Documente Academic
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Documente Cultură
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Design talk 0638
FourDesignIdeas
Quarter-Pie CD Format
AGROWTECHNOLOGY
THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION
2006 Agriscience
Conference
Prepared by: Kate McMullan
This CD contains presentations,
photos, and other information
from the conference.
Two List Ideas
Multi-Caption Photo
1 2
3
4
Modular Grid
DesignTalk6
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Compact discs are everyones favorite recording medium, but their circular shape can be tricky to design.
This quarter-pie format is an easy solution that will have you turning out great labels in a hurry.
AGROWTECHNOLOGY
THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION
Text Image
Logo
Layout Quarter-pie format make CD design easy
Divide the space into quarters
Quartering the space imposes a grid on the circle that makes your design deci-
sions easierimage goes in one quarter, text in another, logo in a third. Below, the
quickest way to color-coordinate the text eld is to sample it from the image.
AGROWTECHNOLOGY
THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION
AGROWTECHNOLOGY
THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION
AGROWTECHNOLOGY
THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION
Logo centered on a
quadrant line balances
the composition.
2006 Agriscience
Conference
Prepared by: Kate McMullan
This CD contains presentations,
photos, and other information
from the conference.
2006 Agriscience
Conference
Prepared by: Kate McMullan
This CD contains presentations,
photos, and other information
from the conference.
2006
Agriscience
Conference
Prepared by: Kate McMullan
This CD contains presentations,
photos, and other information
from the conference.
2006 Agriscience
Conference
Prepared by: Kate McMullan
This CD contains presentations,
photos, and other information
from the conference.
Design talk 2 of 9
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To show more of your image,
merge two cells horizontally
(right, top) or vertically (right,
bottom). Note that on all four
designs, logo and text edge
conform to curve of the disc.
Avoid awkward shapes An image that
lls three cells creates a Pac-Man look
that will generally overpower any object
in the fourth cell, and its unbalanced.
Similarly, a checkerboard look is too com-
plex (it lacks a focal point).
Work with the center
Stacked text (above left) or aligned
center out (above right)
Bottom Top
Left Right
AGROWTECHNOLOGY
THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION
2006 Agriscience Conference
Prepared by: Kate McMullan
This CD contains presentations, photos,
and other information from the conference.
AGROWTECHNOLOGY
THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION
AGROWTECHNOLOGY
THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION
AGROWTECHNOLOGY
THE CENTER FOR AGRISCIENCE & TECHNOLOGY EDUCATION
2006 Agriscience
Conference
Prepared by: Kate McMullan
This CD contains presentations,
photos, and other information
from the conference.
2006 Agriscience
Conference
Prepared by: Kate McMullan
This CD contains presentations,
photos, and other information
from the conference.
2006 Agriscience
Conference
Prepared by: Kate McMullan
This CD contains presentations,
photos, and other information
from the conference.
Design talk 3 of 9
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Like the movies
Countless movie credits roll just like thisname and title
aligned outward from a centerline. Bold type separates
names from titles; its tint gives the two sides more similar
value. Simply use right and left tabs as shown below.
Type Two ways to set a list
Lisa Anderson Museum Director
Peter Arnautovic Capital Campaign Associate
Cheri Braymer Director of Administration
Alice Breazeale Capital Campaign Director
David Caswell Finance/H.R. Director
Annessa Cottini Finance/H.R. Associate
Scott Daniels, Ph.D. Chief Curator
Tom Day Collection Imaging Specialist
Cynthia Delk Curatorial Assistant
William Dodge, Ph.D. Associate Curator
John Earl Registrar
Erica Gudeman Assistant Curator
Kathy Gutierrez Librarian
Patrick Hoskow Exhibition Technichian
Nancy Johnson, Ph.D. Adjunct Curator
Steve Jones Exhibition Techncianm
Diana Kaiser Associate Director of Education
Jaime Landrum Associate Director of Education
Emma Minor Education Programs Manager
Ancient African Tribal Work
Albany Museum Grahamstown, South Africa
MUS E UM S TAF F
Listed alphabetically
1
Lisa Anderson Museum Director
Peter Arnautovic Capital Campaign Associate
Cheri Braymer Director of Administration
Alice Breazeale Capital Campaign Director
David Caswell Finance/H.R. Director
Annessa Cottini Finance/H.R. Associate
Scott Shields, Ph.D. Chief Curator
Tom Arnautovic Collection Imaging Specialist
Annessa Braymer Curatorial Assistant
William Breazeale, Ph.D. Associate Curator
John Caswell Registrar
A beautifully typeset list of names and titles
staff, donors, sponsors, participants, so onwill
bestow visible stature to those on the list. The
key to this is understatement: Use one classic
typeface, small size, center stage. Two formats:
Design talk 4 of 9
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Lisa Anderson Museum Director Peter Arnautovic Campaign Associate Cheri Bray-
mer Director of Administration Alice Breazeale Capital Campaign Director David
Caswell Finance/H.R. Director Annessa Cottini Finance/H.R. Associate Scott Dan-
iels, Ph.D. Chief Curator Tom Day Collection Imaging Specialist Cynthia Delk Cura-
torial Assistant William Dodge, Ph.D. Associate Curator John Earl Registrar Erica
Gudeman Assistant Curator Kathy Gutierrez Librarian Patrick Hoskow Exhibition
Technichian Nancy Johnson, Ph.D. Adjunct Curator Steve Jones Exhibition Techni-
chian Diana Kaiser Director of Education Jaime Landrum Associate Director of Edu-
cation Emma Minor Education Programs Manager Caren Moore Education Programs
Manager Carolyn Navarro Education Programs Coordinator Teruko Nimura Out-
reach Coordinator Lynn Remusat Director of Development Carrie Ruzzamenti Spe-
cial Events Associate Emily Shields Special Events Manager Kit Smith Development
Associate Tim Mills Donor Services Manager Amie Tin Membership Coordinator
MUS E UM S TAF F Listed alphabetically
L I NDS DAL E MUS E UM o f ART
5469 Wood Mill Road, Elizabeth, NC 27906 www.LindsdaleMuseum.com
African Tribal Work
Albany Museum
Grahamstown,
South Africa
Lisa Anderson Museum Director Peter Arnautovic Campaign Associate Cheri Braymer
Director of Administration Alice Breazeale Capital Campaign Director David Caswell
Finance/H.R. Director Annessa Cottini Finance/H.R. Associate Scott Daniels, Ph.D.
Chief Curator Tom Day Collection Imaging Specialist Cynthia Delk Curatorial Assis-
tant William Dodge, Ph.D. Associate Curator John Earl Registrar Erica Gudeman
Assistant Curator Kathy Gutierrez Librarian Patrick Hoskow Exhibition Technichian
Nancy Johnson, Ph.D. Adjunct Curator Steve Jones Exhibition Technichian Diana
Kaiser Director of Education Jaime Landrum Associate Director of Education Emma
Minor Education Programs Manager Caren Moore Education Programs Manager
Carolyn Navarro Education Programs Coordinator Teruko Nimura Outreach Coor-
dinator Lynn Remusat Director of Development Carrie Ruzzamenti Special Events
Associate Emily Shields Special Events Manager Stephanie Smith Development Asso-
ciate Lisa Spivak Donor Services Manager Amie Tingley Membership Coordinator
Set a word block
Slower to read but artistically more engaging, run all
names and titles together separated by bullets. To
square the block (red corner, above), click Justify all
lines In the Paragraph dialog (below). For a perfect
t, you may need to slightly adjust width or size. Lisa Anderson Museum Director Peter Arnautovic
One typeface, one size is key to classic understate-
ment. Weight and value separate name from title. The
result is a block of rich typographic texture.
Space-bullet-space separates the listings.
2
Design talk 5 of 9
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Layout Multi-caption photo tells many stories
DAWN Transplanted
from Hawaii, prom
queen and surfer
who won two major
amateur competi-
tions. Here on family
money but with little
interest. Limps from
a sports injury.
1
2
3
4
No matter what your picture,
every person, object and ele-
ment in it has a story. Thats
why we love love love this tech-
nique. Instead of one caption
to generalize everything, write
ve, seven, ten, that unpack the
detail. Its fun to do, quick to
read and perfect for our modern,
big-screen, sound-bite world.
The captions can be atop the
photo, off to the side, or both:
AND DID YOU KNOW . . .
ACTIVITIES CENTER Curiously
popular despite having no Wi-Fi
or even a decent TV screen.
MISS JAVA Thats her third
coffee, and its only eight in the
morning. Shell have her fourth
cup before her second class.
TEXTBOOK Strictly for show.
Hasnt read a word in weeks.
SHOES Wearing his friend Brads
shoes, which he picked up at last
nights kegger by mistake.
1
2
3
4
AKELLO Ugandan
Communicative Dis-
eases major admired
by teachers and
peers for his inten-
sity. Plans to return
home after gradua-
tion and tackle the
HIV epidemic thats
claimed his parents
and 30% of his town.
Transparency smooths out a too-busy background
CASSANDRA
A mom at 16. Works
two jobs and cares
for her daughter.
After four on-again,
off-again years in
high school shes
here determined to
become a school
teacher, fullling a
childhood dream.
Doesnt sleep much.
TIM Now in his
fth year, hes built
solar-powered cars,
a cheese-churning
device, and as a
freshman won his
dorms toothpick-
castle-making
contest. Presently
moonlighting as a DJ
at the student union
while freelancing
for Popular Science
magazine.
ROGER Huge math talent
and campus clown. Profes-
sor Jergensen has recruited
him to collaborate on a
book, but hed prefer doing
standup at the Cassa Club
where hes getting raves.
Design talk 6 of 9
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Catalog pages must go together fast and with-
stand countless last-minute (or last second!)
changes. Crate & Barrel has an excellent format
that makes it possible to do this and retain your
sanity. Its digest-size pages are divided into six
square modules; each contains a photo or text
but never both. Text is one size; photos have
no embellishments. The handsome result is as
clean as their storesand its easy to do.
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