Documente Academic
Documente Profesional
Documente Cultură
by
Jacob Kilgore
lifeonmars3000@hotmail.com
FADE IN:
SUPER: 1551
The sky is black. Thunder RUMBLES the small ship as it sails among the turbulent
sea. A bolt of thunder electrifies the night, ILLUMINATING the scene as waves
crash all around.
INT. INSIDE SHIP - NIGHT
Families of Scottish descent sleep in a small room. A seven-year-old boy named
TOMMY huddles in fear at the CRASH of thunder sounds about all around. His eyes
light up. He goes to the window and peers out, amazed at all of the commotion.
EXT. OUTSIDE SHIP - NIGHT
The door opens and he creeps out slowly. He braces his arm over his face against
the intense wind. The door SLAMS open against the outside wall. He forces himself
against the wind, grasps onto the railing, and makes his way toward the fore of
the ship.
Two men grip the wheel desperately.
CREW MAN 1
We’re losing it!
The boy stares into the sea, calmly in wonder. The wind blows through his hair and
the moon and lightening strikes cast a glow across his face. Suddenly a great wave
rises over the ship, forces the boy across the deck and off the side.
He free falls into the deep, sinking farther and farther among the churning
waters. All is silent. He slowly drifts downward and swallows. Above, light
reflects through the water, then a flash of light illuminates the ocean around him
and a sailor covered in white light is seen in the distance as he is taken by a
swift current far away while the ocean around him is lit up as if he were in broad
daylight.
EXT. DOCK - DAY
People scurry in every direction. Men carry cargo off of a large ship as another
man barks orders.
BARKING MAN
Get a move on it! We don’t have all day!
Women in fine dresses chat over tea on a bench as a team of boys scamper by
chasing each other with holes in their gloves. A man and woman walk by somberly as
a scruffy old sailor approaches them.
OLD SAILOR
Are ye the ones wit’ the missin’ boy?
FATHER
...Yes we are.
OLD SAILOR
Well he ain’t missin’ no more...
He sighs and gestures them to follow.
OLD SAILOR
C’mon now...
They follow the sailor past rows of ships of all sizes, then turning a corner they
see half a dozen sailors working on a bottle of rum. Other men work on nets and
hooks. They pass men beheading fish, scaling them, and the astonished wide-eyed
masses waiting for a fillet.
They turn corner after corner passing piles of driftwood stacked along a building,
broken tables and chairs, and two lovers, quite unhappy to be disturbed from their
privacy. They come upon a short stairway which leads to an overcast beach.
EXT. OVERCAST BEACH - DAY
Up the coast a short way is another old sailor sitting over their son.
MAIN ROOM
Tommy and Charlie carry Lucy
TOMMY
Let us be out of here.
The boys quit filling their bags and exit.
EXT. OUTSIDE ADMIRAL’S HOUSE - NIGHT
The boys carry Lucy into the ship.
EXT. MERCHANT SHIP - NIGHT
The boys take Lucy into the Captains quarters.
EXT. OUTSIDE ADMIRAL’S HOUSE - NIGHT
Charlie takes a thick branch and wraps it with a cloth. He lights it on fire with
the flame on one of the admirals ships. The admiral and his wife exit the house.
They are in their bed clothes.
All of the boys approach them with swords drawn, some with guns drawn. Tommy has
his gun pointing toward the admiral.
ADMIRAL
Thieves, common thieves! What have I done to deserve such treatment?...
(he looks toward Charlie)
After inviting you to my table no less!
TOMMY
I am no common thief. I seek revenge for a crime you have committed against me.
That is all.
ADMIRAL
Crime? And what is this crime I am accused of?
TOMMY
You have led a constant robbery against me since I was a youth. You have stolen
everything from me and I shall do the same to you.
CHARLIE
I want you to have the pleasure.
Charlie hands Tommy the flaming stick.
ADMIRAL
Low bred animal! Know your place!
TOMMY
I cease to believe your insults any longer, for I will let you know- I am a
gentleman! And upon your insistence to cause me injury I declare a formal
declaration of war!
Tommy stands still as the other boys speed away toward the ship. Tommy tosses the
flaming stick into the admirals house and speeds away as well. The flame catches
the gun powder afire which engulfs the floor afire, igniting the sacks of gun
powder in the chimney and causing a massive explosion.
The front of the house explodes tearing into the admiral and his wife, sending
them to the ground. A chain reaction sets off all of the gun powder sacks in the
upper floors and throughout the house to explode, causing the house to erupt in
flames throughout the middle.
The house collapses in on itself and the sacks of gunpowder in the upper back
rooms explode, blowing off the parts of the roof in those areas. The admiral’s
wife lies dead while the admiral lies under burning debris and has a large piece
of wood lodged in the side of his arm. He struggles to free himself as his house
burns beside him.
The admiral’s sailors rush to him and lift him out of the burning rubble.
ADMIRAL
Go after them! Cut their throats!
ADMIRAL’S SAILOR 1
Your ships are on fire.
ADMIRAL
Put it out! Put it out!
ADMIRAL’S SAILOR 1
It is too late for that. Your ships are gone.
EXT. MERCHANT SHIP - NIGHT
The boys carry Lucy. She kicks wildly and frees herself. She kicks Benjamin in the
stomach, which knocks him down. Charlie and Jack grab her around the waist and she
kicks Tommy repeatedly in the face as he tries to grab her legs.
They all hold her and carry her into the captains quarters. She SCREAMS.
INT. CAPTAIN’S QUARTERS - NIGHT
The boys carry Lucy into the bed and tie her to the bed posts on the right side.
She cries.
EXT. MERCHANT SHIP - NIGHT
The boys run downstairs.
INT. HOLD - NIGHT
The boys roll an ale barrel out the door while wearing the fine clothes that they
found lying about.
EXT. MERCHANT SHIP - NIGHT
The boys drink ale while they sing a song. Many of them swing their mugs. Jack and
Roger swing around the main mast. Benjamin plays an accordion while Peter and
Henry dance and clap their hands.
EXT. MERCHANT SHIP - MORNING
The boys lay about the ship asleep. Tommy wakes and fills his mug full of ale and
staggers into the captains quarters.
INT. CAPTAIN’S QUARTERS - MORNING
Lucy lies on the bed tied up and asleep. Tommy steps over to the left side of the
bed, crawls onto in, and wakes Lucy. She is alarmed as he holds the mug up to her.
She turns her head away from him.
Tommy unties her hands from the bedpost. She punches him over and over in the bed.
She bangs his head against the bedpost and they both SCREAM. He kicks her off and
she goes flying backward. He slips off of the bed and picks up the mug off of the
floor and sets it on the right side of the bed.
She strikes at him but he dodges and exits the room. She reaches onto the ground
and picks up the mug and drinks what is left within it.
INT. ENGLISH NAVY HEADQUARTERS - DAY
Several admirals sit behind tables.
ADMIRAL #2
Since you are incapable of performing your duty at the head of a ship... you shall
receive pension in return.
The admiral has one arm which now only extends halfway down the upper arm and his
right leg is deformed. He stands on a crutch.
ADMIRAL
I wish to sail on my own accord.
ADMIRAL #3
You are free to do so. Though you must use your own funds to lead whatever venture
you have in mind.
ADMIRAL
Very well.
ADMIRAL #2
We trust you still have such funds now that your estate is burned?
ADMIRAL
I shall sell off the property I own. The east side housing block shall go to
auction as well as my other houses in the country.
The admirals appear disturbed.
ADMIRAL #3
You mean to lose all you have for this... expedition.
ADMIRAL
These brigands have taken from me all I love in this world... I intend to do all I
can to take it back.
Lexington stands in the shadows and steps forward.
LEXINGTON
Sir.
The Admiral appears saddened.
ADMIRAL
You heard what has taken place, then?
LEXINGTON
Indeed, I did. Upon your approval... Admiral... I wish to set forth as well.
The Admiral turns disinterested.
ADMIRAL
This is not your battle. Your place is here, defending our Queen.
LEXINGTON
I am shamed as well!
Lexington bows his head.
LEXINGTON
I will be damned if let those vagrants steal poor Lucy and do God knows what with
her in the middle of the bloody ocean!
EXT. MERCHANT SHIP - DAY
Lucy has a rope tied to her from a high beam. She has coral in her hand. She
attempts to scrub the deck.
LUCY
Ow! It’s too rough!
Tommy throws a piece of bread at her which he ripped off of a loaf that he is
eating.
LUCY
Stop it! Why do I have to work?
TOMMY
Because you are the slave. And it is fun to watch a spoiled brat work hard.
Lucy tries to scrub again.
LUCY
I have never been treated like this in all my life!
Lucy gets up and pulls towards Tommy attempting to hit him but the rope is too
short.
Jack and Henry attempt to tie up rigging in order to secure the sail. Cannons
explode below deck sending cannon balls into the sea. Henry falls. Charlie and
David shoots guns at a loaf of bread which sits atop the side railing. Due to
being imbalanced by the rocking ship they miss terribly.
Lucy LAUGHS.
LUCY
You are the worst pirates I have ever seen!... Let me try, I will show them how to
use a pistol!
TOMMY
Shoot a gun? Girls do not shoot guns on my ship!
LUCY
I cannot do much worse now can I?
TOMMY
Give them time, give them time! What we need is more guns, definitely more guns!
LUCY
Very true. What direction are we headed?
Tommy looks at the compass near the steering wheel.
TOMMY
East!
LUCY
I know just the place. Spain has all we could want. Spin us around the other way!
Tommy spins the wheel.
TOMMY
What do you know about navigation?
LUCY
I am only the daughter of an admiral!
TOMMY
You hear that boys?! Onward to Espana!
Tommy spins the wheel around several times.
ALL OF THE BOYS
Yaa!
EXT. SPANISH DOCK - DAY
Couples walk hand in hand. Dock workers hammer tar into the hulls of great
warships. Tommy and the crew stand by as dock workers install new sails and guns
onto their ship. There are now four guns on each side of the ship. Charlie has his
arm around Tommy’s neck.
CHARLIE
It is a beauty is it not?
INT. SPANISH SHOP - DAY
The boys stand looking at the armor and weapons behind the merchant. Tommy notices
a two-handed five foot long sword with a serrated blade and two flukes protruding
from it a hands width down the handle from the quillions. Tommy points to it.
TOMMY
Let me see that one.
The merchant takes it down from the wall and hands it carefully to Tommy.
SPANISH MERCHANT
We call this one a slaughter sword, a dopplehänder. A very fine weapon of Swiss
creation.
Tommy takes the sword and holds it before himself with both hands. He swings it
slowly, getting a feel for the weapon.
SPANISH MERCHANT
Surprisingly light and well balanced despite its length, is it not?
TOMMY
Yes, very fine indeed.
CHARLIE
I’ll take one as well.
SPANISH MERCHANT
These are not sailing weapons. They are far too long.
TOMMY
I’ll take that short sword there... four guns... and two knives...boys outfit
yourselves well... If there’s going to be a bloodfest we might as well dress for
the occasion!
EXT. OUTSIDE SPANISH SHOP - DAY
The boys stroll out of the shop outfitted with beautiful clothing and light armor.
Each boy wears a long sword, a shorter sword on their waist. They also each have
four guns and two knives up their sides.
EXT. SPANISH BEACH - DAY
The boys practice sword fighting in the golden sand beside the beautiful beach.
Tommy swings his sword down and Charlie blocks it with his and they push against
each other. Tommy kicks Charlie in the stomach and he falls letting his sword
swing in the air. Tommy barely dodges and it slices his hand causing it to bleed.
TOMMY
Perhaps we should not practice with these.
LATER
The boys practice sword fighting with long and short poles. They are quite serious
and do not hold back on each other.
MONTAGE - SWORD FIGHTING PRACTICE
-- Jack and Roger swing wildly at each other, striking and blocking. Roger takes
his short pole and strikes stopping at Jacks neck.
-- Benjamin and David strike at each other with short poles. They dodge with skill
until David jabs Benjamin in the belly.
-- Tommy and Charlie shoot their guns at a dummy fashioned with a tied up sack on
top of two crossed sticks made to look like a man. They both miss a few times,
each time grabbing new guns from their side. The third time they hit their target.
-- The rest of the boys shoot at dummies lined up on the beach.
-- Half of the boys stand on one side in line with a long sword and half on the
other with a dummy. The dummies are thrown and the other boys charge and strike
the dummies, splitting them in two.
-- The boys switch sides and the ones who threw the dummies now hold swords and
vice versa. The dummies are thrown and split again.
EXT. BEACH BESIDE TOMMY’S SHIP - DAY
Charlie waves to Tommy and points to the ship. Extraneous sections of the deck
have been sawed down for the sake of ship speed. The ship is beautifully painted
black with an outline of blood red. The words “BLOOD BOUNTY” are painted on the
aft.
CHARLIE
It is unbelievable, no? I call her the blood bounty.
TOMMY
It is a dream.
Both of them smile and peer up toward the blood red flag flying over the ship.
INT. SPANISH BAR - EVENING
The boys gulp down drinks and converse happily. They sing a song though it is not
heard. Many dance merrily. Two beautiful Spanish girls take Charlie and Jack by
the hand and sneak out with them.
INT. SPANISH INN - NIGHT
In the small room, Charlie has sex with one of the Spanish girls and Jack has sex
with the other one in a second bed.
INT. CAPTAIN’S QUARTERS - NIGHT
Tommy enters with chicken in a bowl and a mug of beer. He sets it on a table by
the bed and unties Lucy.
LUCY
Why do you untie me?
TOMMY
I do not feel like feeding you by hand.
She looks downward.
TOMMY
Go on, you must be hungry.
Tommy moves to the other side of the bed and takes his boots and armor off. She
takes the bowl in hand and eats with her fingers.
LUCY
I actually prefer being a captive. This is the first time I have ever felt free.
She takes another bite.
LUCY
Why did you steal me anyway?
TOMMY
To get back at the Admiral. Revenge for stealing everything that meant anything to
me.
LUCY
What do you mean?
TOMMY
Since I was a boy I grew up on the east side, which he owned. He bled us so dry we
never had a chance.
LUCY
I am sorry. I hate him as well.
Lucy puts her hand on Tommy’s shoulder.
TOMMY
Even the smallest items in your house could have fed us well for over a month.
LUCY
None of those things mattered for our family was greatly unhappy.
TOMMY
I do not understand why we were made to live in such poverty. Perhaps it would not
have been so bad if we at least had food to eat- but no! We suffered so terribly
that it must be called a crime!
Tommy places his hand on the handle of his sword and stands on his feet.
TOMMY
I mean to act out a punishment on those who deserve it. My family was not given a
path to an honest life and so I shall give no mercy on those who support such a
system... These seas shall be red with the blood of tyrants!
LUCY
I will join you if you allow it.
TOMMY
I would not wish to see you hurt.
Lucy kisses Tommy on the mouth. He seems surprised though he kisses her again.
They they begin to unbutton each others clothes and kiss passionately.
EXT. TOMMY’S SHIP - BELOW DECK - DAY
Cannons blast. Teams of men race to load a new cannon ball.
CHARLIE
Double time!- I want these loaded and ready to fire! We send out two for every one
they send!
EXT. TOMMY’S SHIP - DAY
The boys shoot at dummies lines up on the side of the ship. The dummies explode as
the shots fly through them.
Behind them others practice sword fighting with skill.
TOMMY
Drop the targets!
Barrels are dropped into the ocean.
TOMMY
Lower the sails!
The ship gains great momentum.
TOMMY
Turn us ninety degrees!
Benjamin spins the wheel.
TOMMY
Aim!... Fire!
Cannons blast off and explode upon the floating barrels.
INT. CAPTAIN’S QUARTERS - DAY
Tom and Lucy lie in bed. Lucy takes a quill and dips it in ink. She slowly writes
“TOMMY” while saying the letters as she writes them.
LUCY
T... O... M... M... Y... Tommy, see?
Tom takes the quill nervously.
TOMMY
H-How do I start?
Lucy smiles.
LUCY
Poor dear... you draw a line from here (pointing at the top of the “T”) Then draw
another line going down... Like mine, see?
She points to the letters she wrote.
INSERT - TOMMY WRITES HIS NAME (SLOPPY)
TOMMY
BACK TO SCENE
Lucy Laughs in a girly way, hugs him, and kisses him.
LUCY
(quickly and quietly)
Good job.
EXT. CAPTAIN LEXINGTON’S SHIP - DAY
Lexington stands proud on the fore of his ship as two merchant ships approach. A
Tubby Merchant waves.
TUBBY MERCHANT
Hello there!
LEXINGTON
Greetings. I am Captain John Lexington.
TUBBY MERCHANT
We come from the Americas, carrying gold to England. Would you serve to protect
our Queens property- these are not safe waters at all!
LEXINGTON
Quite true! I happen to be pirate hunting as we speak... Tom is the name of the
ruffian who said to haunt these waters.
Lexington speaks to a sailor then turns back to the Tubby merchant.
LEXINGTON
If you like you may accompany us for a time...
EXT. TOMMY’S SHIP - NIGHT
Benjamin plays a song about mothers. Tommy, Charlie, Benjamin, and others cry as
they sing and drink. Tommy sees Jack sitting with Lucy off to the side in the
shadows.
Tommy continues to sing but notices Jack touch her breast and he sees them kiss.
Tommy stands and stomps directly over to them.
TOMMY
You think I am blind to this? Your sitting in the shadows taunts me to quarrel
more so!
Tommy shoots two guns and blasts a hole in Jacks chest. The music and singing
stops. Jack clenches in pain.
LUCY
You monster!
Tommy stabs Jack in the chest and drags the knife through his skin, causing it to
gush blood.
TOMMY
I cut a fish, I cut a man. It makes no difference.
Tommy cleans the blood off of the knife onto his pants.
TOMMY
You forget who is the captain! Any who disagree with my decision shall receive the
same!
All look shocked. Tommy grabs Lucy and drags he to the railing and ties her up.
TOMMY
Play on!
Tommy walks to his quarters as Benjamin starts a new song.
EXT. TOMMY’S SHIP - DAY
The ship is anchored near land. Jack’s body is wrapped in a white sheet and is
held by the boys as it half hangs over the edge of the ship.
BENJAMIN
He was a good sailor... and a good friend... may god rest his soul.
The boys send Jacks body into the sea. The boys meditate on the moment. Benjamin
notices something in the distance. He walks up to the poop deck and takes out a
telescope. He sees three merchant ships.
BENJAMIN
Oy! Ahead lie three vessels!
Tommy approaches him and takes the telescope and sees the ships.
TOMMY
Lower the sails, ready the cannons, arm yourselves, for this time we fight for
real!
MOMENTS LATER
Tommy’s ship approaches the other three. They are 100 yards away.
TOMMY
Raise the flag!
The pirate flag is raised. Tommy realizes that he is missing two pistols. He pats
the holders and looks where he shot Jack. He unties Lucy and drags her. He pushes
her into the captains quarters.
TOMMY
Stay here.
He enters and returns with only one missing.
TOMMY
(to the other ships)
We will not harm you if you surrender immediately!... but if you mean to strike at
us we shall have no mercy upon you!
A cannon blasts from the closest merchant ship, missing far behind Tommy’s ship.
Another shoots and comes far short.
TOMMY
It seems they want a fight- and so we must give them one!... Do not fire until I
give word!
They sail silently.
TOMMY
Sail around their aft! Lets get a shot in their hold!
Benjamin spins the wheel and the ship sails around the back of the other ship.
Lexington’s ship circles around beyond the other ships.
TOMMY
Aim!...Fire!
Cannons blast into the aft end of the other ship. People on the other ship
scramble. A hole is broken into the ship and water pours in. The ship slowly tilts
as it sinks little by little.
ALL OF THE BOYS
Yaa!
The boys jump in celebration and raise their hands in the air. Tommy’s ship sails
toward the second ship. People hang on as the first ship sinks and others jump
into the water. Wood and cargo fill the water. Lexington’s ship sails toward
Tommy’s ship and the two ships come in close contact.
TOMMY
All on the main deck! Prepare for attack!
Both ships are next to each other and the sailors prepare to fire guns upon
Tommy’s crew. Charlie has a half filled gun powder bag tied with a lit fuse. He
throws it in the middle of the sailors. It explodes decimating many.
Several men SCREAM and leap overboard in order to escape the blast. Others panic
and run towards Tommy and the rest of the crew. Tommy slashes into several men
with his sword, flaying body parts and slaying them all.
Two sailors surround Tommy. Tommy stabs one in the neck with a knife and Lucy
shoots one in the back. Tommy looks at her and she smiles.
MONTAGE - FIRST SHIP BATTLE
-- Peter jumps on the other ship and slashes with his shorter sword and stabs a
sailor in the neck.
-- Roger empties out two guns on one sailor. Then grabs two more from his side and
shoots two more sailors at close range while SCREAMING.
-- David jumps over to the other ship and is stabbed through the neck. Blood
gushes forth as he SCREAMS and falls into the water below.
-- Tommy and Charlie cut through sailors with their swords. Tommy swings at two
sailor’s rapiers and breaks both as he sends his sword through one of their
skulls. Charlie cuts the other sailors head off. SCREAMS are heard. Blood covers
them all as well as the ground.
-- Robert swings at a sailor but is shot by another. He falls down dead as
Benjamin shoots both sailors in the head. Benjamin grabs Robert and realizes he is
alive.
END MONTAGE
Benjamin watches over Robert.
ROBERT
I didn’t even see him. I didn’t know it happened till I hit the ground.
Robert’s eyes begin to close.
BENJAMIN
You did all you could. You lived a good life. That’s all we can ever do.
Amid a swarm of swinging swords Tommy and Lexington confront each other.
LEXINGTON
Your men are despicable.
TOM
I know! It is a great life!
Lexington cuts through the air and Tommy dodges. Tommy stabs and slashes violently
with two swords as Lexington blocks each attack with skill. Lexington swings at
Tommy’s head and Tommy rolls out of the way. Lexington swings with might and
Tommy, on his knees, crosses his swords and blocks the attack.
They both push with all of their strength against the other. Suddenly a sword
bursts through Lexington’s chest. Lucy holds the weapon and shows a great feeling
of delight upon her face. Lexington thrusts a weak swipe with his blade and falls
on the handle of the sword sticking in his back. Blood spits forth as he hits the
ground. He lets out one last MOAN of pain and lies stiff.
The boys cut through the remaining sailors. Tommy and Charlie both cut through
sailors and kick them over the edge. The sailors SCREAM as the fall.
A mess of bodies and limbs litter the deck. Blood flows back and forth as the ship
rocks. The boys look toward the third ship to see a white flag flying overhead.
TOMMY
Sail beside us! We will not harm you as long as you lay your weapons down!
EXT. WHITE FLAG SHIP - DAY
Men stand along the far side of the ship as Tommy’s crew enters. Their weapons sit
in a neat pile in the center of the deck.
TOMMY
Why would you risk your lives for someone else’s gold? Grip a sword with gnarled
fingers after laboring long years for another’s gain?
Tommy strolls up the line of men.
TOMMY
You may leave as you wish and risk your lives still just to barely feed
yourselves... or you may come with us and take an equal share... Your choice.
EXT. TOMMY’S SHIP - DAY
Ten sailors from the other ship stand lined up on the deck.
TOMMY
This is our kingdom. The only one we shall have in this world... Away from their
palaces, hoarding all joy and vibrancy in this world.. We have a chance to live
while we were given nothing!
In the distance people pour out of the lower levels of the other ships and stand
on the bloodied deck. Women cry as they see the blood. People from the first ship
swim to the bloody ship.
TOMMY
You must swear to follow every word I say... and dedicate yourself to my ships.
And if you steal or commit any sort of crime against this crew you will pay with
your life, you hear?!
NEW CREWMEN
Aye sir!
TOMMY
Now help transporting the cargo to our ships!
35 YEAR-OLD TOM (VO)
In those years we were so successful we exceeded our own greatest hopes.
EXT. ADMIRAL’S SHIP - EVENING
The Admiral is led by one of his sailors to a crowd of his men who are drawn to an
object on Lexington’s ship. The dead line the deck and Lexington is strapped into
the rigging onto a sail with his arms extended against the material. Blood is
smeared on the white sail, a large hole drips blood from his gut, and his head
lies limp and morose.
ADMIRAL
Monsters!
MONTAGE
-- Tommy’s ship blasts cannons at a merchant vessel.
-- Both of the ships have raised pirate flags. A merchant vessel.
-- Two ships sail with Tommy’s ship. They all have raised flags. Three other
merchant ships sail together. One shoots a cannon blast and misses. All three
ships shoot their cannons and destroy the other ship. The crews on the other ships
hold their hands up in surrender.
35 YEAR-OLD TOM (VO)
We thought we were unstoppable. Through the years all came so easy to us. That is
until he set upon us and set doom within our hearts again.
EXT. TOM’S SHIP - EVENING
Tom is twenty-four years old. They sail at a swift speed. Five ships sail in
formation. Three large ships with British flags sail on the horizon.
TOM
Do you think they are after us?
LUCY
Those ships are my fathers. I am sure of it! Move... we have got to move faster!
The ship sails on as the sun sets.
NIGHT
The three ships show black against the glow of the sky.
35 YEAR-OLD TOM (V.O.)
Day and night he followed us. With all the energy in his being... it was all he
left in life- simply to destroy us was his only wish.
DAY
The ships sail on at full speed yet are still being followed. Land is seen ahead.
TOM
France... our savior at last! He would never follow us in their no matter how mad
he was.
EXT. NANTES DOCK - DAY
The crew of Tom’s ships step off of their boats. They walk among the cobble stone
street. Above stands a huge church and a high standing city gates arching over the
people passing through in large numbers.
Though haggard the crew of Tommy’s ship walk proud and noble. Tom and Lucy walk
side by side. People stare as they pass.
35 YEAR-OLD TOM (VO)
I had not realized the change in all of us. We were nobles in our own minds. These
battle weary seamen owned no land but they stood proud as knights from days of
yore.
INT. FRENCH PUB - DAY
The room is filled with merry men of Tom’s crew. They down gulps of ale and feast
on a variety of meats, soups, and breads. Benjamin plays an upbeat song as men
dance. Peter and David engage two girls, holding out their hands. The girls take
their hands and join in a dance.
Henry makes out with a girl. Tom and Lucy sit together singing along to the song.
EXT. SHOPPING DISTRICT - EVENING
Tom and Lucy stroll hand in hand. Tom has an uneasy look on his face. He quickly
draws his dopplehänder and thrusts it behind himself. The tip of his blade points
at the neck of a young vagrant boy. The boy is scared and has his hand extended
still as he was attempting to steal Tom’s purse.
TOM
Do not hesitate, boy.
Tom takes his purse in hand and tosses it to the boy and continues strolling down
the street hand in hand with Lucy. The boy shivers with fear and skitters away
with his knees wobbly and unsteady. Lucy smirks and nudges Tom.
MONTAGE - TOM AND LUCY INDULGE
-- Tom and Lucy sit in tubs and get washed by servants.
-- Tom and Lucy get their hair cut in a barber shop.
-- Lucy tries on an expensive, beautiful blue dress.
-- Tom tries on a fine black and burgundy doublet and matching outfit. He also
wears a large black frill around his neck.
-- Lucy clasps a glimmering necklace around her neck.
END MONTAGE
INT. TAILOR - EVENING
Lucy and Tom see each other and embrace.
LUCY
Is it a dream?
TOM
Yes, yes it must be.
EXT. SHOPPING DISTRICT - EVENING
Lucy and Tom stroll proud in their new clothes. A man speeds down the road dodging
careless shoppers. This is LOUIS, a nimble black haired Frenchman. He has a bloody
wound on his right shoulder. Two guards chase behind him with spears in hand.
One man fires and shoots Louis in the leg which sends his to the ground screaming.
The guard raises his spear. Tom steps forward and blasts a pistol shot into the
guard’s face. He now lies dead and bloody.
The second guard thrusts his spear at Tom. Tom swings his dopplehänder shattering
the spear. The guard raises his pistol. Tom dodges and the shot flies by crashing
through a shop window. Tom swipes his short sword and the guard blocks it with the
broken spear.
Tom takes the dopplehänder which is stuck in the ground and swings it over his
shoulder beheading the guard as well as taking off his right arm at the shoulder.
People scream in horror. Two women scream mad in fear and run away.
Louis lies on the ground. Tom takes his hand and helps him up. Louis staggers on
his injured leg.
LOUIS
Thank you Monsieur, I owe you my life!
Louis shakes Tom’s hand.
LOUIS
We must hurry, you are no longer safe. There will be more of them very soon.
Tom and Lucy hesitate.
LOUIS
Come with me. I will keep you safe.
EXT. OUTSIDE PROTESTANT HIDEOUT - NIGHT
Louis knocks on a door.
The door opens. Louis quickly enters and Tom and Lucy follow.
INT. PROTESTANT HIDEOUT - NIGHT
The fireplace holds a warm fire. Two finely dressed Frenchmen sit in chairs with
glasses of wine in their hands and converse. Another sits over Louis in a bed and
attends to his wounds. Francois approaches Lucy and Tom with a bottle of wine in
his hand and two glasses in the other.
FRANCOIS
This wine is from my own vineyards in Navarre.
The man pours wine into the two glasses and hands them to Lucy and Tom. Lucy takes
a sip and is delighted.
LUCY
I love it!
Tom takes a sip.
TOM
Yes, it is very fine indeed.
Tom takes another drink and a look of seriousness comes over his face.
TOM
But I wonder why such high bred men of great taste must hide as you do?
FRANCOIS
It is true we are considered nobles in our lands in the south... but our religion
is persecuted here.
TOM
Religion?
FRANCOIS
Protestants. In a Catholic country. They suffocate us. They hate us and strike us
down with impunity.
Tom and Lucy each take sips.
FRANCOIS
We shall attend the marriage of Henry of Navarre to Marguerite, daughter of Queen
Catherine of Medici. In the hope that this bond will end the slaughters, the civil
wars which bring ruin upon us all.
Frenchman 1 stands illuminated by the fire. He takes a long drink from the bottle.
FRANCOIS
We are to be one country again. Uniting in the glory of god as one people.
LUCY
It shall be a wonderful day to see this.
Frenchman 1 laughs.
FRANCOIS
Then you shall! Be my honored guests, what do you say?
TOM
Yes, of course!
EXT. FRENCH COUNTRYSIDE - DAY
Many carriages travel down a long road. People work in vineyards on both sides of
the road. As the carriages pass the crew of Tom’s ships are seen within.
INT. CARRIAGE - DAY
Lucy and Tom sit on one side, Frenchman 1 and Francois on the other.
LUCY
This is so lovely!
She peers outside.
FRANCOIS
Indeed. I believe that the heart of France lies not within walls of any palace but
in the hearts of the common people.
EXT. OUTSIDE COLIGNY’S HOUSE - NIGHT
Tom exits the carriage followed by Lucy and Francois.
TOM
Can not my men join us?
FRANCOIS
Admiral Coligny has but limited room at his table for special guests. Your men
will thoroughly enjoy themselves in our accommodations, do not worry.
Frenchman 1 knocks on the front door. A servant opens the door and invites them
inside.
INT. COLIGNY’S HOUSE - NIGHT
Tom, Lucy, and Francois, and Frenchman 1 enter Coligny’s dining room.
DINING ROOM
Coligny is seated at his table with four other guests.
COLIGNY
It is a pleasure.
Coligny slightly bows.
COLIGNY
What nobility! A man of true character!
TOM
Thank you.
COLIGNY
Please sit. We have already begun our feast but there is plenty. Do not be modest,
what is mine is yours.
LUCY
Such a wonderful array of dishes. What do you call this?
Lucy points to a dish holding an elaborately dressed meat.
COLIGNY
Chicken galantine. Fill yourselves friends, I know your stomachs must grumble
after the travel you have undertaken.
Tom, Lucy, and Francois fill their plates. A servant fills glasses of wine for
them.
COLIGNY
Tom, your sacrifice is an inspiration to us all. The true spirit of Christ.
Coligny peers directly at Tom, holding his wine glass high and the rest of the
guests do the same. They all then take a sip.
TOM
You speak too highly of me.
COLIGNY
I do not believe so. Louis breathes as a result of your bravery. You risked your
own neck to save his- a man you had never seen before in your life! Is this not
true?
TOM
Yes it is.
COLIGNY
You are modest as well as noble. The willingness to give is lost among us, and is
why our civilizations are filled with hate.
FRANCOIS
Indeed.
The guests slice their meat and fill their mouths continually.
COLIGNY
Do you believe the wedding tomorrow will erase the feelings of hate? The vows of
revenge sowed in times of bloody civil war?
FRANCOIS
I have faith that people can change. It will be difficult but there is a chance.
COLIGNY
The problem lies in the fact that royalty keeps so much for themselves and allow
the peasants to suffer.
TOM
This is so in every country. The poor have no other choices but to revolt or
simply die.
COLIGNY
And so all must live in turmoil.
Coligny drinks a sip of wine.
COLIGNY
It is a peculiar truth... that one does not truly have anything if they keep all
for themselves.
INT. CHURCH - DAY
Massive white pillars line the walls, draped with fine red cloth sewn with gold
threaded illustrations throughout. Rich Parisians are seated, filling the
cathedral. At the head of the church hangs a colorful statue of Christ crucified.
Cardinals and Bishops can be seen from afar, their white points jetting above the
heads of the people.
Tom and Lucy stand amongst the crowd near the back of the church. Charles and a
number of Tom’s men stand by. A finely dressed young boy kneels on the ground
facing the back of the church playing with a wooden toy horse. The boy mumbles to
the horse, rocking it in his hand in a mock trot.
Cardinal de Bourbon speaks the rites of marriage, unintelligible to those as
distant as Tom. Lucy lifts herself on her toes but still cannot see those up
front. Tom looks to people lining seats along the walls then to the boy who
continues playing.
A choir erupts in song and the crowd stands at once. Choir boys walk in precession
down the isle followed by the leaders of the church in stunning red and gold.
Behind them, members of the royal line follow, surrounding Marguerite de Valois
and Henry of Navarre side by side. Though the aristocracy lacks the gait of
formality the newly married couple stride empty of affection, stiff as wood,
filled with uneasiness.
LUCY
There! I see them!
Tom and Lucy peer through the crowd and witness a brief glimpse of Marguerite and
Henry. Marguerite is adorned with dazzling bejeweled crown and glimmers brightly
in multitudes of diamonds.
INT. PALACE COURTYARD - EVENING
The sound of drums, flutes, lutes, and other instruments fill the air. Young women
and men dance merrily within the crowds, some in pairs, others prance in line hand
in hand. A young girl chases after a boy and tackles him to the ground giggling
and forces a kiss on his cheek as he squirms.
At a long table Lords and Ladies dine on sweet cakes and other desserts. Crystal
glassware is filled with red wine by servants. A spry lad scoops lemon tarte from
a dish and shoves it into a ladies mouth across from him. She laughs aloud with
her mouth full.
Coligny speaks to CHARLES IX in a friendly manner upon the steps leading to the
courtyard
People all around clap along to the music cheerfully as the dancers pass. Tom and
Lucy clap along within the crowd. Charles stands by nervously. Tom hands him his
wine.
TOM
Looks like you need this.
Charles tips it back and starts to drink. Francois pushes him into the circle of
dancers from behind and laughs heartily. Wine spills down his throat and he falls
into ANN, a beautiful brunette french girl, as she is dancing. They lock hands in
order not to fall. She smiles and tugs him into a dance. He looks back to Charlie
with a smile.
FRANCOIS
It is a joyous day. Everyone lives without a care.
TOM
This is what I have always dreamed of.
FRANCOIS
Can it be... we shall have a united France?
Louis dances without care, throwing his arms into the air. He kicks up dirt upon
the shoe of the Duke of Guise. The Duke thrashes Louis upon the ground violently
bloodying his lip.
The Duke glares at him. Louis wipes the blood with his hand, in seeing it is
enraged. He leaps up only to be held back by Coligny. Louis struggles with him.
Coligny’s men stand by his side yearning to fight. Coligny holds his hand toward
them signalling them to stay back.
Shots ring out from the second floor building of a nearby house. Blood explodes
from Coligny’s left hand. A lurking figure escapes into the shadows within the
window. Coligny screams and falls on his knees gripping his left elbow, reeling in
pain.
Louis drags Coligny to the side of the building as a few men rush to help.
INT. HOSPITAL - DAY
Coligny lies shirtless on an operating table. He grits his teeth as the doctor
attempts to pry a bullet out of his arm. Coligny screams madly in pain and shakes
uncontrollably.
Coligny tightly closes his eyes.
The doctor pulls out the bullet and drops it in a metal container.
The man draws his sword attempting to pass the men but another man stops his
passage by pushing him and shouting.
INT. OUTSIDE QUEEN CATHERINE’S ROOM - EVENING
Ann scrubs the floor with a damp cloth. Hysterical shouts echo from CATHERINE’S
room. Ann continues scrubbing despite the noise.
INT. QUEEN CATHERINE’S ROOM - LATE EVENING
Charles IX nervously fidgets with the cloth of his cape as Catherine stands beside
him dominantly. She is hard, and her face is worn from years of stress. The Duke
of Guise and her advisors stand near.
Charles IX stands and wearily leans against the bedpost. Catherine lightly touches
his sleeve.
She throws the wine glass CRASHING on the floor. Charles IX lies his head against
his arm against the wall, weeping.
Charles IX weeps terribly and screams with his face pressed into the bed.
INT. OUTSIDE QUEEN CATHERINE’S ROOM - NIGHT
Ann sits near the door intently listening.
The sound of steps near the door. Ann, extremely alarmed, leaps up and drops her
cloth. Ann moves for the staircase. Marguerite enters.
Ann is driven to rush down the staircase. She turns to Marguerite and follows her.
INT. MARGUERITE’S ROOM - NIGHT
Marguerite sits in a tub as Ann scrubs her back. Ann lifts her hair and scrubs her
neck. Ann spills water over her back in order to wash off the area she scrubbed.
A knock is heard at the door. Ann grabs a towel and covers Marguerite. The door
bursts open and Charles IX enters.
Second in Command and his men run to the right entrance of the Louvre, the Captain
and his men to the right.
INT. LOUVRE - NIGHT
The halls are empty. Not a sound is heard.
BEDROOM 1
Several Huguenots sleep in fine beds. A candle flickers. The door opens, the light
pouring into the room. A shadowed figure blocks the light. A Huguenot man rises up
groggily due to the light in his face.
A soldier thrusts a pike into the man’s neck. Blood spurts and a explosion of
gurgling is heard coming from the man’s throat. The man’s hand thrusts upward in
pain, then falls at his death.
Another Huguenot rises up. A soldier slashes his pike across his neck, spreading
the man’s neck wide open, sending his head falling limp backward revealing the
spine within. Blood gushes out of the head onto the body and splatters onto the
wall in the candlelight.
MONTAGE - HUGUENOT SLAUGHTER WITHIN ROOMS 1
-- A Huguenot wakes and leaps up at seeing a soldier before him. The soldier
slashes through his gut with a sword. The man holds his wound and flees. The
soldier cuts through the back of the man’s neck causing him to fall dead.
-- A Huguenot wakes and is alarmed as two soldiers pierce pikes deep into him.
-- The Captain enters a room with two soldiers to find a Huguenot on his feet. The
Captain blasts him in the chest with a shot, sending him to the ground curled in
pain. The soldiers stab him with halberds then attack two other Huguenots.
-- Three Huguenots stand in a corner frightened as another is stabbed with a
sword. Two more soldiers enter with pikes. A Huguenot grabs his sword from the
ground and stands defensive. A soldier lunges his pike into the man’s neck. The
Huguenot swipes his sword with his last breath but its reach is far too short. The
other Huguenots are cut through.
END MONTAGE
INT. LOUVRE - NIGHT
Shouts of might and wailing ring through the halls.
HALLWAY 1
Eight Huguenots stand as sheep, shivering with fright. Three of them hold swords
defensively. They are surrounded by four soldiers on each side. A Huguenot swings
his sword downward but is caught in the gut by two pikes and falls to the ground.
Another Huguenot swings his sword wildly clashing with the soldier’s weapons and
sending them back. As he deflects the two pikers in front of him another Huguenot
clashes with soldier beside him yet gets stabbed in the shoulder. The piker knocks
the sword out of his hand as he reels in pain and disembowels him. The first
Huguenot is stabbed repeatedly by multiple pikes.
On the other side soldiers cut through two Huguenots causing them to fall dead and
bloody. The last Huguenot with a sword gets his belly slashed with a pike spilling
his guts onto the floor. He drops his sword and falls onto his comrade, both
screaming madly. A soldier grabs the wounded Huguenot by his hair and decapitates
him.
He throws the bloody head gushing with blood at the Huguenot he fell into. The
man, covered in blood, shrieks in terror and flees. The soldier stabs him in the
back sending him down dead. The rest of the Huguenots and slaughtered mercilessly.
MONTAGE - THE DEAD FILL THE LOUVRE
-- Throughout the halls blood gathers in lakes of red. Bodies lie in great piles
with gaping wounds revealing their insides.
-- Soldiers wander the halls covered in blood and stepping over the dead.
-- Soldiers gather the dead in piles. Two Huguenots lie dead suspended on several
pikes.
-- The Second in Command wanders and sees a Huguenot within a pile of bodies
barely alive. He quickly takes a halberd from a fellow soldier and decapitates the
Huguenot.
EXT. OUTSIDE LOUVRE - NIGHT
Dozens of Huguenot nobles and soldiers clash with spears at each entrance of the
Louvre. Beside them an old couple beat a teenage protestant with clubs. He rises
to his feet but is beat upon his head until he falls silently.
A priest and two middle-aged women attack a young couple. The women stab with a
pitchfork and a scythe and the priest stabs the girl in the back with a knife.
The men who stabbed the portly woman wander away from the canal. Ann rushes down
the street in the shadows.
EXT. CITY STREET - NIGHT
Ann enters a neighborhood
Mobs of Catholic citizens crash in the windows of houses and leap inside. The
front door of a house bursts open and a man is forced out by three men. His throat
is slit by one of the men and he is thrown to the ground.
A woman with a crying baby in her arms is brought out of the same house by two
men. She screams as she sees the man on the ground. A man grabs the baby and slams
it onto the ground, killing it. Another man pushes her onto the ground and shoots
her in the back of the head.
Ann gasps and cries at seeing this.
EXT. MASSACRE HOUSE - NIGHT
Four soldiers smash every object they see. A dead boy lies face down on a table.
BEDROOM
A dead man lies limp in a chair with his throat slit. A captain rapes a woman in a
bed. She SCREAMS in horror.
EXT. CITY SQUARE - NIGHT
Ann runs mad in fear.
The ground is covered with dead, eviscerated bodies. Large of pools of blood
gather by the corpses. Other streaks of blood run across the ground along with
body organs and items of clothing. A dead baby lies limp, lacerated, and bloody.
Several dozens of dead bodies stand impaled on various bundles of pikes piled
together.
Ann stumbles over bodies in the shadows.
Three Catholic nobles stand over a headless corpse which is covered in blood. They
carry on in a jolly manner as a poor man strips the body of clothes. A Catholic
noble charges by on horseback with his sword raised overhead with two dogs. He
chases a frightened young woman. The dogs tear into her and he swings the sword
down hard into her skull.
Two civilian men grab Ann and put knives up to her throat. Ann lifts the Catholic
styled crucifix around her neck.
The noble extends his hand to her and she grabs it and ascents upon his horses
back. The noble has blood on the cloth on his arms and chest
Ann rushes down the street quite wobbly. She appears numb of emotion.
EXT. OUTSIDE MANOR - NIGHT
Ann knocks on the front door frantically. She wipes sweat from her forehead and
knocks again. Benjamin unlocks and opens the door.
BENJAMIN
Hello my lady, please enter.
ANN
Is Charles in?
BENJAMIN
Yes, this way.
INT. MANOR - NIGHT
Benjamin leads Ann to the next room.
DINING ROOM
Charles and several of Tom’s crew carry on loudly. They wave wine glasses in the
air as they speak. Several pretty ladies laugh and engage in conversation. Ann
sees Charles and rushes for him, shaken emotionally.
ANN
Charles! You are alright!
CHARLES
Of course I am. What is the matter?
Ann vomits upon the ground. He brushes his fingers through her hair to calm her.
Ann looks around the room.
ANN
You are all in the gravest danger.
EXT. OUTSIDE MANOR - NIGHT
Charles and the members of Tom’s crew pour out of the house and gather. They are
armed with light armor and various weapons.
CHARLES
Go and clear the way to the city gates. I will catch up with you after I meet with
Tom.
Half of the group leave one way with Benjamin and the other follow Charles and Ann
the other direction. The other women enter the house and close the door in fear.
EXT. ROAD TO GATE - NIGHT
Benjamin and his group see two men ripping the clothes off of a woman. Another man
is raping a woman in a dress in the grass on the side of the road. Benjamin
quickly stabs the two men. The man quits raping the girl, half fastens his pants,
and stands frightened. Two of Tom’s men shoot him and end him down dead.
BENJAMIN
(to the women) Escape into the woods. It is not safe here.
The women sit shocked and cry. Benjamin and the men follow down the path once
more.
EXT. OUTSIDE COLIGNY’S HOUSE- NIGHT
The Duke of Guise, Besme, and three soldiers break open the door and enter.
INT. COLIGNY’S HOUSE - STAIRCASE - NIGHT
Within the dark, heavy footsteps storm.
INT. COLIGNY’S HOUSE - COLIGNY’S ROOM - NIGHT
The door is kicked open and Coligny calmly turns his head toward the men.
Besme charges and stabs his sword into Coligny, stabbing his left kidney. He then
stabs him directly in the gut. Coligny looks downward at the wounds and feels the
blood.
Besme SCREAMS and grips Coligny with two hands and tosses him through the window,
crashing through the glass, and falling to the ground below.
Besme and the Duke peer below and see Coligny covered in blood surrounded by
broken glass. In the distance a soldier YELLS to them. Many men battle with pikes
and halberds.
LUCY
Tell your god that you have failed!
Lucy inserts the knife into his throat and slides it downward, opening his throat
and causing it to gush blood. The man SCREAMS in agony, gurgling blood through his
torn throat and vocal chords.
LUCY
I hope that hurts.
Lucy kicks the man off the edge onto the earth below. He makes a faint gurgle on
the way down.
EXT. OUTSIDE COLIGNY’S HOUSE- NIGHT
Five soldiers see the man fall from the balcony and Lucy standing on the edge.
They appear to be weary from battle, carrying gashes on their face and other parts
of their body. Their pikes drip with blood. One points to Lucy.
He falls into the pile of dead with his weapon in hand. The last of the soldiers
are pierced and shredded.
From the left side charge ten soldiers and from the right charge eleven. Benjamin
and his men stand upon the hill of dead bodies and stand defensively.
Weapons rain down from both sides. Chaos of blood and clashing steel create
confusion. Three men grit their teeth and strike. Two men are stabbed in the
belly.
Tom and his men witness the battle from afar and rush in. They surround the
soldiers and stab them in the back as they duel with Benjamin’s men. Several
soldiers turn around to face Tom’s men and are stabbed by both sides. A barrage of
thrusting weapons fill the soldier’s bodies and quickly end their lives.
TOM
Good to see you all.
BENJAMIN
It is good to have friends in hell.
TOM
Lets get out of here.
CHARLES
It seems we are locked in.
TOM
Then we should climb.
Francis attempts to climb the tall gate. He struggles, pulling himself the skinny
metal bars. He sits upon the top.
FRANCIS
This is possible but it will take a long time for all of these men to make it
over.
A team of mounted soldiers and nobles near. From all sides soldiers appear out of
the blackness. Ordinary citizens of different ages and genders appear also. In all
they number over fifty, around that of Tom’s men. Ann steps backward behind the
men, on the bodies, against the gate. She attempts to climb but cannot.
CHARLES
Help her up!
Francis reaches down as Charlie lifts her up. The man on top lifts her up and sits
her on top of the fence.
CHARLES
Go! Take care of her!
Francis climbs down to the other side. Ann jumps and he catches her but falls with
her in his arms, though they are not hurt.
ANN
Be safe!... Oh god, please be safe!
Charles kisses her hand which sticks through the gate. She runs off with the
climber.
The mounted soldiers near.
A dozen soldiers stand in position and fire. Several of Tom’s men fall. A dozen of
Tom’s men shoot pistols at the men. Two are shot in the face, one receives a shot
in the leg, and two bullets hit the soldier’s armor and bounce off.
TOM
Take ten men and slaughter them!
Benjamin and ten men rush the gunmen soldiers as they attempt to reload and lay
pikes into them. Four are killed. The gunmen take out swords. One kills one of
Benjamin’s men but all of the gunmen are stabbed to death.
Ten soldiers and fifteen civilians rush for Benjamin and his men.
TOM
Return immediately!
Benjamin and his men defensively maneuver backwards till they reach the rest of
the men. The soldiers and civilians reach Tom’s men and violence erupts. The
civilians are routed. Within the formation of the soldiers they are easily stabbed
in the face, the neck, and the belly.
Three rows of men are set up on differing elevations upon the dead allowing many
men to thrust their weapons into the soldiers.
The soldiers are joined by six mounted soldiers who take many lives as they stab
their long pikes over the formation and direct fatal wounds upon Tom’s men. Three
mounted soldiers blast pistols killing men with each shot. The front ranks of
Tom’s men are repeatedly killed as both the foot soldiers and the mounted soldiers
pick them off.
TOM
Ready your guns!
Tom and several of his men aim.
TOM
Kill the horses!... Fire!
Pistols blast into the horses, causing them to panic or fall over dead. Three
horses throw off their riders and trample the soldiers near them. Two other horses
fall dead. One horse runs backward in pain with it’s rider still mounted and backs
him off onto his head.
TOM
Charge! Kill every last one!
Tom’s men engulf the nearby soldiers and massacre them. Benjamin hacks into a
soldier’s throat repeatedly. Charles thrusts his spear into a soldier’s belly and
pushes him backward. The soldier causes others to be imbalanced which are
instantly cut through.
TOM
Those in the back... gather every body you can find... and pile them high!
The men work together and toss bodies upon the top of the pile. Every other
soldier and civilian nears Tom’s men. Ten men carry a horse to the top of the
pile. The pile now stands seven feet high at its highest point.
All of the soldiers, mounted soldiers, and civilians charge Tom’s men. The front
ranks of Tom’s men, including David, are gutted in the sea of blades which flurry
about and spout fountains of blood from the men’s bodies.
Pure blind violence engulfs all who engage the madness which consists of a fifty
foot wide sea of black suited flashes of energy on one side. Men SCREAM madly and
strike without care. These figures are seen as a mass topped with the long poles
of the pikes swipe through the air and drip blood.
Swords cut through the ranks on both sides. SCREAMS of horror and of fury
constantly fill the air. Men repeat their actions of offense and defense
unconsciously. Rodger stabs a pike into a horse’s eye, causing it to kick up,
knock it’s rider off, run off, and knock some men off guard.
These men are immediately routed. Shots blast and take down men on both sides. Two
mounted riders charge through Tom’s men, killing many and causing them to break
formation. Five of Tom’s men are killed, including John.
One mounted rider is stabbed in the back of the neck and falls dead. The other
mounted rider flings his pike about, kills three men, and returns to his
formation.
Tom and Charles fight side by side in a blind fury. They YELL furiously, each
slicing the throats of three men.
TOM
We must have their blood! Charge, for we are their executioners!
Tom’s men storm upon the soldiers, massacring them with little fear. Two of Tom’s
men are stabbed in the belly. Tom and Charles charge, cutting through several
soldiers. They SCREAM harmoniously and sink their pikes into the mounted soldier
that escaped.
LATER
Tom stands around the pile of bodies with the twenty-five men he now has left.
Numerous soldiers lie dead intermingled with Tom’s men and civilians.
TOM
Quickly pile them high. We are leaving!
All of the men pile bodies on top of the mound. Five men drag a second horse on
top of the pile. Torch flames can be seen in the distance. Many soldiers arrive in
view from the darkness.
TOM
Hurry. Move it!
The closest men climb the metal bars of the gate. A man raises his hand.
CLIMBER 2
Hey! Give us a hand!
The men on top of the gate raise their hands down and pull up the men below and
Lucy. They climb up with their help and the men on top climb down the other side.
The men on top help men including Tom, Charles, and Benjamin. The soldiers near.
TOM
Hurry, dammit!
A gun shot blasts a bullet into one of the men standing on the pile, wounding him.
The men on top help the next men in line up and climb down. Two more shots ring
out. A man on the pile and another man on top of the gate are shot. The man on top
of the gate falls to the ground dead. One of Tom’s men shoots and kills a mounted
soldier.
The men on top of the gate help the last men up as two men climb up on their own.
One of the men being helped up is shot in the back. He YELLS as the man holds him
up.
PULLER MAN
You can do it! Stay with us!
He positions the man so he can climb down. A four nobles open fire and kill both
men, sending them onto the ground violently.
THE OTHER SIDE OF THE GATE
Arms, legs, and heads of the bodies stick through the bars. A soldier lies
moaning, near death a few feet within the pile. A woman at the bottom of the pile
faintly moves and whispers. A man on the left near the middle of the pile
struggles.
PILE MAN
Get me out of here... help me, please.
Seven soldiers appear and open fire upon Tom’s men. Three men fall dead. Several
of Tom’s men shoot at the soldiers, killing four. One of the shot soldiers drops a
torch into the pile, starting a fire.
Two of Tom’s men drag a wounded man. A soldier shoots one of the men carrying him
in the face. The wounded man kicks up and the two men run away. The fire is
blazing bright behind the five soldiers attempting to climb the fence. Tom’s men
run as over twenty soldiers are seen standing on the pile.
Tom and his men run through the darkness.
FRANCIS
Hey!
Francis and Ann are huddled by a tree. They stand and Ann wraps her arms around
Charles. Charles hugs her and kisses her cheek.
They all run and reach a small town. A carriage with two horses stands on the side
of the road.
CHARLES
Take it.
TOM
And what about you?
CHARLES
I am to stay.
TOM
What did you say?
CHARLES
There is still a chance to make something of this great country. It was never
about England, or any place at all.
TOM
Shall I see you again?
CHARLES
I will send letter once I find you.
TOM
But how?
Charles and the men march up the road.
CHARLES
I will, I promise that. The men will meet you at the ship. God be with you.
Charlie waves and disappears in the distance. Tom, Lucy, and Bernard enter the
carriage and ride off.
INT. CARRIAGE - COUNTRY ROAD - MORNING
Tom drives as Benjamin and Lucy sleep. A poor country house is on the side of the
road. Three bodies lie beside it. A grape vineyard expands far into the distance.
A dozen people lie dead among the vines. Tom rides as the sun glares down in his
tired eyes.
Two men charge on horses and fire pistols. Tom pulls the reins and YELLS, making
the horses speed up. Bernard and Lucy wake and see the men on horses. They grab
pistols and fire, killing one of the men. One of the carriage’s wheels hits a rut
in the road which damages the wheel.
The carriage rolls down a hill and Benjamin is thrown out of the carriage,
injuring his arm. The man on the horse shoots at Benjamin. He dodges but is grazed
by the bullet across his cheek, gushing much blood. The man on the horse charges
for Benjamin. Benjamin leaps out of the way but as the man passes him Benjamin
slashes his sword across the man’s neck.
The man sits upon the horse breathing heavily as blood pours out of the slit
across his neck. He is frightened and feels the blood with his hand. The man
WHIMPERS. Benjamin, with blood still bleeding from his face pushes the man off of
the horse onto his head. He mounts the horse and meets Tom and Lucy as they run up
the road in his direction.
TOM
You are injured.
BENJAMIN
It is nothing.
LUCY
There is a house up ahead. Lets get you cleaned up.
EXT. OUTSIDE COUNTRY HOUSE - MORNING
Lucy knocks on the door. The wind blows and she fixes her hair. A woman answers.
LUCY
May we wash him? Our friend has been injured.
Tom peers downward and notices that the woman is extremely appears famished.
BENJAMIN
I was shot.
BENJAMIN
Have you not seen the madness about all the country?
LUCY
Where is your husband?
TOM
If your family does not return, you are to use this and flee this country.
The woman appears confused and looks away.
TOM
You will understand.
INT. COUNTRY WOMAN’S HOUSE - MAIN ROOM - MORNING
Tom wakes, rises and peers into the woman’s room and sees that she is not there.
He opens the front door and looks outside and sees her sitting on the ground. She
looks toward him with a blank depressed stare and her face, hands, and all up her
front is covered with dirt from her children’s graves.
Tom jerks back and rustles Lucy and Benjamin, waking them.
TOM
We are leaving. Now!
EXT. OUTSIDE COUNTRY HOUSE - MORNING
Tom, Lucy, and Benjamin exit the front door. The woman sits covered in dirt.
TOM
You will find a new life... in time madame... au revoir.
EXT. COUNTRY ROAD - DAY
Tom and Benjamin ride horses bareback. Lucy rides the saddled horse.
MONTAGE - RIDE TO THE DOCK
-- They ride as the sun bears down hot.
-- They ride as the evening comes.
-- They ride as the sun sets.
-- They ride in the dark.
EXT. NANTES DOCK - DAY
Sea birds fly through the air. Merchants sell their wares. Children run about.
Tom, Lucy, and Benjamin stand by as the horses drink water from two buckets. Peter
struts up the road.
PETER
What are you doing standing around?
Peter puts his arm around Tom’s neck and pulls him away. Tom hands the reins of
one of the horses to a passing boy.
EXT. TOM’S SHIP - DAY
Tom and his crew stand with the wind rushing through their hair. The massive
battleship departs quickly from the dock.
PETER
Is she not a beauty?
Peter pats the side of the ship with his hand.
TOM
It is such a relief to feel the ocean breeze on my face again... Let them squabble
over their small sliver of land- ours is the wide expanse of the sea!
Tom throws his doublet into the air. It flies in the wind and falls into the sea.
The ship bursts with speed with full sails catching the strong breeze. Waves crash
upon the fore.
MONTAGE - LOW SPIRITS UPON THE SEA
-- Men drink beer and stare blankly into the waves
-- Benjamin plays a slow somber song and quietly sings along. His beard is tangled
and ratty.
-- Men sleep on the ground as a man WHISTLES a tune. Another man covers his ears
and YELLS at him to stop.
EXT. TOM’S SHIP - DAY
A lookout spies a large slave ship on the horizon.
LOOKOUT
A ship! I spy a ship out yonder!
Tom takes out a telescope and sees the enormous ship.
TOM
This fat beast shall be our prey.
MINUTES LATER
The slave ship floats 50 feet away.
BENJAMIN
Are they blind? Why do they not fire?
They sail up to the slave ship. From the rigging men toss ropes with hooks at the
end to the top of the slave ship. They leap and swing, landing on the side of
their hull. They then climb aboard, followed by the rest of Tom’s crew.
EXT. SLAVE SHIP - TOP DECK - DAY
Twenty men sit nauseated. Tom’s crew steps around them with only slight glances.
Vomit covers many of these men as well as much of the deck.
TOM
Toss them over.
Four of Tom’s men help each other pick up two members of the crew of the slave
ship and toss them overboard into the sea. Four more throw three men overboard.
THE SEA BESIDE THE SLAVE SHIP
A crewman of the slave ship sinks under a wave. Two men weakly wave their arms but
slowly sink into the sea.
INT. SLAVE SHIP - HALL - DAY
Crew of the slave ship lay about on the floor. Tom and his men step over them as
they travel from one end to the other.
INT. SLAVE SHIP - DINING HALL - DAY
Tom and his men wander from one end to the other. They pass three men sitting at
different spots on the table in a sickly state with bowls of soup.
INT. SLAVE SHIP - STAIRWAY - DAY
They descend the stairs. Two men lay dead on the stairs. A wide room stands before
them visible through an open door. They step through the door.
INT. SLAVE SHIP - OAR ROOM - DAY
Holes line the walls in which long oars stick through. Chains wrap through the
benches which once sat poor men who were forced to propel the ship. Four dead men
lie limp sparsely throughout the room still chained to their stations.
A man storms in standing 8 feet tall wearing Spanish attire. He appears to be the
captain of the ship. He is decked with worn but fine clothing of a gentleman,
except that his chest is exposed. His face is filled with acne and as he grins his
gums appear to be diseased and bleed profusely.
He is accompanied by four tenacious but sickly men. They all unsheathe their
swords and pull out a gun.
SLAVE SHIP CAPTAIN
What do you mean coming on my ship?
Tom steps forward.
TOM
I shall take it for a small price.
SLAVE SHIP CAPTAIN
And what is that?
TOM
Your life, of course!
Tom points to the captain with his sword.
SLAVE SHIP CAPTAIN
Blah! Hah! Hah! Hah! Hah!... We shall see whose life is lost!
The Slave Ship Captain shoots his pistol. Tom ducks as it whizzes past his head
and the bullet sinks into a man’s head behind him, killing him. Four more men pour
out from behind the Slave Ship Captain with their swords and pistols drawn. One
has drool and vomit hanging from his mouth.
SLAVE SHIP CAPTAIN
Fire!
TOM
Fire!
Shots ring out from both sides. Three of the slave sailors are killed, four of
Tom’s men are killed.
TOM
Charge!
SLAVE SHIP CAPTAIN
Cut ‘em up!
The both sides ferociously rush toward each other. The slave sailors run in
mindless passion. Slave sailor 1 slices through two of Tom’s men only to be cut
through by Peter. Peter receives a shot in the arm by slave sailor 2 and the slave
sailor with vomit on his face swing his sword down upon him.
Peter knocks the sword out of the sailors hand but gets tackled and brutally
bitten on the face. Peter wrestles hand in hand with the sailor and kicks him onto
his back then stabs the sailor in the neck.
Slave sailors 2 and 3 tear into Tom’s men killing two each. Lucy clashes swords
with sailor 2. She blocks a slash, attempts an overhand attack but is blocked,
dodges a thrust by stepping to the side of sailor 2 and plunges her sword into the
side of his chest.
Slave sailor 3 receives three swords into his body. Tom’s men remove the swords
and the sailor SCREAMS and falls with his sword sticking into the ground.
The Slave Ship Captain and his two remaining men are confronted by Tom and four
other men. Two of Tom’s men cut through a sailor, killing him. The other sailor
slices through the bellies of the two men in front of him and cuts through another
man’s neck just at where it meets the jaw, spilling blood in a great pool. Tom
swipes downward killing the sailor.
Four more men stand by Tom and charge the Captain. He fights them without care.
Henry lunges at him and he easily hits the sword away and stabs into the man’s
chest. The other three men all charge, one lunging and the others swiping at the
Captain. He dodges all three swords and stabs into the middle one’s belly and as
he pulls out the sword he slices through the other two men’s necks, resulting in
pain filled SCREAMS and spilling much blood.
SLAVE SHIP CAPTAIN
Ha ha ha ha ha! Pathetic! Lets see what you have!
Tom shoots two pistols and the captain dodges. The captain and Tom both shoot and
dodge at once. Tom thrusts and the captain blocks with such force to send Tom to
the ground. The captain swipes his blade and Tom barely dodges by leaping out of
the way. Tom stands huffing.
Tom stands with two guns drawn. The captain charges and Tom shoots one of the
guns. The captain leaps out of the way but Tom shoots his second pistol as the
captain is about to land and hits him in the leg. The captain WAILS.
Tom and the captain exchange blows, striking and blocking constantly, the captain
now limping. Tom leaps backward as the captain follows, bleeding. Tom leaps
backward again and again.
SLAVE SHIP CAPTAIN
What is your game?
Tom leaps backward three times, taunting the captain with a come hither hand
gesture. The captain stumbles on his injured leg and Tom throws a dagger from a
hidden spot in his boot into the captain’s chest. The captain takes it out. Tom
throws another into his right clavicle and the captain drops the knife and
SCREAMS.
SLAVE SHIP CAPTAIN
You bastard! You cannot kill me!
The captain charges at Tom and Tom slashes his wrist causing him to interrupt his
swing. Tom forces his sword through the captain’s gut and through his back. The
captain falls backward stabbing the end of the sword into the floor of the ship,
propping him in the air. The captain WAILS a terrible noise of suffering. The
captain tries to remove himself by pushing off of the ground but only slides up
and down the sword slightly.
TOM
I do not have to kill you. Only stop you long enough so I can steal what I want!
INT. SLAVE CAPTAIN’S QUARTERS - DAY
Tom and his crew dig through chests of gold coins.
A man runs into the room.
RUNNING MAN
Come now! You have to see this!
INT. SLAVE SHIP - CORRIDOR - DAY
The running man flies from one end to the other. Tom and his men move slowly
behind.
PETER
Slow down, what could it be?
At the end of the room the running man opens a door which sends out a wretched
smell. Tom and his men hold their noses and mouths. Four men vomit. Tom’s eyes
water and he spits and dry heaves.
TOM
The deepest bowels of hell have spewed forth, surly!
Tom and his men cautiously step closer and closer toward the open door.
INT. SLAVE HOLD - DAY
Wooden supports hold about 10,000 Africans. Fecal matter, vomit, and urine fill
the floors and drain down the beams which hold the constructions together.
Feeble black bodies lie in small openings chained to the beams. Around 3/4 of them
are dead. Many look out from their slot weak and helpless. Many dead lie beside
live men and women.
TOM
What do we want with this floating coffin?
PETER
We are low on men, captain...
TOM
We bring these cursed men on our ship, we inflict ourselves with the demons they
were born with.
Peter stares at a corpse covered in maggots.
PETER
It is no matter to me.
TOM
It should be interesting to allow them revenge, let them loose to torture their
capturers... let them choose a captain for themselves and find their way home...
Peter holds back from vomiting. Tom ponders his thoughts intently.
TOM
...And choose some healthy ones to scrub our deck.
Peter coughs loudly and vomits heavily.
EXT. TOM’S SHIP - DAY
Twenty slaves scrub the deck and work various chores. Peter and three other men of
Tom’s crew watch them with pistols in their hands. Tom watches over them but
appears delirious. He loses his balance. The heat beats down heavily.
IBRAHIM scrubs the deck slowly as if sick. Peter hits him with a stick and YELLS.
Tom steps up to them.
TOM
What did he do?
Peter pulls out a stale piece of bread from the man’s pocket.
TOM
Stealing?... get the whip.
MOMENTS LATER
Ibrahim is tied to the main mast. Tom whips his back furiously. Ibrahim WAILS in
terrible pain. Tom takes a cup out of a crewman’s hand and spills out the ale. He
collects the dripping blood from Ibrahim’s back in the cup. To receive more blood
Tom presses into a gash to cause it to bleed more.
Tom, in a trance, turns with a blank stare on his face and approaches the door to
his quarters. He drips some of the blood onto the door and smears it with his
hand. He then pours the blood onto his shoulders and over his head.
TOM
Blessed be god! Full of everlasting love!
Tom falls to his knees and stares into the sun with his hands folded in prayer and
smiling giddily. Tom’s men and the black crewmen all kneel, fold their hands, and
stare at the sky as Tom does. Tom allows a slight giddy laugh.
TOM
Praise be to our god whose provides such a pleasurable life!
EXT. ADMIRAL’S SHIP - DAY
The Admiral appears haggard and old. The wind blows through his grey locks of hair
as he stares diligently into the sea. The crewmen show great signs of fatigue. The
sun blares hot upon them as they fan themselves and several men hang weary onto
the edge of the ship. Some sit or lie down and drink.
A morose sailor approaches the Admiral.
MOROSE SAILOR
C-captain... the men they grumble incessantly. We have been out to sea far too
long...
The Admiral clenches his teeth slightly.
ADMIRAL
I will hear no such talk...
MOROSE SAILOR
But Captain!...
The Admiral turns suddenly and places his pistol against the man’s head.
ADMIRAL
Any man who finds this voyage cumbersome shall be relieved of his burden... and
shall be sent to the next world!
INT. TOM’S SHIP - SLEEPING QUARTERS - DAY
Tom stands in the doorway next to an AGITATED SAILOR with bloody gums. Several men
lie in their beds moaning in pain.
AGITATED SAILOR
Captain, we need a doctor... a real doctor!
Tom appears serious.
TOM
Yes, you are right... though where in the world are we welcome? I will seek
treatment for my men in haste... though your prayers shall serve you for now...
AGITATED SAILOR
Now! Now, you fool! We suffer so!
Tom grabs the man by the collar.
TOM
I will deal with you soon, don’t you worry.
Tom pushes the man against the wall. Tom steps past the sick men. The Agitated
Sailor stalks behind him.
AGITATED SAILOR
It is a strange sickness... the men’s minds go mad with pain. We bleed constantly
from our gums... it is unbearable!...
TOM
I sympathise... for I for I feel it coming on as well... this odd sickness of the
sea, same as in the old tales...
Tom peers toward a man quivering in pain in his bed with a mouth full of blood.
Two sickly men emerge from the shadows with drawn swords. Tom stops, alarmed.
ANGRY MAN
I propose we elect a captain who will see to our needs...
TOM
What do you intend to do with that blade, sailor?...
ANGRY MAN
What I intend... you will soon find out...
Five more men emerge from the shadows, leering at Tom.
TOM
What a fun game you propose!...
Tom lets out a long maniacal LAUGH, removes his sword, and confronts the men.
TOM
(laughing) What I shall find... is your blood strewn across this floor here,
see?... Am I not a worthy captain?
The men take a step back as Tom grows mad.
TOM
Funny... I never questioned that! Let the strong survive, I say! Ha ha!
Tom slashes through the Angry Man’s throat, spilling much blood, as the man tries
to block the strike and misses. A shot rings out and bursts into Tom’s shoulder
gushing blood. Swords tear through the air and rip through Tom’s forearm as he
dodges and rolls away.
A blur of blood and steel erupt as men’s SCREAMS of pain fill the air. A sword
breaks through a sailor’s gut, spilling out blood like a fountain. The man yelps
like a beast and falls to his knees. Lucy is seen standing in his place. She holds
the handle of the sword lodged into the man’s back and stomps on him, pulling out
the blood-drenched sword dripping with her teeth clenched.
Sailors stand beside Lucy with blood strewn up their arms and swords. Tom stabs
his sword through a man’s gut and dodges another’s blade. Tom kicks the bleeding
man into the AGITATED SAILOR.
TOM
Move... to the top deck immediately.
EXT. TOM’S SHIP - TOP DECK - DAY
All stand around the main mast, which the Agitated Sailor is tied to. Tom stands
stiff with an axe.
AGITATED SAILOR
Forgive me Captain... I am sorry... the sickness went to my head... I did not know
what I was doing at the time...
The Agitated Sailor weeps terribly.
TOM
Compose yourself sailor... you served me well for quite a number of years...
though just a moment ago you meant me to die...
AGITATED SAILOR
Yes... I cannot lie... I deserve to die... for I loved nothing more than working
on this ship... the smell of the sea, the feel of the ropes in my hand...
TOM
For certain those men pushed you to do what you did... nevertheless, you have
broken my law and shall be punished.
Tom raises the axe.
AGITATED SAILOR
I die proud... for, though I did you wrong... my life had meaning... it was the
greatest honor serving on your ship... kill me without guilt, Captain... I await
the blade...
Tom slams the sharp blade through the Agitated Sailor’s neck. Blood gushes in
great torrents from the body and from the head as it hits the deck and rolls
toward the crowd. The shocked sailors disperse as the head rolls with the rocking
of the ship and bleeds. The corpse hangs limp, still tied to the main mast.
INT. TOM’S SHIP - CAPTAIN’S QUARTERS - DAY
Lucy appears upset. She cries and smashes a statue which stands on a table.
LUCY
We are not safe at all!
TOM
Calm yourself!
LUCY
This show of rebellion will surely inspire worse and worse rebels! We are not safe
to even walk freely!
Tom ponders this thought.
LUCY
And how could you let those wild blacks on this ship?!
TOM
We are low on men, the ship is in disrepair.
LUCY
It is not safe! How am I supposed to sleep with them on the ship?
TOM
I see... They will be locked up when they are not working.
Lucy goes berserk and grabs Tom by the shirt and shakes him violently. She sweats
profusely and stares at him.
LUCY
They will kill us all! Murder us!!!
She throws a candlestick at Tom and packs up her stuff in a bag.
TOM
You are not acting normal. What is wrong?
She sits on the bed and cries. He holds her.
LUCY
I am pregnant.
EXT. SCOTLAND MANOR - DAY
Tom and Lucy stand before a large house in a beautiful garden filled with flowers.
Lucy has a cloth around her eyes. Tom removes the cloth and kisses her.
LUCY
What is it?
Lucy smiles and her eyes are wide.
TOM
It is our new house.
Lucy turns around in wonder. She smells a flower.
TOM
I never would have known when to stop fighting...
They step inside the house.
INT. SCOTLAND MANOR - KITCHEN - DAY
A cook teaches a slave woman to cook by stirring a pot of soup and adding herbs as
she watches. Tom and Lucy enter. A nurse approaches Lucy.
NURSE
How are you feeling today?
Lucy smiles.
LUCY
I am fine.
NURSE
Just tell us if you need anything.
The nurse leaves the room and is met by another nurse.
EXT. SCOTTISH CARRIAGE - DAY
Tom and Lucy sit as the driver holds the reins of the horse. They travel on a dirt
road surrounded by rich green grass.
LUCY
That looks good.
She points off the road.
TOM
There is a creek, how nice... Driver, please stop.
The driver pulls the reins and the horse stops. Tom picks up a small bowl filled
with soup with a spoon in it and Lucy carries a cup of apple juice and a blanket.
They step over the soft, green grass. Lucy straightens out the blanket and they
sit down.
Lucy takes the spoon and feeds Tom. He laughs with his mouth full. She attempts to
feed him again and he laughs and pushes it into her mouth. She moves in to swallow
it. She peers upward at the grey clouds above.
LUCY
Looks like rain.