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L. EDSON JEFFERY
L. EDSON JEFFERY
(79, 80, 81 and 82) I prefer to play these measures as I have written them, and
I consider the passage to be quite accurate, but see Jon Skinners score [4] for the
1957 version for the sake of comparison.
(83) In the left hand, the first chord after the octave could be omitted since
evidently Vladimir Horowitz doesnt play it in the televised version or the released
commercial audio recording.
Note that this score is virtually devoid of phrasing, since we dont have Vladimir
Horowitz original score, although much can obviously be inferred by his performance. Dynamic markings are another important issue, and some may disagree
with my notation. Serious readers should carefully study Vladimir Horowitzs ideal
and nearly perfect performance.
2. Conclusion and acknowledgements
I gratefully acknowledge helpful comments by Arthur Thomas Talbert [5] and
Dr. Wilfried Lingenberg [3].
Vladimir Horowitz recorded the Carmen Variations at least twice during January
and February of 1968. Between the two available commercial recordings that I
know of from that period, there are numerous discrepancies, some not important
and others more significant. Therefore, in rendering this score, I had to decide
which way to go by considering both sources but with the televised version usually
taking precedence.
Finally, in Vladimir Horowitz 1968 televised performance there were only a few
misplayed notes and which I took the liberty of correcting within the context of the
material at hand.
L. Edson Jeffery
San Antonio, Texas
References
[1] Vladimir Horowitz, Variations on Themes from Bizets Opera, Carmen, Televised encore
from Vladimir Horowitz 1968 Carnegie Hall Recital, CBS, 1968.
[2] L. Edson Jeffery, Carmen Variations, by Vladimir Horowitz (1968 version), Various previous
scores for piano solo, 1978, 2000, 2008, 2009.
[3] Dr. Wilfried Lingenberg, Personal communication, 2009.
[4] Jon Skinner, Carmen Variations, by Vladimir Horowitz (1957 version), Score for piano solo,
Year of rendering unknown.
[5] Arthur Thomas Talbert, Personal communication, 1978.
mp
Vladimir Horowitz
Allegretto
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17
mp
dim.
m. g.
m. g.
* This score was rendered, arranged and edited by L. Edson Jeffery (January, 2010). Please refer to the accompanying performance notes.
Based on a frame-by-frame analysis of the televised encore from the 1968 Carnegie Hall recital performance by Vladimir Horowitz.
This score is dedicated to Arthur Thomas Talbert.
21
25
28
poco rit.
poco rit.
32
mp
sf
36
mp
sf
a tempo
cresc.
a tempo
f mf dim.
Allargando
40
atempo
3
3
smorz.
mp
3
3
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3
3
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mp 3
3
3
3
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3
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3 3
3
3
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3
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50
m. d.
m. d.
smorz.
3
3
3
3
3
3
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mp
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mp
56
3
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fff dim.
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3
3
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sf mp
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riten.
mp
70
sf mp
a tempo
a tempo
mp
74
sempre
cresc.
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80
molto rit.
mp legato
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pesante
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84
sempre cresc.
90
3
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sempre
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ff
93
101
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mp
102
f dim.
mf dim.
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molto rit.
104
mp
mp
112
Tempo I
pp
dim.
108
mf
mp
veloce
126
pp
128
veloce
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rit.
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dolce
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dim.
poco cresc.
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p
116
cresc. molto
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Tempo
I
ff
132
137
142
146
148
f cresc.
sempre cresc.
poco stringendo
6
6
mp
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cresc. molto
ritenuto
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