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<h1
h1>Photoshop For The Web</h1
h1>
<h2
h2>Designing websites isn't all about <acronym
acronym title
title="Hypertext Markup Language">HTML</
acronym
acronym>, <acronym
acronym title
title="Cascading Style Sheets">CSS</acronym
acronym> and heavy coding - there
's a big emphasis on the visuals these days. Photoshop remains a key application that
unites creatives of all kinds and the web ones are no exception</h2
h2>

<p
p>When it comes to the tools of the web design trade we all have our favourites. While some
couldn't survive without the quick-fire code editing tricks of Dreamweaver, others might
favour the <acronym
acronym title
title="Active Server Pages dot Net">ASP.NET</acronym
acronym> and <acronym
acronym
title
title="Extensible Markup Language">XML</acronym
acronym> flavourings of Microsoft' Expression
Web, the clean Mac OSX leanings of Coda, or just a simple old fashioned text editor.
Different applications for different needs. However, with an increasing importance
placed on a visually rich web experiencience, the front-end design phase often requires
a much more sophisticated, all-encompasing graphical arsenal. Couple this with the
likely pathway that sees designers of other disciplines migrate to web design and there
becomes a common interest in a 'workspace for all seasons' as it were.</pp>

<p
p>Photoshop, and indeed those graphics suites that imitate it, has become the industry
standard for graphical web design from concept to completion. It is so intrinsically
linked into so much of the visual digital world at large that "to Photoshop" has become
an accepted verb that even non-users affectionately understand.Got some holiday snaps
you want processed? Throw them into Photoshop. Everything from wedding invitations,
advertising billboards, product design, logo productoin, comic book art, Web Designers
covers- you name it, Photoshop will do it. If you're still not convinced then this
feature promises to give a few practical reasons why web designers especially should
take note. We've invited top freelance designer Radim Malinc to explain some of the core
techniques synonymous with using photoshop for the web, while offering an insight into
his own work. Divided neatly into sections for the production of web graphics,
templating, and optimisation, we'll look specifically at crafting page headers, buttons,
animated ad banners, badges, storyboards, mockups and more. With the help of associated
resources and comments from professional designers, the feature is a unique insight into
the role Photshop has within the modern web workflow.</p
p>

<p
p>Our guest expert: Radim Malinic, the creative force behind <a
a href
href="www.brandu.co.uk">www
.brandu.co.uk</a
a>.</p
p>

<h3
h3><a
a href
href="www.valpnow.com"><cite
cite title
title="Freelance graphic designer and ilustrator">Maciej
Hajnrich</cite
cite></a
a></h3
h3>

<p
p>Turning on Photoshop is obvious when I'm working with websites - from mockup to final
design. For me it's the perfect choice for projects of any kind, starting from movie,
entertainment and other high interactive sites to corporate portals at the end.</p
p>

<p
p>I have great control at every step of my work and it doesn't matter if I do code by
myself, send it to a prgrammer or Flash developer - I have the same creative freesom as
in every print project. Of course it's important to keep in mind all technical guidlines
but the most important thing for me is designing. Swapping between Lasso, Brush, Eraser
tool, changing brush size, skipping between layers, moving them up/down, changing
opacity, blend mode or finally working with smart objects/smart filters turns this into
even more powerful workflow. It's important not to forget about Bridge, which is
indissoluble part of Photoshop - working with multiple files llike current resources, is
easy and Bridge is very helpful in managing them all around.</p
p>

<p
p>Most of my designs are highly detailed where every pixel does matter. A few tiny squares
may change the look of a button - is it rounded or not, or what letter is typed over

August 04, 2009 Crimson Editor


photoshop.html 2 / 2

there- and Photoshop gives me absolute control over them. I'm combining photography with
ilustraion- taking parts from one and putting alongside tanother just painted or
retouched thing is daily bread. Fluency at this point is crucial since the client may
ask for some tweaks like changing navigation, appearance or main character size.</p
p>

<p
p>I'm always saving project in several files. This allows me to do backups and compare
progress in case I go too far. Also naming layers and groups is crucial for me - I hate
mess in panels. Fianlly the client gets a .psd with my work so managing them helps a lot
.</p
p>

<h3
h3><a
a href
href="www.lysergid.com"><cite
cite title
title="Art Director">Loic Sattler</cite
cite></a
a></h3
h3>

<p
p>Photoshop is the cement that binds graphical elements together and enables one to give
out a mood for a future web based project. It is also the main tool when it comes to
produce an internet site. Photoshop will be used as long as there is a visible pixel!
However, Photoshop is often used in parallel of illustrator and both tools are equally
important, especially when it comes to produce a web in Flash - a technology that mixes
both techniques. Fireworks is another solution thta mixes vector and pixel but I don't
really use it. In this example for <a
a href
href="www.sonaom.fr">www.sonaom.fr</a
a> I show how
I first draw the elements in Photoshop with my graphic tablet (black and white). This
primary step gave me the mood I wanted to go into (1).This is a rather simple step but
it is the most important: the blank canvas begins to live!. As we were dealing with
colours on this site, I decided to colorize the elements in Photoshop and make a
composition that would help the client understanding where we wanted to go(2). Next is
the draft that was sent to the client and that pleased him. (3). This final draft is
really close to the online result. After concept acknowledgement, we build all the pages
in the Photoshop file to show every template available. This is a process that is
frquently seen in web production: creating all the template pages files, to validate the
production and convey a design process.</p
p>

<ol
ol>
<li
li>&nbsp
&nbsp;</li
li>
<li
li>Loic uses Photoshop to bring vibrant colour to his designs and convey energy to the
client</li
li>
<li
li>Gradually the design gets more viusally complex as the Sonacom.fr project takes
shape</li
li>
</ol
ol>

<h3
h3><a
a href
href="www.fullyillustrated.com"><cite
cite title
title="Creative Director">Michael Heald</cite
cite><
/a
a></h3
h3>

<p
p>If Photoshop didn't exist then I would be dead on my feet. Photoshop to me is like a
brick to a builder. I work almost exclusively with the games companies these days, who
on the whole require detailed, intricate and exciting imagery to surround and encompass
their sites, so Photoshop allows me to amalgamate their assets, like characters with
transparent backgrounds, environment renders, flat texture files and in truth, little
else. It is usually my job to take all those loosely connected assets and create
detailed interfaces, and complex surrounds for the websites. If you look at the natural
selection2 <a
a href
href="www.naturalselection2.com">example</a
a>, I was given a render of the
corridor, one of the hive creature and flat texture of the organic growth material. From
here I spent many hours cutting bits out, adding additional lighting effects and
creating a whole scene to thrust the user deep into a very atmospheric webpage, making
them feel as though they were in the game itself. The core interface elements were
constructed from pieces of the corridor render and far doorway.</p
p>

<p
p>So as you can see, without Photoshop, I'd be finished, as it is this tool alone that
allows me to create these types of complex images and I would never consider using
anything else. I think my favourite finishing and effects tools within Photoshop would
be adjustment layers, layer effects and blending options, as these can create some
awesome light effects to really tie a piece together.</p
p>

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August 04, 2009 Crimson Editor

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