First Name Last Name Description of Material

Susan Seubert The submitted work is entitled, "Iraqi Extraction."

These are photographs of teeth that were
extracted from Iraqi prisoners of war by U.S.
Army medics during the first Gulf War. The over-
sized images represent a duality: how humanity
Rick Araluce My recent work falls into two categories:
can exist within the paradigm of war. When I was
miniature constructions and full scale installation
first told what these teeth were, I was
work. For this opportunity I am submitting images
immediately horrified, assuming that the teeth
of my latest miniature work. An important facet of
were extracted for torture purposes, (i.e. Abu
what I do is to create virtually all the components
Debora Moore Nature
Gharib),has not only
or that they been were an some inspiration
kind of morbid and
used. In the small works I fashion everything
wonder,
souvenir but from a constant
the battlefield. sourceHowever of reference they for were
seen. The windows, doors, floorboards, the lot. I
my
not work. removed I studyunder color and form
coercion: theyinwere nature and
removed
have devised over many years special methods
interpret
at the request it in my of ownthe Iraqi designs. soldiers Within because each their work
to create a tiny chair, light bulb, telephone
Iown combinehealth an care exploration
was of new and
insufficient techniquesthey were andin
Susan Robb I transform
handset, common objects
architectural moulding intoand ideological
more. In
my
pain. ongoing passion for orchids and other
hybrids
several of flesh, my latest, nature, I have andeven technology included bytiny
botanical
Immediately, studies. I was taken aback byreflection, my own and
drawing clocks.
working on empirical In future observation,
I plan to create other
The
assumptions delicacy and inherent realized properties
that I was jumping of glass to a
imagination
minute working about my immediate
elements for suchsurroundings pieces. In my
have
conclusion helpedbased me cultivate not an organic
on reality orThesetruth.approach My to
and
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Stephanie Robison My
sculpture.
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reflect
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environment.
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United States. ItoImake
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gardening,
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Nonetheless,
eastern philosophy, these teeth and also present
travel all somehow a way to
Margie Livingston tone,
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created to be perhaps
such as
totally compelling, representing and postmortem
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dramatic,
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exciting. subtle.
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techniques.
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for exploring unique a like
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Jack Daws JACK DAWS / STATEMENT

Most artists, including myself, strive to make

work that is personal and formally compelling.
Where my work differs from most I see is that it
Robert Jones ARTIST’S STATEMENT
also addresses a range of socio-political issues,
sometimes in rather overt ways, and sometimes
Since 1950 some artists and critics have
not.
declared various “isms”, movements
(Abstract Expressionism, Op, Pop), and in fact
Denzil Hurley •
All this work Forisme, conceptworking driven.reductively By using engages everyday
whole forms of art dead. “Painting is
rather
objectsthan anddenies materials references,
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dead!” I do not believe this; nor do I think
feeling,
symboliccultural loads they influences,carry. Ipractice-based
want the pieces to
after centuries of visual art that abstract art or
developments,
seem familiar, yet andbediscourse. slightly, orIt in further
somesets cases,
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parameters
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Zhi Lin From
hundred 1992 years to 2007, on theI completed scene. So,aIseries make of oil five
than segment or ignore cross fertilization of
large-scale
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abstract
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Susan Seubert Susan |||Seubert ||| The

submitted work is entitled,
BORN "Iraqi Extraction." These
1970 Indianapolis, Indiana are photographs of teeth
that were extracted from
Born: 1960, Encino, California Rick |||Araluce ||| My
EDUCATION Iraqi prisoners of war by
Resides: Seattle, Washington recent work falls into two
1992 BFA Photography- U.S. Army medics during
Education: 1979--81 Orange categories: miniature
Pacific Northwest College of Art, the first Gulf War. The
Coast Junior College, Costa constructions and full
Portland, OR over-sized images
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Born: 1960, St. Louis, Missouri Debora
represent |||Moorea duality: ||| Nature
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GALLERY REPRESENTATION has humanity not only canbeen existan within
Special Projects: submitting images of my
Professional
Froelick Gallery, Experience
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