Symbolic synchronized fashion owner's focus ons = {(frequent, at), (m = move, i = invest), (scaling<up, down>, custom<adjust, consumer>)}surround smart

signal advances and system's architecture across mode's insight and modeling's intelligence

Said Mchaalia (draft copy, October 20th 2013)

In fact, the major intentional secret across robust control and transmission's transportation dynamics has to be a review involving within Symbolic synchronized fashion owner's focus ons = {(frequent, at), (m = move, i = invest), (scaling<up, down>, custom<adjust, consumer>)}. Thus, to define any symbol in the corresponding list of symbolic synchronized fashion owner's focus ons = {(frequent, at), (m = move, i = invest), (scaling<up, down>, custom<adjust, consumer>)}, the following fatal function form's description should be envisage:

1. frequent = occurring or done many times at short intervals: frequent changes in policy the showers will become heavier and more frequent [attributive] (of a person) doing something often; habitual: a frequent visitor to Scotland archaic found at short distances apart: walls flanked by frequent square towers

2. at = the chemical element astatine.

3. mapping pair (m = move, i = invest) has to play the major most role rule inside the processor's architecture's design. Hence, {m=move} is designed for a logical language of speed up across any timing simulation:= for mobile robot, for music play, for video decoding, for running any C/C++/Cox or Java

programs, etc ... Furthermore, the {i = invest} is the huge hard hierarchy home of designing processor's architectures around knowledge culture of human needs and environment reality flows := heavy simulation (Earth's planet's simulations, deep blue similar chess players, etc ..). Thus, invest inside the across computing dynamic design concerns the secret deep investigation of black square, whereby the primordial principle kernel motor flow is the discrete event simulation involving within a similar fuzzy-mimetic approach of generating filtering design for any possible and probable mathematical intentional secret across modeling's intelligence and mode's inspiration, whereby the major most intention is the +infinite value for any fashion owner.

In fact, invest involves following mathematical intentional symbols :

i. clear = (-1 + 1/[sqr[cos()]) + (-1 + 1/[sqr[sin()]) = (-1 + ratio of 1 to [sqr[cos()]) + (-1 + ratio of 1 to [sqr[sin()])

ii. dark = sqr[tg()] + 1/sqr[tg()] = sqr[tg()] + ratio of 1 to sqr[tg()]

iii. logics language of function "OR" requires to involve this function "OR" within the discrete event simulation inside the slice window of possible steps = ]2.k.pi, 5.k.pi/2[ and ]5.k.pi/2, (2.k+1).pi[.

Figure 1: Symbolic synchronized fashion owner's focus ons = {(frequent, at), (m = move, i = invest), (scaling<up, down>, custom<adjust, consumer>)}surround smart signal advances and system's architecture across mode's insight and modeling's intelligence.

In fact, figure 1 illustrates the main real operating principles of symbolic synchronized fashion owner's focus ons = {(frequent, at), (m = move, i = invest), (scaling<up, down>, custom<adjust, consumer>)}surround smart signal advances and system's architecture across mode's insight and modeling's intelligence. Thus, to divide these slice's step intervals (]2.k.pi, 5.k.pi/2[ and ]5.k.pi/2, (2.k+1).pi[) into new slice's step's intervals, a mathematical intentional secret surround adjustments mounting insight is then considered as follows: for any logical parameters x, y, :: x OR y = sub(x, y) inside any mathematical

insight involving within the corner's float dynamic encoding design. Thus, (-1 + 1/[sqr[cos()]) OR (-1 + 1/[sqr[sin()]) => (-1 + 1/[sqr[cos()]) - (-1 + 1/[sqr[sin()]) = (1/[sqr[cos()]) - (1/[sqr[sin()]) = ([sqr[sin()] - [sqr[cos()]) / [[sqr[cos()].[sqr[sin()]] = ratio of ([sqr[sin()] - [sqr[cos()]) to [[sqr[cos()]. [sqr[sin()]], which has to be investigated in deep to prove that the sliding window slice dynamics is working well by the inventing of theses functions( y = (-1 + 1/[sqr[cos()]), z = (-1 + 1/[sqr[sin()])) to describe any possible probable fuzzy mimetic approaches within the discrete event principles.

Figure 2: main real principles of robust control inside symbolic synchronized fashion owner's focus ons = {(frequent, at), (m = move, i = invest), (scaling<up, down>, custom<adjust, consumer>)}surround smart signal advances and system's

architecture across mode's insight and modeling's intelligence.

In fact, figure 2 shows the main real principles of robust control inside symbolic synchronized fashion owner's focus ons = {(frequent, at), (m = move, i = invest), (scaling<up, down>, custom<adjust, consumer>)}surround smart signal advances and system's architecture across mode's insight and modeling's intelligence.

ence, the mathematical intentional amount quantity = (1/[sqr[cos()]) - (1/ [sqr[sin()]) = ([sqr[sin()] - [sqr[cos()]) /[[sqr[cos()].[sqr[sin()]] = ratio of ([sqr[sin()] - [sqr[cos()]) to [[sqr[cos()], is used to divide the interval of using filtering inside the desirable aim object of any possible probable discrete event simulation engendering the main real operating dynamics of corner's float dynamic encoding design, whereby the mapping pair of {(m = move, i = invest)} across any possible probable corner should be evolving within the old mathematical description of {(tour = 2.pi = sin() or cos(), when rotate across a pi/2 corner, it is possible to meet a tangent() = tg() = TAN() valuable variable, hence the not(clear) mobile path is defined by the "ratio", when clear = sqr[tg()], then not(clear) = 1/sqr[tg()] = ratio of 1 to sqr[tg()]. Therefore, within the waveform compression principles, a clear bits (for surround sound quality, Dolby digital quality or stereo quality) has to involve the processing across mapping pair custom<adjust, consumer>, whereby custom = current edge flow, which is required to improve the chosen of found quality from a possible low quality consumer to reach highest level consumer (surround sound). Thus, custom = current edge flow requires the knowledge culture of hardware logics language to ameliorate the best wished quality of any probable sound, this is the main real principle of any mp4/mp3/.../mp6 players, whereby the main real operating dynamics is the custom = current edge flow = function form to fix any reachable desirable quality. Furthermore, this principle has to play the main role rule within the waveform compression of Lempel and Ziv, whereby missing bytes is the desirable reachable aim object to get the best compression ratio and to allow the decompression algorithm to be better intelligenter by inserting what if this a flow of mapping pair (think up, think through) dynamics across any possible probable reconstruction of any missing byte due to the huge hard hierarchy homes of ratio investigation across the design map of (compression, decompression) mechanism for any media format:

int index = 0; char c = '0'; char* pch = &c;

while (eof(fptr))

fscanf(fptr, "%c", pch) if ((map<char, vector<int>>).find(pch)) { ((map<char, vector<int>>).second).push_back(index++); } else { ((map<char, vector<int>>).insert(pch); ((map<char, vector<int>>).second).push_back(index++); }

On the other hand, to define ratios just follow as follows:

ratio = r = sqr[cos()] = ((map<char, vector<int>>).second).size() / [sum(((map<char, vector<int>>).second).size()) + 1] = ratio of ((map<char, vector<int>>).second).size() to [sum(((map<char, vector<int>>).second).size()) + 1]

OR ratio = r = sqr[sin()] = ((map<char, vector<int>>).second).size() / [sum(((map<char, vector<int>>).second).size()) + 1] = ratio of ((map<char, vector<int>>).second).size() to [sum(((map<char, vector<int>>).second).size()) + 1]

Hence, built in float dynamic encoding by = OR = "-":

(sqr[cos()] = ((map<char, vector<int>>).second).size() / [sum(((map<char, vector<int>>).second).size()) + 1] ] )

(sqr[sin()] = ((map<char, vector<int>>).second).size() / [sum(((map<char, vector<int>>).second).size()) + 1]