South African Art Times April 2013

Photo: John Hodgkiss
The South African Art Times: SAs leading visual arts publication | April 2013 | Free | Read daily news on www.arttimes.co.za
ART TIMES
Photo: Christo Harvey
Printmaking Feature
Phillemon Hlungwani, Fine Art Printmaker Extraordinaire
Auction of South African & International Art
Johannesburg, Monday 20 May 2013
011 728 8246 / 079 367 0637 | jhb@straussart.co.za | www.straussart.co.za
Jacob Hendrik Pierneef, Extensive Landscape with Distant Mountains,
signed and dated 32, oil on canvas, 92,5 by 122,5cm R5 000 000 7 000 000
Auction of South African & International Art
Johannesburg, Monday 20 May 2013
011 728 8246 / 079 367 0637 | jhb@straussart.co.za | www.straussart.co.za
Jacob Hendrik Pierneef, Extensive Landscape with Distant Mountains,
signed and dated 32, oil on canvas, 92,5 by 122,5cm R5 000 000 7 000 000
Presented by the Association of Arts Pretoria
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312889 SASOL sns call for entry 297x210.indd 1 2013/03/20 1:05 PM
06 SA ART TIMES. April 2013
ART TIMES | EDITORIAL

April 2013
Daily news at www.arttimes.co.za

Global Art Information Group
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Email editor@arttimes.co.za for more about content
Chat to Eugene about advertising at sales@arttimes.co.za.
Or simply call 021 424 7733 to chat and fnd out more
This past month has been both great and
memorable, all the art auction houses are doing
very well, especially that Trechis 20th Century
icon The Chinese Lady, possibly the most
recognizable artwork originating from SA was
sold for nearly double is estimate at a sweet ZAR
13M, and whats more the UK buyer of the work
plans to bring it back home. I hope that the
painting fnds a happy, appreciative and inspired
home. Funny that it went for ZAR 13M as 13
was Trechis favourite number, I am sure he is
chuckling happily from above while mooting the
academics far below. To the Trechi sale we have
2 articles written by Michael Coulson and Boris
Gorlik, an authority on Trechi.
We have compiled a brief Printmaking feature
this month focusing on Cape Town Printmaking
workshops. (Next Print edition will take place
in August- focusing on Jhb) Unfortunately I am
bound to get hate calls by many friends and
printmakers in the feld. I would like to say that I
am sorry that I did not squeeze you in, we have
always so few pages of editorial that its almost a
crime to have to leave folk out. Given that its a 48
page magazine, its very much SAs largest visual
art publication in SAs art history - ever - with
reaching more art lovers than before -
with over 11 months a year with totalling over 500
free pages per year, we do get a lot of news out x
8 500 AT copies throughout South Africa monthly-
over and above our well read daily website and
newsletters. Speaking of news broadcast we have
over 14 000 Facebook likes and that this is a real
contemporary thrill catch our news daily on
website at www.arttimes.co.za
On a happy note we are expanding our news
service to include more content, we feel that lately
we havent given enough locally written content,
this has seemed typical of many media houses
world wide. At the end of the day this is our art,
our identity and our lives the stronger we are as
being ourselves the more unique we will be in a
few years time our age will stand out, rather than
be blurred into a mushy noise of everything else.
A big thank you for those who have supported us
over the last 6 years and continue to do so, we
hope to make you proud and grow our infrastruc-
ture to spread our quality, beautiful culture, ideas
and art we have in SA, higher and wider.
Thank you.
Gabriel Clark-Brown
editor@arttimes.co.za
Please feel welcome to send us your writing, images and news that you would like to share
both in our magazine and Facebook. Send your news to.... news@arttimes.co.za we look
forward to your association and contact. See more at www.arttimes.co.za
SA ART TIMES. April 2013 07
j ohans borman
F I N E A R T
www.johansborman.co.za
Henni e Ni emann Jnr
Tel: 021 683 6863
Cell: 083 566 4631
E-mail: art@johansborman.co.za
Nude with poinsettia (2012) Oil on canvas
2 0 1 3 A U C T I O N
C A P E T O WN P R E V I E W
Friday 22 March - Saturday 6 April
J O H A N N E S B U R G P R E V I E W
Thursday 11 - Saturday 13 April
L I V E A U C T I O N
Johannesburg
12h00 Saturday 13 April
SA BENDS TO CHINA / NEWS | ART TIMES
By Charl Attan for The Art Times.
I was really shocked. As an artist you kind of
work in this bubble so to have this kind of reaction
to work you have put out there, came as real
shock, said Julie Lovelace in reaction to the re-
cent controversy around one of her works, which
had formed part of the recent Dinner for 101
installation at Cape Towns Castle of Good Hope.

Controversy erupted around the piece, titled I Did
It Mao Wei Wei, when a group of Chinese tourists
objected to its depiction of the erstwhile Chinese
leader, Mao Zedong. Mao was the Central Com-
mittee of the Communist Party of China frst
Chairman from 1945 to 1976.
The work is made up of a found plate commemo-
rating the Chinese leader onto which the artist
painted bloodied tears streaming from Maos
eyes.
Esther Esmyol, the shows curator and Curator of
Social History Collections at Iziko Museums said:
It was on a Friday, around halfway through the
run of the exhibition, that the group of approxi-
mately 20 young Chinese tourists, mostly in the
twenties, came in to view the show. They objected
to the manner in which Mao was depicted. They
were very forceful and demanded to buy the piece
in order to destroy it.
Because of the groups persistence, Esmyol
called Lovelace, explained the situation and
enquired whether the work was up for sale.
Said Lovelace: When Esther called me, she was
very calm but I could hear there was a lot going
on. I was really taken aback that they would want
to purchase the work - only to destroy it.
Said Lovelace: I created the work to shed light on
what happened to [contemporary Chinese artist]
Ai Wei Wei. Like many people around the world,
I was quite upset that he could be taken away
like that. The plate, which is a propaganda plate
commemorating Mao, seemed to go well with that
feeling.
Ai Wei Wei is the dissident contemporary Chinese
artist and political activist who was highly critical
of the Chinese governments poor human rights
record and limiting of democratic freedoms. Sub-
sequent to his arrest in 2011 and being held by
Chinese offcials for over two months (without any
offcial charges being brought against him), the
international community rallied behind him, with
numerous calls for his release being issued.
In her interaction with the group, Esmyol, however
noticed that the offended group of Chinese visi-
tors appeared to have very little knowledge of Ai
or the international outcry around his
disappearance.
Said Esmyol: When I spoke to them about Ai Wei
Wei, they seemed to have no idea of the
controversy around him, which I found really
strange. Lovelace added: The big thing about
Wei Wei was that it was all over the internet with
people demanding to know his whereabouts.
People across the world took part in peaceful
protests outside Chinese embassies internation-
ally, so it is really strange and also quite telling
- that they appeared to not know who he was.
This attempt at locating the work within a broader
context did little to assuage the seemingly implac-
able anger of the group, which grew to such
an extent that Esmyol had it removed from the
table. Said Esmyol: I waited until they left and
then removed it from the table and placed it on a
side table within the same venue. When, on the
following Tuesday, I was given the go-ahead by
the Iziko management team to place it back in its
original position, I immediately did so.
A media statement released by Iziko stated: It
was promptly decided to return the plate to the
main setting on the clear understanding that
Iziko welcomes lively debate and discussions on
important social issues and commentary affecting
our shared humanity.
When The South African Art Times initially spoke
to Lovelace, she said: Its a diffcult decision
to make, especially given that Iziko is really a
government body and also considering the power
that China wields. I thought it best to leave them
to deal with it as they saw ft.
Subsequent discussion with the artist, however,
saw her note her disappointment with the manner
in which the institution dealt with the matter. Said
Lovelace: I fnd it disappointing that they had
to take the work down for four days while they
deliberated on what to do. An institution of Izikos
calibre should really have strategies in place for
these kind of occurrences.
Esmyol, however, countered that her decision
to remove the work was taken with the view
to protect it and other installation works from
any possible damage. Esmyol added: We still
welcome visitors, including people from mainland
China. It was just alarming that this particular
group of young visitors expressed themselves in
the way they did and that they seemed oblivious
to contemporary issues in their country.
Iziko Art Museum Compromises to Angry Chinese Tourists
SA Print Gallery : 109 Sir Lowry Road, Woodstock, Cape Town. Tel 021 462 6851. See our online catalogue at www.printgallery.co.za
BOTANICAl prINTs
The South African Print Gallery proudly presents a curated body of beautiful limited editioned SA Botanical Fine Art Prints
Artists include: Diane Ackerman, Sally Arnold, Libby Bell, Malcolm Bowling, Zaan Claassens, Patricia Fraser, Jonathan Freemantle, Alan Grobler, Solly
Gutman, Elwyn Harlech-Jones, Ann Harris, Tammy McKay, Joshua Miles, Nonzuzo, Barbara Pretorius, Daleen Roodt. Colleen Ross, Stanley Seagrief, Inge
Semple, Lisa Strachan, Vicki Thomas, Louise Twiggs, Kali van der Merwe, Patricia Wade, Judy Woodborne, and others....
Opening Saturday 27 April 2013
2013_Feb_ArtTimes_70x297 2/18/13 11:58 AM Page 1
Composite
C M Y CM MY CY CMY K
/ NEWS | ART TIMES
At a media briefng yesterday morning, the
Department of Arts and Culture and the National
Arts Festival, Grahamstown commissioners and
curators respectively of the 2013 South African
Pavilion announced the theme and some of the
artists that will be representing South Africa at the
55th La Biennale di Venezia.
Curator of this exhibition, Brenton Maart, gives
context for their choices: To understand how
and why histories continue to impact on the world
today, contemporary South African artists are
turning to the archive, and the chronicles of his-
tory here become the building blocks for creative
action. Working with archives in a creative ways
allows the artist to create work with the potential
to (de)construct ideologies, and thus change
the course of our contemporary world. In South
Africa, specifcally, artists may therefore be seen
as activists in the evolution of democracy, and it is
this evolution that is explored in Imaginary Fact:
Contemporary South African Art and the Archive.
The voices contained in this exhibition are as
rich and varied as those of the citizens of our
country. They are bold and they are brave. Some
are already celebrated internationally, some are
beginning to make their voices heard. All are im-
mensely talented and, as a nation, we are proud
of them and of the opportunity to showcase them
to the world. said Minister of Arts and Culture,
Paul Mashatile. The following artists have been
contracted so far, to appear as part of the exhibi-
tion: Joanne Bloch, Wim Botha,
Kay Hassan, David Koloane, Gerhard Marx,
Maja Marx and Philip Miller, Sam Nhlengethwa,
Johannes Phokela, Cameron Platter, Andrew
Putter, Penny Siopis and Sue Williamson. Some
of the work represented will draw from the oeuvre
of these artists, while some will be commissioned
specifcally for this exhibition.
The painting, drawing, sculpture, installation, flm,
electronic and performance work on exhibition are
as representative of the diversity of concerns as
of the kinds of archive they access. The curatorial
concept artists who use materials of the past to
comment on the contemporary is poised as an
assessment to show where South Africa is, and
how far it has come, as the country approaches
its 20th anniversary of constitutional freedom.
explains curator Brenton Maart.
The exhibition is about the protection and pres-
ervation of our national heritage and the symbols
and artifacts of that heritage. said Mashatile.
He continued, It is also about using the arts to
question and challenge our reading of the past, to
reach a new understanding of it and to craft a new
and inclusive narrative for our country.
We have no doubt that those who will be repre-
senting us at this years Venice Biennale, will do
so with pride and distinction concluded Minister
Mashatile.
The 55th International Art Exhibition will take
place in Venice from 1 June to 24 November
2013. The title chosen by Exhibition Director Mas-
similiano Gioni for the 55th Biennale is Il Palazzo
Enciclopedico / The Encyclopaedic Palace.
The National Arts Festival is sponsored by Stand-
ard Bank, The National Lottery Distribution Trust
Fund, Eastern Cape Government, Department of
Arts and Culture, City Press and M Net.
SA artists to appear in Venice announced
Nomusa Mokhubu from the curatorial committee, Sam Nhlengethwa, Minister of Arts an Culture
Mr Paul Mashatile, and David Koloane at the DAC media briefng about the the 2013 Venice Biennale
Brenton Maart
ART TIMES | NEWS /
BUSINESS ART
Art Times.indd 6 2013/03/18 9:26 AM
BUSINESS ART
By Michael Coulson
A stunning price for Tretchikoffs much-hyped
Chinese Girl, which fetched more than three times
the low estimate, brought overall respectability
to Bonhams March sale of SA art, hiding patchy
returns elsewhere and confrming yet again the
old adage that what happens to the top-priced lots
determines perceptions of a sales success.
The cover lot, Chinese Girl was bid up to a record
982 000 (including buyers premium and Vat)
against the estimate of 300 000-500 000, the
successful bidder being London diamond dealer
Laurence Graff, who plans to install it at his Stel-
lenbosch wine estate, Dellaire Graff. All seven
Tretchis on the sale went, the others grossing
about 364 000, taking the total for his work to
just under 1.27m, just over 26% of the total pro-
ceeds. Traditional market leader Irma Stern, with
only three of her seven lots selling, grossed only
665 000, against the presale estimate of 1.44m,
though the other perennial favourite, Pierneef,
did somewhat better, selling seven of nine lots for
860 000, beating the presale estimate of 753
000. The big three together contributed almost
60% of the total proceeds.
Overall, sales were about 54% by number, but
over 70% by value, refecting buyers continuing
preference for quality work.

The big disappointment, on the other hand, was
the short special section devoted to William
Kentridge. Only nine of the 20 lots sold, including
neither of the two top estimates, so that the gross
of 406 000 was barely half the presale estimate
of 800 000. Taking both sessions together, a
gross of 4.5m was about 300 000 short of he
low estimate, but for the main session alone,
where 72 of 130 lots sold, the gross of about
4.1m was just over the 4m estimate.
Of the 10 top estimates, starting at 100 000 and
upwards, fve sold. After the Tretchikoff, top price
was 713 000 for a Pierneef view of Stellenbosch
(est 500 000-700 000, the inside front cover),
followed by 541 000 for Sterns Congo Beauty
(est 400 000-600 000), 457 000 for Alexis
Prellers Woman with a Lyre (est 400 000-600
000, the frontispiece) and 241 000 for Stanley
Pinkers Garden (est 200 000-300 000).
The rest of the top 10 sales comprised 121 000
for Tretchikoffs Herb Seller (est 80 000-120
000), 109 000 for Irma Sterns Lady Cellist
(est 90 000-120 000 -- about the third time of
asking, and barely a tenth of the initial estimate
at Strauss & Co in Joburg), 97 000 for another
Pierneeef (est 70 000-100 000), an amazing
record 52 000 for a Cyprian Shilakoe wooden
sculpture (est 3 000-5 000, the property of
the late actor Anthony Quinn) and 43 000 for
Tretchikoffs Balinese Dancer
(est 40 000-60 000).
Also a record was 43 000 for a bronze Head
by Dumile Feni (est 15 000-20 000). The old
record was 12 000.
Of other featured items, the back cover, Sterns
Zanzibar Garden, failed to sell, while the
inside back cover, Walter Battisss Bathers in a
Landscape, fetched 17 500 (est 10 000-15
000. Top price for a Kentridge was 115 000 for
Responsible Hedonism (est 80 000-120 000).
Of well-represented artists, besides those already
mentioned, Gladys Mugudlandlu sold eight of 11,
Cecil Skotnes six of 11, and Gregoire Boonzaaier
three of fve.
This is now the sixth auction running where the
gross has exceeded the previous years compara-
ble fgure, suggesting that the market for SA art is
recovering strongly. Lets hope the next two sales,
by each of the local houses in Joburg, confrm the
trend.
Tretchis 13M Chinese Girl boosts
Bonhams South African sale
By Michael Coulson
Is auction house Stephan Welz & Cos decision to
cut commission rates to both buyers and sellers
in certain price ranges to zero per cent just a
gimmick, or an innovative move to broaden the
market? Opinions in the art market are sharply
divided.
Bonhams SA specialist. Giles Peppiatt, is scepti-
cal. I dont think commission rates determine
where art is sold. People go where theyll get
the best net price. Some years ago, when our
competitors in London raised their commission
rates, we decided to be contrarian. We actually
cut our rates. But we found this didnt bring in any
extra business, and after a few months we quietly
fell in line.
Having said that, since I spoke to Peppiatt
Bonhams has announced that it is pegging its
commission rates and not matching recent hikes
by Sothebys and Christies, suggesting that there
are some at his frm who still think price competi-
tion may work.
Stephan Welz & Cos new chairman, Alan Demby,
whose idea it was, not surprisingly takes a differ-
ent view. I have no doubt that some of the new
buyers we saw at our Cape sale in February were
attracted by not having to pay commission. So it
certainly brought in new business.
He adds, though, that zero commission will be
dropped at the end of this month (April), and all
references to it have disappeared from the frms
web site. But he says that what he can bring to
the frm is his commercial expertise, and promises
further innovations on that front. These may
be inspired by the experience of his other, and
primary, business: the SA Gold Coin Exchange
and associated Scoin shops. Indeed, one such is
already announced in the catalogue for the frms
upcoming sale in Johannesburg, on April 23 and
24: it now offers a free safe custody service for
clients valuables, such as coins, stamps, jewel-
lery, watches and the like.
More than just a
gimmick?
0%
Commission
TRETCHIS BIG SALE / SA ART AUCTIONS | BUSINESS ART
By Boris Gorelik
On 20 March Tretchikoffs Chinese Girl fetched
almost one million pounds at the Bonhams
auction in London.
Wed had enquiries from all four corners of the
earth, says Giles Peppiatt, Bonhams director
of South African Art. The media interest in the
Chinese Girl was enormous.
In terms of price, the Russian-born King or
Kitsch, or Peoples Painter, has overtaken
such heavyweights of South African art scene as
Sekoto, Preller and Pierneef. Irma Stern, whose
canvases go for up to three million pounds, is
still way ahead of him. But, Tretchikoff has now
become the countrys No 2 best-selling painter.
Is it right that critically acclaimed artists command
lower prices for their work than the author of the
Green Lady?
This might seem like a naive question. After all,
the market favours the works that attract buyers.
The more commercial appeal the work has, the
more it can fetch. But how come the worlds most
expensive canvases are pictures by Warhol, Pi-
casso, Richter and Monet? Why Jack Vettrianos
Singing Butler, one of the most popular paintings
of the last decades, with myriads of reproductions,
is worth forty-fve times less than Warhols Statue
of Liberty?
The correlation between the paintings popularity
and its price exists but, apparently, its not as strict
as some of us would like to believe.
Tretchikoffs heyday is the 1950-60s. The Chinese
Girl is a hit of yesteryear, a track from a nostalgic
compilation. And yet if you look up the current
value of work by other mass-market artists of his
era J H Lynch, C R DOyly-John, Vernon Ward,
Lou Shabner or David Shepherd Tretchikoff
always comes out on top.
I suppose its because the Chinese Girl isnt
merely a popular picture. It symbolises a certain
style, even a certain period. In this bizarre image,
Tretchikoff captured something that has excited
imagination of several generations. The Green
Lady is an icon, like posters of pop stars that peo-
ple like to adore. It doesnt have the same magical
power as back in the day, but even now its prints
are highly collectable, and her face appears on
countless trinkets and souvenirs, in flms and
music videos, on wallpaper and album covers.
Though reproductions of Tretchikoff work
remained in the list of top ten best-selling prints in
Britain for over a decade, he never managed to
create another icon that could match the magnet-
ism of the Chinese Girl. She embodied western
notions of mysteriousness of the East better than
Tretchis Miss Wong or Lady from Orient. She
served as an open vessel for fantasies better than
his Dying Swan or Lost Orchid. We can speculate
about reasons for her extraordinary, long-lasting
appeal, but I think they would have more to do
with sociology or psychology than art.
For all that, theres a limit to what mass-market
masterpieces can fetch.
This sale does show that theres some sort of
reappraisal of Tretchikoffs work, says Andrew
Lamprecht, the curator of the artists retrospective
at the Iziko S A National Gallery. The Chinese
Girl is undoubtedly his best-known work and has
a lot of other aspects and associations that must
have contributed to the price, such as its fame
overseas, wide dissemination in popular culture
and mass reproduction. But I doubt any other
work of his would ever come close, comparatively,
to the price reached for the Chinese Girl.
Giles Peppiatt would agree. He doesnt believe
that other prominent pictures by Tretchikoff will
catch up with the most expensive canvases by
Stern any time soon:
The Chinese Girl was a one-off. Tretchikoff didnt
paint others that match the fame of this work. I
do think that well sell good paintings by him for
100,000 and more but not for this sum again.
Not in my lifetime.
Green Lady fetches 1 M.
Fair enough
Online Viewing And Bidding
Friday 22 March - Friday 12 April
www.johansborman.co.za
Cape Town Preview
Friday 22 March - Saturday 6 April. Monday
- Friday 09h30 - 17h30 Saturday 10h00 - 13h00.
Johans Borman Fine Art . 16 Kildare Road,
Newlands
Johannesburg Preview
Thursday 11 - Saturday 13 April. Thursday and
Friday 10h00 - 18h00 Saturday 10h00 - 12h00.
CORNER ON MAIN. 25 Culross Road, Bryanston
Live auction
12h00 Saturday 13 April 2013. CORNER ON
MAIN. 25 Culross Road, Bryanston. PDF cata-
logue available online
Please contact us should you require more
information
Tel: 021 683 6863 Cell: 082 566 4631
Email: art@johansborman.co.za
Upcoming at Goodman Gallery
Johannesburg Viewing Room
Diane Victor / In The Viewing
Room & Beneft Auction
The Goodman Gallery will host a viewing room
show prior to an auction to beneft artist Diane
Victor, who requires life-saving surgery. The
auction will feature artworks by Diane and by a
range of artists who have donated works to her
cause. Please contact the Gallery for an online
auction catalogue. Viewing:
Thursday 18 April 2013 At 18h00 20h00
Friday 19 April 2013 From 9h30 17h30
Saturday 20 April 2013 From 9h30 13h00
Auction: Saturday 20 April 2013 At 15h00
See more: www.goodman-gallery.com
Watch out for Boriss book on Tretchikoff -
Published by Tafelberg Press, released in May 13
Hennie Niemann Jnr
2013 Auction
It was a period characterised by optimism, peace at home and in Europe. The peace and
prosperity in Paris allowed the arts to flourish and many masterpieces of literature, music, theater,
and visual art gained recognition. The Belle poque was named, in retrospect, when it began to be
considered a "golden age" in contrast to the horrors of World War 1.
French for beautiful era

Auctions
over the next 6 months:
Mid 20th Century Design
Contemporary Art
Interiors Auction:
to include numerous estates
Judaica
Opulance, Decadance and the Exotic
Oriental, Then and Now
Victorian England and the Bohemian
The Dining Room
8 Vrede Street, Gardens, Cape Town
www.provenanceart.co.za
info@provenanceart.co.za
tel: 00 27 (0)21 4618009
PROVENANCE
PROVENANCE presents . . .
AUCT I ON HOUS E
PAUL MYSON & WARREN SCHEUER
Auction
Wednesday 24 April 2013
Session 1 : 14h30
Session 2 : 18h00
Viewing
17, 18, 19 April 09h00 - 16h00
20 April 09h00 - 13h00
Walkabout with the specialists -11h00
22,23, 24 April 09h00 - 16h00
Art Nouveau Silver Belt
Chester 1904
Arthur Johnson Smith
R3 000 - R5 000
An Austrian
Art Nouveau Plaque
R2 000 - R3 000
- South African & European art from Irma Stern to Pablo Picasso
- Vintage Louis Vuitton wallets, bags, suitcases & trunks
- Mirrors, gilded furniture, salon suites
- French beds, commodes & cupboards,
- Period display cases, screens, hat stands & marble columns
- Lalique & Duam glass, silver, tea sets, candelabra and trays
- 19th C, Art Nouveau & Art Deco furniture & works of art
- Crystal chandeliers & other exotic lighting
- Gold & diamond, as well as period costume jewellery
- Porcelain to include Sevres, Limoges, Moorcroft, & Clarice Cliff
- Exotic collectables from the East
A full day, two session, auction extravaganza
Supplied: Johannesburg: Dying Swan by Vladimir
Tretchikoff, one of the most commercially
successful artists of our time, will be sold by
leading auction house, Strauss & Co, on 20 May
2013. The model for the painting, Dame Alicia
Markova, is depicted entwined with the bird she
portrayed, the two inseparable as she dies at the
end of the performance. Alicia Markova was an
English ballerina, choreographer director, teacher
of classical ballet and founder of the English
National Ballet. Together with Dame Margot
Fonteyn, she is one of only two English dancers
to be recognised as a prima ballerina assoluta, a
title given only to the most notable of female ballet
dancers.
Dying Swan was painted in 1949, when Alicia
Markova and her partner Anton Dolin were in
South Africa, on a sponsored tour with the London
Royal Ballet. Upon seeing her performance as
the Dying Swan in Swan Lake, Tretchikoff was
so deeply moved and captivated by her that he
requested, through a friend, if he might paint her.
He invited the ballerina and her manager to his
studio and they were both so enthused by his
work that Alicia, despite her heavy schedule, of-
fered all her free time to pose for him. In order to
complete the work, Tretchikoff was required to join
the entourage. When in Johannesburg, he stayed
at the Carlton Hotel and was given the premier
suite to use as a studio where most of the paint-
ing and posing was done. Alicias patience and
co-operation had a great infuence on the artist
and inspired him to produce a work of exceptional
quality.
When the company moved to Pretoria, Tretchikoff
watched Alicia dance once again with the same
fervour he had experienced previously. When
Anton Dolin noticed him at the concert he asked
him if he was back to see the dance of the Dying
Duck, stating that in the business thats the nick-
name for the Dying Swan. A bemused Tretchikoff
responded Ive got news for you. You know the
swan in the painting? I couldnt get the real thing,
so I painted it from a dead duck.
Experts are agreed that the swans head in the
painting is that of a duck. As for the owner, given
what he is expected to get from the sale of the
painting, he can certainly claim his duck has
turned into a swan.
Provenance:
Lady Lynn Bagnall
Dance Transition Resources Centre (DTRC),
Toronto 1999 (donated by Mr Todd Edgar the
aboves nephew)
34Long Art Gallery, Cape Town, 2005
Acquired from the above by the present owner,
2008
From a duck to a swan
BUSINESS ART | SA ART AUCTIONS / UPCOMING STRAUSS & CO. SALE
Diane Victor gee intense blik van oud word : Die Burger. Feeskunstenaar.Die visuele kunstenaar Diane Victor fokus haar intense blik op die di-
namika van vrouwees en oud word in haar jongste werk. Victor is vanjaar die feeskunstenaar van die Klein Karoo Nasionale Kunstefees op Oudtshoorn.
In die tentoonstelling No Country for Old Women probeer Victor om die vrou en die verouderingsproses visueel te verwoord.Source.
The Great Debate: A debate is starting between Dalro, who represents its artists estates and royalty payments (generated by the artists works
being published in the media), and Strauss & Co, who is taking a bold stance against the principle of paying Dalro to basically popularize the artists
image in/on its Auction catalogues. On the one hand, artists and artists relatives ( as well as Dalro) can gain enormous sums from collecting royalties,
however even Andy Worhol would possibly support Strauss & Co in terms of the fact that the easier publishing and promotion of the artists image in the
media would, in effect, heighten the value of the artists work. Could it be simply put that Dalro and their represented artists estates are penny-wise and
dollar-blind? Then again its good that artists rights be promoted, but at the end of the day, the artist (or relatives) looses out on the estates rising prices
with art auction houses, galleries and publishing houses potentially not publishing their images in catalogues
INTERNATIONAL
Out with the old, in with the newest: Is the cult of contemporary banishing older art to the Dark Ages? The ArtNewspaper. By Satish Padiyar.
Bored by Old Masters? Modernity is our Antiquity. The art historian T.J. Clarks provocative dictum, coined at the turn of the 21st century, should cause
us to worry: are large swathes of art before the era of Western Modernism being lost to our comprehension? If Modernity is our Antiquity, this is to assert
that Czanne and Picasso have now become our true Classics, but also leads us to deplore the propelling of all art before them into what becomes a
Dark Age. Souce
Chasing the Chinese dragon, galleries open in Hong : Kong- Major dealers are opening spaces, but getting business isnt always easy The Art
Newspaper. By Katie Hunt.The New York dealer Lehmann Maupin will be the latest high-wattage international arrival on Hong Kongs gallery scene
when its Rem Koolhaas-designed space in the citys fnancial district opens on 14 March, bringing the likes of Tracey Emin, Lee Bul (opening exhibition,
until 11 May) and Juergen Teller to the regions collectors.Lehmann will occupy the pre-war Pedder Building, along with fellow New York gallery Gago-
sian, which opened in Hong Kong in 2011, and joins LondonsWhite Cube and Pariss Galerie Perrotin, which opened its frst Asian branch in the former
British colony last year. The Asian expansion of the Wests blue-chip galleries is gathering steam, but is the long journey paying dividends? Source.
How and why taste changes: While an artists popularity can wax and wane, there are very few genuine rediscoveries : The Art Newspaper.
By David Ekserdjian. Maybe we should blame the flm Lust for Life, 1956, in which Kirk Douglas strutted his stuff as Vincent Van Gogh. What is certain
is the fact that the conventional idea of the artist as an unappreciated genius starving in a garret, whose merits will only be recognised when it is far too
late for him to reap any earthly beneft, is ominously well entrenched. What is more, this heart-warming scenario of posthumous glory also has a fip
side. It requires that any artists who have the misfortune to be admired in their own day had better make the most of it, since they will inevitably fall from
favour in the fullness of time. According to the 2012 Sunday Times Rich List, whose accuracy it would be foolhardy to question, Damien Hirst (number
360, 215m) and Anish Kapoor (number 908, 80m) are doing quite nicely, thank you. So, does this mean that we should be musing on the posthu-
mous obloquy they are bound to suffer? Source.
While the rich get richer... As the top galleries branch out, the middle tier is being squeezed : theartnewspaper: By Charlotte Burns.President
Barack Obama put the middle class at the heart of his State of the Union address last month. Corporate profts have While the rich get richer... As the
top galleries branch out, the middle tier is being squeezed skyrocketed to all-time highs, but for more than a decade, wages and incomes have barely
budged. It is our generations task to reignite the true engine of Americas economic growth: a rising, thriving middle class, he said. Obama may not
have had the art market in mind when he said this, but there are growing calls within the art community for a similar focus on its own middle section.
While there has been considerable growth at both the top and emerging ends of the trade, the middle has stagnated. Mega-galleries including Gago-
sian, David Zwirner, Pace and Hauser & Wirth have all expanded internationally, but mid-level galleries including Hotel, Agnews, Haunch of Venison
and Saamlung have recently closed, and there are fears that more will follow. Source
Boston art heist: FBI says it has solved mystery of $500m theft Investigators say they know who committed largest property robbery in US
history but not where the art is Associated Press guardian.co.uk. The FBI says it has solved the decades-old mystery of who stole $500m (330m)
worth of art from Bostons Isabella Stewart Gardner Museum, but it is withholding the identities of the thieves, adding a further twist to the largest
property heist in US history. On the 23rd anniversary of the theft, authorities announced a new publicity campaign aimed at generating tips on what they
still do not know: where the missing art is. Their focus has shifted from catching the thieves to bringing home the precious work, including paintings by
Rembrandt, Manet, Degas and ermeer. Source.
Famous Art Thefts And Art Heists In Recent History, A Brief Look : Huffngtonpost. BOSTON -- Authorities announced this week that they believe
they know who stole 13 pieces of artwork worth as much as $500 million from Bostons Isabella Stewart Gardner Museum in 1990. A look at some of
the biggest and most brazen art thefts in recent times:_ October 2012: Thieves broke into the Kunsthal art gallery in Rotterdam, Netherlands, and stole
seven works by artists, including Picasso, Monet, Gauguin and Matisse, potentially worth hundreds of millions of euros if sold legally. Source.
All smoke and mirrors? TheArtNewsPaper. By Alexander Adams.The many issues the market, law, conservation, originality, reproduction and simu-
lacrabearing on the meaning of authenticThe issue of authentication has become ever more pressing in an era when the value of art, the worlds
premier luxury commodity (bought as investment and status symbol), is predicated on the aura of authenticity. The introduction of Art and Authenticity
raises as an object lesson La Bella Principessa (the beautiful princess), a drawing assumed to be a skilful 19th-century pastiche of Leonardo da Vinci
until a recent (largely rejected) attribution to the master himself. The attribution changes the object in no respect other than raising the value by $150m.
Source
Market News: rare Edvard Munch print sells for record amount Sothebys sold a rare colour aquatint by Edvard Munch for a record 2.1
million , says Colin Gleadell.Sothebys highlight was the collection of the late Mark Birley, founder of Annabels club, in which all but fve of 500 lots,
including lashings of dog paintings, were sold for 3.8 million, more than double the estimate, while Christies had the cream of the print sales in a rare
colour aquatint by Edvard Munch of a young woman standing alone on a beach. The print had belonged to the art historian Curt Glaser, who was forced
to sell his collection by the Nazis. Returned to his heirs last year, it sold for a record 2.1 million to Oslos Galleri K, bidding for a European collector.
Art Media Radar
See: www.arttimes.co.za for daily Art News Updates
TRECHIS BIG SALE / SA ART AUCTIONS | BUSINESS ART
Teresa Lizamore (ArtSpace Jhb) welcomes guests at Landi Raubenheimers
Collecting the Landscape Show. photo: Werner Strauss
SOUTH AFRICAN
GALLERY GUIDE
N A U L L
ClPCUMSPLC1 ll
Arll - 8 Muy zo
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Andre Naude Advert
15 March 2013 09:16:59 AM
Free State
Bloemfontein
Oliewenhuis Art Museum
Until 7 April, Dora Scott: A Memorial Exhibition, this
exhibition commemorates Dora Scott and her distinguished
contribution to the arts (in the Main Building)
Until 28 April, Contemporary Bloemfontein Artists, an
exhibition of artworks by contemporary Bloemfontein artists
residing in Bloemfontein or who have grown up and studied
in Bloemfontein.
11 April - 9 June, Facing the Climate, an exhibition series
that combines climate-themed cartoons by fve Swedish
artists with climate-related artworks of artists in host coun-
tries (in the Main Building)
16 Harry Smith Str, Bloemfontein. T. 051 011 0525
oliewen@nasmus.co.za www.nasmus.co.za
Clarens
Art & Wine Gallery on Main
The Gallery houses an exquisite collection of art by well-
known artists like Frederike Stokhuyzen, Aviva Maree, Gre-
goire Boonzaier, J.H. Pierneef, Pieter van der Westhuizen,
Erik Laubscher, Eben van der Merwe, Hennie Niemann,
Hannetjie de Clercq, ceramics by Laura Du Toit, sculpture
by Fana Malherbe & Jean Doyle, glass by David Reade &
Shirley Cloete and numerous others.
279 Main Str, Clarens T. 058 256 1298
or Anton Grobbelaar. C. 082 341 8161
anton@artandwine.co.za www.artandwine.co.za
Blou Donki Art Gallery
Windmill Centre, Main Str, Clarens T. 058 256 1757
manager@bloudonki.co.za www.bloudonki.co.za
Johan Smith Art Gallery
The gallery permanently exhibits a wide variety of classical
and selected contemporary art works featuring Johan
Smith, Elga Rabe, Graham Carter, Gregoire Boonzaier,
and various others. Specializing in ceramics, the gallery
supports artists such as Hennie Meyer, Karen Sinovich,
and Heather Mills, among others. Collectable bronzes and
handmade glass by David Reade also available.
Windmill Centre, Main Str, Clarens T. 058 256 1620
manager@bhm.dorea.co.za www.johansmith.co.za
Gauteng
Johannesburg
Absa Art Gallery
Absa Towers North, 161 Main Str, Jhb. T. 011 350 5139
artgallery@absa.co.za www.absa.co.za
Alice Art
April exhibitions are as follows: 6th - 7th, Duggie Du Toit;
13th - 14th, Christelle; 20th - 21st, Rache Gerber; 27th
- 28th, Gorgio Trobec.
217 Drive Str, Ruimsig. T. 011 958 1392 C.083 331 8466
alice@aliceart.co.za www.aliceart.co.za
Art Eye Gallery
20 - 30 April, Heeres Spenny!!!, an exhibition by Spencer
Whittle. Shop 109, First Floor, The Design Quarter, Cnr
William Nicol & Leslie Avenue, Fourways, Sandton. T. 011
495 7695. C. 071 386 2198.
gallery@arteye.co.za www.arteye.co.za
The Art Place
144 Milner Ave, Roosevelt Park. T. 011 888 9120
theartplace@newnet.co.za www.artplace.co.za

Artist Proof Studio
Bus Factory, 3 President Street, Newtown Cultural Precinct.
T. 011 492 1278 C. 084 420 7998
www.artistproofstudio.co.za gallery@artistproofstudio.co.za

Artspace Jhb
6 - 30 April, The Carnival (No Dogs Allowed), an exhibition
by Jaco Sieberhagen.
Chester Court, 142 Jan Smuts Ave, Parkwood.T.011 880
8802 info@artspace-jhb.co.za www.artspace-jhb.co.za
The Bag Factory
Until 3 April, its not about us, an exhibition by visiting
artists Lara Freiberg and Zille Homma Hamid.
10 Mahlatini Str, Fordsburg. T. 011 834 9181
info@bagfactoryart.org.za www.bagfactoryart.org.za
Christies
International Auctioneers.
Gillian Scott Berning, Independent Consultant.
T 031 207 8247 Gillian.gsb@mweb.co.za
www.christies.com
CIRCA on Jellicoe
6 April - 18 May, Property of a Gentleman, a collection of
works by various artists.
2 Jellicoe Ave. T. 011 788 4805
info@circagallery.co.za www.circaonjellicoe.co.za
David Krut Projects
142 Jan Smuts Avenue, Parkwood. T. 011 447 0627.
Contact Claire Zinn. claire@davidkrut.com
www.davidkrutpublishing.com
Everard Read Jhb
6 Jellicoe Ave, Rosebank, Jhb. T. 011 788 4805
gallery@everard.co.za www.everard-read.co.za
The Fine Arts Studio
Offering part-time courses in oil painting and drawing,
designed for beginners and experienced artists alike.
Rivonia, Sandton. C. 082 904 3720 / 083 306 3972
michelle@thefneartsstudio http://thefneartsstudio.co.za
Gallery 2
13 April - 4 May, Thinking in Paint, an exhibition by Gail
Behrmann, Ricky Burnett, David Koloane and Jenny
Stadler. 140 Jan Smuts Ave, Parkwood. T. 011 447 0155
info@gallery2.co.za www.gallery2.co.za
Gallery AOP
44 Stanley Ave, BraamfonteinWerf (Milpark) Jhb. T. 011
726 2234. info@artonpaper.co.za www.galleryaop.com
Gallery MOMO
Until 8 April, Bridges, travelling exhibition of black and
white photographs by Andrew Tshabangu and Ren-Paul
Savignan. 52 7th Avenue, Parktown North, Jhb.
T. 011 327 3247 info@gallerymomo.com
www.gallerymomo.com
Goodman Gallery JHB
13 April - 11 May, Looking Back, an exhibition by Robert
Hodgins. 163 Jan Smuts Avenue, Parkwood.
T. 011 788 1113 jhb@goodman-gallery.com
www.goodman-gallery.com
Grahams Fine Art Gallery
The gallery exhibits fne examples of South African art,
including works by: Maggie Laubser, J.H Pierneef, Irma
Stern, Freida Lock, Walter Battiss, Alexis Preller, Gerard
Sekoto, Robert Hodgins, Stanley Pinker & Peter Clarke.
Unit 46, Broadacres Lifestyle Centre, Cnr Cedar & Valley
Rds, Broadacres, Fourways, Jhb. T. 011 465 9192
sarah@grahamsgallery.co.za www.grahamsgallery.co.za
16 Halifax Art
16 Halifax Art is a visual art agency owned by Dana
MacFarlane. 16 Halifax Str, Bryanston. Dana MacFarlane,
C. 082 784 6695 dana@16halifaxart.co.za
www.16halifaxart.co.za
In Toto
Until 8 April, WHACK!, an exhibition by Stephen Graham
and Neill Wright.
11 April - 20 May, Exposure, a photographic exhibition
featuring Michael Meyersfeld, Lien Botha, Bob Cnoops and
Francki Burger, amongst others. Until 8 April, WHACK!,
an exhibition by Stephen Graham and Neill Wright. 6
Birdhaven Centre, 66 St Andrew Str, Birdhaven. T. 011 447
6543
megan@intotogallery.co.za www.intotogallery.co.za
Isis Gallery
Look no further for the best art at the best prices. New
works by Bastiaan van Stenis, Obert Jongwe, Tasha
Mrazek and Mind Shana. New glass artworks are available.
Buy 100% original. Add value to your business or personal
collection. Receive a certifcate for each purchase made.
Visit our website and see who has almost sold out.
Shop 163, The Mall of Rosebank. Contact Daniel Erasmus
T. 011 447 2317 info@isisgallery.co.za
www.isisgallery.co.za
Johannesburg Art Gallery JAG
Until 10 March, French Connections, an exhibition of
French works. Selected artists from the collection include:
Delacroix, Daobigny, Michel, Picasso, Rodin, Monet, Mod-
igliani and Miro amongst others. This exhibition forms part
of the France-South Africa Seasons 2012 & 2013.
Until 12 May, Venus at Home, a solo show by Usha
Seejarim. Seejarims work explores issues of identity, with a
fascination for the mundane and the ordinary.
King George Str, Joubert Park, Jhb. T. 011 725 3184
tinym@joburg.org.za
www.joburgculture.co.za/museums-galleries/jag
Market Photo Workshop Gallery
2 President Str, Newtown, Jhb. T. 011 834 1444
www.marketphotoworkshop.co.za
info@marketphotoworkshop
Manor Gallery
Until 4 May, 89th Exhibition of the Watercolour Society
Africa (WSA) And the 3rd of the Art Society Africa (ASA).
On show will be paintings in all media by top SA artists.
Norscot Manor Centre, Penguin Drive, Fourways.
T. 011 465 7934 gallery@wssa.org.za www.wssa.org.za
Resolution Gallery
16 April - 29 May, an exhibition by John Arthur Liebenburg.
Unit 4, Chester Court, 142 Jan Smuts Avenue, Parkwood,
2193. T. 011 880 4054 info@resgallery.com
http://resgallery.com
Russell Kaplan Auctioneers
Auctioneers of Fine Art, Antiques and Collectables.
Ground foor, Bordeaux Court, Corner of Garden & Allan
Rds, Bordeaux. T. 011 789 7422 C. 083 675 8468.
rka@global.co.za www.rkauctioneers.co.za
Sandton Auctioneers
Fine Art, Furniture, Carpets & Collectables.
Showroom: No 8 Burnside Ave, Craighall Park, Jhb.
T. 011 501 3360 sandtonauctioneers@telkomsa.net
www.sandtonauctioneers.com
Standard Bank Gallery
17 April - 15 June, Retinal Shift, an exhibition by Standard
Bank Young Artist 2012, Mikhael Subotzky.
Cnr of Simmonds & Frederick Str.s, Jhb. T. 011 631 1889
sue.isaac@standardbank.co.za
www.standardbankarts.co.za
FREE STATE, GAUTENG | GALLERY GUIDE
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GAUTENG, MPUMALANGA, NORTH WEST, WESTERN CAPE | GALLERY GUIDE
Stephan Welz & Company
23 & 24 April, Decorative and Fine Art Auction, to feature
a selection of work on paper. Viewing from 17 to 21 April,
10am to 5pm. 13 Biermann Ave, Rosebank, Jhb.
T. 011 880-3125 jhb@stephanwelzandco.co.za
www.stephanwelzandco.co.za
Stevenson Johannesburg
Until 19 April, Libreville, an exhibition by Guy Tillim.
62 JutaStr, Braamfontein, Jhb. T. 011 326 0034
jhb@stevenson.info www.stevenson.info
Strauss & Co.
89 Central Str, Houghton. T. 011 728 8246 C. 079 367 0637
jhb@straussart.co.za www.straussart.co.za
UJ Art Gallery
10 - 24 April, Learning to Fly, a solo exhibition by Yannis
Generalis. Cnr Kingsway & University Rd, Auckland Park,
Jhb. T. 011 559 2099 aedempsey@uj.ac.za
www.uj.ac.za/artscentre
The White House Gallery
The gallery has a wide ranging portfolio featuring
renowned masters such as Chagall, Marini, Miro, Moore
, Stella, Picasso, Dine & Hockney - to name a few. Also
the more affordable works of up and coming artists in
Britain and France, along with globally acclaimed South
African artists. Shop G11 Thrupps Centre, Oxford Rd,
Illovo, Jhb. T. 011 268 2115
alan@whg.co.za www.thewhitehousegallery.co.za
Pretoria
Alette Wessels Kunskamer
Operates as an art gallery and art consultancy, special-
ising in South African art as an investment, dealing in
Old Masters, and selected contemporary art.
Maroelana Centre, 27 Maroelana Str, Maroelana,
Pretoria. T. 012 346 0728 alette@artwessels.co.za
www.artwessels.co.za
Association of Arts Pretoria
Until 6 April, ABSA lAtelier, an exhibition of works
selected in Pretoria. 173 Mackie Str, Nieuw Muckleneuk,
Pretoria. T. 012 346 3100 artspta@mweb.co.za
www.artsassociationpta.co.za
Centurion Art Gallery
A commercial satellite of the Pretoria Art Museum.
c/o Cantonment and Unie Avenues, Lyttelton
T. 012 358 3477 artg@tshwane.gov.za
www.pretoriaartmuseum.co.za/centurion
Fried Contemporary
Until 30 April, Fried Autumn Art Fair.
Until 6 April, Me. Ek, at KKNK 2013.
1146 Justice Mahomed Street,Brooklyn, Pretoria.
T. 012 346 0158 C. 082 523 6989
info@friedcontemporary.com
www.friedcontemporary.com
Front Room Art
116 Kate Ave, Rietondale. Jennifer Snyman
082 451 5584 jennifer@frontroomart.co.za
www.frontroomart.co.za
Gallery Michael Heyns
194 Haley Str, Weavind Park, Pretoria.
T. 012 804 0869 michael@michaelheyns.co.za
www.michaelheyns.co.za
Pretoria Art Museum
Until 29 May, Landscape Prints, a permanent collec-
tion in the East Gallery.
Until July, Abstract and Semi-Abstract Art, a selection
of works ranging from the early 1960s up to 2001,
showing in the North Gallery and Henry Preiss Hall.
Until Dec, A Story of South African Art, a selection
of artworks from the permanent collection is on show,
as well as a selection of ceramics from the Corobrik
Ceramic Selection.
Cnr Frances Baard and Wessels Str, Arcadia Park,
Arcadia, Pretoria. T.012 344 1807/8
art.museum@tshwane.gov.za
www.pretoriaartmuseum.co.za
Sandton Auctioneers
Fine Art, Furniture, Carpets & Collectables.
Showroom: 367 Lynnwood Rd, Menlo Park, Pta.
T. 012 460 6000 sandtonauctioneers@telkomsa.net
www.sandtonauctioneers.com
St Lorient Fashion and Art Gallery
14 April - 18 May, Circumspect II, a solo exhibition
by Andre Naude. 492 Fehrsen Str, Brooklyn Circle,
Brooklyn, Pta. T. 012 4600284
anastasi@iafrica.com www.stlorient.co.za
UNISA Art Gallery
Kgorong Building, Ground Floor, Main Campus, Preller
Str, Pretoria. T. 012 441 5876. tshannn1@unisa.ac.za
www.unisa.ac.za/gallery
University of Pretoria
Mapungubwe Gallery, Old Arts Building, UP.
T.012 420 2968 museums@up.ac.za www.up.ac.za
Mpumalanga
Dullstroom
Art @ sixty seven
A selection of fne art, ceramics and blown glass art
pieces by well-known local artists.
Shop no.9, 67 Naledi St, Dullstroom, Mpumulanga.
T. 013 254 0335 mikek@boardwalkmanor.co.za
www.shopat67.com
White River
The Artists Press
Professional collaboration, printing and publishing of
original hand-printed artists lithographs, by the Artists
Press. Also artists books, monotypes & letterpress
prints, particularly for artists working in SA.
Waterfeld Farm near White River, Mpumalanga
T. 013 751 3225 print@artistspress.co.za
www.artprintsa.com
The Loop Art Foundry & Sculpture Gallery
A collaboration and network for the avid art patron and
collector as well as a full service facility for the artist.
This is the place where you will fnd a unique and
superior item or have something commissioned that you
have always envisioned.
Casterbridge Complex Corner R40 & Numbi Rds, White
River. T. 013 758 2409. theloop@worldonline.co.za
www.tlafoundry.co.za
The White River Gallery
Until 16 April, The Advocacy, a group exhibition of
artwork focusing particularly on the false accusation of
witchcraft made on women and children.
20 April - 13 May, watercolours and monoprints by Rene
Eloff, produced at the Artists Press in White River.
Casterbridge Centre, R 40 Cnr. of Hazyview &Numbi
Gate Rd, White River. C. 083 675 8833.
art@whiterivergallery.co.za www.whiterivergallery.co.za
North West
Potchefstroom
NWU Gallery
Until 3 May, Surface, a solo exhibition by Helena
Hugo. Until 3 May, A Drawn Conclusion, a group exhi-
bition compiled by Erdmann Contemporary, showing in
the Botanical Art Gallery. North-West University Gallery,
Building E7, NWU Potchefstroom Campus, Hoffman Str,
Potchefstroom. T. 018 299 4341.
christina.nauratttel@nwu.ac.za
Hartbeespoort Dam
Edwards Fine Art, Modern & Contemporary
Featuring works by William Kentridge, Marlene Dumas,
Robert Hodgins, Cecil Skotnes and Edoardo Villa.
Sculpture by Anton Smit.
Shop 24, Xanadu X-ing Shopping Centre, Cnr. Xanadu
Boulevard & R511, Xanadu, Hartbeesport.
C. 076 472 9812. efa@myconnection.co.za

Western Cape
Cape Town
/A Word of Art
Until 6 April, Adidas Originals and /A Word of Art
presents Art JHB, featuring international artists.
66 Albert Road, Woodstock Exchange. C. 083 300 9970
rickylee@andpeople.co.za www.a-word-of-art.co.za
Absolut Art Gallery
Permanent exhibition with the best Masters and Con-
temporary artists, namely: JH Pierneef, Gerard Sekoto,
Hugo Naude, Adriaan Boshoff, Frans Oerder, Tinus De
Jongh, Cecil Skotnes, JEA Volschenk, William Ken-
tridge, amongst others. Shop 43 Willowbridge Lifestyle
Centre, Carl Cronje Drive, Tyger Valley, Bellville.
T. 021 914 2846. info@absolutart.co.za
www.absolutart.co.za.
Art.b
Until 12 April, Absa L`Atelier, regional art competition.
Exhibition of selected works. The Arts Association of
Bellville, The Library Centre, Carel van Aswegan Str,
Bellville. T. 021 918 2301.info@artb.co.za
www.artb.co.za/gallery.htm
Artvark Gallery
New works by Margot Hattingh in encaustic wax and
acrylic, as well as woodcut prints in Japanese style by
Joshua Miles and Vintage Car series in acrylic by Koos
de Wet. View the works on their Facebook page.
48 Main Rd, Kalk Bay. Tel. 021 788 5584.
artvark@iafrica.com www.artvark.org
Ashbeys Galleries
Antiques and fne art auctioneers and appraisers.
43-51 Church Str, CT. T. 021 423 8060
info@ashbeys.co.za www.ashbeysgalleries.co.za
AVA
Until 5 April, 3 exhibitions running concurrently: Portals
by Anthea Delmotte, Wading, by Rodger Bosch and
Between the Blue Swimming Pools, by
Katrine Claassens. Association for Visual Arts,
35 Church Str, CT. T.021 424 7436 avaart@iafrica.com
www.ava.co.za
The Cape Gallery, 60 Church Street,
Cape Town seeks to expose fine art that
is rooted in the South African tradition,
work which carries the unique cultural
stamp of our continent.
featured artist: Judy Woodborne
THE CAPE
GALLERY
Open Mon - fri: 9h30 - 17h00
Sat: 10h00 - 14h00
27 21 423 5309
cgallery@mweb.co.za
www.capegallery .co.za
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Eleanor Esmonde-White
Marittie de Villiers Leonora Everard-Haden
11A CHELSEA VILLAGE,WYNBERG
TEL: 021 - 762 7983
eclectica@telkomsa.net www.eclectica.co.za
Gail Catlin
Eclectica is a purveyor of ne arts, antiques and objects dart. We stock
desirable, quality pieces and the investment element is a bonus as the acquisition
of art is both a discretionary expense and a pursuit of the heart.
WESTERN CAPE | GALLERY GUIDE
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Alex Hamilton Studio Gallery
3rd Floor, 9 Barron st, Woodstock. T. 021 447 2396.
C. 084 409 6801 alex@alexhamilton.co.za
www.alexhamilton.co.za
The Avital Lang Gallery
27 April - 3 May, Afro-Catalan Fusion of Africanity And
Latinity, a celebration of the abstract applications on
canvas by artist Juanjo Sandoval.
Two Oceans House, Surrey Place, Mouille Point, CT.
(Next to Newport Deli) T. 021 439 2124.
avital.artistinc@gmail.com www.avitallang.com
Barnard Gallery
4 April - 16 May, Genesis, an exhibition of oil paintings
by Ryan Hewett. 55 Main St, Newlands.
T. 021 671 1666 gallery@barnardgallery.com
www.barnardgallery.com
Blank Projects
Until 6 April, new sculptures by Kyle Morland and Cra-
dle, an exhibition by Richard Penn. 113-115 Sir Lowry
Rd, Woodstock, CT. C.072 507 5951
info@blankprojects.com www.blankprojects.com
Brundyn + Gonsalves
Until 1 May, Good Health: Impilo Engcono, a group
exhibition featuring Zwelethu Mthethwa and nine youths
from rural KwaZulu Natal. 71 Loop Str, CT.
T. 021 424 5150 info@brundyngonsalves.com
www.brundyngonsalves.com
The Cape Gallery
Until 13 April, A solo exhibition of work by Francois
Roux. 14 April - 4 May, Water Element, an exhibition of
work by Judy Woodborne and ceramic work by Rebecca
Tetley. 60 Church Str, CT. T. 021 423 5309
web@capegallery.co.za www.capegallery.co.za
Carmel Art
Dealers in fne art, exclusive distributers of Pieter van
der Westhuizen etchings. Cape Quarter Square,
27 Somerset Rd, Green Point. T. 021 4213333.
carmel@global.co.za www.carmelart.co.za
Casa Labia Gallery
Casa Labia Cultural Centre, 192 Main Rd, Muizenberg.
T. 021 788 6068 gallery@casalabia.co.za
www.casalabia.co.za
The Cellar Private Gallery
The Cellar Private Gallery deals exclusively in original
and investment art, offering works by a variety of
renowned and upcoming SA artists.
12 Imhoff Str, Welgemoed, Bellville. T. 021 913 4189
info@thecellargallery.co.za www.thecellargallery.co.za
Christies
Juliet Lomberg, Independent Consultant.
T. 021 761 2676 jlomberg@iafrica.com
www.christies.com
Christopher Mller Art
7 Kloofnek Rd, Gardens, C T. T. 021 422 1599
Info@christophermollerart.co.za
www.christophermollerart.co.za
The City Bowl Gallery
Hand thrown decorative and functional wares as well as
Pottery Classes, Ceramic Design, Bespoke Pottery.
2 Norwich Ave, Observatory. T. 021 447 4884
C. 083 412 8098 Garth Meyer: garthme@iafrica.com
Commune.1 Gallery
Until 20 April, Imvo Zabantsundu/The Native Opinion,
by Ayanda Mabulu. 64 Wale Street, CT. T. 021 423
5600. Contact Leigh-Anne Niehaus. info@commune1.
com www.commune1.com
Culture Urban + Contemporary Gallery
20 April - 18 May, Meditations, A solo exhibition of oil
paintings by Orly Rabinowitz - suggestive of the pas-
sage of time, memory and the forces of nature.
First Floor, Woodstock Exchange, 66 Albert Rd,
Woodstock. T. 021 447 3533
mikaela@culturegallery.co.za
Dante Art & Decor
A modern art gallery since 1995.Proudly South African
art, ceramics, gifts and decor.Furnishing your home
with a modern touch of beauty. Shop L90- Cavendish
Square, Claremont. C. 082 268 9997
anik@danteartgallery.co.za www.danteartgallery.co.za
David Krut Projects
6 April 4 May, Workshop Projects, an exhibition by
Quinten Williams and Mary Wafer.
Montebello Design Centre, 31 Newlands Ave.
T. 021 685 0676. jacqueline@davidkrut.com www.
davidkrut.com
Deziree Fine Arts
18 Apr - 1 May, From The Ashes by Deziree Smith,
hosted at The Studio Kalk Bay, Cape Town.
T. 021 785 1120 info@dezireefnearts.co.za
www.dezireefnearts.co.za
wide selection of works by leading South African contemporary artists
Exclusive distributors of
Pieter
van der Westhuizen
etchings
full selection on website
1st oor
Cape Quarter Square
27 Somerset Road,
Green Point
Ph: 021 421 3333
email: carmel@global.co.za
website: www.carmelart.co.za
INTERSECTIONS
EXHIBITION FROM 2-30 APRIL 2013
79 Market Street, Marklaan Centre, George | 044 874 4027
Opening hours: Mon - Fri 08:00 - 17:00 | Sat 09:00 - 13:00
STRYDOM
GALLERY
1968
www.strydomgallery.co.za
Golden Apples - acrylic
Diane Johnson - Ackerman
www.dfjohnson-ackerman.co.za
A
J
Ebony
Naked Sculpture, a series of photographs by Marc
Stanes, previously shown in 2010 at Jonathan Cooper,
London. Alongside, will be Aidon Westcotts fgurative
nude collages and exciting new sculptures by Johan-
nesburg artist Regardt van der Meulen.
67 Loop Str, CT. T. 021 424 9985.
gernot@ebonydesign.co.za www.ebonydesign.co.za
Eclectica Art & Antiques
Purveyor of fne arts, antiques and objects dart. Empha-
sis on fnding beautiful, interesting pieces both locally
and internationally. 11A Wolfe Str, Chelsea Village,
Wynberg, CT. T. 021 762 7983 info@eclectica.co.za
Erdmann Contemporary
& the Photographers Gallery ZA
Until 11 May, A Greek Goddess up to no Good, a solo
exhibition by Jan Neethling.
17 April - 10 May, Encounters at the Edge, a solo exhi-
bition by David Lurie at Constitution Hill, Johannesburg.
Opening address by Prof. Achille Mbembe.
63 ShortmarketStr, CT. T. 021 422 2762
galleryinfo@mweb.co.za
www.erdmanncontemporary.co.za
Everard Read CT
3 - 16 April, Twitter, the third and latest instalment
in artist Luan Nels ongoing project dealing with birds,
birdlife and the many possible interpretations and
understanding of this subject matter.
17 - 30 April, A Sense of Place, an exhibition by
Penelope Stutterheime. Portswood Rd, Victoria & Alfred
Waterfront, CT. T. 021 418 4527
ctgallery@everard.co.za
www.everard-read-capetown.co.za
34 Fine Art
Until 6 April, Four Walls, a group exhibition featuring
works by Asha Zero, Mr. Brainwash, Takashi Murakami
and Esther Mahlangu.
9 April - 4 May, Vertex of Reality, a solo exhibition by
Paul du Toit. 2nd Floor, The Hills Building, Buchanan
Square, 160 Sir Lowry Rd, Woodstock. T. 021 461 1863
info@34fneart.com www.34fneart.com
The Framery Art Gallery
67A Regent Rd, Seapoint. T. 021 434 5022 C.
0781227793 debbiegrewe@gmail.com
The Framery Art Gallery
67A Regent Rd, Seapoint. T. 021 434 5022 C. 0781227793
debbiegrewe@gmail.com
The Framing Place
46 Lower Main rd, Observatory. T. 021 447 3988
C. 072 731 7682 info@framingplace.co.za
G2 Art
G2 Art is a permanent gallery in the heart of the city centre,
offering diverse and affordable contemporary art and sculp-
ture by local artists including Nicole Pletts, Jimmy Law,
Benjy Furawo and Roelie van Heerden to mention a few.
61 Shortmarket Str between Loop Str & Bree Str.
T. 021 4247169 di@g2art.co.za www.g2art.co.za
Allderman Gallery
A pop up exhibition featuring installations, oil paintings
and etchings as well as work by emerging artists, at the
Newlands Quarter, Dean Street, Newlands ( opposite Dean
Street Arcade). Concord House (Pam Golding Building),
Cnr Main & Summerly Rds, Kenilworth.
C. 083 556 2540. gallery@new.co.za
www.alldermangallery.co.za
Goodman Gallery Cape Town
Until 27 April, Editions, a multi-media group show, with
work by Clive van den Berg, Candice Breitz,
David Goldblatt and Brett Murray, amongst others.
3rd Floor, Fairweather House, 176 Sir Lowry Rd, Wood-
stock. T. 021 462 7573/4 cpt@goodman-gallery.com
www.goodman-gallery.com
Hout Bay Gallery
12 21 April, Behind the Secret Club, solo showcase of
public space experimentation by the conceptual artist Conn
Bertish. 71 Victoria Ave, Hout Bay. T. 021 790 3618
art@houtbaygallery.co.za www.houtbaygallery.co.za
Infn Art Gallery
Wolfe Str, Chelsea Village, Wynberg. T. 021 761 2816 &
Buitengracht Str, CT. T. 021 423 2090.
gallery@infnart.co.za www.infnart.co.za
Irma Stern Museum
3 - 6 April, Ikebana Exhibition.
Cecil Rd, Rosebank, CT. T. 021 685 5686
irmastern@uct.ac.za www.irmastern.co.za
Iziko SA National Gallery
Until 12 April, Uncontained: the Community Arts Project
Archive. 25 Queen Victoria Str, CT. T. 021 467 4660
info@iziko.org.za www.iziko.org.za
Iziko Michaelis Collection
Ongoing: Dutch works from the 17th20th centuries in Iziko
collections. Iziko Michaelis Collection, Old Town House,
Greenmarket Square. T. 021 4813800.
hproud@iziko.org.za www.iziko.org.za
Iziko Castle of Good Hope
BuitenkantStr, opposite the Grand Parade, CT.
T. 21 464 1262 kmooney@iziko.org.za www.iziko.org.za
Johans Borman Fine Art
Hennie Niemann Jnr Auction, Cape Town Preview: until 6
April and JHB Preview: 11 - 13 April.
13 April, Live Auction: Johannesburg at 12h00
16 Kildare Rd, Newlands, CT. T. 021 683 6863.
art@johansborman.co.za www.johansborman.co.za
Kalk Bay Modern
This gallery and craft shop showcases an eclectic mix of
local South African art talent along with quality crafts from
developing community groups.
1st Floor, Olympia Buildings, 136 Main Rd, Kalk Bay.
T.021 788 6571 kbmodern@iafrica.com
www.kalkbaymodern.com
Lindy van Niekerk Art Gallery
A large selection of artworks by new and prominent South
African artists and SA old Masters.
31 Kommandeur Rd, Welgemoed, Bellville.
T. 021 913 7204/5 lindy@artpro.co.za www.artpro.co.za
The Lovell Gallery
Until 12 April, an exhibition by Benon Lutaaya. The artist
investigates the lives of the downtrodden, whose personali-
ties are infected with uncertainty, ambiguity and hopeless-
ness, questioning their trying circumstances and what they
do to survive such ordeals.
139 Albert Rd, Woodstock. T. 021 820 5505
info@lovellgallery.co.za www.lovellgallery.co.za
Lutge Gallery
A selection of recent work by John Murray and John Kram-
er; ceramics by Lisa Ringwood, Christo Giles, Clementina
and Ceramic Matters; glass by Sielja Voss; photographs by
Glen Green as well as tables designed by Allan Lutge.
109 Loop Str, Cape Town. T. 021 424 8448.
Mon-Fri 10am-5pm. lutgegallery@netactive.co.za
MM Galleries
Shop 3, 31 Palmer Road, Muizenberg, Cape Town.
T. 082 739 7567 www.mmgalleries.co.za
Michaelis Galleries
3 - 13 April, An Unknown Country a personal exploration
of ageing, an exhibition by Peter Jenks.
University of Cape Town, 31 37 Orange St, CT.
T. 021 480 7170 cara.vanderwesthuizen@uct.ac.za
www.michaelis.uct.ac.za
The Pot Luck Club Gallery
Contact curator Las Madurasinghe on 074 180 4895
The Old Biscuit Mill, 375 Albert Rd, Woodstock.
gallery@thepotluckclub.co.za www.thepotluckclub.co.za
The Project Room Gallery
Until 3 May, Isizwana (Xhosa) = Tribe (English) an
exhibition by Lindy Greyling. 2nd foor, Old Port Captains
Building, Pierhead, Dockroad, V&A Waterfront.
theprojectroomgallery.blogspot.com
theprojectroom@africantradingport.com
Provenance Auction House
Auctioneers of Fine Art, Antiques and Home Luxury.
8 Vrede str, Gardens, CT. T. 021 461 8009
info@provenanceart.co.za www.provenanceart.co.za
Red! The Gallery
RED! The Gallery is a dynamic art gallery featuring work
from South Africas best contemporary and emerging
artists , including works by Andrew Cooper, David Kuijers,
Wakaba Mutheki and Donna McKellar to name a few.
Steenberg Village shopping centre, Reddam Ave, Tokai.
T. 021 7010886 red@redthegallery.co.za
www.redthegallery.co.za
Rose Korber Art
Extended until 30 April, Of Jazz, Townships, Tributes
& Interiors: Recurring Themes In The Work Of Sam
Nhlengethwa, a cross-section of fascinating and diverse
themes that have preoccupied this artist over many
decades and in a variety of media, including lithographs,
linocuts and his hallmark collage, oil and acrylic works.
48 Sedgemoor Rd, Camps Bay, CT. T. 021 438 9152 C.
083 261 1173 / 082 781 6144 roskorb@icon.co.za
www.rosekorberart.com
Rudds Auctioneers
Antique, Fine and Decorative Art.
87 BreeStr, CT. T.021 426 0384 C. 083 406 4261
info@rudds.co.za www.rudds.co.za
Rust-en-Vrede Gallery
Until 18 April, three exhibitions: Tanya Swiegers in Salon A,
Gerrie van Tonder in Salon B and Jane Eppel in Salon C.
23 April - 16 May, Annelie Venter & Loni Drager in Salon A,
Vanessa Berlein in Salon B and Solly Gutman in Salon C.
10 Wellington Rd, Durbanville.T.021 976 4691
rustenvrede@telkomsa.net www.rust-en-vrede.com
Sally Louw Gallery
77 Roodebloem Rd, Woodstock, Cape Town.
T.072 713 8907 sallyandmarcus@telkomsa.net
Salon 91
Until 20 April, Heart of Gold, a two-man show by
Jordan Metcalf and Daniel Ting Chong.
91 KloofStr, Gardens, CT. T 021 424 6930
info@salon91art.co.za www.salon91.co.za
South African Print Gallery
Will host a Botanical Art Show in April
109 Sir Lowry Rd, Woodstock, CT. T. 021 462 6851
info@printgallery.co.za www.printgallery.co.za
With unwavering commitment to quality and timeous delivery,
our Key Services include:
Custom colour wood frames
Conservation Framing
Framing of art, objects, mirrors & prints
Stretcher frames
Framing Place
46 Lower Main Road, Observatory, 7925
Tel: 021 447 3988
info@framingplace.co.za
www.framingplace.co.za
38 Huguenot Street Franschhoek 7690 Tel: 021 876 4280
www.artintheyard.co.za
IN COLLABORATION WITH THE STEPHANIE HOPPEN GALLERY
Please join us for the exhibition opening of London
based artist Orlanda Broom on 23 March at 11am.
Described as a visual rush - full of energy, uninhibited -
dynamic abstract expressionism.
Strauss & Co.
The Oval, 1st Floor Colinton House, 1 Oakdale Rd,
Newlands. T. 021 683 6560 ct@straussart.co.za
www.straussart.co.za
The Sudio Kalk Bay
Until 3 April, Tree Poetry by Pari Marakis.
4 - 17 April, resident artists Donna McKellar and Marcelle
Sprong present an ongoing portfolio of new work.
Main Rd, Kalk Bay. C. 083 778 2737
info@thestudiokalkbay.co.za thestudiokalkbay.co.za
The Art Connection
An online gallery curated by Priscilla Schoonbee, offering
top class artwork by established and up-and-coming artists.
Also attends to the on-going art curatorship at The Bay
Hotel in Camps Bay and Le Franschhoek Hotel & Spa.
C. 082 4636307 priscilla@themothercity.co.za
www.theartconnection.co.za
Truly Fantastic
Specialising in custom furniture and joinery, as well as
canvases and easels. 1 Pine Tree Park, Lekkerwater Rd,
Sunnydale. T. 021 785 1161 info@trulyfantastic.co.za
www.trulyfantastic.co.za
What if the World/Gallery
Until 20 April, Strange Flowers, a solo exhibition by
Olaf Hajek. 1 Argyle Str. Woodstock, CT. T. 021 802 3111
info@whatiftheworld.com www.whatiftheworld.com
Windermere House
The private art collection of Cape Town based artist
Rachelle Bomberg, showcasing large, mystical/surreal
abstract oils. Artist available (by appointment) to discuss
her work in this historic Art Deco museum and studio.
58 Windermere rd, Muizenberg. T. 021 788 1333
C.073 634 2597 info@artbomberg.com
www.artbomberg.com
Worldart Gallery
54 Church Street, Cape Town CBD. T 021 423 3075
info@worldart.co.za www.worldart.co.za
Zizamele Ceramics
Imhoff Farm, Kommetjie Rd, Kommetjie. T. 021 789 1491.
C. 084 556 6423
info@zizamele.co.za www.zizamele.co.za
Overberg
Carlitzdorp
Art courses in the Great Karoo: if you love art, space, crisp
Karoo air, good food and great company, then you should
not miss this unique experience. Offered by leading South
African artists, these courses are suitable for everyone.
C. 072 553 5547. info@doornkuilfarm.co.za
www.doornkuilfarm.co.za
Franschhoek

Art in the Yard
Until 7 April, Paintings from a Small Island, an exhibition
by London-based artist Orlanda Broom, in collaboration
with The Stephanie Hoppen Gallery, Walton Street, Lon-
don. No.1 The Yard, 38 Huguenot Str. Franschhoek. T. 021
876 4280 art@artintheyard.co.za www.artintheyard.co.za
Ebony
Showing recent acquisitions by a selection of classic SA
Masters including Gerard Sekoto, Christo Coetzee, Maud
Sumner and many others. Contemporary works by Soma
Holloway, Claudia Ongaro, Marlene von Durckheim, Aidon
Westcott, Caroline Gibello and more on display, as well as
a mix of great SA craft and design.
Shop 4,Franschhoek Square, 32 Huguenot Str, Fran-
schhoek. T. 021 876 4477
info@ebonydesign.co.za www.ebonydesign.co.za
Is Art
Le Quartier Franais, 16 Huguenot Str, Franschhoek.
T. 021 876 8443 isart@lqf.co.za www.is-art.co.za
The Gallery at Grande Provence
Until 24 April, Citizen, a solo exhibition by Arlene Amaler-
Raviv.This body of work offers powerful social commentary,
confrmed and often enhanced by her masterful manipula-
tion of medium, colour, and imagery.
28 April - 12 June, Soil, a group exhibition by JP Meyer,
Katie Barnard du Toit, Anthony Shapiro and Gregor Rohrig
in the Main Gallery, and (un)bound, a group exhibition
showing in the Cathedral.Main Rd, Franschhoek.
T. 021 876 8630. gallery@grandeprovence.co.za
www.grandeprovence.co.za
George
Cape Palette Art Gallery
Engen Centre, CJ Langenhoven Str, Heatherlands,
George. T. 044 873 6581
info@capepalette.co.za www.capepalette.co.za
Strydom Gallery
Until March, George 44, a summer exhibition.
New works by Guy Du Toit, Pauline Gutter, Clare Menck,
Jaco Sieberhagen, David Brown, Sarel Petrus, Willem
Boshoff, William Kentridge and Simon Stone.
79 Market Str, George. T. 044 874 4027
info@artaffair.co.za www.artaffair.co.za
Greyton
The Post House Gallery
Resident artist Adle Claudia Fouchs exhibition of her
latest works is on display in this unique country village. The
work embodies the collection entitled Future Memories
- once forgotten now remembered. Adle also offers
workshops and retreats. 52 Park Str, Greyton, 7233.
C. 082 522 4010. adele@artiststudio.co.za
Hermanus
Abalone Gallery
2 April - 6 May, showcasing a selection of works by Christo
Coetzee, Hannes Harrs, Cecil Higgs, Judith Mason,
Fred Schimmel, Andre Naude, Titia Ballot and Louis van
Heerden (Main Gallery).
Until 30 April, Some Perspectives in Art of Three Decades
(from the sixties to the nineties), with work by Lionel
Abrams, Walter Battiss, Nils Burwitz, Tadeus Jaroszynski,
Pippa Skotnes, Louis Jansen van Vuuren and Anna Vorster
(Annex). 2 Harbour Rd, The Courtyard, Hermanus.
T. 028 313 2935info@abalonegallery.co.za
www.abalonegallery.co.za
Art Amble Hermanus Village
Ten diverse and unique Galleries all within walking distance
in the heart of Hermanus Village. Four resident artists stu-
dios to visit. Collect your Art Amble Guide at any one of the
Galleries in Main Road or at the Hermanus Tourism Offce.
Terry Kobus: C. 083 259 8869. originals@hermanus.co.za
Bellini Gallery & Cappuccino-Bar
167 Main Rd, Hermanus. T. 028 312 4988
bellini@telkomsa.net www.bellini-gallery.co.za

Originals Gallery
The art studio and gallery of Terry Kobus. See the artist
at work in his studio and view his latest paintings in an
intimate gallery space.
Shop 22 Royal Centre, 141 Main Rd, Hermanus.
T. 083 259 8869 originals@hermanus.co.za
www.originalshermanus.blogspot.com
Rossouw Modern Art Gallery Hermanus
Maeve Dewar now exhibiting. Also new works by Hugh
Byrne, Bas van Stenis, Hugo Maritz, Mario Leibner, Cobus
van der Walt, Jenny Jackson and Obert Jongwe.
3 Harbour Rd, Hermanus. T. 028 313 2222
info@rossouwmodern.co.za www.rossouwmodern.co.za
Walker Bay Art Gallery
View the wide selection of paintings, sculpture & ceramics
by established as well as up-and-coming South African
artists. 171 Main Rd, Hermanus.
Contact: Francois Grobbelaar 028 312 2928
francois@walkerbayartgallery.co.za
www.walkerbayartgallery.co.za
Knysna
Dale Elliott Art Galleries
Leaders of the painting course concept in South Africa.
Shop 11, Knysna Mall Shopping Centre, Main Rd.
T. 044 382 5646 dale@daleelliott.co.za
www.daleelliott.co.za
A Different Drummer
Mixed media works by Peter Engblom entitled Pandoras
Box and new ceramics by Nico Masemolo.
Thesen House, 6 Long Street, Knysna. T. 044 382 5107.
C.082 552 7262 gallery@fnearts.co.za www.fnearts.co.za
Knysna Art Gallery
2 - 27 April, an exhibition by Gerda Hamm.
29 April -11 May, an exhibition showing works by top
Knysna artists. Old Gaol Complex, cnr of Main and
Queen Street, Knysna. T. 044 382 7124
knysnaartgallery@wispernet.co.za
Knysna Fine Art
Opening 5 April, Tress Unseen, a photographic exhibition
by Tony Manning and Elementals, an exhibition of
sculpture by Andr Stead. Thesen House, 6 Long Str,
Knysna. T. 044 382 5107. C. 082 552 7262
gallery@fnearts.co.za www.fnearts.co.za
Lynn Schaefer Gallery
Artworks and ceramics by SA artists including Derric van
Rensburg, Ann Nosworthy, Darryl Legg and Lynn Schaefer.
Thesen House, 6 Long Street, Knysna. C. 072 174 4907
lynnschaefer@cyberperk.co.za www.lyndos.co.za.
Sally Bekker Art Studio
Ongoing exhibition of recent watercolour and oil paintings.
Woodmill Lane, Main rd, Knysna. C.082 342 3943.
sally_bekker@hotmail.com

Nelson Mandela Metropolitan Art Museum
Until 14 July, Exploring the Art of the Eastern Cape 1900
2013, a refection on the trend-setters of the past and the
innovators who are shaping the art of the future.
Until 2 June, The Eastern Cape of the Explorers, show-
casing artworks of the landscape as seen through the eyes
of the 19th century European explorers.
1 Park Drive, Port Elizabeth. T. 041 506 2000
artmuseum@mandelametro.gov.za
www.artmuseum.co.za
Ron Belling Art Gallery
Opening 9 April, Versus, an exhibition by Usen Obot.
30 Park Drive, P.E. T. 041 586 3973
ronbelling@mweb.co.za www.ronbelling.co.za
Langebaan
Bay Gallery
Bay Gallery supports excellent, local artists, many of whom
are members of S.A.S.A. All mediums exhibited.
Marra Square, Bree St, Langebaan.
Contact: Daphne 073 304 8744
baygallery@xsinet.co.zawww.baygallery.co.za
Mossel Bay
Artbeat Gallery
1 - 30 April, Leighs Art and Illustrations, an exhibition by
commercial artist and illustrator, Leigh van Olst.
35 Gys Smalberger Str, Mossel Bay CBD, T. 081 356 5295
artbeatmb@gmail.co.za
Art@39Long
Featuring an ongoing exhibition of sculptures by emerging
sculptor Hugo van Schalkwyk. The gallery is set in a
delightful garden and exhibits a wide variety of established
as well as up-and-coming South African artists.
39 Long Str, Great Brak River. C. 082 576 3338
artat39long@gmail.com
www.artat39long.wozaonline.co.za
Oudtshoorn
ArtKaroo Gallery
Until the end of April, 3 exhibitions running concurrently: a
solo show by Grace Kotze; Hart en Siel, an exhibition of
work by selected artists including Hein Botha, Lisl Barry,
Judy Bumstead and Janet Dixon; Hier is geen Kitsch nie!,
an exhibition of oils, mixed media and sculpture by Franois
Tiran & Jean Pirre Tiran.
107 Baron van Reede, Oudtshoorn. T.044 279 1093
janet@artkaroo.co.za www.artkaroo.co.za
Paarl
Hout Street Gallery
The Gallery specialises in South African paintings and fne
art and features an extensive range of paintings, ceramics
and sculptures by more than thirty South African artists.
270 Main Str, Paarl. T. 021 872 5030
zetler@icon.co.za www.houtstreetgallery.co.za
Piketberg
The Art Business Contemporary Gallery
and Art Consultancy
Until 27 April, Kontrei Kleur Local Colour, a community
exhibition. 17 Main Str, Piketberg. C. 083 739 6196 / 072
659 1973. theartbusiness@gmail.com
Prince Albert
Prince Albert Gallery
Established in 2003, the Prince Albert Gallery always has
an eclectic mix of art on display.
57 Church Str, Prince Albert. T. 023 541 1057.
C. 082 749 2128 (Brent) karoogallery@intekom.co.za
www.princealbertgallery.co.za
Somerset West
Dante Art & Decor
A modern art gallery since 1995.Proudly South African
art, ceramics, gifts and decor. Furnishing your home with
a modern touch of beauty. Waterstone Village shop 37,
Somerset West. C. 082 268 9997
anik@danteartgallery.co.za www.danteartgallery.co.za
Gallery 91
91 Andries Pretorius Str, Somerset West. T. 021 852 6700.
C. 084 441 7233
terry@gallery91.co.za www.gallery91.co.za
Liebrecht Art Gallery
34 OudehuisStr, Somerset West. T. 021 852 8030 C. 082
682 5710 vineyardartists@gmail.com www.liebrechtgallery.
com
Stellenbosch
D-Street Gallery
13 April 11 May, (Dis)composure, an exhibition by
Vulindlela Nyoni and Christiaan Diedericks.
112 Dorp Str, Stellenbosch. T. 021 883 2337.
dstreetgallery@gmail.com
Sasol Art Museum
Until 27 April, the US Woordfees in collaboration with the
Sasol Art Museum and Stevenson present Solipsis V,
an exhibition by Wim Botha.
52 Ryneveld Str, Stellenbosch T. 021 808 3691.
corliah@sun.ac.za
Slee Gallery
101 Dorp Str, Stellenbosch. T. 021 887 3385
gallery@slee.co.za www.slee.co.za
SMAC Art Gallery
Closed until 7 May and will re-open with a retrospective
exhibition by Hannatjie van der Watt on 9 May.
1st Floor, De Wet Centre, Church Str, Stellenbosch. T. 021
887 3607 info@smacgallery.com www.smacgallery.com
Stellenbosch Art Gallery
An extensive selection of paintings, sculpture, handmade
glass & ceramics by selected Western Cape artists are on
offer to the discerning buyer.
34 Ryneveld Str, Stellenbosch. T. 021 887 8343
mjg@kingsley.co.za www.stellenboschartgallery.co.za
US Art Gallery
Cnr. of Dorp& Bird str, Stellenbosch. T. 021 828 3489
corliah@sun.ac.za www.sun.ac.za/usmuseum
Swellendam
Kunstehuijs Fine Art Gallery
Representing a wide variety of established and up-
and-coming South African artists. 19 Swellengrebel str,
Swellendam. T. 028 5142905 C. 082 4349291
grady@kunstehuijs.com www.kunstehuijs.com
Villiersdorp
Dale Elliott Art Gallery
80 Main Rd, Villiersdorp.T. 028 840 2927
dale@daleelliott.co.za www.daleelliott.co.za www.elliot-
tartonline.wordpress.com
Wilderness
Beatrix Bosch Studio
Unique works in leather as well as paintings & photography
can be viewed at her studio.
57 Die Duin, Wilderness. T. 044 877 0585. C. 082 935 8354
bosch@beatrixbosch.co.za www.beatrixbosch.co.za
Pharoah Art Gallery
The gallery features an exquisite collection of Peter
Pharoahs fne art originals & prints including rich colourful
portraits, unforgettable African wildlife and bold textured
abstracts that are inspired by his travels around Africa.
Wilderness Centre, George Road, Wilderness T. 044 877
0265. C. 076 976 2629 gallery@peterpharoah.com www.
peterpharoah.com
West Coast
The Gallery Riebeek Kasteel
Until 7 April, Picking up Threads, a one-man exhibition by
Andre van Vuuren. This new body of work is the culmina-
tion of thoughts and a collection of souvenirs of a journey
embarked on so long ago.
Main Street, Riebeek Kasteel. C. 083 653 3697. Contact:
Astrid McLeod
astridmcleod@mweb.co.za www.galleryriebeek.co.za
Eastern Cape
Alexandria
Quin Gallery & Sculpture Garden
A permanent exhibition of Maureen Quins sculptures,
paintings and drawings. Quin has been a professional artist
for close to sixty years, and this is a comprehensive show
of her many achievements, her commissions, portraits and
personal work. R15 entry fee gives you access to as many
cups of refreshments under the jacaranda tree and the
exhibition. 5 Suid Str, Alexandria, Eastern Cape, following
the signs from the main street. T. 046 653 0121 C. 082 770
8000. quinart@mweb.co.za www.quin-art.co.za
East London
Ann Bryant Gallery
Until 12 April, Reginal Exhibition, in the Main Gallery.
4 - 20 April, Charles of the Kei 2, a show by Charles
Felmore in the Coach House.
9 St. Marks Rd, Southernwood, East London.
T. 043 722 4044 annbryant@intekom.co.za
www.annbryant.co.za
Floradale Fine Art Gallery
Our small gallery and invited guests are now in our 2nd
year of being hosted by the Floradale Centre family. We
are celebrating our own New Work exhibition (opening
13 March), new work to our gallery and the work of new
members of our informal co-operative.
Floradale Centre, Old Gonubie Rd, Beacon Bay.
T. 043 740 2031 C. 078 294 7252 rwarren@wol.co.za
Malcolm Dewey Fine Art
Ongoing exhibition of oil paintings by Malcolm Dewey plus
works by a selection of local artists.
60 Darlington Rd, Berea, East London. T. 043 7260421
art@dewey.co.za www.originalart.co.za
Klein Karoo
Sheena Ridley Art Studio & Sculpture Garden
Langkloof, Klein Karoo. C. 083 589 2881
sheena@ridley.co.za www.ridley.co.za
Port Elizabeth
ART Gallery
Until 28 May, 120by30, an exhibition by thirty invited
leading Eastern Cape artists who have created 120 works,
including Gregory Kerr, Thys Cilliers, Anthony Harris (paint-
ing), Anton Momberg and David Jones (sculpture).
51B Cuyler Street, Central Hill, Port Elizabeth. Contact:
Anthony Harris. C. 072 379 5933 art.events@telkomsa.net
www.artsjourney-nelsonmandelabay.co.za
ArtEC
Until 5 April, 5th New Signatures Exhibition - open to
Emerging Artists and is an adjudicated open exhibition.
9 - 19 April, Gregg Kerr and his students exhibition.
23 April - 3 May, a solo exhibition by Michael Barry
36 Bird Str, PE. T. 041 585 3641. gallery@artecpe.co.za
www.artecpe.co.za
GALLERY GUIDE | WESTERN CAPE, EASTERN CAPE
NORTHERN CAPE, KZ- NATAL | GALLERY GUIDE
Northern Cape
Kimberley
William Humphreys Art Gallery
Until 8 April, Double Agendas, an exhibition by Gregory
Kerr. 11 April - 2 May, Vrystaatse Dorpe, Foto uitstalling
(Photographs of the Free State), an exhibition by Prof
Philippe Burger & Dr Jan van der Merwe
1 Cullinan Crescent, Civic Centre, Kimberley.
T. 053 831 1724/5 whag@eject.co.za www.whag.co.za
Kwazulu- Natal
Durban
The African Art Centre
94 Florida Rd, Durban. T. 031 312 3804/5
africanartcentre@afri-art.co.za www.afriart.org.za
Artisan Gallery
During the frst week of March our annual sale is on
- ceramics, etchings, woodblock prints, exclusive textiles as
well as paintings will be available.
Until 13 April, Interconnections, an exhibition by the three
members of the Duarte Family.
344 Florida Rd, Morningside, Durban. T. 031 312 4364.
info@artisan.co.za
ArtSPACE Durban
Until 13 April, Striking back: Gandhi and the Rebellions of
1913, a group show. 22 April - 11 May, Consider China
(Inspiration 4), a group exhibition.
3 Millar Rd (off Umgeni Rd), Durban. T. 031 312 0793
info@artspace-durban.com www.artspace-durban.com
Christies
Gillian Scott Berning, Independent Consultant.
T 031 207 8247 Gillian.gsb@mweb.co.za
www.christies.com
The COLLECTIVE
An art gallery that promotes young artists and a coffee shop
with Wi-Fi availability, which runs on the veranda around
the gallery. 48b Florida Rd, (entrance in 4th Avenue)
Greyville, Durban. T. 031 303 4891
thecollectivedurban.blogspot.com
Durban Art Gallery
2nd Floor City Hall, Anton Lembede (Smith) Str, Durban.
T. 031 311 2264/3327286 strettonj@durban.gov.za
www.durban.gov.za
Elizabeth Gordon Gallery
120 Florida Rd, Durban T. 031 303 8133
joy@elizabethgordon.co.za www.elizabethgordon.co.za
KZNSA Gallery
Until 7 April, Night and Light and Neverness, an exhibition
in the Main and Mezzanine Galleries by Richard Hart.
166 Bulwer Rd, Glenwood, Durban. T. 031 277 1705
gallery@kznsagallery.co.za www.kznsagallery.co.za
Tamasa Gallery
A small commercial gallery, Tamasa exhibits a broad variety
of contemporary KZN artists.
36 Overport Drive, Berea, Durban. T. 031 207 1223.
tamasacc@mweb.co.za
Ballito
Imbizo Gallery
2 - 30 April, In Touch, a group exhibition by six sculptors
and four visual artists.
Shop 7, BallitoLifestyle Centre. T. 032 946 1937
info@imbizogallery.co.za www.imbizogallery.co.za
Pietermaritzburg
Tatham Art Gallery
On show until 2013, in the First Floor Galleries, South
African Landscapes: Storm in the Wheat felds - History of
the Tatham Art Gallery 1903 to 1974.
Cnr of Chief Albert Luthuli (Commercial) Rd & Church Str.
(Opposite City Hall) Pietermaritzburg. T. 033 392 2801
thulani.makhaye@msunduzi.gov.za www.tatham.org.za
Newcastle
Carnegie Art Gallery
Permanent collection on view of artists interpretation of
the South African landscape. Good collection of ELC Art
& Craft, Rorkes Drift ceramics, prints and tapestries. Well
stocked gallery shop. Newcastle, KZN. T. 034 3287622
gallery@newcastle.gov.za www. carnegie-art.co.za
Underberg
The Underberg Studio
Set in a delightful garden facing the mountains, the gallery
specializes in South African Fine Art landscape photog-
raphy & Ceramics. Owned by photographer Lawrance
Brennon and his potter wife, Catherine Brennon, the gallery
is regularly updated with their latest work.
21 Ridge Rd, Underberg. Signage from R617
T. 033 701 2440 / 072 141 9924 / 082 872 7830
bren@yebo.co.za www.underbergstudio.co.za
Standard Bank Gallery
17 April to 15 June 2013
STANDARD BANK YOUNG ARTIST 2012
Retinal Shift
MIKHAEL SUBOTZKY
Cnr Frederick and Harrison streets, Johannesburg.
Monday to Friday 8am to 4.30pm
and Saturday 9am to 1pm.
Tel: 011 636 4467
www.standardbankarts.co.za
Moving Forward
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Self-portrait (with the help of optometrist) L, 2012, Colour pigment print.
Self-portrait (with the help of optometrist) R, 2012, Colour pigment print.
Authorised financial services and registered credit provider (NCRCP15).
The Standard Bank of South Africa Limited (Reg. No. 1962/000738/06). SBSA 140115-03/13
Moving Forward is a trademark of The Standard Bank of South Africa Limited
Theres more to Marcel Duchamp than urinals. How much more, is explored
in a ground-breaking exhibition at the Barbican this spring an exhibition
that weaves together many art forms, allowing the viewer to understand
the present through the prism of the past. It is an exciting inter-disciplinary
show that only a major arts institution could present. The Barbican deserves
full marks for doing so. Using Duchamp and his infuence on four modern
American artists as the central theme, it includes not only the visual arts, but
dance, music, flm, theatre and discussion.
The Bride and the Bachelors: Duchamp with Cage, Cunningham,
Rauschenberg and Johns, (until 9 June) looks at how Duchamp infuenced
another generation of artists: composer John Cage, choreographer Merce
Cunningham and visual artists Robert Rauschenberg and Jasper Johns. It
is orchestrated by contemporary artist Philippe Parreno (whose work can be
seen on the Haywards Light Show). The sound loop of three hours includes
Cages famous composition, 433 and the silence that the audience hears
are the random sounds from the tunnel outside the Barbican. Cunningham,
who died in 2009, is represented by students trained by a former Cun-
ningham dancer, with performances on Thursdays and at weekends. At
other times the recorded footfall of performers echoes through the galleries
to make the dance a constant and active part of the whole. It is the most
integrated inter-disciplinary programming imaginable, showing how art forms
cross fertilise each other across the generations. Hugely entertaining, it also
functions as a fascinating slice of contemporary history and for this reason
alone is worth a visit.
Duchamp may be considered the most important modern artist, but he isnt
one we see very often. His most seminal works are housed in Philadelphia,
and they are not loaned out frequently. He is credited with being the man
who started conceptual art when in 1917 he signed a urinal R.Mutt and
displayed it as a work of art. His revolutionary infuence is still felt today
some would say he spawned a monster that cast aside the skill of an artist
with his use of readymade objects. Certainly he challenged the defnition of
art with his use of humour and the manner in which he explored the element
of chance, as all these four later artists did too.
Among the work on show is Duchamps Nude Descending a Staircase (No
2) from 1912, various readymades including the bicycle wheel mounted
on a stool and the iconic and enigmatic The Bride Stripped Bare by Her
Bachelors, Even (The Large Glass), a replica of the 1915-23 original.
Alongside this are major works by Johns and Rauschenberg, some of which
are homage to Duchamp. The upstairs galleries are themed around the use
of chance, as well as that of chess. Duchamp embraced the ephemeral,
and appeared to abandon art and devote himself to chess from 1923. The
interplay between his ideas and those he infuenced, both in person and
artistically, is an intriguing and ongoing dialogue, and seeing this show, you
understand why Duchamp regarded the spectator a vital element in the
creative act.
The Tate Modern hosts the frst major retrospective of Pop artist Roy Lich-
tenstein in twenty years (until 27 May), one which has been seen in Chicago
and Washington and travels on to the Pompidou Centre. It was a smash hit
in America, and will no doubt draw the crowds in London.
Roy Lichtensteins comic book heroes still look remarkably modern for work
that dates from the early Sixties. His iconic painting of a fghter jet, Whaam!,
made at the time of the Vietnam war and part of the Tates permanent collec-
tion, at once celebrates a comic culture and acts as a powerful comment on
the reality of war.
There are few artists whose images are so much part of the collective
consciousness as Lichtensteins cartoon heroes. They are reproduced end-
lessly, whether it is in primary school art classes or on advertising billboards:
the Barbie-doll girls with a teardrop glistening on the cheek, the chiselled
features of a gorgeous hunk with the speech bubbles capturing all the angst
of young love.
It comes as something of a shock to realise that these well-loved images
that took their inspiration from comic strips only covered a period of around
seven years of the artists long life. The Tate presents them in a huge room
entitled War and Romance, and almost every image is familiar. En masse,
their energy, humour and style and the explosive drama of their content is a
delight to behold. This is the Lichtenstein that people know and love, and this
room, above all the others, will be what enthralls them.
It isnt all there is though. Having found his unique style by codifying popular
culture, the artist went on to explore this vision. He saw all images as exist-
ing on the level of mass production the element that has made his work
so popular. He turned to other artists, like Picasso, whom he admired im-
mensely, and translated their work into his idiom, with his trademark Benday
dots, sharp outlines and cartoon style. The result is interesting a defnitively
Lichtenstein version of the artist to whom he pays homage.
The curators see Lichtenstein as an artist who continues to innovate, who
remains true to his ideals, and not someone who had one good idea he
mined for all he was worth. The further one ventures through this retrospec-
tive though, the more diffcult this is to see. His later series involved revisiting
the Barbie-doll fgures of his youth and turning them into nudes, while the
dots have gone viral, making some of them look like they have a bad case
of measles. He then returned to the colourful expressionism with which he
began his career and fnally turned to traditional Chinese landscape, giving it
his signature dots. The bland and banal result has neither the peaceful calm
of landscape nor the sizzling power of cartoon culture.
I have no doubt that Lichtenstein: A Retrospective will be a blockbuster, but
my guess is that viewers will enjoy the shock of recognition with the early
work, and leave wondering whether the artist continued a great idea far too
long. Perhaps he should have followed Duchamps lead and taken up chess
in later life.
London Letter
Nushin Elahis
Read more at http://london-letter.com
(Top) Marcel Duchamp: Fountain, 1950 (replica of 1917 original) Philadelphia Museum of Art, 125th DAGP/Paris, DACS/London
(Opp. Right Top) Duchamps Large Glass - installation view , Cunningham dancers in action
(Opp) Roy Lichtenstein: Oh Jeff I Love You Too But. (Opp. Right) Marcel Duchamp : Nude Descending a Staircase (No. 2),1912 Philadelphia Museum of Art, ADAGP/Paris,
DACS/London
FACE BOOKED CORAL SPENCER, ARTSPACE, DURBAN
Coral Spencer and her oil painting: Umhlanga Ribs / Karen Bradtke, Coral Spencer and Estelle Hudson
ADAM SUZMAN AND SETH COLLETT THE AVITAL LANG
MAJAK BREDALS ROLL CALL AT THE UJ GALLERY

Monks reading from the text about the women, men & children persecuted as witches / Majak Bredell & Annali Dempsey /
Kesa Tabande, Boipelo Tlhabanelo & Kgomotso Keupilwe
David Stringer & Stuart Valentine Rambridge / Author Adam Suzman welcoming the guests
Guests / Seth Collett discussing his pieces
GALLERY 2, JHB: BAMBO SIBIYAS EXHIBITION KHUMBULA EKHAYA
RUNNING TOWARDS YOURSELF, BY NATASJA DE WET AT THE CASA LABIA GALLERY

Curator Joao Ferreira, Tracy Payne, Natasja de Wet, Magriet and Daan Smit / Natasja De Wet and Jean-Paul Grimaldi Lasserre
Madelaine De Klerk / The Labia Family (Natale Labia, Antonia Labia and Natale Labia) / Lynette Siebert and Richard Bates
Bambo and Clive H Viveiros / Bambo and friends / Bambo and Guests / (Last) Bambo and Michelle Constant
DStreet Gallery in Stellenbosch : Clare Menck ,middle, with owners Ronnie Donaldson and Sophia Acker Donaldson of
Rust en Vrede: Opening of Tanya Swiegers, Gerrie van Tonder Show: Guests / Nic Bladen and Jane Eppel.
STRANGE FLOWERS-A SOLO EXHIBITION BY OLAF HAJEK AT WHATIFTHEWORLD GALLERY
RONDEBOSCH PARK POTTERS MARKET
ANTHEA DELMOTTE / RODGER BOSCH / KATRINE CLAASSENS AT THE AVA GALLERY
Anthea Delmotte poses with Emma van der Merwe from SMAC Gallery / Kirsty Ann Cockerill and Stefan Hundt give speeches / Alister Dream Wilder /
Peter Clarke, Makhozandile Mbuku teaches one of his art students, Luvuyo Jikumlambo, about Katrine Claassens work at Ava Gallery.

Artist Olaf Hajek / Ava Edwards chats to Olaf Hajek / Chloe Townsend and Lizel Strydom
John Bauer with his work / Erin Pells, the youngest potter selling her work at the market/John Bauer/
Rondebosch Park Potters Market/ Andrea Rother and Acacia Hasler look at colourful bowls by John the Potter Ellis / Nicola Jobson looks at Stoor Ceramics
MY COUNTRY - 10 ICONIC LANDSCAPE PAINTINGS BY JOHN MEYER AT THE EVERARD READ CT
FIRST THURSDAYS GALLERY OPENING
ARTSPACE JHB: LANDI RAUBENHEIMERS COLLECTING THE LANDSCAPE SHOW.
Michael Chandler of Chandler House / Lindsay and Debby at Chandler House / Sang Fung and Michael Oldfeld at Brundyn+Gonsalves
Joyce Braun at Youngblood / Arthur Malan Murison, Nicky Arthur, Jason Alexander Basson at Brundyn+Gonsalves / Jenny Bruwer
Teresa Forrester chats with the artist John Meyer/ Natalie Miller and Muir de Wet admire the detail/ Nikki Stevens and Robin Reisenberger
A Certain Commitment/ Ton Vosloo, and Deon Irish / Charles Shields chats with Gail Oshry
From left to right Teresa Lizamore (Artspace director and curator), Landi Raubenheimer (artist) and Federico Freschi (opening speaker)
Federico Fresch opens the exhibition / Landi Raubenheimer and guests
One of the leading landscape painters in the Country,
Daniel Novela has recently introduced Mezzotint
Printmaking in his Portfolio.
Daniel studied ne arts at the Vaal University of
Technology Klerksdorp Campus, majoring in painting
and printmaking. He obtained his National Diploma in
the year 2000 with accolades as one
of the top students. Towards the end
of his third year Daniel was asked by
Mrs Amareza Buys, the acting head
of the Fine Art and Graphic Design
department at the time, to present
etching classes to the 2nd year students
of which he did successfully. His recent
Mezzotint Medium becomes a real
sensual experience which resembles
the mood of his painterly work, that the
eyes can touch and convey emotions.
Daniels efort to introduce this
technique was to escape from the use of toxic and
dangerous chemicals used for etching. While Mezzotint
printmaking is free from any toxic chemicals, it is
mechanical and physical: all you need is a Rocker, scraper,
burnisher, roulette and copper plate to make a mezzotint
print. The plate must be thoroughly rocked and it must
print a very rich velvety black. The press must have a
large amount of pressure on the plate. Daniel imports
most of his tools from USA and UK as there are only very
limited number of artists in the country doing Mezzotint
printmaking and as a result art shops in SA do not keep
Mezzotint material and he only buys the best material
available in the market. Brands such as
E C Lyons, Charbonnel, Gamblin are
Daniels favourite. It takes several hours
and weeks to rock just one plate. It may
take over eight hours to rock a very
small plate measuring about 10x15cm!
The commercially prepared (pre-
mezzotinted) plates are available in the
overseas markets but these do not yield
deep tones like hand rocked plates
which have been cut more deeply into
the metal enabling them to produce
diferent and rich greys of tonal values.
The hand rocked plate is the best tool for mezzotint and
there is no better substitute for it so far.
For more information please logon to
www.danielnovela.co.za
Mezzotint Printmaking by Daniel Novela
Gum trees, cottages, cows and herd boy in Ventersdorp
Printmaking has a strong tradition in Cape Town and although quiet, like the rest
of South Africa from the 1990s to 2000, it is now facing an amazing resurgence
through the establishment of Warren editions, Judy Woodborne Print Studio and
Pangolin Press (Alma Vorster). In addition to this resurgence, printmaking has a
growing appeal with young artists who seek to both learn traditional printmaking,
as well as to morph the traditional with new (digital) printmaking technology. Print-
making is being taught at Ruth Prowse, Michaelis (UCT) as well as Stellenbosch
Art Departments, with all heads of printmaking being young and dynamic hands-
on capable people.
The sale of prints is on the up with the establishment of The SA Print Gallery
that exclusively deals with Fine Art Prints. Other Galleries in Cape Town include
34 Fine Art, The Goodman Gallery, David Krut and Kalk Bay Modern. Other
galleries that previously never dealt with prints are now taking printmaking more
seriously, such as The Everard Read Gallery, who rarely dealt with prints but now
enjoys the rising fame and print sales from Phillemon Hlungwani.
A Brief history : Cape Art History has always had a good romance with print-
making. Local famous artists who have created bodies of prints include Tinus de
Jong, Nita Spilhaus, Pieter Wenning Katherine Harries, Irma Stern, Jean Welz,
Wolf Kibel, Maurice van Essche, Maggie Laubser, Alice Goldin, Cecil Skotnes
and more recently Kevin Atkinson, Peter Clarke, Mollie Townsend and Sue Wil-
liamson (both created in the Graphic Centre). In the 80s, especially printmaking
was a sharp tool of protest art against Apartheid with many posters being
made for political groups such as the ECC and trade unions produced on kitchen
tables, and CAP under the handful of community art educators such as Lionel
Davies. During the early 80s, Hardground Printmakers was founded by Jonathan
Comerford, who collaborated with numerous local artists. At this stage, a new
generation of printmakers took root, including Julio Tamberlini, Billy Mandindi,
Judy Woodborne, Gabriel Clark-Brown, Alma Vorster and Eunice Gerstyn. Stel-
lenbosch Printmakers included the bad boys of bitter commix, Anton Kanne-
meyer and Conrad Botes, whose medium was mainly silkscreen. With the advent
of digital and traditional media, a new and exciting generation of printmakers who
integrate new technology is forming- especially through the educational institutes
such as Michealis School of Art and Stellenbosch Art Department Printmaking
Departments please revise sentence. Much digital pioneering work is also done
via Russel Joness Scan Shop, who works closely with both young and profes-
sional artists in evolving the digital side to their art. Recently, Art Lab with Craig
White has opened at the Biscuit Mill, branches out to fabrics.
Although the Fine Art Printmaking growth and markets dip from time to time (a
short while between cycles), there has now evolved a good and strong South Afri-
can printmaking history, creating a rich and diverse secondly market that is seen
through the increasingly strong prices paid by collectors for Pierneef, Battiss,
Hodgins, Kentridge, Nhlengethwa, Clarke and Victor prints. With such a secure
growth and diverse interest in local printmaking, a printmaking star is on the rise,
and although the medium has not had as rapid growth as photography, prices for
prints - based on better understanding and enthusiasm for prints - is very much
on the rise.
Fine Art Printmaking in Cape Town Feature
We will be focusing on Printmaking in Johannesburg for our October 2013 Printmaking supplement. In our April 2014 edition we will focus on
Printmaking nationally with emphasis on KZN and Eastern Cape. Please send your comments and materials to editor@arttimes.co.za.
The South African Print Gallery was established by Gabriel Clark-Brown, a Master Printmaker who sought to promote the appreciation of South African fne
art printmaking. The emphasis of the gallery is to promote the language of printmaking not just simply deal with big names, but rather focus on the diverse
approaches, quality and unique quirkiness of individual prints by both good and obscure artists. Below: Gabriel Clark-Brown, Kevin de Klerk Gallery Manager.
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leading galleries.
one website.
PE4661 Quarter Page Advert.indd 1 21/02/2013 09:52
The projects at Warren Editions are a testament to the exciting possibilities of printmaking. The studio is busier than ever, its output covering intaglio, monotype and
relief, while the format seems to be increasing with every project. The dynamic between the artists and the printing team feeds back into the multifarious nature of print-
making, and at the same time the parameters offered by the print medium push the artists into trajectories outside of the mediums they generally employ. The motto
at Warren Editions is lets print! Images: (Top) Jan Philip Raath, Madelize vd Merwe, Morne Visagie and Zhane Warren print using lino cut (Top right) Zhane Warren
- Director of Warren Editions. (Below left) Zhane with Madelize vd Merwe (Right ) Morne Visagie and Jan Philip Raath set up to do a lino cut print
Judy Woodborne Print Studio is housed in the famous old Bijou Cinema in Observatory. Judy offers classes in Printmaking as well as facilitates portfolio
projects and collaborates with select artists.
WARREN EDITIONS, ROLAND STREET, CENTRAL CAPE TOWN WWW.WARRENEDITIONS.COM
JUDY WOODBORNE PRINT STUDIO , BIJOU, LOWER MAN ROAD, OBSERVATORY, CT WWW.JUDYWOODBORNE.CO.ZA
ARTLife | SA FINE ART PRINTMAKING FEATURE
ARTLAB, BISCUIT MILL, WOODSTOCK. WWW.ARTLAB.CO.ZA
ArtLab was started by Craig Whyte and his partner Marlene and has grown from strength to strength in specializing in the diversity and fexibility of digital
colour print. ArtLab is housed in The Old Biscuit Mill in Salt River. Top: entrance to ArtLab, Top Clint, Below: Klara-Marie den Heijer
SA FINE ART PRINTMAKING FEATURE | ARTLife
d e s i g n | b o o k s a n d c a t a l o g u e s | f i n e a r t p r i n t i n g | a r c h i v i n g | s p e c i a l i s e d r e t o u c h i n g | e x h i b i t i o n d i s p l a y s | d i g i t a l s c a n n i n g
SCANSHOP, WOODSTOCK, CT WWW.SCANSHOP.CO.ZA
PANGOLIN PRESS AT MONTEBELLO, NEWLANDS, CT WWW.MONTEBELLO.CO.ZA
Pangolin Press at Montebello: Set in the beautiful Montebello Craft centre Alma Vorster offers etching intaglio classes and assistance on select art projects.
(Right) Alma offers advice on Gervasio Robles as he works on his Mezzotint.
The legendary Russel Jones, Director of Scan Shop is an important part of the SA print and publishing community. always willing to give of his time and vast
experience of printmaking he has countless publications and artists prints behind him. (Top right) Nicole Adams, (Below right) Andre van Wyk, production manager
at Scan Shop.
Robert Hodgins at The Artists Press
Seventy-nine of the four hundred prints in the collection that Hogins gener-
ously donated to the Wits Art Museum were done by The Artists Press. The
catalogue of the collection is beautifully done and well worth adding to ones
library. The quotes by Robert Hodgins above are all taken from Kathryn
Smiths excellent essay that accompanies the Shows catalogue.
Assembled musings of an artist and master printer.
Mark Attwood frst met Robert Hodgins when Rob arrived to work with Marks
father, Bruce Attwood at The Broederstroom Press. They had a disagree-
ment and Rob left within an hour, Mark recalls. This rather inauspicious start
was resolved about ffteen years later when Robert started working with Mark
at The Bag Factory. So successful was their teamwork that Rob returned
at least sixteen times to work at The Artists Press. Ten of those sessions
were at the studio in White River, Mpumalanga. Each session would last two
weeks, which meant that Mark and Rob got to know each other well.
What was it like to work with Robert?
It is hard to fnd words to explain what working with Rob was like. Working
with him was different every time. What I liked was the way that he enjoyed
it and seemed to get so much out of it. It is lovely working with someone who
just enjoys being in the water so to speak. He was so willing to go with the
fow with whatever came up. He was not rigid in his approach and did not
want to control every step of the process. He welcomed the odd accident and
was excited to see where it would take him.
He really loved the process, the texture of the mark, the tactile quality of the
ink. He used to really savour working and relish the results of what he did
when he thought it was up to scratch.
The best thing about working with Rob was the challenge of not knowing
what he would decide to work on the next day.
Rob: My frst serious graphic was done on a stone at Goldsmiths, and I have
got one of them left. Its printed on yellowing cartridge. Its not very good and
I didnt print it. I dont do the acid or any of those things, but thats when I fell
for it. And I actually like that bit where you grind the stone down and it comes
up this beautiful buff colour, waiting for you to stroke it. You dont even have
to press, you just stroke and it builds up this velvety darkness. I said to Mark,
next time Im having a stone, I dont care if it is two inches square, Im hav-
ing a stone! Plate is nice, but stone...! Stone is sensual, really.
Lithography is essentially a painters process as it is so painterly. Rob
latched onto that more than anyone else that I have worked with. He enjoyed
the fact that he could do things in print that were just not possible with paint
on canvas; and bounce his ideas between printing and painting.
Rob: Working with Mark, I remember a print called A Greek God Up To
No Good, which was a Greek god groping for a nymphs bosom. And it was
beautiful. There was a purple over a blue which sang the whole of the Mes-
siah as far as I was concerned. It was a hesitant print. In places, I got him to
print one dab of red. And we went through about 35 goes before we got it
right. Now to have a printer like that...
Whenever Rob was unsure about something, or if Linda Givon was in the
studio to look at what he was doing, he would nervously start to jiggle the
coins in his pocket.
What do you think Robert brought to South African printmaking?
He was able to show others that printmaking is an important part of a suc-
cessful artists output and that collaboration is the best way to achieve good
prints. Apart from a few of his very early works he always chose to work in
collaboration with a printer; thereby maximising the technical skills at his
disposal.
Rob (talking about printers): Yes! Hes your handlanger. He picks up the tools
and he does the work. It is very unsatisfactory relationship because it is so
mechanical. But it does end up in literally perfect prints. One of the things
I like about Mark when he does an edition, is that every print is examined
before it is handed over to you for numbering. Hes very professional. The
secret of Hodgins life is that he doesnt want to be bored. And he doesnt
want to be bored when hes making anything to do with art. He wants it to
open up and challenge him, and come right-normally it does. Mark doesnt
mind this.
What comes to mind when you think of Robert?
What I found really touching about Rob was his frugal nature. He took great
care of his brushes and he used things carefully. He still had brushes that he
had been using since he was a student at Goldsmiths, some sixty odd years
ago. If a print failed he would never just throw it away. He would come back
to it months or sometimes years later to fnish it off.
Rob: ... I dont mind the slowness. I dont mind it in painting. Ive got two
paintings that are about fve or six years old and Ive no idea. I keep hanging
onto them and looking at them and maybe adding a dab here..... Thats (also)
what I like about monotype with Mark; he is immensely patient.
Mark: In the last series of prints that Rob worked on at The Artists Press
he did one which really struck me. If you count the chairs in Chairs you will
see that there is one chair for every decade of Robs life. It is almost as if it
was a premonition/refection on his death which came a few months after
completing the print.
My favourite memory of Rob is him strutting around the studio after being
told of record prices being paid for his work on auction as well as having a
successful exhibition saying Hodgins is HOT, Hodgins is HOT!!
Hodgins made prints at The Artists Press from 2000 until shortly before
his death in 2010. It was always a pleasure to have Robs energy, sticky
tea buns and humour in the studio. Mark Attwood had a special place at
his press for Hodgins as he felt that the old man pushed him harder and
challenged him more that most other artists. When the printer and artist col-
laborated the energy in the print shop was tangible. Hodgins used mono-
prints as his starting point and then developed ones that he liked most into
lithographs. He also experimented with hand coloured photogravure prints.
A Lasting Impression: The Robert Hodgins Print Archive
Wits Art Museum
RUTH PROWSE PRINTMAKING DEPARTMENT, WOODSTOCK
MICHEALIS SCHOOL OF ART PRINTMAKING DEPARTMENT
STELLENBOSCH ART DEPARTMENT - PRINTMAKING
The Ruth Prowse School of Art is housed in the beautiful Ruth Prowses original home in Woodstock.
(Top) Master Printmaker Eunice Gersteyn and Director of Ruth Prowse (right) assists one of her students Jackie Fitzgerald with plate preparation.
Andrea Steer is the Print Departments Director, here she gives assistance to Ra-ees Saiet (left) Right: Dean Jones works on his hard ground etching, drawing with a compass
Vulindlela Nyoni, Printmaking Lecturer giving students instruction in stone lithography.
Hlungwani is one of our most promising young artists in South Africa. He is
an extremely talented and dedicated artist who has cemented his importance
in the art world through the consistent production of relevant and inspired
works. His landscape images refer to the self, family and history - personal
and general - functioning as a type of documentation of his background. The
mark making process is one of great import to Hlungwanis work and his line
carries with it an energy that reveals his great passion.
Phillemon Hlungwani was born in Thomo Village in 1975, Giyani in Limpopo
Province. He attended Thomo primary school and Hanyani Thomo High
School where he was under the guidance of his art teacher, motivator and
friend Muxe Moses Mthombeni. Hlungwani obtained frst class in Art in Mat-
ric. Mthombeni was one of art teachers who encouraged Hlungwani in basics
foundation in art at high school level.
After completing high school, he went to the Johannesburg Art Foundation
to study a Fine Art course and subsequently the Artist Proof Studio to study
printmaking under the mentorship of Kim Berman, the late Nhlahla Xaba and
Osiah Masukameng. Hlungwani has studied a teachers training course in
art at the WITS School of Art and was also involved in facilitating profes-
sional classes at the Artist Proof Studio and Unit manages for papermaking.
He is still based at the Artist Proof Studio as the coordinator for community
outreach and special projects. For example he has worked on projects
NOAHS Arks and Man as Partners xenophobia mural. In addition to pursu-
ing his career as a successful professional artist, Hlungwani is an art advisor,
mentoring young upcoming artists. The artist has also participated in an
extensive study tour of printmaking studios in the United States, sponsored
by the prestigious Ampersand Foundation Fellowship.
Phillemon Hlungwani uses his technical ability as a draughtsman by using
charcoal on paper to explore new ideas around his culture and the journeys
of everyday life. Among other publications, Top Billing magazine and TV
Programme profled him to demonstrate the power of prayer as an art form.
Spirituality is a recurring theme in his charcoal drawings and dry-point etch-
ings and the images are often flled with majestic trees.
Hlungwani attributes the start of his career to the support given to him by his
mother and he comes from a family of artists. He says that art chose him,
that he did not choose art. His work explores his relationship with the envi-
ronment. When Hlungwani was a young boy he would herd goats and cattle
and the Tsengelendotwe tree which bears a fruit that they would mix with
the fresh milk from the herd and drink as a milkshake. He also expresses
his relationships with chickens and their interdependency: They provide the
time, warmth, food they help with so many things so they become part of
the family.
When I was about fve or six I did a drawing on the ground, my mother went
and covered the drawing with a dish to protect it from the rain and other ele-
ments, so later I could go back and fnish my drawing. Trees are continually
represented in his work as the relate to the spiritual connection he associ-
ates with them. Trees are a place for prayer, healing processes and worship-
ping. His landscape images refer to self, family and history, functioning as a
type of documentation of his background. Hlungwanis preferred printmaking
techniques are intaglio dry-point etching, linocut and charcoal on paper. His
works explore new ideas around his culture and the journeys of everyday life.
He fnds the practice or printmaking and drawing more expressive than other
techniques as these allow him to work freely and texturally with line.
Hlungwani has completed and facilitated many wall murals, with example of
the mural at The Standard Bank Art Gallery (for the Picasso in Africa exhibi-
tion) and the mural for Bell Dewar and Hall. He was also commissioned work
by the JDA (Johannesburg Development Agencies), MTN and the South
African Governmental offces.
To see more of Phillemons work go to: www.everade-read.co.za
Phillemon Hlungwani, Fine Art Printmaker extraordinaire
Phillemon Hlungwani at The Artist Proof Studio, Johannesburg
Photo: Nico Harvey
SA FINE ART PRINTMAKING FEATURE | ARTLife
South Africas long tradition of printmaking as an art form and as a form of
social critique is one that commands international respect. This was certainly
underscored by the exhibition, Impressions from South Africa 1965 to Now:
Prints from the Museum of Modern Art curated by Judith B Hecker and
mounted in New York from March to August 2011. Such international interest
in South African prints has followed in the wake of the phenomenal success
of William Kentridge for whom printmaking is a major vehicle of expression.
There has been an exponential growth in the market for South African
prints over the last few years. Given their large scale and impact, its hardly
surprising that Kentridges heads and irises have fared well culminating in
his Untitled (Head) selling for R868 920 on estimates of R600 000 900 000
at Strauss & Cos February 2012 auction in Cape Town. Its success was in
some measure due to the possibility of reading this aspirational image, with
an upturned face and eyes closed as if dreaming or longing for something
ahead, as symbolic of the hope and change which South Africa experienced
around 1993 when the print was produced. The fact that it was selected for
the cover of Contemporary South African Art: The Gencor Collection,
published in Johannesburg in 1997, would also have increased its
desirability.
More surprising to some punters was the fact that the more recently pro-
duced Scribble Cat, also by Kentridge, estimated at R280 000 320 000,
sold for R634 980 at Strauss & Cos October 2012 auction in Cape Town.
Prints that fare best at auction are often those that are perceived by the
market to be key works by top printmakers. When it comes to Walter Battiss,
his orgies elicit the most competitive bidding. Orgy 3 estimated at
R18 000 24 000 sold for R61 270 in Strauss & Cos Cape Town auction in
February this year.
Keen interest continues in earlier prints particularly when they are rare and
highly sought-after. J H Pierneefs Hoenderhok, Meerlust estimated at
R18 000 24 000 sold for 53 472 at Strauss& Cos September 2011
auction. This impressive result was largely due to the fact that this image
was selected for the cover of the brochure for the Architectural Section of the
Empire Exhibition, held for the frst time in South Africa in 1936.
Strauss & Co. recently sold prints
Jacob Hendrik Pierneef
Hoenderhok, Meerlust
(Nilant 3), woodcut. R18 000
- 24 000 (Sold R 53 472)
William Joseph Kentridge : Scribble Cat, sugarlift aquatint, spitbite
aquatint, drypoint and hand-painting on six copper plates.
R280 000 - 320 000 (Sold R 634 980)
Walter Whall Battiss : Orgy 3, screenprint:
signed, numbered 19/30 and inscribed with the
title in pencil in the margin
R18 000 - 24 000 (Sold R 61 270)
Emma Bedford: Senior Art Specialist : emma@straussart.co.za I www.straussart.co.za
Tel: +27 (0)21 683 6560 I ct@straussart.co.za, The Oval, 1st foor Colinton House, 1 Oakdale Road, Newlands, 7700
Enter by 19 August 2013.
Prize awarded for the winning portrait.
Please visit www.spiportraitaward.co.za for the rules
and entry form.
R100 000
Selwin Pekeur (1957 - )
Self Portrait with Madiba, 2003
oil on canvas
Sanlam Art Collection
SPI
National
Portrait Award
2013
SA ART TIMES 5.indd 1 2013/03/20 8:49 AM

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