Documente Academic
Documente Profesional
Documente Cultură
INSTRUCTI NS FOR
ASSEMB AND
OPERATI
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This number must be men
tioned in all communications
concerning this equipment.
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POST OFFICE BOX 88
y 1 CC 11 c-
COLES ROAD & CAMDEN AVENUE
I BLACKWOOD. N. J. 08012. U.S.A.
Inputs
Outputs:
Controls:
SPECI FICATIONS
3 stere low level: RIAA phono,
NAB tpe head (7%") "Speial"
(optional second phono, micro
phone, etc.1. 4 stereo high level :
FM-AM, FM-Multiplex, Spare,
Tape.
Tape output. Audio output.
Selector, Volume, Balance, Blend.
Individual Treble and Bas for each
channel, Tape Monitor, Ludness,
Scratch Filter, Power.
Tone Control Range:
14 db at 20,000 cycles. m 20 db
at 20 cycles.
Distortion:
Response:
Ls ta 0.05% intermodulation at
2 volts (suf cient output to drive
ay amIer) Distortion does not
increase at lower settings of volume
control. Haonic distortion blow
the measurement capabilities of
regular commercia I grade test
equipment.
.5 db 10 cp t 40 kc. Response
not afected by position of volum
control.
Transient performance: Pa ses squr wave without ringing
and with mjrmum defortnation
from 20 cps to 20,000 cps. No over-
shoot or bounc on pulse type sig
nals. Instantaneous recovery from
overload.
Hum and noise: 2 microvolt eqwvalent noise on
RIAA. 74 db below level of 1 miJii
volt signal.
Gain: 6 db at 1,000 cycles on RIAA; 60
db on Tap Head; 20 db on Radio
and other high level input.
Impedances:
Tubes:
Output impedance 1,00 ohms; ter
minating impedance 10,00 ohms
or higher. Lw level iput i
pedanc 50,000 ohms; high level
input impedance 250,00 ohms.
4 12AX7/ECC-83; 1 l2X4; 1 sele
ruum stack.
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REDUENCY, CPS
lqualizulion.
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Hu|mcntc d|s|or|on p rcenlage.
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OUTPUT VOLTS
1M distortion.
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IN STRUCTIONS FOR A S SEMBLY OF THE DYNAKIT PA S-3X PREAMPLIFIER
DESCRIPTION
The Dynaco PAS-3X stereo preamplifer is a versatile two
channel control center which permits either monophonic or
stereophonic reprouction from any program source (rec
ords, tap, microphone, radio tuner) with any modern
amplifer. This preamplifer design is most renowned for its
low noise and low distortion, and it provides striking simpl ic
ity of operation while retaining full fexibility for the enthu
siast's subtle adjustments.
The circuit of te Dynakit is unique, and is a subjet of
patent applications. All stges are encloe in fedback
lops and are adjuste for an abolute minimum of distor
tion and noise. Signals going through the preamplifer are
not audibly change by pasage through this instrument,
proving that its characteristic are ideal , since the goal of
any high fdelity euipment is amplifcation and reproduc
tion of the original signal without change.
Th preamplifer esentially has fve part. The power
upply is one part and i common t bth channels. This
power supply contains a full-wave rectifier and a powe.
transformer. A separate retifying system is use to provide
diret current to heat the flament of the tub. This is one
of the reasons why there is practically no hum in the Dna
kt.
The remaining four setion have several functions. There
are eualizer-amplifer stage: high-gain circuits designe
to bring up the level of such device as magnetic phonograph
cartridge and at the sme time t impoe the propr play
back characteristic on the freuency respone. There is one
of thee stage for left and another for the right sterephonic
channels. The remaining two sections consist of the two
amplifying-tone control stagP., one for left and on for right
channel. High level signals uch a those from a radio tuner
are fe through the stage, and the functions of volume
control, tone control, and similar cntrol functions are
accomplishe at thee points in the circuH.
Although fe left and right channels are es ntially inde
pendent, sme control function are common to both chan
nels t facilitte u. For example, one volume control
controls the volume of both channels simultneusly. A bal
ance control is used to adjust the rlative levels betwen the
channels. A blend control, a unique Dynaco feature, permit
cntrollable reduction of the sterephonic effet in order t
eliminate any posibili ty of a "hole in the middle" which
characteriz some types of sterephonic source material
The selector switch also controls both chanels simultne
ously as do the subidiary switching function of scratch
flter, loudnes, etc. However, the tone controls for each
channel are independent, becaus it has ben found that
each channel must individualJy be adjusted for tonal balance
because of diference betwen loudsp akers and rom
acoustic, which reuire such balancing in order to obtain
optimum stereophonic efet.
Some of the hidden attribute of
y
our Dynakit lie in the
unusual circuit arrangement in which there is no possibility
of overloading of input regardles of tho output signal of
the program sourc, nor is there any freuency discrimina
tion a the volume is lowered. Thee common ailment of
other design have been completel
y
eliminated in the Dyna
kit circuit. Some other built in advantge which are not
obvious are covered in te following stion which concerns
the application of the Dynakit.
USING YOUR PREAMPLIFIER
Your D
y
nakt preamplifer has ben deigned to give you
long time performance, e of operation, and complete fex
ibility t handle all contol reuirement of both simple and
elabrate Hi Fi systems. It serve a a central point of the
entire Hi Fi s
y
stem to which everything else connects. On
the rear of the naktar all of the input and output cn
nections. These come in two groups. The uppr row is for
the left or "A" channel The lower row is for the right or
"B" channel. If your Dynakit is use monophonically only,
you can u te uppr row alone, although in some extremely
cmpl ex monophonic syste it might be deirable t use the
lower row a a duplicate set of input, doubling tbe number
of pssible signal source. However, since there are inputs
for sven source on either row, thee should take care of
practical ly all reuirement.
Two of the socket for each charuml are for output. One
of the e, marked "audio output," is connected to your power
amplifier or amplifiers. Th other, marked "tap out," goes
into the high level signal input of a tpe recorder if one is
used in the system. The input marked "radio" on the tape
recorder can be ue for thi function. When using t con
nection, any signals going through the preamplifer can be
rerde by turnig on the tpe recrder while the norma]
playing and operation of the preamplifer are not afecte.
There are a large number of input for each channel. The
thre low level inputs (which incl ude necesary equaliza
tion facilitie for low level sourc matria)) are for magnetic
phonograph cartridge, tape head ( in a tpe dek which do
not have its own eletronic amplifcation), and "spcial."
This special input can be used for a variety of functions
including an extra phonograph, microphone, a diferent
equalization characteristic, etc.
There are four high level input for each channeL One of
thee is for radio, one for multiplex, on for tape recorder
outpul (for tpe recrders which have their own builL in pre
amplifers) , and a spare which cn be use for TV sets or
other high level input sources. If you do not have a multiplex
adaptr or FM tuner with built in mul tiplex output, the
multiplex input cn be used as an auxiliary high level input
source.
Also on the back of your preamplifer are four A outlets.
Two of thee are switched on and of with the front panel
'"on-of" switch, and two are on all of the time. Switche
outlet cn be ue to power your amplifer and tuner, and
thee will go on and off when you switch the preamplifier on
and of. The un-switched outlets should b use for d vice
like the record player or tpe recrder in which mechanical
. witch-of at th apparatus is desirabl .
The l.ne cord come out of the back panel, and this should
not be plugged .n until you are familiar with the function of
all of the controls. When it is plugge in it should be in an
AC power source only. This preampler will not work on
DC current.
The front panel contains all of the operating controls and
switches. These will b discused in turn.
Selector Switch
The selector switch is used to pick the program source t
which you want to l isten. When switching rrom one input to
another this switch takes care of bth channels simultane-
3
ously and also includes the necessary changes i eualiz
tion for the diferent program material. Below this switch is
a small slide switch labeled 'APEIPU'. This is part of the
selection function. When this switch is on "input" (this
is the normal position ), all program material to which the
selector switch is st comes through the entire preamplifer.
When this switch is on "tape," the only signal which can
b heard through the preamplifer is a signal which is
applied to the tape input socket-normlly the output of a
tape playback machine. However, while the switch is on
"tape," the signal source to which the selector switch is
set will be available at the tape output socket on the rear.
The reason for this arrangement is that a tape machine
which has an extr head for monitor purposes can be
recording the program material selected by the selector
switch while fipping the TAPE-INPUT switch back and forth
permits the user to compare the sound source material with
the sound from th tape machine-enabling an A-B com
parisn of the recording process.
Volume Control
The output of both channels is con troll d siruJtaneously
by the volume control. This specially chosen control gives
close tra king of the two stereo channels so that the pro
gram material will remain in balance over most of the
range of the volume control. 'h tap r rat of Ulis control
is chosen to provide a slow increase in volume over the
frst half of rotation and a more rapid volume increas
above 12 o'clock. This enables most satisfactory operation
with both low and high efficiency sp akers. Blow the vol
ume control is the loudness switch which permits you to
add loudness compenstion at lower level s ttings of th
volum control. Because the ear is not as sensitiv to ex
tr me frequencies at low lev Is of sound, when music is
"layed softly, it sounds thinner. Th loudn ss compensa
tion gives incr as d bass below 400 ycles and ffectiv ly
moves the list-ener toward th front of t concert hall.
When the swit h is of, there is no frequency discrimina
tion in the volume control circuit, and this will be preferred
by th high fdelity purist, but most )j teners wm fnd that
its use in mode<ation will add njoyment for listening at
low levels. This sonk corr ction do s not add boom or
muddiness to the reproduction.
Blend 6wirch [6rereo-Mono SeIec:or}
This switch Fulflls the function of blending th propram
material. At extreme count r-clockwlse position the two
stere channels are completely independent. As the control
is rotted clockwi e, th tere efec is progresively elimi
nated. When the control passes th cnter poition to the
point mark d "A + B," the two stt-reo channels are being
added together. This is the prop r p sition for playing mono
phonic records a it is desirable to combine the sound
channels for maximum fidelity when playing monophonic
di cs. The two position lab led "A" and ''B 'are positions in
which monophonic sound sources are sent through boLh
speaker channels. When on "A,'' the left input source appears
through both; when on "B," the right input source appears
through both loudspeakers. For example, if an AM-FM
tuner of the stere type is plugged into the radio socket in
the rear, the "A" position of this witch wm give FM repro
duction through both peakers, and the "B" psition will
give AM reproduction through both speakers. It is al o prac
ticl by U'ing this switch t. u any other pair of input as
separat monophonic sources. For example, it is possible t
u e the "speial" input a a microphone source on the "A"
channel and a monophoni cartridge input on the "B"
channel.
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Balance Control
Below the stereo-monophonic switch is a control which
adjusts the balance between the two channels. In center {i
tion eual signals go through both channels. Rotation to one
side or the other reduces the signal in one channel. This is a
fuU range control which will permit cutting out sound from
one channel completely. The need for balancing exists b
cause some program source are not balanced accurately,
and it is also possibl e that the two loudspeakers being use
have diferent efcrencies. Thus a certain amount of balanc
ing is semi-permanent in nature while other balancing func
tions vary from program source to program sourc. Thus it
is frequently necessary to rebalanc when changing rEcords
or when switching the slectm switch.
Tone Controls
There are inclividual bas and trebl cntrols for each
channel. These are of the typ in wllich the center setting is
lat respons without frequency discrimination. These 'on
trois i ncreas or decrease the signal level at freuency ex
t me d pending on whether th y are rotated clockwise or
counter-clockwise. Normal "fiat" use of these controls is in
th c nter poition wi th variation made to correct te tonal
balance to please the tate of the ljstener. It is recomm nded
that thee should be left centered and adjuslments mad
with refer ne to the fats tti ng ratb r than having the user
fall in the habit of pr erving a etting which offers a large
amount of t nal corr ction all th time. The reference pint
hould alwa s be the cent r etling whid1 gives no frequ ncy
discrimination. It i practical als to ue the Lone controls
to correct for record compensation cbaracteristi s of records
of old vi11tag which do not follow the RlAA standard play
back characteristic.
Hclow thc t0n con!ro!s arc loa!cd th scratch filter md
power switch. Th scratch flter, when ' on," gives response
esentia!Jy flat t 7,00 cycles with a rapid roll-of th reafter.
This is a unique confgura tio11 which removes high freufmcy
distortion and noi with practica.l y no ef t n the music.
ince th efect is o high in the audible ran e, the action of
th conhol will hardly be noticeabl u:l s th r i a signif
cant amount of high frequency omponent presnt. How
ever, wher. there is a great deal f hiss r hjgb |ru ncy
distortion, it cn be reduced signifcantly by proper use of
the scratch fter.
GENERAL WIRING PRACTICE
Assembly of Lb Dynakitpreamplifier i quit simp! com
pared to general kit asembly equi.rements. This is true b
cause all critical part of the Dynakit are fa tory asmbled
for you on the printe circuit assemblie. Ot r parts ar lJUt
out in th open thr ugh a fee and unclutte1ed l ayout so
ther is easy a cessibility for wiring or tmubl shooting
purpose. onstruction of your Dynak.t should not take
more than abut eight hours beaus _of these simptifcntions.
Upon opening your kit, check the component with te
parts l.ist. Familiarize yourself with the component; thev
can b identiied by comparison with lh pictorial diagram
and by specifed color coding. Proper C{!or coding will b
mentioned for each resistor as it is use.
Tols reuired fo easy assembly of your Dynakit are
soldering .ron small tip or soldering gun, long .ose pliers,
screwdriver, and wire utters. Although not estial , a low
cost wire stripper and cutter of the type which can b pur
chasd for les than $1.00 will greatly facilitte cutting and
stripping the various leads in the kit.
Go soldering technique is valuable in obtining satis
factory reults from any electronic equipment. ALL SOL
DERING MUST BE DONE WITH ROSIN CORE SOL
DER. There is no warranty on any euipment in which acid
core solder has been used. Make sure t hat te solder u is
plainly marked "Rosin Core." If you have solder on hand
the origin of which is doubtful it is wie to obtain new 50/50
or 60140 rosin core solder. Whenever soldering is required.
the assembly instructiom specify it by " ( S) . " If this sym
bol is not shown after a connection is specife, it indicates
that further connetions wi ll be made at that point before
soldering.
Soldering is accomplished by heating the joi nt with the
iron until solder is hot enough to fow when touched to the
joint. It is not desirable to feed the solder to the iron. It
should be fed to the junction of iron and joint. After the sol
der fows, the iron should b held in place for a few seonds
and remove when it is sen that the solder has contcted
both parts of the connection-the lug and the wire to which
it is connected. It should not show a ball of solder but a
smooth transition from solder to component lead.
Before applying solder the joint should be clean and the
lead should be crimped in place so as to have mechanical
security. It is not necessary to wrap leads around contacts
many times. A single tur and pinching together with long
nose pliers is sui table. After soldering. there should be no
play at thP joint if the lead is wiggled with a pair of pl iers.
It is practical to do all sol dering with a pncil type i ron of
low wattage rating. A small tip is extremely usful when
working in a confined space. If a soldering gun is used, it
should be used with discretion since the amount of heat
available is far more than required for soldering light wires.
Component leads should be trimmed a they are used; the
length should be such that the proper connection can be
made from point to point without strain on lugs or compo
net. Care should be exercisPd not to allow wires to touch
one another unl ss they are actually connected to the same
point.
The instructions which follow have been arranged for sim
plified procedure in which the work can be done without
intrference between the various portions of the wiring. It is
recommended that the instructions be followed on a sttp by
step bais, cheeking of each tgP as it is eompiPtP.CI. Tlw
pictorial diagrams should be used for reference and :til con
nections checked against thee before going on to the next
stage. If the wiring is dot methodically and each step
checked carefully, your preamplifier should work without
dificulty as soon as it is cumpll.t.
Mechanical assembly of front panel subassembly
Place the front panel in front of you so that you arl. look
ing at the inside. Note that the pictorial diagram identifies
the parts which are ftted in the various hole. These part
me refened to by abbrPviation'l -BC. for Balance Con
trol, LT for Left Treble, etc:.
1( ) Mount lhe pilot light socket, PL. with #4 hardware,
I thE smalle t siz of scrPws, nuts, and lockwashers
supplied). Insert the #4 screw in the dimpled hole,
place thE sockf't mounting fange over the screw, tlwn
a lockwasher, and fasten securely with a #4 nut
2( ) All four of the slide switches which mount on the
bottom of the panel have threaded holes in their
mounting fange s that lockwashers and nuts are
unnee-'ary. Mount the AC power switch, PS. I te
one with two connecting lugs ) . Note the location of
the conneting lugs of this switch in the pictorial.
Fasten with #4 screws.
3 ( ) Mount the scratch flter switch, FS. The remaining
slide switche are identical with six lugs in each.
Fasten with #4 screws.
4f Mount the loudness switch, LS. Fasten with #4
screws.
5 ( Mount the tape monitor switch, MS. Fasten with #4
screws.
6\ There are two 750,00 ohm ptentiometers, these are
the left bass control, LB, and the right bas control,
RB. For ease of identifcation when wiring you may
mark the back of these and other controls wit their
symbols. Plac! a '% lockwaher on th shaft of LB
and insert the shaft in the proper hole. Fasten with
a % nut.
7 ( Mount bass control, RB. Use a lockwasher on the
shaft. insert in hole, and fasten with a % nuL
8 ( There are two 400,000 ohm potentiometers; these are
the left tYeble control, LT, and the right treble con
trol, RT. These may also be marked for identifcation
later. Place a % Jockwasher on the shaft of LT and
mount it. Fasten with a _ nut.
91 ) Placf a ', lockwaslwr on the shaft of RT and mount
in lhe propr hol1. Fasten with a % nut.
Be snre that all potPnliometers are mounted with
I heir lusjatnos indicated in the pictorial.
11 Mount the dual 750,000 ohm balance control BC.
Usf a % lockwashPr and nut.
11 ( Mount the blend switch, BS, (switch with one wa
fer). Use a lockwasher and nut. Mount the switch
so that |he rcd dol on thl frame is at lht top.
121 ) Mount the dual 250,000 ohm volume control VC, us
ing a % lockwasher and nut.
The slectr switch, SS, (with three wafers l will b
mounted later after it is wire.
Wiring front panel subassembly
In the following procedure, a number of wires will be con
ncci!'d onlv at onf end. The other ends of thes will be
connf'clC'd
'- DTTE 0 LI NE TO
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K = 1 000
M : 1 000,000
PF MCO MICRO FARADS
RED
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1 1 1 V AC
Sel ect or s .. , t cft shown 1n count e rcl ockwi Se pos1 1 1 on
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