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No part of this publication may be reproduced, stored in a retrieval system, transmitted in any form photocopying, recording or otherwise, without the prior written permission of the publisher.

Craig Cliff 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, transmitted in any form or by any means, electronic, me photocopying, recording or otherwise, without the prior written permission of the publisher.

THE MANNEQUIN MAKERS by Craig Cliff Format: Trade Paperback ISBN: 9780857981622 Imprint: Vintage Australia Released 1 August 2013

Reading Group Questions


Historical fiction usually has something to say about the present in which it was written. In what ways does The Mannequin Makers talk to 2013? The Mannequin Makers takes place on three different continents, at sea and on an uninhabited island. How do those locations inform the storytelling? A body builder and his disciple, the quest for lifelike mannequins, an aging surf-lifesaver: what is the novel saying about the perfect human form? There are a number of characters who cannot talk at various points in the novel, while others, like Flossie, do not get the chance to tell their side of the story. Is The Mannequin Makers commenting on the value of talk, of silence and self-expression? The Carpenters Tale is the longest of the novels four sections and ranges the farthest away from the town of Marumaru and the windows of its department stores. How is the Carpenters life, and his retelling of it, linked to the key events in Marumaru? Novels with multiple narrative strands can be frustrating for readers. How are the different narrative voices used to tell the story? Is there a hero/heroine in The Mannequin Makers? Do Colton and Eugen Kemp redeem themselves? Reading Group Questions for The Mannequin Makers by Craig Cliff Available in bookshops and ebook retailers 1 August 2013 The Mannequin Makers: Print ISBN: 9780857981622 | ebook ISBN: 9780857981639 Imprint: Vintage Australia | Publisher: Random House Australia
Copyright Craig Cliff 2013. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher.

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