time of Pliny, when, perhaps the true diamond was known. In Pliny's
time the diamond was evidently unknown. The punctum been lapidis, or sharp fragment of corundum, would have
enough
for the purpose of engraving the stones then in use, such as onyx, sard, and other chalcedonic stones. Besides small crystals of corundum are frequently found, with sharp
points, to
3
lapidis
may be
well
This Mr. King admits further on. " Before the introduction of the true diamond into Greece, sharp fragments of corundum, obtained from Naxos, served the same
applied.
purpose the name adamas was then, doubtless, confined to the blue and grey sapphires found in Cyprus, or to the opaquer crystals of corundum discovered in the emery
:
Such a stone, reduced to sharp fragments, would mines. serve to cut into and excise the quartz gems, sards, agates, 2 The engraved rubies also mentioned by Mr. King all date from a
very late period of the Empire.
3 A small crystal of corundum from Ceylon in the possession of the author readily scratches onyx.
ANTIQUE GEMS.
jaspers, then
facility as the
in
61
diamond
corundum, which is most probable. Further, Mr. Maskelyne suggests that the Greek term adamas was originally derived from the Semitic name for
splinter of
a material (probably corundum, or massive sapphire), which Phoenician commerce brought from India. 4
Pliny mentions other varieties of adamas, which were undoubtedly all white sapphires the Arabian, those found in the mines of Ethiopia, between the temple of Mercury
and the Island of Meroe, the Cenchrea, the Macedonian, the Cyprian. The diamond has never been found in Arabia. The Ethiopia mentioned by Pliny is in reality India, and
Agassiz
is
"Temple
of Mercury" means
Brahmaloka, or Temple of Brahma. Crystals of corundum are still found in granite rocks on the coast of Malabar, in
the Carnatic, and in Ceylon. The Cenchrea, which Pliny describes as about as large as a grain of millet in size, was doubtless a name applied to the small rolled pebbles of
so called from its being found in the Island of Cyprus, and to which aerius colour was applied, shows it to be a sky-
"a stone which more ponderous than any of the others, but differs in its properties from them all." Mr. Maskelyne identifies this stone with magnetite, the heaviest and hardest ore of that steel to which, doubtless, the title of adamas was
originally vaguely applied.
The adamas
emery
stone,
4
ANTIQUE GEMS.
In the Periplus of the Red Sea we read, " to Barace (Barcellore) are brought various and numerous kinds of
The first lustrous gems, the Adamas and the Hyacinthus." here is doubtless the corundum, or white sapphire, and the
second the blue sapphire. Rings exist of Roman workmanship in which the diamond
is set in its
its
original octahedral form, unpolished, save with natural somewhat resinous lustre, but evidently of a much later date than Pliny's time. The Hertz collection
in weight, set
possessed a well-formed octahedral diamond, about a carat open in a Roman ring. The Waterton Dacty-
example of a diamond in its original All setting, apparently dating from the Lower Empire. these examples, however, date from a period long after
liotheca furnishes a fine
Pliny's time.
CAKBUNCULUS INBICUS.
In the
first
^~
places the carbunculus, so called from its resemblance to a red-hot coal. There are, he says, various kinds of car-
buncles; of these, the most remarkable are the Indian and the Garamantic, each kind being subdivided into male and
female, the former of which is of a more striking brilliancy, the brightness of the latter being not so strong. The male variety of the Carbunculus Indicus we would
identify with the
for its bright colour
ruby or red sapphire, which is remarkable and rich tints, and the female with the
The carbunculus garamanticus was doubtless the garnet. From their not being affected by the fire, they were
termed by the ancients, " acaustoi," a quality which applies
exclusively to the ruby, as
it is
infusible.
ANTIQUE GEMS.
Lessing and the Count de Clarac deny the existence of
any really antique intaglio in this gem. Mr. King, however, enumerates a few works in ruby, of apparently indubitable First, on account of the quality, a large oval, antiquity. convex stone of the true " pigeon blood tint," and slightly weighing apparently about three carats in the Devonshire
a but poor intaglio parure, engraved with a Venus Victrix in the latest Roman manner. full-length figure of Osiris, in half-relief, which seems a production of the Egyptian
In spinel he cites a most splendid Gorgon's head (Praun), and a head of Pertmax, in his possession. Nevertheless, Mr. King remarks, engravings in any of
the Precious Stones are always to be received with the
greatest suspicion.
True
rubies,
natural surface rudely polished, occur, both inserted into pieces of antique jewellery, and set in rings dating from the
earliest times.
HYACINTHUS.
SAPPHIRE.
The hyacinthus of the ancients is generally supposed to be the sapphire of the modern. Solinus thus describes it. " these things (in Ethiopia), of which we have Amongst
treated, is
found also the hyacinthus of a shining cerulean it be found without blemish, for
extremely liable to defects. The best colour of the is an equable one, neither dulled by too deep a dye, nor too clear with over much transparency." better
is
stone
description could not be given of the sapphire. The description of the hyacinthus, by Pliny,
would lead
us to identify the stone mentioned by him, with the Oriental " amethyst or violet sapphire. He thus describes it: Very
64
ANTIQUE GEMS.
from
this
different
stone
(the
amethyst)
is
hyacinthus,
though partaking of a colour that closely borders upon it. The great difference between them is, that the brilliant
violet,
which
is
is
diluted in
On account
of
its
most part employed the sapphire as a mere ornamental stone for setting in their jewellery, unengraved and unshaped, contenting themselves with giving a tolerable polish to the
native irregular surface of the pebble. Most of the known antique intagli in sapphire are of a
late
Roman
period.
lustre.
what shallow, and is polished within to a singular degree of The stone is of a deep violet colour, and f inch
high by
The other is a Medusa's head, in front wide. -| of the features, and the curling snaky the treatment face, tresses spirited to a degree, and every part most highly finished. This sapphire is of a fine sky-blue shade. But
is
53 carats.
Some good
Collection.
intagli
name
day
is,
that
it
the
The iolite may have been classed by name of hyacinthus, as they were,
it
distinguish between
In Mr. Maske-
ANTIQUE GEMS.
lyne's collection is a fine
65
example of an
iolite
its
head of Berenice
to be a sapphire,
II.
It
was considered by
and perhaps
CHRTSOLITHUS.
"
Ethiopia," Pliny says,
YELLOW
SAPPHIRE.
" which produces hyacinthus (sapphire) produces chrysolithus also, a transparent stone with a refulgence like that of gold. The stones of India are the most
highly esteemed." This stone is generally supposed to be the Oriental topaz or yellow sapphire, but as it is very rarely of a golden yellow, and usually of a pale straw colour, it
may be
is
the chrysoberyl, or Oriental chrysolite, a stone which said to almost vie with the yellow diamond in lustre, polish, and colour.
The yellow
jargoon, which
is
may
lithus.
No genuine ancient intagli in any of these stones have been met with.
The only yellow
to us
stones,
we
believe, that
from antiquity are the pale citrine and yellow quartz. The chrysolithus of twelve pounds mentioned by Pliny
STAR SAPPHIRE.
to Pliny, is a stone resembling
The
astrion, according
In the centre crystal in its nature, and is found in India. of it there shines a brilliant star, with the refulgence like
that of the
moon when
full.
its
it
" Some will have it," he says, name from the fact that when
No
absorbs the light they emit and description can better suit the asteriated
66
ANTIQUE GEMS.
which exhibit a
brilliant six-sided star
crystals of sapphire,
in its centre.
is
Pliny further on writes: "Among the white stones there one known as ceraunia,' which absorbs the brilliancy of
'
the stars.
Zenothemis azure colour, and is a native of Carmania. admits that it is white, but asserts that it has the figure of This is evidently the same stone, a blazing star within."
LYCHNIS.
BALAS RUBY.
stones
the
from
its
by the
tints are
particularly pleasing.
garnets occur, in the vicinity of Orthosia, throughout the whole of Caria, but the most approved stones are those of
India,
tint.
which
last
He then
adds,
some have termed a carbunculus of milder " Between these last I find a difference
(cocco,
kermes)."
We
may, we think, be
justified
in
identifying the first with the almandine ruby, or violet-tinted spinel, and the latter with the balas, or rose-red variety of
spinel.
Mr. King mentions in balas the head of a Bacchante, crowned with ivy, a masterpiece belonging to the best days
of
Roman
glyptic art.
The name
EAAHN
appears in micro-
ASTERIA.
"
CYMOPHANE.
"
ANTIQUE GEMS.
liarity in its nature, it
67
having a light enclosed within, in the as of an it were. This light, which has all the eye pupil appearance of moving within the stone, it transmits according to the angle of inclination at which it is held, now in one direction, and now in another. When held facing the sun it emits white rays like those of a star, and to this, in
fact, it
owes
its
name."
This
is
or chrysoberyl cat's-eye, which exhibits as it were the pupil of an eye moving about within the stone, and when held
facing the sun shows a pale opalescent ray on
its
surface.
SMARAGDUS.
According
being in the
to Pliny,
first,
EMERALD.
and pearls
the third rank in esteem (adamas in the second) was given to the
smaragdus.
" There
is
no stone," he
says,
is
more delightful to the eye, for whereas the sight fixes itself with avidity upon the green grass and the foliage of trees, we have all the more pleasure in looking upon the smaragdus, there being no green in existence of a more intense
colour than this. " Of this
of the finest
is
where
of them has a deeper colour than this, or is more free from defects ; indeed, in the same degree that the smaragdus is inferior to other precious stones, the Scythian smaragdus is
superior to the other varieties.
also in locality, is the
Next
in esteem to this, as
smaragdus of Bactria. The third rank is held by the stones of Egypt, which are extracted from the hills in the vicinity of Coptos, a city of Thebais." " All the other kinds are found in copper-mines, and F 2
68
ANTIQUE GEMS.
it is
hence
smaragdus of Cyprus
holds the highest rank." He characterizes the smaragdus of the copper-mines of Chalcedon as brittle, and of a colour
far
tints the
feathers that are seen in the tail of the peacock, or on the neck of pigeons. He also notices the smaragdi of Attica
and of Media, and other inferior varieties. In the opinion of Mr. Maskelyne, the first three, the Scythian, Bactrian, and Egyptian, were the true emerald; the Scythian coming no doubt from the Siberian locality near Bissersk, to the east of Ekatharinenberg the so-called Bactrian most
;
likely
came from a
locality
unknown
north-east of the Hindoo-Coosh, possibly from the Altai, where, in the Tigeretz mountains, beryls are now obtained.
discovery of the emerald-mines at Mount Zabara, in Egypt, near the Red Sea, by Sir Gardner Wilkinson, with the houses almost intact in which the workmen formerly
The
Egyptian locality for the emerald. Mr. King would identify the Scythian smaragdus, from its darkness and freedom from defects, with the green sapphire, There may be grounds for this view, or Oriental emerald. as the emerald from Siberia, with which Mr. Maskelyne connects it, is of a pale colour, very soft, brittle, and full of
lived, establishes Pliny's
flaws.
Others connect
it
silicate
of
copper, found in copper-mines in Siberia. According to Mr. King, the smaragdi from Cyprus and Chalcedon were only crystals of transparent chrysocolla
still called the copper emerald. The from mentioned chalco-smaragdus, Cyprus, by Pliny, was The inferior varieties of emerald doubtless the same stone.
(a silicate of copper)
The
largo
ANTIQUE GEMS,
69
most probably pieces of green jasper, while the colossal statue of Serapis, mentioned by Apiou, was in some vitreous
composition for which Alexandria was famous. The musician Ismenias, in the reign of Alexander, having heard of a smaragdus engraved with an Amymone, on sale
in
it,
Cyprus, at the price of six gold pieces, sent his agent for
who by bargaining procured it for four pieces, at which Ismenias took offence, as he considered the value of the stone was lowered thereby. " But," Mr. King observes, " the locality, the age, and the comparative trifling cost of the
stone, all go to prove that nothing more than a plasma here understood by the term smaragdus."
is
Among
was the
of Polycrates,
engraved on
intagli
upon them, are amongst the rarest of the rare, and appear scarcely one of them referable to an earlier date than
the age of Hadrian.
Mr. King enumerates a few examples of antique intagli one of the Emperor Hadrian's head, another of his consort Sabina, and a third the heads of both facing each
in emerald,
other.
also exhibits
(Bandeau,
a large and beautiful emerald cut into a Gorgon's head in high relief, which has every mark of being an antique work of the same period.
No.
1 1)
An
Cneph,
intaglio head of the Solar Lion, the Alexandrian in a stone of the finest colour, purity, and lustre, was
in the late
Fould
collection.
f, is
A bearded
Due
head of Jupiter, in
an emerald 1J by
Paris.
in the
de Luyne's collection,
In the possession of the author is a small emerald, with It is considered to be a a lotus flower engraved on it.
70
ANTIQUE GEMS.
specimen of an emerald from the Egyptian mines, and perhaps the sole genuine example of an antique engraved emerald. Pliny remarks when the surface of the smaragdus is flat,
it
reflects the
;
mirror
image of ohjects in the same manner as a and adds that the Emperor Nero used to view the
combats of the gladiators upon a smaragdus. By holding the flat surface of the emerald in possession of the author, close to the eye, distant objects can be distinctly seen reflected in
it.
It
thus
confirms Pliny's
statement,
as
the
distinct
on the slightly convex surface of the emerald must have been of great importance to a
near-sighted person, as
Nero was.
is
said to be the
BERYLLUS.
"
THE BERYL.
" it is Beryls," Pliny writes, thought are of the same nature as the smaragdus. India produces them, and they are
The most esteemed beryls rarely to be found elsewhere. are those which in colour resemble the pure green of the
the chrysoberyl being next in value, a stone of a somecolour, but approaching a golden tint." Pliny has here anticipated the modern discovery that beryls are
sea,
what paler
of the same chemical composition as the emerald. Those which resemble the green of the sea are the modern aquamarine, and the chrysoberyl is evidently the yellow beryl,
which
is
is
Canjargum
The
beryl
on,
and consequently
genuine antique intagli are rarely to be met with. We may quote a few of the finest examples. The earliest is the Taras on the dolphin (formerly in the Praun collection, now
ANTIQUE GEMS.
in
71
Winkelman
Mr. Maskelyne's), the design of which is placed by in the first class of Etruscan work. Amongst
Roman
young Hercules,
Taras.
Julia,
daughter of Titus.
Hercules of Gnaios.
inscribed TNAIO3, in the Blacas collection, and the aquamarine of the extraordinary magnitude of 2-J- X 2J inches, engraved with the bust of Julia, the daughter of Titus,
and signed by the artist YOAOCflOIEI. the collection of the Imperial Library at Paris.
It
is
in
CARBUNCULTJS GARAMANTICUS.
THE GARNET.
The term carbunculus, being indiscriminately applied by the ancients to all red and fiery stones, comprises the several varieties of the garnet. The Greek synonymous word, as
given by Theophrastus,
coal.
if
He
describes
it
held up against the sun assuming the appearance of a burning piece of charcoal.
of Pliny
is,
doubtless, the
72
ANTIQUE GEMS.
He divides it into male and female kinds, the first garnet. the more brilliant, and finer in colour, and the latter being
being the duller varieties. The garamantic, he tells us, has been also called the carchedonian, in compliment to the former opulence of Car-
thage (Kapx^Swv). The male and female kinds of the carbunculus garamanticus, in every probability, comprised all the varieties of the
garnet, and the different colours, ranging from
a*
brilliant
red to the deeper and duller tints. Pliny notes also the ^Ethiopian and the Alabandic stones,
the latter of which are found at Orthosia, in Caria, but are
highly-esteemed, however," Pliny says, "is the amethyst-coloured stone, the fire at the extremity of which
"The most
approached the violet tint of the amethyst." This, undoubtedly, is the modern almandine garnet of a beautiful
closely
violet purple
colour.
is
said to be
derived from Alabanda, where it was cut and polished in ancient times. Next in value he notes " the syrtites," radiant with a
wavy, feathery refulgence (pinnato fulgore,) an appearance which is sometimes to be seen in the interior of some red
garnets.
The carchedonia, described by Pliny as of inferior value, and found in the mountains among the Nasamones, and of which Carthage was in former times the entrepot, was,
doubtless, a
it
commoner variety of garnet. He says he finds stated that in former times drinking-vessels used to be
this
made of
stone,
and adds,
this
kind
offers
the most
is
obstinate resistance to the graver, and, if used for seals, apt to bring away a part of the wax.
ANTIQUE GEMS.
being hollowed, and making vessels that will hold as as one sextarius even.
73
much
i.
p.
152,
is
the fol-
"
small vases, which are very highly valued, particularly if they are free from flaws, and possess a good colour, and
considerable degree of transparency." Mr. King tells us he has seen an antique cup, hollowed out of a single garnet, as large as a half goose-egg, which
internally with the name of its ancient owner, The Codrus. inventory of the French crown jewels, drawn in mentions "an oval cup of a single garnet, rich 1791, up in colour, 3 x 2J inches wide, and 3 high, valued at 12,000
was engraved
stones, there are luminous points like stars within;" these are. in all probability, the star garnet.
Garnets, Mr.
King
says,
seem
to
have been
little
employed
by the Greeks for engraving upon, but were largely in favour with the Romans of the empire, though not at a
very early date. There are some rare instances of the almandine garnet being used by Greek artists, but from its great
hardness the work on
it
is
traits,
and sometimes imperial poroccur in the almandine, but no certain Greek, or early Grasco-Roman, work is recorded in the blood-red garnet.
Fine
intagli frequently,
Roman
a late period the portraits of Sassanian kings frequently appear in the almandine. Some intagli are also met with in the guarnaccino or brown-red garnet.
At
The "Head
Collection,
is
unusual size
Sirius," in the Marlborough a perfect Indian garnet of on engraved and beauty. On the collar of the dog is
of the dog
74
ANTIQUE GEMS.
FAIOSEIIOIEI.
It
is,
engraved
antiquity.
however, of
doubtful
fine engravings, and also camei, occur in the and the hyacinthine garnet. The chryselectrum, which Pliny describes of the colour which inclines to amber, was probably the essonite, while the deep, rich-coloured stone the hyacinthine garnet was doubtless the morio of The morio, he remarks, when of the colour of the Pliny. carbunculus, is from Alexandria; when it shares that of
Many
essonite,
the sard,
is
They
adapted
have some splendid artists in Graeco-Roman of examples among gems wellmost the essonite and hyacinthine garnet. Among known in the hyacinthine garnet are the Julius Cassar
for
We
the finest
beautiful
lection.
of Dioscorides, the Apollo Citharoedus, deeply cut, in a example of this stone: both are in the Blacas col-
is
a fine head on a
hyacinthine garnet cut en cabochon, representing the portrait The MaBcenas of Apolof Philetaerus, King of Pergamus.
lonius, formerly in the
Hertz collection,
is
in the
same
stone.
A fine
example
is
dicsea, as
These latter stones have been frequently confounded by some writers and collectors with the hyacinth or jacinth (red zircon), and much confusion has arisen from this misIn some public collections also, antique camei and take.
intagli in the hyacinthine garnet are ticketed as jacinths.
TOPAZIOS.
CHRYSOLITE.
Topazios, according to Pliny, is a stone that is held in very high estimation for its green tint. The name is said
ANTIQUE GEMS.
to be derived
75
The
stone
is
chrysolite
a greenish-
yellow stone.
stone
recent writers, according to Pliny, say that this found also in the vicinity of Alabastron, a city of Thebais, and they distinguish two varieties of it the chryis
The most
sopteron (the chrysolite) and the prasoides (the peridot). He adds further, " The topazios is the largest of all precious stones, and is the only one among those of high value
that yields to the action of the file, the rest being polished by the aid of the stone of Naxos (emery). It admits, too, of being worn by use." The chrysolite is in reality of a
very soft nature, and wears at the edges. sometimes occur of considerable size.
Crystals of
it
The modern
unknown
to the ancients.
TOPAZIOS PRASOIDES.
THE PERIDOT.
This stone, which Pliny describes as aiming at the exact is our peridot, of a
yellowish green.
Some fine Greek intagli, Mr. King says, occur in peridot, to be ascribed from their style to the date of its
introduction at the Alexandrian Court, but they are of the highest rarity. The Romans appear never to have used the topazios prasoides for engraving on, deterred either
first
by
its
softness,
entailing
intaglio,
or else
by
it,
Modern works on
and
peridot,
the speedy destruction of the high value as a precious stone. on the contrary, are abundant enough,
its
when
A fine
supposed antiques in be found to belong. critically examined, in of an peridot, engraved by example intaglio
76
ANTIQUE GEMS.
whose name
is
Calandrelli,
stone,
in
may
CHRYSOPRASIUS.
GREEN JARGOON.
more
pallid
colour,
;
separate genus
This stone may, perhaps, be the green jargoon, which is usually of a pale green tint, and remarkable for its brilliancy.
MELICHRYSOS.
Melichrysos
all
is
YELLOW JARGOON.
the appearance of pure honey seen through transparent India produces these stones. This stone is probably gold.
the yellow jargoon, often met with in India. It is generally of a golden, honey-yellow colour; or it may be the yellow tourmaline, which comes from Ceylon.
LYNCURIUM.
"
The
dis;
played by certain authors compels me to speak of lyncurium for even those who maintain that it is not a variety of
amber
it is a precious stone. They the product of the urine of the lynx and of a kind of earth, the animal covering up the urine the
still
assure us that
it is
it, from a jealousy that man should hardens into of it, a combination which gain possession stone. The colour of it, they inform us, like that of some
moment
it
has voided
kinds of amber,
is
it
being engraved.
They
assert,
too,
that
ANTIQUE GEMS.
77
believes,
copper even or of iron, a story which Theophrastus even on the faith of a certain Droiles. For my own
part, I look
and
precious stone seen with such a name as this." I may here adopt Pliny's words, and say that the perti-
nacity of some writers, in persisting to identify lyncurium with the hyacinth, or jacinth, has compelled me to notice it
to keep totally out of view Pliny's in his time there was no stone with such belief that express a name. Theophrastus certainly mentions lyncurium as a
here.
They seem
stone, but it was undoubtedly amber, for Pliny states elsewhere that lyncurium was a name given to amber by Demostratus, who tells the same absurd myth about the origin of amber as Theophrastus and other writers have
may have
arisen from Theophrastus terming amber a stone (At'0os). The true hyacinth, or jacinth, was undoubtedly unknown
gems of
that stone
have
besides the hyacinth is generally ; found of too small a size for the purpose of an engraved
gem, and
it is
also too
hard to engrave.
so-called hyacinths, or jacinths, in collections of in descriptive catalogues of antique intagli, are in or gems,
reality hyaciuthine garnets.
The
SAPPHIRUS.
LAPIS LAZULI.
Sapphirus, Pliny says, is refulgent with spots like gold. is of an azure colour, though sometimes, but rarely, purple; the best kind comes from Media. Theophrastus
It
78
ANTIQUE GEMS.
describes Sapphirus as spotted with gold-dust, and Isidorus " says, Sapphirus cseruleus est cum purpura, habens pulveres
aureos sparsos."
lazuli,
These descriptions answer to our lapis which are frequently disseminated particles through
of iron pyrites, bearing a great resemblance to gold. The principal supply of lapis lazuli at the present day is from Persia and Bokhara, to which, doubtless, the Media
of Pliny
may
be extended.
Lapis lazuli abundantly occurs in Egyptian jewellery, worked into signet-tablets, pendants, and charms. It was
rarely used for cylinders
fine
by the Assyrians, though some Greek work on this stone is extremely uncommon, but intagli and camei of the Roman
examples do
exist.
times are frequent in this material. In the Blacas collection is a head of Perseus, king of Macedon, in lapis lazuli. It was largely employed by the Persians under the
Sassanian dynasty for regal portraits and With the Italians of the Cinque Cento
favourite, particularly for vases
seals.
it
was an
especial
and
and
small relievi.
SOLIS GEMMA.
MOONSTONE.
description of the solis gemma given by Pliny as " white, but diffusing brilliant rays in a circle, after the fashion of that luminary," appears to suit the Adularian
felspar, known as the moonstone, from the silvery radiancy of the large orb that illumines its convex surface.
The
SELENITES.
ADULARIA.
Pliny's selenites appears to be a variety of adularia " white and transparent, with a reflected colour like that of It has a figure within it like that of the moon, and honey.
reflects
if
what we are
told
is
ANTIQUE GEMS.
true, according to its
79
It may be, however, our of lime, the thin laminae of which reflect the disk of the sun or moon.
phases."
The
were
split,
and employed by
SANDASTROS
(male).
SUNSTONE.
According to Pliny, there were two stones of the name of sandastros, the one male, and the other female ; the first
of which he describes as " having all the appearance of fire, placed behind a transparent substance, it' burning with starlike scintillations within that resemble drops of gold,
and
are always to be seen in the body of the stone, and never can have no upon the surface. It is found in India."
We
hesitation in connecting this stone with sunstone, a variety of adularia (ortholase felspar) of a pale yellow colour, and
which appears
full of minute golden spangles, owing to the of oxide of iron disseminated through it. of scales presence from Ceylon. it come of Examples
CHRYSOPRASIUS.
AMAZON STONE.
" as similar in tint to Chrysoprasius is described by Pliny the colouring matter of the leek, but varying in colour It is found of so large a size as between topazios and gold.
to
it,
and
is
cut into
cylinders very frequently." This stone was evidently an opaque stone, from its being associated with prasius, and is not to be confounded with
was
remarkable for
its
brilliancy,
We
stone,
would venture to identify this stone with Amazon which is brought from Lake Baikal in Siberia, and
80
ANTIQUE GEMS.
sometimes found in pieces sufficiently large to be made and other ornaments; 5 and lately fragments
is
of a pedestal either of a statue or a column sculptured of been discovered in the ruins of the villa of
" called by the Assyrians the of Belus, and which was of a leek-green colour, and
gem
greatly in request for superstitious purposes," was evidently the same stone. It was frequently used by the Assyrians The signet of Sennacherib in the British for cylinders.
Museum
is
of this stone.
chrysoprase, a green chalcedony coloured with oxide of nickel, was not known to the ancients. It is only found in Silesia.
The modern
NILION.
JADE.
which
from chrysoprasius in its dull, diminished lustre. " " According to Juba," Pliny says, Ethiopia produces it,
;
upon the shores of the river known to us as the Nilus to which circumstance, he says, it owes its name." According
to Sudines
it is
Attica.
This stone, in
all likelihood,
is
may be
localities 'which Pliny mentions, where nilion is found, It is largely correspond with those where jade occurs. It is also employed in India for ornamental purposes.
The
found in Egypt.
p. 29), Caire
speaks of a beau-
tiful
made
of
Amazon
stone,
ANTIQUE GEMS.
81
that
discovered by Mr. Finlay in Attica ; made, doubtless, from which occurs in the river Siberus.
Among Roman
antiquaries jade
is
TANOS.
JADEITE.
Pliny describes a stone which is "included among the It comes from Persia, smaragdi, and known as tauos.' and is of an unsightly green, and of a soiled colour within."
*
We calls this stone a pseudo-smaragdus. with jadeite, a translucent variety of zoizite, held among the most precious substances in China and throughout the East. The Chalchituitls (jadeite) found in
Theophrastus
would connect
it
Mexico, and so much prized by the Aztecs, was considered by the Spaniards to be an inferior emerald (baja esmeraMa}.
CALLAIS.
TURQUOISE.
Callais, Pliny says, "is like sapphirus in colour, only that it is paler and more closely resembling the tint of the
This we have water near the seashore in appearance." of the present was the to reason conclude turquoise every
day.
In the Marlborough Collection is a cameo of great rarity a small portrait of a Greek prince in a turquoise beautifully azure.
Antique intagli in this stone are said not to exist, except a few examples in the Sassanian class. The Renaissance artists employed it largely for small heads en ronde bosse,
and
usually
regarded as antique,
CALLAINA.
GREEN TURQUOISE.
is
of
82
ANTIQUE GEMS.
is
lie
inhabit
Mount Caucasus,
able for
its size,
remarkof extra-
but
full
neous matter; that, however, which is found in Carmania is of a finer quality, and far superior. It is only amid inaccessible rocks that
it
is
found, protruding from the surface, and slightly adhering to the rock.
The
oil,
finest of
best of these stones have the colour of smaragdus. The them lose their colour by coming in contact with
unguents, or even undiluted wine ; whereas those of a poorer quality preserve their colour better.
mountainous
from Nishapur,
in Khorasan,
where
mountain
identity of callaina with the remark of Pliny that by it loses its colour by coming in contact with oil or grease, for turquoise loses its colour by contact with oil or grease,
in all directions.
The
this stone
is
further confirmed
or
or camphor,
and
also
from damp-
ness.
rare antique works in turquoise," Mr. King " which have come down to us, are all executed in says, the green sort, the principal being the bust of Tiberius
(Florence), the head as large as a walnut, sculptured in full and the busts of Li via and the same emperor as a
child, in half relief,
The very
relief;
on a stone of
much
(Marlborough Collection).
Collection.
A mask of
in the Blacas
The Mexicans
ANTIQUE GEMS.
83
In the Christy Museum is a mask formed out of purposes. part of a human skull, coated with mosaic work, consisting
chiefly of turquoise
and obsidian.
fossil ivory of Theophrastus, is, probably, the odontolite, or bone turquoise de la nouvelle
cAe</>a<;
The
opvKros, or
The word yu,eAaiva, applied to it by Theophrastus, evidently means deep blue, as Dr. Hill suggests, as he applies a similar word to sapphirus or lapis- lazuli.
roche.
OPALUS.
"
OPAL.
" it is opal that precious stones," Pliny says, presents the greatest difficulties of description, displaying at once the piercing fire of carbunculus, the purple bril-
Of
all
liancy of amethystus, and sea-green of smaragdus, the whole blended together, and refulgent with a brightness that is
India is the sole parent of these precious This stone, in consequence of its extraordinary beauty, has been called 'paederos' (lovely youth), by many authors; and some who make a distinct species of it say
quite incredible.
stones.
that
it
is
is
called
sangenon.
These
last-mentioned
stones,
it
is
said,
are
found in Egypt, also Arabia, and of very inferior quality in Pontus." Pliny mentions also, as being in existence in his
time, a stone of the size of a hazel nut,
on account of which
Antonius proscribed the senator Nonius. On being proscribed, Nonius took to flight, carrying with him, out of all
his wealth, nothing but that stone, the value of estimated at vicies U.S., 20,000. of our money.
which was
There can be no doubt of this stone, described by Pliny, being the opal of modern times. " Some " doubt the mineralogists," Mr. King writes, fact that any region of the East Indies ever produced the true, merely because no such gem is now brought from
G 2
84
ANTIQUE GEMS.
thence; but the same argument applies here as in the case of the true emerald, not at this moment found in that
country, formerly the principal source of the stone." " The " is so rare a precious opal," Mr. Maskelyne says, that with our stone, mining enterprise and geological
research over the far vaster world of modern geography, we know of only two certain localities for it, in Hungary
and Mexico."
rounded pieces
It is said,
in
it.
sand,
in Ceylon,
Romans obtained
Mr. Maskelyne mentions a quartz in the trap rocks of the ghauts above Bombay, which sometimes shows an iridescence on certain of its crystal plains that seems to be
due
to the presence of this
sangenon
of India.
The
are likely to be of a similar substance. " as well " From its enormous value," Mr. King writes, must have been the as on account of its fragile nature, opal
rarely submitted to the skill of the
earlier
Hence
engraver, for the totally unacquainted with the gem." Professor Urlicks justly pronounces unique the opal
Roman
Greeks were
of the (former) Praun Collection, engraved with the head of Sol between those of Jupiter and Luna. The somewhat debased style," Mr. King remarks, " shows it to be a work
Lower Empire." Another magnificent opal, though corroded by time, set in a cabalistic ring of the thirteenth century, is now in the Braybrooke Collection.
of the
MITHRAX.
MATRIX OP OPAL.
The mithrax, which Pliny tells us comes from Persia and the mountains of the Red Sea, a stone of numerous
colours,
and
when exposed
opal,
to the
sun,
may be
identified
which
ANTIQUE GEMS.
exhibits
85
ANTHRACITIS.
" There
is
HYDROPHANE.
known
ance,
a stone," Pliny says, " found in Thesprotia, as anthracitis, resembling a burning coal in appear-
and which when drenched with water becomes Some of these stones," he adds, " are doubly glowing. said to be surrounded with a vein of white." These peculiarities would lead us to identify this stone with hydrophane, which acquires all the beautiful opalescent tints of the opal when immersed in water. The vein of white is
evidently cacholong, which
is
hydrophane.
CRYSTALLUS.
CRYSTAL.
was supposed by the ancients to be a kind it was a substance which assumed a concrete form from excessive congelation. Hence its name from the Greek /cpvo?, cold. According to Pliny, the best crystal came from India, but that found on the Alpine heights was also highly valued. It was never used for iutagli by the Greeks or in the Roman period. It was exclusively employed for vases and cups. Nero is known to have possessed two very sumptuous
crystal
Rock
ice,
of
and that
vases of this material sculpture, with subjects from the Iliad, both of which we are told he dashed to pieces in a
paroxysm of rage, when he received the tidings that all was lost. Pliny relates that there was such a mania for it, that a Roman lady, who was by no means rich, gave
150,000 sesterces for
a single bowl,
made of
crystal.
According
to Pliny,
vase of crystal,
Xenophanes speaks of having seen a which held one amphora. Pliny also men-
86
ANTIQUE GEMS.
as
tions,
the largest
work of
beheld, the one that was consecrated by Julia Augusta in the Capitol, and which weighed about 150 pounds.
out of a
single piece, the face engraved with some intaglio serving for a signet.
In
Italy,
intagli
in crystal
during the Renaissance period, some important have been executed. Valerio Vicentino
for this style of
was famous
of
work.
is
In the Cinque-cento
a magnificent casket
Collection in the
silver, gilt,
museum
at
Naples
with engraved plaques of crystal, representing mythological subjects, and various events in the history of Alexander the Great, in complimentary allusion to the
achievements of Alessandro Farnese, to whom it belonged. casket of rock It bears the name of Joannes di Bernardi.
crystal,
by Valerio Vicentino,
in the
cabinet
of
gems
in the
It was a present from Pope Clement Florentine Gallery. VII. to Francis I., on the marriage of his niece, Catherine
di Medici.
Crystal has been often used, both in ancient and modern In Pliny's time the art
to stain crystal,
so as
to pass for
AMETHYSTUS.
AMETHYST.
Among stones of a purple colour, Pliny gives the first rank to the amethyst of India, a stone which is also found, he says, in the part of Arabia that adjoins Syria, and is known in Petra, as also in Lesser Armenia, Egypt, and Galatia ; the very worst of of Pharos and Cyprus.
all
and the least valued being those Another variety approaches more
ANTIQUE GEMS.
:
87
nearly the hyacinthus (sapphire) in colour the people of India call this tint socon, and the stone itself socondion.
Another was
but
little
and a
valued, bordering very closely upon the purple gradually passing off into white.
A fine
ame-
thyst should always have, when viewed sideways (in suspectu), and held up to the light, a certain purple effulgence, like
To that of carbunculus, slightly inclining to a tint of rose. these stones the names of pcederos and ' Venus' eyelid
'
Veneris gena, 'A^poS^TTys /3Ae</>apov) were given, being considered as particularly appropriate to the colour and general appearance of the gem.
(
it
is said,
which, after closely approaching the colour of wine, passes off into a violet, without being fully pronounced. "All these stones," " are and of an agreeable violet transparent, Pliny adds, and are to Those of India have in colour, engrave. easy
perfection the very richest shades of purple." At the present day the finest amethysts come from India,
to the amethystine a brilliant violet of tint, and of two quartz very shades of colour (qualities distinguishing the Indian from the German). This stone must be, however, carefully distin-
when
guished from the true Oriental amethyst, which is a sapphire of a violet colour. " and in " Intagli of all dates," Mr. King says, every style, occur upon amethysts, but so much more generally on
the pale sort that an engraving upon one of a rich dark colour, may, on that very ground, be suspected as modern.
Although the amethyst came into use amongst the earliest nd in it an materials used by the gem engraver, for we abundance of Egyptian charms (pendants for necklaces), in
ANTIQUE GEMS.
the form of vases, shells, bands, &c., and sometimes Scarabsei, the last of Etruscan work also, and Roman intagli in it
are sufficiently numerous, yet it is a singular fact that we rarely meet with works in the highest style executed in this material. Probably the superior kind was too precious to be so employed, whilst the paleness of the other and cheaper
sorts
Mr. King Marlborough Omphale, on an amethyst (of the Indian kind) of superior lustre and richness of colour, and the Berlin Atalanta engraved on a large
intagli occur in this stone.
mentions,
among
others, the
circular
convex
stone.
Among
Diana of Appollonius.
Pallas of Eutyches.
Medusa.
a pale amethyst, the Achilles Citharredus of Pamphilus The Diana, of Appollonius (Naples), the Medusa (Paris).
(Blacas), the Mecasnas of Dioscorides (Paris), a head of Pan, deeply sunk in a pale amethyst inscribed 2KYAAH, in
is
a
I.
History of Gems,"
p. 31.
ANTIQUE GEMS.
This stone (\\ x 1 inch 8 forms the centre in the comb oval) belonging to the parure of antique gems, the property of the Duke of Devonshire.
of the race of the Sassanides. 7
is
" Heads, and portrait of Mithridates the Great. " both in full and in half busts," Mr. King writes,
even
relief,
often occur of antique workmanship in this stone, as some perfectly-preserved remains show they served to complete statuettes in the precious metals. The grandest of Medusa heads, the Blacas, is carved out of an amethyst of the darkest violet,
two inches
in diameter."
According to some authorities, the name amethyst has been derived from a not, peOvw to intoxicate, on account of its being a supposed preservative against inebriety. Von
Hammer
the word.
CRATERITES.
Craterites,
YELLOW QUARTZ.
in colour a
medium
between chrysolithus and amber, and as remarkable for its hardness, may be a yellow quartz which is often met with
of a rich orange yellow, partaking of the colour of amber. Pliny's Pontic Chrysolectri, and his Chrysolithus, twelve
pounds in weight, may be also identified with yellow quartz. Yellow crystal was seldom engraved upon by the ancients. Only a few examples are known. The best are a head of Julia Titi (Rhodes), a replica of the famous beryl of
According to Mr. Thomas, the legend surrounding the central it constituted the royal signet of Bahrain Kerman Shah, the son and second eventual successor of Sapor the Great, (Postumus, A.D. 310. 381), so celebrated in the wars of the
7
Lower Empire
Constantius.
3
as the too-successful
See frontispiece.
90
ANTIQUE GEMS.
Evodus, and a large double uneven stone of great lustre, covered with a Gnostic formula on both sides (British
Museum).
An
intaglio
is
Blacas Collection,
Citrine or yellow-green quartz was sometimes used by the ancients for intagli. This stone and yellow quartz are
which have come down to us from would appear that yellow stones were not in favour with the Romans, with the exception of those partaking of an orange tint. Yellow was, however, a colour
much
affected
by the Greeks
in their choice of
gems
with
Red
It is partly
composed of
crystal,
and
is
hexahedral in form,
like crystal.
It takes its
which
walls
it
it projects upon the nearest form and diversified colours of the rainbow.
to
whether
this is
Hyaline quartz
iris)
or the
decompose the
SANDASTROS
(female).
AVANTURINE.
sandastros, which Pliny describes as possessa of a more softened nature, and which may be flame ing to lustrous rather than brilliant, is doubtless be pronounced the stone termed avanturine. Pliny further writes that
The female
ANTIQUE GEMS.
91
" Isinenias asserts that sandastros, in consequence of its extreme softness, will not admit of being polished." This can alone be applied to the male sandastros (sunstone),
is
sandastros (avanturine quartz). One point, Pliny adds, upon which all the authorities are agreed is, that the greater the number of stars upon this stone the more costly it is in
price.
The best specimens of sunstone and avanturine present a number of starlike specks in it, the first being
scales of oxide of iron,
and
in the second
minute spangles
of mica.
in
Hammichrysos, which Pliny describes as resembling sand appearance, but sand mixed with gold, was evidently
SANDARESOS.
GREEN AVANTURINE.
Pliny tells us that a stone of the name of sanclaresos is mentioned by Nicander as a native of India as well as
sandastros.
The
colour of
sets
it
is
that of an apple, or of
green
any value on it. This is undoubtedly the green avanturine, which comes from India.
oil,
and no one
SARDIUS.
SARD.
is the rich and bright red, or or red Oriental carnelian. According chalcedony, yellowish to Pliny it derived its name from Sardis, where it was first
The
found, but
it
from
by the Greeks. The red was the favourite of the Romans. <k The most esteemed kind," Pliny says, " was from the
In India there are three varieties of vicinity of Babylon. ' this stone ; the red sarda, the one known as pionia,' from
its
thickness,
92
ANTIQUE GEMS.
tinsel.
ground of silver
The Indian
There are some those of Arabia being more opaque. found also in the vicinity of Leucas in Epirus, and in Egypt, which have a ground placed beneath them of leaf
gold."
India (Cambay)
still
red cornelian.
Pliny divides these stones into male and female, the male being more brilliant than the female, which
is
more opaque.
"
" exhibited gradations of colour," Mr. King writes, by the antique sard are almost innumerable. The bright cherry deepens into the fiery red of the carbuncle, and
The
thence into a semi-opaque black, only red when viewed by transmitted light. The bright pale yellow increases in intensity to the richest orange, and thence to a reddish-
brown
scarcely to
be
distinguished
"
(hyacinthine garnet). " " In this stone," we further quote Mr. King, nearly all the performances of the most celebrated antique artists are to
be found, for as a general rule fine work was never thrown away upon an inferior or too obdurate a material; and there
such was
its
toughness,
of which
is
susceptible,
which
last,
9
Pliny remarks,
it
Greek artists usually adopted the pale sard for the finer and more delicate works, but we find the blood-red sard and the brown sard occasionally employed by the engraver.
The finest Roman intagli are for the most part found in the bright-red sard, being the variety held most in esteem by the Romans.
9
ANTIQUE GEMS.
In the collection of the author
is
93
a beautiful specimen of
an intaglio in the bright-red sard (If by 1 inch, oval). The subject is a Victory with trophies, inscribed 2OAQNOS. It
was formerly
"
in the
Demidoff Collection.
The
King
this
says,
" was
much em-
ployed at
an
earlier period.
On
Greek artists, but drawn highly-finished figure's of the most minute stiffly execution, surrounded with borders, which were formerly termed Etruscan, but now are with more reason ascribed to Some good Roman works occur the Archaic Greek school. in this variety, but they are few in number, and of an early
the finest works of the
date, thus scarcely confirming Pliny's statement as to the disrepute into which the yellow-coloured had fallen." The pale rich yellow, or golden sard, was the favourite
stone of the
Greek
artist.
In the yellow sard, which is less transparent and where lurks the brightness of the golden sard, several Archaic Greek and Roman engravings occur. The Archaic Greek
intaglio of Hercules discharging his lian birds is yellow sard.
hyacinthine sard is the term applied to a rich and glorious variety of this stone which possesses the orange-
The
red
termed
is
with almost the transparency of the kind of garnet in France One beautiful hyacinthe la belle. example of this stone, bearing an intaglio of a Bacchante,
tint,
Sardine,
the
sardoine
of the
French,
is
a dark-red
of which
is
almost black,
its
fine colour
when
it is
looked through.
the late Greek, and early Imperial Roman periods, but still oftener the works of the Cinque-cento and modern artists.
94
ANTIQUE GEMS.
When the sard-like layers of the onyx are of inferior or opaque quality, the stone passes into jasper-onyx. " which are like " Those stones," Pliny says, honey in colour, are generally disapproved, and still more so when
1
they have the complexion of earthenware." In this dull red, earthy kind (the common carnelian) are the most ancient
the Egyptian and Etruscan scarabsei, and the greater part of the other ring-stones engraved in
intagli usually cut,
Etruria.
SARDONYX.
It has been denned by Pliny as originally signifying a white layer over sard (candor in sarda), like the human nail placed upon flesh, both parts of the stones being equally
transparent.
Such, according to
Ismenias,
Demostratus,
Zenothemis, and Sotacus, was the sardonyx of India. " " At the present day," Pliny says, the Arabian sardonyx
presents no traces whatever of the Indian sard (i. e. of a transparent red layer), it being a stone that has been found to be characterized by several different colours of late
;
black or azure for the base, and vermilion, surrounded with a line of rich white, for the upper part, not without a certain
glimpse of purple as the white passes into red. " the " In the stones of India," he says, ground
is
like
wax
with a
circle also of
is
white
around
a play of is redder
than even the shell of the sea-locust." " Pliny relates that in the time of Zenothemis these stones
were not held by the people of India in any high esteem, although they were found there of so large a size as to
admit of the
1
hilts
of swords being
made of them.
It
is
well
Maskelyne.
ANTIQUE GEMS.
95
known, too, that in that country they are exposed to view by the mountain streams, and that in our part of the world they were formerly valued from the fact that they are
nearly the only ones among engraved precious stones that do not bring away the wax when an impression is made. The consequence is, that our example thus at last taught
the people of India to set a value upon them, and the lower classes there now prize them even to wear as ornaments for the great proof, in fact, at the present day, of a sardonyx being of Indian origin." Pliny also mentions that the first Roman who wore a sardonyx, according to
;
the neck
Demostratus, was the elder Africanus, since whose time this stone has been held in very high esteem in Rome.
With most
sardonyx
fpvOpa eTrtTroX^s, as appears also from \f/f)(f>o<s what Pliny says as to the manner of forging it (xxxvii. 75). " Sardonyx gems are made up out of three stones cemented
together so neatly that the fraud cannot be discovered, by selecting one a black, another a white, the third a red, each one the best in its respective kind." In the same sense
with zones.
'"
Though three layers at least were required to constitute a true sardonyx (with only two it remained an onyx), yet these might be repeated indefinitely without altering its Kohler lays down " that it was a sardonyx as designation. colours lay in regular layers one over different as the long
the other.
It was sardonyx, whether the white stratum united with a male or female (dark or light) sard ; whether the stone possessed three, four, five, or nine strata. For the
96
ANTIQUE GEMS.
name sardonyx implied the regular union of the sard with a white layer now the sard exhibited innumerable gradations into red, yellow, brown, and black."
;
is
required to exhibit the same characters as when Pliny The base must be black (in reality a transdefined them.
lucent chocolate colour
when held
The Romans
employed
it
in their jewellery
cabochon, or in a truncated cone of an oval section, more or less high, so proportioned as to display the three zones to
When intagli are found in a sarthe greatest perfection. donyx they are always sunk but slightly into, or rather
sketched upon, the surface, so as to be invisible at a
distance.
It
trifling
was
was
specially reserved
the various shades, taken advantage of with singular dexterity by the artist, enabled him to add the charm of colour
to the relief.
He has frequently availed himself with wonderful skill of the different colours of the alternating zones
" Dealers and others," Dr. Billing writes (" The Science of Gems," " make an interminable confusion of nomenclature with respect to onyx and sardonyx, but the solution is very simple ; it has been erroneously asserted that onyx means a stone of two strata, sardonyx
2
p. 66)
number
The terms have not the slightest reference to the Onyx means merely the superposition of at least
one stratum over another, one being white, and the other pale, translucent or red, or black, or brown, or any other colour ; but if that other colour be sard, it constitutes a sard-onyx (sardonyx candor in sarda ; Pliny, lib. xxxvii.) ; and there may be three or more layers
:
ANTIQUE GEMS.
97
the garments. These polychrome works belong to Roman and imperial times, more especially to the reign of Hadrian, to whose age may be referred the greater number of the fine
Roman camei, representing in apotheosis the members of the Julian and Claudian families often upon sardonyxes of
vast dimensions, and exhibiting from two to four or five
Cameo
98
ANTIQUE GEMS.
which has
been taken advantage of by the engraver for the rendering of some particular portion of his design.
Some
art
of the most celebrated productions of the glyptic among the ancients have been executed in sardonyx.
The largest slab of this material known is that forming the Carpegna cameo (in the Vatican), 16 inches long by 12 deep, the subject the Triumph of Bacchus and Ceres,
executed in a stone of five layers. Next in size, 13 >r"ll inches,
is
France," known as the Agate of the Sainte Chapelle, representing the Triumph of Germanicus, and the Apotheosis of
Augustus.
five strata.
Gemma
Augustea.
Third
art, is
in point of magnitude, but superior as a work of " of Vienna, the subject of the " Gemma Augustea
is
which
the reception of Drusus (father of Germanicus) by Augustus as Jupiter, and Livia as Roma after his victory
ANTIQUE GEMS.
99
cal,
over the Rhasti and Vendelici, B.C. 1 7. Its shape is elliptiIt has only two layers. inches. In the Marlborough Collection is, perhaps, the most
9x8
extraordinary sardonyx in the world, for it presents stratpof transparent sard, purple, or rather lilac, opaque white, and a ground of opaque black colours not united in any
other example
known
busts,
to the world.
two imperial
It is a
to
attributed without
much
reason to
may have
belonged
some
wrought
at a late period,
Tazza F*rnese.
ii
100
ANTIQUE GEMS.
so late a period, perhaps, as the age of Constantine, but it presents no marked likeness to any imperial pair of heads. It is 8 inches wide by 6 deep. The Tazza Farnese in the museum at Naples is a beautiful
specimen of sardonyx, 8 inches in diameter. In the inner portion of the tazza is a cameo, the subject of which is supposed to be The Prosperity of Egypt. The outer portion
is
in relief.
The Gonzaga
or Odescalchi
Cameo.
According to Visconti the portraits are those of Ptolemy Euergetes and Berenice. Mr. King finds a resemblance in the male head to that of Nero, and the female to It is a sardonyx of three strata, but is Agrippina.
1
given
The
collars
and ornaments
Size
joinings.
6x5
inches.
now
ANTIQUE GEMS.
101
made of a splendid sarstyled the cup of the Ptolemies, is donyx, 5 inches high. Its sculptures represent masks, vases,
and other Bacchic emblems.
executed for
was supposed to have been Ptolemy Dionysus, but, as Mr. King says, it
It
may be
material.
Another celebrated vase of sardonyx is the Brunswick vase, which represents the myth of Ceres in search of It is an alabastron, Proserpine, and that of Triptolemus.
or
tall
perfume
jar,
supposed to indicate
Augustus.
The
layers.
It has
noble bust of Augustus, with the aegis on the breast, cameo of sardonyx of three
It is of an oval form, measuring 5i inches by 3|. been generally considered to belong to the Augustan
age.
The
sometimes occur,
variety termed chalcedonyx, in which antique camei is not mentioned by any ancient writer,
102
ANTIQUE GEMS.
this stone
cameo of
Amymone,
ONYX.
Numerous and
definitions
of onyx
given by Theophrastus onyx as a mixture of white and dark brown placed alternately. Pliny gives different descriptions of the Indian and Arabian
ancient writers.
defines
of onyx according to Zenothemis and Sotacus, us that Sudines says that in this stone there is a white portion which resembles the white of the human
varieties
and
tells
and
iaspis, and lastly says that the real onyx, according to Satyrus, has numerous veins of variegated colours, interspersed with others of a milk-white hue.
Kohler makes the following distinctions between onyx and sardonyx, basing his view on the definitions of onyx " The given by ancient writers. question, how is the onyx to be distinguished from the sardonyx, is now easily to be answered out of Pliny. As far as regards the substance
and the colours, both are one and the same
called
stone.
It
is
brown, or yellow ground is covered with white veins irregularly and capriciously disred,
posed.
onyx.
But
if
one over the other, then it became the sardonyx." The onyx of the ancients would thus appear to be our agate, an irregularly-stratified stone, the layers of which
lar strata,
are
wavy and
The description, however, of Theophrastus and of the Arabian onyx would seem to point to the onyx as consisting
ANTIQUE GEMS.
103
of parallel horizontal white and black layers, like the onyx of our day.
is
defined
as consisting of only two layers, a white over a black. The onyx or agate seems to have been in much
use
The
of
Appian
where he
onyx.
among Roman
ruins.
some fragments of these cups, which present all the irregularly-stratified features of the onyx as defined by Kohler, and as described by Satyr us.
The banded, or so-called tri-coloured agate, so cut that the strata are seen crossing the stone, was much affected in the earlier, and also common in the late phase of ripened Greek taste, especially in Magna Grecia. The
times.
of the
onyxes or agates came from India in ancient " They are mentioned by the author of the Periplus Red Sea," as being brought from Ozene (Ougein)
finest
down
to
Baryguza (Broach,
in the
Gulf of Carnbay)
for
exportation. At the present day a great abundance of the finest varieties of agates or onyx-stones come from the Nerbudda, and
JASP-ONYX.
Pliny's
writes,
is
onychi juncta quae jasp-ouyx vocatur," Mr. King indicated by the very composition of the name, as
"
104
ANTIQUE GEMS.
is
that extremely rare onyx, in which a true opaque red jasper superimposed upon a plasma, to use modern terms. In
such
material
BELI OCULUS.
EYE ONYX.
Beli oculus, which Pliny describes as a stone of a whitish hue, surrounding a black pupil in the middle, which shines amid a lustre like that of gold, was only some highlyshaded variety of the eye onyx. Pliny adds, " This stone,
in consequence of its singular beauty, has to the Deity (Bel),
been consecrated
and held
by
It is
much
day in India. Another variety of the eye onyx is Leucopthalmos, which he describes as of a reddish-hue, and presenting all the appearance of an eye, in white and black.
^EGYPTILLA.
"
NICOLO.
The stone commonly known by that name," Pliny writes, black at the lower part, and blue on the surface." This is an exact description of the variety of onyx known as nicolo, consisting of a layer of a bluish tint over black.
"
is
When used for an intaglio, the design was cut down through the blue layer into the black. Intagli in this stone are invariably in the Eoman manner, and in style all posterior to the reign of Nero. They
usually have bevil edges. The nicolo continued to be a rather favourite stone so
long as gem-engraving existed as an art, and among the gems of the Sassanian empire we find mingled with many luminous and lovely sards, and with transcendent garnets,
ANTIQUE GEMS.
105
nicolos presenting the finest contrasts in their colours, all these stones carrying the singular and rudely-worked subjects which seem to have represented an art inherited from
the days of Mesopotamian cylinders, and Persian conical stamps, but modified in its technique by the introduction of
Mr. King mentions a splendid specimen of an intaglio in Hertz collection. It is an oval 2 of the inches richest blue and black, engraved high, nearly in a very bold manner, with Apollo resting his lyre on a
this stone formerly in the
column, and standing before a tali smoking tripod. nicolo with the head of Caracalla is in the Blacas Collection.
PRASIUS.
PLASMA.
prasius of Pliny is a plasma, a chalcedony of leekBy Pliny it is congreen colour, with a waxy lustre. sidered the commonest among the numerous kinds of green
stones.
The
It at
for
intagli
among the
Romans
mythological
Rome.
plasma possessing a bust of Severus, in a large gem of remarkable beauty, in the British Museum. Camei in this stone are abundant, but seem, with few
great artistic merit
exceptions, to belong to the times of the Renaissance or
later.
intaglio in
Plasma
stone
is
di smeraldo
this
known
According was a plasma, a pale green chalcedony, but of the greatest rarity when carrying true Greek work.
106
ANTIQUE GEMS.
Some modern writers frequently confound this stone It is a (plasma) with prase, a stone of a different nature. dull green, impure, translucent vitreous quartz. No antique
intagli
it
to
the ancients.
HELIOTROPE.
This variety of prasius, mentioned by Pliny as disfigured with spots like blood (sanguineis punctis), is our heliotrope, a plasma, or green chalcedony, interspersed with small patches of opaque bright red jasper.
JASPIS.
CHALCEDONY.
description
The
"
following
is
is
Pliny's
of this stone:
Jaspis green, and often transparent. Many countries this stone. That of India is like produce smaragdus in
colour that of Cyprus is hard, and of a pale sea-green and that of Persia is sky-blue, whence its name, aerizusa. There is also the terebinthyusa iaspis.' "
;
'
From greenness and, more or less, translucency being the essential characteristics of the ancient jaspis, it cannot
be identified with the jasper of modern times, as it is an opaque stone. The jaspis of Pliny would appear to include
the several varieties of chalcedony the green, the blue, the yellow; in a word, as Mr. King savs, every colour
except the blood-red, which gave its name to the sard. The green jaspis of India and that of Cyprus, mentioned by Pliny, appear to be plasmas, while that of Persia (the
aerizusa) is the sapphirine, or blue chalcedony, of modern times, and the jaspis terebinthyusa, the yellow chalcedony.
The leuchachates of Pliny is according to some writers white chalcedony, or our modern white carnelian.
ANTIQUE GEMS.
107
The Indian green jaspis of Pliny appears to be a plasma of a rarer kind, and almost approaching in colour to the emerald, while the prasius was a plasma of a commoner
which the greater number of Roman intagli were engraved. At the present day a fine green Indian plasma comes from the Vendhya hills.
sort, in
Some intagli of a Roman period occur in this jaspis, or plasma, of a beautiful emerald colour. " like emerald in Pliny mentions a variety of this stone,
colour, but traversed
middle," called jaspis monogrammos. An example of this stone occurs in a gem in the Blacas Collection. It repre-
young Faun standing and lifting his cup on high. Cylinders of the Assyro-Babylonian or later Babylonian period often occur in sapphirine. It was also a favourite
sents a
The most beautiful stone for Assyrian conical stamps. Persian cylinder known is in sapphirine. Some fine examples beautiful of Greek workmanship appear in this stone.
intaglio on a large stone of this sort is in the British Museum the subject is a Victory crowning a trophy.
Greek
Roman
met with.
Medusa
of Solon.
cedony, and
Babylonian cylinders are frequently made of grey chalit is the material almost exclusively used for
108
ANTIQUE GEMS.
seals of the
Sassanians.
Scarabaei of
intagli, fre-
Roman
quently occur in this material. The Dionysiac Bull of Hyllus (Paris) and the Medusa of Solon (Blacas) are in
full
and
in bas-relief,
and of con-
in chalcedony.
these carvings constituted the phalerse so often mentioned as military distinctions on armour. Many modern intagli occur in white chalcedony or carit
nelian, but
in ancient times.
ACHATES.
SICILIAN AGATE.
Theophrastus, in his work on stones, says, "Achates is a beautiful stone it has its name from the river Achates
;
and is sold at a great price." Pliny " Achates was a stone writes, formerly held in high in now held none. It but was first found in Sicily, esteem,
(the Drillo), in Sicily,
near* a river of that
numerous other
stones of this
name, but has since been discovered in In size it exceeds any other class, and the varieties of it are numerous,
localities.
the
name varying accordingly. Thus, for example, we have iaspachates, cerachates, smaragdachates, hasmachates, leuchachates, dendracates (marked with small shrubs), autachates, and corralloachates, spotted all over with drops
of gold, and commonly found in Crete, where it is also known as ' sacred achates." He mentions also a property of the Sicilian stones as being good for wounds inflicted by " The stones that are found in spiders and scorpions. " are he of similar properties, continues, India," possessed and of other great and marvellous properties as well ; for
'
ANTIQUE GEMS.
109
beasts of burden, and forms even like ivy and the trappings of horses."
Theophrastus and Pliny in their description of achates seem to speak only of that kind of agate which resembles
the Sicilian, which never exhibits stratification or zones.
It always occurs in patches of yellow and white, brown and white, red and white, &c., intermingled. Sicily at the
jaspers
present day continues to supply an abundance of agates and of beautiful varieties, with which some of the
churches in Sicily are profusely ornamented. The stratified stones with zones of colour, which come
from India and Brazil, and to which at the present day the
term of agate
ancients.
is
applied,
This distinction
"
says,
is
confirmed by
agate.
is
not.
is
ornamented by nature
wonderful manner, with lines or spots of various colours, which exhibit images of different objects some,
in a
;
from obscurely,
trees, animals,
&c.
Pliny's cerachates, sardachates, haemachates, smaragdachates, are thus evidently only the different varieties of the
Sicilian agate,
resembling them, in patches or spots of yellow and white, brown and white, red and white, green and white, &c.
identified
green agate from India (Cambay). The dendrachates, marked with small shrubs, of which Pliny mentions such numerous varieties in India, were
doubtless the moss agate, or that generally termed mocha " It is chiefly brought from Arabia. stone. Variegated
110
ANTIQUE GEMS.
ated, are
stones with landscapes, trees and water, beautifully delinestill found in India at Cubberpunj (the five tombs)
a place sixty miles distant from Rajpipla in Gruzerat. 3 The coralloachates appears to have been a variety peculiar
to Crete, but
is
now unknown
ASTROBOLOS.
to us.
CAT'S EYE.
" Sudines " that astrobolos resembles says," Pliny writes, the eye of a fish in appearance, and that it has a radiant
white refulgence
when viewed
in the suu.'
This
is
not
improbably the cat's eye, a translucent variety of Chalcedonic quartz, which displays a peculiar floating white
streak of light when cut en cabochon. Amongst the Marlborough gems is a monster cat's eye, If inch high, carved into a lion's head. It belongs to the
Cinque-cento period.
JASPER.
Red and yellow jasper, in which Roman intagli abound, appears to have come into use after Pliny's date, as he nowhere mentions any stones which can be identified with
Pallas of Aspasius.
them.
Engravings on these stones belong the Middle Empire and the decline.
3
to the times of
ii.
p. 20.
ANTIQUE GEMS.
Ill
of
found in a breccia in India, and also in Egypt, was often used for Roman gems in the later The most celebrated work in red times of the Empire.
jasper
is the elaborately helmeted, but noble head of MiI OY. PI nerva, at Vienna, signed In the Marlborough collection is a head of Vespasian, in
AC AC
red jasper, probably a contemporary work, and a very early example of this material. Red jasper often carries imperial
portraits of the time of Hadrian,
his
of those times.
Red jasper
good
polish,
found in
Sicily,
but
it
and
The
bright
spotty in colour, and full of veins. vermilion jasper, in which many Roman
is
was perhaps the corallis of Pliny, which he describes as a native of India and Syene, and resembling minium in appearance.
intagli frequently occur,
Some
betical
list,
and which comes of the very finest quality from ^Ethiopia and also from Arabia and Africa, with red jasper.
colour,
Roman and
inferior
Gnostic engravings of a late date, and of work, frequently occur in yellow jasper. It appears,
however, that this stone was used at an early period in Egypt. In the British Museum is a small seal tablet, of
beautiful yellow jasper, carrying on one side a hollow backed horse ; on the obverse is a bull standing at rest,
with the cartouche of Amenophis II. (1450 B.C.). Black jasper, an extremely fine, close-grained substance,
by the Greeks,
tagli
;
for
has been employed some of their finest inexample, the fragment of the head of the dying
tells us,
112
ANTIQUE GEMS.
collection).
is
Medusa (Praun
seated
sphinx,
a Greek
also noticed.
No description of a gem answering to this stone is to be seen in Pliny's list. Inferior, or Lower Empire, work never occurs in this
material.
MOLOCHITES.
"
GREEN JASPER.
Molochites," Pliny says, "is not transparent, being of a deeper green and more opaque than smaragdus ; its name is derived from the mallow (/x,oAoxr/), which it resembles in
It is highly esteemed for making seals. This stone a native of Arabia." This is undoubtedly our green The stone which Pliny terms sphragis, from the jasper.
colour.
is
circumstance of
is
all for
making
signets,
The green jasper, which was much used in antiquity for the earliest Assyrian cylinders and for the latest Gnostic amulets, is a mixture of the green mineral chlorite with
chalcedony. Phosnician
scarabaei are usually
chlorite jasper.
The
scarabs found
the cemeteries of
Tharros, in the island of Sardinia, are also of a dark green jasper, and are undoubtedly Phosnician.
No gem of Greek type is known in green jasper. Some Roman intagli are, however, met with in this stone. Mr.
King
notices two, one of a racer bearing off the palm of " Tiberis " inscribed over him, in his own victory, his name collection ; and another with the conjoined heads of Diocle-
tian
Sassanian seals frequently occur of the same material. dark green, opaque, close-grained jasper, occasionally
ANTIQUE GEMS.
113
clouded with red, was in great request with Egyptian engravers for religious intagli, from the epoch of the Pharaohs
down
to the
In the Maryborough collection is an opaque, pale green jasper (only found in India now), bearing in intaglio the profile portrait of Cleopatra with the head attire, the sacred
Vulture, and other ornaments of an Egyptian queen. dull, pale green variety of jasper is used at the present in Persia for seals.
The
white,
Prasius, described
is,
HELIOTROPIUM.
"
BLOODSTONE.
" is found in Heliotropium," Pliny writes, ^Ethiopia, It is of a leek-green colour, streaked Africa, and Cyprus.
It has
rJAios,
the sun, and rpeVw, to turn) from the circumstance that, if placed in a vessel of water, and exposed to the full light of the sun, it changes to a reflected colour like that of
blood."
This stone is undoubtedly the modern bloodstone, an opaque green jasper, with red streaks. Antique intagli, in this stone, are rarely to be met with. It occurs, however,
the
talismans
not
of the
later
It was held in great favour in the Byzantine period, and by the artists of the Revival, from an old tradition that it owed its origin to the stones lying under the Cross, on
Calvary, stained by the droppings of the Saviour's blood. Vasari mentions a work by Matteo del Nassaro, in this
stone, representing the
114
ANTIQUE GEMS.
the blood
trickling
the sanguine spots exactly depicted from the wounds of the Saviour.
Bloodstone
is
at the present
it is
for seals.
In
SMARAGDTJS MEDICUS.
MALACHITE.
medicus, which Pliny describes, as found of greater dimensions than any other sort of smaragdus, of a wavy pattern, and sometimes resembling sapphirus (lapis lazuli), is, in the opinion of most writers, our malachite, a
The smaragdus
green carbonate of copper, and the substance resembling sapphirus, azurite, a blue carbonate of copper frequently associated with it.
camei.
was sometimes, but very rarely, used by the ancients for The Pulsky Collection affords an example of a cameo in malachite, representing the bust of a Bacchante.
It
It belongs to the best period of
Roman
art.
HEMATITES.
"
HEMATITE.
" of the very finest
quality, comes from ^Ethiopia, but it is found in Arabia and Africa as well. It is a stone of a blood-red colour."
" Theophrastus also describes it as of a dense, dry, or, according to its name, seeming as
concrete blood."
at/xa,
solid texture,
if
formed of
The name
is
haematites
is
derived from
blood.
This stone
It has
identified
been often used for scarabasi and intagli by the Egyptians, and for cylinders by the Assyrians.
iron-stone.
MAGNES.
to
MAGNETITE.
Sotacus, according Pliny, describes five different kinds of magnes, all, no doubt, varieties of oxide of iron.
The
its
weight
in silver;
ANTIQUE GEMS.
115
that of Magnesia, bordering on Macedonia; a third from Hyettusin Boeotia; a fourth from Alexandria in Troas; and
from Magnesia in Asia. Those of Magnesia, boron Macedonia, are of a reddish black; those of Boeotia dering are more red than black. The kind found in Troas is
a,
fifth,
black.
Pliny, on the authority of Nicander, states that the its name from the herdsman who first disco-
Mount
Ida,
by
its
his staff as
Its Greek name was generally of a metallic, steely lustre. It is the favourite 'Hpa/cAeca Ai'0os, the Heraclean stone.
material for Babylonian cylinders of the Archaic and later It was also much in use in Egypt, and in Persia, periods. for Cuphic signets. It was rarely used by the Romans, and
that at a very late period: a tolerable intaglio in hematite, with a bust of Abundantia, is noticed in the Marlborough Collection. Rude intagli, with Gnostic subjects, used as
amulets,
this
stone.
There
is
in the Collegio
and which
is
Romano, Rome, encircled with hieroglyphics, said to present an unexhausted and still
its
energetic action at
opposite poles.
OBSIDIANUM.
"
OBSIDIAN.
Among
may
the various kinds of glass," Pliny writes, " we also reckon Obsian glass, a substance very similar to
the stone which Obsias discovered in Ethiopia. This stone is of a very dark colour, and sometimes transparent, but ii
is
and
reflects,
when
attached as a mirroi
object rather than the image. make stones out of it." Pliny mensignet Many persons " were tions further on that tested with the dust of gems
to walls, the
i
shadow of the
116
ANTIQUE GEMS.
mark upon
glass,
Obsian stone (Obsidian), as it will not leave a the surface of a genuine stone."
is
composed of alkaline In consequence of its reflecting properties, the ancient Romans and the Corinthians frequently made it into
mirrors,
their apartments
were
for
looking-glasses.
The
Mexicans
of
also used
it
In Pliny's time it arrows and lances. imitated in glass, and employed as a material for plates and
dishes.
Antique
intagli,
Mr.
Praun
on a large obsidian, with a Gnostic design on the reverse. Herodotus describes the Ethiopian contingent in the host
of Xerxes, as equipped with reed arrows tipped with a stone, sharpened to a point, with which they engrave seals. This stone was evidently obsidian, with the sharp
splinters of
which the Egyptians doubtless carved their and other soft materials.
At the present day, flakes of obsidian are frequently found in several parts of Greece, evidently used in primitive
times for arrow-heads.*
GAGATES.
"
"
JET.
is a stone, so called from Gagates," Pliny writes, a town and name of river in Lycia. the It is Gages,
In the possession of the author are several of these flakes of obfrom Marathon, Tanagra, and Aphidua, and some cores of the same stone, from Salagora, near Arta, kindly presented by Mr. FinObsidian is found in the island of Melos. lay.
sidian,
ANTIQUE GEMS.
asserted,
too,
117
it
up, and
It
that
is
it
is
in extent.
little
from
wood
appearance, is of a brittle texture, and emits a disagreeable smell when rubbed." This is an exact descrip-
well-known substance jet, which is a variety of lignite of a velvet black and emits when burnt a very At the present day, it is found strong bituminous smell. in the amber mines on the coast of the Baltic, where it
tion of the
is
known by
the
in
alum
shale,
in the
neighbourhood of Whitby, Yorkshire. "Jet was," Mr. King says, "turned by the lathe into orna-
subjugated this island, since large rings worked out of solid for bracelets and anklets, are often discovered
amongst other British remains. The round disks, cut out from the centre of these rings, the refuse of the turner,
often found in heaps together in Dorsetshire, long puzzled
who agreed to call them 'Kimmeridge Coal Money,' and to regard them as a primitive currency. Their true origin has been but lately ascertained."
antiquaries,
all
Intagli in jet, sold as antique or mediaeval, are said to be recent forgeries, as the ancients never used that material
for
engraving on.
SUCCINUM.
"
AMBER.
in rank after murrhina and crystal," Pliny writes, the "among objects of luxury, we have amber (succinum), an article which, for the present, however, is in request
Next
continues, "that
amber
is
a product of the islands of the Northern Ocean, and that it is the substance by the Germans called glcesum. Amber
118
ANTIQUE GEMS.
is
produced from a marrow discharged by trees belonging gum from the cherry, and resin
It is a liquid at first, which issues forth in considerable quantities, and is gradually hardened by heat or cold, or else by the action of the sea, when the
these islands.
At
all
events,
is
coasts in so light a
form that
in the shallows
has
all
the
appearance of hanging suspended in the water. Our forefathers, too, were of opinion that it is the juice of a tree,
and
gave
it
the
name of
great proof that it is the produce of a tree of the pine genus is the fact that it emits a pine-like smell when rubbed, and
it burns, when ignited, with the odour and appearance of torch-pine wood." " Amber is imported by the Germans into Pannonia,
that
more
particularly, from whence the Veneti, by the Greeks called Eneti, first brought it into general notice, a people in
the vicinity of Pannonia, and dwelling on the shores of the From this it is evident how the story which Adriatic Sea.
connects it with the Padus first originated, that after Phaeton had been struck by lightning, his sisters became changed into poplars, which every year shed their tears
upon the banks of the Eridanus, a river known to us as To these tears was given the name of electhe Padus.'
' *
trum.'
"
One
in a liquid state,
great proof that amber must have been originally is the fact that, owing to its transparency,
and
ants, for example, gnats These, no doubt, must have adhered to it when liquid, and then, upon its hardening, have remained enclosed within."
lizards.
**
further.
ANTIQUE GEMS.
"
119
The white
is
this
esteem.
more
so,
The red amber is more highly valued and still when it is transparent, without presenting too
brilliant and igneous an appearance. For amber, to be of high quality, should present a brightness like that of fire, but not flakes resembling those of flame. The most highly-
esteemed amber
transparent, and
is
that
known
it is
perfectly
softened, transparent brightness. Other kinds, again, are valued for the mellowed tints, like the colour of boiled honey in appearance. When a vivifying
it by rubbing it between the will amber attract chaff, dried leaves, and thin bark, fingers, in the same the that just way magnet attracts iron." Amber even at the present day is still found on the coasts of the Northern Sea, the Baltic and Pliny is evidently in his that is produced from trees amber conjecture right
belonging to the pine genus, as, according to Professor Goppert, it is the viscous resin of a fir named by him
pinitis succinifer.
Amber claims the highest antiquity in the list of subIt was much prized stances used for personal ornament. 5 by the ancient Etruscans, and was frequently introduced into their jewellery. In the possession of the author is an
Etruscan ring with a piece of amber set in also frequently occur in this substance.
It
it.
Scarabaei
was known
to the
early Greeks.
gold necklace
5 There is supposed to have been a very active commerce of the Etruscans with northern Europe. The object of their quest was amber, as is established by the much more frequent occurrence of objects of Etruscan manufacture in the extreme north of Prussia than in any intermediate district.
120'
ANTIQUE GEMS.
bits of
hung with
460)
is
amber
(/xera
8'
^Ae'/a-poio-u/ cepro,
Odyss. xv.
'
mentioned in Homer.
tells
but Pliny
rion,'
beast
particu-
mental and decorative purposes. Pliny tells us that the nets which were used for protecting the podium of the
amphitheatre against wild beasts were studded with amber by Julianus, the manager of the gladiatorial exhibitions,
All the weapons and articles Emperor Nero." used during the games of the amphitheatre were also made of amber. The largest piece of amber that Julianus brought to Rome was thirteen pounds in weight. Mr. King mentions as the most precious example extant
for the
6
of
Roman
Collection,
full relief
carving in this substance, a ring in the Waterton formed into an elegant design with Cupids in
A
tion.
upon the shoulders, cut out of a single piece. most interesting specimen of carved amber is in the
British
Museum; it was formerly in the Pour tales CollecThe subject represents a bearded figure, whose legs
appear to terminate in a serpent, embracing a draped female This group measures 6| in. by 3J in., and is, figure. probably, the largest extant specimen of amber sculptured
Small figures carved in this material in a by the ancients. Archaic style have been found in Etruria. very Amber has been occasionally found in tumuli in England.
Perhaps the
finest
in this
country is the cup which some years ago was found at Hove, near Brighton, and is now exhibited with associated stone
In the possession of the author
is
ANTIQUE GEMS.
121
and bronze implements in the Brighton Museum. Amber has been found in some of the tumuli explored by Mr. C.
Spence Bates,
in
Dartmoor.
CORALLIUM.
"
CORAL.
According to Theophrastus, KovpaAAiov (coral) is a stone red in colour, and its shape cylindrical, in some sort resembling a root. It grows in the sea." Pliny writes: "In the same degree that people in our part of the world set a
value
prize coral.
India, do the people of India produced in the Red Sea also, but
It is to be found also in the
7
Persian Gulf, where it is known by the name of 'iace. But the most highly esteemed of all is that produced in the vicinity of the islands called Staechades (the Hyeres), in the
Gallic Gulf, and near the -ZEolian Islands
Drepana
(Trapani), in the
too,
Sea of
Sicily.
to
be
of
is
found growing,
at
Graviscaa,
and
off
coast
Neapolis, in Campania, as also at Erythras, where it intensely red, but' soft, and consequently little valued."
is
its
colour green,
its
and
soft
but
the
moment they
appearance. by a person,
and
They
it
if it is
only touched
and hence
this
it
it
is
will immediately become as hard as stone, that the greatest pains are taken to prevent
it
by tearing
last
its
nets, or else
cutting
which
circumstance
is
received
shearing).
The
reddest coral and the most branchy is held in the highest esteem, but, at the same time, it must not be rough or
122
ANTIQUE GEMS.
yet,
it
be
of holes or hollow."
to
medicine, for Pliny tells us, bunches of corals, hung at the necks of infants, are thought to act as a preservative against danger; calcined and pulverized, and
in
and
taken in water,
griping pains and
it
At
malignant influence of the evil eye (malocchio). It has been said that coral was never used by the ancients
for glyptic purposes, either in relief or antique intaglio. carved head of Jupiter in coral was lately in the possession of Mr. Phillips, in Cockspur Street. From its character
An
and pattern
period.
It
it is
was found
said to be undoubtedly Greek of the best in Greece by the Duke of St. Albans.
is
An
in
stone),
MARGARITA.
writes: "
PEARL.
Theophrastus gives but a brief notice of the pearl. He To the number of gems held in esteem belongs that
Neck-
produced in a kind of oyster, and in like manner, in the pinna. It is found in India, and on the shores of certain islands in the
it.
made out of
It is
Red
Sea."
by Isidorus
ANTIQUE GEMS.
of Charace.
in his
123
According to these writers the pearl-bearing oyster was found in ancient times in the Indian Sea, on the coasts of
Armenia,
Persia,
Susiana,
Babylonia,
and
Taprobane^
(Ceylon), which
was
most productive fishery. The Red Sea pearls were the most transparent; the Indian, though superior in magnitude to all the others, had
something of the opaque lustre of
talc.
Those of the
best quality were distinguished by the title exaluminatce, i. e. clear as a When larger than ordiglobule of alum. the name unio was nary, given them ; when pear(unique)
elenchi.
The
seems
pearl was
to
in great
It
the
Asiatic Greeks.
In Pliny's time the pearls of India and in esteem to the adamas, taking the
precedence of the emerald and the ruby. It was the Asiatic conquests of Pompey, Pliny tells us, that first turned the taste of the Romans towards pearls
and precious
In his triumphal procession were stones. carried thirty-three crowns made out of pearls, a temple of the Muses supporting a sun-dial, a portrait (bust) of the victor himself, formed out of the same precious units.
Caligula wore slippers made out of pearls, and Nero had sceptres for the actors in his theatre wrought out of them.
Pliny mentions having seen Lollia Paulina, the widow of Caligula, completely covered over with strings of alternate
pearls and emeralds to the value of 400,000/. of our
money.
the extravagance of one of the two to outdo threw Cleopatra, who, Antony, finest pearls in the world into a cup of vinegar, and when
Pliny's story
is
well
known about
124
ANTIQUE GEMS.
it off. "It is unfortunate for this good Mr. King remarks, " that no acid the human stomach
dissolved drank
story,"
can endure
half a
troy).
is
maceration in
The
largest pearl
said to be the
MURRHINA.
FLUOR SPAR.
In Pliny's notice of murrhina, he first gives an account of the introduction of this material, and of vases made of it " was the first who " into Rome. Pompey," he writes,
Rome; he being the first to dedicate, on the conclusion of his triumph, on his conquest of Mithridates, blocks (lapides) and cups of this material, in the temple of Jupiter Capitolinus, a circumstance which soon
introduced murrhina at
small dishes even, and brought them into private use utensils of made murrhina, being in great request. eating This species of luxury, too, is daily on the increase; a simple cup, which would hold no more than three sextarii,
;
has been purchased at the price of 70,000 sesterces. J. Petronius, a personage of consular rank, intending, from
his hatred of Nero, to disinherit the table of that prince,
less
than
300,000 sesterces.
But Nero
himself, as
it
them
all
brance,"
" that an emperor, the father of his Pliny adds, country, should have drunk from a vessel of such costly
price."
He
itself,
of which these
sends
made
"
:
The East
us
ANTIQUE GEMS.
125
murrhina (the pieces in the rough). They are found in several places, all little known, within the Parthian dominions, principally,
supposed
to
In superficial extent, they never exceed that required for small dishes (abaci). In thickness they are rarely large enough for a drinking cup, as those
subterraneous hear.
already
mentioned. The polish they take is without strength, being rather a gloss or lustre than a brilliant But their value lies in the variety of their colours polish. the veins or strata winding around here and there, presenting hues of purple and white, and a up of both, which assumes a fiery tint, as
third colour
if
made
by the passage
of the colour through the purple, or that the milky-white colour assumes a ruddy glow. Some especially admire in
colours,
and a certain
To others play of colours, such as is seen in the rainbow. the opaque spots or strata are more agreeable, any transparency or paleness in them is considered a defect.
Murrhina exhibit
but
also crystals
if
frequently, as
is
There
odour."
some recommendation
discussion
the
agreeable
Much
fication
has
arisen
in
of the
stone.
Many
are
which
it has been connected, porcelain, glass, jade, agate, china agate, onyx, but the discovery lately of some blocks of fluor spar has, we think, settled the question,
was long supposed that fluor spar was unknown to the Romans, but the blocks lately found at the Marmorata, at
7
is
Not the edges of vases, as understood by some writers. here speaking of the pieces in the rough.
Pliny
126
ANTIQUE GEMS.
it
at the time of
I shall now make a few remarks on the above notice, and then enter more fully into the subject of its identification with fluor spar. Pliny begins his description of
murrhina, by saying,
"
The East
sends us murrhina"
Here
he evidently means the material itself, the pieces in the rough, and not vases and vessels, as generally understood.
Hence we
rough,
and
then wrought
it is
is only the same as is put forward by ignorant lapidaries at Catania, at the present day, who say that the alabaster found under Mount Etna is
by subterraneous heat,
snow
solidified
We
fluor spar.
the marbles lately discovered at Rome, at the Marmorata (the site of the ancient Emporium), by Signor
Among
Visconti, are eight blocks of fluor spar. Through the kindness of Mr. Shakespere Wood, the author obtained a specimen of it, which was given to him by Cardinal Antonelli.
Another piece was, some years ago, in the possession of a dealer in antiquities, Rolli, who gave out that he found it in digging the foundations of a house, but it is now
known he
stole
it
to the Jesuits,
who had
cut
up
into
Jesu orna-
Specimens of both are in the possession of the author. smaller specimens are from the block discovered by Rolli, and obtained by him from Sibilio of the Piazza di
The
Spagna, to
whom was
A larger specimen
ANTIQUE GEMS.
127
by Signer Visconti, and obtained, as already mentioned, from Cardinal Antonelli, by whose orders the blocks have been placed in the vaults of the Vatican, to be used at some
future time for the decoration of chuches.
of great importance, as it not only that fluor spar was known to the Romans, but also proves as it leads to the identification with the murrhina of Pliny.
is
This discovery
'
These blocks evidently came from the East, as they were found with blocks of Oriental marble in the Emporium. The specimens in the possession of the author have been pronounced by Mr. Maskelyne to be true fluor spar, with a
white stratum of hornstone winding through it. It fully answers the description of Pliny. It exhibits zones of
purple with
through
it.
it.
veins of opaque white (hornstone) running In some parts it assumes a reddish, fiery hue.
A slight iridescence
violet, red,
is
colours
purple,
blue, green, yellow, and the winding of these zones of colours. The purpura of Pliny was
evidently a violet tint,, such as is found as a prevailing colour in fluor spar, as he applies the same term to the amethyst. If the word sales in Pliny can be translated
crystals,
it
identity
of mur-
rhina and fluor spar, as fluor is characterized by its crystalThe odour is evidently from the lizing in regular cubes. rosin, which was put round it when working it, as at the
present day, to prevent it from breaking, as it is of a soft " and brittle nature. Propertius's expression, Murrheaque in Parthis pocula cocta focis," strengthens the proof of its
identity, as at the present
day fluor spar is baked to enhance the beauty of the colours, particularly the red. The blocks of fluor spar found at the Marmorata were
128
ANTIQUE GEMS.
evidently brought to Rome for the purpose of being wrought up into dishes and bowls for the luxurious Romans.
An
made
Rome
on account of
the magnitude of the blocks discovered at the Marmorata, " In for Pliny says, superficial extent (the pieces) never exceed that required for small dishes. In thickness they
This objecare rarely large enough for a drinking-cup." tion is not, however, a strong one, as the blocks of murrhina
introduced into
but at the time of Hadrian, the date of the blocks, according to the consulate (SERVIANO in. cos) marked on one of the
blocks of marble found with the fluor spar at the Marmorata, in A.D. 184, the demand must have been greater, and consequently the importation more extensive and the blocks introduced of greater size. further objection has been
made
that no remains of
at
vases of
fluor
Rome.
Corsi
mentions two antique vases found in Rome, one in the Museo Kircheriano, which he says so completely answered the description of the murrhina that it seems as if it had been
in the hands of Pliny, when he wrote his description of that material ; another in the possession of Signor Gillet Lamont.
The
this substance
discovery of these blocks of fluor spar shows that must have been known to the Romans, and
consequently we ought to have some description of it in Pliny, as he has described every gem and stone known to the Romans of that period. Now there is no description in his work that answers better that of fluor spar than his
description of murrhina. Mr. Maskelyne has noticed the great resemblance
glass
little
Roman
ANTIQUE GEMS.
129
If these glass vessels are the false murrhina mentioned in Pliny and other writers, it affords an additional proof of
the identity of fluor spar with the true murrhina. Some consider the murrhina to be agate. Numerous
none answering the description of the murrhina of Pliny occur in any cup or bowl, or in any broken fragments often
was well known long by Pompey as a distinct class of stone, to which the name onyx or onychina were generally applied, and was largely imported from India, whereas the murrhina came from Parthia, and more especially from Carmania. Onyx and murrhina are mentioned by the author of the Periplus (age of Augustus) as two distinct substances, and as being brought from Ozene Ozene (Ougein) to Barygaza (Broach) for exportation. must have been an emporium for valuable stones, to which the murrhina of Parthia and Carmania were brought. A
simitar distinction also occurs in Seneca, when he speaks of the wealthy having " mules to carry their vases of crystal, murrhina, and those carved by the hands of famous artists,"
meaning by the latter vases of agate or onyx, which were carved by famous artists, the so-called cup of the Ptolemies In the passage of affording an example of one of these.
Lampridius also, "in murrhinis et onychinis minxit" the murrhina (fluor spar) and onychina (agate) are clearly distinThe ancient writers could not have been so inacguished.
curate and careless as to divide the well-known stones of
the agate kind into onyx and murrhina, and to give such different descriptions of the same stone. They could not
little
in another
130
ANTIQUE GEMS.
is
objection to the view of its being agate the passage of Pliny, where he mentions that a consul gnawed the edges of a vase of murrhina, and the injury done
to
This it by his teeth only tended to enhance its value. shows that the murrliina was of the soft and brittle nature of fluor spar, and not a hard siliceous substance like agate,
which no teeth could abrade. We may also add Dr. Billing's words "As it is recorded that the murrhina vases were introduced first by Pompey, from his Parthian expedition, they could not be agate, which was common before his time hence murrhina must not be
: ;
interpreted agate.
It is a
opinion that, although fluor spar is such a rare mineral, it has been seen by a modern traveller in the neighbourhood of the Caspian Sea, just the locality of the Parthian expedition."
This view
is
further confirmed
by the observation of
burgh Review* that the murrhina vasa were "like onyx, but were not onyx." In this he is so far correct that the zones and winding strata of fluor spar bear a kind of " resemblance to those of agate or onyx. He adds they the came with onyx from Nerbudda, as related by the
:
This author says they came from Ozene (Ougein), which is nearly 100 miles from the Nerbudda, and divided from it by the Vendhya Mountains. Ozene was doubtless, as we said before, an emporium to which the murrhina of Parthia (murrhina in Partlris pocula coctafocis) were brought, to be forwarded thence to Baryauthor of the Periplus."
ANTIQUE GEMS.
and murrhina.
murrhina soft
131
They were not only different in their onyx is a hard, siliceous stone, and the and easily scratched, as we must infer from
Pliny's account of the consul gnawing the edges of a cup of this material, and leaving the marks of his teeth on it ; but
from whence they came. The onyx came from India and Arabia, the murrhina from Parthia and
also in the localities
Carmania.
Murrhina was evidently considered by the Romans as a rare stone, distinct in its nature from every stone known
Before It is classed apart by Pliny. hitherto. of and stones he on his precious entering description gems an and as distinct of account murrhina, crystal amber, gives substances from those he was going to treat of, evidently
to
them
known
as
among which agate (onyx) is placed. Lastly purpura (purple or violet) never appears in It has, however, been asserted that the purpura agates. of the ancients was of a crimson hue inclining to maroon. There is no authority for this assertion. The purpura of Pliny was evidently of a violet or amethystine hue. Among
the
stones of the
colour
of purpura he
includes
the
amethysts of India. Further on he mentions the amethysts of India as having in perfection the richest shade of purple.
In Book ix. cap. 68, Pliny mentions that Cheper, who died in the reign of the Emperor Augustus, has left the following
remarks
denarii."
:
in favour, a
" In the days of my youth the violet purple was pound of which used to sell at one hundred
All tends to show that the purpura of Pliny was is one of the
According to Sir Gardner Wilkinson (" Kawlinson's Herodotus," was amethyst or violet colour.
K 2
132
ANTIQUE GEMS.
ONYX.
ORIENTAL ALABASTER.
The name onyx was originally, and sometimes in Pliny's time, as he tells us, given to the marble (Oriental alabaster,
carbonate of lime). At a later period the term restricted to the gem so called at the present day
name
alabastrites
was applied
its
being
chiefly
employed
for atabastra, or
unguent
jars, it
having,
from corruption. These alabastra were shaped like minute amphoras, but without handles. The Greeks, however, made
a more careful distinction in the appellation of the two stones, giving the name of ovvyiav to the gem, and of OVV^LTLS to the marble.
According to Pliny, onyx (Oriental alabaster) is found in the vicinity of Thebes in Egypt, and of Damascus in Syria, The most that of Damascus being whiter than the other.
esteemed kind, however, is that of Carmania, the next being the produce of India, and then those of Syria and Asia. The worst in quality is that of Cappadocia, it being utterly
destitute of lustre.
That which
is
of a honey colour
is
the
most
when
in appearance.
of a white or horn colour, or approaching to glass Drinking vessels were made of it at first,
feet of beds
that great
Spinther exhibited amphora3 made of this material as large " and as Chian wine vessels, yet, five years after," he says, " I saw columns of this material no less than thirty- two feet in height." Four small pillars of it were erected by Cornelius Balbus in his theatre, as something quite marvellous, >
ANTIQUE GEMS.
and
thirty
133
columns of larger
size
banqueting-room of Caliistus. " alabaster box of ointment " St. Mark's (aXa/Sdcrrpov " " nardi fj.vpov vapSov), and Horace's parvus onyx were of
this material.
El. x.)
" is the " murrheus onyx evidently also alabaster, the epithet " murrheus " from the resemblance of this onyx added, being in its winding zones and layers to those of the murrhina
or fluor spar.
sealed
up
in small ala-
baster jars. They were never to be opened, but to let the scent escape slowly and sparingly through the porous stone. From the above passage it would appear that the ointment
exuded through the porous alabaster, and anointed the The Egyptian squat jars, generally termed canopi, nostrils. which contained the principal intestines of the mummy they
In Sir John Soane's
are found in connexion with, are generally of this material. Museum is a sarcophagus cut out of a
single block of Oriental alabaster
;
it
is
covered inside as
well as outside with hieroglyphics. In the museum of the Vatican are some magnificent vases and baths of this
beautiful stone.
Superb examples of the magnificence of Caliistus in using columns of this beautiful material are still preserved in some of the older Roman churches, relics of the times
alluded to by Pliny, but none have ever approached to the magnitude of those presented by Mohammed AH to the new fabric of St. Paolo fuori le Mura, columns and pilasters, forty feet long, each of a single block and the most beautiful
quality.
Under
this
134
ANTIQUE GEMS.
had been reopened, and furnished the material of which his sumptuous mausoleum at Cairo is exclusively constructed,
ft
piece
of
Nero. 8
BASANITES.
BASALT.
" have
discovered
in
"
writes,
as
basanites,'
which
in colour
iron,
given to it. larger block of it has never been known than the one forming the group which has been dedicated by the Emperor Vespasianus Augustus in the Temple of Peace.
with sixteen children sporting symbolical of the sixteen cubits, the extreme height to which, in the most favourable seasons, that river should rise."
It represents the river Nilus,
it,
around
here by Pliny is the stone day under the name of basalt, an igneous rock of a deep black, but showing a tinge of green when viewed at a certain angle, and of an extremely fine
basanites
The known
described
at the present
grain.
Intagli
and
scarabaei of a
very
late
period
among
the
Egyptians are to be
also
material.
There are
employed
Marmor
Tliebaicum.
PORPHYRITES LEPTOSEPHOS.
PORPHYRY.
The
the
" as porphyrites leptosephos, which Pliny describes production of Egypt, and of a red colour mottled
8
C.
W.
p. 21.
ANTIQUE GEMS.
135
with white blotches," is undoubtedly porphyry, a stone of a dark crimson ground, thickly disseminated with white Pliny further states that the quarries crystals of felspar.
in
Egypt are
Roman
it
was
then erected, in the forms of columns, of labra for baths, and of sarcophagi. The Sarcophagus of the Empress Helena in the Vatican
is
made out of a
single block
8 feet) of this stone, of the finest texture and deepest The sarcophagus of Constantia, daughter of Concolour.
(13
stantine,
is
same stone
(7* X 5J feet). The lower parts of later Imperial busts, having the head alone in white marble or bronze, were occasionally carved
of this material.
It
was
also
employed by Italian
is
artists at
the Revival.
The
porphyrites of Pliny
known among
Rome
OPHITES.
SERPENTINE.
The ophites marble, which Pliny describes as marked with white streaks, which resemble serpents in appearance, and which derives its name from this, is identified with the and serpentine so frequently met with among Roman ruins, a dark of It is antico. which has been termed serpentino
dull-green colour, with long, whitish spots.
Egyptian
scarabasi,
bearing
hieroglyphics,
frequently
136
ANTIQUE GEMS.
Gems
of a late
Roman
period are
SYENITES.
GRANITE.
" In the " in Theneighbourhood of Syene," Pliny says, bais, there is a stone found that is now known as syenites,
but was formerly called pyrrho-paecilon." This can be no other than the well-known Egyptian stone, granite, a primitive rock
felspar, quartz,
and
mica.
This red or Egyptian variety of granits (the red felspar predominating) was principally used by the Egyp" tians for their statues and obelisks. Monarchs," Pliny " have entered into a sort of writes, rivalry with one another in forming elongated blocks of this stone, known as 1 obelisks, and consecrated to the divinity of the sun."
The
is
variety of granite called at the present day syenite composed of felspar, quartz, and hornblende. Though
9 portion of an ancient dish, found at Ostia, of antigorite (serpentine), is in the possession of the author. 1 " The hieroglyphics in the obelisks are rather engraved than sculptured, and, judging from the minute manner in which they are exe-
we may suppose they adopted the same process as engravers, and even, in some instances, employed the wheel and drill. That they were acquainted with the use of emery powder is not at all
cuted,
improbable, since, being found in the islands of the Archipelago, it was within their reach ; and if this be admitted, we can account for the admirable finish and sharpness of the hieroglyphics on granite
monuments, and explain the reason of their preferring and more tempered steel, for it is evident the powder enters more readily into the former, and its
and
basaltic
action upon the stone is increased in proportion to the quantity retained by the point of the chisel, whence we prefer tools of soft iron " Sir Gardner Wilkinson, Ancient to hard steel for the same purpose."
Egyptians,"
vol.
ii.
p. 157.
ANTIQUE GEMS.
deriving
its
137
in
Egypt, but
little
of
it is
met with
The
of Syene.
syenites of antiquity was the red Egyptian granite It was the Ai'0os AI&OTTIKOS TTOLKL\O<S of Herodotus.
The large masses of granite from Syene for obelisks do not appear to have been conveyed to the lower parts of Egypt by the river Nile. They were taken by land. Herodotus, in mentioning one of the largest blocks ever cut
by
the Egyptians, says it was conveyed from Elephantine, or rather Syene, by land, during the reign of Amasis, to the
vicinity of Sais,
and that
it
for three
years.
who engraved
small
CATALOGUE
OF
1172.
DIAMOND.
In
the
native
state
an
octahedral
crystal, with the curved faces and the edges replaced, passing into a dodecahedron diam. J in. ; in claw
;
1173. Black
diam. \
Diamond. Nearly circular; brilliant cut; in. ; surrounded with fourteen small rose
74. Brilliant.
gold mounting.
1 This Catalogue is adapted, by permission, from that prepared by Mr. James Tennant for the Science and Art Department, with the mistakes corrected.
CATALOGUE, ETC.
139
1176. Sea-green Diamond. Brilliant cut ; T f in. byi in. ; with a rose diamond on each of the six points of the coronet setting.
1177. Yellow Diamond.
Circular ; diam. T ^ in., with eight rose diamonds, one on each point of the coronet
11
Diamond.
Brilliant cut
3
ff
in.
by \
in.
6
;
in.
by
-/^ in.
18
brilliants.
;
1180.
Rock
Crystal.
Circular
brilliant cut
diam. ^
in.;
Smoky
Quartz.
;
9 ^| in. by T ^ in. coronet mount. 1182. Pale Yellow Quartz. Face with table and
facetted
step;
facets
culet
pointed,
and
culet-side
facetted
by -^ in., and |- thick ; on coronet mounting. 1183. Oval Yellow Quartz. Table cut; back facetted; 1 in. by J in. ; in a claw mount.
| in.
back with
in.,
facets,
in.
by li
and -^
thick
in coronet
mount.
1185. Yellow Quartz, with a feather. Oblong, cushion-cut with steps ; large facets on the back; 1-^ by in., and 1 J in. thick ; coronet-mounted handle.
1186.
Twin Stone
Each half
by
in.;
set in a plain
mount.
movable
and
fluid
in.
by
in.,
thick
in
a plain swing
mount.
140
CATALOGUE
;
-|| in.
by \\
in.
in
1189. Heart-shaped
Amethyst.
Facetted on face
in coronet mount.
and
back
-^1
in.
by \\
in.
Face cushion-cut
and \
in.
back facetted ;
1 in.
by |
in.,
thick
in
coronet mounting. 1191. Amethyst. Rich in colour, and striped ; cushionin. cut face; facetted back; l-f^ in. by f-J in., and
thick
;
in a coronet mount.
1192. Amethyst.
Indian; of a delicate tint; table-cut, and facetted back cut in steps J in. by i in. ; surrounded with thirty-seven rose diamonds.
; ;
1193. Pale Yellow Quartz. Carved as a monkey's head, with a rosy tint in the nose ; J in. by -j% in. ; in a plain mount. 1194. Chrysoberyl.
|-
in.
by |
in.
brilliant cut
1195. Quartz.
Of a deep wine
;
colour, oval
-|
table-cut
in.
back facetted
1196. Plasma.
in.
by
in.,
and
-f^
thick
coronet mount.
Oval; engraved with a Cupid holding a 5 T ^ in. by J in.; in a plain butterfly over a torch mount. 1197. Plasma. Oval engraved with a Cupid resting on a
;
;
staff
in.
by i
in.
in.
coronet mount.
;
1198. Plasma.
figures, |
Long
*
oval
1199. Chrysoprase.
by J
;
in.
\^
in.
by
in.
solid plain
mount.
1200. Chrysoprase.
Oval; engraved in high relief with a laurel- wreathed head ; ^f in. by T9^ in. plain mount.
;
141
in.; in plain
mount.
1202. Chrysoprase. Oval ; cut en cabochou; J in a solid chased mounting.
1203. Chrysoprase. Oval; cut en cabochon; in a coronet mounting. 1204. Sapphirine.
in.
by by
-f^ in.
-J|.
in.
in.;
Oval
;
convex,
in.
engraved
-/^
in.
;
with
an
Olympian Zeus
mounting.
1205.
by
in a coronet
Amazon
-%
in.
;
Stone.
in a plain
mount.
1206. Agate.
Oval; white, with a patch of brown, somewhat resembling the shape of a female head; in. by -fj in.; in a coronet mounting. Oval;
light brown,
9 r ^ in.;
1207. Agate.
lines;
\\
in.
by
setting; by /^ ish-white (speckly) chalcedonic layer cut into a Panther, and a narrow border; the convex back of
in.
The
amethyst
9 1209. Onyx. T g1210. Eye-Onyx.
is
as a double
swing ring.
in.
mounting.
1211. Sardonyx.
-/^ in.
;
in plain solid
-|
by
1212. Sard.
Nearly square;
characters,
by f
5
in.
in a plain mounting.
purplish;
|-
by T ^
in.;
in
142
CATALOGUE
Mocha Mocha
Stone.
1 in.
1214.
1215.
by |^
in.;
claw mounting.
Stone.
Oval; grey;
1 in.
by f by
in.; in plain
light mounting.
1216. Heliotrope.
Oval;
flat;
%\
in.
in.;
plain
mounting.
1217. Cat's Eye.
Honey
in.
and -% in. thick; coronet mounting. 3 1218. Cat's Eye. Brownish; cut en cabochon; T ^ in. by
by
in.,
in.; plain
mount.
Brownish; cut en cabochon and hollow; ||- in. by -f-g in.; surrounded by twenty brilliants, and with several roses on the pierced shoulders; all
set in silver on a gold shank. 1220. Precious Opal. Harlequin; heart-shaped; yf in. by T | in.; surrounded with forty-six diamonds; in
open-work mounting.
1221. Precious
in.;
surrounded
1222. Precious Opal. Long pear-shaped ; -f% in. by -^in. ; in open, blue-enamelled coronet setting; surrounded
with twelve
brilliants.
Oval; -^ in. by -/- in.; surrounded with twenty-four brilliants; plain mounting. in. by -% in.; surrounded 1224. Precious Opal. Oval; with sixteen rose diamonds in open-work mounting.
1223. Precious Opal.
;
in. by -^ in.; in claw -| blue enamel. with setting, 1226. Fire Opal. Long oval; f in. by fj in.; with blue enamel border on the gold setting. 5 1227. Fire Opal. Circular; diam. T ^in.; coronet mount, on carved shank.
Long
oval;
in.
by T g-
in.; plain
mount-
143
Oval; J
in.
by
in.; plain
mount.
in.
by
in.;
in.
by
-J-
in.
1233. Opal.
open-work setting. Oblong oval; dark brown; with play of green colour; -j-J in. by -| in.; coronet mounting. 1234. Opal. Heart-shaped; blue and grey; diam. i in.;
by T g-
in.; in
plain mounting.
1235. Semi-opal.
in.
| 1236. Semi-opal.
flat; 1 in.
by f
in.;
Long oval; en cabochon, prismatic by a 6 by T g- in.; in coronet setting. 5 Deep blue; T\ in. by T in.; set with
Circular; blue; diam. T ff in.; set with two pear-shaped brilliants, and ten small brilliants. 1241. Sapphire. Deep blue; globose oval; -fff in. by -/^in.; in plum mounting, with claws.
1242. Sapphire.
blue; egg-shaped; table-cut on 9 on back; in. by \ in., and T g- in. thick; in coronet mount.
Deep
face; facetted
in.
by T g-
in.;
With
silky
in.;
lustre;
octagonal;
en
144
CATALOGUE
1245. Star Sapphire. Hemispherical; pale blue; diam. \ in.; surrounded with two circles of diamonds.
1246. Star Sapphire. Nearly hemispherical in coronet mounting.
;
diam. -^
in.;
1247. Violet Sapphire (Oriental Amethyst). Octagonaloblong, facetted ; /ff in. by f in. ; surrounded with
forty diamonds.
1248. Sapphire.
-^g-
Amethystine.
Cushion-cut
3
in.
by
in.
in coronet mounting.
1249. Ruby.
Nearly square; J
brilliants
;
in.
by T ^
;
in.;
surrounded
with
open-work mounting.
;
Pale
hemispherical
7 diam. T g-
in.
-J.J
in.
;
by |
in.;
open-work
mounting. 1252. Ruby. Sub-ovate; f in. by -| in.; surrounded with twelve diamonds ; coronet mount.
1253. Ruby.
-/^ in.;
;
sur-
open-work
5
1254. Ruby.
Oblong; cushion-cut; T - in. by T g- in.; surrounded with twenty-four diamonds ; open-work mount. 5 1255. Ruby. Circular; facetted; diam. T ^ in.; surrounded
with twenty diamonds; open-work mounting.
1256. Yellow Sapphire
cushion-cut; J
in.
(Oriental Topaz).
Oval-oblong;
by T g-
in.,
and
mount.
1257. White Sapphire (Lux Sapphire). in. ; light coronet mount. J-l
Octagonal; diam.
1258. Chatoyant Sapphire. Translucent, brown chatoyant, with a patch of grey light at one end, and iri-
145
by
in.;
mount.
1259. Sapphire.
in.
1260. Sapphire.
Salmon-coloured
;
translucent
oblong
1261. Turquoise. Circular; of greenish tint ; -~ 2 in. diam.; cut with a female head in relief ; solid mount.
1262. Turquoise.
9 -g ^ in.
;
in.
by
set
surrounded with
1263. Turquoise.
round
mount.
by i
in.;
in
open-work
in.
by
;
in.; in
? in.; solid
nearly
flat
| in.
by
1266. Turquoise. Heart-shaped ; inlaid with a narrow border and numerous irregular lines of gold; f in. by i in. ; in coronet mount.
1267. Kyanite.
oval
;
Pale
violet,
with oblique
in.
lines
of cleavage;
by
claw
mount.
1268. Kyanite.
;
in.
by i
in a plain
;
1269. Carbuncle.
Round
diam.
in.
sur-
brilliants.
foil
;
En
-J^-
in.
by
-|J in.
by -|J
in.;
146
CATALOGUE
En
cabochon, and
1272. Almandine.
hollow; yf
in.
by
in.
engraved with a Faun, in plain mountOctagonal; face with table and facetted -^ in.; in a claw mount.
ing.
1273. Almandine.
stone; diam.
Brown; oblong; J|in. by^in.; surrounded with forty-seven diamonds. 1275. Precious Garnet. Rich brown; facetted; Jf in. by i n & coronet mount. -/2 in-5
1276. Cluster of Seven Stones of Precious Garnet.
plain mounting.
In a
1277. Almandine.
1278. Almandine.
-^
in.
by T j
in.;
1279. Garnet.
Deep wine-coloured
a coronet mount.
cushion-cut; f in.
by
ff
in.; in
1280. Essonite.
1281. Essonite.
ting.
Square; diam. \ in. in coronet mount. Octagonal; diam. ^jin.; in coronet set;
1282. Essonite.
1283. Emerald.
Oblong; -j-in. by Jin.; plain mounting. Flat; fj in. by || in.; engraved with Oriental characters; set in a coronet mount.
1284. Emerald.
1285. Star
Emerald.
Showing
six
rays;
sub-globular,
1286. Beryl.
facets
in.;
Circular; with large table, surrounded with culet-side facetted in squares; diam. \\\ ;
in.
1-J-
1287. Beryl.
147
1 7
T^
in.
by
in.,
and
-|-J
in.
thick
coronet mounted.
round
it
culet-side cut
1 in.
Oval; with large table, and facets with square facets ; !} in.
thick; coronet mounted.
face
Long oblong;
back ridged and facetted with steps in. thick; in coronet mount. s in.;
Nearly square; J
setting.
in.
in.
by
-Ji in.;
in
open coronet
-$
by -^
in.;
1292. Labradorite.
in a
in.;
claw mount.
1293. Sunstone.
solid
]
Oval; encabochon; -^
by ^
in.
in.;
in
mounting.
294. Moonstone.
in a plain
by -%
in.
1295. Black
|
in.
Tourmaline.
by
in.;
cushion-cut;
diam.
1297. Chrysoberyl.
-
in.
in.
by
-/g-
in.; in
in.
by J
in.; plain
mounting.
and
tree,
drelli, in
Greek characters
plain mount.
1301. Peridot.
Octagonal oblong; table-cut, with side back facetted with steps; 1 J in. by 1 in.; facets;
coronet mounting.
1302. Peridot.
Bounded oblong;
L 2
148
CATALOGUE
facetted
solid
;
\\
in.
by T ^
in.,
5 and T ^
in.
thick
in a
mount.
1303. Peridot.
Oblong; face slightly convex; table-cut, culet and culet-side with one facet all round rounded, the back being barrel-shaped, with
;
facetted ends;
\\
in.
by
-}i in.,
and f
in.
thick;
coronet mount.
1304. Chrysoberyl.
-J-J
in.
by
by J
in.; brilliant-cut;
Oval carved in high relief 306. Hyacinthine Garnet. with bust -J-J in. by -J in.; in plain mounting. 1307. Hyacinthine Garnet. Oblong; -^ in. by -J in.; in
; ;
1308. White Topaz. Nearly square; brilliant-cut; diam. 7 in. in coronet ; mounting. T g1309. Topaz.
oblong, table-cut
if
;
in.
by \
in
open-work mounting. 1310. Yellow Topaz. Cushion-cut; -j-J in. by -| in.; surrounded with thirty-six diamonds ; open-work
mounting. 1311. Yellow Topaz.
table
in steps; 1J in.
Narrow oblong;
;
cut with
oblong
and step-facets
culet-ridged,
and culet-side
thick; coronet
by
in.,
and T5^
J-
in.
mount.
1312. Yellow
Sapphire. coronet mount.
Oval;
in.
by \
in.;
open
Oblong, with slightly rounded sides; with long angular facets; facetted with steps on back -j| in. by \\ in., and -/? in. thick ; in coronet mount.
;
149
Octagonal oblong step-cut; flawed with parallel cleavage-planes; T9^ in. by T6^ in.; solid mounting with four claws.
1315. Topaz.
brilliant-cut;
cushion-cut;
thick
;
back
facetted;
by
-if in.
-J--1
in coronet
in.
mount.
by J in.; surrounded open-work mounting. 1318. Burnt Topaz. Oblong; cushion-cut; back facetted J in. by -fs in. ; coronet mount.
Oblong; -| with thirty-six diamonds
;
;
Oval facetted; f
in.
Red Tourmaline
vex
;
(Rubellite).
;
facetted
flat
at
back
diam. j
in.
in
coronet mount.
Octagonal oblong;
in.
by
-~
in.
coronet mount.
in.
by \
in.
in plain
coronet mount.
in.
by
in.; in
a solid
5 1325. Blue Spinel. Facetted; -| in. by T surrounded g- in.; with eighteen diamonds ; in open-work mounting. 7 1326. Spinel. Oblong; cushion-cut; T ^ in. by f in.; sur-
in
open-work
1327. Spinel Square; diam. J in.; step-cut; surrounded with thirty-six brilliants; set lozenge-wise on a plain mount.
150
CATALOGUE, ETC.
1328. Cymophane. Circular; en cabochon; diam. f in.; surrounded with sixteen diamonds ; in open-work
mounting.
1
| in. by -fs in. coronet mount. Oval \\ in. by | in.; surrounded with
; ;
twenty-eight brilliants ; in plain mount with claws. 1331. Cymophane. Greenish brown ; biconvex ; diam. -j-J coronet mount.
;
1332. Cymophane.
plain mount.
Oval; en cabochon;
J-J
in.
by T ^
in.;
1333. Cymophane.
Dark green
in.
by
\
in.;
coronet
mount.
1334. Malachite.
Hemispherical;
diam.
in.;
coronet
mount.
1335. Marcasite.
Heart-shaped; facetted; \ in. by \ in.; coronet mounting. light 1336. Crocidolite. Dark bluish green; oblong; en cabochon in. by -fa in. coronet mount. -fg
;
1337. Pearl.
Diam.
with
brilliants.
Round; diam.
Diam.
-J
with claws.
1
in.
in claw setting.
Short-ovate;
diam. i
in.;
held by
ANTIQUE GEMS
BLACAS COLLECTION, BRITISH MUSEUM.
CAMEI.
THE
by 3^
in.
A A
Formerly
this
Augustus, with the Capricorn, the sign of the nativity of Emperor. Onyx cameo.
Julia, the daughter of Augustus,
Onyx cameo
EHITYrX.
full- face.
Claudius Drusus,
Cameo on onyx.
full-face.
Onyx
Onyx
of two
Head
layers.
of Drusilla,
sister
of Caligula.
of three
Bust of the Empress Messalina. Fragment of a large onyx cameo of three layers.
152
ANTIQUE GEMS
of Claudius.
Head
Onyx
of three layers.
Bust of Elagabulus. Onyx of three layers. Bust of Carus. Onyx of three layers. Bust of the elder Licinius, two layers.
portraits of a king
full-face, in
high
relief.
Onyx,
or probably
Onyx
of two layers.
in diameter.
Victory in a quadriga.
Athene
in a biga,
Oval
Head of Medusa,
in.
by 2
in.
Victory driving a quadriga. Oval onyx of five layers. Jupiter, disguised as a Satyr, surprising Antiope. Onyx,
two
layers.
;
Dramatic rehearsal
three youths
oook, another playing on the double flute, the third beating time. Onyx, three layers.
Centauress suckling her young. Onyx, broken. Lion seizing a horse. Onyx, two layers. Horse. Onyx, two layers.
Comic mask.
Onyx.
Sard.
Head
of Silenus.
INTAGLI.
Head of Hercules,
inscribed
TNAIOC.
Beryl.
153
1^ in. in
length
2KYAAE.
Amethyst.
of Medusa.
Sard.
of Medusa.
Amethyst.
AYAOY.
Sard.
Terpsichore, standing, tuning her lyre, and backed by a a statuette, inscribed AAAIITNOC.
Apollo Citharoedus, his right elbow resting on a small draped female figure ; deeply cut on a beautiful hyacinthine
garnet.
Achilles, seated in his tent, playing the lyre, inscribed
HAM^IAOY.
inscribed
Sardoine.
0AMYPOY.
Sard.
AAMIUN.
Essonite.
Golden
sard.
Young Faun,
front face.
Bacchante overpowered by the influence of her god, and attempting to stay herself by catching an amphora.
Sard.
Bust of Melpomene, contemplating a mask. Sard. Dolon grasping the knees of Ulysses whilst Diomede
about to strike off his head, inscribed HEIOY.
Sard.
is
Mounted
Meleager
agate.
hunter, inscribed
XPYClC.
Sard.
boar.
attacking
the
Calydonian
Banded
reverse
Triangular amulet; on one side Eros and Anteros; on the two Sirens, one playing on the lyre, the other on
Sard.
154
ANTIQUE GEMS
HISTORICAL PORTRAITS IN INTAGLIO. Perseus, King of Macedon. Lapis-lazuli. Juba II., King of Mauretania. Sard. Head, attributed to Jugurtha. Yellow sard.
inscribed AMXE>O.
AIO2KOPIAO2.
Hya-
Sardoine.
Livia Augusta, her head veiled, and wheat-crowned as a Ceres ; surrounded by seven groups in relief of objects, the
recognized attributes of
all
Agate
onyx.
Livia, with the attributes of Ceres, in a car
drawn by
up by a
Onyx.
Sard.
Sabina, inscribed
ANTIOXIC.
Sard.
Sard.
Nicolo.
Called Caracalla, but supposed with more probability to be Galerius Maximian 2 in. by 1| in. Onyx, two layers.
;
Head
of Gordian.
Sard.
Red jasper.
Red jasper.
Plato with Psyche-wings attached to his temples, and Sardoine. represented as a terminal bust. Horace. In the field the letter H. Yellow quartz. Herodes Atticus. Sard.
Posidonius.
Sard.
155
HEPKAE KYKNE
in
Herakles approaching the warm springs of Himera, indiBurnt cated by a stream issuing from a lion's mouth.
amethyst.
pile.
Banded
agate.
Kapaneus struck by a thunderbolt, kneeling on one knee ; on the back of the Scarabseus, in low relief, a male figure,
from whose
left
A warrior
Orion.
arm hangs a vase. Banded agate. kneeling, armed with a bow and club
a ser-
Sard.
Wounded
ploring his
is
Sard.
Sard.
Sard.
Sisyphus.
Sard.
Green
jasper.
DEVONSHIRE GEMS.
AMONG
gems
in the
Devon-
THE COMB.
Head
of Leander.
Onyx
cameo.
Onyx
cameo.
Intaglio.
Amethyst.
cameo.
faun.
Onyx
THE STOMACHER.
Head Head
of Silenus.
Garnet cameo.
of Medusa.
Cameo.
Intaglio.
Hya-
Tiberius,
who
stands
See Frontispiece.
DEVONSHIRE GEMS.
The Emperor Alexander.
Mars.
Lapis-lazuli.
157
Agathe-onyx cameo.
Onyx
Sard.
cameo.
Intaglio.
Sard.
THE BANDEAU.
Faun crowned with vine. Intaglio. Ruby. Head of Augustus. Intaglio. Sapphire. Head of Medusa. Cameo. Emerald. Diomed stealing the Palladium, inscribed AIO2KOYPIAOY.
Intaglio.
Sard.
Intaglio.
Minerva Victrix.
Plasma.
Hyacinthine garnet.
THE BRACELET.
Terpsichore tuning a lyre.
Intaglio.
Garnet.
THE NECKLACE.
Daedalus.
Intaglio.
Sard.
Head
of ^Esculapius. Intaglio. Garnet. Julia Sabina, wife of Hadrian. Intaglio. Venus Victrix. Onyx cameo.
Garnet.
The Emperor Tiberius. Onyx cameo. Head of Mars. Intaglio. Sard. Head of Apollo. Intaglio. Sard.
158
DEVONSHIRE GEMS.
THE DIADEM.
Head
Lion.
of Socrates.
Intaglio.
Sard.
lyre.
Intaglio.
Garnet.
Onyx. Emperor Commodus. Cameo. Onyx. A figure in a chariot with two horses. 2 Cameo. A figure in a chariot with two horses. Cameo onyx. Dancing figure of a Bacchante. Intaglio. Sard.
Cameo.
THE CORONET.
Bust of
Clytia.
Cameo.
Onyx.
Intaglio.
A Dancing Bacchante.
Sard.
The Emperor Severus. Cameo. Amethyst. Head of Hercules. Intaglio. Lapis-lazuli. Head of Apollo. Intaglio. Amethyst.
Achilles at the
tomb of Patroclus.
Intaglio.
Sard.
Among
at the
those exhibited at the South Kensington Museum, Loan Exhibition, 1872, the following are the most
:
remarkable
Sard.
Intaglio.
Sard.
one of the horses of a bluish tinge, the other mane blue ; the figure is blue with
brown drapery.
DEVONSHIRE GEMS.
159
Banded
agate.
Muse
Tiberius,
Sard.
inscribed
AIIOAAONIAOY.
Onyx.
THE following extract from The Times, of Sept. 25, may " prove not uninteresting to readers of this Manual valuable addition has just been made to the collection of
:
gems in the British Museum, through the acquirement by purchase of a splendid specimen of the Zircon or Jacinth. It cost upwards of 700/., and is no larger than a common
garden pea. It is one of the finest known. It flashes and glows with a red lustre which seems to denote the actual
fire and flame." notice has, however, since appeared in The Times to say that the price was not more than 70/.
presence of
We
this
INDEX.
Achates, 108,
Beryl, 25, 70. Beryllus, 70. Black jasper, 111. Black tourmaline, 30. Blue crystal, 41. Blue topaz, 26.
Adamas,
58.
Agathe-onyx, 46.
Alabaster, 132. Almandine ruby, 18, 66.
Bohemian garnet,
21.
Amazon
garnet, 21, 72. stone, 31, 79. Amber, 55, 117. Amethyst, 40, 86. Amethystus, 86. Anthracites, 85.
"Avepat, 71.
Aquamarine, 25.
Asteria, 17, 66. Astrion, 65. Astrobolos, 110.
Banded
5.
of Vienna, 98. Marlborough, 99. Farnese, 100. Gonzaga, 100. Augustus, 101. Cape diamonds, 3. Carbuncle, 21.
162
INDEX.
Carchesium of
Chryselectrum, 74.
Chryselectri, 89.
INDEX.
Hyacinthine garnet, 21, 74, 77.
163
164
INDEX.
Sapphire, 13, 63. white, 15. yellow, 16, 65.
violet, 16. green, 16.
star, 17, 65.
Pink topaz, 27. Pitt diamond, 7. Plasma, 46, 105. di smeraldo, 47, 105. Poenamu, 34.
Porcelain jasper, 52.
Porcellanite, 52. Porphyrites, 135.
girasol, 17.
leptosephos, 134. Porphyry, 135. Prase, 43, 106. Prasius, 105, 113.
smoky, 42.
iridescent, 84.
Eed chalcedony,
Eock
Smoky
Solis
Eose diamond,
gemma,
quartz, 41.
Spinels, 18.
8.
Euby,
10, 62.
of the
Succinum, 117.
Sun
opal, 39.
Sangenon, 84.
Sappheiros, 15. Sapphirus, 77.
INDEX.
Tanos, 81. Tazza Farnese, 100. Terebinthyusa (jaspis), 106. Topaz, 26.
oriental, 26.
165
LONDON
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315
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