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Pasmanick 12-22-97
Introduction
The term décima refers to a Spanish poetic form consisting of one or more stanzas each with 10
octosyllabic lines. Most décimas are composed in the style known as espinela, after the Spanish
poet, novelist and musician Vicente Espinel (1544-1644), who in 1591 published 10-line verses of
octosyllabic lines with a rhyme scheme of abbaaccddc. If virtually unknown to English speakers, a
substantial body of research and anthologies in Spanish celebrates the décima from a range of
cultural, historical, and musical perspectives.
Décima in Spain
Lope de Vega (1562-1635), Tirso de Molina (1571-1648), and Calderón de la Barca (1600-1681)
(notably in his famous play La vida es sueño) used espinelas extensively. Décimas also quickly
became popular among Spain’s unlettered working classes, particularly in rural areas. The décima
form, easy to put to music and blessed with a particularly appealing and satisfying rhyme structure
and cadencia (cadence), was quickly appropriated by popular poets in Andalucía and the Canary
Islands. As the décima’s literary fortunes rose and fell, these campesinos maintained a vibrant
tradition of décimas improvised to music, still celebrated today in Spain, particularly in Murcia, the
Alpajarra region, Almería, and the Canary Islands.