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Named after the movement in the arts and literature that stressed expression of emotions, the Romantic Period valued imagination over rational thought and returned to the historic past for inspiration.
Victor Hugo
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Contributing to the nostalgia for past historic periods was restoration of the monarchy in France.
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In Britain in 1837 a Queen ascended the throne, a young woman named Victoria, whose reign was to continue until the end of the century.
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In America and abroad, women of all social classes followed fashion. The first American fashion magazines were published in the 1830s, giving women the latest styles from the center of fashion, Paris.
From the 1840s on, photography documented the way people dressed.
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Louis Daguerre
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The period between 1820 and 1825 showed a transition from the Empire silhouette to a new line.
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Its underpinnings remained much the same: drawers were now more common.
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Sleeve Pads
See actual sleeve pads at the Kyoto Costume Institute
Skirts were lifted from the ground, showing the feet and ankles
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Typical womans dress of 1830 often consisted of bretelles, or a cape-like garment called a pelerine.
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Gradually, the silhouette evolved. Skirts lengthened, sleeve fullness moved down the arm, and skirts were less bouffant.
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Turban, 1825
Hat, 1825
Hairstyle, 1839
Bonnet, 1848
Accessories of Note
Chatelaines Reticules
The silhouette of mens clothing was a faint echo of that of women with narrow waists, flared skirts on coats, and slight enlargement of sleeves.
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The clothes of small boys looked even more like their mothers.
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Elements of mens clothing continued to be under drawers, shirts, waistcoats, trousers, and coats. Coats for daytime were often frock coats, with skirts extending below the waist or tailcoats, cut short in front and with extended tails at the back.
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Mens styles, like womens, became more subdued in the last decade of the Romantic Period.
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Outdoors men wore overcoats or, for more formal occasions, cloaks.
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Accessories of Note
Hats
Cravats
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Children were dressed like small adults, except for small boys who wore skirts until age four or five.
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Image Credits
Image of Greek Revival Mansion, courtesy of Pease Mansion Woodlawn in 2003, Photographer: Laurie Virkstis. Various images, courtesy of Karen Augusta, www.antique-lace.com Images of dresses, courtesy of the New York Public Library Digital Images Collection. Photo of vintage drawers, provided courtesy of Donna J. Neary, www.heritagestudio.com Topper Hat Image, courtesy of Bob Gerson, Robley Hats, www.hatvantage.com Various images in this chapter are courtesy of Fairchild Publications, Inc.; Claire King; Photo Arts; and www.clipart.com
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