E d i t i o n2 0 1 2 . 1 0
T h e O p e nH y m n a l
E d i t i o n2 0 1 2 . 1 0
1 4 O c t o b e r 2 0 1 2
T h i s h y m n a l i s a p a r t o f t h e O p e n H y m n a l P r o j e c t t o c r e a t e a f r e e l y d i s t r i b u t a b l e , d o w n l o a d a b l e d a t a b a s e o f C h r i s t i a nh y m n s , s p i r i t u a l s o n g s , a n d p r e l u d e / p o s t l u d e m u s i c . I a md o i n g m y b e s t t o c r e a t e a f i n a l p r o d u c t t h a t i s " H y m n a l q u a l i t y " , a n d c o u l d f e a s i b l y b e u s e d a s t h e b a s i s f o r a p r i n t e d c h u r c hh y m n a l . T h i s m u s i c i s t o b e d i s t r i b u t e d a s c o m p l e t e s c o r e s ( w o r d s a n d m u s i c ) , u s i n g a l l a c c o m p a n i m e n t p a r t s , i n f o r m a t s t h a t a r e e a s i l y a c c e s s i b l e o n m o s t c o m p u t e r O S ' s a n d w h i c h c a n b e f r e e l y m o d i f i e d b y a n y o n e . T h e c u r r e n t f o r m a t o f c h o i c e i s t h e A B CP l u s f o r m a t , f a v o r e d b y f o l k m u s i c d i s t r i b u t o r s o n t h e i n t e r n e t . A l l s c o r e s w i l l a l s o b e c o n v e r t e d i n t o p d f , MI D I , a n d m p 3 f o r m a t s . T h e m a i n t a i n e r o f t h e O p e n H y m n a l P r o j e c t i s B r i a n J . D u m o n t ( b r i a n d o t j d o t d u m o n t a t g m a i l d o t c o m ) . I h a v e g o n e t h r o u g h s e r i o u s e f f o r t s t o m a k e s u r e t h a t n o c o p y r i g h t m i s t a k e m a k e s i t i n t o t h i s d a t a b a s e . I f I a mi n e r r o r , p l e a s e i n f o r mm e a s s o o n a s p o s s i b l e . T h i s e n t i r e e f f o r t h a s u s e d o n l y f r e e s o f t w a r e , a n d I a mi n d e b t e d t o t h e e f f o r t s o f m a n y o t h e r i n d i v i d u a l s , i n c l u d i n g t h e a u t h o r s o f t h e v a r i o u s A B Ca n d A B CP l u s s o f t w a r e . U n d o u b t e d l y , I a ma l s o i n d e b t e d t o a l l o f t h e g r e a t C h r i s t i a n s w h o w r o t e t h e s e h y m n s . T h i s d a t a b a s e c o m e s w i t h n o g u a r a n t e e s w h a t s o e v e r . I w o u l d l o v e t o g e t e m a i l f r o ma n y o n e w h o u s e s t h e O p e n H y m n a l , a n d I w i l l t a k e r e q u e s t s f o r h y m n s t o a d d . My d e c i s i o n o f w h e t h e r t o a d d a h y m n w i l l b e b a s e d o n t h e s e c r i t e r i a ( i n t h e f o l l o w i n g o r d e r ) : 1 )I t m u s t b e i n t h e p u b l i c d o m a i n o r o t h e r w i s e f r e e l y d i s t r i b u t a b l e 2 )I t m u s t b e a C h r i s t i a np i e c e 3 ) Wh e t h e r I h a v e a c c e s s t o a p r i n t e d c o p y o f t h e m u s i c ( s u r p r i s i n g l y , a MI D I f i l e i s u s u a l l y a t e r r i b l e s o u r c e ) 4 ) Wh e t h e r I l i k e t h e h y m n : ) I f y o u w o u l d l i k e t o c o n t r i b u t e t o t h e O p e n H y m n a l P r o j e c t , p l e a s e s e n d a n e m a i l t o m e , I w o u l d l o v e t h e h e l p ! P L E A S EE MA I L ME I F Y O UF I N DA N YMI S T A K E S , n o m a t t e r h o ws m a l l . I w a n t t o e n s u r e t h a t e v e r y s l u r , s t e m , h y p h e n a t i o n , a n d p u n c t u a t i o n m a r k i s c o r r e c t ; a n d I ' ms u r e t h a t t h e r e m u s t b e m i s t a k e s r i g h t n o w . O p e n H y m n a l P r o j e c t , 2 0 1 2 E d i t i o n F r e e l y y o u r e c e i v e d , s o f r e e l y g i v e . Ma t t h e w1 0 : 8 ( WE B )
C o p y i n g
T h e O p e n H y m n a l P r o j e c t u s e s c o p y r i g h t l a wo f t h e U n i t e d S t a t e s o f A m e r i c a . I n o t h e r c o u n t r i e s , i t i s y o u r r e s p o n s i b i l i t y t o v e r i f y e a c h h y m n a s b e i n g f r e e l y d i s t r i b u t a b l e . F o u r p a r t s o f a h y m n a r e c o p y r i g h t a b l e : 1 .Mu s i c ( m e l o d y ) 2 .S e t t i n g ( a l s o k n o w na s a r r a n g e m e n t o r h a r m o n y ) 3 .Wo r d s ( o r i g i n a l l a n g u a g e ) 4 .T r a n s l a t i o n ( i f a p p l i c a b l e ) E a c h o f t h e s e p a r t s h o l d s a s e p a r a t e c o p y r i g h t s t a t u s , a n d m u s t b e c o n s i d e r e d i n d i v i d u a l l y . Mo s t o f t h e h y m n s i n t h e O p e n H y m n a l a r e i n t h e p u b l i c d o m a i n i n a l l f o u r o f t h e s e p a r t s . S o m e a r e n o t . S p e c i f i c c o p y r i g h t t e r m s a r e l i s t e d o n e a c h s c o r e s h e e t a n d i n e a c h a b c f i l e . A l l c o n t e n t p r o d u c e d s p e c i f i c a l l y b y t h e O p e nH y m n a l w h i c h i s n o t a p a r t o f a h y m n i s p l a c e d i n t o t h e p u b l i c d o m a i n . T h i s i n c l u d e s c o m p i l a t i o n , i n d i c e s , w e b p a g e s ( o r p a r t s t h e r e o f ) , s c r i p t s u s e d t o a s s e m b l e t h e h y m n a l , a n d a l l o t h e r d a t a f i l e s . Wo r k f r o mo t h e r o p e n s o u r c e p r o j e c t s i s n o t o u r c o p y r i g h t a n d r e m a i n s c o p y r i g h t o f t h e r e s p e c t i v e o w n e r s . T h i s i n c l u d e s b u t i s n o t l i m i t e d t o t h e " Z e b r a T a b l e s " s c r i p t b y D a v i d S . Mi l l e r u s e d o n t h e w e b p a g e s , w h i c h r e m a i n s c o p y r i g h t o f D a v i d S . Mi l l e r .
P u b l i c D o m a i n
A l l h y m n s o r h y m np a r t s l i s t e d a s " p u b l i c d o m a i n " a r e n o t u n d e r c o p y r i g h t p r o t e c t i o n i n t h e U n i t e d S t a t e s o f A m e r i c a . I n o t h e r w o r d s t h e r e i s a b s o l u t e l y n o o w n e r s h i p o f t h e i n t e l l e c t u a l p r o p e r t y t h a t t h e w o r d s , t r a n s l a t i o n , m u s i c , o r s e t t i n g r e p r e s e n t s . N o o n e m a y r e s t r i c t y o u f r o mu s i n g t h e s e h y m n p a r t s i n a n y w a y ( i n t h e U S A ) . S i m i l a r l y , y o u m a y n o t r e s t r i c t o t h e r s f r o mu s i n g t h e mi n a n y w a y . I f y o u c h a n g e a p o r t i o n o f t h e p u b l i c d o m a i n w o r k , y o u m a y o n l y c l a i m c o p y r i g h t o n t h e p o r t i o n w h i c h y o u h a v e c h a n g e d .
O t h e r
E a c h w o r k i n t h e O p e n H y m n a l w h i c h i s n o t i n t h e p u b l i c d o m a i n g i v e s s p e c i f i c l i c e n s e t e r m s o n t h e s c o r e s h e e t a n d i n t h e a b c s o u r c e f i l e . Mo s t o f t h e s e h a v e a l i c e n s e w h i c h r e a d s s i m i l a r t o t h e f o l l o w i n g ( f r o mt h e h y m n " A u t h o r o f A l l L i f e " ) : Wo r d s : C o p y r i g h t 2 0 0 9 , B r i a n J . D u m o n t . T h e s e l y r i c s m a y b e f r e e l y r e p r o d u c e d o r p u b l i s h e d f o r C h r i s t i a n w o r s h i p , p r o v i d e d t h e y a r e n o t a l t e r e d , a n d t h i s n o t i c e i s o n e a c h c o p y . A l l o t h e r r i g h t s r e s e r v e d . T h i s m e a n s t h a t y o u m a y f r e e l y u s e , p r i n t , r e p r o d u c e , a n d m a k e a v a i l a b l e f o r o t h e r s t h e w o r k i n q u e s t i o n , p r o v i d e d t h a t t h e p u r p o s e i s f o r C h r i s t i a nw o r s h i p a n d t h a t t h e c o p y r i g h t t e r m s a r e l e f t i n t a c t a n d a r e r e p r o d u c e d w i t h t h e c o p y r i g h t e d w o r k . T h i s d o e s n o t p r e v e n t y o u f r o mu s i n g t h e c o p y r i g h t e d w o r k a s a p a r t o f a n o t h e r w o r k w h i c h w i l l b e s o l d f o r p r o f i t , p r o v i d e d t h a t t h e s e t e r m s a r e m e t . O t h e r l i c e n s e t e r m s m a y b e a v a i l a b l e , b u t c a n o n l y b e n e g o t i a t e d w i t h t h e c o p y r i g h t h o l d e r . I f y o u w o u l d l i k e t o u s e o n e o f t h e s e w o r k s b u t r e q u i r e a d i f f e r e n t l i c e n s e , t h e O p e n H y m n a l w i l l a t t e m p t t o h e l p y o u t o c o n t a c t t h e c o p y r i g h t h o l d e r . We m a y b e c o n t a c t e d v i a e m a i l a t : b r i a n d o t j d o t d u m o n t a t g m a i l d o t c o m
O p e nH y m n a l , I n d e xb y C o m m o nT i t l e E d i t i o n2 0 1 2 . 1 0
T i t l e N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
AG r e a t a n d Mi g h t y Wo n d e r
3 6
C H R I S T MA S
3 G e r m a n u s o f E s I s t E i n R o s C o n s t a n t i n o p l e E n t s p r u n g e n &N e a l e ( R h y t h m i c ) 2 G e r h a r d t , P .
f r o mA l t e s C a t h o l i s c h e G e i s t l i c h e K i r c h e n g e s e n g , K l n , 1 5 9 9 &P r a e t o r i u s A n Wa s s e r f l s s e n D a c h s t e i n , W. B a b y l o n E i n F e s t e B u r g ( R h y t h m i c ) E v e n t i d e L u t h e r , M. Mo n k , W.
3 L u t h e r , M. 2 L y t e , H .
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
2 a n o n y m o u s & Mu e l l e r Ma c F a r l a n d OD a s s I c h T a u s e n dD r e t z e l , K . B a p t i z e d I n t o T h y 1 1 8 B A P T I S MA L L I F E 2 R a m b a c h& N a m e Mo s t H o l y Wi n k w o r t h & Z u n g e n H t t e C r u l l ( D r e t z e l ) B e S t i l l My S o u l 1 6 9 C R O S S A N D 2 v o n S c h l e g e l & F i n l a n d i a S i b e l i u s , J . C O MF O R T B o r t h w i c k B e T h o u My V i s i o n 1 9 6 C O N S E C R A T I O N 3 F o r g a i l l &B y r n e &S l a n e I r i s h &D e w e y H u l l B e a u t i f u l S a v i o r 1 4 3 R E D E E ME R 2 G e r m a nJ e s u i t s & C r u s a d e r ` s H y m n S i l e s i a n&Wi l l i s S e i s s B e h o l d , AH o s t , 1 8 7 C O MMU N I O NO F 4 B r o r s o n , H . D e n S t o r e H v i d e N o r w e g i a n&G r i e g A r r a y e d i n Wh i t e S A I N T S F l o k o r G r e a t Wh i t e H o s t B e n e a t h T h e C r o s s 1 7 0 C R O S S A N D 1 C l e p h a n e , E . S t . C h r i s t o p h e r Ma k e r , F . O f J e s u s C O MF O R T B l e s s e d A s s u r a n c e 1 7 1 C R O S S A N D 2 C r o s b y , F . B l e s s e d A s s u r a n c e K n a p p , P . C O MF O R T o r A s s u r a n c e B l e s s e d J e s u s a t T h y 1 8 O P E N I N GS O N G S 2 C l a u s n i t z e r & L i e b s t e r J e s u w i r A h l e &L a y r i z Wo r d Wi n k w o r t h S i n d H i e r B l e s t B e T h e T i e T h a t1 8 8 C O MMU N I O NO F 2 F a w c e t t , J . B o y l s t o n Ma s o n , L . B i n d s S A I N T S B l e s t B e T h e T i e T h a t1 8 9 C O MMU N I O NO F 3 F a w c e t t , J . D e n n i s N g e l i &S n e l l B i n d s S A I N T S B l i n d B a r t i m a e u s 1 7 2 C R O S S A N D 2 L o n g f e l l o w , H . F i l l m o r e I n g a l l s , J . C O MF O R T B r e a t h e o n Me , 9 8 P E N T E C O S T 1 H a t c h , E . A y l e s b u r y o r f r o mJ o h n C h e t h a m ' s B r e a t h o f G o d Wi r k s w o r t h P s a l m o d y , 1 7 1 8 B u i l t o n t h e R o c k 1 9 0 C O MMU N I O NO F 1 G r u n d t v i g & K i r k e nD e n E r E t L i n d e m a n , L . S A I N T S D v i n g G a m m e l t H u s B y G r a c e I ' mS a v e d 1 5 8 J U S T I F I C A T I O N 2 S c h e i d t &L o y OD a s s I c h T a n s e n dK n i g , J . Z u n g e n C h r i s t A r o s e 8 7 E A S T E R 2 L o w r y , R . C h r i s t A r o s e L o w r y , R . C h r i s t J e s u s L a y I n 8 8 E A S T E R 4 L u t h e r &Ma s s i e C h r i s t l a g i n T o b e sf r o m Wa l t e r ' s G e i s t l i c h e D e a t h ' s S t r o n g B a n d e no r T o r g a u G e s a n g b c h l e i n , 1 5 2 4 B a n d s C h r i s t My K i n g O n 1 5 9 J U S T I F I C A T I O N 2 Wi n g a r d , J . C h r i s t My K i n g o n Wi n g a r d , J . H i g h H i g h C h r i s t R e t u r n e t h 1 7 8 E N DT I ME S 2 T u r n e r , H . C h r i s t R e t u r n e t h Mc G r a n a h a n , J . C h r i s t T h e L o r d I s 8 9 E A S T E R 3 We s l e y & L l a n f a i r Wi l l i a m s &R o b e r t s R i s e n T o d a y ( L y r a ) u n k n o w n C h r i s t T h e L o r d I s 9 0 E A S T E R 3 We s l e y & O r i e n t i s P a r t i b u s o rF r e n c h R i s e n T o d a y ( L y r a ) u n k n o w n R e d h e a d 4 5 C h r i s t Wh o F r e e d O u r S o u l s F r o mD a n g e r s e e J e s u s C h r i s t , O u r B l e s s e d S a v i o r C o m e a n d C h r i s t t h e L o r d B e P r a i s i n g s e e C o m e , Y o u r H e a r t a n d V o i c e s R a i s i n g
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
C o m e a n d L e t U s C h r i s t R e v e r e N o ws e e C o m e , Y o u r H e a r t a n d V o i c e s R a i s i n g C o m e B l e s s e d J e s u C o m e s e e T h e G a l i l e a n F i s h e r s T o i l C o m e D o w n , OL o v e 9 9 P E N T E C O S T 2 B i a n c o o f S i e n a &D o w n A m p n e y Wi l l i a m s , R . D i v i n e L i t t l e d a l e o m m , G o t t L a t i n &B a c h C o m e , G o d C r e a t o r , 1 0 1 P E N T E C O S T 2 C h a r l e m a g n e & K H o l y G h o s t Ma u r u s & S c h o e p f e r H e i l i g e r G r e g o r y t h e G e i s t G r e a t & A m b r o s e o f Mi l a n C o m e H o l y G h o s t , C r e a t o r B l e s t s e e C o m e , G o d C r e a t o r , H o l y G h o s t C o m e H o l y G h o s t , G o d a n d L o r d s e e C o m e H o l y S p i r i t , L o r d O u r G o d C o m e H o l y S p i r i t , 1 0 0 P E N T E C O S T 4 L a t i n &L u t h e r K o m mH e i l i g e r L a t i n &B a c o n & L o r d O u r G o d G e i s t , H e r r e G o t t E r y t h r a e u s C o m e T h o u F o u n t O f1 9 7 C O N S E C R A T I O N 2 R o b i n s o n , R . N e t t l e t o n N e t t l e t o n , A . E v e r y B l e s s i n g C o m e , T h o u L o n g 2 3 A D V E N T 4 We s l e y , C . J e f f e r s o n f r o mS o u t h e r n E x p e c t e d J e s u s H a r m o n y , 1 8 3 5 C o m e U n i t e i n P r a i s e a n d S i n g i n g s e e C o m e , Y o u r H e a r t a n d V o i c e s R a i s i n g C o m e , Y o u r H e a r t 4 1 C H R I S T MA S 2 G e r h a r d t , P . Q u e mP a s t o r e s G e r m a n a n d V o i c e s R a i s i n g C o m f o r t , C o m f o r t Y e 2 4 A D V E N T 2 O l e a r i u s & F r e u d i c h s e h r , o f r o mT r e n t e Q u a t r e My P e o p l e Wi n k w o r t h m e i n e S e e l e P s e a u m e s d e D a v i d , G e n e v a , 1 5 5 1 C r e a t o r , S p i r i t , H o l y D o v e s e e C o m e , G o d C r e a t o r , H o l y G h o s t C r o w n H i m Wi t h 1 4 4 R E D E E ME R 1 B r i d g e s &T h r i n gD i a d e m a t a E l v e y , G . Ma n y C r o w n s D a y o f Wr a t h , OD a y 1 7 9 E N DT I ME S 2 T h o m a s o f C e l a n oD i e s I r a e ( D y k e s ) D y k e s , J . o f Mo u r n i n g &I r o n s D e a r C h r i s t i a n s , O n e 1 6 0 J U S T I F I C A T I O N 2 L u t h e r &Ma s s i e E s i s t G e w i s s l i c h a nf r o mK l u g ' s G e i s t l i c h e a n d A l l R e j o i c e d e r Z e i t L i e d e r , Wi t t e n b e r g , 1 5 3 3 &P r a e t o r i u s D e a r C h r i s t i a n s , O n e 1 6 1 J U S T I F I C A T I O N 2 L u t h e r &Ma s s i e N u n F r e u t E u c h L u t h e r &S c h e i n a n d A l l R e j o i c e D e s p a i r N o t , OH e a r t2 5 2 F U N E R A L 2 P r u d e n t i u s & I a m Mo e s t a o r J a m L u t h e r , M. S a n d e n Mo e s t a o r D e s p a i r N o t OH e a r t o r Me d S o r g e n O g K l a g e n D i d Y o u T h i n k T o 2 1 6 P R A Y E R 1 K i d d e r , M. S t o c k b r i d g e o r D i d P e r k i n s , W. P r a y ? Y o u T h i n k T o P r a y F a i r e s t L o r d J e s u s s e e B e a u t i f u l S a v i o r F a i t h o f O u r F a t h e r s 1 9 1 C O MMU N I O NO F 1 F a b e r &Wa l t o n S t . C a t h e r i n e H e m y &Wa l t o n S A I N T S F a r , F a r A w a y O n 4 2 C H R I S T MA S 3 Ma c F a r l a n e , J . F a r , F a r A w a y O n Ma c F a r l a n e , J . J u d e a ' s P l a i n s J u d e a ` s P l a i n s F e a r N o t , OL i t t l e 2 3 7 T R U S T 4 A d o l p h u s & K o m m t h e r z u m i r ,G e r m a n F l o c k F a b r i c i u s & s p r i c h t G o t t e s A l t e n b u r g S o h n F o l l o wA l l T h e Wa y s e e Wh e r e H e L e a d s Me F o r A l l T h e S a i n t s 1 9 2 C O MMU N I O NO F 5 H o w , W. S i n e N o m i n e Wi l l i a m s , R . S A I N T S F o r T h e B e a u t y O f 2 3 1 T H A N K S G I V I N G 1 P i e r p o i n t , F . D i x K o c h e r , C . T h e E a r t h
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
V o mH i m m e l H o c hf r o mS c h u m a n n ' s G e i s t l i c h e L i e d e r , L e i p z i g , 1 5 3 9 G a b r i e l ' s Me s s a g e 2 5 A D V E N T 1 B a s q u e &G o u l d G a b r i e l ` s Me s s a g e B a s q u e &P e t t m a n G e n t l e Ma r y L a i d H e r4 4 C H R I S T MA S 1 C o o k , J . T e m p u s A d e s t f r o mS w e d i s h P i a e C h i l d F l o r i d u m C a n t o n e s , 1 5 8 2 G o T o D a r k 8 2 G O O D 2 Mo n t g o m e r y , J . G e t h s e m a n e o r R e d h e a d , R . G e t h s e m a n e T H U R S D A Y P e t r a G o d R e s t Y e Me r r y 4 5 C H R I S T MA S 1 E n g l i s h G o d R e s t Y e Me r r yE n g l i s h G e n t l e m e n G e n t l e m e n G o d , T h a t Ma d e s t 2 7 0 E V E N I N G 3 H e b e r &Me r c e r &A r H y d YN o s We l s h E a r t h a n d H e a v e n Wh a t e l y G o d t h e F a t h e r B e 1 0 5 T R I N I T Y 3 L u t h e r &Ma s s i e G o t t D e r V a t e r , f r o m Wa l t e r ' s G e i s t l i c h e O u r S t a y Wo h n U n s B e i G e s a n g b c h l e i n , 1 5 2 4 &Mo r i t z v o n H e s s e n & G o d t h e F a t h e r Wi t h U s B e s e e G o d t h e F a t h e r B e O u r S t a y G o d t h e F a t h e r Wi t h U s S t a y s e e G o d t h e F a t h e r B e O u r S t a y G o d , Wh o Ma d e t h e E a r t h a n d H e a v e n s e e G o d , T h a t Ma d e s t E a r t h a n d H e a v e n G o d , Wh o Ma d e s t E a r t h a n d H e a v e ns e e G o d , T h a t Ma d e s t E a r t h a n d H e a v e n G o d , Wh o s e 2 5 3 MI S S I O N S 1 Ma r r i o t t , J . I t a l i a nH y m n G i a r d i n i , F . A l m i g h t y Wo r d G o d Wi l l T a k e C a r e 2 3 8 T R U S T 2 Ma r t i n , C . Ma r t i n Ma r t i n , W. o f Y o u G r a n t P e a c e i n Me r c y , L o r d , We P r a y s e e I n T h e s e O u r D a y s S o P e r i l o u s G r a n t P e a c e , We P r a y , i n Me r c y , L o r d s e e I n T h e s e O u r D a y s S o P e r i l o u s G u i d e Me , OT h o u 1 9 8 C O N S E C R A T I O N 3 Wi l l i a m s & C w mR h o n d d a H u g h e s , J . G r e a t J e h o v a h Wi l l i a m s H a d G o d n o t C o m e , Ma y I s r a e l S a y s e e I f G o d H a d N o t B e e n o n O u r S i d e H a i l , T h o u L o n g E x p e c t e d J e s u s s e e C o m e , T h o u L o n g E x p e c t e d J e s u s H a l l e l u j a h , Wh a t a 1 4 5 R E D E E ME R 2 B l i s s , P . H a l l e l u j a h Wh a t a B l i s s , P . S a v i o r ! S a v i o r H a p p y t h e Ma n Wh o 2 1 0 N E W 4 L u t h e r &Ma s s i e Wo G o t t Z u mH a u sf r o m Wa l t e r ' s G e i s t l i c h e F e a r e t h G o d O B E D I E N C E ( Wa l t e r ) G e s a n g b c h l e i n , 1 5 2 4 &G e s i u s H a p p y t h e Ma n Wh o 2 1 1 N E W 1 L u t h e r &Ma s s i e Wo G o t t Z u mH a u sf r o mK l u g ' s G e i s t l i c h e F e a r e t h G o d O B E D I E N C E L i e d e r , Wi t t e n b e r g , 1 5 3 3 H a p p y Wh o i n G o d ' s F e a r D o t h S t a y s e e H a p p y t h e Ma nWh o F e a r e t hG o d H a r k t h e G l a d S o u n d 2 6 A D V E N T 3 D o d d r i d g e , P . C h e s t e r f i e l d o r H a w e i s , T . R i c h m o n d ( H a w e i s ) o r S p a F i e l d s C h a p e l H a r k ! T h e H e r a l d 4 6 C H R I S T MA S 2 We s l e y , C . Me n d e l s s o h n Me n d e l s s o h n& A n g e l s S i n g C u m m i n g s H a r k , t h e V o i c e o f 2 5 4 MI S S I O N S 1 Ma r c h , D . G a l i l e a n B a r n b y , J . J e s u s C a l l i n g H a v e Me r c y O n Me , 1 2 1 C O N F E S S I O N/ 4 P e n n e y , B . T h i r d Mo d e Me l o d yT a l l i s , T . OMy G o d A B S O L U T I O N H e L e a d e t h Me 1 9 9 C O N S E C R A T I O N 1 G i l m o r e , J . H e L e a d e t h Me B r a d b u r y , W. H e T h a t B e l i e v e s a n d I s B a p t i z e d s e e A l l Wh o B e l i e v e a n d A r e B a p t i z e d H e Wa s N o t Wi l l i n g 2 5 5 MI S S I O N S 2 Me y e r , L . H e Wa s N o t Wi l l i n gMe y e r , L .
F r o mD e p t h s o f Wo e I C r y t o T h e e s e e O u t o f t h e D e e p I C r y t o T h e e F r o mE a s t t o We s t s e e N o wP r a i s e We C h r i s t , t h e H o l y O n e F r o mH e a v e n A b o v e 4 3 C H R I S T MA S 1 L u t h e r & T o E a r t h I C o m e Wi n k w o r t h
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
H e Wh o Wo u l d 2 1 2 N E W 3 B u n y a n & Mo n k s G a t e E n g l i s h&Wi l l i a m s V a l i a n t B e O B E D I E N C E D e a r m e r H e r e L o r d My S o u l C o n v i c t e d s e e OL o r d My S o u l C o n v i c t e d H e r o d Wh y D r e a d e s t t h o u a F o e ? s e e T h e S t a r P r o c l a i m s t h e K i n g i s H e r e H i s G i f t s 2 3 2 T H A N K S G I V I N G 2 D u m o n t , B . S i m p l e G i f t s B r a c k e t t &D u m o n t H o l y G h o s t , w i t h 1 0 2 P E N T E C O S T 1 R e e d & C a n t e r b u r y o r S o n gG i b b o n s , O . L i g h t D i v i n e L o n g f e l l o w 1 3 H o l y G o d , We P r a i s e 1 0 6 T R I N I T Y 3 F r a n z &Wa l w o r t hT e D e u mo r H u r s l e yf r o mK a t h o l i s c h e s T h y N a m e o r G r o s s e r G o t t , G e s a n g b u c h , Ma r i a w i r L o b e n D i c h T h e r e s a , 1 7 7 4 H o l y , H o l y , H o l y 1 0 9 T R I N I T Y 3 H e b e r , R . N i c a e a D y k e s , J . H o l y S p i r i t , E v e r 1 0 3 P E N T E C O S T 4 R e e s , T . E b e n e z e r o r T o n Y - Wi l l i a m s , T . D w e l l i n g B o t e l H o s a n n a , L o u d 7 8 P A L MS U N D A Y 2 T h r e l f a l l , J . E l l a c o m b e f r o mG e s a n g b u c hd e r H o s a n n a H e r z o g l . H o f k a p e l l e , Wu r t t e m b e r g , 1 7 8 4 H o wF i r mA 2 3 9 T R U S T 2 R i p p o n , J . F o u n d a t i o n( F u n k )F u n k , J . F o u n d a t i o n o r P r o t e c t i o n H o wS h a l l We 2 4 0 T R U S T 3 A d a m s , R . Me l i t a D y k e s , J . A n s w e r T e r r o r ' s C r y ? H o wV a i nt h e C r u e l H e r o d ' s F e a r s e e T h e S t a r P r o c l a i m s t h e K i n g i s H e r e I A mJ e s u s ' L i t t l e 2 4 1 T R U S T 1 v o n H a y n , H . We i l I c h J e s u f r o mB r u d e r C h o r a l L a m b S c h f l e i nB i n B u c h , 1 7 8 4 I B i n d U n t o My s e l f 1 1 9 B A P T I S MA L L I F E 5 P a t r i c k o f I r e l a n dS t . P a t r i c k s S t a n f o r d , C . T o d a y &A l e x a n d e r B r e a s t p l a t e I C a nH e a r My S a v i o r C a l l i n g s e e Wh e r e H e L e a d s Me I C o m e , OS a v i o r , T o 1 2 8 L O R D ' S S U P P E R 3 H e y d e r , F . I c h S t e r b e T g l i c h f r o mE m s k i r c h n e r T h y T a b l e C h o r a l b u c h , 1 7 5 6 I H e a r d T h e B e l l s O n 4 7 C H R I S T MA S 2 L o n g f e l l o w , H . Wa l t h a m( C a l k i n ) C a l k i n , J . C h r i s t m a s D a y I K n o wT h a t My 9 1 E A S T E R 2 Me d l e y , S . D u k e S t r e e t H a t t o n , J . R e d e e m e r L i v e s I K n o wWh o mI H a v e2 4 2 T R U S T 2 Wh i t t l e &N a t h a nI K n o wWh o m I Mc G r a n a h a n , J . B e l i e v e d H a v e B e l i e v e d I N e e d T h e e E v e r y 1 4 6 R E D E E ME R 2 H a w k s , A . I N e e d T h e e E v e r y L o w r y , R . H o u r H o u r 4 4 T R U S T 2 A m s t u t z &K r o p fH a l y T r u s t K r o p f , L . I P l a c e My T r u s t I n 2 G o d I f G o d H a d N o t B e e n 1 1 1 R E F O R MA T I O N 2 L u t h e r , M. W r G o t t n i c h t m i tf r o m Wa l t e r ' s G e i s t l i c h e o n O u r S i d e u n s d i e s e Z e i t G e s a n g b c h l e i n , 1 5 2 4 ( 1 5 2 4 ) &P r a e t o r i u s I f G o d H a d N o t B e e n 1 1 2 R E F O R MA T I O N 2 L u t h e r , M. W r G o t t n i c h t m i tf r o m Wa l t e r ' s H y m n a l , o n O u r S i d e u n s d i e s e Z e i t 1 5 3 7 ( 1 5 3 7 ) G e r m a n&Wo o d w a r d I f G o d H i m s e l f B e F o r2 4 3 T R U S T 2 G e r h a r d t &Ma s s i e Wo o d b i r d o r E s F l o g Me E i n K l e i n s Wa l d v g e l e i n I ' mB u t AS t r a n g e r 1 8 5 H E A V E N 2 T a y l o r , T . S t . E d m u n d S u l l i v a n , A . H e r e ( S u l l i v a n ) I m m o r t a l , I n v i s i b l e , 2 2 4 P R A I S E 1 S m i t h , W. S t . D e n i o o r J o a n n a We l s h &R o b e r t s G o d O n l y Wi s e o r P a l e s t r i n a I n D e a t h ' s S t r o n g B a n d s s e e C h r i s t J e s u s L a y I n D e a t h ' s S t r o n g B a n d s
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
We s t m i n s t e r A b b e yP u r c e l l &H a w k i n s
Mi t F r i e d u n d F r e u df r o m Wa l t e r ' s G e i s t l i c h e i c h F a r D a h i n G e s a n g b c h l e i n , 1 5 2 4 &P r a e t o r i u s C r a n h a m H o l s t , G .
V e r l e i h u n s F r i e d e nL u t h e r &E r y t h r a e u s G n d i g l i c h J e s a i a D e m L u t h e r &E r y t h r a e u s P r o p h e t e n d a s G e s c h a h
I s a i a h ' t w a s t h e P r o p h e t s e e I s a i a h , Mi g h t y S e e r , I n D a y s o f O l d I t C a m e U p o n A 4 9 C H R I S T MA S 3 S e a r s , E . C a r o l Wi l l i s , R . Mi d n i g h t C l e a r I t I s We l l Wi t h My 1 7 3 C R O S S A N D 2 S p a f f o r d , H . I t I s We l l o r V i l l e D u B l i s s , P . S o u l C O MF O R T H a v r e w i n g E w i n g , A . J e r u s a l e mt h e G o l d e n 1 8 6 H E A V E N 1 B e r n a r d o f C l u n yE a k a . B e r n a r d o f Mo r l a i x &N e a l e J e s u s C a m e , t h e 2 7 A D V E N T 2 T h r i n g , G . S i e h , h i e r b i n i c h , f r o mG e i s t r e i c h e s H e a v e n s A d o r i n g E h r e n k o e n i g G e s a n g b u c h D a r m s t a d t , 1 6 9 8 J e s u s C h r i s t I s R i s e n 9 2 E A S T E R 4 B o h e m i a n & E a s t e r H y m n f r o mL y r a D a v i d i c a , T o d a y We s l e y 1 7 0 8 f r o m Wa l t e r ' s G e i s t l i c h e J e s u s C h r i s t , O u r 1 2 9 L O R D ' S S U P P E R 3 H u s &L u t h e r J e s u s C h r i s t u s U n s e r e s a n g b c h l e i n , 1 5 2 4 B l e s s e d S a v i o r H e i l a n d , D e r V o n G &V o n T u c h e r U n s ( Wa l t e r ) J e s u s C h r i s t , O u r 1 3 0 L O R D ' S S U P P E R 1 H u s &L u t h e r J e s u s C h r i s t u s U n s e r f r o mK l u g ' s G e i s t l i c h e B l e s s e d S a v i o r H e i l a n d , D e r V o n L i e d e r , Wi t t e n b e r g , U n s ( K l u g ) 1 5 3 3 J e s u s C h r i s t , O u r B l e s s e d S a v i o r s e e J e s u s C h r i s t Wh o C a m e t o S a v e J e s u s C h r i s t O u r G o d a n d S a v i o r s e e J e s u s C h r i s t , O u r B l e s s e d S a v i o r J e s u s C h r i s t O u r R e d e e m e r B o r n s e e J e s u s C h r i s t , O u r B l e s s e d S a v i o r J e s u s C h r i s t O u r S a v i o r T r u e s e e J e s u s C h r i s t Wh o C a m e t o S a v e J e s u s C h r i s t T o d a y i s R i s e n s e e J e s u s C h r i s t Wh o C a m e t o S a v e J e s u s C h r i s t Wh o 9 3 E A S T E R 2 L u t h e r &B a c o n J e s u s C h r i s t u s U n s e r f r o mK l u g ' s G e i s t l i c h e C a m e t o S a v e H e i l a n d , D e r D e n L i e d e r , Wi t t e n b e r g , T o d ( K l u g ) 1 5 3 3 &B a c h J e s u s G r a n t T h a t 7 2 L E N T 3 H e e r m a n n , J . D e r A mK r e u z K n i g , J . B a l ma n d H e a l i n g J e s u s , I n T h y D y i n g 8 3 G O O DF R I D A Y 1 P o l l o c k , T . Wo r d s o n t h e C r o s sMo n k , W. Wo e s T h e L i t a n y J e s u s , K i n g o f G l o r y 1 4 7 R E D E E ME R 2 D a v i s o n , W. S t . A l b a n H a y d n &D y k e s J e s u s L o v e s Me 1 3 5 WO R DO F G O D 1 Wa r n e r , A . u n t i t l e d B r a d b u r y , W. J e s u s S h a l l R e i g n 1 4 8 R E D E E ME R 2 Wa t t s , I . D u k e S t r e e t H a t t o n , J . J e s u s , T e n d e r 2 7 1 E V E N I N G 2 D u n c a n , M. E v e n i n g P r a y e r S t a i n e r , J . S h e p h e r d , H e a r Me J e s u s , T h y B o u n d l e s s 1 4 9 R E D E E ME R 2 G e r h a r d t & Y o a k l e y Y o a k l e y , W. L o v e T o Me We s l e y
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
J e s u s Wa n t s A l l O f 2 1 3 N E W 1 Wo o d &D u m o n tB l e s s e d A r e T h e y H i s C h i l d r e n O B E D I E N C E J e s u s We N o wMu s t L a u d a n d S i n g s e e N o wP r a i s e We C h r i s t , t h e H o l y O n e J o y t o t h e Wo r l d 5 0 C H R I S T MA S 3 Wa t t s , I . A n t i o c h J o y f u l , J o y f u l , We 2 2 5 P R A I S E 1 v a n D y k e , H . O d e t o J o y A d o r e T h e e L a m p o f O u r F e e t 1 3 6 WO R DO F G O D 1 B a r t o n , B . S t . A g n e s L e t A l l Mo r t a l F l e s h 1 3 1 L O R D ' S S U P P E R 3 f r o mL i t u r g y o f S t . P i c a r d y K e e p S i l e n c e J a m e s &Mo u l t r i e L e t C h i l d r e n H e a r 2 6 1 C H R I S T I A N 2 Wa t t s , I . L e a T h e Mi g h t y D e e d s H O ME L e t G o d B e B l e s t s e e OL o r d We P r a i s e T h e e L e t O u r G l a d n e s s 5 1 C H R I S T MA S 2 Z a v o r k a , T . N a r o d i l s e K r i s t u s H a v e N o E n d P n o r S a l v a t o r N a t u s L i f t H i g h T h e C r o s s 2 5 6 MI S S I O N S 4 K i t c h i n&N e w b o l t C r u c i f i e r L o , G o d T o H e a v ' n 9 5 A S C E N S I O N 3 S a c e r &C o x V o n G o t t w i l l i c h A s c e n d e t h N i c h t L a z e n L o ! H e C o m e s Wi t h 2 8 A D V E N T 3 C e n n i c k &We s l e yH e l m s l e y C l o u d s D e s c e n d i n g L o , H o wAR o s e E ' e r 5 2 C H R I S T MA S 3 G e r m a n&L a y r i zE s I s t E i n R o s B l o o m i n g E n t s p r u n g e n ( R h y t h m i c ) L o o k D o w n , OL o r d , F r o mH e a v e n B e h o l d L o o k D o w n , OL o r d , F r o mH e a v e n B e h o l d L o r d , D i s m i s s U s Wi t h T h y B l e s s i n g L o r d , E n t h r o n e d i n H e a v e n l y S p l e n d o r L o r d J e s u s T h i n k O n Me L o r d , K e e p U s S t e a d f a s t i nT h y Wo r d 1 1 3 R E F O R MA T I O N 2 L u t h e r &C o x A c h G o t t v o m H i m m e l
Wo o d , M.
H a n d e l &Ma s o n v a n B e e t h o v e n & H o d g e s D y k e s , J . F r e n c h S u m m e r s , J .
B o h e m i a n
1 1 4 R E F O R MA T I O N
3 L u t h e r &C o x
1 5 0 1 2 2
1 1 5 R E F O R MA T I O N
L o r d o f G l o r y , Wh o 2 5 9 S T E WA R D S H I P 3 A l d e r s o n , E . H a s t B o u g h t U s L o r d T a k e My H a n d a n d L e a d Me s e e T a k e T h o u My H a n d a n d L e a d Me L o r d , T h e e I L o v e 2 0 1 C O N S E C R A T I O N 3 S c h a l l i n g & H e r z l i c h L i e b h a b w i t h A l l My H e a r t Wi n k w o r t h i c h D i c h OH e r r L o r d , Wh o a t C a n a ' s 2 6 2 C H R I S T I A N 4 T h r u p p , A . S t . U r s u l a We d d i n g F e a s t H O ME L o r d , Wh o t h e N i g h t Y o u We r e B e t r a y e d s e e T h o u , Wh o a t T h y F i r s t E u c h a r i s t L o r d Wh o 7 4 L E N T 1 H e r n a m a n , C . S t . F l a v i a n T h r o u g h o u t T h e s e F o r t y D a y s Ma g n i f i c a t 2 9 A D V E N T 3 P e n n e y , B . U f f i n g h a m Ma n o f S o r r o w s s e e H a l l e l u j a h , Wh a t a S a v i o r !
E r h a l t U n s , H e r r , b e i f r o mK l u g ' s G e i s t l i c h e d e i n e m Wo r t L i e d e r a u f f s n e w g e b e s s e r t , Wi t t e n b e r g , 1 5 4 3 &H a s s l e r H y F r y d o l P r i c h a r d , R .
f r o mS t r a s s b u r g , 1 5 7 7 We s t l a k e , F .
f r o mD a y ' s P s a l t e r , 1 5 6 3
C l a r k e , J .
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
Ma n , Wo u l d s t T h o u L i v e A l l B l i s s f u l l y s e e Wi l t T h o u , OMa n , L i v e H a p p i l y Ma y G o d b e P r a i s e d H e n c e f o r t ha n d B l e s t F o r e v e r s e e OL o r d We P r a i s e T h e e Ma y G o d B e s t o wo n 2 5 7 MI S S I O N S 3 L u t h e r &Ma s s i e E s Wo l l t u n s G o t t G e r m a n&L u t h e r U s H i s G r a c e G e n d i g Ma y G o d U n t o U s G r a c i o u s B e s e e Ma y G o d B e s t o wo n U s H i s G r a c e Mo r e L o v e t o T h e e 2 0 0 C O N S E C R A T I O N 1 P r e n t i s , E . Mo r e L o v e t o T h e eD o a n e , W. My F a i t h L o o k s T r u s t i n g l y s e e My F a i t h L o o k s U p T o T h e e My F a i t h L o o k s U p 2 0 2 C O N S E C R A T I O N 2 P a l m e r , R . O l i v e t Ma s o n , L . T o T h e e My H o p e I s B u i l t 2 4 6 T R U S T 3 Mo t e , E . Me l i t a D y k e s , J . My J e s u s , A s T h o u 2 1 4 N E W 2 S c h m o l c k & J e w e t t o r We b e r v o n We b e r , C . Wi l t O B E D I E N C E B o r t h w i c k My N e i g h b o r 1 6 2 J U S T I F I C A T I O N 1 F l e i s c h m a n n , J . T a l l i s ` C a n o n T a l l i s , T . My S o n g S h a l l B e O f 1 7 4 C R O S S A N D 4 C r o s b y & S o n d a n c e P a x t o n , K . J e s u s C O MF O R T C l a r k s o n N e a r e r , My G o d , T o 1 7 5 C R O S S A N D 1 A d a m s &G a n s e &B e t h a n y ( Ma s o n ) Ma s o n , L . T h e e C O MF O R T B i c k e r s t e t h N o , N o t O n e ! 1 5 1 R E D E E ME R 2 O a t m a n , J . N o , N o t O n e H u g g , G . 0 3 C O N S E C R A T I O N 2 B i c k e r s t e t h , E . E v e n t i d e Mo n k , W. N o t Wo r t h y , L o r d , t o 2 G a t h e r U p t h e C r u m b s N o wA l l t h e Wo o d s A r e S l e e p i n g s e e N o wR e s t B e n e a t h N i g h t ' s S h a d o w N o wD o We P r a y G o d t h e H o l y G h o s t s e e We N o wI m p l o r e G o d t h e H o l y G h o s t N o wL e t U s P r a y t o t h e H o l y G h o s t s e e We N o wI m p l o r e G o d t h e H o l y G h o s t N o wP r a i s e We 5 3 C H R I S T MA S 3 S e d u l i u s &L u t h e rC h r i s t u m Wi r S o l l e n L a t i n &f r o mE r f u r t C h r i s t , t h e H o l y &Ma s s i e L o b e n S c h o n E n c h i r i d i o n , 1 5 2 4 O n e N o wP r a y We A l l G o d t h e C o m f o r t e r s e e We N o wI m p l o r e G o d t h e H o l y G h o s t s a a c &B a c h N o wR e s t B e n e a t h 2 7 2 E V E N I N G 3 G e r h a r d t , P . I n n s b r u c k o r N u n I N i g h t ' s S h a d o w r u h e n a l l e W l d e r o r OWe l t , I c h Mu s s D i c h L a s s e n N o wT h a n k We A l l 2 3 3 T H A N K S G I V I N G 1 R i n k a r t & N u n D a n k e t C r g e r , J . O u r G o d Wi n k w o r t h N o wt h e L i g h t H a s 2 7 3 E V E N I N G 1 H a v e r g a l , F . M d e b i n i c h , g e h f r o mL i e d e r b u c h f r G o n e A w a y z u r R u h K l e i n k i n d e r S c h u l e n , 1 8 4 2 N o wWo o d s a n d Wo l d s A r e S l e e p i n g s e e N o wR e s t B e n e a t h N i g h t ' s S h a d o w OB e G l a d A l l 1 5 2 R E D E E ME R 4 P e n n e y , B . G w a l i a We l s h &E v a n s N a t i o n s o n E a r t h OB l e s s e d H o l y T r i n i t y s e e OH o l y , B l e s s e d T r i n i t y OC h i e f o f C i t i e s 6 4 E P I P H A N Y 2 P r u d e n t i u s & P u e r N o b i s N a s c i t u rP r a e t o r i u s &Wo o d w a r d B e t h l e h e m S m i t h e r s & D o u g l a s & Ma r q u e s s o f B u t e OC o m e , A l l Y e 5 4 C H R I S T MA S 3 Wa d e &O a k e l e y A d e s t e F i d e l e s o r Wa d e , J . F a i t h f u l &B r o o k e P o r t u g u e s e H y m n OC o m e OC o m e 3 0 A D V E N T 2 u n k n o w n&N e a l eV e n i E m m a n u e l F r e n c h E m m a n u e l OD a y o f R e s t A n d 2 3 4 T H A N K S G I V I N G 2 Wo r d s w o r t h , C . Wo o d b i r d o r E s F l o g G e r m a n&Wo o d w a r d G l a d n e s s E i n K l e i n s Wa l d v g e l e i n OF o r AT h o u s a n d 1 5 3 R E D E E ME R 1 We s l e y , C . A z m o n G l s e r &Ma s o n T o n g u e s
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
OG o d , f r o mH e a v e nL o o k D o w n s e e L o o k D o w n , OL o r d , F r o mH e a v e n B e h o l d OG o d , L o o k D o w n f r o mH e a v e n a n d S e e s e e L o o k D o w n , OL o r d , F r o mH e a v e nB e h o l d OH o l y , B l e s s e d 2 6 8 MO R N I N G 2 B e h m &S c h u e t t e OH e i l i g e H e r m a n n , N . T r i n i t y D r e i f a l t i g k e i t o r S t e h t A u f , I h r L i e b e n K i n d e r l e i n OH o l y G h o s t t o T h e e We P r a y s e e We N o wI m p l o r e G o d t h e H o l y G h o s t OH o l y , H o l y , H o l y T h r e e s e e OH o l y , B l e s s e d T r i n i t y OJ e s u s C h r i s t , A l l P r a i s e t o T h e e s e e A l l P r a i s e t o J e s u s ' H a l l o w e d N a m e OL i t t l e T o w n o f 5 5 C H R I S T MA S 2 B r o o k s , P . S t . L o u i s R e d n e r , L . B e t h l e h e m OL o r d , H o wS h a l l I 3 2 A D V E N T 2 G e r h a r d t , P . Wi e S o l l i c h D i c h C r g e r , J . Me e t T h e e E m p f a n g e o n D i g n u s t r a d i t i o n a l OL o r d , I A mN o t 1 3 2 L O R D ' S S U P P E R 2 f r o mL a n d s h u t e r N Wo r t h y G e s a n g b u c h , 1 7 7 7 OL o r d I S i n g w i t h L i p s a n d H e a r t s e e R e j o i c e , My H e a r t , B e G l a d a n d S i n g OL o r d My S o u l 1 2 3 C O N F E S S I O N/ 2 Ma x w e l l , J . Wi n c h e s t e r N e w f r o m" Mu s i k a l i s c h e s C o n v i c t e d A B S O L U T I O N H a n d b u c h " , H a m b u r g , 1 6 9 0 &H u t c h i n s OL o r d o f H e a v ' n a n d2 3 5 T H A N K S G I V I N G 3 Wo r d s w o r t h , C . E s I s t K e i n T a g Me y e r , J . E a r t h a n d S e a OL o r d , T h r o u g h o u t T h e s e F o r t y D a y s s e e L o r d Wh o T h r o u g h o u t T h e s e F o r t y D a y s e r m a n&S c h e i n OL o r d We P r a i s e 2 2 6 P R A I S E 2 L u t h e r , M. G o t t S e i G e l o b e t G T h e e u n d G e b e n e d e i e t o r E n c h i r i d i o n o r G u d V r e L o v e t E v i g N u OL o v e , H o wD e e p , 1 6 3 J U S T I F I C A T I O N 4 u n k n o w n&We b bD e o G r a c i a s o r E n g l i s h&D o u g l a s H o wB r o a d , H o w A g i n c o u r t H i g h a s s l e r &B a c h P a s s i o nC h o r a l e o rH OS a c r e d H e a d , N o w 8 4 G O O DF R I D A Y 3 B e r n a r d o f H e r z l i c h T u t Mi c h Wo u n d e d C l a i r v a u x & V e r l a n g e n A l e x a n d e r OT a k e My H a n d , D e a r F a t h e r s e e T a k e T h o u My H a n d a n d L e a d Me OT h a t T h e L o r d 2 0 4 C O N S E C R A T I O N 1 Wa t t s , I . E v a no r E v a H a v e r g a l &Ma s o n Wo u l d G u i d e My Wa y s OT h e D e e p , D e e p 1 5 4 R E D E E ME R 4 F r a n c i s , S . E b e n e z e r o r T o n Y - Wi l l i a m s , T . L o v e o f J e s u s B o t e l OT h o u Mo s t H o l y T r i n i t y s e e OH o l y , B l e s s e d T r i n i t y OT r i n i t y o f B l e s s e d 2 7 4 E V E N I N G 5 A m b r o s e o f Mi l a n OL u x B e a t a T r i n i t a s L a t i n L i g h t &N e a l e OWo n d r o u s T y p e , O 7 0 T R A N S F I G U R A T I 4 L a t i n &N e a l e D e o G r a c i a s o r E n g l i s h&D o u g l a s V i s i o n F a i r O N A g i n c o u r t O h , B l e s t t h e H o u s e 2 6 3 C H R I S T I A N 1 v o n P f e i l & Wo G o t t Z u mH a u sf r o mK l u g ' s G e i s t l i c h e H O ME Wi n k w o r t h L i e d e r , Wi t t e n b e r g , 1 5 3 3 O n J o r d a n ' s B a n k t h e 3 1 A D V E N T 2 C o f f i n &C h a n d l e rP u e r N o b i s N a s c i t u rP r a e t o r i u s &Wo o d w a r d B a p t i s t ' s C r y O n e T h i n g ' s N e e d f u l 1 5 5 R E D E E ME R 3 S c h r d e r &C o x E i n s i s t N o t K r i e g e r &L a y r i z O p e n N o wT h y G a t e s 1 9 O P E N I N GS O N G S 2 S c h m o l c k & U n s e r H e r r s c h e r o rN e a n d e r , J . o f B e a u t y Wi n k w o r t h N e a n d e r O u r F a t h e r i n t h e H e a v e n Wh o A r t s e e O u r F a t h e r T h o u i nH e a v e nA b o v e
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
L u t h e r , M.
C r o f t , W. L u t h e r &B a c h
f r o mK p f e l ' s G e s a n g b u c h , S t r a s s b u r g , 1 5 2 5 & H a u p t
O v e r K e d r o nJ e s u s L i n d e m a n , L . T r a e d e r P a s s Me N o t O D o a n e , W. G e n t l e S a v i o r O l d 1 0 0 t h G e n e v a nP s a l t e r & B o u r g e o i s P r a i s e My S o u l o r G o s s , J . L a u d a A n i m a o r S t . P a u l L o b e d e n H e r r e n f r o mA n d e r T h e i l d e s E r n e u e r t e n G e s a n g b u c h , 1 6 6 5 & B e n n e t t I c h S i n g e d i r m i t K n i g , J . H e r z T o p l a d y H a s t i n g s , T . E s i s t d a s H e i l u n s f r o mE t l i c h C h r i s t l i c h K o m m e n H e r L i d e r , Wi t t e n b e r g , 1 5 2 4 B r a d b u r y B r a d b u r y , W.
R e j o i c e , My H e a r t , B e1 7 6 C R O S S A N D G l a d a n d S i n g C O MF O R T R o c k o f A g e s 1 6 4 J U S T I F I C A T I O N S a l v a t i o nU n t o U s 1 6 5 J U S T I F I C A T I O N H a s C o m e S a v i o r , L i k e A S h e p h e r d L e a d U s S a v i o r O f T h e N a t i o n s C o m e 2 0 6 C O N S E C R A T I O N 3 3 A D V E N T
2 G e r h a r d t , P . 1 T o p l a d y , A . 2 S p e r a t u s , P .
2 T h r u p p , D .
S a v i o r Wh e n I n D u s t 7 5 T o T h e e S a v i o r , Wh o T h y 2 6 4 F l o c k A r t F e e d i n g
L E N T C H R I S T I A N H O ME
S e e A m i d t h e 5 6 C H R I S T MA S Wi n t e r ' s S n o w S e e , t h e C o n q u e r o r Mo u n t s i n T r i u m p h s e e S e e , T h e L o r d A s c e n d s I n T r i u m p h S e e , T h e L o r d 9 7 A S C E N S I O N 4 Wo r d s w o r t h , C . R e x G l o r i a e A s c e n d s I n T r i u m p h S i l e n t N i g h t 5 7 C H R I S T MA S 1 Mo h r &Y o u n g S t i l l e N a c h t S i n g , OS i n g , T h i s 5 8 C H R I S T MA S 1 Wo r d s w o r t h , C . N a t i v i t y B l e s s e d Mo r n
S m a r t , H .
G r u b e r , F . Mo n k , W.
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
S o n g s o f T h a n k f u l n e s s a n d P r a i s e S o u l s o f Me n ! Wh y Wi l l Y e S c a t t e r S t r i c k e n , S m i t t e n , a n d A f f l i c t e d
6 5
E P I P H A N Y
3 Wo r d s w o r t h , C . S t . G e o r g e ` s Wi n d s o r 2 F a b e r , F . 1 K e l l y , T . I n B a b i l o n e
E l v e y , G .
2 4 8 8 5
T R U S T G O O DF R I D A Y
D u t c h &R n t g e n
T a k e My L i f e A n d L e t2 0 7 C O N S E C R A T I O N I t B e T a k e T h o u My H a n d 2 0 8 C O N S E C R A T I O N a n d L e a d Me ' T a k e U p T h y C r o s s ' ,2 5 8 MI S S I O N S t h e S a v i o r S a i d T h a t Me n a g o d l y 1 3 7 WO R DO F G O D L i f e Mi g h t L i v e
3 H a v e r g a l , F .
OMe i n J e s u , I c h f r o mG e i s t l i c h e s Mu s s S t e r b e n o r V o l k s l i e d , 1 8 5 0 Wo I s t J e s u s , Me i n V e r l a n g e n Mo z a r t Mo z a r t , W.
T h e A d v e n t o f O u r 3 4 A D V E N T G o d T h e A n g e l G a b r i e l F r o mH e a v e n C a m e s e e G a b r i e l ' s Me s s a g e T h e A p o s t l e L o o k e d 1 8 0 E N DT I ME S 3 R o b e r t s o n , A . a n d H e a r d a V o i c e T h e B r i d e g r o o mS o o n1 8 1 E N DT I ME S 2 Wa l t h e r &L o y Wi l l C a l l U s
T h e C h u r c h ' s O n e 1 9 3 C O MMU N I O NO F F o u n d a t i o n S A I N T S T h e C l o u d R e c e i v e d 9 6 A S C E N S I O N C h r i s t F r o mT h e i r S i g h t T h e C o m f o r t e r H a s 1 0 4 P E N T E C O S T C o m e T h e D a y i s S u r e l y 1 8 2 E N DT I ME S D r a w i n g N e a r
1 S t o n e , S . 1 D u m o n t , B .
A d d i s o n ` s o r S h e e l e s , J . L o n d o n( A d d i s o n s ) A c t G o t t V o m P r a e t o r i u s , M. H i m m e l r e i c h e o r I c h w i l l e i n N e u e s S i n g e no r P r a e t o r i u s 7 A u r e l i a We s l e y , S . A z m o n G l s e r &Ma s o n
2 B o t t o m e , F .
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
T h e L o r d ' s P r a y e r 2 1 8 P R A Y E R ( n e w ) T h e Mo u t h o f F o o l s 1 1 6 R E F O R MA T I O N D o t h G o d C o n f e s s T h e O l d R u g g e d C r o s s T h e P e o p l e T h a t i n D a r k n e s s S a t 1 7 7 6 6 C R O S S A N D C O MF O R T E P I P H A N Y
3 P e n n e y , B .
E r f y n i a d
We l s h &E v a n s
T h e S o l i d R o c k s e e My H o p e I s B u i l t T h e S o n g o f S i m e o n : N u n c D i m i t i s s e e I n P e a c e a n d J o y I N o wD e p a r t T h e S t a r P r o c l a i m s 6 7 E P I P H A N Y 2 S e d u l i u s &N e a l e Wo G o t t Z u mH a u sf r o mK l u g ' s G e i s t l i c h e t h e K i n g i s H e r e L i e d e r , Wi t t e n b e r g , 1 5 3 3 T h e S t r i f e I s O ' e r , 9 4 E A S T E R 2 f r o mS y m p h o n i a V i c t o r y P a l e s t r i n a &Mo n k T h e B a t t l e D o n e S i r e n u m S e l e c t a r u m& P o t t T h e r e ' s a G r e a t D a y 1 8 3 E N DT I ME S 1 T h o m p s o n , W. T h e r e s a G r e a t D a yT h o m p s o n , W. C o m i n g C o m i n g T h e r e ' s a Wi d e n e s s i nG o d ' s Me r c y s e e S o u l s o f Me n ! Wh y Wi l l Y e S c a t t e r T h e s e A r e t h e H o l y T e n C o m m a n d s s e e T h a t Me n a g o d l y L i f e Mi g h t L i v e T h e s e T h i n g s t h e S e e r I s a i a hd i d B e f a l l s e e I s a i a h , Mi g h t y S e e r , I n D a y s o f O l d T h i n e A r m , OL o r d , 2 4 9 T R U S T 2 P l u m p t r e , E . K i n g s f o l d E n g l i s h&Wi l l i a m s i n D a y s o f O l d T h o u Wh o A r t T h r e e i n U n i t y s e e OT r i n i t y o f B l e s s e d L i g h t T h o u , Wh o a t T h y 1 3 3 L O R D ' S S U P P E R 1 T u r t o n , W. U n d e E t Me m o r e s Mo n k , W. F i r s t E u c h a r i s t T h o u g h i n t h e Mi d s t 2 5 0 F U N E R A L 3 Me d i e v a l &L u t h e r Mi t t e nw i r i mL e b e n Me d i e v a l &L u t h e r o f L i f e We B e S i n d T h r o u g h t h e N i g h t o f1 9 4 C O MMU N I O NO F 4 I n g e m a n n& R e x G l o r i a e S m a r t , H . D o u b t a n d S o r r o w S A I N T S G o u l d T i s G o o d , L o r d , T o B e7 1 T R A N S F I G U R A T I 2 R o b i n s o n , J . P o t s d a m B a c h &G o s s H e r e O N ' T i s Mi d n i g h t a n d O n 8 0 G O O D 3 T a p p a n , W. S t . C r o s s D y k e s , J . O l i v e ' s B r o w T H U R S D A Y T o G o d t h e H o l y S p i r i t L e t U s P r a y s e e We N o wI m p l o r e G o d t h e H o l y G h o s t T o J o r d a n C a m e O u r 6 8 E P I P H A N Y 3 L u t h e r &Ma s s i e C h r i s t , U n s e r H e r r Wa l t h e r , J . L o r d , T h e C h r i s t T o S h e p h e r d s A s 6 0 C H R I S T MA S 2 L u t h e r &Ma s s i e V o mH i m m e l H o c hf r o mS c h u m a n n ' s T h e y Wa t c h e d B y G e i s t l i c h e L i e d e r , N i g h t L e i p z i g , 1 5 3 9 T o U s S a l v a t i o n N o wI s C o m e s e e S a l v a t i o nU n t o U s H a s C o m e T o d a y T h y Me r c y 1 6 6 J U S T I F I C A T I O N 2 A l l e n , O . A n t h e s A n t h e s , F . C a l l s Me T o d a y Y o u r Me r c y C a l l s U s s e e T o d a y T h y Me r c y C a l l s Me ' T w a s O n T h a t D a r k , 8 1 G O O D 3 Wa t t s , I . S t . C r o s s D y k e s , J . T h a t D o l e f u l N i g h t T H U R S D A Y U n d e r H i s Wi n g s 2 5 1 T R U S T 1 C u s h i n g , W. U n d e r H i s Wi n g s S a n k e y , I . Wa k e , A w a k e , f o r 1 8 4 E N DT I ME S 3 N i c o l a i & Wa c h e t A u f N i c o l a i , P . N i g h t I s F l y i n g Wi n k w o r t h
T i t l e
N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o rT u n e e x i t y i ni t a l i c s
C o mp o s e r / A r r a n g e r i n i t a l i c s
We A l l B e l i e v e i n O n e T r u e G o d
5 Me d i e v a l &L u t h e r Wi r G l a u b e n a l l a n Me d i e v a l &L u t h e r E i n e n G o t t , S c h o e p f e r o r A p o s t o l i c C r e e d We G a t h e r T o g e t h e r 2 0 O P E N I N GS O N G S 2 u n k n o w n&B a k e rK r e m s e r D u t c h &K r e m s e r We G i v e T h e e B u t 2 6 0 S T E WA R D S H I P 2 H o w , W. E n e r g y Mo n k , W. T h i n e O w n We N o wI m p l o r e 2 1 9 P R A Y E R 2 G e r m a n&L u t h e rN u n B i t t e n w i r d e nG e r m a n G o d t h e H o l y G h o s t H e i l i g e n G e i s t We P r a i s e Y o u , J e s u s a t Y o u r B i r t h s e e A l l P r a i s e t o J e s u s ' H a l l o w e d N a m e We r e G o d N o t Wi t h U s A t T h i s T i m e s e e I f G o d H a d N o t B e e n o n O u r S i d e Wh a t AF r i e n d We 2 2 0 P R A Y E R 1 S c r i v e n , J . u n t i t l e d C o n v e r s e , C . H a v e I n J e s u s Wh a t C h i l d I s T h i s ? 6 1 C H R I S T MA S 2 D i x , W. G r e e n s l e e v e s E n g l i s h Wh e n C h r i s t ' s A p p e a r i n g Wa s Ma d e K n o w n s e e T h e S t a r P r o c l a i m s t h e K i n g i s H e r e Wh e n I S u r v e y t h e 7 6 L E N T 2 Wa t t s , I . R o c k i n g h a mO l d Mi l l e r , E . Wo n d r o u s C r o s s Wh e n P e a c e L i k e a R i v e r s e e I t I s We l l Wi t h My S o u l Wh e n T h e R o l l I s 1 9 5 C O MMU N I O NO F 3 B l a c k , J . Wh e n T h e R o l l I s B l a c k &G a b r i e l C a l l e d U p Y o n d e r S A I N T S C a l l e d U p Y o n d e r Wh e r e H e L e a d s Me 2 1 5 N E W 2 B l a n d y , E . B l a n d y o r N o r r i s N o r r i s &B l i s s O B E D I E N C E Wh i l e O ' e r O u r 1 2 6 C O N F E S S I O N/ 1 D a v i e s &D u m o n tF e d e r a l S t r e e t O l i v e r , H . G u i l t y L a n d , OL o r d A B S O L U T I O N Wh i t e r T h a n S n o w 2 0 9 C O N S E C R A T I O N 2 N i c h o l s o n , J . Wh i t e r T h a n S n o w F i s c h e r , W. Wh y H e r o d U n r e l e n t i n g F o e s e e T h e S t a r P r o c l a i m s t h e K i n g i s H e r e Wh y I m p i o u s H e r o d , S h o u l d s t T h o u F e a r s e e T h e S t a r P r o c l a i m s t h e K i n g i s H e r e Wi l t T h o u , OMa n , 1 4 0 WO R DO F G O D 3 L u t h e r &Ma s s i e Me n s c h , Wi l l t d u L u t h e r &S c h e i n L i v e H a p p i l y L e b e n S e l i g i c h Wo u l d t h a t t h e L o r d Wo u l d G r a n t U s G r a c e s e e Ma y G o d B e s t o wo n U s H i s G r a c e Y o u P a r e n t s H e a r 2 6 5 C H R I S T I A N 1 H e l m b o l d & H e r r J e s u C h r i s t , f r o mC a n t i o n a l e Wh a t J e s u s T a u g h t H O ME C z a m a n s k e D i c t Z u U n s We n d G e r m a n i c u m , D r e s d e n , 1 6 2 8 Y o u P e o p l e Wh o 1 2 0 B A P T I S MA L L I F E 2 G e r h a r d t & E s i s t G e w i s s l i c h a nf r o mK l u g ' s G e i s t l i c h e N o wA r e B a p t i z e d D u m o n t d e r Z e i t L i e d e r , Wi t t e n b e r g , 1 5 3 3 &P r a e t o r i u s Y o u r H a n d , OL o r d , i n D a y s o f O l d s e e T h i n e A r m , OL o r d , i n D a y s o f O l d
1 0 8
T R I N I T Y
P i e c e s F o r C h o i r o r P r e l u d e / P o s t l u d e Mu s i c :
T i t l e N o . S e c t i o n
C o mp lA u t h o r / T r a n s l a t o r e x i t y i ni t a l i c s
T u n e
C o mp o s e r / A r r a n g e r i n i t a l i c s
C a n o n i n D J e s u s , J o y o f Ma n ' s D e s i r i n g L o r d G o d , T h y P r a i s e We S i n g My S o n g S h a l l B e O f J e s u s
2 7 5 I N S T R U ME N T A L 2 7 6 C H O R A L 2 7 7 2 7 8 C H O R A L C H O R A L
18
OPENING SONGS
Words: verses 13, Tobias Clausnitzer, 1663. verse 4, unknown author. Translated by Catherine Winkworth, 1858. Music: Liebster Jesu wir Sind Hier Johann Rudolph Ahle, 1664. Setting: Fridrich Layriz, 1854. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 120
4 4
1. Bles 2. All 3. Glor 4. Fa sed Je sus, our know ledge, ious Lord, Thy ther, Son, and at sense, self Ho Thy and im ly Word sight part! Ghost, We Lie Light Praise are ga thered in deep est of light, from to Thee and all dark God a to hear ness shroud pro ceed do ra Thee; ed, ing, tion!
4 4
our hearts and Thy Spir it pen Thou our that we Thy
Thy a the we
ings to Thy be
787888
OPENING SONGS
19
Words: Benjamin Schmolck, 1730. Translated by Catherine Winkworth, 1863. Music: Unser Herrscher or Neander Joachim Neander, 1680. Setting: "Chorale Book for England", 1863. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 100
4 4
1. Op en now thy 2. Lord, my God, I 3. Here Thy praise is 4. Thou my faith in 5. Speak, O God, and gates come glad crease I of be ly and will beau fore chant quick hear ty, Thee, ed, en, Thee, Zi Come Here Let Let on, Thou Thy me Thy let me al so seed is keep Thy will be en ter un to du ly gift di done in there, me; sown; vine, deed;
4 4
Where my soul in Where we find Thee Let my soul, where How so eer temp dist May I un
Oh, To So As Here
how my that my of
with it ful my is
so be un com balm
878777
20
We Gather Together
OPENING SONGS
Words: Anonymous circa 1597. Translated Theodore Baker, 1894. Music: Kremser Traditional Dutch circa 1597. Setting: Eduard Kremser, 1877. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
3 4
1. We 2. Be 3. We ga side all ther us do to to ex ge guide tol ther us, Thee, to our Thou ask God Lea the Lords with us der tri bless join um ing; ing, phant,
3 4
He Or And
ha tain still
The So Let
wi from Thy
pres gin ga
now the es
tres win la
He for all O
not ry make
His be us
66656665
CLOSING SONGS
21
Words: Martin Luther, 1524. Translated by Leonard Woolsey Bacon, 1884, alt. Music: Mit Fried und Freud ich Far Dahin from Walters Geistliche Gesangbchlein, 1524. Setting: Michael Praetorius, 1610. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. In 2. Tis 3. Him 4. He peace Christ Thou is and that hast the joy wrought un Hope I now de this work for to all set and sa ving part me, forth Light At My Their Of Gods faith great lands dis pos ful Sa Sal va be night ing; vior, tion ed;
4 4
my to the in
Soft By Ev Fed
pos fa na light
So Now By He
is in ery Re
858477
22
CLOSING SONGS
Words: John Fawcett, 1773; verse 3 alt. by Godfrey Thring, 1880. Music: Regent Square Henry Smart, 1867. Setting: "Psalms and Hymns for Divine Worship", 1867. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
1. Lord, dis 2. Thanks we 3. So that miss us with give and a when Thy love Thy dor shall bless ing; a tion call us, Fill our For Thy Sa vior, hearts with joy and Gos pels joy ful from the world a peace; sound; way,
4 4
us the of
pos sal ap
ses va pall
deem lives to
ing a o
O Ev May
re er we
O ev may
re er we
fresh us, Trav ling faith ful, To the ev er, Reign with
wil we end
der be less
878787
ADVENT
23
Words: Charles Wesley, 1745. Music and Setting: Jefferson from "Southern Harmony", 1835, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
2 4
1. Come, Thou 2. Born Thy long ex peo ple pect ed to de Je li sus ver, Born Born to a set Thy child and peo ple yet a free; King,
2 4
sins re us for
lease ev
us, er,
Let Now
us Thy
Thee. bring.
Is raels By Thine
Con ter
sol nal
Hope of Rule in
all all
the our
art; lone;
Dear De By Thine
ev ery fi cient
Joy Raise
of us
ev to
ery Thy
heart. throne.
87878787
24
ADVENT
Words: Johann Olearius (Oelschlaeger), 1671. Translated by Catherine Winkworth, 1862. Music: Freu dich sehr, o meine Seele from Trente Quatre Pseaumes de David, Geneva, 1551. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 160
6 4
1. Com fort, com 2. For the her 3. Yea, her sins 4. Make ye straight fort alds our what ye voice God long My is will was peo ple, cry ing par don, crook ed, Speak ye peace, thus In the des ert Blot ting out each Make the rough er saith far dark pla our and mis ces God; near, deed; plain:
6 4
who men de be
Mourn ing neath their Since the king dom He will no more As be fits His
rows is nor ly
Je ing ered ry
ru cry many of
sa o a the
for a a a
her that her leys the val will change her all flesh shall
fare bow er is
Is 40:18
87877788
ADVENT
Gabriels Message
(also known as The Angel Gabriel From Heaven Came)
25
Words: Traditional Basque Carol; Paraphrased by Sabine Baring Gould, (18341924). Music: Gabriels Message Traditional Basque Carol. Setting: Edgar Pettman, 1922. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 200
3 4
1. The 2. "For 3. Then 4. Of an know gen her, gel a tle Em Ga bless Ma man bri ed ry u el Mo meek el, from ther ly the hea thou bowed Christ ven shalt her was came, be, head, born
3 4
as er be le
drift a as hem,
ed tions it all
ly nu ni the
Ma seers ho ev
fore ly er
most
high
ly
fa
vored
la
dy,"
Glo
ri
a!
Lk 1:2638, 1:4248
10 10 12 7 3
26
ADVENT
Words: Philip Doddridge, 1735. Music: Chesterfield or Richmond (Haweis) or Spa Fields Chapel Thomas Haweis, 1792. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1896. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 130
3 4
1. Hark, 2. On 3. He 4. He 5. He the Him comes comes comes glad the the from the sound! Spi pris thick bro the rit, ners est ken Sa large to films heart vior ly re of to comes! poured, lease, vice bind, The Ex In To The Sa erts Sa clear bleed vior its tans the ing pro sac bon men soul mised red dage tal to long; Fire; held; ray, cure;
3 4
ev ho ir pour rich
ery ly on ce the
6. His silver trumpets publish loud The jublee of the Lord Our debts are all remitted now Our heritage restored.
7. Our glad hosannas, Prince of Peace, Thy welcome shall proclaim; And Heavns eternal arches ring With Thy belovd name.
8686
ADVENT
27
Words: Godfrey Thring, 1864. Music: Sieh, hier bin ich, Ehrenkoenig from Geistreiches Gesangbuch Darmstadt, Germany, 1698. Setting: "Evangelical Lutheran HymnBook", 1931, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. Je 2. Je 3. Je 4. Je 5. Je sus sus sus sus sus came, comes comes comes comes the a to in on heavns gain hearts joy clouds a in re and tri dor ing, mer cy, joic ing, sor row, um phant, Came When Bring Shares When with our ing a the peace hearts news like heavns from are of our shall realms bowed sins hopes pass on with for and a high; care; givn; fears; way;
4 4
Je Je Je Je Je
re in of be in
ly came on an ear nest, ing souls re our hearts, and us then our
Al Al Al Al Al
le le le le le
lu lu lu lu lu
Al Al Al Al Al
le le le le le
lu lu lu lu lu
mil i ty. from des pair. death is rivn. fail ing years. end less day.
878787
28
ADVENT
Words: John Cennick, 1752. Altered by Charles Wesley, 1758, alt. Music: Helmsley attr. Thomas Olivers, 1765. Setting: "The English Hymnal", 1906, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 150
4 4
1. Lo! He 2. Ev ry ry 3. Ev 4. Now re 5. An swer comes eye is demp Thine with shall land, tion, own clouds now sea, long bride de be and ex and scend hold moun pect Spi ing, Him tain, ed, rit, Once Robed Heavn See Has for in and in ten, ev dread earth, sol Lord, ry ful shall emn the
4 4
at and con re in
of to claim in ex
le ly to le cre
lu wail judg lu a
le ly to le cre
lu wail judg lu a
le ly to le cre
lu wail judg lu a
to ah a ap Thee
6.The dear tokens of His passion Still His dazzling body bears; Cause of endless exultation To His ransomed worshippers; With what rapture, with what rapture, with what rapture Gaze we on those glorious scars!
7.Yea, Amen! let all adore Thee, High on Thine eternal throne; Savior, take the power and glory, Claim the kingdom for Thine own; O come quickly! O come quickly! O come quickly! Everlasting God, come down!
Rev 1:7, Jn 20:2431, Rev 7:912, Acts 1:11, 1Thess 4:1318, Rev 22:20
8 7 8 7 12 7
ADVENT
Magnificat
29
Words: Brian L. Penney, 2009. Music: Uffingham Jeremiah Clarke, 1701. Setting: "The English Hymnal", 1906. copyright: Words: Copyright 2009, Brian L. Penney. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music and Setting: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 110
3 4
1. My 2. Be 3. The 4. The 5. The soul hold, Lord hun Lord shall I has gry helps mag am shown with His ni for His good be fy ev might things lov the er y are ed Lord, blessed, arm, filled, ones, And For Those They In with my God has proud in see Gods mer cy
3 4
re on their no mised
His or ly ty bra
Lk 1:4655
8888
30
ADVENT
Words: various, combined by unknown author approx 12th Century, Translated by John Mason Neale, 1851. Music: Veni Emmanuel 15th Century French processional. Setting: "Common Service Book" (ULCA), 1917. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 130
4 4
1. O 2. O 3. O 4. O 5. O come, come, come, come, come, O Thou Thou Thou Thou come, Em Wis dom Rod of Day spring, Key of man from Jes come Da u on se, and vid, el, high, free cheer come, And Who Thine Our And ran or own spi o som derest from rits pen cap all Sa by wide tive things tans Thine our Is ra might i ty ran ad vent hea vnly el, ly; ny; here; home;
4 4
ap to the to ser
Re
joice!
Re
joice!
Em
man
el
shall
come to thee, O
sra
el.
888888
ADVENT
31
Words: Charles Coffin, 1736. st. 13 translated by John Chandler, 1837; st 45 translator unknown. Music: Puer Nobis Nascitur Michael Praetorius, 1609. Setting: George Ratcliffe Woodward for "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
3 4
1. On 2. Then 3. For 4. Stretch 5. To Jor dans cleansed be Thou art forth Thine Him Who bank ev our hand, left the ery Sal to the Bap breast va heal throne tists from tion, our of cry An sin; Make Lord, Our sore, And Heavn To noun straight Ref make save ces the uge, us man
3 4
is with Re no be
and we Thy up be
hear in grace on to
ti such wi fill Ho
of may de di in
Jn 1:23, Mt 3:112
8888
32
ADVENT
Words: Paul Gerhardt, 1653. translator unknown. Music: Wie Soll ich Dich Empfange Johann Crger, 1653. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 140
4 4
1. O 2. Thy 3. What 4. I 5. Love Lord, how shall I Zi on palms is hast Thou left un lay in fet ters caused Thine in car meet strew grant groan na Thee, ing, ed ing, tion How And To Thou Love wel come Thee a branch es fresh and give me glad re comst to set me brought Thee down to right? fair; lief? free; me;
4 4
na tions long to heart, its powrs re soul and bo dy stood, my shame be thirst for my sal
O My In A O
in to joy safe to
my pro and on em
in spir it her strength and my souls Sal not fail nor all love ex
Mt 21:19, Ps 42:12
76767676
ADVENT
6.Rejoice, then, ye sadhearted, Who sit in deepest gloom, Who mourn oer joys departed, And tremble at your doom: Despair not, He is near you, Yea, standing at the door; He brings His pity near you, And bids you weep no more. 7.No care nor effort either Is needed day or night, How ye may draw Him hither In your own strength and might. He comes, He comes with gladness, Moved by His love alone, To calm your fear and sadness, To Him they well are known. 8.Sins debt, that fearful burden, Let not your souls distress; Your guilt the Lord will pardon and cover with His grace. He comes, He comes procuring The peace of sin forgivn, To all Gods sons securing Their part and lot in heavn. 9.Why should the wicked move you? Heed not their craft and spite! Your Savior who doth love you, Will scatter all their might. He comes, a King most glorious, and all His earthly foes In vain His course victorious Endeavor to oppose. 10.He comes to judge the nations, A terror to His foes, A light of consolations And blessed hope to those Who love the Lords appearing. O glorious Sun, now come, Send forth Thy beams so cheering, And guide is safely home!
32(2)
Mt 21:19, Ps 42:12
76767676
33
ADVENT
Words: Ambrose of Milan, c. 397. Translated to German by Martin Luther, 1524. Translated from German to English by William M. Reynolds, 1851. Music: Nun Komm, Der Heiden Heiland from Walters Geistliche Gesangbchlein, 1524. Setting: "Mehrstimmiges ChoralBuch", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 100
4 4
1. Sa 2. Not 3. Won 4. From 5. Thou, vior of the by hu man drous birth! O the Fa ther the Fa thers na flesh won forth on tions, and drous He ly come; blood; Child came Son, Vir gins Son, By the Spi Of the vir And re turn Hast oer sin here rit gin eth the make of un to vic Thy our de the try home! God filed! same, won.
4 4
6. Brightly doth Thy manger shine, Glorious is its light divine. Let not sin oercloud this light; Ever be our faith thus bright.
7. Praise to God the Father sing, Praise to God the Son, our King, Praise to God the Spirit be Ever and eternally.
7777
ADVENT
34
Words: Charles Coffin, 1736. translated by John Chandler, 1837, alt. Music: St. Thomas Aaron Williams, 1770. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1905. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 140
4 4
1. The 2. The 3. Come, 4. As 5. Be ad ev Zi judge, fore vent of our er last ing ons daugh ter, on clouds of the dawn ing God Son rise light, day Shall In To He Let be our car nate meet your soon will sin be theme stoops low come put for to ly a to prayer be, King, gain flight;
4 4
let us meet self the ser let your faith all His scat long er let
for His He on in
6. All glory to the Son Who comes to set us free, With Father, Spirit, ever One, Through all eternity.
6686
35
ADVENT
Words: Unknown author. Translated by John Brownlie, 1907. Music and Setting: Consolation or Morning Song John Wyeth, 1813. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
4 4
1. The 2. Not 3. O 4. O 5. The King as bright bright King shall of er er shall come old than than come when a the that when morn lit ris glor morn ing dawns, And tle child To ing morn When ious morn Shall ing dawns, And light bear, He, this earths tri and vic fair dark um fight, tor morn night phant and ious, ing is breaks; die, rose, be, past;
4 4
6. And let the endless bliss begin, By weary saints foretold, When right shall triumph over wrong, And truth shall be extolled.
7. The King shall come when morning dawns, And light and beauty brings: Hail, Christ the Lord! Thy people pray, Come quickly, King of kings.
8686
CHRISTMAS
36
Words: Germanus of Constantinople (634734). Translated by John Mason Neale, 1862. Music: Es Ist Ein Ros Entsprungen (Rhythmic) German from Kln, 1599. Setting: Michael Praetorius, 1609. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
and be they He ol
y in your to shall
and re an be ror
ly on ic a de
Re
gain: "To
God on high be
glo ry And
peace on
earth
to
men!"
7676676
37
CHRISTMAS
(also known as All Praise to Thee, O Jesus Christ or O Jesus Christ, All Praise to Thee or We Praise You, Jesus at Your Birth or All Praise to Thee, Eternal Lord)
Words: verse 1, ancient German. verses 27, Martin Luther, 1524. Translated by Richard Massie, 1854, alt. Music: Gelobet Seist Du ancient German found in Walters Geistliche Gesangbchlein, 1524. Setting: Karl August Haupt, 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. All 2. ThE 3. He 4. ThE 5. The praise to Je sus ter nal Fa thers whom the world could ter nal Light, come Fa thers Son, God hal lowed on ly not in down from ev er Name Son wrap heavn, blest, Who For Yon Hath In of a der to the vir man lies us world gin ger in new be
4 4
True Dis He It He
for in be eth us
earth they bring. last ing Good. hold eth all. sons of light. king dom heirs.
Hal
le
lu
jah!
6. He came to earth so mean and poor, Man to pity and restore, And make us rich in heaven above, Equal with angels through his love. 7. All this He did to show His grace To our poor and sinful race; For this let Christendom adore And praise His name for evermore.
8 7 8 8 with Alleluia
CHRISTMAS
38
Words: James Montgomery, 1816. Music: Regent Square Henry Smart, 1867. Setting: "Psalms and Hymns for Divine Worship", 1867. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 100
4 4
1. An 2. Shep 3. Sa 4. Saints, 5. Sin gels herds, ges, be ners, from in leave fore wrung the realms of the field a your con tem the al tar with true re glo bid pla bend pen ry, ing, tions, ing, tance, Wing Watch Bright Watch Doomed your ing er ing for flight oer all the oer your flocks by vi sions beam a long in hope and guilt to end less earth; night, far; fear; pains,
4 4
Come and
and
Christ,
the
new born
King.
6. Though an Infant now we view Him, He shall fill His Fathers throne, Gather all the nations to Him; Every knee shall then bow down:
7. All creation, join in praising God, the Father, Spirit, Son, Evermore your voices raising To theternal Three in One.
Lk 2:620, Mt 2:111
878787
39
CHRISTMAS
Words: French Carol; Translated by James Chadwick, 1862. Music: Gloria French carol melody. Setting: Edward (or Edwin) S. Barnes, before 1916. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 130
4 4
1. An gels we have 2. Shep herds, why this 3. Come to Beth le 4. See Him in a heard ju hem man on bi and ger high lee? see laid, Sweet ly Why your Christ Whose Whom the sing joy birth choirs ing ous the of oer strains an an the pro gels gels plains, long? sing; praise;
4 4
in ti bend lend
re dings ed your
cho ing their in spire your the Lord, the our hearts in
ous ly born we
Glo
ri a,
in ex cel sis
De
o!
Glo
ri a,
in ex cel sis
De
o!
Lk 2:1314, Ps 95:6
7 7 7 7 with Glorias
CHRISTMAS
Away In A Manger
40
Words: stanzas 1,2 anonymous published Philadelphia, 1885. stanza 3 John T. MacFarland (18511913). Music: Mueller James R. Murray, 1887. Setting: "Hymnal for American Youth", 1919. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
3 4
1. A 2. The 3. Be way cat near in a tle are me, Lord man low Je ger, no ing, the sus, I crib for Ba by ask Thee a a to bed, wakes, stay The But Close lit lit by tle Lord tle Lord me for
3 4
Je Je ev
laid no and
sweet He I
The I Bless
sky Je child
Je cra Hea
a til to
Lk 2:7, Lk 18:1517
11 11 11 11
41
CHRISTMAS
(also known as Come and Christ the Lord Be Praising or Come and Let Us Christ Revere Now or Come Unite in Praise and Singing)
Words: Paul Gerhardt, 1667. Translation composite. Music: Quem Pastores German, 1410. Setting: "The Lutheran Hymnary", 1913. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 120
3 4
1. Come, 2. Sin 3. See 4. Christ, 5. Ja your and how from cobs hearts death God, heavn Star and may for to in voi well us us all ces be pro de its rais groan vi scen splen ing, ing, ding, ding dor Christ Sa Gave And Beams the tan His in with
3 4
ness be a be and
a tion is ex surr
ten a ly ly of
6. From the bondage that oppressed us, From sins fetters that possessed us, From the grief that sore distressed us, We, the captives, now are free.
7. Oh, the joy beyond expressing When by faith we grasp this blessing And to Thee we come confessing, That our freedom thou hast wrought!
8. Gracious Child, we pray Thee, hear us, From Thy lowly manger cheer us, Gently lead us and be near us Till we join the angelic choir.
8887
CHRISTMAS
42
Words: John M. MacFarlane, 1869. Music and Setting: Far, Far Away On Judeas Plains John M. MacFarlane, 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
4 4
1. Far, far a way on Ju 2. Sweet are these strains of re 3. Lord, with the an gels we 4. Has ten the time when, from de as deem ing too would re e ve ry plains, love, joice; clime, Shep herds of old Mess age of mer Help us to sing Men shall u nite heard cy with in the from the the
4 4
Glo ry
to God,
glo ry
to God,
Glo
ry to God in the
Glo ry
to God
Glo ry
to God in the
high
est
in the
Glo ry
to God in the
high
est
Glo
ry to God in the
high
est;
will to men;
Peace
on earth,
good
will to
men.
998877
43
CHRISTMAS
Words: Martin Luther, 1535. translated by Catherine Winkworth, 1855. Music: Vom Himmel Hoch traditional German from Schumanns Geistliche Lieder, Leipzig, 1539. Setting: "Common Service Book" (ULCA), 1917. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
4 4
1. From 2. To 3. Tis 4. He 5. These Heaven you, Christ brings are a this our those the bove night, God, bless to to is Who ings kens earth I born a far on long a ye shall come, Child high go mark, To Of Had Pre The bear Ma heard pared swadd good news to ry, cho sen your sad and by God for ling clothes and ev mo bit all man ery ther ter be ger home; mild; cry; low; dark;
4 4
6. Now let us all, with gladsome cheer, Follow the shepherds, and draw near To see this wondrous Gift of God, Who hath His own dear Son bestowed. 7. Give heed, my heart, lift up thine eyes! What is it in yon manger lies? Who is this Child, so young and fair? The blessd Christ Child lieth there! 8. Welcome to earth, Thou noble Guest, Through Whom een wicked men are blest! Thou comst to share our misery, What can we render, Lord, to Thee! 9. Ah, Lord, Who hast created all, How hast Thou made Thee weak and small, To lie upon the coarse dry grass, The food of humble ox and ass.
11. For velvets soft and silken stuff Thou hast but hay and straw so rough, Whereon Thou King, so rich and great, As twere Thy heaven, art throned in state. 12. Thus hath it pleased Thee to make plain The truth to us, poor fools and vain, That this worlds honor, wealth and might Are naught and worthless in Thy sight. 13. Ah, dearest Jesus, holy Child, Make Thee a bed, soft, undefiled, Here in my poor hearts inmost shrine, That I may evermore be Thine. 14. My heart for very joy doth leap, My lips no more can silence keep, I too must sing, with joyful tongue, That sweetest ancient cradle song.
10. Were earth a thousand times as fair, 15. Glory to God in highest Heaven, Beset with gold and jewels rare, Who unto man His Son hath given, She yet were far too poor to be While angels sing, with pious mirth, A narrow cradle, Lord, for Thee. A glad New Year to all the earth. This hymn was written by Martin Luther to teach his 3 year old son about Christmas, and became a part of the Luther family Christmas tradition. One of the adults would dress up as an angel and sing the first 5 verses to the family. The rest of the family would sing verses 6 through 15.
8888
CHRISTMAS
44
Words: Joseph S. Cook, 1919. Music: Tempus Adest Floridum 13th Century spring carol; first published in the Swedish Piae Cantones, 1582. Setting: "Carols Old And Carols New", 1916. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 140
4 4
1. Gen 2. An 3. Gen tle gels tle Ma sang Ma ry a ry laid bout laid her His her Child birth; Child low wise low ly in a men sought and ly in a man found man ger; Him; ger;
4 4
un bright un
de ly de
to glo but
the ry no
a a a
in the of
He the ti
be an ful
Sa sing sto
Ask the saved of All the plains were Praise His Name in
who have found His all the hills were hail the King of
fa ring glo
76767676
45
CHRISTMAS
Words: Traditional English. Music: God Rest Ye Merry Gentlemen Traditional English. Setting: "Carols Old And Carols New", 1918. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 160
4 4
1. God 2. In 3. From 4. "Fear 5. The rest ye Beth le God our not, then," shep herds mer ry, hem, in heavn ly said the at those gen Is Fa an ti tle ra men, let el, this ther a gel, "Let dings re no thing you dis bless d Babe was bless d an gel no thing you a jo iced much in may, born, came; fright mind,
4 4
mem ber Christ our laid with in a to cer tain un day is born a left their flocks a
born on Christ on this bless ti dings of a pure Vir tem pest, storm
we were gone a no thing take in Son of God by Sa tans powr and bless d Babe to
ti dings of
joy; O
ti
dings of
joy.
6.But when to Bethlehem they came where our dear Savior lay, They found Him in a manger where oxen feed on hay; His mother Mary kneeling unto the Lord did pray. 7.Now to the Lord sing praises all you within this place, And with true love and brotherhood each other now embrace; This holy tide of Christmas all others doth deface.
8.God bless the ruler of this house, and send him long to reign, And many a merry Christmas may live to see again; Among your friends and kindred that live both far and near That God send you a happy new year, happy new year, And God send you a happy new year.
Lk 2:1011, Ps 46:10
867686848
CHRISTMAS
46
Words: Charles Wesley, 1739, alt. Music: Mendelssohn from Festgesang Felix Mendelssohn, 1840. Setting: William H. Cummings, 1857. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 100
4 4
1. Hark! 2. Christ, 3. Hail 4. Come, 5. Ad The her by high the heavn De sire ams like ald est ly of ness, an gels sing, Heavn a dored; Prince of Peace! na tions, come, Lord, ef face, "Glo ry Christ the Hail the Fix in Stamp Thine to ev Sun us im the er of Thy age new last Right hum in born ing eous ble its King; Lord; ness! home; place:
4 4
Peace on earth, Late in time, Light and life Rise, the wo Se cond Ad
and be to mans am
re vir in ser in
ful, in He dis us
wer,
of the skies; De i ty, more may die. now re store; in ner man:
pro to of ion im
is sus to to in
in Em them and be
le u cond to ing
Hark!
the her
ald
an
gels
sing,
"Glo
ry
to
the
new
born King!"
7777777777
47
CHRISTMAS
Words: Henry Wadsworth Longfellow, 1864. Music: Waltham (Calkin) John B. Calkin, 1872. Setting: "The Book of Common Praise", 1885. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
4 4
1. I 2. And 3. Till 4. And 5. Then heard thought ring in pealed the how, ing, des the bells as sing pair bells on the ing I more Christ day on bowed loud mas had its my and day come, way head deep: Their The The "There "God
4 4
fa fries re no not
ols en to I He
Of Of Of Of With
on on on on on
to to to to to
Lk 2:1314, Is 41:13
8888
CHRISTMAS
48
Words: Christina Georgina Rossetti, 1872, alt. Music and Setting: Cranham Gustav Theodore Holst, 1906, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
()
1. 2. Our 3. E 4. 5. In the bleak mid God, Heavn can not nough for Him, whom An gels and arch can I What win hold cher an give u ter, Him, bim, gels Him, frost nor wor may poor wind earth ship night have ga as y made sus and thered I moan, tain; day, there, am?
4 4
Earth stood hard Heavn and earth ful Breast Cher u bim If I were
as shall of and a
a a
wa ter like when He comes man ger ful thronged I would bring
a to of the a
En
on
on ble
on suf be den my
mid Al and be I
a sus a a my
These lyrics are rather obscure, though quite beautiful. The earth (which represents all of Gods promises to His People, Gen 13:1415, Rom 4:1317, Mt 5:5) and the water (which represents Baptism and forgiveness, Jn 3:5, Eph 5:2527, 1Pt 3:21) are frozen and lifeless as the Law reigns alone (2Cor 3:6b), with no grace flowing before Christ. The Spirit works in the world through the condemnation of the Law and the hope for redemption to come (frosty wind made moan, Micah 4:10, Ez 21:67). Then Christ humbly comes to melt the icy world in grace. This then inpires those saved, who recognize that they have nothing to give to Him, to finally, through His grace, fulfill the greatest commandment (Mt 22:37). Lv 26:1819, Job 38:2930, Ps 147:1620, Is 59:1114, 1Kgs 8:27, Lk 2:714, Ez 36:2528, Pr 23:26, Deut 30:6 Irregular
49
CHRISTMAS
Words: Edmund H. Sears, 1849. Music: Carol Richard S. Willis, 1861. Setting: "Order of worship for the Reformed Church in the United States", 1866. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 60
3 4
1. It 2. Still 3. Yet 4. And 5. For came through with ye, lo! up the the be the on clo woes neath days the ven of lifes are mid skies sin crush has night they and ing tning clear, come strife load, on, That With The Whose By glor peace world forms pro ious ful has are phet song wings suf bend bards of un fered ing fore old, furled, long; low, told,
3 4
an gels bend still their hea ven neath the an toil a long with the ev
near the earth, mu sic floats strain have rolled climb ing way circ ling years
touch their harps all the wea thou sand years pain ful steps round the age
of ry of and of
will to men, low ly plains, man, hears not gold en hours all the earth
world in so lemn ev er ov er its hush the noise, ye side the rest be the whole world send
an an an an an
86868686
CHRISTMAS
50
Words: Isaac Watts, 1719. Music: Antioch pieced together from "Messiah" George F. Handel, 1741. Setting: Lowell Mason, 1836. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 80
2 4
1. Joy to the 2. Joy to the 3. No more let 4. He rules the world, the earth, the sins and world with Lord is Sa vior sor rows truth and come! reigns! grow, grace, Let Let Nor And earth re men their thorns in makes the ceive her songs em fest the na tions King; ploy; ground; prove
2 4
na sound curse of
868668
51
CHRISTMAS
Words: From the Kancional, by Tobias Zavorka, 1602. Translator unknown. Music: Narodil se Kristus Pn or Salvator Natus 15th Century Bohemian. Setting: "Carols Old And Carols New", 1916. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 160
4 4
1. Let 2. See, 3. In our the to glad love flesh ness liest is have no bloom ing made the end, rose, Word. Hal Hal Hal le le le lu lu lu jah! jah! jah!
4 4
le le le
lu lu lu
On
gave
us
save
us;
Christ, His
Son, to save
us.
7 7 6 6 6 with Alleluias
CHRISTMAS
52
Words: verses 12, 15th Century German. Translated by Theodore Baker, 1894. verses 3,4 Fridrich Layriz (18081859). Translated by Harriet Reynolds Krauth, 1875. verse 5, 15th Century German. Translated by John C. Mattes, 1914. Music: Es Ist Ein Ros Entsprungen (Rhythmic) German from Kln, 1599. Setting: Michael Praetorius, 1609. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
how a Rose eer ai ah twas fore shep herds heard the Flowr, whose fra grance Sa vior, Child of
ses lin eage y we be the Lord of with glor ious vior, King of
It To To True Bring
a Gods le yet at
et a they ry we
of a ger He of
7676676
53
CHRISTMAS
Words: Coelius Sedulius, circa 450. Translated to German by Martin Luther, 1524. Translated from German to English by Richard Massie, 1854, alt. Music: Christum Wir Sollen Loben Schon ancient Latin found in Erfurt Enchiridion, 1524. Setting: Michael Praetorius, 1609. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 130
4 4
1. Now praise we 2. He, who Him 3. The grace of ly 4. The ho ble 5. The no Christ, self God, maid mo the all thAl be ther Ho things might came bare ly did y tha a One, make, Lord, bode Son, The A On And For spot ser the tem so less vants chaste ple did vir gin form vouch mo ther of the Ga briels Ma safed was liv pro rys to out ing mise Son, take, poured God; run,
4 4
the worlds re His crea tures drous wise con own Word made the mo ther
6. In a rude manger, stretched on hay, In poverty content He lay; With milk was fed the Lord of all, Who feeds the ravens when they call. 7. Th angelic choir rejoice, and raise Their voice to God in songs of praise; To humble shepherds is proclaimed The Shepherd who the world hath framed. 8. Honor to Thee, O Christ, be paid, Pure offspring of a holy maid, With Father and with Holy Ghost, Till time in times abyss be lost.
8888
CHRISTMAS
54
Words: John F. Wade, circa 1743. v.13, 6 Translated by Frederick Oakeley, 1841; v. 4, 5 Translated by William T. Brooke (18481917). Music: Adeste Fideles or Portuguese Hymn John F. Wade, 1743. Setting: "A Hymnal" (Episcopal), 1916. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 120
4 4
()
1. O 2. 3. 4. 5. come, True Sing, See Lo! all ye God of choirs of how the star led faith true an shep chief ful, God, gels, herds, tains, joy ful and tri Light from Light E sing in ex ul sum moned to His Ma gi, Christ a um ter ta cra dor phant, nal, tion; dle, ing,
()
O O
4 4
le gins a to and
and of ry too to
come,
let
us
dore Him, O
come, let us a
dore Him, O
come, let us a
dore Him,
Christ
the
Lord.
6.Child, for us sinners poor and in the manger, We would embrace Thee, with love and awe; Who would not love Thee, loving us so dearly? 7.Yea, Lord, we greet Thee, born this happy morning; Jesus, to Thee be glory given; Word of the Father, now in flesh appearing.
Lk 2:1516
8.Adeste, fideles, laeti triumphantes; Venite, venite in Bethlehem. Natum videte Regem angelorum. Venite adoremus, venite adoremus, Venite adoremus, Dominum.
Irregular
55
CHRISTMAS
Words: Phillips Brooks, 1867. Music: St. Louis Lewis H. Redner, 1868. Setting: "The Chapel Hymnal", 1898. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
4 4
1. O 2. For 3. How 4. Where 5. O lit tle Christ is lent si child ren ho ly town of born of ly, how pure and Child of Beth le hem, how Ma ry, and si lent ly, the hap py pray Beth le hem, des still we ga thered won drous to the cend to see thee all a Gift is bless d us, we lie! bove, givn; Child, pray;
4 4
dream less sleep the an gels keep their hu man hearts the out to Thee, Son en ter in, be
Yet O No Where We
ev er last claim the ho in this world faith holds wide great glad tid
hopes and fears of sing to prais es meek souls will re dark night wakes, the come to us, a
the years are the King, and Him still, the ry breaks, and with us, our
met in thee to peace to men on dear Christ en ters Christ mas comes once Lord Em man u
86867686
CHRISTMAS
56
Words: Edward Caswall, 1851. Music: Humility John Goss, 1870. Setting: "The Childrens Hymnal, with Tunes", 1875. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. See a mid the 2. Lo, with in a 3. Say, you ho ly 4. "As we watched at 5. Sac red In fant, win man shep dead all ters ger herds, of di snow, lies say, night, vine, Born He Tell Lo, What for Who your we a us built joy saw ten on the ful a der earth be low, star ry skies; news to day. won drous light; love was Thine,
4 4
the gen tle Who, thrond in have you now gels sing ing to come from
Pro mised from e Sits a mid the On the lone ly Told us of the Down to such a
ter nal years. cher u bim. moun tain steep? Sa viors birth." world as this.
Hail
that ev
er
bles
sd
morn,
Hail
re demp tions
hap
py
dawn,
Jer
sa lem:
Christ
is born
in
Beth
le
hem.
6. Teach, O teach us, holy Child, By Thy face so meek and mild, Teach us to resemble Thee, In Thy sweet humility.
77777777
57
Silent Night
CHRISTMAS
Words: Josef Mohr, 1818. stanzas 1,3 Translated by John Freeman Young, 1863. stanzas 2,4 translator anonymous. Music: Stille Nacht Franz Xaver Gruber, 1818. Setting: "Concordia Kinderchre", 1908. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 60
3 4
1. Si 2. Si 3. Si 4. Si lent lent lent lent night, night, night, night, ho ho ho ho ly ly ly ly night, night, night, night All Shep Son Won is herds of drous calm, quake God, star, all at loves lend is the pure thy bright sight; light; light;
3 4
Round yon vir Glo ries stream Ra diant beams With the an
so sing re ia
ly is Thy is
hea Sa Lord, Sa
ly is Thy is
668866
CHRISTMAS
58
Words: Christopher Wordsworth, 1865. Music and Setting: Nativity William Henry Monk, 1865. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
4 4
1. Sing, O sing, 2. Je sus Christ, 3. God of God, 4. God with us, 5. Truth and Mer this the and Em cy bless ed King of Light of man u show their morn, kings, Light, el, face, Un Ma Comes Deigns And to ker with for with us of mer ev lov a all cies er ing Child is born, world ly things, in fi nite; now to dwell; kiss em brace;
4 4
Un to us a Now de scends from Join ing in a He on A dams Right eous ness looks
Son is givn, Heavn to Earth, won drous plan fall en race down from Heavn,
Sing,
sing,
this
bless
ed
morn,
Je
sus
Christ
to
day
is
born.
6. God comes down that man may rise, Lifted far above the skies He is Son of Man, that we Sons of God in Him may be; 7. Human flesh is now become Christs abode, the Godheads home; Royal Palace, sacred shrine For the Majesty Divine; 8. Now we rise, from prison free; On we march to victory, Joyful banners are unfurled; Tis the Birthday of the World; 9. Now behold the rising Sun Hath His glorious race begun; Now the Bridegroom from above Weds the Bride, with heavenly love; 10. O renew us, Lord, we pray, With Thy Spirit day by day; That we ever one may be With the Father, and with Thee; 11. Sing, O sing this blessed Morn, Jesus Christ today is born; Glory to the Father give, Praise the Son in whom we live; Glory to the Spirit be, Godhead One, and Persons Three.
777777
59
CHRISTMAS
Words: Traditional English carol, possibly dating from as early as the 13th Century. Music: The First Noel Traditional English carol, possibly dating from as early as the 13th Century. Setting: "The Methodist Sunday School Hymnal", 1911. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
3 4
1. The 2. They 3. And 4. This 5. Then first look by star did No d the drew they el up light nigh know the and of to as an gel did saw a that same the north sur ed say Was to star Shin ing star Three west, Ov er ly With cer tain in Wise Beth in poor the Men le that shep herds east, came hem house
3 4
in be from it the
as
win it low er
ued
er
so and it sus er
No
el,
No
el,
No
el,
No
el,
Born is the
King
of
Is
ra
el.
Lk 2:89
Irregular
CHRISTMAS
60
Words: Martin Luther, 1543. translated by Richard Massie, 1854. Music: Vom Himmel Hoch traditional German from Schumanns Geistliche Lieder, Leipzig, 1539. Setting: "Common Service Book" (ULCA), 1917. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 100
4 4
1. To 2. At 3. Oh, 4. What 5. Not shep herds as they Beth le hem, in then re joice that harm can sin and one He will or watched Da through death can by vids His then for night town, Son do? sake Ap As God The Who peared Mi is true Him a cah with God his host did sin now con of of ners a fi an old now bides dence gels bright; make known; at one; with you. doth make.
4 4
the ten der sus Christ, your your selves of tan and Sa his wiles the
6. Ye shall and must at last prevail; Gods own ye are, ye cannot fail. To God forever sing your praise With joy and patience all your days.
8888
61
CHRISTMAS
Words: William Chatterton Dix, 1865. Music: Greensleeves 16th Century English Traditional. Setting: traditional from "The Sunday School Hymnal and Service Book", 1871. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 80
3 4
1. What 2. Why 3. So Child is this lies He in bring Him in who, such cense, laid to rest On mean e state, Where gold and myrrh, Come Ma rys lap ox and ass pea sant, king is are to sleep ing? feed ing? own Him;
3 4
an thems sweet, While sin ners here The va tion brings, Let
shep si lov
are is en
is shall a
Christ the King, Whom pierce Him through, The song on high, The
an me, lul
to the for
of of of
Ma Ma Ma
87876867
EPIPHANY
62
Words: William Chatterton Dix, 1860. Music: Dix or Treuer Heiland, Wir Sind Heir Conrad Kocher, 1838. Abridged by William Henry Monk, 1861. Setting: Conrad Kocher, 1838, alt. by William Henry Monk, 1861, alt. for "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. As 2. As 3. As 4. Ho 5. In with with they ly the glad joy off Je heavn ness, ful ered sus, ly men of old steps they sped gifts most rare ev ry day coun try bright, Did To At Keep Need the guid that low that man us in they no ing ly ger the cre star man rude nar a be hold ger bed and bare; row way; ted light;
4 4
ing on ward, whom Heavn and and free from our ran somed its Sun which
Ev Ev Christ, Where Al
to cy ly ry our
777777
63
EPIPHANY
Words: verses 13, Henry J. Pye, 1851. verse 4, William Cooke, 1853. Music: Westminster Abbey Henry Purcell, circa 1692. Setting: Ernest Hawkins, 1843. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
6 8
1. In 2. In 3. Je 4. Prince His the sus, and tem ple arms of by Thy Au thor now be hold her who bore pres en ta of sal va Him, Him, tion, tion, See Vir Thou, Be the gin who Thy long pure, didst bound ex be for less pect ed hold Him us en love our Lord; lie, dure, theme!
6 8
An While Make Je
fore a sal be
told dore va gi
has in us the
His Ha in and
Lk 2:2238
878787
EPIPHANY
64
Words: Aurelius Clemens Prudentius (348413). v. 1,2,4 Translated by N. B. Smithers, 1879, v. 3 Translated by C. W. Douglas, v.5 Translated by John, Marquess of Bute c. 1879. Music: Puer Nobis Nascitur Michael Praetorius, 1609. Setting: George Ratcliffe Woodward for "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 120
3 4
1. O 2. Be 3. The 4. The 5. O chief yond wise gold Je of the men, en sus, ci sun see tri whom ties, in ing bute the Beth splen Him owns Gen le dor so Him tiles hem, bright, fair, King, see, Of A Bow But With Da bove low frank Fa vids you be in ther,
3 4
In That Of They By
as in cense, dow on
Sa God ro se saints
8888
65
EPIPHANY
Words: Christopher Wordsworth, 1862. Music: St. Georges Windsor, George Job Elvey, 1858. Setting: "The Anglican Hymn Book", 1871. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 120
4 4
1. Songs of 2. Man i 3. Man i 4. Sun and 5. Grant us thank ful ness and fest at Jor dans fest in mak ing moon shall dark ened grace to see Thee, praise, stream, whole be, Lord, Je sus, Pro phet, Pal sied Stars shall Mir rored Lord, Priest, limbs fall, in to Thee we and King su and faint ing the heavns shall Thy ho ly raise, preme; soul; flee, Word;
4 4
i at i will we
sa ges from a God head man i all the de vils see His glor ious pure, as pure art
of i i will we
yal Da vids in powr di in grac ious the trum pet to Thee may
birth at Beth le wa ter in to bring ing good from see the Judge ap great E pi pha
An An An Thou And
in in in in in
i i i i i
77777777
EPIPHANY
66
Words: John Morison, 1781. Music: Lobt Gott, ihr Christen Allzugleich Nikolaus Hermann, 1554. Setting: "Kern des Deutschen Kirchengesangs", 1855, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 120
4 4
1. The 2. To 3. For 4. To 5. His peo hail Thou us name ple Thee, their a shall that Sun bur Child be in of den of the dark Right dost hope Prince ness eous re is of sat ness, move born, Peace, A The And To The glo gathr break us Ev rious ing the a er
4 4
of vest the in by
of vest the in by
6. His righteous government and power Shall over all extend; On judgment and on justice based, His reign shall have no end.
7. Lord Jesus, reign in us, we pray, And make us Thine alone, Who with the Father ever art And Holy Spirit, one.
86866
67
EPIPHANY
(also known as Herod Why Dreadest thou a Foe? or How Vain the Cruel Herods Fear or When Christs Appearing Was Made Known or Why Herod Unrelenting Foe or Why Impious Herod, Shouldst Thou Fear)
Words: Coelius Sedulius, c. 450. German version by M. Luther, 1543. English translation by John Mason Neale, 1852. Music: Wo Gott Zum Haus from Klugs Geistliche Lieder, Wittenberg, 1533. Setting: "Kern des Deutschen Kirchengesangs", 1855, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 100
4 4
1. The 2. The 3. With 4. At 5. All star pro wi ser in the Ca na glo ry, claims Ma Jor first Je the gi dans His sus, King is see from crys tal powr is be to here; far flood shown; Thee But, And In His For Her fol meek might this od, low ness the Thy why on stands blush glad this sense less His guid ing the Lamb of ing wa ters e pi pha fear? star; God own ny;
4 4
8888
EPIPHANY
68
Words: Martin Luther, 1541. Translated by Richard Massie, 1854. Music: Christ, Unser Herr Johann Walter, 1524. Setting: composite from "Kern des Deutschen Kirchengesangs", 1855 and "Mehrstimmiges ChoralBuch", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
4 4
1. To Jor dan 2. So hear ye 3. To show us 4. In ten der 5. Thus Je sus came all, this, man His our and He hood dis Lord well hath Je ci the per His sus ples Christ, To ceive What Word With straight To sent: Go do Gods plea sure God doth call bap signs and sym bols ho ly Jor dan teach ye e very will ti gi wend na ing, sm, ven; eth; tion, And And On The That
4 4
se ter be be and
To De In Nor Ob
a eth My our a
And quench the Not sim ple Hear Him." Yea, That the Three A new born
He He Hear And A
6.Who in this mercy hath not faith, Nor aught therein discerneth, Is yet in sin, condemned to death, And fire that ever burneth; His holiness avails him not, Nor aught which he is doing; His inborn sin brings all to naught, And maketh sure his ruin; Himself he cannot succor.
7.The eye of sense alone is dim, And nothing sees but water; Faith sees Christ Jesus, and in Him The Lamb ordained for slaughter; She sees the cleansing fountain red With the dear blood of Jesus, Which from the sins inherited From fallen Adam frees us, And from our own misdoings.
878787877
69
LIFE
Words: Brian J. Dumont, 12 Oct 2009. Music: Beach Spring Benjamin F. White, 1844. Setting: "The Sacred Harp", 1860, alt. copyright: Words: Copyright 2009, Brian J. Dumont. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music and Setting: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 160
4 4
1. Au thor 2. Hearts so 3. Christ now of all hard, we grants us Life, our Fa hate each o life e ter ther, breathe in ther, those in nal, to know to our need we You the hearts a gain. treat with scorn... one true God,
4 4
a a a
to to of
o I tone
to to ple
Gen 2:7, Rom 8:910, Lk 10:2537, Eph 4:1724, 1Cor 10:24, Mal 4:2, Jn 17:3, Jn 14:6, Lam 3:1, Rom 10:1415, Acts 26:29
87878787
TRANSFIGURATION
70
Words: From the "Sarum Breviary", 1495. Translated by John Mason Neale, 1851. Music: Deo Gracias or Agincourt traditional English, circa 1415. Setting: Charles Winfred Douglas, 1918, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 140
3 4
1. O 2. From 3. The 4. With 5. And won age law shin faith drous to and ing ful type! age pro face hearts O the phets and are vi tale there bright raised sion de have ar on fair clare, place, ray, high Of How Two Christ by glo with cho deigns this ry the sen to great
3 4
up ses thers ry in
shows, where meet, The cloud pro bove who raise the
er holds His in of
6. O Father, with thEternal Son, and Holy Spirit, ever One, Vouchsafe to bring us by Thy grace to see Thy glory face to face.
8888
71
TRANSFIGURATION
Words: Joseph Armitage Robinson, 1888. Music: Potsdam adapted from Johann Sebastian Bach, 1750, by John Goss, 1854. Setting: John Goss, 1854. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
2 2
1. Tis 2. Tis 3. Ful 4. Be 5. Tis good, good, fill fore good, Lord, Lord, er we Lord, to to of taste to be be the of be here, here, past, death, here. Thy Thy Pro We Yet glo ry beau ty mise of see Thy we may fills to things King not the be to dom re night; hold be, come; main;
2 2
un en re this us
6686
LENT
72
Words: Johann Heermann, 1644. Translation composite. Music: Der Am Kreuz Johann Balthasar Knig, 1738. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. Je 2. Should 3. If 4. Ev 5. O sus, some the ery my grant lust world wound God, that or my that my balm and sharp temp heart en pains or Rock and heal ta ti grieves To ing tion ces me, wer, In Prove On By Grant Thy ho ly too strong for the broad and Thy stripes, Lord, that in Thy wounds I find, flesh and blood, ea sy road is made whole; death I trust,
4 4
Pains of bo dy And the breach is Let me think up Grant ing new life Since Thou troddst him
and of mind. soon made good. on the load to my soul. in the dust.
to my im I fort
the per il, ing, "Christ for nish ing each Thy all a I die, be
from sin ning was wound ed," e mo tion, ing Pas sion Pro tec tion,
6. Jesus, grant that balm and healing In Thy holy wounds I find, Every hour that I am feeling, Pains of body and of mind. And when I this world must leave, Grant that, Lord, to Thee I cleave, In Thy wounds find consolation And obtain my souls salvation
1Pt 2:24, Is 53:45, 1Cor 10:13, 2Cor 1:37 87877788
73
LENT
Words: Paul Gerhardt, 1648. Translation composite. Music: An Wasserflssen Babylon Wolfgang Dachstein, 1525. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 120
4 4
1. A Lamb goes 2. This Lamb is 3. "Yea, Fa ther, 4. Thou layst Him, 5. Lord, all my un Christ, yea, Love, life com the most u Ill plain souls will pon cleave ing great ing the to forth, Friend, ly cross, Thee, The The Ill With Thy guilt Lamb bear nails love of of what and for all God, Thou spear eer men our com Him be bear Sa man bruis hold ing; vior; dest; ing; ing,
4 4
And la den Him God the My will con Thou slayst Him er, Thee ev
of to de His er
None else the To gain for I do what from soul and With lo ving
den His de y en
To "And The Of To
less life to and con dem de con tent, the strength of my heart in
o na scend an sor
8787887887
LENT
73(2)
and to to to thats
y, men in love I
6. From morn till eve my theme shall be Thy mercys wondrous measure; To sacrifice myself for Thee Shall be my aim and pleasure. My stream of life shall ever be A current flowing ceaselessly, Thy constant praise outpouring. Ill treasure in my memory, O Lord, all Thou hast done for me, Thy gracious love adoring. 7. Enlarge, my hearts own shrine, and swell, To thee shall now be given A treasure that doth far excel The worth of earth and heaven. Away with the Arabian gold, With treasures of an earthly mold! Ive found a better jewel. My priceless treasure, Lord my God, Is Thy most holy, precious blood, Which flowed from wounds so cruel.
8. This treasure ever Ill employ, This every aid shall yield me; In sorrow it shall be my joy, In conflict it shall shield me; In joy, the music of my feast, And when all else has lost its zest, This manna still shall feed me; In thirst my drink; in want my food; My company in solitude, To comfort and to lead me. 9. Of death I am no more afraid, New life from Thee is flowing; Thy cross affords me cooling shade When noondays sun is glowing. When by my grief I am oppressed, On Thee my weary soul shall rest Serenely as on pillows. Thou art my Anchor when by woe My bark is driven to and fro On troubles surging billows.
10. And when Thy glory I shall see And taste Thy kingdoms pleasure, Thy blood my royal robe shall be, My joy beyond all measure. When I appear before Thy throne, Thy righteousness shall be my crown With these I need not hide me. And there, in garments richly wrought As Thine own bride, I shall be brought To stand in joy beside Thee.
8787887887
74
LENT
Words: Claudia F. Hernaman, 1873. Music: St. Flavian Days Psalter, 1563. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1905. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. Lord, 2. As 3. As 4. And 5. A who through out these Thou with Sa tan Thou didst hun ger through these days of bide with us, that for ty days For didst con tend, And bear, and thirst, So pen i tence, And so, this life Of us didst teach through suf didst the us, Thy fring fast and vic try gra cious pa ssion o ver pray, win, Lord, tide, past,
4 4
Teach O To Yea, An
close by Thee to Thee to con quer Thy most ho ly sus, with us a may at tain at
8686
LENT
75
Words: Robert Grant, 1815, alt. Music: Aberystwyth (Parry) Joseph Parry, 1879. Setting: "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. Sa vior, 2. By Thy 3. By the 4. By Thine 5. By Thy when help sac hour deep in less red of ex dust in griefs dire pir to Thee fant years, that wept de spair, ing groan, Low By Oer By By we Thy the Thine the bow tha life of grave where a go sad sep dor want La ny ul ing and zrus of chral knee, tears, slept, prayer, stone,
4 4
O by all the By the dread mys By the an guished By the gloom that O from earth to
Suff ered once for Of thin sult ing Treach er y lurked Oer the dread ful Might y, re as
be ters in Thy ri ed
i i i i i
77777777
76
LENT
Words: Isaac Watts, 1707. Music: Rockingham Old Edward Miller, 1790. Setting: composite from "The Anglican Hymn Book", 1871 and "Hymns Ancient and Modern", 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 130
3 4
1. When 2. For 3. See 4. His 5. Were I bid from dy the sur it, His ing whole vey Lord, head, crim realm the that His son, of wond I hands, like na rous should His a ture cross boast, feet, robe, mine, On Save Sor Spreads That which in row oer were the the and His a
3 4
of of flow dy sent
And I Or And De
on them so is my
my His a to my
8888
PALM SUNDAY
77
Words: Theodulf of Orleans, circa 820. Translated by John Mason Neale, 1851. Music: Valet Will Ich Dir Geben or St. Theodulph Melchior Teschner, 1615. Setting: Presbyterian Hymnal, 1911. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 140
Refrain
4 4
All glo ry, laud and hon or, To Thee, Re deem er, King,
4 4
To
Whom
the
lips
of
child
ren
Made
sweet
ho
san
nas
ring.
Verse
the pa ple be ac
Is an He pa prais
Da vids ro yal prais ing Thee on palms be fore Thee sang their hymns of cept the prayers we
To Refrain
the Lords Name tal men and and praise and now high ex all good de
King and Bless ed at ed make re fore Thee we pre me lo dy we good and gra cious
76767676
78
PALM SUNDAY
Words: Jeanette Threlfall, 1873, alt. Music: Ellacombe from Gesangbuch der Herzogl. Hofkapelle, Wurttemberg, 1784. Setting: Presbyterian Hymnal, 1911. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 130
4 4
1. Ho 2. From 3. "Ho san O san na, li na loud ho vet they in the san fol high na, the lowed mid est!" that lit an an tle child ren ex ul tant cient song we sang; crowd, sing,
4 4
tem wa dee
ly ing of
To The O
Who men ev
had and er
blessed an praise
to low life
His ly and
simp on ter
and bid ly
the ding re
Mt 21:15, Jn 12:1213
76767676
GOOD THURSDAY
79
(also known as Over Kedron Jesus Treadeth or Over Cedron Jesus Treadeth)
Words: Thomas Hansen Kingo, 1689. Translated by J. Jeffrey, before 1866. Music: Over Kedron Jesus Traeder Ludvig Mathias Lindeman. Setting: "The Lutheran Hymnary", 1913. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
1. O 2. Da 3. See 4. See 5. But, ver Kid vid once, how, an how, in O flowrs, ron with guish that so Je heart struck, hour sad sus af He of ly tread flic fall dark wa eth ted, eth ness, tered To Crossed Pro Batt By His the strate, ling this pas Kid and with pure sion rons with the and for nar strug e prec us all; row strand, gling breath, vil powr, ious dew,
4 4
Ev Clouds Three A In
ery hu man of gloom and times on His gon ies un some bless ed
and a in of with
Sav ior sole ly, ry por tals drea Thine, O Fa ther!" frame dis till ing free ly giv en,
6. When as flowrs themselves I wither, When I droop and fade like grass, When the lifestreams through my pulses Dull and ever duller pass, When at last they cease to roll, Then, to cheer my sinking soul, Grace of Jesus, be Thou given Source of triumph! pledge of heaven!
Jn 18:1, Lk 22:3946, Mk 14:3242, Mt 26:3646, 2Sam 15:1323 87877788
80
GOOD THURSDAY
Words: William Bingham Tappan, 1822. Music: St. Cross John Bacchus Dykes, 1861. Setting: "Hymns Ancient and Modern", 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 140
4 4
1. Tis 2. Tis 3. Tis mid night, mid night, mid night, and and from on from the Ol all heavn ives re ly brow moved plains The Im Are star is man uel borne the
4 4
late lone, an
ly with gels
Tis Een Un
night, dis by
in ci mor
den He the
Sa Mas soothe
prays grief Sa
a and viors
8888
GOOD THURSDAY
81
Words: Isaac Watts, 1709. Music: St. Cross John Bacchus Dykes, 1861. Setting: "Hymns Ancient and Modern", 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 140
4 4
1. Twas 2. Be 3. "This 4. For 5. For on that fore the is My us His us His dark, mourn bo flesh vi that ful dy, with tal dole scene broke nails blood ful be for was was night gan, sin; torn, spilt, When He Re He To powrs took ceive bore buy of the and the the
4 4
of His and up of
to grace in in sac
His He My our ri
6. "Do this," He cried, "till time shall end, In memory of your dying friend; Meet at My table, and record The love of your departed Lord."
7. Jesus, Thy feast we celebrate, We show Thy death, we sing Thy name, Till Thou return, and we shall eat The marriage supper of the Lamb.
8888
82
Go To Dark Gethsemane
GOOD THURSDAY
Words: James Montgomery, 1820. Music: Gethsemane or Petra Richard Redhead, 1853. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1896. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 90
4 4
1. Go to dark 2. Fol low to 3. Cal vrys mourn 4. Ear ly hast Geth the ful en se ma ne, judg ment hall, moun tain climb; to the tomb ye that feel the view the Lord of there, a dor ing where they laid His temp Life at breath ters powr; ar raigned; His feet, less clay;
4 4
Your Re deem ers O the worm wood a Mark that mir All is sol i
with Him one the pangs His own sac ri has tak en
griefs a way; shame, or loss; hear Him cry; meets our eyes;
Mt 26:3668, 27:3156, 28:110, Mk 14:3265, 15:2039, Lk 22:3946, 22:6671, 23:2649, 24:112, Jn 19:1630, 20:118 777777
GOOD FRIDAY
83
Words: Thomas B. Pollock, 1870. Music: Words on the Cross The Litany William H. Monk, 1889. Setting: "A Hymnal" (Episcopal), 1916. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
Part 1: "Father, forgive them; for they know not what they do." (Lk 23:34)
= 100
4 4
1. Je 2. Sa 3. O sus, vior, may in for we, Thy our who dy par mer ing woes, don sue, cy need, E ven When our Be like while Thy sins Thy Thee in life blood flows, pangs re new, heart and deed,
4 4
Cra ving par don For we know not When with wrong our
Thy we its
ho ho ho
ly ly ly
Je Je Je
Part 2: "To day shalt thou be with me in paradise." (Lk 23:43) 4.Jesus, pitying the sighs Of the thief, who near Thee dies, Promising him paradise; Hear us, holy Jesus. 5.May we, in our guilt and shame, Still Thy love and mercy claim, Calling humbly on Thy Name: Hear us, holy Jesus. 6.O remember us who pine, Looking from our cross to Thine; Cheer our souls with hope divine: Hear us, holy Jesus. Part 5: "I thirst." (Jn 19:28) 13.Jesus, in Thy thirst and pain, While Thy wounds Thy lifeblood drain, Thirsting more our love to gain: Hear us, holy Jesus. 14.Thirst for us in mercy still; All Thy holy work fulfill; Satisfy Thy loving will: Hear us, holy Jesus. 15.May we thirst Thy love to know; Lead us in our sin and woe Where the healing waters flow: Hear us, holy Jesus.
Part 3: "Woman, behold thy son! Behold thy mother!" (Jn 19:2627) 7.Jesus, loving to the end Her whose heart Thy sorrows rend, And Thy dearest human friend: Hear us, holy Jesus. 8.May we in Thy sorrows share, And for Thee all peril dare, And enjoy Thy tender care: Hear us, holy Jesus. 9.May we all Thy loved ones be, All one holy family, Loving for the love of Thee, Hear us, holy Jesus. Part 6: "It is finished" (Jn 19:30) 16.Jesus, all our ransom paid, All Thy Fathers will obeyed, All Thy suffrings perfect made: Hear us, holy Jesus. 17.Save us in our souls distress, Be our help to cheer and bless, While we grow in holiness: Hear us, holy Jesus. 18.Brighten all our heavenward way, With an ever holier ray, Till we pass to perfect day: Hear us, holy Jesus.
Part 4: "My God, my God, why hast thou forsaken me?" (Mt 27:46) 10.Jesus, whelmed in fears unknown, With our evil left alone, While no light from Heavn is shown: Hear us, holy Jesus. 11.When we vainly seem to pray, and our hope sems far away, In the darkness be our stay. Hear us, holy Jesus. 12.Though no Father seem to hear, Though no light our spirits cheer, Tell our faith that God is near: Hear us, holy Jesus. Part 7: "Father, into thy hands I commend my spirit" (Lk 23:46) 19.Jesus, all Thy labor vast, All Thy woe and conflict past, Yielding up Thy soul at last: Hear us, holy Jesus. 20.When the death shades round us lower, Guard us from the tempers power, Keep us in that trial hour: Hear us, holy Jesus. 21.May Thy life and death supply Grace to live and grace to die, Grace to reach the home on high: Hear us, holy Jesus.
7776
84
GOOD FRIDAY
Words: Bernard of Clairvaux, 1153. Translated by James W. Alexander, 1830. Music: Passion Chorale or Herzlich Tut Mich Verlangen Hans Leo Hassler, 1601. Adapted by J.S. Bach, 1729. Setting: Johann Sebastian Bach, 1729. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 100
4 4
1. O 2. What 3. Men 4. Now 5. My sac Thou, mock from bur red my and Thy den Head, Lord, taunt cheeks in now hast and has Thy wound suf jeer van Pas ed, fered, Thee, ished sion, with was Thou their Lord, grief all no co Thou and for ble lor hast shame weighed sin ners coun ten once so borne for down, gain; ance, fair; me,
4 4
ly ly Thy was on
glo Sa an ri fore
till de a Thee my
76767676
GOOD FRIDAY
84(2)
6. What language shall I borrow to thank Thee, dearest friend, For this Thy dying sorrow, Thy pity without end? O make me Thine forever, and should I fainting be, Lord, let me never, never outlive my love to Thee. 7. My Shepherd, now receive me; my Guardian, own me Thine. Great blessings Thou didst give me, O source of gifts divine. Thy lips have often fed me with words of truth and love; Thy Spirit oft hath led me to heavenly joys above. 8. Here I will stand beside Thee, from Thee I will not part; O Savior, do not chide me! When breaks Thy loving heart, When soul and body languish in deaths cold, cruel grasp, Then, in Thy deepest anguish, Thee in mine arms Ill clasp. 9. The joy can never be spoken, above all joys beside, When in Thy body broken I thus with safety hide. O Lord of Life, desiring Thy glory now to see, Beside Thy cross expiring, Id breathe my soul to Thee. 10. My Savior, be Thou near me when death is at my door; Then let Thy presence cheer me, forsake me nevermore! When soul and body languish, oh, leave me not alone, But take away mine anguish by virtue of Thine own! 11. Be Thou my consolation, my shield when I must die; Remind me of Thy passion when my last hour draws nigh. Mine eyes shall then behold Thee, upon Thy cross shall dwell, My heart by faith enfolds Thee. Who dieth thus dies well.
76767676
85
GOOD FRIDAY
Words: Thomas Kelly, 1804. Music: O Mein Jesu, Ich Muss Sterben or Wo Ist Jesus, Mein Verlangen from Geistliches Volkslied, 1850. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 180
6 4
1. Strick 2. Tell 3. Ye 4. Here en, me, who we smitt en, ye who think of have a and a hear Him sin but firm foun fflic ted, groan ing, light ly, da tion, See Was Nor Here Him there sup the dy e pose re ing ver the fuge on the grief like ev il of the tree! His? great, lost.
6 4
my in its the
soul, tis He, tis sul ting his dis guilt may est i Name of which we
the y the of
ted to ap ners
a the of on
87878787
EASTER
86
Words: Paul Gerhardt, 1648. Translated by John Kelly, 1867, alt. Music: Auf, Auf, Mein Herz mit Freuden Johann Crger, 1648. Setting: "Mehrstimmiges ChoralBuch", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 140
3 4
1. A wake, my 2. They in the on the 3. Up 4. A sight it 5. Hell and its heart, with grave did grave is is to prince, the glad sink stand glad de ness, See Him, The ing The den; And vil, Of what foe He fill all to held ro the their day ju look heart powrs is bi ing with are done; lee; round; glee, shorn;
3 4
ness, Comes him, Lo! ing, His den Shall vil, And
the a pons or I
to ban to Sa is
6.The world against me rageth Its fury I disdain; Though bitter war it wageth Its work is all in vain. My heart from care is free, Misfortune now is play, No trouble troubles me, And night is bright as day. 7.I cleave now and forever To Christ, a member true, My Head will leave me never, Whateer He passeth through. He treads the world beneath His feet, and conquers death And hell, and breaks sins thrall; Im with Him through it all.
8.To halls of heavenly splendor With Him I penetrate; And trouble neer may hinder Nor make me hesitate. No enemy I fear, Because my Head is near; My Savior is my Shield, By Him all rage is stilled. 9.He brings me to the portal That opens into bliss, Where graved in words immortal This golden scripture is: "Whos there despised with me, Here with me crownd shall be; Who there with Me shall die, Heres raised with me on high!"
76766666
Col 2:1315, 1Cor 15:4258, Rom 6:111, 1Pt 1:39, Is 41:120, Rom 8:3539, Rev 20:13
87
Christ Arose
= 100
EASTER
Words: Robert Lowry, 1874. Music and Setting: Christ Arose Robert Lowry, 1874. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
4 4
1. Low 2. Vain 3. Death in ly can the they not grave watch keep He His his lay bed prey Je Je Je sus sus sus my my my Sa Sa Sa vior! vior! vior!
4 4
Wait Vain He
ing ly tore
co seal bars
ming the a
Je Je Je
my my my
Up
He
rose,
With
might
tri
umph oer
His
He
a rose!
foes;
He a
rose a
lives for
ev
er with His
He a rose!
saints
to reign. He a
rose!
He a
rose!
Hal le
lu jah! Christ a
rose!
He a rose!
He a rose!
Jn 2:1922, Mt 28:6
Irregular
EASTER
88
Words: Martin Luther, 1524. Translated by Richard Massie, 1854. Music: Christ lag in Tobes Banden or Torgau from Walters Geistliche Gesangbchlein, 1524. Setting: "Evangelical Lutheran HymnBook", 1931, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 110
4 4
1. Christ 2. No 3. But 4. It 5. Here Je son Je was the sus lay in of man could sus Christ, Gods a strange and true Pas chal deaths strong con quer on ly dread ful Lamb we bands, For Death, Such Son, To strife When see, Whom our mis our life God of chief low and so fen sin state death free ses had de con ly
4 4
at no of to on
He on un with sed
us life from fore Death had for ev er of death was His love! to
ven. Where fore to us In ed, Ru ined ed. Stripped of us. See, His
of us is is tan
Al Al Al Al Al
le le le le le
lu lu lu lu lu
6.So let us keep the festival Where to the Lord invites us; Christ is Himself the joy of all, The Sun that warms and lights us. By His grace He doth impart Eternal sunshine to the heart; The night of sin is ended! Alleluia! 1Cor 15:5457, Acts 2:24, 1Cor 5:7b, 2Tim 1:10
7.Then let us feast this Easter day On the true Bread of Heaven; The Word of grace hath purged away The old and wicked leaven. Christ alone our souls will feed; He is our Meat and Drink indeed; Faith lives upon no other! Alleluia! 8 7 8 7 7 8 7 with Alleluia
89
EASTER
Words: Stanzas 17, Charles Wesley, 1739. Stanzas 810, 14th Century; translated in Lyra Davidica. Music: Llanfair Robert Williams, 1817. Setting: John Roberts, 1837. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 120
4 4
1. Christ, 2. Loves 3. Vain 4. Lives 5. Soar the re the a we Lord, deem stone, gain now is ing the our where risen to work is watch, the glor ious Christ hath day, done, seal, King, led, Al Al Al Al Al le le le le le lu lu lu lu lu ia! ia! ia! ia! ia!
4 4
an ba gates now al
Al Al Al Al Al
le le le le le
lu lu lu lu lu
umphs is His to we
Al Al Al Al Al
le le le le le
lu lu lu lu lu
Al Al Al Al Al
le le le le le
lu lu lu lu lu
6.Hail, the Lord of earth and Heaven, Alleluia! Praise to Thee by both be given, Alleluia! Thee we greet triumphant now, Alleluia! Hail, the resurrection, thou, Alleluia! 7.King of glory, Soul of bliss, Alleluia! Everlasting life is this, Alleluia! Thee to know, Thy power to prove, Alleluia! Thus to sing and thus to love, Alleluia!
8.Hymns of praise then let us sing, Alleluia! Unto Christ, our heavenly King, Alleluia! Who endured the cross and grave, Alleluia! Sinners to redeem and save. Alleluia! 9.But the pains that He endured, Alleluia! Our salvation have procured, Alleluia! Now above the sky Hes King, Alleluia! Where the angels ever sing. Alleluia!
10.Jesus Christ is risen today, Alleluia! Our triumphant holy day, Alleluia! Who did once upon the cross, Alleluia! Suffer to redeem our loss. Alleluia!
7 7 7 7 with Alleluias
EASTER
90
Words: Stanzas 17, Charles Wesley, 1739. Stanzas 810, 14th Century; translated in Lyra Davidica. Music: Orientis Partibus or Redhead 45 traditional French. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1893. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 130
4 4
1. "Christ, 2. Loves 3. Vain 4. Lives 5. Soar the re the a we Lord, deem stone, gain now is ing the our where risen work watch, glor Christ to is the ious hath day!" done, seal, King led Sons Fought Christ Where, Follow of the hath O ing men fight, burst death, our and the the is ex an ba gates now al gels ttle of thy ted say, won, hell! sting? Head;
4 4
Sing, ye heavens, and Lo! He sets in Christ hath o pened to Where thy vic Ours the cross, the
6.Hail, the Lord of earth and Heaven: Praise to Thee by both be given. Thee we greet triumphant now; Hail, the resurrection, thou. 7.King of glory, Soul of bliss, Everlasting life is this, Thee to know, Thy power to prove, Thus to sing and thus to love.
8.Hymns of praise then let us sing Unto Christ, our heavenly King Who endured the cross and grave Sinners to redeem and save. 9.But the pains that He endured Our salvation have procured. Now above the sky Hes King Where the angels ever sing.
10.Jesus Christ is risen today, Our triumphant holy day. Who did once upon the cross Suffer to redeem our loss.
7777
91
EASTER
Words: Samuel Medley, 1775. Music: Duke Street John Hatton, 1793. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1905. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 140
4 4
1. I 2. He 3. He 4. He 5. He know lives lives lives lives that to tri to to my bless um grant si Re me phant me lence deem with from rich all er His the sup my lives; love, grave, ply, fears, What He He He He com lives lives lives lives fort to e to to this plead ter guide wipe sweet for nal me a sen me ly with way tence a to His my gives! bove. save, eye, tears
4 4
He He He He He
He my all to to
He He He He He
my to ex to all
er in ed my ings
ing of on com im
6. He lives, my kind, wise, heavenly Friend, He lives and loves me to the end; He lives, and while He lives, Ill sing; He lives, my Prophet, Priest, and King.
7. He lives and grants me daily breath; He lives, and I shall conquer death: He lives my mansion to prepare; He lives to bring me safely there.
8. He lives, all glory to His Name! He lives, my Jesus, still the same. Oh, the sweet joy this sentence gives, I know that my Redeemer lives!
8888
EASTER
92
Words: 14th Century Bohemian Latin carol. Stanzas 13 translated in John Arnolds Compleat Psalmist, 1749. Stanza 4 Charles Wesley, 1740, alt. Music: Easter Hymn from Lyra Davidica, 1708. Setting: composite found in "Church Praise: with tunes", 1885. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 120
4 4
1. Je 2. Hymns 3. But 4. Sing sus Christ is of praise then the pain which we to our risn let He God to day, us sing, en dured, a bove, Al Al Al Al le le le le lu lu lu lu ia! ia! ia! ia!
4 4
ho heavn hath as
Al Al Al Al
le le le le
lu lu lu lu
Al Al Al Al
le le le le
lu lu lu lu
deem deem ev Ho
our and er ly
Al Al Al Al
le le le le
lu lu lu lu
Mt 28:6, Lk 24:57
7 7 7 7 with Alleluias
93
EASTER
Words: Martin Luther, 1524. Translated by Leonard Woolsey Bacon, 1883. Music: Jesus Christus Unser Heiland, Der Den Tod (Klug) from Klugs Geistliche Lieder, Wittenberg, 1533. Setting: Johann Sebastian Bach. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. Je sus Christ, who 2. Who with out en 3. Life and mer cy, came to save, sin was found, sin and death, And Bore All o our in ver trans His came the grave, res sions wound. hands He hath;
4 4
Is He Them
en, And sin hath viour, And brings us ver, Who trust in
lei
son.
76575
EASTER
94
Words: from Symphonia Sirenum Selectarum, Kln, 1695; translated by Francis Pott, 1861. Music: Victory or Palestrina Giovanni P. da Palestrina, 1591. Setting: William Henry Monk, 1861. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 140
3 4
Al le lu ia, Al le lu ia, Al le lu ia.
3 4
1. The strife is 2. The powrs of 3. On that third 4. He closed the 5. Lord, by the
tle their a of ed
the of us of may
Al Al Al Al Al
le le le le le
lu lu lu lu lu
= 140
Al
le
lu
ia,
Al
le
lu
ia,
Al
le
lu
ia.
Acts 2:2224, Rom 5:1011, 6:910, Is 12:16, 1Cor 15:5457, 2Tim 1:10, Eph 2:16, Is 53:35
8 8 8 with Alleluias
95
ASCENSION
Words: Gottfried Wilhelm Sacer, 1661. verses 15,7 Translated by Frances Elizabeth Cox, 1841. verse 6 translator unknown. Music: Von Gott will ich Nicht Lazen Johann Crger, 1640. Setting: "Kern des Deutschen Kirchengesangs Zum Gebrauch" Fridrich Layriz, 1854. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 140
4 4
1. Lo, 2. With 3. No 4. Christ 5. May God to Heavn as joy is Heavn re more the way is is our place pre we, His ser vants, cen soun hid par thi deth! ding den, ing; ther Through Christs Since to In out glad Christ Heavn heart its re our we, and re turn Head too, mind gions to a shall as vast see; rose: rise, cend,
4 4
shouts tri um phant hold the saints sur more to man for ic joys an gel let us sing to
praise to Christ the myr iads, throng ing, Lord is gone be may each heart be al ted Gods ex
each hea then ser a phic in Heavn re our Hope be all powr is
of Hosts a Mes si ah pen wide the still heavn ward and Hope and
6.Farewell with all thy treasures, O world, to falsehood givn! Thy dross gives no true pleasures; We seek the joys of Heavn: The Savior is our Prize; He comforts us in sadness, And fills our hearts with gladness; to Him we lift our eyes.
7.When, on our vision dawning, Will break the wishedfor hour Of that all glorious morning, When Christ shall come with power? O come, thou welcome day! When we, our Savior meeting, His second advent greeting, Shall hail the heavnsent ray.
76766776
ASCENSION
96
Words: Brian J. Dumont, 09 Dec 2008. Music: Azmon Carl G. Glser, 1828. Setting: Lowell Mason, 1839. copyright: Words: Copyright 2008, Brian J. Dumont. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music and Setting: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 200
3 2
1. The 2. The 3. On 4. Ap 5. On cloud cloud Si pear moun re kept nais ing tain ceived Christ safe Gods height the on the high Christs from peo cloud mer face their ple did cy did sight. They as Through rest To seat with shine like stood, their mouths a the dry sea they make a home be in the in most sun, a bla zing gape. trod, low. place, light.
3 2
ed of the them through the first then His ple showed Gods once more ap
He er ten mi on
peo ple still do tru ly walked with pre sence now would save our fal len tru ly fear ful
6. While here in flesh You taught us, Lord The object sure and right: To see our Fathers glory bright, To have eternal life. 7. A goal beyond our reach Youve shown; We cannot pay the price. No work of ours atones for sin, We cannot set things right. 8. You are the Truth, You are the Way for us to see His face. You died for us a sinners death abandoned in our place.
9. On Easter day, Lord, You were raised Firstfruits of our new Life; And in the cloud we see the day When joy will end all strife. 10. We wait to see the clouds return To be with us below, When You fulfill Your promises To bring us to Your home. 11. And though we wait to see You now We know that You are near. Your promises to build our faith Are stronger than our fear.
12. You give us faith by Your strong Word In water, wine, and bread. The Spirit works through earthly means, in pastures green were fed. Special thanks for this text goes to Dr. Norman Nagel, whose insights inspired it.
Acts 1:911, Jn 14:26, Ex 14:1925, 19:1620, 25:10, 31:18, 34:45, Lv 16:12, 2Chr 5:1114, Mt 17:15, Jn 17:3, Lk 12:59, 1Cor 6:1920, Rom 5:1221, Jn 14:16, Ps 65:23, Mt 27:46, 1Cor 15:20, Mt 28:20, Rom 10:17, Col 2:12, Mt 26:2628, Ps 23 8686
97
ASCENSION
Words: Christopher Wordsworth, 1862, alt. Music: Rex Gloriae Henry Thomas Smart, 1868. Setting: "Appendix to Hymns Ancient and Modern", 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 120
4 4
1. See, 2. Who 3. While 4. Now 5. He the Lord as is this that He lifts His our heavn ly has raised our cends comes hands Aa hu in in in ron man tri glo bless en na umph; ry, ing, ters, ture see with He with in the the is His the King trump part blood, clouds in of ed with to ro ju from in Gods yal bi His the right state, lee? friends veil; hand;
4 4
ding of their ua we
His of be to ly
To He He and there
ly the the be in
pal ace gate. vic tor y. cloud as cends; fore Him quail; glo ry stand:
Hark! He He Now Je
gel voi ces did suf fer, and pleased Him, rael of Is by an gels;
87878787
ASCENSION
97(2)
6. Ho ly Ghost, Il 7. See Him, Who is 8. Raise us up from 9. So at last, when 10. Glo ry be to
Help us to look See Him, who is Gales of ho ly With our youth re ing, risn, as Dy
up ev as newed cend
with Ste phen, er plead ing pir a tions like eag les, ing for us,
be pre to our ly
in of up of ly
ing is at with His an with Christ our may meet Him One God in
suc cor ing His on the clouds will in His heavn ly and may reign for glo ry, end less
87878787
98
PENTECOST
Words: Edwin Hatch, 1878. Music: Aylesbury or Wirksworth found in John Chethams Psalmody, 1718. Setting: "Hymns Ancient and Modern", 1904. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 110
4 4
1. Breathe 2. Breathe 3. Breathe on on on me, me, me, breath breath breath of of of God, God, God, Fill Un So me til shall with my I life heart ne a is ver new, pure, die,
4 4
love what Thou dost Thee I will one Thee the per fect
6686
PENTECOST
99
Words: Bianco of Siena d. 1434. Translated by Richard F. Littledale, 1867. Music: Down Ampney Ralph Vaughan Williams, 1906. Setting: Ralph Vaughan Williams, 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. Come down, O 2. O let it 3. Let ho ly 4. And so the love free char yearn di ly it ing vine, burn, y strong, seek til mine with Thou earth out which this ly ward the soul pas ves soul of sions ture will
4 4
it and li out
with es be the
ar heat in hu
in ev takes he
my er the be
ap my bler the
ho ly flame be while my path il com ings weeps with Spir it makes His
6 6 11 6 6 11
100
PENTECOST
Words: v. 1 ancient Latin. v.23 Martin Luther, 1524. Translated by Arthur Tozel Russell (18061874). Music: Komm Heiliger Geist, Herre Gott ancient Latin found in Erfurt Enchiridion, 1524. Setting: Leonard Woolsey Bacon, 1883 after Erythraeus, 1609. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. Come, Ho ly 2. O, ho liest 3. O ho liest Spi Light! Fire! rit, O O Lord Rock Source our a of God, dored! rest! And Give Grant pour Thy us Thy that with gifts light, joy of Thy and
4 4
a ing pos
Thy To And
faith God in
fire Him us
their as from
po dren may
ssess plea se
by Lord, powr
ly de each
Dost That To
and Christ na
in a ture
8 8 9 7 8 8 9 9 with Alleluias
PENTECOST
100(2)
u at im
Through In On
the with to
a un our
ho feigned foes
ly a de
To In To
to with through
ex might and
ul con through
ta fid dy
Hal
le
lu
jah!
Hal
le
lu
jah!
8 8 9 7 8 8 9 9 with Alleluias
101
PENTECOST
Words: variously ascribed to Ambrose, Gregory the Great, Charlemagne, or Rhabanus Maurus. Translated by Martin Luther, 1524. Translated from German to English by Leonard Woolsey Bacon, 1883. Music: Komm, Gott Schoepfer Heiliger Geist ancient Latin found in Erfurt Enchiridion, 1524. Setting: Johann Sebastian Bach, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 130
4 4
1. Come, 2. For 3. Our 4. Thou 5. Drive God Com minds with far Cre fort il Thy from a er lu won us tor, Thy mine drous our Ho name and sevn wi ly we re fold ly Ghost, call. fresh, gifts foe; And Sweet Deep The Grant vis gift in fin us it of our ger Thy Thou God hearts art bless these most let of d souls high love Gods peace of a burn right with men; bove, bright; hand; in,
4 4
as to of send we
tures of en of the
a of Thy each of
6. Teach us the Father well to know, Likewise His only Son our Lord, Thyself to us believing show, Spirit of both, aye adored
7. Praise to the Father, and the Son Who from the dead is risen again; Praise to the Comforter be done Both now and ever. Amen.
8887
PENTECOST
102
Words: verses 16 Andrew Reed, 1817. verses 713 Samuel Longfellow, 1864. Music: Canterbury or Song 13 Orlando Gibbons, 1623. Setting: "Common Service Book" (ULCA), 1917. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
4 4
1. Ho 2. Let 3. Ho 4. Ho 5. Ho ly Ghost, with me see my ly Ghost, with ly Ghost, with ly Spir it, light di vine Sa viors face, powr di vine joy di vine all di vine, Shine Let Cleanse Cheer Dwell up on this me all His this guil ty this sad dened with in this heart of beau ties heart of heart of heart of mine; trace; mine; mine; mine;
4 4
the shades of those glo rious Thy mer cy red, a sac down ev ery
to to me in a
6. See, to Thee I yield my heart, Shed Thy life through every part; A pure temple I would be, Wholly dedicate to Thee. 7. Holy Spirit, Truth divine, Dawn upon this soul of mine; Word of God and inward light Wake my spirit, clear my sight. 8. Holy Spirit, Love divine, Glow within this heart of mine; Kindle every high desire; Perish self in Thy pure fire. 9. Holy Spirit, Power divine Fill and nerve this will of mine; Grant that I may strongly live, Bravely bear, and nobly strive.
10. Holy Spirit, Right divine, King within my conscience reign; Be my Lord, and I shall be Firmly bound, forever free. 11. Holy Spirit, Peace divine, Still this restless heart of mine; Speak to calm this tossing sea, Stayed in Thy tranquility. 12. Holy Spirit, Joy divine, Gladden Thou this heart of mine; In the desert ways I sing, "Spring, O Well, forever spring." 13. Now incline me to repent, Let me now my sins lament, Now my foul revolt deplore, Weep, believe, and sin no more.
7777
103
PENTECOST
Words: Timothy Rees, 1922. Music: Ebenezer or TonYBotel Thomas J. Williams, 1890. Setting: "A Hymnal" (Episcopal), 1916. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 180
3
8 4
3
1. Ho ly 2. Ho ly 3. Ho ly
ev ev ev
er er er
ho church chur
realms breath mi
8 4
3 3 3 3
ev ev and
er er ab
of ples tive
3 3 3 3 3
Ho Ho Ho
ly ly ly
ev ev ev
er er er
ry of to
it you ing
87878787
PENTECOST
104
Words: Frank Bottome, 1890. Music: The Comforter Has Come William J. Kirkpatrick, 1890. Setting: "Pentecostal Hymns, No. 2", 1898. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 95
3 4
1. O 2. The 3. Lo, 4. O 5. Sing, spread long, the bound till the long great less the ti dings night is King of love di ech oes round, past, kings, vine! fly wher the with how a ev morn heal shall bove er ing ing this the man breaks in tongue vault is at His of ed found, last, wings, mine sky, Wher And To To And
3 4
ev er hu hushd the dread ev ry cap wond ring mor all the saints
man ry de less be
ry the the a of
er er er er er
The
Com
fort er has
come,
The
Com
fort er has
come!
The
Ho
ly Ghost from
heavn,
The
Fa
thers
pro
mise
givn;
spread
the
ti
dings
round,
Wher
ev
er
man is
found:
The
Com
fort
er
has
come!
12 12 12 6 12 12 12 6
105
TRINITY
Words: 15th Century Litany, adapted by Martin Luther, 1524. Translated by Richard Massie, 1854, alt. Music: Gott Der Vater, Wohn Uns Bei from Walters Geistliche Gesangbchlein, 1524. Setting: composite from Landgraf Moritz, 1612 and "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 100
ther, be be be
sail
us;
Cleanse us
from our
in
our
last hour
fail
us.
Keep us
from the
vil
One; Firm in
the
faith
bid
ing,
In
Christ our
Sa
vior
hid
ing,
And heart i
ly
con fid
ing.
Christ
ians
run
ning Our
heavn ly
race and
shun
ning The de
vils
wiles
and cun
ning.
men,
men,
this
be
done,
So sing
we,
Hal
le
lu
jah!
77777777777777
TRINITY
106
Words: attr. Ignaz Franz, 1774. Translated by Clarence A. Walworth, 1858. Music: Te Deum or Hursley or Grosser Gott, wir Loben Dich from Katholisches Gesangbuch, Maria Theresa, 1774. Setting: "Hymns Ancient and Modern", 1869, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 120
3 4
1. Ho 2. Hark! 3. Lo! 4. Ho ly the the ly God, loud a Fa we ce post ther, praise les o Ho Thy tial lic ly Name; hymn train Son, Lord An Join Ho of gel the ly all, cho sa Spi irs we a cred rit,
3 4
be are to we
on u phets in
ter a re ly
All In And Un
in un the div
a rus tyrs we
do ac of the
Ev Ho Through While
er ly, the we
is ho song my
787877
107
TRINITY
Words: Martin Luther, 1526 as the Sanctus of the German Mass, after Is 6:14. Translation composite. Music: Jesaia Dem Propheten das Geschah Martin Luther, 1526 in the German Mass. Setting: Erythraeus, 1608. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 140
4 4
1. Is ai ah, might y seer, in days of old The Lord of all in Spir it did be hold
4 4
High on a
loft y throne, in
A bove the
ser
a phim,
gers of Him.
as was meet,
With twain in
o ther twain a
One to the
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
TRINITY
107(2)
"Ho
ly
is
Sa ba oth!
Ho
ly
is
Sa ba oth!
Ho
ly
is
Sa ba oth!
Be
hold, His
at the
cry,
And clouds of
throne on high.
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
108
TRINITY
Words: Medieval text expanded by Martin Luther, 1524. Translation composite. Music: Wir Glauben all an Einen Gott, Schoepfer or Apostolic Creed Medieval tune altered by Martin Luther. Found in Walters Geistliche Gesangbchlein, 1524. Setting: "Eisenach Kirchenconserenz", G.v. Tucher et. al. , Stuttgart, 1854. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
1. We 2. We 3. We
in in the
one Je Ho
true sus ly
The Fa ther, who to us in love An e qual God head, throne, and might, And with the Fa ther and the Son
He Born Who
both of the
soul and bo dy feed Ma ry, vir gin mo Church, His own cre a
doth of ty
pro the of
per el and
lead Bro va
1Jn 5:20, Is 41:913, Jn 1:14, 1Jn 4:910, 1Cor 12:3, Rom 8:2627
8888888888
TRINITY
108(2)
ing the ly
that no harm be tide lost might life in her come through Je sus mer
eth ci shall
us for and
day sin we
night, men be
All things are gov erned And raised by God to In bliss with God e
1Jn 5:20, Is 41:913, Jn 1:14, 1Jn 4:910, 1Cor 12:3, Rom 8:2627
8888888888
109
TRINITY
Words: Reginald Heber, 1826. Music: Nicaea John Bacchus Dykes, 1861. Setting: "Hymns Ancient and Modern", 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 110
4 4
1. Ho 2. Ho 3. Ho 4. Ho ly, ly, ly, ly, ho ho ho ho ly, ly, ly, ly, ho ho ho ho ly! ly! ly! ly! Lord God Al All the saints a though the dark ness Lord God Al migh dore hide might ty! Thee, Thee, y! Ear Cast Though All ly in the ing down their the eye of Thy works shall
4 4
morn ing our gold en crowns a ful man Thy sin praise Thy Name, in
song shall rise to round the glass y glor y may not earth, and sky, and
Ho Che On Ho
ho ser ho ho
ci ing is ci
and be be and
y! Thee, Thee, y!
ed er and ed
66666655
REFORMATION
110
Words: Martin Luther, 1529. Translation composite circa 1868 Pennsylvania Lutheran Church Book. Music: Ein Feste Burg (Rhythmic) Martin Luther, 1529. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 160
y of ils they
is our God, nau ght be done, wor ld should fill, let re main
trust were ea an
He But We Hes
from the we up
ev Val fear on
hath us now oer tak God Him self e le shall not o ver power His good gifts and Spi
Now means dead ly woe; Je sus Christ it is. Scowl fierce as he will, Goods, fame, child and wife,
Deep Of He Let
guile and great might Sab a oth Lord, can harm us none, these all be gone,
Are his dread And theres none Hes judged; the They yet have
in er is thing
878755567
111
REFORMATION
(also known as Had God not Come, May Israel Say or Were God Not With Us At This Time)
Words: Martin Luther, 1524. Translation composite. Music: Wr Gott nicht mit uns diese Zeit (1524) from Walters Geistliche Gesangbchlein, 1524. Setting: Michael Praetorius, 1610. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. If God had 2. Their fur ious 3. Blest be the not been on wrath, did God Lord, who foiled our per their side mit, threat And Would That had not come to sure ly have con they could not de aid sumed vour us, us us;
4 4
to ters are
both en er,
and our in
in a est
8787887
REFORMATION
112
(also known as Had God not Come, May Israel Say or Were God Not With Us At This Time)
Words: Martin Luther, 1524. Translation composite. Music: Wr Gott nicht mit uns diese Zeit (1537) from Walters Hymnal, 1537. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. If God had 2. Their fur ious 3. Blest be the not been on our wrath, did God per Lord, who foiled their side And had not mit, Would sure ly threat That they could come to aid have con sumed not de vour us, us us;
4 4
all their powr and deep and yawn ing birds, es caped their
His oer is
have wa we
to ters are
of would is
men have ev
in a est
8787887
113
REFORMATION
(also known as O God, from Heaven Look Down or O God, Look Down from Heaven and See)
Words: Martin Luther, 1524. Translated by Frances Elizabeth Cox, 1864. Music: Ach Gott vom Himmel from Erfurt Enchiridion, 1524. Setting: Karl August Haupt, 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 100
4 4
1. Look 2. With 3. God 4. For 5. The down, O Lord, from frauds which they them sure ly will up this, saith God, I sil ver sevn times heavn selves root will tried be in all a is hold, vent those rise, pure And Thy With These From let truth vain wolves all thy they de my a pit have ceits flock dult y con who are er wa foun store ren a ken! ded; us, ding; tion;
4 4
the flock with are not with ty tongue who my peo ples Gods word, shall
Ne On And To Each
glec ted and for thy pure doc trine say, "Wholl stand be heavn my throne as tri al and temp
most thoult seek whilst they gleam right or might will I up, worth gleams bright
who thy de y i
have a it de very
6. Thy truth thou wilt preserve, O Lord, From this vile generation; Make us to lean upon thy word, With calm anticipation. The wicked walk on every side When, mid thy flock, the vile abide In powr and exaltation.
Acts 20:2832, Lk 18:78, 1Jn 2:1823 8787887
REFORMATION
114
(also known as O God, from Heaven Look Down or O God, Look Down from Heaven and See)
Words: Martin Luther, 1524. Translated by Frances Elizabeth Cox, 1864. Music: Es ist das Heil uns Kommen Her traditional German circa 1400 from Etlich Christlich Lider, Wittenberg, 1524. Setting: Karl August Haupt, 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 110
4 4
1. Look 2. With 3. God 4. For 5. The down, O Lord, from frauds which they them ly will up sure this, saith God, I sil ver sevn times heavn selves root will tried be in all a is hold, vent those rise, pure And Thy With These From let truth vain wolves all thy they de my a pit y have con ceits who flock are dult er wa foun store ren a ken! ded; us, ding; tion;
4 4
the flock with are not with ty tongue who my peo ples Gods word, shall
Ne On And To Each
glec ted and for thy pure doc trine say, "Wholl stand be heavn my throne as tri al and temp
most thoult seek whilst they gleam right or might will I up, worth gleams bright
who thy de y i
Word from us ors maze err who can lord poor with might shines through e
have a it de very
6. Thy truth thou wilt preserve, O Lord, From this vile generation; Make us to lean upon thy word, With calm anticipation. The wicked walk on every side When, mid thy flock, the vile abide In powr and exaltation.
Acts 20:2832, Lk 18:78, 1Jn 2:1823 8787887
115
REFORMATION
Words: Martin Luther, 1541. Translated by Catherine Winkworth, 1863. Music: Erhalt Uns, Herr, bei deinem Wort from Klugs "Geistliche Lieder auffs new gebessert", 1543. Setting: Hans Leo Hassler, unknown date. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 150
1. Lord, 2. Lord 3. O
keep us stead fast in Thy Je sus Christ, Thy powr make of price less Com fort er
Would De Sup
wrest the king dom from Thy fend Thy Christ en dom that port us in our fi nal
Son we strife
set ev lead
8888
REFORMATION
116
Words: Martin Luther, 1524. Translated by Richard Massie, 1854, alt. Music: Es spricht der Unweisen Mund from Walters Geistliche Gesangbchlein, 1524. Setting: Michael Praetorius, 1610. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. The mouth of 2. The Lord looked 3. But none there 4. How long, by 5. There fore their fools down was fol heart doth God from his who walked ly blind is ne con high with ly ver fess, towr God, led, still, But On For Will A while all all ye fall their man a op ing lips kind side press leaf draw be had the dis nigh low slid need mays Him, Him, den, y, them;
4 4
de to for and o
Co rrupt are Who all their Not one there In God they But ye the
bom in ab le search His ho ly yet they deemed, in will on Him in laugh at him, een
hath in ty ble he
is do deeds be God
6. Who shall to Israels outcast race From Zion bring salvation? God will himself at length show grace, And loose the captive nation; That will he do by Christ their King; Let Jacob then be glad and sing, And Israel be joyful.
8787887
117
BAPTISMAL LIFE
Words: Thomas Hansen Kingo, 1689. Translation by George Alfred Taylor Rygh, 1909, alt. Music: Es ist das Heil uns Kommen Her German circa 1400 from Etlich Christlich Lider, Wittenberg, 1524. Setting: "Mehrstimmiges ChoralBuch", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
1. All 2. With who be lieve and one ac cord, O are bap tized shall God, we pray: grant see us the Lords sal thy Ho ly va Spi tion; rit;
4 4
bap look
tized in thou on
to our
the in
are Je
a mer
tion. it.
through Grant
Christs us
re demp to grow
tion in
they grace
shall each
stand day
a that
mong by
ious ra
heavn ment
ly we
band may
of e
ev ter
ery nal
tribe life
and in
na her
tion. it.
Mk 16:16, Rom 6:34, Titus 3:47, Jude 1:2021, Is 53:45, Col 2:1114, Rev 7:1314
8787887
BAPTISMAL LIFE
118
Words: Johann Jakob Rambach, 1734. Translated by Catherine Winkworth, 1863 and August Crull, 1884. Music: O Dass Ich Tausend Zungen Htte (Dretzel) Kornelius Heinrich Dretzel, 1731. Setting: "Mehrstimmiges ChoralBuch", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 140
3 4
1. Bap tized in 2. My lov ing 3. And I have 4. My faith ful 5. Yes, all I to Thy Fa ther, vowed to God, Thou am and Name here fear fail love most doth and est most ho ly, take me love Thee nev er, dear ly, O Fa ther, To be hence And to o Thy cov nant To Thee I Son, forth bey sure of and His Thee, ly fer
3 4
ly and a a the
I My I Oh, O
though vior, ly a my
6.Hence, Prince of darkness, hence forever, For I belong now to my God! Tis true, I sinned; but my dear Savior Hath cleansed me with His holy blood. Away, vain world, sin, leave me now, I turn from you; God hears my vow. Mt 28:19, Rom 6:24, Gal 3:2627, Ps 51:1012, Rom 14:89
7.And never let my purpose falter, O Father, Son, and Holy Ghost, But keep me faithful to Thine altar, Till Thou shalt call me from my post; So unto Thee I live and die, And praise Thee evermore on high. 989888
119
BAPTISMAL LIFE
Words: attributed to St. Patrick of Ireland (circa 387466). Paraphrased by Cecil F. Alexander, 1889. Music: St. Patricks Breastplate Charles V. Stanford, 1902. Setting: "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
3 4
1. I 2. I 3. I 4. I 5. I bind bind bind bind bind un this un un un to day to to to my to my my my self me self self self to for the to to day The ev er By pow er Of day The day The strong Name pow er of the great vir tues pow er of of faith, love of God the Christs of the to
3 4 3 4
tion; en,
29
er, ur,
in on vice ness to
in sal a at my
88888888
BAPTISMAL LIFE
119(2)
from faith, of of
the A the my
d tles ning to
the un the to
of the salt me
I And A His
un ri the ly
to ty old host
my of e to
to gin nal my
6. Against the demon snares of sin, The vice that gives temptation force, The natural lusts that war within, The hostile men that mar my course; Or few or many, far or nigh, In every place and in all hours, Against their fierce hostility I bind to me these holy powers. 7. Against all Satans spells and wiles, Against false words of heresy, Against the knowledge that defiles, Against the hearts idolatry, Against the wizards evil craft, Against the death wound and the burning, The choking wave, the poisoned shaft, Protect me, Christ, till Thy returning.
8. Christ be with me, Christ within me, Christ behind me, Christ before me, Christ beside me, Christ to win me, Christ to comfort and restore me. Christ beneath me, Christ above me, Christ in quiet, Christ in danger, Christ in hearts of all that love me, Christ in mouth of friend and stranger. 9. I bind unto myself the Name, The strong Name of the Trinity, By invocation of the same, The Three in One and One in Three. By Whom all nature hath creation, Eternal Father, Spirit, Word: Praise to the Lord of my salvation, Salvation is of Christ the Lord.
88888888
120
BAPTISMAL LIFE
Words: Paul Gerhardt, 1667. Translated by Brian J. Dumont, March 2011. Music: Es ist Gewisslich an der Zeit from Klugs Geistliche Lieder, Wittenberg, 1533. Setting: Michael Praetorius, 1610. copyright: Words: Copyright 2011, Brian J. Dumont. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music and Setting: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 130
4 4
1. You peo 2. Be fore 3. Your soul 4. The ma 5. Then washed ple held and jes clean who in bo ty in now are bap your mo thers dy turned with that ter ri this ho ly tized arm, in, fies flood, Gods From Sin Was The gra cious love your time of filled you like all Gods pres wa ter of sur con a ence Bap
4 4
By Christs Name Quite hos tile Con cern for Your fault you In stilled faith
youre now re cog to the Laws al neigh bor pa per could not rect if in Christs ho ly
was ner by of re
Rom 6:311, Col 2:1115, Num 6:27, Mt 28:1920, Rev 3:12, Ps 51:510, 1Pt 3:2122, Gal 3:27, Acts 2:3839, 22:16 8 7 8 7 8 8 7
BAPTISMAL LIFE
120(2)
in God glow in na
that He slew, you would bleed, ter nal Light bound for hell right eous ness,
6. It washes all your sins away And makes you pure and holy. Hells hold on you was lost that day, Gods freedom for the lowly. You are now truly Gods dear child An heir of heaven undefiled With crown to cast before Him. 7. Your nature lost in Adams fall, Corrupt through generations, Refreshed now in the waterfall A perfect new creation! The death of death before your eyes: Gods power must be recognized. Hells demons lie defeated! 8. Now we can gladly draw to Christ And boldly ask His blessing Because of Jesus sacrifice, Our sins upon Him pressing. The Father looks on us and sees Christs holiness and His good deeds: White robes givn by His merit.
9. This holy bath ... What powr displays! What wondrous gracefilled cleansing; None on their own can eer appraise The value of their raising. The Word of God in simple form Can calm the tempest and the storm. It brings peace to your spirit. 10. Plain water cannot wash our sin Nor clean our inward spirit, But water with Gods promise can Bring all the Father wills it. The water that floods over you From Gods command has strength imbued. His Name is placed upon you. 11. Too precious to repay somehow, Just grateful thanks we offer. Christs work has been delivered now To you through Word and water. Nothing but Christs atoning work In you could kill deaths ugly smirk Youre now refreshed and holy.
12. Now gladly live as Gods dear child Proclaim to all His Gospel Shine to the world; be undefiled... A beacon to all people. Till called home to eternal joy With new song that well all employ To cast our crowns before Him.
Rom 6:311, Col 2:1115, Num 6:27, Mt 28:1920, Rev 3:12, Ps 51:510, 1Pt 3:2122, Gal 3:27, Acts 2:3839, 22:16 8 7 8 7 8 8 7
121
CONFESSION/ABSOLUTION
Words: Brian L. Penney, 2007. Music: Third Mode Melody Thomas Tallis, 1567. Setting: "The English Hymnal", 1906, alt. copyright: Words: Copyright 2007, Brian L. Penney. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music and Setting: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
on now
me, and
O Ill
my be
God clean,
Ac As
cor clean
grace; snow;
Ac O
to in
Love Christ,
Blot Make
out me
great; know;
For Cre
I ate
ac in
know me
ledge a
Be Re
fore new
my me
stand; ly;
= 90
A Re
on va
ly tions
have joy
I a
e vil hold me
on ten
my der
hands. ly.
86868686
CONFESSION/ABSOLUTION
122
Words: Synesius of Cyrene, circa 430. Translated by Allen W. Chatfield, 1876. Music: Southwell William Damans Psalter, 1579. Setting: "Common Service Book" (ULCA), 1917. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 110
4 4
1. Lord 2. Lord 3. Lord 4. Lord 5. Lord Je Je Je Je Je sus, sus, sus, sus, sus, think think think think think on on on on on me me, me me me And With A Nor When purge a ma nya mid the let me floods the way care bat go tem my op tles a pest sin; pressed; strife; stray; high;
4 4
born pas sions Thy lo ving my pain and ness and per doth rush the
6. Lord Jesus, think on me That, when the flood is past, I may theternal brightness see And share Thy joy at last.
7. Lord Jesus, think on me That I may sing above To Father, Spirit, and to Thee The strains of praise and love.
6686
123
CONFESSION/ABSOLUTION
Words: James Maxwell, 1759. Music: Winchester New from "Musikalisches Handbuch", Hamburg, 1690. Setting: Charles Lewis Hutchins, 1896. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. O 2. But 3. I 4. There, 5. A Lord, thanks know I maz my to my be ing soul God, fig hold wis con its leaf with dom, vic loud right won powr ted a eous der, and stands larms ness Lord! love, Of Have Can That Dis
4 4
all of bro to re
com ing re re a
on now, in ho Thou,
me O the nors O
ly my pel tha my
Thou I I ing in
in un of ty and
nal to for a of
8888
CONFESSION/ABSOLUTION
124
Words: Martin Luther, 1524. Translated by Arthur Tozer Russell (18061874). Music: Aus Tiefer Not (Luther) or Af Dybsens Nd Martin Luther from Erfurt Enchiridion, 1524. Setting: Johann Sebastian Bach, 1725. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 110
4 4
1. Out of the 2. But love and 3. For this, my 4. And though I 5. What though our deep I grace with hope in wait the sins are cry to Thee pre God shall live long man i Thee; O vail, O rest, Naught night And fold? Su Lord God, build till preme God, our ing the His hear sins on morn mer my for my re cy cry giv mer turn reign ing: ing; it; eth, eth;
4 4
In The My My No
cious ear to can naught a of Him pos ing trusts His His hand with
to be ness im il
On There My In Who
stand be fore Thy com pas soul a bid God re pos all trans gres
8787887
125
CONFESSION/ABSOLUTION
= 110
4 4
1. Out 2. But 3. For 4. And 5. What of love this, though though the and my I our deep I grace with hope in wait the sins are cry to Thee pre God shall live long man i Thee; O vail, O rest, Naught night And fold? Su Lord God, build till preme God, our ing the His hear sins on morn mer my for my re cy cry giv mer turn reign ing: ing; it; eth, eth;
4 4
In The My My No
cline Thy gra cious ho liest deeds can heart con fides, of heart un doubt ing lim it can His
to me, With a vail Of pos sest, His His might Nor with hold, Where
On There My In Who
be com a re trans
8787887
CONFESSION/ABSOLUTION
126
Words: verses 13, Samuel Davies, 1769. alt. verses 46, Brian J. Dumont, 15 Nov 2010. Music: Federal Street Henry K. Oliver, 1832. Setting: "The Evangelical Lutheran Hymnal" (Ohio Synod), 1908. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 130
4 4
1. While oer our 2. On You, our 3. See, we re 4. We are the 5. Christ is our guil guar pent, old, on ty dian we the ly land, O God, we weep, we sick, the right eous Lord, call; mourn; lame; ness, We Be To We His view fore our blind death the Your for and for terr throne sa deaf us ors of ken cry is
4 4
Your we we sus re
O But O We Your
the de ty cy ger
6. We are your children after all, Redeemed by Christ after the fall. Marked with Your Name in Baptism, Our home remains in Your Kingdom.
8888
127
LORDS SUPPER
Words: Latin, circa 6th Century. Translated by Robert Campbell, 1849. Music: Sonne der Gerechtigkeit Czech, Kirchengeseng, 1566. Setting: Brian J. Dumont, 31 Dec 2009. copyright: Words and Music, public domain. Setting: Copyright 2009 Brian J. Dumont. This setting may be freely reproduced or published for Christian worship, provided it is not altered, and this notice is on each copy. All other rights reserved. This score is a part of the Open Hymnal Project, 2010 Revision.
= 110
4 4
1. At 2. Praise 3. Where 4. Praise 5. Might the we the we y Lambs Him, Pas Christ, Vic high whose chal whose tim feast love blood blood from we di is was the sing, vine poured, shed, sky, Praise Gives Deaths Pas Hells to His dark chal fierce our sac an Vic powrs vic tor ious red blood for gel sheathes his tim, Pas chal be neath Thee King, wine, sword; Bread; lie;
4 4 4 4
has washed us His bo dy raels hosts tri cer i sin hast con quered
in for um ty in
A A A A A
lu lu lu lu lu
6. Now no more can death appall, Now no more the grave enthrall; Thou hast opened Paradise, And in Thee Thy saints shall rise.
7. Paschal triumph, Easter joy, This alone can sin destroy; From sins death do Thou set free Souls reborn, O Lord, in Thee.
8. Hymns of glory and of praise, Father, to Thee we raise; Risen Lord, all praise to Thee, Ever with the Spirit be.
7 7 7 7 with Alleluia
LORDS SUPPER
128
Words: Friedrich C. Heyder, 1710. Translation composite. Music: Ich Sterbe Tglich from Emskirchner Choralbuch, 1756. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. I 2. Oh, 3. Un 4. Oh, 5. Thy come, grant wor let heart O that thy me is Sa I though loathe filled vior, in I all with to man am, sin fer Thy ner O for vent ta wor Sa ev yearn ble, thy vior, er ing For May Be As That
4 4
weak and wear y now a pproach Thy cause I have a son death and poi ners may sal sin
is heavn sin to va
my ly ful my tion
Thou, Bread of And, as I Yet Thou Thy That I through Who, Lord, to
a ly wilt ful in
ab fore ne ne turn
sa on Thou see I,
tis ly my Thy a
me O herd its to
bo
dy
and
Thy
blood
Be
for
my
soul
the
high
est good!
12.With Thee, Lord, I am now united; 9.What higher gift can we inherit? 6.Weary am I and heavy laden, I live in Thee and Thou in me. It is faiths bond and solid base; With sin my soul is sore opprest; No sorrow fills my soul, delighted It is the strength of heart and spirit, Receive me graciously and gladden It finds its only joy in Thee. The covenant of hope and grace. My heart, for I am now Thy guest. 13.Who can condemn me now? For surely 10.This feast is manna, wealth abounding 7.Thou here wilt find a heart most lowly The Lord is nigh, who justifies. Unto the poor, to weak ones power, That humbly falls before Thy feet, No hell I fear, and thus securely To angels joy, to hell confounding, That duly weeps oer sin, yet solely With Jesus I to Heaven rise. And life for me in deaths dark hour. Thy merit pleads, as it is meet. 14.Though death may threaten with disaster, 11.Thy body, givn for me, O Savior, 8.By faith I call Thy holy table It cannot rob me of my cheer; Thy blood which Thou for me didst shed, The testament of Thy deep love; For He Who is of death the Master, These are my life and strength forever, For, lo, thereby I now am able With aid and comfort eer is near. By them my hungry soul is fed. To see how love Thy heart doth move. 15.My heart has now become Thy dwelling, O blessd, holy Trinity. With angels I, Thy praises telling, Shall live in joy eternally.
989888
129
LORDS SUPPER
(also known as Jesus Christ Our Redeemer Born or Christ Who Freed Our Souls From Danger or Jesus Christ Our God and Savior)
Words: John Hus (13691415). Expanded by Martin Luther, 1524. Translator v.4,6 by Richard Massie Other verses unknown. Music: Jesus Christus Unser Heiland, Der Von Uns (Walter) from Walters Geistliche Gesangbchlein, 1524. Setting: Von Tucher, 1848, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 140
4 4
1. Je sus 2. To re so 3. Who 4. Praise the 5. Thou shalt Christ, mind to Fa hold our us this ther, with Bless that, board God faith ed to re in un Sav save pair hea shak ior, us eth, ven, en, Turned He Take Who That a hath good such this way Gods died, His heed how dain ty food is
4 4
tongue can quick ning life shall thou hast are dis
He And Re Gave By
the His un be is
of cious il ed o
6. To such grace and mercy turneth Every soul that truly mourneth; Art thou well? Avoid this board, Else thou reapest an ill reward. 7. Christ says: "Come ye heavyladen, I your weary hearts will gladden; They that are yet strong and well, Despise the best physicians skill.
8. Couldst thou earn thine own salvation, Useless were my death and passion; This feast is not spread for thee, If thine own helper thou wilt be. 9. If thou this believest truly, And confession makest duly, Thou a welcome guest art here, This heavenly food thy soul shall cheer.
10. But the fruits must not be missing, Love thy neighbor without ceasing, That true love let him receive, Which here to thee thy God doth give.
8878
LORDS SUPPER
130
(also known as Jesus Christ Our Redeemer Born or Christ Who Freed Our Souls From Danger or Jesus Christ Our God and Savior)
Words: John Hus (13691415) expanded by Martin Luther, 1524. Translator v.4,6 by Richard Massie Other verses unknown. Music: Jesus Christus Unser Heiland, Der Von Uns (Klug) from Klugs Geistliche Lieder, Wittenberg, 1533. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 140
4 4
1. Je sus 2. To re so 3. Who 4. Praise the 5. Thou shalt Christ, mind to Fa hold our us this ther, with Bless that, board God faith ed to re in un Sav save pair hea shak ior, us eth, ven, en, Turned He Take Who That a hath good such this way Gods died, His heed how dain ty food is wrath flesh He food to for He pre hath be ev gave par gi tak er; us eth; ven, en
4 4
He saved us And with this Re cieve who Gave to die By those whose
6. To such grace and mercy turneth Every soul that truly mourneth; Art thou well? Avoid this board, Else thou reapest an ill reward. 7. Christ says: "Come ye heavyladen, I your weary hearts will gladden; They that are yet strong and well, Despise the best physicians skill.
8. Couldst thou earn thine own salvation, Useless were my death and passion; This feast is not spread for thee, If thine own helper thou wilt be. 9. If thou this believest truly, And confession makest duly, Thou a welcome guest art here, This heavenly food thy soul shall cheer.
10. But the fruits must not be missing, Love thy neighbor without ceasing, That true love let him receive, Which here to thee thy God doth give.
8878
131
LORDS SUPPER
Words: from Liturgy of St. James, 4th Century. Translated by Gerard Moultrie, 1864. Music: Picardy traditional French. Setting: "The English Hymnal", 1906, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 120
4 4
1. Let 2. King 3. Rank 4. At all of on His mor kings, rank feet tal yet the the flesh keep born of host of six wingd si lence, Ma ry, hea ven ser aph, And As Spreads Che with of its ru fear and old on van guard bim with trem bling earth He on the sleep less stand; stood, way, eye,
4 4
For In From As
sing dy of less
Christ He That Al
scend fai va le
lu
Our His As Al
878787
LORDS SUPPER
132
Words: from Landshuter Gesangbuch, 1777. Translation unknown, before 1913. Music: Non Dignus traditional air, before 1871. Setting: "American Catholic Hymnal", 1913. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 120
4 4
1. O 2. O 3. But 4. O 5. I Lord, Lord, when Lord, praise I am not Thou art all Thou soon wilt how can I Thee, I ex wor thy ho ly, en ter thank Thee tol Thee, That The My For I Thou shouldst come to an gels Thee a heart, my sin ful such a gift as love Thee O my me, dore; heart, this? Sire,
4 4
speak the words of then, ought I sin heal me, be my ly gift which tru once in joy and
My My For My In
7676
133
LORDS SUPPER
(also known as Lord, Who the Night You Were Betrayed or At That First Eucharist)
Words: William H. Turton, 1881. Music: Unde Et Memores William Henry Monk, 1875. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1896. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 120
4 4
1. Thou, 2. For 3. We 4. So, who at Thy first all Thy Church, O pray Thee too for Lord, at length when Eu cha rist Lord, we in wan drers from sac ra ments didst ter Thy shall pray That cede; Make fold; O cease, May all Thou bring we Thy Church might our sad di them back, good be one with
4 4
be vi Shep all
er to the a
us us to with
ing heart and ing all to the Church which Thy saints in
soul, "Thy will be Thee, O Prince of still that faith doth one un bound ed
bo bo bo love
dy dy dy to
this blest sac this blest sac this blest sac with the Trin
ra ra ra i
of of of in
un un un un
i i i i
Jn 17:11, Eph 4:17, 4:1116, 1Cor 10:1617, 1:13, Ps 133, 2Tim 4:34, Jn 10:11
10 10 10 10 10 10
WORD OF GOD
134
Words: John Cawood, 1816. Music: St. Anne William Croft, 1708. Setting: composite found in "The Lutheran Hymnary", 1913. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 100
4 4
1. Al 2. Let 3. Let 4. Nor 5. Oft might y God, Your not the foe of not the worlds de let Your Word so as the prec ious Word is Christ and ceit ful ly kind seed is cast man cares sent sown, Like This The To Your seed in to the ly seed re ho ris ing plant de raise us to Your quick ning grace be ground; move, stroy. throne stow,
4 4
of in a and the
de ry dred ly re
right eous fruits a bring forth fruits of fruits of peace and we re ject Your sa ving power may
6. Great God, come down and on Your Word Your mighty power bestow, That all who hear the joyful sound, Your saving grace may know.
8686
135
Jesus Loves Me
WORD OF GOD
Words: Anna B. Warner, 1860. Music: untitled by William B. Bradbury, 1862. Setting: William B. Bradbury, 1866. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
4 4
1. Je 2. Je 3. Je sus sus sus loves me! loves me! loves me! This He He I know, who died will stay For the Bi Hea vens gate Close be side ble to me tells op all me en the so. wide; way;
4 4
to a and
be my for
They Let I
Yes,
Je
sus
loves
me!
Yes,
Je
sus
loves
me!
Yes,
Je
sus
loves
me!
The
Bi
ble
tells
me
so.
7 7 7 7 10 11
WORD OF GOD
136
Words: Bernard Barton, 1826. Music: St. Agnes John B. Dykes, 1866. Setting: "Hymnal and Canticles of the Protestant Episcopal Church", 1875. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 140
3 4
1. Lamp 2. Bread 3. Pil 4. Pole 5. Rich of of lar star es our our of on in feet! where souls! where fire through lifes tem pov er by on watch pest ty! we we es uous our trace feed; dark! deep! aid Our True Or Bea In path, man ra con! ev when na diant when ery wont from cloud doubts need to on by sur ful stray; high! day! round; hour!
3 4
Brook by the Of realms be Our an chor Our deep sea The sol diers
6. Our shield and buckler in the fight! Victrys triumphant palm! Comfort in grief! in weakness, might! In sickness, Gileads balm. 7. Childhoods preceptor! manhoods trust! Old ages firm ally! Our hopewhen we go down to dust, Of immortality. 8. Pure oracles of truth divine! Unlike each fabled dream Given forth from Delphos mystic shrine Or groves of Academe!
9. Word of the everliving God! Will of His glorious Son! Without Thee, how could earth be trod? Or Heaven itself be won? 10. Yet to unfold thy hidden worth, Thy mysteries to reveal, That Spirit which first gave thee forth, Thy volume must unseal! 11. And we, if we aright would learn The wisdom it imparts, Must to its heavenly teaching turn With simple, childlike hearts!
Ps 119:105, 2Pt 1:1921, Jn 1:15, 1:14, 5:24, 17:17, Deut 8:3, Lk 1:14, 4:32, 1Cor 1:18, Col 3:16, 1Pt 1:25, 1Jn 1:13
8686
137
WORD OF GOD
Words: Martin Luther, 1524. Translated by Richard Massie, 1854, alt. Music: Dies sind die heilgen zehu Gebot or In Gottes Namen fahren wir circa 1200s found in Erfurt Enchiridion, 1524. Setting: Michael Praetorius, 1609. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. That man 2. I am 3. By id 4. Hal low 5. Give to a thy le the thy god God word day par ly and and which ents life Lord speech God hon might a pro hath or live, lone, fane blest, due, God No Take That Be did these ten o ther God not My ho thou and all dut i ful com be ly thy and
4 4
on the mount all thy heart what God doth God may so shalt thou have
Have
mer cy,
Lord.
6.Kill thou not out of evil will, Nor hate, nor render ill for ill; Be patient and of gentle mood, And to thy foe do thou good. 7.Be faithful to thy marriage vows, Thy heart give only to thy spouse Keep thy life pure, and lest thou sin Keep thyself with discipline. 8.Steal not; oppressive acts abhor; Nor wring their lifeblood from the poor; But open wide thy loving hand To all the poor in the land.
9.Bear not false witness, nor belie Thy neighbor by foul calumny; Defend his innocence from blame, With charity hide his shame. 10.Thy neighbors wife desire thou not, His house, nor aught that he hath got But wish that his such good may be As thy heart doth wish for thee. 11.God these commandments gave, therein To show thee, son of man, thy sin, And make thee also well perceive How man for God ought to live.
12.Help us, Lord Jesus Christ, for we A Mediator have in Thee; Without Thy help our works so vain Merit naught but endless pain.
88874
WORD OF GOD
138
Words: Matthias Loy, 1863. Music: Herr Jesu Christ, Dict Zu Uns Wend from Cantionale Germanicum, Dresden, 1628. Setting: "Mehrstimmiges ChoralBuch", 1906, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 140
6 4
1. The 2. It 3. It 4. It 5. It Gos sets brings is bears pel shows the the Lamb be viors the Sa the powr of to all the Fa fore right God ti thers our eous to dings grace, Who eyes, Who ness Our save From glad And sent his made tha souls to sin and bids their Son to ton ing robe in Sa tan hearts no save sac ro and more our ri yal the be race, fice, dress; grave; sad;
6 4
how Je sus the souls with our guilt it the faith, which vy la den
lived and died That guilt opp ressed To brings re lease And ly clings To firm souls it cheers And
man might thus be come and find e gives the trou bled all the trea sures ba nish es their
jus ti fied. ter nal rest. con science peace. which it brings. guilt y fears.
6. May we in faith its tidings learn Nor thanklessly its blessings spurn; May we in faith its truth confess And praise the Lord our Righteousness!
8888
139
WORD OF GOD
Words: Matthias Loy, 1863. Music: Erhalt Uns, Herr, bei deinem Wort from Klugs Geistliche Lieder, 1543. Setting: "Concordia Kinderchre", 1908. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
4 4
1. The 2. Its 3. To 4. When 5. The law light those men law of of who the is God ho help off good, is li in ered but good ness Christ help since and im have dis the wise, parts found dain fall And The And And Its sets know would will ho
4 4
be our of in con
our ful a re us
eous e de re to
to de be their no
when rance as ed to
8888
WORD OF GOD
140
Words: Martin Luther, 1524. Translated by Richard Massie, 1854, alt. Music: Mensch, Willt du Leben Seligich attr. Martin Luther. Found in Walters Geistliche Gesangbchlein, 1524. Setting: Johann Hermann Schein, 1627. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. Wilt 2. I 3. Ho 4. O 5. Steal thou, am nor be not, O the My dient nor man, live hap Lord and God! Name in word al ways, next do thy neigh pi take and to bor ly, heed deed, Me, wrong And No And To By dwell o call fa bear with ther on ther ing God god Me and wit
4 4
e doth in to ness
mand ments keep, for trust a lone in Sab bath, that I e ven an ger wife de sire thou
Him self dom then thy heart cred thy him aught
Kyr
lei
son!
88874
141
REDEEMER
Words: Edward Perronet, 1780. Music: Coronation Oliver Holden, 1793. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1896, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 120
4 4
1. All 2. Let 3. Crown 4. Crown 5. Ye hail the powr of high born ser aphs Him, ye morn ing Him, ye mar tyrs seed of Is raels Je sus Name! Let tune the lyre, and stars of light, who of your God, who cho sen race, ye an gels as they fixed this from His ran somed pros trate tune it, float ing al tar from the fall; fall ball; call; fall,
4 4
the ro yal His face Who the strength of the Stem of Who saves you
di tunes Is Je by
a dem, and their choir, and raels might, and sses Rod, and His grace, and
of of of of of
the ro yal His face Who the strength of the Stem of Who saves you
di a dem, and tunes their choir, and raels might, and Is Je sses Rod, and by His grace, and
of of of of of
6. Hail Him, ye heirs of Davids line, whom David Lord did call, The God incarnate, Man divine, and crown Him Lord of all, The God incarnate, Man divine, and crown Him Lord of all. 7. Sinners, whose love can neer forget the wormwood and the gall, Go spread your trophies at His feet, and crown Him Lord of all. Go spread your trophies at His feet, and crown Him Lord of all. 8. Let every tribe and every tongue before Him prostrate fall And shout in universal song the crownd Lord of all. And shout in universal song the crownd Lord of all.
Phil 2:911, Rev 5:914, Heb 2:9, Phil 2:910, Rev 19:16
868686
REDEEMER
142
Words: William Chatterton Dix, 1867. Music: HyFrydol Rowland H. Prichard, 1830. Setting: "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 130
3 4
1. Al 2. Al 3. Al 4. Al le le le le lu lu lu lu ia! ia! ia! ia! sing not bread King to as of e Je or an ter sus! phans gels, nal, His are Thou Thee the we on the scep left earth Lord ter, in our of His sor food, lords the row our we throne. now; stay; own;
3 4
Al Al Al Al
le le le le
lu lu lu lu
the be to Thy
ful re of hast
der the Re in
of for of both
re am ac the
by ev crys ist
His er tal ic
87878787
143
Beautiful Savior
(also known as Fairest Lord Jesus)
REDEEMER
Words: German Jesuits, published 1677. Translated by Joseph A. Seiss, 1873. Music: Crusaders Hymn Silesian folk song, 1842. Setting: Richard S. Willis, 1850. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 120
4 4
1. Beau 2. Fair 3. Fair 4. Beau ti are is ti ful the the ful Sa mea sun Sa vior, dows, shine, vior, King Fair Fair Lord of Cre are the is the of the a wood moon na tion lands, light, tions, Son Robed Bright Son of in the the of
4 4
of ing on of
Tru Je Je Glo
soul, sor an ev
my rwing gels er
my rit the be
So 6:10, Mt 6:29
557558
REDEEMER
144
Words: Verses 1, 4, 5, 6 & 9: Matthew Bridges, The Passion of Jesus, 1852. verses 2 & 3: Godfrey Thring, Hymns and Sacred Lyrics, 1874. Music: Diademata George J. Elvey, 1868. Setting: "Appendix to Hymns Ancient and Modern", 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 110
4 4
1. Crown 2. Crown 3. Crown 4. Crown 5. Crown Him Him Him Him Him with the the the the man vir Son Lord Lord y gins of of of crowns, Son, God, life, peace, the the be who Whose Lamb up on God in car fore the worlds tri umphed oer powr a scep His nate be the ter throne. born, gan, grave, sways
4 4
the heavn ly son those crim who tread where vic tor ious to pole, that
an tro He in wars
drowns all won which trod, crown strife for cease, and
less er His to ex
King through flows, the own, that bring, and tend their
6.Crown Him the Lord of love, behold His hands and side, Those wounds, yet visible above, in beauty glorified. No angel in the sky can fully bear that sight, But downward bends his burning eye at mysteries so bright. 7.Crown Him the Lord of Heaven, enthroned in worlds above, Crown Him the King to Whom is given the wondrous name of Love. Crown Him with many crowns, as thrones before Him fall; Crown Him, ye kings, with many crowns, for He is King of all.
8.Crown Him the Lord of lords, who over all doth reign, Who once on earth, the incarnate Word, for ransomed sinners slain, Now lives in realms of light, where saints with angels sing Their songs before Him day and night, their God, Redeemer, King. 9.Crown Him the Lord of years, the Potentate of time, Creator of the rolling spheres, ineffably sublime. All hail, Redeemer, hail! For Thou has died for me; Thy praise and glory shall not fail throughout eternity.
66866686
145
REDEEMER
Words: Philip Paul Bliss, 1875. Music and Setting: Hallelujah What a Savior Philip Paul Bliss, 1875. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 110
4 4
1. Man 2. Bear 3. Guilt 4. Lift 5. When of Sor rows! ing shame and y, vile, and ed up was He comes, our what a name scof fing rude, help less we; He to die; glor ious King, For In Spot "It All the Son of my place con less Lamb of is fin ished!" His ran somed God, demned God was home who came He stood; was He; His cry; to bring,
4 4
Ru ined sin ners don Sealed my par "Full a tone ment!" Now in Heavn ex Then a new His
le
lu
jah!
What a
Sa
vior!
Is 53:3, 1Jn 2:12, Heb 4:1416, 1Tim 2:56, Jn 19:30, Heb 12:12
7778
REDEEMER
146
Words: Annie Sherwood Hawks, 1872. Music: I Need Thee Every Hour Robert Lowry, 1872. Setting: "Pentecostal Hymns, No. 2", 1898. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 80
3 4
1. I 2. I 3. I 4. I 5. I need need need need need Thee Thee Thee Thee Thee ev ev ev ev ev ry ry ry ry ry hour, hour, hour, hour, hour, Most Stay In Teach Most gra Thou joy me Ho cious near or Thy ly Lord; by; pain; will; One;
3 4
af art is ful ed
need
Thee, O
need
Thee;
Ev
ry
hour
need
Thee;
bless
me
now, my
Sav
ior,
come
to
Thee!
10 10 7 6 11
147
REDEEMER
Words: W. Hope Davison, 1880. Music: St. Alban Franz Joseph Haydn, 1774. Setting: John Bacchus Dykes, 1868. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 120
4 4
1. Je 2. On 3. For 4. Help 5. When sus, King of this day of tle the lit er us ev the sha dows glo glad child stead leng ry, ness, ren fast then, throned Bend Who in show a ing have the us, bove low come faith Lord, the the to to Thy sky, knee thee; be: way; Je In For In Through sus, thine the Thy the ten der earth ly glad, bright Church s dark ness
4 4
Thy child ren we wor ship thy glo ry ing val iant the heavn ly
don our trans le brate thy the loved ones ing Sa vior, our course is
to less thy il of
Je sus, King of
glo
ry,
sky,
Sa
vior,
cry.
6. For thy faithful servants Who have entered in; For thy fearless soldiers Who have conquered sin; For the countless legions Who have followed thee, Heedless of the danger, On to victory,
656565656565
REDEEMER
148
Words: Isaac Watts, 1719. Music: Duke Street John Hatton, 1793. Setting: "Christian Hymns", 1908. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 60
2 2
1. Je 2. For 3. Peo 4. Bless 5. Where sus Him ple ings He shall shall and a dis reign end realms bound plays wher less of wher His eer prayer ev eer hea the be ery He ling sun made, tongue reigns; power Does And Dwell The Death his prais on pri and suc es His soner the
2 2
from per es e of
6. Let every creature rise and bring Peculiar honors to our King, Angels descend with songs again, And earth repeat the loud Amen.
8888
149
REDEEMER
Words: Paul Gerhardt, 1653. Translated by John Wesley, 1739. Music: Yoakley William Yoakley, 1820. Setting: "The Lute of Zion", 1853. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
3 4
1. Je 2. O, 3. O 4. This 5. My sus, grant love, love Sa Thy that how un vior, bound no cheer wear Thou less thing ing ied Thy love in is I love to my thy pur to me soul ray! sue me No May All And In thought dwell pain daunt shame, can but be less in reach, no Thy pure fore thy ly to want, in
3 4
with me a re sed
val my a ly less
dear my thing be my
I re I my im
My My No To Nor
I be but ure ef
6.More hard than marble is my heart, 7.O that I, as a little child, 8.Still let Thy love point out my way; And foul with sins of deepest stain; May follow Thee, and never rest How wondrous things Thy love hath wrought! But Thou the mighty Savior art, Till sweetly Thou hast breathed Still lead me, lest I go astray; Nor flowed thy cleansing blood in vain; Thy mild And lowly mind into my breast! Direct my word, inspire my thought; Ah soften, melt this rock, and may Nor ever may we parted be, And if I fall, soon may I hear Thy blood wash all these stains away! Till I become as one with Thee. Thy voice, and know that love is near. 9.In suffering be Thy love my peace, In weakness be Thy love my power; And when the storms of life shall cease, Jesus, in that important hour, In death as life be Thou my guide, And save me, Who for me hast died.
888888
REDEEMER
150
Words: George H. Bourne, 1874, alt. Music: Bryn Calfaria William Owen, 1852. Setting: "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 150
6 4
1. Lord, 2. Here 3. Though 4. Pas 5. Great en our the chal High throned in humb lest liest low Lamb, Your Priest of heavn ho form offer our ly mage doth ing pro splen pay veil fin fes dor, we, Thee ished sion, First Here As Once Through be in of for the gott en lo ving old in all when veil Thou from the dead, ref erence bow; Beth le hem, You were slain, went est in,
6 4
strong cern an un in
peo ples head. know You now. Jes ses stem. more re main. us to win.
Al
le
lu
ia!
Al
le
lu
ia!
Al
le
lu
ia!
Je Thou We Clean Je
Je Thou We Clean Je
li ask join ev li
6. Life imparting heavenly Manna, Smitten Rock with streaming side, Heaven and earth with loud hosanna Worship You, the Lamb Who died. Alleluia! Alleluia! Alleluia! Risen, Ascended, Glorified!
Rev 1:56, Jn 6:4751, Rev 5:1114, 7:917, Rom 3:2425, 1Cor 5:7
8 7 8 7 Alleluias 7 7
151
REDEEMER
Words: Johnson Oatman, Jr, 1894. Music: No, Not One George Crawford Hugg, 1894. Setting: "Pentecostal Hymns, No. 2", 1894. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 95
4 4
1. Theres 2. No 3. Theres 4. Did 5. Was not friend not ev eer a like an er a friend Him hour saint gift like is that find like the so He this the low high is friend Sav ly Je sus, and ho ly, not near us, for sake him? ior giv en? No, No, No, No, No, not not not not not one! one! one! one! one! no, no, no, no, no, not not not not not one! one! one! one! one!
4 4
else could heal all our yet no friend is so night so dark but His sin ner find that He He re fuse us a
dis eas es, and low ly, can cheer us, not take him? in heav en?
Je
bout
our
strug gles,
He
day
is
done;
Theres not a
low
ly
Je sus,
No,
not
one!
no,
not
one!
10 6 10 6 9 8 10 6
REDEEMER
152
Words: Brian L. Penney, 2009. Music: Gwalia Welsh hymn tune, traditional. Setting: David Evans, "Revised Church Hymnary", 1927. copyright: Words: Copyright 2009, Brian L. Penney. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music and Setting: public domain per CCEH. This score is a part of the Open Hymnal Project, 2009 Revision.
= 230
3 2
3
3 2
3 3 3
Gods of that er
be be be be
ly ly ly nal
3 3 3 3
be be be we
an an an join
3
e e e the
87878787
153
REDEEMER
Words: Charles Wesley, 1740. Music: Azmon Carl G. Glser, 1828. Setting: Lowell Mason, 1839. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
3 2
1. O 2. My 3. Je 4. He 5. He for gra sus! breaks speaks, a cious the the and, thou sand Mas ter name that powr of tening lis tongues and charms can to to my our celed His sing My God, A fears, That sin, He voice, New great ssist bids sets life Re deem ers me to pro our sor rows the pri soner the dead re praise, claim, cease; free; ceive,
3 2
glo ries of spread through all sic in mu blood can make mourn ful, bro
King, The broad The ears, Tis clean, His joice, The
tri umphs of His ho nors of Thy life, and health, and blood a vailed for hum ble poor be
6. Hear Him, ye deaf; His praise, ye dumb, Your loosened tongues employ; Ye blind, behold your Savior come, And leap, ye lame, for joy. 7. In Christ your Head, you then shall know, Shall feel your sins forgiven; Anticipate your heaven below, And own that love is heaven. 8. Glory to God, and praise and love Be ever, ever given, By saints below and saints above, The church in earth and heaven. 9. On this glad day the glorious Sun Of Righteousness arose; On my benighted soul He shone And filled it with repose. 10. Sudden expired the legal strife, Twas then I ceased to grieve; My second, real, living life I then began to live. 11. Then with my heart I first believed, Believed with faith divine, Power with the Holy Ghost received To call the Savior mine. 12. I felt my Lords atoning blood Close to my soul applied; Me, me He loved, the Son of God, For me, for me He died!
13. I found and owned His promise true, Ascertained of my part, My pardon passed in heaven I knew When written on my heart. 14. Look unto Him, ye nations, own Your God, ye fallen race; Look, and be saved through faith alone, Be justified by grace. 15. See all your sins on Jesus laid: The Lamb of God was slain, His soul was once an offering made For every soul of man. 16. Awake from guilty natures sleep, And Christ shall give you light, Cast all your sins into the deep, And wash the thiop white. 17. Harlots and publicans and thieves In holy triumph join! Saved is the sinner that believes From crimes as great as mine. 18. Murderers and all ye hellish crew, Ye sons of lust and pride, Believe the Savior died for you; For me the Savior died. 19. With me, your chief, ye then shall know, Shall feel your sins forgiven; Anticipate your heaven below, And own that love is heaven.
8686
REDEEMER
154
Words: S. Trevor Francis, 1875. Music: Ebenezer or TonYBotel Thomas J. Williams, 1890. Setting: "A Hymnal" (Episcopal), 1916. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 180
3
8 4
3
of of of
Je Je Je
meas praise ev
8 4
3 3 3 3
might ev full
y er of
o lov bless
full ne ha
ov nev giv
3 3 3 3 3
home ce glo
ious them me
rest from up
87878787
155
REDEEMER
Words: Johann H. Schrder, 1697. Translated by Frances E. Cox, 1841, alt. Music: Eins ist Not Adam Krieger (16341666). Setting: Fridrich Layriz, 1853, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 120
4 4
1. One 2. Soul, 3. How 4. Thus 5. Wis things wilt were my doms need thou Mar long high ful: this ys ings, est then, one thoughts heavn nob Lord thing de ward lest Je find vot tend trea sus, thee? ed, ing, sure, Keep Seek Her Je Je this not e sus, sus, one midst ter rest lies thing cre nal a con in a joy lone ceald my ted to on in mind; things; find, Thee; Thee;
4 4
All be side, though What is earth ly, As in tent each Help me, thus on Grant that this may
first it please us, leave be hind thee, word she not ed, Thee de pend ing, still the meas ure
3 4
Be neath it the For where God and How kind led her Al though all the mil i ty Hu heart man heart, world there is both how should and still in de for sim fret One vout sake pli ting are was and ci and u its for ty stri ni feel get reign ving, ted, ing, Thee, ing, No With While In My true, Gods hear love steps last per ing I shall ing fect the will in
3 4
er is was will er
de de re I be
Lk 10:4142, Mk 4:1920, Phil 4:57, 3:711, Mt 6:2534, Col 2:1314, Heb 9:1314, Ps 23:16
8 7 8 7 12 12 11 11
REDEEMER
155(2)
in my re a of
de my py af is
6. Christ, Thou art the sole oblation That Ill bring before my God; In his sight Ive acceptation Only through Thy streaming blood: Immaculate righteousness now Ive acquired, Since Thou on the tree of the cross hast expired; The robe of salvation for ever is mine, In this shall my faith through eternity shine. 7. Let my soul, in full exemption, Wake up in Thy likeness now; Thou art made to me redemption, My sanctification Thou. Whatever I need for my Journey to Heaven In Thee, I my Savior, is unto me given. Oh! let me all perishing pleasures forego, And Thy life, O Jesus! alone let me know. 8. Where should else my hopes be centered? Grace oerwhelms me with its flood; Thou, my Savior, once hast enterd Holiest heaven through Thy blood: Eternal redemption for sinners there finding, From hells dark dominion my spirit unbinding, To me perfect freedom Thy entrance has brought, And childlike to cry, "Abba, Father," Im taught. 9. Christ Himself, my Shepherd, feeds me, Peace and joy my spirit fill; In a pasture green He leads me Forth beside the waters still: Oh! naught to my soul is so sweet and reviving, As thus unto Jesus alone to be living; True happiness this, and this only supplies, Through faith on my Savior to fasten my eyes. 10. Therefore, Jesus, my Salvation, Thou my One, my All shalt be; Prove my fixd determination, Root out all hypocrisy: Look well if on sins slippery paths I am hasting, And lead me, O Lord, in the way everlasting; This one thing is needful, all others are vain, I count all but loss that I Christ may obtain.
Lk 10:4142, Mk 4:1920, Phil 4:57, 3:711, Mt 6:2534, Col 2:1314, Heb 9:1314, Ps 23:16
8 7 8 7 12 12 11 11
156
REDEEMER
Words: Henry F. Lyte, 1834. Music: Praise My Soul or Lauda Anima or St. Paul John Goss, 1869. Setting: "The Choral Hymnal", 1888. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
2 4
1. Praise, 2. Praise 3. Fa 4. Frail 5. An my Him ther as gels, soul, for like sum help the His He mers us King grace tends flower to of and and we a hea fa spares flour dore ven; vor us; ish, Him; To To Well Blows Ye His our our the be feet fa fee wind hold thy thers ble and Him tri in frame it face bute dis He is to bring. tress. knows. gone; face;
2 4
2 4
Ran somed, Praise Him In His But while Sun and healed, still hands mor moon, re the He tals bow stored, same gen rise down for as tly and be giv ev bears per fore en, er, us, ish Him, Ev Slow Res Our Dwell er to cues God ers more chide, us lives all His and from un in pra swift all chang time ises to our ing and sing: bless. foes. on, space.
2 4
2 4
A A A Praise A lle lle lle Him, lle lu lu lu Praise lu ia! ia! ia! Him, ia! A A A Ha A lle lle lle lle lle lu lu lu lu lu ia! ia! ia! jah ia! Praise Glor Wide Praise Praise the ious ly the with ev in yet High us er His His E the last faith mer ter God ing ful cy nal of King. ness. flows. One! grace.
2 4
Ps 103:1, 145
878787
REDEEMER
157
Words: Christopher Wordsworth, 1865, alt. Music: Old 137th or Norwich from Days Psalter, 1563. Setting: "The Holy Year", 1865. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 120
4 4
1. The 2. The 3. A 4. The 5. In Ga li night is frail one, faith ful days, when le an dark, the thrice de few re faith will fish sur ny tire scarce ers toil ges fill ing Thee in fear be found, all the saw to and night, and no thing bark, the wild winds mer cy in Thine their closed up per wolves be in the take; roar; eyes, room; fold,
4 4
won drous spoil is all is still, the on the tree was joy ful cheer they will a bound and
lift ed from the ship is at the borne to Par a see their Mast er char i ty wax
when our la bors Lord, when storms a hours of sin and come to us, un hear Thy saints, who
are in vain and round us howl, and tress o deep dis loose our bands and to Thee pray to
vain the help of all is dark and show us, Lord, Thy bid our ter rors bring them to their
and pain, Come the soul, O li ness, O ed hands, Speak, rit say, "Come,
ed ed us ly ed
Je Je Je Je Je
Lk 5:111, 23:3943, 18:8, Jn 21:114, 6:1621, 20:1923, Mt 26:3335, 26:6975, Acts 20:2930
86868686
158
By Grace Im Saved
JUSTIFICATION
Words: Christian L. Scheidt, 1742. Translated by Matthias Loy, (18281915). Music: O Dass Ich Tansend Zungen Johann Balthasar Knig, 1738. Setting: "The Evangelical Lutheran Hymnal" (Ohio Synod), 1908. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 120
1. By 2. By 3. By 4. By 5. By
be of rolls be as
or for thy to en
God a false bliss ful truth con science sighs ren der Him our poor soul
By And It And Is
6. By grace! but think not, thou who livest Securely on in godless ways, That thou, though all are called, receivest The promised rest that wakes our praise: By grace none find in heaven a place Who live in sin in hope of grace. 7. By grace! They who have heard this sentence Must bid hypocrisy farewell; For only after deep repentance The soul what grace imports can tell; To sin while grace a trifle seems, To faith it bright with glory beams.
8. By grace the timid hearts that languish, Find access to the Fathers heart, When conflicts fierce and bitter anguish Bid all their joy and hopes depart. Where, oftimes, should I strength obtain, Bid grace my anchor not remain! 9. By grace! on this in death Ill rest me, Rejoicing een though feeling naught; I know my sin it oft oppressed me But Him, too, who my soul hath bought: My heart exults grief flees apace Because my soul is saved by grace.
10. By grace! O sin and Satan hear it! I bear my flag of faith in hand, And pass, in spite of doubts, nor fear it, The Red Sea to the promised land; I hold the word my Savior taught As certain, whether felt or not.
Eph 2:49, Titus 3:47, Is 64:6, Rom 3:2324 989888
JUSTIFICATION
159
Words: Jay C. Wingard, 2011. Music and Setting: Christ My King on High Jay C. Wingard, 2011. copyright: This hymn (lyrics, music, and setting) may be freely reproduced or used for Christian worship or personal use. All other rights reserved. This score is a part of the Open Hymnal Project, 2011 Revision.
= 150
4 4
1. Lord, 2. Spot 3. One 4. Long my less with to sin, Lamb Him, see it made I the grieves sin stand skies me for se burn so. me. cure, bright, How God, Safe heav I Great in ens
4 4 4 4
my
to ways Im in
my on great the
me Great to try
wraps ne I Come,
Great I Im the
7777
160
JUSTIFICATION
Words: Martin Luther, 1523. Translated by Richard Massie, 1854, alt. Music: Es ist Gewisslich an der Zeit from Klugs Geistliche Lieder, Wittenberg, 1533. Setting: Michael Praetorius, 1610. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 110
4 4
1. Dear 2. Fast 3. My 4. God 5. He Christ ians, bound in good works saw, in spake to one and all re Sa tans chains I could a vail me his e ter nal his be lov ed joice, lay. naught, grace, Son: With Death For My Tis ex brood they sor time ul ed with row to ta dark sin out take tion ly were of com spring oer stain mea pass ing, me; d; sure; ion;
4 4
And with u Sin was my Free will a He thought u Then go, bright
ly my to was to
Pro claim the Deep er and Grief drove me He turnd to From sin and
his right arm was be come no thing left small the cost bit ter death
the a me to for
Right So To He May
ly ly I his with
1Pt 1:69, 1Jn 4:14, Ps 98:13, 2Tim 1:910, Gal 4:45, Rom 3:28
8787887
JUSTIFICATION
6.The Son delighted to obey, And born of Virgin mother, Awhile on this low earth did stay That he might be my brother. His mighty power he hidden bore, A servants form like mine he wore, To bind the devil captive. 7.To me he spake : cling fast to me, Thoult win a triumph worthy: I wholly give myself for thee, I strive and wrestle for thee; For I am thine, thou mine also; And where I am thou art. The foe Shall never more divide us. 8.For he shall shed my precious blood, Me of my life bereaving; All this I suffer for thy good; Be steadfast and believing. My life from death the day shall win, My righteousness shall bear thy sin, So art thou blest forever. 9.Now to my Father I depart, From earth to heaven ascending; Thence heavenly wisdom to impart, The Holy Spirit sending. He shall in trouble comfort thee, Teach thee to know and follow me, And to the truth conduct thee. 10. What I have done and taught, do thou To do and teach endeavor; So shall my kingdom flourish now, And God be praised forever. Take heed lest men with base alloy The heavenly treasure should destroy. This counsel I bequeath thee.
160(2)
1Pt 1:69, 1Jn 4:14, Ps 98:13, 2Tim 1:910, Gal 4:45, Rom 3:28
8787887
161
JUSTIFICATION
Words: Martin Luther, 1523. Translated by Richard Massie, 1854, alt. Music: Nun Freut Euch attr. Martin Luther from Etlich Christlich Lider, Wittenberg, 1524. Setting: Johann Hermann Schein, 1627. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 140
4 4
1. Dear 2. Fast 3. My 4. God 5. He Christ ians, bound in good works saw, in spake to one and all re Sa tans chains I could a vail me his e ter nal his be lov ed joice, lay. naught, grace, Son: With Death For My Tis ex brood they sor time ul ed with row to ta dark sin out take tion ly were of com spring oer stain mea pass ing, me; d; sure; ion;
4 4
And with u Sin was my Free will a He thought u Then go, bright
ly my to was to
Pro claim the Deep er and Grief drove me He turnd to From sin and
his right arm was be come no thing left small the cost bit ter death
the a me to for
Right So To He May
ly ly I his with
1Pt 1:69, 1Jn 4:14, Ps 98:13, 2Tim 1:910, Gal 4:45, Rom 3:28
8787887
JUSTIFICATION
6.The Son delighted to obey, And born of Virgin mother, Awhile on this low earth did stay That he might be my brother. His mighty power he hidden bore, A servants form like mine he wore, To bind the devil captive. 7.To me he spake : cling fast to me, Thoult win a triumph worthy: I wholly give myself for thee, I strive and wrestle for thee; For I am thine, thou mine also; And where I am thou art. The foe Shall never more divide us. 8.For he shall shed my precious blood, Me of my life bereaving; All this I suffer for thy good; Be steadfast and believing. My life from death the day shall win, My righteousness shall bear thy sin, So art thou blest forever. 9.Now to my Father I depart, From earth to heaven ascending; Thence heavenly wisdom to impart, The Holy Spirit sending. He shall in trouble comfort thee, Teach thee to know and follow me, And to the truth conduct thee. 10. What I have done and taught, do thou To do and teach endeavor; So shall my kingdom flourish now, And God be praised forever. Take heed lest men with base alloy The heavenly treasure should destroy. This counsel I bequeath thee.
161(2)
1Pt 1:69, 1Jn 4:14, Ps 98:13, 2Tim 1:910, Gal 4:45, Rom 3:28
8787887
162
My Neighbor
JUSTIFICATION
Words: John G. Fleischmann, 2007. Music: Tallis Canon Thomas Tallis, circa 1567. Setting: "A Hymnal" (Episcopal), 1916. copyright: Words: Copyright 2007, John G. Fleischmann. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music and Setting: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
1. Un 2. A 3. And, 4. Sin 5. But clean cross what bleeds in and that of from my bat road me, me need tered, the when and my torn by sin, By world passed by turn I saw need? Did stops my breath, in Sa vior died, Not things I ing a I my dam A pas sing do, deaf Sa all on my ear viors I the thoughts to bid know o with my ding is ther in, cry, heed? death; side.
4 4
I No Too My Re
on could o off in
death and sin so they left walked a way dust I came up my wounds,
my me be in de
ly my of re me
6. Now safe within His Church Im free; Blood, Water, Spirit plead for me, The Ark of God, the Inn of Grace Where I behold my Fathers face. 7. May I in Christ my neighbor know Binding his wounds serves Christ below. Your love for him make plain through me, that he may, too, your Glory see. 8. You loved me when I could not love, For my sin barred me from above. In Christ my love is now set free, O praise and bless the Trinity.
Lk 10:3037, Rom 5:1219, 3:2126, 13:810, Mt 20:2628, 5:4348, Eph 5:12, Pr 14:21, Lv 19:1718, Is 64:6, 2Tim 3:1617 8888
JUSTIFICATION
163
Words: Unknown, 15th Century; Translated by Benjamin Webb, 1852, alt. Music: Deo Gracias or Agincourt traditional English, circa 1415. Setting: Charles Winfred Douglas, 1918, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 140
3 4
1. O 2. He 3. Nor 4. For 5. For love, sent willed us us how no He bap He deep, an on tized, prayed; how gel ly for for broad, to to us us how our ap He He high, race pear; bore taught; How Of His His For pass high plea ho us ing er sure ly His
3 4
and of to and ly
6. For us to wicked men betrayed, Scourged, mocked, in crown of thorns arrayed, For us He bore the crosss death, For us at length gave up His breath.
7. For us He rose from death again; For us He went on high to reign; For us He sent His Spirit here, To guide, to strengthen, and to cheer.
8. All honor, laud, and glory be, O Jesus, virginborn to Thee! All glory, as is ever meet To Father and to Paraclete.
8888
164
Rock of Ages
JUSTIFICATION
Words: Augustus Montague Toplady, 1776. Music: Toplady Thomas Hastings, 1830. Setting: "Congregational Church Music with 150 Psalms and Hymns", 1854. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 170
6 4
1. Rock of 2. Not the 3. No thing 4. While I A la in draw ges, bor my this cleft for of my hand I fleet ing me, hands bring, breath, Let me Can ful Simp ly When mine hide fill to eyes my Thy the shall self laws cross close in de I in Thee; mands; cling; death,
6 4
of for I of
sin sin to A
le a tain for
Ps 89:26, Deut 32:14, Hab 1:12, Jn 19:34, 1Cor 10:4, Heb 9:1314
777777
JUSTIFICATION
165
Words: Paul Speratus, 1523. Translation composite. Music: Es ist das Heil uns Kommen Her traditional German circa 1400 from Etlich Christlich Lider, Wittenberg, 1524. Setting: "Mehrstimmiges ChoralBuch", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
4 4
1. Sal 2. What 3. It 4. From va tion un to God did in His was a false, mis sin our flesh could us has come By law de mand And lead ing dream That not ab stain Sin Gods none God held free to His its grace and Him could Law had sway un fa ren gi cea vor; der ven sing;
4 4
can not a and woe on ners could them was use less
our doom, They ery hand For re deem And in vain, Our
help and save us man, the vile of by their works gain guilt was eer in
a de ror oned
Who The To Or
all of in y
a re to ful
He And That So
our is with is
deem di na ru
5.Yet as the Law must be fulfilled Or we must die despairing, Christ came and hath Gods anger stilled, Our human nature sharing. He hath for us the Law obeyed And thus the Fathers vengeance stayed Which over us impended. 6.Since Christ hath full atonement made And brought to us salvation, Each Christian therefore may be glad And build on this foundation. Thy grace alone, dear Lord, I plead, Thy death is now my life indeed, For Thou hast paid my ransom.
7.Let me not doubt, but trust in Thee, Thy Word cannot be broken; Thy call rings out, "Come unto Me!" No falsehood hast Thou spoken. Baptized into Thy precious name, My faith cannot be put to shame, And I shall never perish. 8.The Law reveals the guilt of sin And makes men consciencestricken; The Gospel then doth enter in The sinful soul to quicken. Come to the cross, trust Christ, and live; The Law no peace can ever give, No comfort and no blessing.
9.Faith clings to Jesus cross alone And rests in Him unceasing; And by its fruits true faith is known, With love and hope increasing. Yet faith alone doth justify, Works serve thy neighbor and supply The proof that faith is living. 10.All blessing, honor, thanks, and praise To Father, Son, and Spirit, The God that saved us by His grace, All glory to His merit! O Triune God in heaven above, Who hast revealed Thy saving love, Thy blessed name be hallowed.
8787887
166
JUSTIFICATION
Words: Oswald Allen, 1861, alt. Music: Anthes Friedrich K. Anthes, 1847. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 140
4 4
1. To 2. To 3. To 4. O day day day all Thy Thy the em mer gate Fa brac cy is ther ing calls o calls mer me pen, me, cy, to and the thou wash a all who Ho ly e ver way en Spir o my ter it pen sin; in waits, door,
4 4
er a d I
teer I may have par don for their round the heavn ly heart and eyes run
from for be a
I a how to
Thy A Al I
blood, O Christ, can fu ture grace be though I oft have know one gate is
76767676
Abide With Me
167
Words: Henry F. Lyte, 1847. Music: Eventide William H. Monk, 1861. Setting: William H. Monk, 1861. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. A 2. Swift 3. Not 4. Come 5. Thou bide with to its a brief not in on my me; close glance ter head fast ebbs I rors, in falls the ev en tle out lifes lit beg, a pass ing as the King of ear ly youth didst tide; day; word; kings, smile; The Earths But But And, dark joys as kind though ness grow Thou and re
4 4
with me a ies pass a ci ples, dis ing in Thy per verse mean
a a a thus a
6. I need Thy presence every passing hour. What but Thy grace can foil the tempters power? Who, like Thyself, my guide and stay can be? Through cloud and sunshine, Lord, abide with me. 7. I fear no foe, with Thee at hand to bless; Ills have no weight, and tears no bitterness. Where is deaths sting? Where, grave, thy victory? I triumph still, if Thou abide with me. 8. Hold Thou Thy cross before my closing eyes; Shine through the gloom and point me to the skies. Heavens morning breaks, and earths vain shadows flee; In life, in death, O Lord, abide with me.
10 10 10 10
168
Amazing Grace
Words: John Newton, 1779. last verse author unknown, before 1829. Music: New Britain James P. Carrell and David L. Clayton, 1831. Setting: Edwin Othello Excell, 1900. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
3 4
1. A 2. Twas 3. Through 4. The 5. Yea, maz grace ma Lord when ing that ny has this grace! taught dan pro flesh How my gers, mised and sweet heart toils good heart the to and to shall sound fear, snares, me, fail, That And I His And
3 4
a my al my tal
like re dy se shall
I How Tis He I
but I will as of
I be me en and
6. The earth shall soon dissolve like snow, The sun forbear to shine; But God, Who called me here below, Shall be forever mine.
7. When weve been there ten thousand years, Bright shining as the sun, Weve no less days to sing Gods praise Than when wed first begun.
8686
Be Still My Soul
169
Words: Katharina A. von Schlegel, 1752. Translated by Jane L. Borthwick, 1855. Music: Finlandia Jean Sibelius, 1899. Setting: from Jean Sibelius, 1900. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. Be 2. Be 3. Be 4. Be 5. Be still, still, still, still, still, my my my my my soul: soul: soul: soul: soul: the thy when the be Lord is on thy God doth un der dear est friends de hour is hastn ing gin the song of side. take part, on praise Bear To And When On pa guide all we earth, tient the is shall be ly fu dark be liev
4 4
cross as in ev to
of He the er Thy
or the of the on
ery my to for He
Be Be Be Be Be
my my my my my
thy heavn ly and winds still sus can re and tears are of life di
a He He shall more
ful be a at ly
10 10 10 10 10 10
170
Words: Elizabeth C. Clephane, 1868. Music: St. Christopher Frederick C. Maker, 1881. Setting: "Bristol TuneBook", 1891. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. Be 2. O 3. There 4. U 5. I neath safe lies pon take, the cross and happ be neath that cross O cross, of y its of thy Je shel sha Je sha sus I ter, O dow but sus mine dow for fain re on eye my would fuge the at a take my tried and fur ther times can bid ing stand, sweet, side see place;
4 4
might y rock with Hea vens love and aw ful grave that form of One Who sun shine than the
in a wear Hea vens jus gapes both deep suf fered there sun shine of
rest u pon the won drous dream was arms out stretched to won ders I con know no gain or
76868686
Blessed Assurance
171
Words: Fanny Crosby, 1873. Music and Setting: Blessed Assurance or Assurance Phoebe P. Knapp, 1873. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
9 8
1. Bless d a 2. Per fect sub 3. Per fect sub ssu rance, Je sus is mis sion, per fect de mis sion, all is at mine! O what a light, Vis ions of rest I in my fore taste of glo ry di rap ture now burst on my Sa vior am hap py and vine! sight; blest,
9 8
va tion, pur chase of scend ing bring from a wait ing, look ing a
Spi rit, washed in His mer cy, whisp ers of good ness, lost in His
This is
my
stor
y,
this is
my
song,
Prais ing my
Sa
vior,
long;
This is my
stor
y,
this is my
song,
Prais ing my
Sa
vior,
all
the day
long.
9 10 9 9 9 9 9 9
172
Blind Bartimaeus
Words: Henry Wadsworth Longfellow, alt, 1842. Music: Fillmore Jeremiah Ingalls (17641828). Setting: "The Methodist Hymnal", 1905. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 100
3 4
1. Blind 2. The 3. Then 4. Ye Bar throng saith that ti ing the hath mae us mul ti Christ, as eyes and at tudes si can the in lent not gates Of crease "Blind stands The see, In Jer i Bar ti crowd, "What dark ness cho mae wilt and in us, thou in
3 4
ness thy My er
He But And Re
the a re those
he the "O ty
a y me ces
is mans re sus,
of is the sus
a and mans ty
in they sus a
of "He swers, He
pi call sa sa
ty eth vd vd
888888
173
Words: Horatio G. Spafford, 1873. Music and Setting: It Is Well or Ville Du Havre Philip P. Bliss, 1876. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
4 4
1. When 2. Though 3. My 4. For 5. But, peace, Sa sin, me, Lord, like a ri ver, at tan should buf fet, though oh, the bliss of this be it Christ, be it tis for Thee, for Thy ten deth my tri als should glo ri ous Christ hence to com ing we way, come, thought! live: wait, When Let My If The sor this sin, Jor sky, rows blest not dan not
4 4
like a in a the
sea bil lows ssur ance con part but the bove me shall grave, is our
What That Is No Oh
lot, Thou has gar ded my cross, and I mine, for in an gel! Oh
me to less es it no as in of the
Refrain
with for O to of
my my my my my
It
is
well,
with my
soul,
It
is
well,
it
is
well with my
soul.
It
is
well,
with my
soul,
6.And Lord, haste the day when my faith shall be sight, The clouds be rolled back as a scroll; The trump shall resound, and the Lord shall descend, Even so, it is well with my soul.
11 8 11 9 6 9
174
Words: Fanny J. Crosby, 1875. Adapted by Margaret Clarkson, 1973. Music: Sondance Kenneth W. Paxton, 1998. Setting: Kenneth W. Paxton, 1998. copyright: Words, public domain. Adaptation released into public domain by Hope Publishing Company. Music and Setting copyright: Copyright 1998 Kenneth W. Paxton. This tune and setting may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. This score is a part of the Open Hymnal Project, 2009 Revision.
= 96
4 4
1. My 2. My 3. My song song song shall shall shall be be be of of of Je Je Je sus, sus, sus, His while when Mer sit press cy crowns ting at ing on my days His feet my way
4 4
He He To
my to my
and and in
tunes my heart to praise makes my joy com plete; pure and per fect day.
My My And
of Je of Je shall en
pre ev ma
Who Ill A
Him the of
ran saves Je
bought me with His blood umphs o ver all. tri sing for ev er there.
76767676
175
Words: st. 12 by Sarah F. Adams, 1841. st. 35 by Hervey D. Ganse (18221891). st. 6 by Edward H. Bickersteth, Jr. (18251906). Music: Bethany (Mason) Lowell Mason, 1856. Setting: Lowell Mason, 1859. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 160
6 4
1. Near 2. Though 3. Near 4. Near 5. But er, like er, er, to my the my O be God, wan Lord, Com near to Thee, der er, to thee, for ter, er still, near the Near Near Bring er sun er er me, to gone to to O Thee! down, thee! thee! God,
6 4
it be the my the
be o cross lo vi
that my Dy Dwel An
my my my thy thy
my my in each I
to to vice to for
Near 5. Then
er, ev
my er
God, more
to to
Thee, be
Near Near
er er
to to
Thee! Thee!
6. There in my Fathers home, safe and at rest, There in my Saviors love, perfectly blest; Age after age to be, nearer my God to Thee.
64646664
176
Words: Paul Gerhardt, 1653. Translation composite. Music: Ich Singe dir mit Herz Johann Balthasar Knig, 1738. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 110
4 4
1. Re 2. He 3. Why 4. Did 5. His joice, my heart, be is thy Trea sure, spend the day in not His love and er wis dom nev glad and He thy blank des truth and plans in sing, A Joy, Thy pair, In powr Watch vain, Neer cheer ful trust main Life and Light and rest less thought the oer thy child hood fal ters or mis tain; Lord, night? day? takes;
4 4
the Source of se lor when a tor Cre not oft in His coun sels
6.Upon thy lips, then, lay thy hand And trust His guiding love; Then like a rock thy peace shall stand Here and in heavn above. 7.O Lord I sing with lips and heart, Joy of my soul, to Thee: To Earth Thy knowledge I impart, As it is known to me. 8.Thou art the Fount of grace, I know, And Spring so full and free, Whence saving health and goodness flow Each day so bounteously. 9.For what have all that live and move Through this wide world below That does not from Thy bounteous love, O Heavnly Father flow? 10.Who built the lofty firmament? Who spread thexpanse of blue? By whom are to our pastures sent Refreshing rain and dew? 11.Who warmeth us in cold and frost? Who shields us from the wind? Who orders it that oil and must We in their season find?
12.Who is it life and health bestows? Who keeps us with His hand In golden peace, wards off wars woes From our dear native land? 13.O Lord of this and all our store Thou art the author blest; Thou keepest watch before our door, While we securely rest. 14.Thou feedest us from year to year, And constant dost abide; With ready help in time of fear, Thou standest at our side. 15.He ever will with patience chide, His rod falls gently down, And all thy sins He casts aside And in the sea doth drown. 16.When silent woe thy bosom rends, His pity sees thy grief, Supplies what to His glory tends And to thine own relief. 17.He knows how oft a Christian weeps And why his tears now fall; And in the book His mercy keeps These things are noted all.
18.Our deepest needs dost Thou supply, Thou givst what lasts for aye. Thou leadst us to our home on high, When hence we pass away.
Ps 8:19, Ps 27:16, Mic 7:1819, Ps 73:2526 8686
177
Words: George Bennard, 1913. Music and Setting: The Old Rugged Cross George Bennard, 1913. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 140
6 4
1. On a 2. O that 3. In that 4. To the hill old old old far rug rug rug a way ged cross, ged cross, ged cross stood so stained I an des with will old pised blood ev rug by so er ged cross, the world, di vine, be true; The Has A Its a em blem won drous won shame and
6 4
of a drous re
where left Je to
and a and a
of it don ry
ners Cal ti er
was va fy Ill
So
Ill
cross,
Till my
tro phies at
last
lay
down;
I will
cross,
And ex
crown.
12 8 12 9 9 9 9 9
178
Christ Returneth
= 120
END TIMES
Words: H. L. Turner, 1878. Music and Setting: Christ Returneth James McGranahan, 1891. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
1. It 2. It 3. While 4. Oh,
be at be at cry Ho oh, de
morn, when the mid day, it san na, from light! should we
When It With No
sun light through may be, per glo ri fied sick ness, no
is of at no
in in like with
ness of lo in
of His of to
ceive Je Je Je
the re re re
Lord
Je
sus, how
long,
how
long
Ere we
shout the
glad
song,
Christ re
lu
jah! Hal le
lu
jah!
men.
Hal le
lu
jah!
men.
12 12 12 7 14 14 6
END TIMES
179
Words: Thomas of Celano, 13th Century. Translated by William J. Irons, 1848. Music: Dies Irae (Dykes) John Bacchus Dykes, 1861. Setting: "Hymns Ancient and Modern", 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
4 4
1. Day 3. Won 5. Lo, 7. What 9. Think, of wrath, drous sound the book, shall I, good Je O the ex frail sus, day trum act man, my of pet ly be sal mourn fling word plead va ing! eth, ed, ing? tion See ful filled Through earths sep Where in all Who for me Caused Thy won the ul hath be drous
4 4
bo na seat y Thou
On whose sen tence To its Judge an No thing un a Fount of pit y, Shall such grace be
de swer re be ly
11.Righteous Judge, for sins pollution Grant Thy gift of absolution Ere that day of retribution! 12.Guilty, now I pour my moaning, All my shame with anguish owning: Spare, O God, Thy suppliant groaning!
13.From that sinful woman shriven, From the dying thief forgiven, Thou to me a hope hast given. 14.Worthless are my prayers and sighing; Yet, good Lord, in grace complying, Rescue me from fires undying.
15.With Thy favored sheep, oh, place me! Nor among the goats abase me, But to Thy right hand upraise me. 16.While the wicked are confounded, Doomed to flames of woe unbounded, Call me, with Thy saints surrounded.
17.Low I kneel with heart submission, See, like ashes, my contrition; Help me in my last condition!
18.Day of sorrow, day of weeping, When, in dust no longer sleeping, Man awakes in Thy dread keeping!
888888
180
END TIMES
Words: Anthony Robertson, 2005. Music: Addisons or London (Addisons) John Sheeles, 1720. Setting: composite from "A Hymnal" (Episcopal), 1916 and "Hymns Ancient and Modern", 1922. copyright: music and setting public domain. Words: Copyright 2005, Anthony Robertson. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. This score is a part of the Open Hymnal Project, 2012 Revision.
= 100
4 4
1. ThA 2. They 3. These pos tle looked and sigh no more, gone words are spo ken heard are faith a their ful voice, He fears, No ly, Al saw cry pha, a Lamb as ing make, shed O me ga, had been slain; no more tears; Lord is He;
4 4
As They For
an gels bowed and grow not old, sense all is done and
saints no done
words were heard in are their doubts and all who come, for
be be see
no ness, par
No The Come
more death en
dis of ter
tress, death, in
no no while
re the you
No The Then
more end Je
be of sus
no the E
feel of nal
No The Then
more end Je
be of sus
no the E
feel of nal
88888888
END TIMES
181
Words: Johann Walther, 1552. Translated by Matthias Loy, 1880. Music: Act Gott Vom Himmelreiche or Ich will ein Neues Singen or Praetorius 7 from Musae Sionae XII (or VII), Michael Praetorius, 1609. Setting: "Kern des Deutschen Kirchengesangs", 1855. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 160
3 4
1. The 2. There 3. They 4. Our 5. In Bride groom shall we will not Fa ther, der yon soon will see de blush to rich in home shall call light own bless ne us, Come, ed Our us As ing, Will ver Be all ye dear Re bro thers, give us si lent wed deem sis crowns mu ding ers ters of sics guests! face, dear, gold voice;
3 4
ap be be som for
us, ed us ing, er
While To When Im We
ber ry with a in
our His ap un re
be shall be em a
be phets us er shall
in ly be ing His
re tyrs, a His be
6.In mansions fair and spacious Will God the feast prepare, And ever kind and gracious, Bid us its riches share; There bliss that knows no measure From springs of love shall flow, And never changing pleasure His bounty will bestow.
7.Thus God shall from all evil Forever make us free, From sin, and from the devil, From all adversity, From sickness, pain, and sadness, From troubles, cares, and fears, And grant us heavenly gladness And wipe away our tears.
76767676
182
END TIMES
Words: Bartholomus Ringwaldt, 1565. Translated by Phillip A. Peter, 1872, alt. Music: Es ist Gewisslich an der Zeit from Klugs Geistliche Lieder, Wittenberg, 1533. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 140
4 4
1. The 2. A 3. A 4. Then 5. O day trum book woe Je is pet is to sus, sure loud o those who ly draw shall then pened then who scorned my debt ing re to the didst near, sound, all, Lord, pay When And A And And Gods all re sought for Son, the cord but my the earth tru car sin A be ly nal wast noint sha tell plea smit ed, ken; ing sures, ten
4 4
of their on their be
ap a was ly so
laugh ter then live shall in heart be clear trem bling they doubt; I trust
on Al be the tan
will ys as es hast
As Be In To And
6.Therefore, my Intercessor be, And for Thy blood and merit Declare my name from judgment free, With all who life inherit; That I may see Thee face to face With all thy saints in that blest place Which Thou for us hast purchased.
7.O Jesus Christ, do not delay, O hasten our salvation! We often tremble on our way In fear and tribulation. Then hear us when we cry to Thee; Come, mighty Judge, and make us free From every evil. Amen!
Rev 20:1115, Lk 21:2536, Mt 25:3246, 2Tim 4:1, Rev 13:59, 1Thess 4:1318
8787887
END TIMES
183
Words: Will L. Thompson, 1886. Music: Theres a Great Day Coming Will L. Thompson, 1886. Setting: "Alexanders Hymns No. 3", 1915. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 80
4 4
1. Theres a 2. Theres a 3. Theres a great day bright day sad day com ing, com ing, com ing, A A A great day bright day sad day com ing, Theres a com ing, Theres a com ing, Theres a great day bright day sad day
4 4
saints and the sin ners shall be bright ness shall on ly come to sin ner shall hear his doom, "De
par ted right and left, them that love the Lord, part, I know ye not,"
mf
Are you
rea dy
for
that day
to
come?
Are
you rea
dy?
pp
Are
you
rea
dy?
Are
you
rea
dy
for
the
judg
ment
day?
mf
pp
Are
Are
For
the judg
ment
day?
Mt 25:3146, Mt 25:113
11 9 14 13 13 13
184
END TIMES
Words: Phillipp Nicolai, 1599. Translated by Catherine Winkworth, 1858. Music: Wachet Auf Phillip Nicolai, 1599. Setting: "Common Service Book" (ULCA), 1917. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 160
1. Wake, a wake, for night is fly on hears the watch men sing 2. Zi 3. Now let all the heavns a dore
The watch men on the heights are cry And all her heart with joy is spring And saints and an gels sing be fore
A wake, Je ru sa lem, at last! She wakes, she ri ses from her gloom; With harp and cym bals clear est tone;
Mid night hears the wel come voi For her Lord comes down all glo Of one pearl each shin ing por
And at the thril ling cry re The strong in grace, in truth vic Where we are with the choir im
Come forth, ye vir gins, night is past; Her Star is risn, her Light is come. Of an gels round Thy dazz ling throne;
The Bride groom comes, a wake; Ah come, Thou bless ed One, Nor eye hath seen, nor ear
And We but
for fol we
and meet Him there. us sup with Thee e ter nal ly.
89889866488
HEAVEN
185
Words: Thomas Rawson Taylor, 1836. Music: St. Edmund (Sullivan) Arthur Seymour Sullivan, 1872. Setting: "Church Praise, with Tunes", 1885. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 120
4 4
1. Im 2. What 3. There 4. There but though at fore a the my I stran temp Sa mur ger est viors mur here, rage, side not, Heavn Heavn Heavn Heavn is is is is my my my my home; home; home; home;
4 4
is is shall eer
a my be my
ert grim i ly
is is is is
my my my my
me shall I at
on be loved my
is shall too, is
my reach I my
fa home soon fa
is is is is
my my my my
64646664
186
HEAVEN
Words: Bernard of Cluny, 1146. Translated by John Mason Neale, 1858. Music: Ewing Alexander C. Ewing, 1853. Setting: "Hymns Ancient and Modern", 1861. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 110
4 4
1. Jer 2. They 3. There 4. O 5. Brief u sa lem the stand, those halls of is the throne of sweet and bless d life is here our gol Zi Da coun por den, with on, all vid, and try, the tion, brief milk and hon ey ju bi lant with there, from care re home of Gods e sor row, short lived blest, song, leased, lect! care;
4 4
op tyr that ex is
I The And Je O
I er their cy ri
76767676
HEAVEN 6. That we should look, poor wanderers, to have our home on high! That worms should seek for dwellings beyond the starry sky! And now we fight the battle, but then shall wear the crown Of full and everlasting, and passionless renown.
7. And how we watch and struggle, and now we live in hope, And Zion in her anguish with Babylon must cope; But he whom now we trust in shall then be seen and known, And they that know and see Him shall have Him for their own. 8. For thee, O dear, dear country, mine eyes their vigils keep; For very love, beholding, thy happy name, they weep: The mention of thy glory is unction to the breast, And medicine in sickness, and love, and life, and rest. 9. O one, O only mansion! O paradise of joy! Where tears are ever banished, and smiles have no alloy; The cross is all thy splendor, the Crucified thy praise, His laud and benediction thy ransomed people raise. 10. Jerusalem the glorious! Glory of the elect! O dear and future vision that eager hearts expect! Een now by faith I see thee, een here thy walls discern; To thee my thoughts are kindled, and strive, and pant, and yearn. 11. Jerusalem, the only, that lookst from heaven below, In thee is all my glory, in me is all my woe! And though my body may not, my spirit seeks thee fain, Till flesh and earth return me to earth and flesh again. 12. Jerusalem, exulting on that securest shore, I hope thee, wish thee, sing thee, and love thee evermore! I ask not for my merit: I seek not to deny My merit is destruction, a child of wrath am I. 13. But yet with faith I venture and hope upon the way, For those perennial guerdons I labor night and day. The best and dearest Father Who made me, and Who saved, Bore with me in defilement, and from defilement laved. 14. When in His strength I struggle, for very joy I leap; When in my sin I totter, I weep, or try to weep: And grace, sweet grace celestial, shall all its love display, And Davids royal fountain purge every stain away. 15. O sweet and blessd country, shall I eer see thy face? O sweet and blessd country, shall I eer win thy grace? I have the hope within me to comfort and to bless! O shall I eer win the prize? O tell me, tell me, Yes!
186(2)
76767676
187
COMMUNION OF SAINTS
Words: Hans Adolf Brorson, circa 1760. Translation composite. Music: Den Store Hvide Flok or Great White Host traditional Norwegian, 17th cent. Setting: Edvard Grieg, 1907. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 120
6 4
1. Be 2. Des 3. Then hold pised hail, a host, a and scorned, they y ye might rrayed so le in white, Like journed here; But gions, yea, All thou now, hail! sand snow how glo Now safe clad rious and
6 4
is priest with
of er the
Lo, So Ye
from an toiled
a would in
And At Fare
in home well,
Je God sheaves
cleansed aye va
and shall re
884468844688446
COMMUNION OF SAINTS
187(2)
ho Sab up
in quet riad
wor of voi
Their The E
an Lamb, ter
an self and
of and be
884468844688446
188
COMMUNION OF SAINTS
Words: John Fawcett, 1782. Music and Setting: Boylston Lowell Mason, 1832. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 90
3 4
1. Blest 2. Be 3. We 4. When 5. This be fore share we glor the our each a ious tie Fa o sun hope that thers thers der re binds throne woes, part, vives Our We Our It Our hearts pour mu gives cou in Christ ian our ar dent tual bur dens us in ward rage by the love; prayers; bear; pain; way;
3 4
low ship of our hopes, our ten for each shall still be in ex pec
to forts pa to to
6. From sorrow, toil and pain, And sin, we shall be free, And perfect love and friendship reign Through all eternity.
Col 3:1217, 1Jn 4:721, Eph 4:16, Gal 6:15, Rom 15:17
6686
COMMUNION OF SAINTS
189
Words: John Fawcett, 1782. Music: Dennis Hans Georg Ngeli, circa 1828. Setting: Donna Snell, circa 1975, alt. copyright: public domain. Setting released into the public domain by Donna Snell 10 Nov 2010. This score is a part of the Open Hymnal Project, 2012 Revision.
= 110
3 4
1. Blest 2. Be 3. We 4. When 5. This be fore share we glor the our each a ious tie Fa o sun hope that thers thers der re binds throne woes, part, vives Our We Our It Our hearts pour mu gives cou in our tual us rage Christ ar bur in by ian dent dens ward the love; prayers; bear; pain; way;
3 4
to forts pa to to
6. From sorrow, toil and pain, And sin, we shall be free, And perfect love and friendship reign Through all eternity.
Col 3:1217, 1Jn 4:721, Eph 4:16, Gal 6:15, Rom 15:17
6686
190
COMMUNION OF SAINTS
Words: Nikolai F. S. Grundtvig, 1857. Translated Carl Dving, 1909. Music: Kirken Den Er Et Gammelt Hus Ludvig M. Lindeman, 1840. Setting: "The Lutheran Hymnary", 1913. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 140
3 4
1. Built 2. Sure 3. We 4. Now 5. Still on ly are we we the in Gods may our Rock tem house ga earth the ples of ther ly church made li with tem doth with ving our ples stand, hands, stones, King; rear, E God, Built Evn That ven the for in we when Most His the may stee High, own low her ples is hab li ald are not i est His fall dwell ta dwell prais
3 4
Crum bled have High a bove He through bap Prais es to They are the
Bells still are All earth ly Heirs of His His won drous And lit tle
to con to ac are
a to He rit there
6.Here stands the font before our eyes Telling how God did receive us; The altar recalls Christs sacrifice And what His table doth give us; Here sounds the Word that doth proclaim Christ yesterday, today, the same, Yea, and for aye our Redeemer.
7.Grant then, O God, whereer men roam, That, when the church bells are ringing, Many in saving faith may come Where Christ His message is bringing: "I know Mine own, Mine own know Me; Ye, not the world, My face shall see. My peace I leave with you."
8888888
COMMUNION OF SAINTS
191
Words: Frederick W. Faber, 1849. Refrain by James G. Walton, 1874. Music: St. Catherine Henri F. Hemy (18181888). Setting: James G. Walton, 1874. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
3 4
1. Faith of 2. Faith of 3. Faith of our our our fa fa fa thers, thers, thers, liv we we ing will will still, strive love In spite of To win all Both friend and dun na foe geon, tions in
3 4
fi un all
re
and to our
beat that as
we shall ly
that be and
rious ly tuous
Faith
of
our
fa
thers,
ho
ly
faith!
We
will
be
true
to
thee
till
death.
Heb 11:12, 1Tim 6:12, Jude 1:3, 2Cor 6:46, 2Tim 1:3
888888
192
COMMUNION OF SAINTS
Words: William W. How, 1864. Music: Sine Nomine Ralph Vaughan Williams, 1906. Setting: "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 130
4 4
1. For 2. Thou 3. For 9. The 10. But all the wast their the A gol den lo! there saints, Rock, post eve breaks who their les ning a from For glo bright yet their la tress and rious com ens in more glor bors their pa the ious rest, Might; ny, west; day;
The
4 4 4 4
fore the world in the well Cross oer land war riors comes rise in bright
Thy
The
O in all is of
sus, ness ty of ry
Al
le
lu
ia,
Al
le
lu
ia!
10 10 10 with Alleluias
COMMUNION OF SAINTS
192(2)
a ri are of are
Al
le
lu
ia,
Al
le
lu
ia!
11. From earths wide bounds, from oceans farthest coast, Through gates of pearl streams in the countless host, And singing to Father, Son and Holy Ghost:
10 10 10 with Alleluias
193
COMMUNION OF SAINTS
Words: Samuel John Stone, 1866. Music: Aurelia Samuel Sebastian Wesley, 1864. Setting: "Order of worship for the Reformed Church in the United States", 1866. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 130
4 4
1. The 2. She 3. The 4. Though 5. Mid Church s is from Church shall with a toil and one ev ne scorn trib foun ery ver ful u da na per won la tion tion, ish! der tion, Is Yet Her Men And Je one dear see tu sus Christ oer all Lord to her sore mult of her the de op her Lord, earth; fend, pressed, war,
4 4
a va cher sun ma
By One Is By Of
ho ho in up, eyes
His own blood He to one hope she gainst or foe or soon the night of the great Church vic
for ev ev be be
6. Yet she on earth hath union With God the Three in One, And mystic sweet communion With those whose rest is won, With all her sons and daughters Who, by the Masters hand Led through the deathly waters, Repose in Eden land.
7. O happy ones and holy! Lord, give us grace that we Like them, the meek and lowly, On high may dwell with Thee: There, past the border mountains, Where in sweet vales the Bride With Thee by living fountains Forever shall abide!
76767676
COMMUNION OF SAINTS
194
Words: Bernhardt S. Ingemann, 1826. Translated by Sabine BaringGould, 1867. Music: Rex Gloriae Henry Thomas Smart, 1868. Setting: "Appendix to Hymns Ancient and Modern", 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 120
4 4
1. Through 2. One 3. One 4. On the the the ward, night light strain there of of that fore, doubt Gods lips pil and own of grim sor pres thou bro row ence, sands thers, On ward goes the Oer His ran somed Lift as from the On ward, with the pil peo heart cross grim ple of our band, shed, one; aid!
4 4
ing songs of sing far the the con flict, its shame, and
the the in be
Pro mised Land. path we tread: God be gun: neath its shade.
through of of great
gui ding light: nev er tires, ter nal shore, of the tomb;
ther clasps the the earn est the One Al the scatt ring
of ing y all
the in er and
Heb 11:1316, 2Cor 5:110, Rev 22:5, Is 51:1116, 1Pt 1:1721, Heb 12:2224, Ps 119:105
87878787
195
COMMUNION OF SAINTS
Words: James Milton Black, 1893. Music: When The Roll Is Called Up Yonder James Milton Black, 1893. Setting: Charles Hutchinson Gabriel, 1893. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
1. When 2. On 3. Let the that us trum bright la pet of and cloud bor for the Lord less morn the Mas shall sound, ing when ter from and the the time dead dawn shall be in Christ till set no more, shall rise, ting sun,
4 4
the the us
shall ga shall ga is ov
on the o ther shore, And the home be yond the skies, work on earth is done,
roll
be
there.
When the
roll
is called up
yon
der,
When the
roll
is called up
yon
der, Ill
be there,
is called
up
yon
der,
When
the
roll
is called
up
is called
up
yon
der, Ill
be there,
When
the roll
is called
up
yon
der,
When
the
roll
is called
up
yon
der, Ill
be
there.
15 11 15 11 8 8 8 11
CONSECRATION
Be Thou My Vision
196
Words: Attr. Dallan Forgaill, 8th Century. Translated by Mary Byrne, 1905 and Eleanor Hull, 1912. Music: Slane Traditional Irish. Setting: Mark Hamilton Dewey, 2007. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision. All portions of the setting that were not already public domain were released to the public domain by the arranger on 27 July 2007. He already had released the parts and the versification (except for a few changes in the third verse, which he released to the public domain in 2007) to the public domain in 2006.
= 100
3 4
1. Be 2. Be 3. Be 4. Rich 5. High Thou Thou Thou es King my my my I of Vi Wis ba heed Hea sion, dom, ttle not, ven, O and Shield, nor my Lord Thou Sword mans vic of my for em tor my true the pty y heart; Word; fight; praise, won,
3 4
all er my In reach
my my my and of
day I my first ev
or Thy high in er
by true To my be
or me me of my
Thy and O my O
my Thee my Thou of
10 10 10 10
197
CONSECRATION
Words: Robert Robinson, 1758. Music: Nettleton Asahel Nettleton, 1812. Setting: "The Evangelical Hymnal", 1921. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 90
3 4
1. Come, 2. Sorrw 3. Je 4. O 5. O Thou ing sus to that Fount I sought grace day of shall me how when ev ery be in when a great a freed from bless spi stran debt sin ing, Tune rit, Till ger, Wandr or Dail ning, I my re ing y shall heart leased from Im see to sing from flesh the fold con strained Thy love Thy and of to ly grace; sin, God; be! face;
3 4
of from to Thy d
mer cy, ne ver what I do in res cue me from good ness, like a then in blood washed
me I His to my
net, Sung by zer; Here by me Mor tal it, Prone to ry, Take my
ming tongues a great help Ive can ne ver the God I somed soul a
the I in my thine
Im fixed u by Thy good till death shall O take and gels now to
pon it, Mount of plea sure, Safe ly loose me I can seal it, Seal it car ry Me to
Ps 36:911, Jn 4:1314, 1Sam 7:312, Heb 13:2021, 1Pt 1:1819, Eph 1:1314
87878787
CONSECRATION
198
Words: William Williams, 1745. Translated by Peter Williams, 1771. Music: Cwm Rhondda John Hughes, 1907. Setting: "The Methodist Hymnbook" (UK), 1933. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 120
4 4
1. Guide me, 2. O pen 3. Lord, I 4. When I 5. Mu sing O now trust tread on Thou the Thy the my great crys migh verge ha Je tal ty of bi ho foun po Jor ta vah, tain, wer, dan, tion, Pil Whence Won Bid Mu grim through this the heal ing drous are Thy my an xious sing on my
4 4
art dy from de ly
powr ful hand. jour ney through. selves had sold: Ca naans side. come; quick ly
of De didst of ni
of De didst of I
I my tan er to
8787877
199
He Leadeth Me
CONSECRATION
Words: Joseph H. Gilmore, 1862. Music and Setting: He Leadeth Me William B. Bradbury, 1864. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 100
4 4
1. He lead eth me, 2. Some times mid scenes 3. Lord, I would place 4. And when my task O of my on bless deep hand earth d est in is thought! O words with heavn ly gloom, Some times where E dens ver mur mur Thine, Nor e done, When by Thy grace the com bow nor vic fort fraught! ers bloom, re pine; trys won,
4 4
eer I do, wher ters still, ovr wa tent, what e ver deaths cold wave I
tis Gods hand tis His hand tis my God God through Jor
He
lead
eth
me,
He
lead
eth
me,
By
His
own hand
He
lead
eth
me;
His
faith
ful
fol
lowr
would
be,
For
by
His
hand
He
lead
eth me.
88888888
CONSECRATION
200
Words: Elizabeth Payson Prentis, 1856. Music: More Love to Thee William Howard Doane, 1870. Setting: William Howard Doane, 1870, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 75
4 4
1. More 2. Once 3. Then love to earth ly shall my Thee, O Christ; joy I craved, lat est breath, More love to Sought peace and Whis per Thy Thee; rest; praise, Hear Now This Thou the thee a be the
4 4
On Give My
is all still
my my its
10 10 12 8
201
CONSECRATION
Words: Martin Schalling, circa 1571. Translated by Catherine Winkworth, 1858. Music: Herzlich Lieb hab ich Dich O Herr Strassburg, 1577. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. Lord, Thee I 2. Yea, Lord, twas 3. Lord, let at love with all my Thy rich bount y last Thine an gels heart; I gave My come, To pray Thee, neer from bo dy, soul, and A brams bo som me de part; all I have bear me home,
4 4
With In That
cy cheer of la un fear
sor me wa
Mt 22:37, 28:20, 1Jn 4:1821, 1Pt 1:1719, 1Thess 4:1617, 1Kgs 8:2224
8878878888848
CONSECRATION
201(2)
not! I trust Thy com fort still a praise Thee with out
Mt 22:37, 28:20, 1Jn 4:1821, 1Pt 1:1719, 1Thess 4:1617, 1Kgs 8:2224
8878878888848
202
CONSECRATION
Words: Ray Palmer, 1830. Music and Setting: Olivet Lowell Mason, 1832. Setting: composite Lowell Mason, 1859 and C. C. Converse, 1867. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. My 2. May 3. While 4. When faith looks Thy rich lifes dark ends lifes up grace maze trans to im I ient Thee, part tread, dream, Thou Strength And When Lamb of to my griefs a deaths cold Cal faint round sul va ry, ing heart, me spread, len stream
4 4
Sa my be ov
di in my me
I for to in
a to a re
O Pure Nor O
me and me me
from this day be change less be, a ev er stray from safe a bove, a
ly ing a somed
2Cor 5:7, Jn 1:29, 1:36, Heb 12:23, Eph 3:12, Rev 2:1011
6646664
CONSECRATION
203
Words: Edward Henry Bickersteth, 1872. Music: Eventide William H. Monk, 1861. Setting: William H. Monk, 1861. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 100
4 4
1. Not 2. I 3. One 4. And 5. I wor am word is hear thy, not from not Thy Lord, wor Thee, mer voice; to thy my cy Thou ga to Lord, Thy bidst ther up the be thought Thy one smile, one pre rog a me come and crumbs child, look, tive rest; With Nor And Free I trem sit I mer come, bling the could cy, I
4 4
Thy ta ble est at Thy rough world a thom less, di Thy pier cd
vy derer sure of my
6. My praise can only breathe itself in prayer, My prayer can only lose itself in Thee; Dwell Thou forever in my heart, and there, Lord, let me sup with Thee; sup Thou with me.
10 10 10 10
204
CONSECRATION
Words: Isaac Watts, 1719, alt. Music: Evan or Eva William H. Havergal, 1847. Setting: Lowell Mason, 1850. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 130
3 2
1. O 2. O 3. From 4. Or 5. As that send van der sist the Thy i my my Lord would Spi rit ty turn foot steps soul, too guide down off by apt my to mine Thy to ways To write Thy eyes; Let Word, And stray, A keep law no make strict His sta tutes up on my cor rupt de my heart sin er watch to still! heart! sign, cere; keep;
3 2
me de a ion, Thy
6. Make me to walk in Thy commands, Tis a delightful road; Nor let my head, or heart, or hands, Offend against my God.
8686
CONSECRATION
205
Words: Fanny J. Crosby, 1868. Music: Pass Me Not O Gentle Savior William Howard Doane, 1870. Setting: "The Coronation", 1872. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
1. Pass 2. Let 3, Trust 4. Thou me not, O gen me at Thy throne ing on ly in the Spring of all tle of Thy my Sa mer me com vior, cy rit, fort, Hear my hum ble Find a sweet re Would I seek Thy More than life to cry; lief, face; me,
4 4
While on o thers Thou art Kneel ing there in deep con Heal my wound ed, bro ken Whom have I on earth be
me be Thy but
Sa
vior,
Sa
vior,
Hear
my
hum
ble
cry;
While
on
call
ing,
Do
not pass
me
by.
8585985
206
CONSECRATION
Words: attr. Dorothy Ann Thrupp, 1836. Music and Setting: Bradbury William B. Bradbury, 1859. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 100
4 4
1. Sa 2. We 3. Thou 4. Ear vior, like a shep are Thine, Thou dost hast pro mised to ly let us seek herd be re Thy lead friend ceive fa us, us, us, vor, much be poor ear we need Thy ten der the guard ian of our and sin ful though we ly let us do Thy care; way; be; will;
4 4
In Thy plea sant Keep Thy flock, from Thou hast mer cy Bless d Lord and
pas sin to on
tures de re ly
for our use Thy folds pre seek us when we go a grace to cleanse and powr to with Thy love our bo soms
d d d d
Je Je Je Je
d d d d
Je Je Je Je
we we to us
d d d d
Je Je Je Je
d d d d
Je Je Je Je
us, us ly us,
we we to us
87878787
CONSECRATION
207
Words: Frances R. Havergal, 1874. Music: Mozart Wolfgang Amadeus Mozart (17561791). Setting: composite found in "Hymnal and Liturgies of the Moravian Church", 1920. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 140
3 4
1. Take 2. Take 3. Take 4. Take 5. Take my my my my my life, hands, voice, sil will, and and and ver and let it let them let me and my make it be move sing gold; Thine; con se at the al ways, not a it shall cra im on mite be ted, pulse ly, would no Lord, to of Thy for my I with long er Thee. love. King. hold. mine.
3 4
my my my my my
in ti a as Thy
6. Take my love, my Lord, I pour at Thy feet its treasure store. Take myself, and I will be ever, only, all for Thee.
7777
208
CONSECRATION
(also known as O Take My Hand, Dear Father or Lord Take My Hand and Lead Me)
Words: Julie Katharina von Hausmann, 1862. Translated by Rev. Julius Herman Edward Horstmann (18691954), before 1901. Music: So Nimm Denn Meine Hnde Friedrich Silcher, 1842. Setting: Donna Snell, circa 1975. copyright: public domain. Setting released into the public domain by Donna Snell 10 Nov 2010. This score is a part of the Open Hymnal Project, 2010 Revision.
= 120
4 4
1. Take 2. Take 3. Though Thou Thou oft my my I hand, heart think and and Thou lead hide hid me it est oer in Thy lifes folds won rough of drous way, grace might,
4 4
Heavn ly pain or to my
na be Thou
me it est
from to me
to Thy dark
A Draw, Take,
my of my
ter sure me
gle to is
al mea feed
Thou naught ev
my I er
11 11 11 11
CONSECRATION
209
Words: James Nicholson, 1872. Music: Whiter Than Snow William Gustavus Fischer, 1872. Setting: "Pentecostal Hymns, No. 2", 1898. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 80
3 4
1. Lord 2. Lord 3. Lord 4. Lord Je Je Je Je sus, I sus, look sus, for sus, Thou long to be down from Thy this I most see st I per throne hum pa fect in bly tient ly the en ly whole; I skies, And treat, I wait, Come want help wait, now, Thee for me to bless ed and with
3 4
ev make Lord, in
er to a com at Thy me a
Break I By To
ry my my have
out ev see ne
me me me me
I I I I
be be be be
er er er er
Whit
er
than
snow,
yes,
whit
er
than
snow;
Now
wash
me,
and
shall
be
whit
er
than
snow.
11 11 11 11 9 11
210
NEW OBEDIENCE
Words: Martin Luther, 1524. Translated by Richard Massie, 1854. Music: Wo Gott Zum Haus (Walter) from Walters Geistliche Gesangbchlein, 1524. Setting: Bartolomus Gesius, 1605. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 100
4 4
1. Hap 2. Thy 3. Lo! 4. Out 5. He py the wife shall, to the of Mount shall be man who fear like a fruit man these bless Zi on God with thee in eth ful ings shall thy God, vine, cleave send, ways, Whose Fill Who And And feet all in crown give His ho ly thy house with Gods ho ly with joy thy thee health and
4 4
Thine own Thy child From him That thou Yea, thou
py thy in pros ra
8888
NEW OBEDIENCE
211
Words: Martin Luther, 1524. Translated by Richard Massie, 1854. Music: Wo Gott Zum Haus Klugs Geistliche Lieder, Wittenberg, 1533. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
4 4
1. Hap py the 2. Thy wife shall, 3. Lo! to the 4. Out of Mount 5. He shall be man like man Zi with who a these on thee fear fruit bless God in eth God, Whose feet ful vine, Fill all ings cleave Who in shall send, And crown thy ways, And give His thy Gods with thee ho house ho joy health ly with ly thy and ways clus fear lat length have ters doth ter of trod; fine; live; end; days
4 4
8888
212
NEW OBEDIENCE
Words: John Bunyan, 1684. Modified by Percy Dearmer, 1906. Music: Monks Gate traditional English. Setting: Ralph Vaughan Williams, 1904. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
4 4
1. He 2. Who 3. Since, who would val so be set Lord, Thou dost iant him de be round fend gainst with us all dis with dis mal Thy a stor Spi ster, ies rit,
4 4
Let Do We
cy found end,
Theres No Then
no dis cour age foes shall stay his fan cies flee a
make he fear
His He Ill
first will la
in his and
to to to
be be be
a a a
11 11 12 11
NEW OBEDIENCE
213
Words: verses 15 Mrs. James W. Wood, 1909. verses 67 Brian J. Dumont, 2008. Music and Setting: Blessed Are They Mrs. James W. Wood, from "Service in Song", Standard Pub. Co., 1909. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision. verses 67 released into the public domain by the author on 17 Dec 2008.
= 100
4 4
1. Je 2. Je 3. Je 4. "Bless 5. When sus sus sus ed we wants was wants are find all so us the our of His meek and to be pure in friends are child ren low ly, lov ing, heart," an gry, to As help thus we be a ing the will good and lit tle when we Sav ior to them true; child. may. taught. say,
4 4
He We We Clean "Je
will help if will try to will try to in mind, in sus wants you
we but ask Him, be like Je sus, be kind heart ed, dy, soul, in bo to be lov ing,
6. When I know that I have done wrong, to Jesus I flee. He has paid for all transgressions, He has paid for me! 7. Jesus knew that we would fail Him so He came to be Life to all the poor and lost ones, life eternally!
8585
214
NEW OBEDIENCE
Words: Benjamin Schmolck, circa 1704. Translated by Jane L. Borthwick, 1854. Music: Jewett or Weber Carl M. von Weber, 1821. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
4 4
1. My 2. My 3. My 4. My Je Je Je Je sus, sus, sus, sus, as as as as Thou Thou Thou Thou wilt! wilt! wilt! wilt! Oh, If Though All may Thy need y seen through shall be will here man well be and ya for mine! poor, tear, me;
4 4
to me not chang
hand of love I peo ples bread, their star of hope grow fu ture scene I
re and ap with
row, na on my
Thine up a ly
help if I sing,
me all must in
to should with or
my my my my
be be be be
66666666
NEW OBEDIENCE
Where He Leads Me
215
(also known as I Can Hear My Savior Calling or Follow All The Way)
Words: Edward (or Ernest) William Blandy, 1890. Music: Blandy or Norris attr. John Samuel Norris (18441907) or Philip Paul Bliss (18381876). Setting: "Best Endeavor Hymns", 1907. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 100
4 4
1. I can 2. Ill go 3. Ill go 4. He will hear my Sa vior with Him through the with Him through the give me grace and call gar judg glo ing, den, ment, ry, I can Ill go Ill go He will hear my Sa vior with Him through the with Him through the give me grace and call gar judg glo ing, den, ment, ry,
4 4
I Ill Ill He
can go go will
hear my Sa vior with Him through the with Him through the give me grace and
thy go go go
Where He
leads
me
will
fol low,
Where He
leads
me
will
fol low,
Where He
leads
me I
will
fol low;
Ill go
the
way.
88898889
216
PRAYER
Words: Mary A. Pepper Kidder, 1876. Music: Stockbridge or Did You Think To Pray William Oscar Perkins, 1876. Setting: William Oscar Perkins, 1876. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
4 4
1. Ere 2. When 3. When 4. When you you your sore left met heart tri your with was als room great filled came this temp with up morn ta an on ing, tion, ger, you, Did Did Did Did you you you you think think think think to to to to pray? pray? pray? pray?
4 4
our and my in
ing ly a you
fa Spir no bor
As As Who At
rests the
wea
ry!
Prayer
will
day;
drea
ry,
to
pray.
858858785
PRAYER
217
(also known as Our Father, Who from Heaven Above or Our Father in the Heaven Who Art)
Words: Martin Luther, 1539. Translation composite. Music: Vater Unser im Himmelreich attr. Martin Luther, found in Valentin Schumanns Geistliche Lieder, Leipzig, 1539. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 140
4 4
1. Our Fa ther, 2. Thy name be 3. Thy king dom 4. Thy gra cious 5. Give us this Thou in heavn a hal lowed. Help us, come. Thine let it will on earth be ly day our dai bove, Who Lord, In be In done As bread And bid pur time tis let dest us to i ty to and in e in heavn be us all be dwell keep ter fore clothed in love, Thy Word, ni ty. Thy throne; and fed.
4 4
cry in ev ry walk be fore Thee hearts with gra ces pa tience in all fa mine and from
need to Thee, free from blame. to sup ply. grief be stow. pes ti lence,
Teach us no Let no false Break Sa tans Curb flesh and That we may
to per his ry ly
say, But vert; All rage; Pre ill That peace, Free
our in most de lu ded Thy Church from it self a all care and
6. Forgive our sins, Lord, we implore, Remove from us their burden sore, As we their trespasses forgive Who by offenses us do grieve. Thus let us dwell in charity And serve our brother willingly. 7. Into temptation lead us not. When evil foes against us plot And vex our souls on every hand, Oh, give us strength that we may stand Firm in the faith, a wellarmed host, Through comfort of the Holy Ghost!
8. From evil, Lord, deliver us; The times and days are perilous. Redeem us from eternal death, And when we yield our dying breath, Console us, grant us calm release, And take our souls to Thee in peace. 9. Amen, that is, So shall it be. Confirm our faith and hope in Thee That we may doubt not, but believe What here we ask we shall receive. Thus in Thy name and at Thy word We say: Amen. Oh, hear us, Lord! Amen.
Mt 6:913, Lk 11:24
888888
218
PRAYER
Words: Brian L. Penney, 2008. Music: Erfyniad Welsh Hymn Melody. Setting: David Evans, "Revised Church Hymnary", 1927. copyright: Words: Copyright 2009, Brian L. Penney. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music and Setting: public domain per CCEH. This score is a part of the Open Hymnal Project, 2010 Revision.
= 110
4 4
1. Fa 2. O 3. O ther Fa Fa in ther, ther, heav now lead en, our us Your dai from name ly temp we bread ta con sup tions fess, ply, powr;
4 4
and grant we
ex for find
ed ness ty
ho i try
li qui ing
O May I
may we Lord,
Your for de
dom as er
come, we from
will been e
be for vil
and cy through
as in ed
Mt 6:913, Lk 11:14
10 10 10 10
PRAYER
219
(also known as To God the Holy Spirit Let Us Pray or O Holy Ghost to Thee We Pray or Now Do We Pray God the Holy Ghost or Now Pray We All God the Comforter or Now Let Us Pray to the Holy Ghost)
Words: v.1 ancient German. verses 24 Martin Luther, 1524. Translation composite. Music: Nun Bitten wir den Heiligen Geist ancient German found in Walters Geistliche Gesangbchlein, 1524. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 140
4 4
1. We 2. Shine 3. Thou 4. Thou now im plore in our hearts, sa cred Love, high est Com God O grace fort the most on in Ho pre us ev ly cious be ry Ghost Light, stow, need, For That Set Grant the we our that
4 4
we may ly nor
the a a we
mo Sa ni cou
He whose we may
us us. ther, us
as a one the
ward to in shall
we our peace ac
9 9 11 10 4
220
PRAYER
Words: Joseph M. Scriven, 1855. Music: untitled Charles C. Converse, 1868. Setting: "Book of hymns and tunes", 1874. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 100
4 4
1. What a Friend we 2. Have we tri als 3. Are we weak and 4. Bless ed Sa vior, have and hea Thou in temp vy hast Je ta la pro sus, tions? den, mised all our sins and griefs to Is there trou ble a ny cum bered with a load of Thou wilt all our bur dens bear! where? care? bear
4 4
What a priv i lege We should ne ver be Pre cious Sa vior, still May we ev er, Lord,
to dis our be
ery thing to God in it to the Lord in it to the Lord in to Thee in earn est
O Can Do Soon
what peace we of ten we find a friend so your friends des pise, for in glo ry bright un
need all to be
we rows in for
All Je In Rap
do ev take end
in in lace tion
87878787
PRAISE
221
Words: Francis of Assisi circa 1225. Translated by William H. Draper, 1919. Music: Lasst Uns Erfreuen from Geistliche Kirchengesng, Kln, 1623. Setting: Ralph Vaughan Williams, 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 160
6 4
1. All 2. Thou 3. Thou 4. Dear 5. And crea rush flow mo all tures ing ing ther ye of wind wa earth, men our God that art ter, pure whoday of ten and so and by der King strong clear, day heart, Lift Ye Make Un For up clouds mu fold giv your that sic est ing voice sail for bless o and with us in Heaven a thy Lord to ings on our thers, take your sing, long, hear, way, part,
6 4
A lle O O O O
A A A A A
lu lu lu lu lu
ver moon with soft er a of eve ning, find est man both warmth and His glo ry al so and on Him cast your
praise
Him!
praise
Him!
A lle
lu
ia!
A lle
lu
ia!
A lle
lu
ia!
6. And thou most kind and gentle Death, Waiting to hush our latest breath, O praise Him! Alleluia! Thou leadest home the child of God, And Christ our Lord the way hath trod.
7. Let all things their Creator bless, And worship Him in humbleness, O praise Him! Alleluia! Praise, praise the Father, praise the Son, And praise the Spirit, Three in One!
Ps 69:34, Ps 148
8 8 8 8 8 8 with Alleluias
222
PRAISE
Words: Christopher Wordsworth, 1865. Music: Ode to Joy Ludwig van Beethoven; Adapted by Edward Hodges, 1824. Setting: "The Methodist Hymnal", 1905. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 115
4 4
1. Al 2. Now 3. Christ 4. Christ 5. Al le the is is le lu i ri ri lu ia, ron sen, sen, ia, al bars Christ, we al le are the are le lu ia! bro ken, first fruits ri sen! lu ia! Hearts Christ of Shed Glo to Heavn and from death to the ho ly up on us ry be to voi life har heavn God ces is vest ly on raise: born, field, grace, high;
4 4
of im a of the
to God a the ho ly His se cond the bright ness has gained the
who on the has tri umphed, den the gol we, with our le lu ia!
a we of in the
the worlds sal His might y their heads be on earth may of love and
Je We Rip And Al
87878787
PRAISE
223
Words: Francis Pott, 1861. Music: Angel Voices (Monk) Edwin G. Monk, 1861. Setting: Presbyterian Hymnal, 1911. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
4 4
1. An 2. Thou 3. Lord, 4. Here, 5. Ho gel voi ces, Who art be we know Thy great God, to nor, glo ry, e yond love day might ver the re we and sing ing, far thest joi ces of fer me rit, round mor oer of Thine Thy tal each Thine shall throne eye work own e of can of to ver light, scan, Thine; Thee; be,
4 4
ring ing, gard est voi ces prof fer, Spi rit,
not of Thy un ed
of we de lo der
858587
224
PRAISE
Words: Walter Chalmers Smith, 1876. Music: St. Denio or Joanna or Palestrina traditional Welsh found in "Caniadau y Cyssegr" by John Roberts, 1839. Setting: "Caniadau y Cyssegr ar Teulu", 1878, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 120
3 4
1. Im 2. Un 3. To 4. Great 5. All mor rest all, Fath laud tal, ing, life er we in un Thou of would vis hast giv glo ren i ing, est, ry, der; ble, and to pure O God si both Fath help on lent great er us ly as and of to wise, light, small; light, see
3 4
of a the im im
11 11 11 11
PRAISE
225
Words: Henry J. van Dyke, 1907. Music: Ode to Joy Ludwig van Beethoven; Adapted by Edward Hodges, 1824. Setting: "The Methodist Hymnal", 1905. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 115
4 4
1. Joy 2. All 3. Thou 4. Mor ful, joy ful, Thy works with art giv ing tals, join the we a joy sur and for ha ppy dore round giv chor Thee, Thee, ing, us, God earth ev which of glor y, and heaven re er bless ing, the morn ing Lord flect ev stars of love; Thy rays, er blessed, be gan;
4 4
fold an of love
be a of ing
o pening to the cen ter of un o cean depth of bro ther love binds
a ken py to
the clouds of and for est, our Fa ther, ver sing ing,
a ing are of
of bird how mu
im and to sic
us us us the
of in div of
Ps 71:23, Jn 12:46
87878787
226
PRAISE
Words: Martin Luther, 1524. Translation composite. Music: Gott Sei Gelobet und Gebenedeiet or Enchiridion or Gud Vre Lovet Evig Nu traditional German c. 1400 found in Klugs Geistliche Lieder, Wittenberg, 1533. Setting: Johann Hermann Schein, 1627, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 160
4 4
1. O Lord, we 2. Thy ho ly 3. May God be praise Thee, bo dy stow on bless Thee, and a in to death was us His grace and dore Thee, gi ven, fa vor In thanks Life to To please giv ing win for Him with
4 4
bow us our
be in be
fore hea ha
and Thy blood didst this to Thee could here in love and
O O O
bo kind Thy
Ma strain sake
11 8 11 8 5 9 9 6 7 5
PRAISE
226(2)
did sus He
us hast to
fear, more u
and is ni
O O O
11 8 11 8 5 9 9 6 7 5
227
PRAISE
Words: Thomas Ken, 1674. Music: Old 100th Genevan Psalter, attr. Louis Bourgeois, c. 1551. Setting: Sternhold and Hopkins Psalter, 1561. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
bles
sings flow;
here
be
low;
heavn
ly
host;
Ho
ly
Ghost.
8888
PRAISE
228
Words: Joachim Neander, 1680. Translated by Catherine Winkworth, 1863. Music: Lobe den Herren from Ander Theil des Erneuerten Gesangbuch, 1665. Setting: William Sterndale Bennett, 1863, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
3 4
1. Praise 2. Praise 3. Praise 4. Praise 5. Praise to to to to to the the the the the Lord, Lord, Lord, Lord, Lord, the Who Who Who Who, Al oer hath doth when might y, the all things so fear ful ly, pros per thy tem pests their King won won work war of drous drous and fare cre ly ly, de are a reign made fend wa tion! eth, thee; thee; ging,
3 4
a He cy He ters
dor or did be as
6.Praise to the Lord, Who, when darkness of sin is abounding, Who, when the godless do triumph, all virtue confounding, Sheddeth His light, chaseth the horrors of night, Saints with His mercy surrounding. Ps 150:12, Ps 23:6
7.Praise to the Lord, O let all that is in me adore Him! All that hath life and breath, come now with praises before Him. Let the Amen sound from His people again, Gladly for aye we adore Him. 14 14 4 7 8
229
PRAISE
Words: Daniel ben Judah, circa 1400. Paraphrased by Thomas Olivers, circa 1765. Music: Yigdal or Leoni Traditional Hebrew. Setting: Meyer Lyon, 1780. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
4 4
1. The 2. The 3. The 4. He 5. Tho God of Ab God of Ab God of Ab by Him self na tures strength rham rham rham has de praise, praise, praise, sworn; cay, Who at Whose I and reigns Whose all on earth en throned a su preme com suf fic ient His oath de and hell with bove; mand grace pend, stand,
4 4
An From Shall I To
ing the py up my
of right my a com
Je I He I The
vah, great I on earth for a worm His be hold His try deep I
by its He I with
con and my a my
bow and bless the ly Him my on He shall save me sing the won ders thro the how ling
sa Por to of wil
ev Shield Je ev way
6 6 12 6 6 12
PRAISE
6.The goodly land I see, with peace and plenty blessd; A land of sacred liberty, and endless rest. There milk and honey flow, and oil and wine abound, And trees of life forever grow with mercy crowned. 7.There dwells the Lord our King, the Lord our righteousness, Triumphant oer the world and sin, the Prince of peace; On Sions sacred height His kingdom still maintains, And glorious with His saints in light forever reigns. 8.He keeps His own secure, He guards them by His side, Arrays in garments, white and pure, His spotless bride: With streams of sacred bliss, with groves of living joys With all the fruits of Paradise, He still supplies. 9.Before the great ThreeOne they all exulting stand; And tell the wonders He hath done, through all their land: The listning spheres attend, and swell the growing fame; And sing, in songs which never end, the wondrous Name. 10.The God Who reigns on high the great archangels sing, And "Holy, holy, holy!" cry, "Almighty King! Who was, and is, the same, and evermore shall be: Jehovah Father great I AM, we worship Thee!" 11.Before the Saviors face the ransomed nations bow; Oerwhelmed at His almighty grace, forever new: He shows His prints of love they kindle to a flame! And sound thro all the worlds above the slaughtered Lamb. 12.The whole triumphant host give thanks to God on high; "Hail, Father, Son, and Holy Ghost," they ever cry. Hail, Abrahams God, and mine! (I join the heavnly lays,) All might and majesty are Thine, and endless praise.
229(2)
6 6 12 6 6 12
230
And Can It Be
THANKSGIVING
Words: Charles Wesley, 1738. Music: Fillmore Jeremiah Ingalls (17641828). Setting: "The Methodist Hymnal", 1905. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
3 4
1. And 2. Tis 3. He 4. Long 5. Still can mys left my the it tery His im small be all: Fa pris in that thIm thers oned ward I should mor tal throne a spir it voice I gain dies: bove lay, hear, An Who So Fast That in terest can ex free, so bound in whis pers in plore in sin all the His fi and my
3 4
to of dams geon of
A Tis Tis My I
it a and was im
6. No condemnation now I dread; Jesus, and all in Him, is mine; Alive in Him, my living Head, And clothed in righteousness divine, Bold I approach theternal throne, And claim the crown, through Christ my own.
888888
THANKSGIVING
231
Words: Folliot S. Pierpoint, 1864. Music: Dix Conrad Kocher, 1838. Setting: "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. For 2. For 3. For 4. For 5. For the the the the Thy beau beau joy joy Church, ty ty of of that of of ear hu ev the each and man er earth hour, eye, love, more For Of For Bro Lift the glo ry the day and the heart and ther, sis ter, eth ho ly of of minds pa hands the the de rent, a skies, night, light, child, bove,
4 4
O ver and a Sun and moon, and Link ing sense to For all gen tle Her pure sac ri
us of and and of
Lord
of
all,
to
Thee
we raise,
This
our
hymn
of
grate
ful
praise.
6. For the martyrs crown of light, For Thy prophets eagle eye, For Thy bold confessors might, For the lips of infancy.
7. For Thy virgins robes of snow, For Thy maiden mother mild, For Thyself, with hearts aglow, Jesu, Victim undefiled.
8. For each perfect gift of Thine, To our race so freely given, Graces human and divine, Flowers of earth and buds of Heaven.
777777
232
His Gifts
THANKSGIVING
Words: Brian J. Dumont, 2011. Music: Simple Gifts (Shaker dance) Joseph Brackett, 1848, alt. Setting: Brian J. Dumont, 2011. copyright: Melody, public domain. Words and Setting: Copyright 2011 Brian J. Dumont. These lyrics and setting may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
1. Its 2. Its 3. Its 4. Its 5. Its His His His His His gift, gift, gift, gift, gift, this cre a tion, all the in car na tion, He be our re demp tion, bought and res ur rec tion Raised to His as cen sion we a glo came paid life wait ry we see, us to be in His blood so that we His re turn. Its the All the All Gods May al Not a gift things wrath so lone,
4 4
A dam and for Eve, But race could nev er be. Our one tre mend ous flood. The glo ry al ways be. His pres ence yearn. Christ near er
they turned a way ture He would take som paid for all life is Gods pro us to the Fa
so ti of an our
bright, It would fy, To the Grace meant to tee of the home Where well
Life,
life
poured
He
calls
us
to live
and His
Glo
ry
to see
Eph 2:810, 4:48, 1Jn 5:1012, Titus 3:47, Jas 1:1718, Jn 10:2730, 4:10, Rom 6:23, 5:1517, 3:2126 7 6 11 11 11 8 11 9 10
THANKSGIVING
232(2)
Our
Lord
calls
us
in His
ing e
ter
nal
ly!
6. Its His gift, of His Spirit poured on us in His Word Who reminds us of all Jesus taught and did. His Peace was sent to Comfort and be with us and sustain our faith in the Lords promises. 7. Its His gift, our repentance even this is from Him! When His Law and Spirit move our hearts within, They crush our vain ambition and very thoughts, drive us each to Gods mercy His Kingdom is wrought! 8. Its His gift of Baptism washed us clean in His Son placed us in His Name and took us as His own What comfort givn to us in this lifelong trust Given faith that Christs work is applied now to us. 9. Its His Gift of His Table where He feeds us His sheep; Blest communion with our God forever sweet. His Body and His Blood poured out for us all Givn to heal our wounds and restore our_ soul. 10. Its His Gift of eternal life spent in His embrace, To be with the Father and to sing His praise And so with God the Son who redeemed our souls With the Spirit together forever extolled.
Eph 2:810, 4:48, 1Jn 5:1012, Titus 3:47, Jas 1:1718, Jn 10:2730, 4:10, Rom 6:23, 5:1517, 3:2126 7 6 11 11 11 8 11 9 10
233
THANKSGIVING
Words: Martin Rinkart, c.1636. Translated Catherine Winkworth, 1856. Music: Nun Danket Johann Crger, 1647. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
1. Now 2. O 3. All
voi near gi
won ev Son
in and with
our mo us in e ter
on when Heavn
our per a
less us it
of all is
and in and
to the er
67676666
THANKSGIVING
234
Words: Christopher Wordsworth, 1862. Music: Woodbird or Es Flog Ein Kleins Waldvgelein traditional German found in "Memminger Tabulaturbuche", 17th Century. Setting: George Ratcliffe Woodward, 1904. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 125
4 4
1. O 2. On 3. Thou 4. Thou 5. To day thee, art art day of at a a on rest and the cre port, pro ly ho wear y glad a tec lad na ness, o tion, the ted from der, where tions the day light storms an heaven of first that gels ly joy had round go man and its us and na light, birth; rise; come; falls;
4 4
O On A Each To
and sal er us vo
ness, most tion, Christ ted with der, near tions the
ti from of to ver
On On Thou A Where
thee, the high thee, our Lord, art a cool day of sweet Gos pel light
a ges joined in Spi rit sent from lifes dry, drea ry art a day of pure and ra diant
6. New graces ever gaining from this our day of rest, We reach the rest remaining to spirits of the blessed. To Holy Ghost be praises, to Father, and to Son; The church her voice upraises to Thee, blessed Three in One.
Ex 20:10, Gen 2:23 76767676
235
THANKSGIVING
Words: Christopher Wordsworth, 1863. Music: Es Ist Kein Tag Johann D. Meyer, 1692. Setting: "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
4 4
1. O 2. The 3. For 4. Thou 5. Thou Lord gol peace didst givst of den ful not the Heavn sun homes spare Spir and shine, and Thine its earth ver health on bless and nal ful ly d sea, air, days, Son, dowr,
4 4
ry de dis un and
6. For souls redeemed, for sins forgivn, For means of grace and hopes of Heavn, Father, all praise to Thee be givn, Who givest all.
7. We lose what on ourselves we spend, We have as treasure without end Whatever, Lord, to Thee we lend, Who givest all.
8. To Thee, from Whom we all derive Our life, our gifts, our power to give: O may we ever with Thee live, Who givest all.
8884
TRUST
236
Words: unknown circa 1673. Translated by Catherine Winkworth, 1858. Music: Alles ist an Gottes Segen Johann Balthasar Knig, 1738. Setting: "Chorale Book for England", 1863, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 100
4 4
1. All 2. He 3. Ma 4. When 5. Well de pends on who hi ther ny spend their with sor row He knows what our pos sess ing to hath fed me lives in fret ting I am strick en, best to grant me; Gods And Ov Hope All a bun dant to ma ny er tri fles my heart a the long ing grace joys and new hopes and bless ing, hath led me, in get ting will quick en, that haunt me,
4 4
He He I To I
who trusts with who did so shall strive to His lo ving shall doubt His
faith un sha ken gent ly school me, win a treas ure kind ness ten der wis dom nev er,
In He That Soul As
His God is who still doth will bring me and bo dy God wills, so
daunt less heart. Help di vine. sel dom found. lone I build. mit my way.
6. If on earth my days He lengthen, He my weary soul will strengthen; All my trust in Him I place. Earthly wealth is not abiding, Like a stream away is gliding; Safe I anchor in His grace.
887887
237
TRUST
Words: Attr. to King Gustavus Adolphus of Sweden (15941632), Jacob Fabricius (15931654) or Johann M. Altenburg (15841640). Translated by Catherine Winkworth, 1855. Music: Kommt her zu mir, spricht Gottes Sohn traditional German, 1490. Setting: "Mehrstimmiges Choralbuch", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 160
4 4
1. Fear 2. Be 3. As 4. A not, O of good true as men, Lord lit cheer; Gods Je tle your own sus, flock, the foe cause be longs word is true, grant our prayer! Who To Not Great mad ly Him who earth nor Cap tain, seeks can hell now
4 4
ov er throw; venge your wrongs; all their crew arm make bare;
his to us us
What though your Though hid den A jest and So shall thy
886886
TRUST
238
Words: Civilla Durfee Martin, 1905. Music: Martin Walter Stillman Martin, 1905. Setting: "Alexanders Gospel Songs", 1908. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 90
6 8
1. Be 2. Through 3. All 4. No not days you mat dis mayed of toil may need ter what what when He may eer be tide, heart doth fail, will pro vide, be the test, God God God God will will will will take take take take care care care care of of of of you; you; you; you;
6 8
Be When No Lean,
of your will u
a as de His
of of of of
God
will
take
care
of
you,
through ev
ry
day,
oer
all
the way;
He
will
take
care
of
you,
of
you.
86866866
239
TRUST
Words: John Rippon, 1787. Music: Foundation (Funk) or Protection Joseph Funk, 1832. Setting: "Union Harmony", 1837. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 125
2 2
1. How 2. In 3. Fear 4. When 5. When firm ev not, through through a ery I the fie foun con am deep ry da tion, ye di tion, in with thee, O wa ters I tri als thy saints sick be call path of the ness, in not dis thee to ways shall Lord, health; mayed, go, lie, Is In For The My laid po I ri grace, for ver am vers all your tys thy of su
2 2
more can He home and a strength en and I will be flame shall not
un days by ti to
to de My fy con
Je sus for mand, shall thy right eous, om to thee thy sume, and thy
6. Even down to old age all My people shall prove My sovereign, eternal, unchangeable love; And when hoary hairs shall their temples adorn, Like lambs they shall still in My bosom be borne. 7. The soul that on Jesus has leaned for repose, I will not, I will not desert to its foes; That soul, though all hell should endeavor to shake, Ill never, no never, no never forsake.
11 11 11 11
TRUST
240
Words: Richard W. Adams, 2001. Music: Melita John Bacchus Dykes, 1861. Setting: "Hymns Ancient and Modern", 1869. Words copyright: Copyright 2001 Richard W. Adams. These lyrics may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
4 4
1. How 2. When 3. When 4. We shall Sa ex pray we tan ec that an swer whis pers, ution ers You their ter Hate hung hearts rors your You will cry, foe, high turn; The Now You And cun ning take your turned Your light a blade, the ven geance prayer up ho ly
4 4
u the el e
O O O O
us us us us
and in ex that
to to ple be
To To And Like
shall know as ev
we is we er
Lk 23:34, Mt 5:4348
888888
241
TRUST
Words: Henrietta L. von Hayn, 1778. Translation composite. Music: Weil Ich Jesu Schflein Bin from Bruder ChoralBuch, 1784. Setting: "Church Book for the Use of Evangelical Lutheran Congregations", 1893. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 112
4 4
1. I 2. Day 3. Who am by so Je day, hap sus lit tle at home, a py as I lamb, way, am, Ev Je Ev er sus en glad is now at my the heart I Staff and Shep herds am; Stay. lamb?
4 4
need, and well pro pleas ant pas tures an gel host at
ev ry thirst, He fold me
day bids to
the me His
same, go breast,
calls qui in
me et His
by my wa ters arms to
Is 40:11, Jn 10:1115
778877
TRUST
242
Words: Daniel Webster Whittle (a.k.a. Elias Nathan), 1883. Music and Setting: I Know Whom I Have Believed James McGranahan, 1892. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
4 4
1. I 2. I 3. I 4. I 5. I know know know know know not not not not not why Gods how this how the what of when my won drous grace sa ving faith Spi rit moves, good or ill Lord may come, To To Con May At me He hath made me He did im vin cing us of be re served for night or noon day known, part, sin, me, fair,
4 4
un be ing ry I
His my in I the
But I
know Whom
I have be
liev
d,
And am per
sua
ded
that He is
ab
le
To
keep
that
mit
ted
Un to
Him
a gainst
that
day.
8 6 8 6 9 10 8 7
243
TRUST
Words: Paul Gerhardt, 1656. Verses 13, 79, 1115 Translated by Richard Massie, 1856, alt. Verses 46,10 Translated for Evangelical Lutheran HymnBook (Pittsburgh), 1907, alt. Music: Woodbird or Es Flog Ein Kleins Waldvgelein traditional German found in "Memminger Tabulaturbuche", 17th Century. Setting: George Ratcliffe Woodward, 1904. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 130
4 4
1. If 2. This 3. I 4. My 5. He God Him self be I be lieve, yea, build on this foun Je sus is my can celed my of for ra da Splen fen me, I ther, Of tion, That dor, My ses, De may a this I Je sus Sun, my liv ered host make and Light, me de my His a from fy; boast, blood lone; death;
4 4
My The The Be My
If And With I In
as guide Je ev fear
Can And A As Of
me me my ness great
Rom 8:3139, 111, Ps 27:13, Is 50:79, Jn 10:2830, Gal 6:14, Jn 15:20, Ps 46:111
76767676
TRUST 6. Naught, naught, can now condemn me Nor set my hope aside; Now hell no more can claim me, Its fury I deride. No sentence eer reproves me, No ill destroys my peace; For Christ, my Savior, loves me And shields me with His grace.
7. His Spirit in me dwelleth, And oer my mind He reigns. All sorrow He dispelleth And soothes away all pains. He crowns His work with blessing And helpeth me to cry, "My Father!" without ceasing, To Him who dwells on high. 8. And when my soul is lying Weak, trembling, and opprest, He pleads with groans and sighing That cannot be exprest; But Gods quick eye discerns them, Although they give no sound, And into language turns them Een in the hearts deep ground. 9. To mine His Spirit speaketh Sweet word of holy cheer, How God to him that seeketh For rest is always near And how He hath erected A city fair and new, Where what our faith expected We evermore shall view. 10. In yonder home doth flourish My heritage, my lot; Though here I die and perish, My heaven shall fail me not. Though care my life oft saddens And causeth tears to flow, The light of Jesus gladdens And sweetens every woe. 11. Who clings with resolution To Him whom Satan hates Must look for persecution; For him the burden waits Of mockery, shame, and losses, Heaped on his blameless head; A thousand plagues and crosses Will be his daily bread. 12. From me this is not hidden, Yet I am not afraid; I leave my cares, as bidden, To whom my vows were paid. Though life and limb it cost me And everything I won, Unshaken shall I trust Thee And cleave to Thee alone. 13. Though earth be rent asunder, Thourt mine eternally; Not fire nor sword nor thunder Shall sever me from Thee; Not hunger, thirst, nor danger, Not pain nor poverty Nor mighty princes anger Shall ever hinder me. 14. No angel and no gladness, No throne, no pomp, no show, No love, no hate, no sadness, No pain, no depth of woe, No scheme of mans contrivance, However small or great, Shall draw me from Thy guidance Nor from Thee separate. 15. My heart for joy is springing And can no more be sad, Tis full of mirth and singing, Sees naught but sunshine glad. The Sun that cheers my spirit Is Jesus Christ, my King; That which I shall inherit Makes me rejoice and sing.
243(2)
Rom 8:3139, 111, Ps 27:13, Is 50:79, Jn 10:2830, Gal 6:14, Jn 15:20, Ps 46:111
76767676
244
TRUST
Words: verses by Dorothy Amstutz, 2007. Refrain by Loren J. Kropf, 2010. Music and Setting: Haly Trust Loren J. Kropf, 2010. copyright: public domain. Hymn text verified as public domain by Dorothy Amstutz on July 30, 2011. Music, Setting, and refrain verified as public domain by Loren Kropf August 19, 2011. This score is a part of the Open Hymnal Project, 2011 Revision.
= 120
2 2
1. I 2. I 3. I 4. Ill 5. Ill placed placed place place place my my my my my trust trust trust trust trust in in in in in God to day, For God to day, A God each day, Co God each day, And God each day, Yes, it lone mmitt while ev is He I could ed, yield I walk en though who not ed the the knows find to nar skies the my His row are way, way. way. way, gray.
2 2
un cer tain His gui dance, oer throw me den God will His hand, I
a and Im me not
true and wise. peace, se cure. last ing care. ev ry prayer. al ways near.
Ill
place my
trust
in
God
to day,
Ev en
when
can
not
see
the way,
Hell
lead
me
on
with
His
strong hand, Un
til
reach the
Ps 25:19, Ps 9:910
88888988
TRUST
245
(also known as Grant Peace, We Pray, in Mercy, Lord or Grant Peace in Mercy, Lord, We Pray)
Words: Latin c. 6th century, adapted by Martin Luther, 1529. Translated to English by Richard Massie, 1854, alt. Music: Verleih uns Frieden Gndiglich Martin Luther. Found in Klugs Geistliche Lieder, 1533. Setting: Erythraeus, 1608. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 110
4 4
1. In these our days so per il ous, Lord, peace in mer cy send us;
4 4
No God but
Thee
us,
No God
but
Thee
de
fend
us;
Thou
our
on
ly
God
and
Sa
vior.
87878
246
My Hope Is Built
(also known as The Solid Rock)
TRUST
Words: Edward Mote, circa 1834. Music: Melita John Bacchus Dykes, 1861. Setting: "Hymns Ancient and Modern", 1869. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
1. My 2. When 3. His 4. When hope dark oath, He is ness His shall built on veils His cov e come with no lov nant, trum thing ely His pet less Than face, I blood, Sup sound, Oh Je rest port may sus on me I blood and His un in the then in
4 4
I In When Dressed
dare ev all in
est y gives a
But My He Fault
ly chor is to
in with my be
Je in hope fore
On
Christ
the
so
lid
Rock
stand,
All
ther
ground
is
sink
ing
sand.
1Pt 2:58, Eph 2:1922, Mt 7:2427, Ps 18:2, 2Cor 3:46, 1Thess 4:1617
888888
TRUST
247
Words: Isaac Watts, 1719. Music: St. Anne William Croft, 1708. Setting: composite found in "The Lutheran Hymnary", 1913. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 100
4 4
1. Our 2. Un 3. Be 4. Thy 5. A God, our help in der the sha dow fore the hills in Word com mands our thou sand a ges a ges past, Our of Thy throne Thy or der stood, Or flesh to dust, Re in Thy sight Are hope for years to saints have dwelt se earth re ceived her turn, ye sons of like an eve ning come, cure; frame, men: gone;
4 4
shel fic ev na as
ter from the ient is Thine er last ing tions rose from the watch that
y a art at the
e de less to the
6. The busy tribes of flesh and blood, With all their lives and cares, Are carried downwards by the flood, And lost in following years. 7. Time, like an ever rolling stream, Bears all its sons away; They fly, forgotten, as a dream Dies at the opening day.
8. Like flowery fields the nations stand Pleased with the morning light; The flowers beneath the mowers hand Lie withering ere tis night. 9. Our God, our help in ages past, Our hope for years to come, Be Thou our guard while troubles last, And our eternal home.
8686
248
TRUST
Words: Frederick William Faber, 1862, alt. Music: In Babilone traditional Dutch found in "Oude en Nieuwe Hollantse Boerenlities en Contradansen", 1710. Setting: Julius Rntgen, 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 100
4 4
1. Souls 2. It 3. There 4. There 5. There of is is is is men! why God: His no place grace e plen ti will ye scat love looks might where earths sor nough for thou ful re demp ter y, rows sands tion Like a But is Are more Of new In Christs crowd might felt worlds blood of ir than as that fright ened sheep? than it seems; up in Heavn; great as this; has been shed;
4 4
ish our is is is
will ye wan and His fond where earths fail fresh cre a all the mem
kind er shep in Gods mer for the sin God is broad owe to Je
Half so gen tle, Like the wide ness Grace poured out as Than the mea sure It is some thing
half so sweet, of the sea; in a flood of mans mind; more than all;
the a is the er
vior ness cy of be
who would have us in His just ice, with the Sa vior; the E ter nal cause of e vil,
87878787
TRUST
249
Text: Edward H. Plumptre, 1864. Music: Kingsfold traditional English. Setting: Ralph Vaughan Williams, 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 100
4 4
1. Thine 2. And 3. Be arm, O Lord, in lo! Thy touch brought Thou our great De days of old, was life and health, gave li verer still, Thou strong to heal and speech, and strength and Lord of life and save; sight; death;
4 4
It And Re
di and en,
sease and death, oer fear re lieved owned soothe and bless, with
the of y
To And To
the be and
blind, the dumb, the near to bless, Al eyes that see, give
The In That
his by and
vered arets er
86868686
250
TRUST
Words: William Orcutt Cushing, 1896. Music and Setting: Under His Wings Ira David Sankey, 1898. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 110
6 4
1. Un 2. Un 3. Un der der der His His His wings wings, wings, I am what a oh, what safe re pre ly fuge cious a in en bid sor joy ing, row! ment! Though the How the There will
6 4
and ly lifes
ests to als
I no no
and and Im
I am there I safe ev
un
can
sev er?
my
soul shall a
bide,
Safe ly
bide
for
ev
er.
Ps 17:79, Mt 11:28
11 10 11 10 8 7 9 7
FUNERAL
251
Words: Aurelius Clemens Prudentius (348413). Translated by O. T. Sanden, 1909. Music: Iam Moesta or Jam Moesta or Despair Not O Heart or Med Sorgen Og Klagen unknown, sometimes attr. Martin Luther, 1542. Setting: "The Wartburg Hymnal", 1918, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 100
2 4
1. De 2. The 3. A 4. When 5. The spair bo dear dawn seed not, dy ly eth that O is be the in heart, in shroud ed lovd one glor i spring time thy in hath ous is sor mourn left mor plant row, ing; us; row, ed, But The God This Is hope from Gods gar lands, the hath in His bo dy that hid in the
2 4
Be Are But A A
For O We Re Will
is that that to in
6. A gift to the churchyard we tender, As dust to the dust we surrender; Returning the clay to its Maker, We lay it to rest in Gods acre. 7. A soul in that body abided, A soul that in Jesus confided, A soul that hath longed for salvation, And now hath found hopes consummation.
8. O earth, we consign to thy keeping This body with sorrow and weeping; In peace to await resurrection, When it shall arise in perfection. 9. O Christ, our souls Maker and Lover; When time and earths travail are over, Thou closest the graves mournful story, And callest Thine own to Thy glory.
9999
252
FUNERAL
Words: v.1 Medieval sequence, vs 2,3 Martin Luther, 1524. Translated by Richard Massie, 1854, alt. Music: Mitten wir im Leben Sind Medieval sequence altered by Martin Luther. Found in Walters Geistliche Gesangbchlein, 1524. Setting: Erythraeus, 1608. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 110
4 4
1. Though in midst of 2. Whilst in midst of 3. In to hells fierce life we be, death we be, a go ny Snares of death sur Hells grim jaws oer Sin doth head long round take drive us; us; us: Where shall we for Who from such dis Where shall we for
4 4
Lest our foes con Who se cure will Who, O, who will
To Thou Thou
Sa do Sa
We It Thy
mourn our grie vous moves Thy ten der pre cious blood was
Stirrd the fire of Our great sin and Peace and par don
Ho
ly and
Ho
ly and
might y God!
Ho
ly and
all
mer
ci ful
Peculiar
FUNERAL
252(2)
Sa Sa Sa
e e us
nal nal we
ing us fort
In With Fall
the its in
ter ing a
Ky Ky Ky
ri ri ri
e e e
e e e
Peculiar
253
MISSIONS
Words: John Marriott, 1813. Music: Italian Hymn Felice de Giardini, 1769. Setting: "The Methodist Sunday School Hymnal", 1911. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 120
3 4
1. God, whose al 2. Lord, who once 3. Spir it of 4. Ho ly and might came truth bless y to and ed word bring, love, three, Cha os and On your re Life giv ing, Glo ri ous dark deem ho Tri ness ing ly ni heard wing, dove, ty,
3 4
we the the as
hum sick wa o
pel ly of est
be be be be
6646664
MISSIONS
254
Words: Daniel March, 1868. Music: Galilean Joseph Barnby, 1883. Setting: "In Excelsis", 1911. copyright: public domain. This score is a part of the Open Hymnal Project, 2005 Revision.
= 100
4 4
1. Hark, 2. If 3. If 4. If 5. If the voice of you can not you can not you can not mong the a Je cross speak be old sus cal ling, the oc ean, like an gels, the watch man, er peo ple, "Who And If Stand You will the you ing may go dis can high not and tant not on be work lands preach Zi apt to ex like ons to day? plore, Paul, wall, teach,
4 4
vests a of to our
will bear the can help them can say He ing life and the food with
calls us, thou sands, wick ed, boun ties child ren
will an swer, ly you tru can lead the can be like be found a
glad ly say ing, give for Je sus, tle child ren lit faith ful Aa ron, mong your jew els,
6. Let none hear you idly saying, "There is nothing I can do." While the lost of earth are dying, And the Master calls for you; Take the task He gives you gladly; Let His work your pleasure be; Answer quickly when He calls you, "Here am I, send me, send me."
87878787
255
MISSIONS
Words: Lucy R. Meyer, 1885. Music and Setting: He Was Not Willing Lucy R. Meyer, 1885. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
6 8
1. "He 2. "He 3. Plen 4. "He was was ty was not not for not will will plea will ing ing sure, ing that that but that a a lit a ny should per ny should per tle for Je ny should per ish"; ish"; sus; ish"; Je sus en throned in the Clothed in our flesh with its Time for the world with its Am I His fol low er,
6 8
Saw our poor fal len world, Came He to seek the lost, No time for Je sus work, at ease with a Long er
won der ful sor row and ter ni tys help I might
Hearts break with bur dens ers are few and Reap Bring us your Sa vior, ter, for give, and Mas
to eth of a
Je Je We Ban
sus would save, but theres sus is call ing thee, are so wear y, so ish our world li ness,
one to vi us
to the ly to
tell reap la ev
one to lift them from shalt have souls, prec ious with long weep ing our with e ter ni tys
and des pair. for thy hire. have grown dim. ues in view.
11 10 11 10 11 10 11 10
MISSIONS
256
Words: George W. Kitchin (18271912). Modified by Michael R. Newbolt, 1916. Music: Crucifier Sydney H. Nicholson, 1916. Setting: "Hymns Ancient and Modern", 1922. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
Refrain
4 4
Lift high the cross, the love of Christ pro claim,
4 4
Till
all
the
world
dore
His
sac
red
Name.
Verse
breth on new is by
where this of Sa on
To Refrain
Christ the Son of con quering ranks com seal of Him Who fa ces to re their lost home re
6.From north and south, from east and west they raise in growing unison their songs of praise. Refrain 7.O Lord, once lifted on the glorious tree, as thou hast promised, draw the world to thee. Refrain 8.So shall our song of triumph ever be: Praise to the Crucified for victory. Refrain
9.Let every race and every language tell of him who saves our souls from death and hell. Refrain 10.From farthest regions let their homage bring, and on his Cross adore their Savior King. Refrain 11.Set up thy throne, that earths despair may cease beneath the shadow of its healing peace. Refrain
12.For thy blest Cross which doth for all atone creations praises rise before thy throne. Refrain
Is 11:10, Rom 8:3839, 1Tim 1:14, Jn 3:16 10 10 10 10
257
MISSIONS
(also known as May God Unto Us Gracious Be or Would that the Lord Would Grant Us Grace)
Words: Martin Luther, 1524. Translated by Richard Massie, 1854, alt. Music: Es Wollt uns Gott Gendig adapted from older German hymn by Martin Luther. Found in Erfurt Enchiridion, 1524. Setting: "Concordia Kinderchre", 1908. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 120
4 4
1. May 2. Thine 3. Oh, God be stow on o ver all shall let the peo ple us be praise His the Thy grace, With praise And worth, In bless ings rich pro thanks of ev ery all good works in vide na crea us, tion, sing;
4 4
may the bright ness all the world with land shall plent eous
of joy fruit
guide ta bless
us tion; ing.
gra cious will and suf fer sin to God the Spi rit
rich es with out souls to feed and sol emn awe pos
878787877
MISSIONS
258
Words: Charles W. Everest, 1833. Music: Nun Lasst Uns Den Leib Begraben George Rhau, 1544. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
4 4
1. "Take 2. Take 3. Take 4. Take 5. Take up up up up up thy thy thy thy thy cross," cross, cross, cross cross the let nor then and Sa not heed in fol vior its the His low said, weight shame, strength, Christ, "If Fill Nor And Nor thou wouldst My thy weak spi let thy fool ly sins calm think til death dis rit ish wild to ci with pride de lay ple a re luge it be; larm; bel; brave, down;
4 4
De ny thy His strength shall Thy Lord for Twill guide thee ly For on
6. To Thee, great Lord, the One in Three, All praise forevermore ascend: O grant us in our home to see The heavenly life that knows no end.
Mk 8:34, Mt 11:2830
8888
259
STEWARDSHIP
Words: Eliza S. Alderson, 1864. Music: HyFrydol Rowland H. Prichard, 1830. Setting: "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
3 4
1. Lord of 2. Grant us 3. Wondrous 4. Lord of Glo hearts, hon Glo ry, dear or ry, who hast Lord, to hast Thou who hast bought us yield Thee giv en bought us with glad to with Thy ly, our Thy life free humb life blood ly, lest blood as the of Thine cha ri as the price, own. ty. price,
3 4
ri of to ri
hast and O to
ings by dost to
the be to on
ful py Thy of
il ed y, ces,
Thine to as us
87878787
STEWARDSHIP
260
Words: William W. How, 1864. Music: Energy William H. Monk (18231889). Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
4 4
1. We 2. May 3. O 4. To 5. The give Thee but Thine we Thy boun ties hearts are bruised and com fort and to cap tive to re own, thus dead, bless, lease, What As And To To eer the stew ards homes are find a God the gift true bare balm lost may re and for to be; ceive, cold, woe, bring,
4 4
we have is ly, as Thou for whom the the lone and the way of
a lone, A est us, To herd bled Are ther less Is and peace? It
6. And we believe Thy Word, Though dim our faith may be; Whateer for Thine we do, O Lord, We do it unto Thee.
6686
261
CHRISTIAN HOME
Words: Isaac Watts, 1719. Music: Lea James Lea Summers, (18371881). Setting: "The Evangelical Lutheran Hymnal" (Ohio Synod), 1908. copyright: public domain. This score is a part of the Open Hymnal Project, 2007 Revision.
= 100
4 4
1. Let 2. He 3. Our 4. Thus child ren hear the bids us make His lips shall tell them shall they learn in might y deeds Which glo ries known, His to our sons, And God a lone Their God per formed of works of powr and they a gain to hope se cure ly old; grace; theirs; stands,
4 4
we ders un His
8686
CHRISTIAN HOME
262
Words: Adelaide Thrupp, 1853. Music: St. Ursula Frederick Westlake, 1863. Setting: "The Church Hymnal, Revised and Enlarged" (Episcopal), 1896. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 110
4 4
1. Lord, 2. The 3. On who ho those at Ca nas liest vow that who at Thine wed ding feast Didst man can make, The al tar kneel, O as a Guest gol den thread Lord, Thy bless ap in ing pear, life, pour,
4 4
earth dare o
mar e pur
claim ing it a care worn days each this world leav ing,
type care to
of div re
86868686
263
CHRISTIAN HOME
Words: Christoph C. L. von Pfeil, 1735. Translated by Catherine Winkworth, 1863, alt. Music: Wo Gott Zum Haus from Klugs Geistliche Lieder, 1533. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 100
4 4
1. Oh blest the 2. Oh blest that 3. Blest, where their 4. Blest, where the 5. Blest such a house, what eer be house where faith ye ly prayers shall dai sy hands ful bu house, it pros pers fall, Where Je find, And all rise As frag fil Their pro well, In peace sus with rant per and Christ in in task joy is have cense with the All in set their to the rea dy par ents All; mind skies, skill, dwell,
4 4
Yea, if He To trust their While in their While through their And in their
ing Him is ye is
it ly are ni His
6. Then here will I and mine today A solemn covenant make, and say, Though all the world forsake Thy Word, I and my house will serve the Lord.
8888
CHRISTIAN HOME
264
Words: William Augustus Mhlenberg, 1826. Music: Batty or Ringe recht from Johann Thommens Musicalischer Christenschatz, Basel, 1745. Setting: "Kern des Deutschen Kirchengesangs Zum Gebrauch" Fridrich Layriz, 1854. copyright: public domain. This score is a part of the Open Hymnal Project, 2011 Revision.
= 130
1. Sa 2. Now, 3. Ne 4. Then
vior, who Thy these lit tle ver, from Thy with in Thy
kind est care, gra cious arm; li ons prey; rest ing place,
the fee ble we know, Thy der Thy ten in pas tures
ly be so er
the lambs Thy ly there se them through lifes the riv ers
bos om share. cure from harm. dan grous way. of Thy grace.
8787
265
CHRISTIAN HOME
Words: Ludwig Helmbold (15321598). Translated by William M. Czamanske, 1939. Music: Herr Jesu Christ, Dict Zu Uns Wend from Cantionale Germanicum, Dresden, 1628. Setting: "Mehrstimmiges ChoralBuch", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 125
3 2
1. You 2. O 3. For pa bey if rents, your you hear Lord love what and them Je let as sus his you taught truth ought, When Be To lit taught Christ tle your your
3 2
to ren ren
him in will
were their be
For That If
them in you
heed school in
my may his
mit learn in
them Sa fam
to viors ily
to to shall
8888
MORNING
266
Words: Brian L. Penney, 2009. Music: Melismata 22 Thomas Ravenscroft, 1611 (#22 from "Melismata"). Setting: Brian L. Penney, 2009. copyright: Words and Setting: Copyright 2009, Brian L. Penney. These lyrics and this setting may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. Music: public domain.
= 120
4 4
1. A 2. In 3. Then 4. A wake awe to wake my we this my soul, stand world, soul, an up be a off on hold rise ring bring to this ground, His what grace! He and sing, e Je wis comes ter sus dom to nal
4 4
in in from we
of His He a
and ys re the
to Him Who His won ders Re deem er, His Church, His
of His He a
and ys re the
887878
267
MORNING
Words: Thomas Ken, 1674. Music: Old 100th Genevan Psalter, attr. Louis Bourgeois, c. 1551. Setting: Sternhold and Hopkins Psalter, 1561. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
= 120
1. A 2. Thy 3. By 4. In 5. Wake,
with the sun spent, re deem, Light di vine be sin cere; self, my heart,
Thy dail y stage Each pre sent day Let thy own light Keep con science as And with the an
du ty run; last es teem, o thers shine. noon tide clear; bear thy part,
dull sloth, thy tal all Heavens all see night long
sac ri fice. self pre pare. cheer ful praise. thoughtssur veys. ter nal King.
6. All praise to Thee, Who safe has kept And hast refreshed me while I slept Grant, Lord, when I from death shall wake I may of endless light partake. 7. Heavn is, dear Lord, whereer Thou art, O never then from me depart; For to my soul tis hell to be But for one moment void of Thee. 8. Lord, I my vows to Thee renew; Disperse my sins as morning dew. Guard my first springs of thought and will, And with Thyself my spirit fill.
9. Direct, control, suggest, this day, All I design, or do, or say, That all my powers, with all their might, In Thy sole glory may unite. 10. I would not wake nor rise again And Heaven itself I would disdain, Wert Thou not there to be enjoyed, And I in hymns to be employed. 11. Praise God, from Whom all blessings flow; Praise Him, all creatures here below; Praise Him above, ye heavenly host; Praise Father, Son, and Holy Ghost.
8888
MORNING
268
Words: Martin Behm, 1608. Translated by C. H. L. Schuette, 1880. Music: O Heilige Dreifaltigkeit or Steht Auf, Ihr Lieben Kinderlein Nikolaus Hermann, 1558. Setting: "Evangelical Lutheran HymnBook", 1931. copyright: public domain. This score is a part of the Open Hymnal Project, 2012 Revision.
= 120
4 4
1. O Ho 2. My soul 3. The Fa 4. My Ma 5. Lord, bless ly, and thers ker, and Bless ed Trin i bo dy keep from might shield me this streng then Thou my keep Thou me as ty, harm, day, heart, Thine; Di Oer The O Lord, vine, all Sons my make Es I pure Re Thy sen have wis deem face tial ex dom er, up U ni ty, tend Thine arm, cheer my way, help im part, on me shine;
4 4
Fa Sa Ho Com lift
ly dis di my on
this me my and me
and ed ed a from
8888
269
EVENING
Words: Thomas Ken, circa 1674. Music: Tallis Canon Thomas Tallis, circa 1567. Setting: "A Hymnal" (Episcopal), 1916. copyright: public domain. This score is a part of the Open Hymnal Project, 2008 Revision.
= 100
4 4
1. All 2. For 3. Teach 4. O 5. When praise give me may in to me, to my the Thee, Lord, live, soul night my for that on I God, Thy I Thee sleep this dear may re less night, Son, dread pose, lie, For The The And My all ill grave with soul the bless ings that I this tle as lit sweet sleep mine with heavn ly of day as eye thoughts the have my lids sup light! done, bed. close, ply;
4 4
me, O keep with the world, me to die, that may me no ill dreams
Be I, Rise To No
neath Thine own al ere I sleep, at rious at the glo serve my God when powrs of dark ness
migh ty wings. peace may be. judg ment day. I a wake. me mo lest.
6. O when shall I, in endless day, For ever chase dark sleep away, And hymns divine with angels sing, All praise to thee, eternal King?
7. Praise God, from Whom all blessings flow; Praise Him, all creatures here below; Praise Him above, ye heavenly host; Praise Father, Son, and Holy Ghost.
8888
EVENING
270
(also known as God, Who Madest Earth and Heaven or God, Who Made the Earth and Heaven)
Words: verse 1, Reginald Heber, 1827. verse 2, William Mercer, 1864. verse 3, Richard Whately, 1838. Music: Ar Hyd Y Nos traditional Welsh. Setting: "The English Hymnal", 1906. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 100
4 4
1. God, 2. And 3. Guard that ma dest when morn a us wa king, earth gain guard and Hea ven, shall call us, us sleep ing, dark to and ness run when and lifes we light; way, die,
4 4
the o ful
May Thine an gel From the powr of When the last dread
guards de fend us, e vil hide us, call shall wake us,
Slum ber sweet Thy In the nar row Do not Thou, our
Ho Nor But
us, us us
the the on
84848884
271
EVENING
Words: Mary L. Duncan, 1839. Music and Setting: Evening Prayer John Stainer, 1898. copyright: public domain. This score is a part of the Open Hymnal Project, 2006 Revision.
4 4
1. Je 2. All 3. Let sus, ten this day my sins der thy be Shep herd, hear me; hand has led me, all for giv en; Bless Thy lit tle And I thank Thee Bless the friends I la mb to night; fo r Thy care; lo ve so well;
4 4
Through the dark ness Thou hast clothed me, Take me, when I
be Thou near me; warmed and fed me, die, to hea ven,
Ps 63:8, Jn 10:11
8787
EVENING
272
Words: Paul Gerhardt, 1648. Translation composite before 1941. Music: Innsbruck or Nun ruhen alle Wlder or O Welt, Ich Muss Dich Lassen Heinrich Isaac, 1490. Setting: Johann Sebastian Bach, 1734. copyright: public domain. This score is a part of the Open Hymnal Project, 2010 Revision.
= 84
4 4
1. Now 2. The 3. The 4. To 5. Lord rest ra rule rest Je be diant of my sus, neath nights sun hath day is bod y who dost sha van ov hast love dow ished, er eth, me, The His And A Oh, wood gol shin side spread land, den ing its Thy field, rays jew gar wings and are els ments a mea ban co cast bove dow, ished ver eth, me
4 4
ber of less it al
Thou, Christ, I I e
a of in and as
to my who of in
6. My loved ones, rest securely, For God this night will surely From peril guard your heads. Sweet slumbers may He send you And bid His hosts attend you And through the night watch oer your beds.
776778
273
EVENING
Words: Frances Ridley Havergal, 1869. Music: Mde bin ich, geh zur Ruh from Liederbuch fr KleinkinderSchulen, 1842. Setting: "Common Service Book" (ULCA), 1917, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 100
4 4
1. Now 2. Je 3. Let 4. Now 5. Thou, the sus, my my my light Sa near eve best has vior, and ning and gone a way; wash a way dear ones be praise I give; kind est Friend, Fa ther, lis All that has Al ways near Thou didst die Thou wilt love ten been and that me while I pray, wrong to day; dear to Thee. I might live. to the end.
4 4
ing me bring my me
watch and keep day to be all I love come from Thee; more and more,
And to send me Good and gen tle, ppy To Thy ha Oh, how good Thou ways bet ter Al
et like a to be
7777
EVENING
274
Words: Ambrose of Milan, 4th Century. German version by M. Luther, 1543. English translation by John Mason Neale, 1852. Music: O Lux Beata Trinitas ancient Latin. Setting: "A Hymnal" (Episcopal), 1916. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 60
1. O 2. To 3. All
O To All
U Thee praise,
8888
275
Canon in D
INSTRUMENTAL
Music: Kanon (for piano) Johann Pachelbel, circa 1680. Setting: Brian J. Dumont, 2011. copyright: Melody, public domain. Setting: Copyright 2011 Brian J. Dumont. This setting may be freely reproduced or published for Christian worship, provided it is not altered, and this notice is on each copy. All other rights reserved. This score is a part of the Open Hymnal Project, 2011 Revision.
= 56
4 4 4 4
7
11
15
19
21
23
INSTRUMENTAL 26
275(2)
29
32
35
38
41
43
276
CHORAL
Words: Martin Janus, 1661; translated probably by Robert S. Bridges (18441930). Music: Jesus bleibet meine Freude Johann Schop, 1641 and Johann S. Bach, 1723. Setting: Johann Sebastian Bach, 1723, alt. Brian J. Dumont, 2005. copyright: public domain. Arrangement released into public domain 09 June 2005. This score is a part of the Open Hymnal Project, 2005 Revision.
= 250
9 4
Piano
p 9 4
5
Piano
Choir
1. Je 2. Through
sus the
joy way
of where
mans hope
de is
sir guid
ing ing
Piano
mf
14
Choir
Ho Hark,
ly what
wis peace
dom, ful
love mu
most sic
bright; rings;
Piano
Is 26:8
CHORAL 18
276(2)
Piano
21
Piano
25
Choir
Drawn Where
by the
Thee, flock,
our in
souls Thee
as con
pir fid
ing ing
Piano
mf
30
Choir
Soar Drink
to of
un joy
cre from
a death
ted less
light. springs.
Piano
34
Piano
Is 26:8
276(3)
CHORAL
37
Piano
41
Choir
Word Theirs
of is
God, beau
our tys
flesh fair
that est
fash plea
ioned, sure;
Piano
mf
45
Choir
With Theirs
the is
fire wis
of doms
life ho
im liest
pass trea
ioned, sure.
Piano
49
Choir
Striv Thou
ing dost
still ev
to er
truth lead
Piano
Is 26:8
CHORAL 53
276(4)
Choir
Soar In
ing, the
dy love
ing of
round joys
Thy un
throne. known.
Piano
57
Piano
61
Piano
64
Piano
68
Piano
Is 26:8
277
CHORAL
Words: Martin Luther, 1529 or 1531. Translated by Richard Massie, 1854. Music: Herr Gott, dich loben wir ancient Latin, alt by Martin Luther. Found in Klugs Gesangbuch, 1535. Setting: Landgraf Moritz, 1612, alt. copyright: public domain. This score is a part of the Open Hymnal Project, 2009 Revision.
= 150
Choir
Fa ther in
e ter ni
ty,
Congregation
Choir
Congregation
All
Choir
Congregation
CHORAL 10
277(2)
Choir
Ho
ly
Sa
ba
oth!
Cong.
Ho
ly
Ho
ly
Sa
ba
oth!
12
Choir
Thy
maj
es
ty
and
god
ly
might
Cong.
Fill
the
earth and
all
the realms of
light.
13
Choir
in song The twelve a pos tles join The mar tyrs no ble ar my raise ni ver sal Church doth Thee The u
Cong.
With the dear pro phets good ly throng Their voice to Thee in hymns of praise. fess to be Through out the world con
277(3)
16
CHORAL
Choir
Thee,
Fa
ther, on
Thy high
est throne,
Cong.
Thy
18
Choir
The
evn the
Ho
ly Ghost,
Cong.
Where
of
20
Choir
Thee
King of all
glo
Cong.
The
ter
nal
Fa thers e
ter
nal Son.
CHORAL 21
277(4)
Choir
kind Thou hast not, cam est deaths sharp est, hand Thou sitt glo ry come a
Cong.
The Be In To
Ma un with dead
23
Choir
Thy
ser
God,
Cong.
Hast
pre
ci ous blood;
25
Choir
Grant
that
ly
rest
Cong.
With the
hap
py saints e
ter nal ly
blest.
277(5)
27
CHORAL
Choir
Help
us,
to
age,
Cong.
And
bless Thy
cho
sen
her
tage.
29
Choir
Nou
rish
Thy powr,
Cong.
And
lift
them up
for
ev
er
more.
31
Choir
Lord
by
day,
Cong.
And
sanc
ti
fy
Thy Name al
ways.
CHORAL 32
277(6)
Choir
us this day, and at all times, mer cy on ly, Lord, we plead; us Thy mer cy, Lord, as we
Cong.
From Be Our
sec ret sins and o pen crimes; mer ci ful to our great need. Thee. stead fast trust re pose in
34
Choir
In
we
put
our
trust;
Cong.
nev
er
let
our
hope
be
lost!
36
Choir A men.
Cong. A men.
278
CHORAL
Words: Fanny J. Crosby, 1875. Adapted by Margaret Clarkson, 1973. Music: Sondance Kenneth W. Paxton, 1998. Setting: Kenneth W. Paxton, 1998. copyright: Words, public domain. Adaptation released into public domain by Hope Publishing Company. Music and Setting copyright: Copyright 1998 Kenneth W. Paxton. This tune and setting may be freely reproduced or published for Christian worship, provided they are not altered, and this notice is on each copy. All other rights reserved. This score is a part of the Open Hymnal Project, 2009 Revision.
= 96
4 4
1. My 2. My 3. My song song song shall shall shall be be be of of of Je Je Je sus, sus, sus, His while when Mer sit press cy crowns ting at ing on my days His feet my way
4 4
4
He He To
my to my
and and in
tunes my heart to praise makes my joy com plete; pure and per fect day.
My My And
of Je of Je shall en
pre ev ma
12
Who Ill A
Him the of
ran saves Je
bought me with His blood umphs o ver all. tri sing for ev er there.
CHORAL 16
278(2)
And
when my
soul
shall en
ter
the
ma
ny
man
sions fair,
19
song
of
praise to
Je
sus
Ill
sing
for ev
er
there.
23
song
of
praise
to
Je
sus
Ill
sing
26
for
ev
er.
My
song
shall
be
of
Je
sus.
Ill sing for ev er. My song shall be of Je sus. The entire piece can be sung by an SATB choir, or the following arrangement may be used. Verse 1 sung in melody only by a childrens choir. Verse 2 sung by the childrens choir in melody and an adult choir in SATB. Verse 3 sung by both choirs, along with the congregation. Ending sung by adult choir.
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
8 8 . B l e s t B e T h e T i e T h a t B i n d s A l p h a b e t i c a l I n d e x1 B r a d b u r y 2 0 6 . S a v i o r , L i k e AS h e p h e r d L e a d U s o f T u n e s 9 1 . I K n o wT h a t My R e d e e m e r L i v e s 1 4 8 . J e s u s S h a l l R e i g n
E a s t e r H y m n
9 2 . J e s u s C h r i s t I s R i s e n T o d a y
A b e r y s t w y t h( P a r r y )
7 5 . S a v i o r Wh e n I n D u s t T o T h e e
B r y nC a l f a r i a
1 5 0 . L o r d , E n t h r o n e d i n H e a v e n l y S p l e n d o r
E b e n e z e r
1 0 3 . H o l y S p i r i t , E v e r D w e l l i n g 1 5 4 . OT h e D e e p , D e e p L o v e o f J e s u s
A c hG o t t v o mH i m m e l
1 1 3 . L o o k D o w n , OL o r d , F r o mH e a v e n B e h o l d
C a n t e r b u r y
1 0 2 . H o l y G h o s t , w i t h L i g h t D i v i n e
C a r o l
4 9 . I t C a m e U p o n AMi d n i g h t C l e a r
E i nF e s t e B u r g( R h y t h m i c )
1 1 0 . AMi g h t y F o r t r e s s I s O u r G o d
A c t G o t t V o mH i m m e l r e i c h e
1 8 1 . T h e B r i d e g r o o mS o o n Wi l l C a l l U s
C h e s t e r f i e l d
2 6 . H a r k t h e G l a d S o u n d
E i n s i s t N o t
1 5 5 . O n e T h i n g ' s N e e d f u l
A d d i s o n ` s
E l l a c o m b e h r i s t A r o s e 1 8 0 . T h e A p o s t l e L o o k e d a n d H e a r d a V o i c e C 7 8 . H o s a n n a , L o u d H o s a n n a 8 7 . C h r i s t A r o s e A d e s t e F i d e l e s E n c h i r i d i o n C h r i s t l a gi nT o b e s B a n d e n 5 4 . OC o m e , A l l Y e F a i t h f u l 2 6 . OL o r d We P r a i s e T h e e 8 8 . C h r i s t J e s u s L a y I n D e a t h ' s S t r o n g B a n d s2 A f D y b s e n s N d E n e r g y C h r i s t My K i n go nH i g h 1 2 4 . O u t o f t h e D e e p I C r y t o T h e e 2 6 0 . We G i v e T h e e B u t T h i n e O w n 1 5 9 . C h r i s t My K i n g O n H i g h A g i n c o u r t E r f y n i a d C h r i s t R e t u r n e t h 7 0 . OWo n d r o u s T y p e , OV i s i o n F a i r
1 6 3 . OL o v e , H o wD e e p , H o wB r o a d , H o w H i g h 1 7 8 . C h r i s t R e t u r n e t h 2 1 8 . T h e L o r d ' s P r a y e r ( n e w )
C h r i s t , U n s e r H e r r
6 8 . T o J o r d a n C a m e O u r L o r d , T h e C h r i s t
A l l e s i s t a nG o t t e s S e g e n
2 3 6 . A l l D e p e n d s O n O u r P o s s e s s i n g
E r h a l t U n s , H e r r , b e i d e i n e m Wo r t
1 1 5 . L o r d , K e e p U s S t e a d f a s t i n T h y Wo r d 1 3 9 . T h e L a wO f G o d I s G o o d A n d Wi s e
A nWa s s e r f l s s e nB a b y l o n
7 3 . AL a m b G o e s U n c o m p l a i n i n g F o r t h
C h r i s t u mWi r S o l l e nL o b e n S c h o n
5 3 . N o wP r a i s e We C h r i s t , t h e H o l y O n e
A n g e l V o i c e s ( Mo n k )
2 2 3 . A n g e l V o i c e s , E v e r S i n g i n g
C o n s o l a t i o n
3 5 . T h e K i n g S h a l l C o m e
E s F l o gE i nK l e i n s Wa l d v g e l e i n
2 3 4 . OD a y o f R e s t A n d G l a d n e s s 2 4 3 . I f G o d H i m s e l f B e F o r Me
A n t h e s
1 6 6 . T o d a y T h y Me r c y C a l l s Me
C o r o n a t i o n
1 4 1 . A l l H a i l T h e P o w e r O f J e s u s ' N a m e
E s i s t d a s H e i l u n s K o m m e nH e r
1 1 4 . L o o k D o w n , OL o r d , F r o mH e a v e n B e h o l d 1 1 7 . A l l Wh o B e l i e v e a n d A r e B a p t i z e d 1 6 5 . S a l v a t i o n U n t o U s H a s C o m e
A n t i o c h
5 0 . J o y t o t h e Wo r l d
C r a n h a m
4 8 . I n T h e B l e a k Mi d Wi n t e r
A p o s t o l i c C r e e d
1 0 8 . We A l l B e l i e v e i n O n e T r u e G o d
C r u c i f i e r
2 5 6 . L i f t H i g h T h e C r o s s
A r H y dYN o s
2 7 0 . G o d , T h a t Ma d e s t E a r t h a n d H e a v e n
C r u s a d e r ` s H y m n
1 4 3 . B e a u t i f u l S a v i o r
E s I s t E i nR o s E n t s p r u n g e n ( R h y t h m i c )
3 6 . AG r e a t a n d Mi g h t y Wo n d e r 5 2 . L o , H o wAR o s e E ' e r B l o o m i n g
A s s u r a n c e
1 7 1 . B l e s s e d A s s u r a n c e 8 6 . A w a k e , My H e a r t , Wi t h G l a d n e s s
C wmR h o n d d a
1 9 8 . G u i d e Me , OT h o u G r e a t J e h o v a h 1 8 7 . B e h o l d , AH o s t , A r r a y e d i n Wh i t e
e nS t o r e H v i d e F l o k A u f , A u f , Me i nH e r z m i t F r e u d e nD A u r e l i a
1 9 3 . T h e C h u r c h ' s O n e F o u n d a t i o n
E s i s t G e w i s s l i c ha nd e r Z e i t
1 2 0 . Y o u P e o p l e Wh o N o wA r e B a p t i z e d 1 6 0 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e 1 8 2 . T h e D a y i s S u r e l y D r a w i n g N e a r
D e n n i s
1 8 9 . B l e s t B e T h e T i e T h a t B i n d s
A u s T i e f e r N o t ( L u t h e r )
1 2 4 . O u t o f t h e D e e p I C r y t o T h e e
D e oG r a c i a s
7 0 . OWo n d r o u s T y p e , OV i s i o n F a i r 1 6 3 . OL o v e , H o wD e e p , H o wB r o a d , H o w H i g h
E s I s t K e i nT a g
2 3 5 . OL o r d o f H e a v ' n a n d E a r t h a n d S e a
A u s T i e f e r N o t ( S t r a s s b u r g )
1 2 5 . O u t o f t h e D e e p I C r y t o T h e e
E s s p r i c h t d e r U n w e i s e nMu n d
1 1 6 . T h e Mo u t h o f F o o l s D o t h G o d C o n f e s s
A y l e s b u r y
9 8 . B r e a t h e o n Me , B r e a t h o f G o d
D e r A mK r e u z
7 2 . J e s u s G r a n t T h a t B a l ma n d H e a l i n g
E s Wo l l t u n s G o t t G e n d i g
2 5 7 . Ma y G o d B e s t o wo n U s H i s G r a c e
A z m o n
9 6 . T h e C l o u d R e c e i v e d C h r i s t F r o mT h e i r S i g h t 1 5 3 . OF o r AT h o u s a n d T o n g u e s
D e s p a i r N o t OH e a r t
2 5 2 . D e s p a i r N o t , OH e a r t
E v a
2 0 4 . OT h a t T h e L o r d Wo u l d G u i d e My Wa y s
D i a d e m a t a
1 4 4 . C r o w n H i m Wi t h Ma n y C r o w n s
E v a n
2 0 4 . OT h a t T h e L o r d Wo u l d G u i d e My Wa y s
B a t t y
2 6 4 . S a v i o r , Wh o T h y F l o c k A r t F e e d i n g
D i dY o uT h i n kT oP r a y
2 1 6 . D i d Y o u T h i n k T o P r a y ?
E v e n i n gP r a y e r
2 7 1 . J e s u s , T e n d e r S h e p h e r d , H e a r Me
B e a c hS p r i n g
6 9 . A u t h o r o f A l l L i f e
D i e s I r a e ( D y k e s )
1 7 9 . D a y o f Wr a t h , OD a y o f Mo u r n i n g
E v e n t i d e
1 6 7 . A b i d e Wi t h Me 2 0 3 . N o t Wo r t h y , L o r d , t o G a t h e r U p t h e C r u m b s
B e t h a n y ( Ma s o n )
1 7 5 . N e a r e r , My G o d , T o T h e e
D i e s s i n dd i e h e i l ` g e nz e h u G e b o t
1 3 7 . T h a t Me n a g o d l y L i f e Mi g h t L i v e
B l a n d y
2 1 5 . Wh e r e H e L e a d s Me
E wi n g
1 8 6 . J e r u s a l e mt h e G o l d e n
D i x
6 2 . A s Wi t h G l a d n e s s Me n o f O l d 2 3 1 . F o r T h e B e a u t y O f T h e E a r t h
B l e s s e dA r e T h e y
2 1 3 . J e s u s Wa n t s A l l O f H i s C h i l d r e n
F a r , F a r A w a y O nJ u d e a ` s P l a i n s
4 2 . F a r , F a r A w a y O n J u d e a ' s P l a i n s
B l e s s e dA s s u r a n c e
1 7 1 . B l e s s e d A s s u r a n c e
D o wnA m p n e y
9 9 . C o m e D o w n , OL o v e D i v i n e
F e d e r a l S t r e e t
1 2 6 . Wh i l e O ' e r O u r G u i l t y L a n d , OL o r d
B o y l s t o n
D u k e S t r e e t
F i l l m o r e
1 7 2 . B l i n d B a r t i m a e u s
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
2 3 0 . A n d C a n I t B e 2 5 9 . L o r d o f G l o r y , Wh o H a s t B o u g h t U s
F i n l a n d i a
1 6 9 . B e S t i l l My S o u l
I K n o w Wh o mI H a v e B e l i e v e d
2 4 2 . I K n o wWh o mI H a v e B e l i e v e d
L a s s t U n s E r f r e u e n
2 2 1 . A l l C r e a t u r e s o f O u r G o d a n d K i n g
F o u n d a t i o n( F u n k )
2 3 9 . H o wF i r m AF o u n d a t i o n
I N e e dT h e e E v e r y H o u r
1 4 6 . I N e e d T h e e E v e r y H o u r
L a u d aA n i m a
1 5 6 . P r a i s e My S o u l T h e K i n g O f H e a v e n
F r e ud i c hs e h r , om e i n e S e e l e
2 4 . C o m f o r t , C o mf o r t Y e My P e o p l e
I a mMo e s t a
2 5 2 . D e s p a i r N o t , OH e a r t
L e a
1 9 9 . H e L e a d e t h Me 2 6 1 . L e t C h i l d r e n H e a r T h e Mi g h t y D e e d s
G a b r i e l ` s Me s s a g e
2 5 . G a b r i e l ' s Me s s a g e
I c hS i n g e d i r m i t H e r z
1 7 6 . R e j o i c e , My H e a r t , B e G l a d a n d S i n g
L e o n i
2 2 9 . T h e G o d o f A b r a h a mP r a i s e
G a l i l e a n
2 5 4 . H a r k , t h e V o i c e o f J e s u s C a l l i n g
I c hS t e r b e T g l i c h
1 2 8 . I C o m e , OS a v i o r , T o T h y T a b l e
L i e b s t e r J e s uwi r S i n dH i e r
1 8 . B l e s s e d J e s u s a t T h y Wo r d
G e l o b e t S e i s t D u
3 7 . A l l P r a i s e t o J e s u s ' H a l l o w e d N a m e
I c hwi l l e i nN e u e s S i n g e n
1 8 1 . T h e B r i d e g r o o mS o o n Wi l l C a l l U s
L l a n f a i r
8 9 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a )
G e t h s e m a n e
8 2 . G o T o D a r k G e t h s e m a n e
I nB a b i l o n e
2 4 8 . S o u l s o f Me n ! Wh y Wi l l Y e S c a t t e r
L o b e d e nH e r r e n
2 2 8 . P r a i s e T o T h e L o r d , T h e A l m i g h t y
G l o r i a
I nG o t t e s N a m e nf a h r e nwi r
1 3 7 . T h a t Me n a g o d l y L i f e Mi g h t L i v e 3 9 . A n g e l s We H a v e H e a r d O n H i g h 9 7 . S e e , T h e L o r d A s c e n d s I n T r i u m p h I n n s b r u c k 1 9 4 . T h r o u g h t h e N i g h t o f D o u b t a n d S o r r o w2 7 2 . N o wR e s t B e n e a t h N i g h t ' s S h a d o w
L o b t G o t t , i h r C h r i s t e n A l l z u g l e i c h
6 6 . T h e P e o p l e T h a t i n D a r k n e s s S a t
G o dR e s t Y e Me r r y G e n t l e m e n I t I s We l l
4 5 . G o d R e s t Y e Me r r y G e n t l e m e n 1 0 5 . G o d t h e F a t h e r B e O u r S t a y
L o n d o n( A d d i s o n s )
1 8 0 . T h e A p o s t l e L o o k e d a n d H e a r d a V o i c e
G o t t D e r V a t e r , Wo h nU n s B e iI t a l i a nH y m n G o t t S e i G e l o b e t u n d G e b e n e d e i e t
2 2 6 . OL o r d We P r a i s e T h e e
1 7 3 . I t I s We l l Wi t h My S o u l 2 5 3 . G o d , Wh o s e A l m i g h t y Wo r d
Ma r t i n
2 3 8 . G o d Wi l l T a k e C a r e o f Y o u
J a mMo e s t a
2 5 2 . D e s p a i r N o t , OH e a r t
Me dS o r g e nO gK l a g e n
2 5 2 . D e s p a i r N o t , OH e a r t
G r e a t Wh i t e H o s t
1 8 7 . B e h o l d , AH o s t , A r r a y e d i n Wh i t e
J e f f e r s o n
2 3 . C o m e , T h o u L o n g E x p e c t e d J e s u s
Me l i s m a t a2 2
2 6 6 . A w a k e My S o u l , A n O f f e r i n g B r i n g
G r e e n s l e e v e s
6 1 . Wh a t C h i l d I s T h i s ?
J e s a i aD e mP r o p h e t e nd a s G e s c h a h
1 0 7 . I s a i a h , Mi g h t y S e e r , I n D a y s o f O l d
Me l i t a
2 4 0 . H o wS h a l l We A n s w e r T e r r o r ' s C r y ? 2 4 6 . My H o p e I s B u i l t
G r o s s e r G o t t , w i r L o b e nD i c h
1 0 6 . H o l y G o d , We P r a i s e T h y N a m e
Me n d e l s s o h n
4 6 . H a r k ! T h e H e r a l d A n g e l s S i n g
J e s u s b l e i b e t m e i n e F r e u d e
2 7 6 . J e s u s , J o y o f Ma n ' s D e s i r i n g
G u dV r e L o v e t E v i gN u
2 2 6 . OL o r d We P r a i s e T h e e
G wa l i a
1 5 2 . OB e G l a d A l l N a t i o n s o n E a r t h
H a l l e l u j a hWh a t aS a v i o r
1 4 5 . H a l l e l u j a h , Wh a t a S a v i o r !
Me n s c h , Wi l l t d uL e b e nS e l i g i c h 4 0 . Wi l t T h o u , OMa n , L i v e H a p p i l y J e s u s C h r i s t u s U n s e r H e i l a n d , 1 Mi t F r i e du n dF r e u di c hF a r D e r D e nT o d( K l u g ) D a h i n 9 3 . J e s u s C h r i s t Wh o C a m e t o S a v e 1 . I n P e a c e a n d J o y I N o wD e p a r t J e s u s C h r i s t u s U n s e r H e i l a n d , 2 Mi t t e n wi r i m L e b e n S i n d D e r V o nU n s ( K l u g )
1 3 0 . J e s u s C h r i s t , O u r B l e s s e d S a v i o r 2 5 0 . T h o u g h i n t h e Mi d s t o f L i f e We B e
H a l y T r u s t
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
N o , N o t O n e
1 5 1 . N o , N o t O n e !
P o t s d a m
7 1 . T i s G o o d , L o r d , T o B e H e r e
S t . P a t r i c k s B r e a s t p l a t e
1 1 9 . I B i n d U n t o My s e l f T o d a y
N o nD i g n u s
1 3 2 . OL o r d , I A mN o t Wo r t h y
P r a e t o r i u s 7
1 8 1 . T h e B r i d e g r o o mS o o n Wi l l C a l l U s
S t . A n n e
1 3 4 . A l m i g h t y G o d Y o u r Wo r d I s C a s t 2 4 7 . O u r G o d , O u r H e l p I n A g e s P a s t
N o r r i s
2 1 5 . Wh e r e H e L e a d s Me
P r a i s e My S o u l
1 5 6 . P r a i s e My S o u l T h e K i n g O f H e a v e n
S t . A g n e s
1 3 6 . L a m p o f O u r F e e t
N o r w i c h
1 5 7 . T h e G a l i l e a n F i s h e r s T o i l
P r o t e c t i o n
2 3 9 . H o wF i r m AF o u n d a t i o n
S t . A l b a n
1 4 7 . J e s u s , K i n g o f G l o r y
N u nB i t t e nw i r d e nH e i l i g e n G e i s t N u nD a n k e t
2 3 3 . N o wT h a n k We A l l O u r G o d
P u e r N o b i s N a s c i t u r Q u e mP a s t o r e s R e d h e a d4 5
9 0 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) 2 2 . L o r d , D i s m i s s U s Wi t h T h y B l e s s i n g 3 8 . A n g e l s F r o mt h e R e a l m s o f G l o r y
3 1 . O n J o r d a n ' s B a n k t h e B a p t i s t ' s C r y 4 . OC h i e f o f C i t i e s B e t h l e h e m 2 1 9 . We N o wI m p l o r e G o d t h e H o l y G h o s t 6 4 1 . C o m e , Y o u r H e a r t a n d V o i c e s R a i s i n g
S t . P a u l
1 5 6 . P r a i s e My S o u l T h e K i n g O f H e a v e n
S t . C h r i s t o p h e r
1 7 0 . B e n e a t h T h e C r o s s O f J e s u s
N u nF r e u t E u c h
1 6 1 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e 3 3 . S a v i o r O f T h e N a t i o n s C o m e
S t . E d m u n d( S u l l i v a n )
1 8 5 . I ' mB u t AS t r a n g e r H e r e
e g e n t S q u a r e N u nK o m m , D e r H e i d e nH e i l a n dR N u nL a s s t U n s D e nL e i b B e g r a b e n
2 5 8 . ' T a k e U p T h y C r o s s ' , t h e S a v i o r S a i d
S t . C a t h e r i n e
1 9 1 . F a i t h o f O u r F a t h e r s
R e xG l o r i a e
S t . D e n i o
N u nr u h e na l l e W l d e r
2 7 2 . N o wR e s t B e n e a t h N i g h t ' s S h a d o w
2 2 4 . I m m o r t a l , I n v i s i b l e , G o d O n l y Wi s e 9 7 . S e e , T h e L o r d A s c e n d s I n T r i u m p h S t . U r s u l a 1 9 4 . T h r o u g h t h e N i g h t o f D o u b t a n d S o r r o w2 6 2 . L o r d , Wh o a t C a n a ' s We d d i n g F e a s t
R i c h m o n d( H a we i s )
2 6 . H a r k t h e G l a d S o u n d
OD a s s I c hT a n s e n dZ u n g e n
1 5 8 . B y G r a c e I ' mS a v e d
R i n g e r e c h t
2 6 4 . S a v i o r , Wh o T h y F l o c k A r t F e e d i n g
S t e h t A u f , I h r L i e b e n K i n d e r l e i n
2 6 8 . OH o l y , B l e s s e d T r i n i t y
OD a s s I c hT a u s e n dZ u n g e n H t t e ( D r e t z e l )
1 1 8 . B a p t i z e d I n t o T h y N a m e Mo s t H o l y
R o c k i n g h a mO l d
7 6 . Wh e n I S u r v e y t h e Wo n d r o u s C r o s s
S t i l l e N a c h t
5 7 . S i l e n t N i g h t
OH e i l i g e D r e i f a l t i g k e i t
2 6 8 . OH o l y , B l e s s e d T r i n i t y
S a l v a t o r N a t u s
5 1 . L e t O u r G l a d n e s s H a v e N o E n d
S t o c k b r i d g e
2 1 6 . D i d Y o u T h i n k T o P r a y ?
OL u xB e a t aT r i n i t a s
2 7 4 . OT r i n i t y o f B l e s s e d L i g h t
OMe i nJ e s u , I c hMu s s S t e r b e n
8 5 . S t r i c k e n , S m i t t e n , a n d A f f l i c t e d
S t r a s s b u r g S i e h , h i e r b i ni c h , E h r e n k o e n i g 1 2 5 . O u t o f t h e D e e p I C r y t o T h e e 2 7 . J e s u s C a m e , t h e H e a v e n s A d o r i n g T a l l i s ` C a n o n S i m p l e G i f t s 1 6 2 . My N e i g h b o r
2 3 2 . H i s G i f t s
OWe l t , I c hMu s s D i c hL a s s e n
2 7 2 . N o wR e s t B e n e a t h N i g h t ' s S h a d o w
S i n e N o m i n e
1 9 2 . F o r A l l T h e S a i n t s
2 6 9 . A l l P r a i s e T o T h e e , My G o d , T h i s N i g h t
T e D e u m
1 0 6 . H o l y G o d , We P r a i s e T h y N a m e
O d e t oJ o y
S l a n e
1 9 6 . B e T h o u My V i s i o n
T e m p u s A d e s t F l o r i d u m
4 4 . G e n t l e Ma r y L a i d H e r C h i l d
2 2 2 . A l l e l u i a , A l l e l u i a ! H e a r t s t o H e a v e n a n d S oN i m mD e n nMe i n e H n d e V o i c e s R a i s e 2 0 8 . T a k e T h o u My H a n d a n d L e a d Me 2 2 5 . J o y f u l , J o y f u l , We A d o r e T h e e
T h e C o m f o r t e r H a s C o m e
1 0 4 . T h e C o m f o r t e r H a s C o m e
O l d1 0 0 t h
2 2 7 . P r a i s e G o d F r o m Wh o mA l l B l e s s i n g s F l o w 2 6 7 . A w a k e , My S o u l , A n d Wi t h T h e S u n
S o n d a n c e S o n g1 3
1 7 4 . My S o n g S h a l l B e O f J e s u s 2 7 8 . My S o n g S h a l l B e O f J e s u s 1 0 2 . H o l y G h o s t , w i t h L i g h t D i v i n e
T h e F i r s t N o e l
5 9 . T h e F i r s t N o e l
T h e O l dR u g g e dC r o s s
1 7 7 . T h e O l d R u g g e d C r o s s
O l d1 3 7 t h
1 5 7 . T h e G a l i l e a n F i s h e r s T o i l
S o n n e d e r G e r e c h t i g k e i t
1 2 7 . A t T h e L a m b ' s H i g h F e a s t
T h e r e s aG r e a t D a y C o m i n g
1 8 3 . T h e r e ' s a G r e a t D a y C o m i n g
O l i v e t
2 0 2 . My F a i t h L o o k s U p T o T h e e
S o u t h we l l
1 2 2 . L o r d J e s u s T h i n k O n Me
T h i r dMo d e Me l o d y
1 2 1 . H a v e Me r c y O n Me , OMy G o d
O r i e n t i s P a r t i b u s
9 0 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a )
S p aF i e l d s C h a p e l
2 6 . H a r k t h e G l a d S o u n d
T o n Y B o t e l
1 0 3 . H o l y S p i r i t , E v e r D w e l l i n g 1 5 4 . OT h e D e e p , D e e p L o v e o f J e s u s
O v e r K e d r o nJ e s u s T r a e d e r
7 9 . O v e r K i d r o n J e s u s T r e a d e t h
S t . T h o m a s
3 4 . T h e A d v e n t o f O u r G o d
T o p l a d y
1 6 4 . R o c k o f A g e s
P a l e s t r i n a
2 2 4 . I m m o r t a l , I n v i s i b l e , G o d O n l y Wi s e
S t . L o u i s
5 5 . OL i t t l e T o w n o f B e t h l e h e m
T o r g a u
8 8 . C h r i s t J e s u s L a y I n D e a t h ' s S t r o n g B a n d s
P a s s Me N o t OG e n t l e S a v i o r
2 0 5 . P a s s Me N o t , OG e n t l e S a v i o r
S t . G e o r g e ` s Wi n d s o r
6 5 . S o n g s o f T h a n k f u l n e s s a n d P r a i s e
T r e u e r H e i l a n d , Wi r S i n dH e i r
6 2 . A s Wi t h G l a d n e s s Me n o f O l d
P a s s i o nC h o r a l e
8 4 . OS a c r e d H e a d , N o wWo u n d e d
S t . F l a v i a n S t . T h e o d u l p h S t . C r o s s
7 7 . A l l G l o r y , L a u d , a n d H o n o r
P e t r a
8 2 . G o T o D a r k G e t h s e m a n e
7 4 . L o r d Wh o T h r o u g h o u t T h e s e F o r t y D a y s2 9 . Ma g n i f i c a t
U f f i n g h a m U n d e E t Me m o r e s
1 3 3 . T h o u , Wh o a t T h y F i r s t E u c h a r i s t
P i c a r d y
1 3 1 . L e t A l l Mo r t a l F l e s h K e e p S i l e n c e
P o r t u g u e s e H y m n
5 4 . OC o m e , A l l Y e F a i t h f u l
U n d e r H i s Wi n g s
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
1 9 . O p e n N o wT h y G a t e s o f B e a u t y
u n t i t l e d
1 3 5 . J e s u s L o v e s Me 2 2 0 . Wh a t AF r i e n d We H a v e I n J e s u s
W r G o t t n i c h t m i t u n s d i e s e Z e i t ( 1 5 3 7 )
1 1 2 . I f G o d H a d N o t B e e n o n O u r S i d e
V a l e t Wi l l I c hD i r G e b e n
7 7 . A l l G l o r y , L a u d , a n d H o n o r
Y i g d a l
2 2 9 . T h e G o d o f A b r a h a mP r a i s e
V a t e r U n s e r i mH i m m e l r e i c h
2 1 7 . O u r F a t h e r T h o u i n H e a v e n A b o v e
Y o a k l e y
1 4 9 . J e s u s , T h y B o u n d l e s s L o v e T o Me
V e n i E m m a n u e l
3 0 . OC o m e OC o me E m m a n u e l
V e r l e i hu n s F r i e d e nG n d i g l i c h
2 4 5 . I n T h e s e O u r D a y s S o P e r i l o u s
Me t r i c a l I n d e xo f T u n e s
5 5 7 5 5 8
1 4 3 . C r u s a d e r ` s H y m n
1 7 4 . S o n d a n c e 1 8 1 . A c t G o t t V o mH i m m e l r e i c h e o r I c h w i l l e i nN e u e s S i n g e n o r P r a e t o r i u s 7 1 8 6 . E w i n g 1 9 3 . A u r e l i a 2 3 4 . Wo o d b i r d o r E s F l o g E i n K l e i n s Wa l d v g e l e i n 2 4 3 . Wo o d b i r d o r E s F l o g E i n K l e i n s Wa l d v g e l e i n
7 6 8 6 8 6 8 6
1 7 0 . S t . C h r i s t o p h e r
7 6 1 1 1 1 1 1 8 1 1 9 1 0
2 3 2 . S i m p l e G i f t s
V i c t o r y
9 4 . T h e S t r i f e I s O ' e r , T h e B a t t l e D o n e
6 4 6 4 6 6 6 4
1 7 5 . B e t h a n y ( Ma s o n ) 1 8 5 . S t . E d m u n d ( S u l l i v a n )
7 7 6 6 6 w i t hA l l e l u i a s
5 1 . N a r o d i l s e K r i s t u s P n o r S a l v a t o r N a t u s
V i l l e D uH a v r e
1 7 3 . I t I s We l l Wi t h My S o u l
7 7 6 7 7 8
2 7 2 . I n n s b r u c k o r N u n r u h e n a l l e W l d e r o r O We l t , I c h Mu s s D i c h L a s s e n
V o mH i m m e l H o c h
6 5 6 5 6 5 6 5 6 5 6 5
1 4 7 . S t . A l b a n 4 3 . F r o mH e a v e n A b o v e T o E a r t h I C o m e 6 6 4 6 6 6 4 6 0 . T o S h e p h e r d s A s T h e y Wa t c h e d B y N i g h t 0 2 . O l i v e t V o nG o t t w i l l i c hN i c h t L a z e n 2 2 5 3 . I t a l i a n H y m n 9 5 . L o , G o d T o H e a v ' n A s c e n d e t h
7 7 7 6
8 3 . Wo r d s o n t h e C r o s s T h e L i t a n y
7 7 7 7
3 3 . N u n K o m m , D e r H e i d e n H e i l a n d 9 0 . O r i e n t i s P a r t i b u s o r R e d h e a d 4 5 1 0 2 . C a n t e r b u r y o r S o n g 1 3 1 5 9 . C h r i s t My K i n g o n H i g h 2 0 7 . Mo z a r t 2 7 3 . M d e b i n i c h , g e h z u r R u h
Wa c h e t A u f
1 8 4 . Wa k e , A w a k e , f o r N i g h t I s F l y i n g
6 6 6 5 6 6 6 5
2 0 . K r e m s e r
Wa l t h a m( C a l k i n )
4 7 . I H e a r d T h e B e l l s O n C h r i s t m a s D a y
6 6 6 6 6 6 5 5
1 0 9 . N i c a e a
We b e r
2 1 4 . My J e s u s , A s T h o u Wi l t
6 6 6 6 6 6 6 6
2 1 4 . J e w e t t o r We b e r
We i l I c hJ e s uS c h f l e i nB i n
2 4 1 . I A mJ e s u s ' L i t t l e L a m b
6 6 8 6
3 4 . S t . T h o m a s 7 1 . P o t s d a m 9 8 . A y l e s b u r y o r Wi r k s w o r t h 1 2 2 . S o u t h w e l l 1 8 8 . B o y l s t o n 1 8 9 . D e n n i s 2 6 0 . E n e r g y
7 7 7 7 w i t hG l o r i a s
3 9 . G l o r i a
7 7 7 7 w i t hA l l e l u i a s
8 9 . L l a n f a i r 9 2 . E a s t e r H y m n
We s t m i n s t e r A b b e y
6 3 . I n H i s T e m p l e N o wB e h o l d H i m
Wh e nT h e R o l l I s C a l l e dU p Y o n d e r
1 9 5 . Wh e n T h e R o l l I s C a l l e d U p Y o n d e r
7 7 7 7 w i t hA l l e l u i a
1 2 7 . S o n n e d e r G e r e c h t i g k e i t
7 7 7 7 7 7
5 8 . N a t i v i t y 6 2 . D i x o r T r e u e r H e i l a n d , Wi r S i n d H e i r 8 2 . G e t h s e m a n e o r P e t r a 1 6 4 . T o p l a d y 2 3 1 . D i x
Wh i t e r T h a nS n o w
2 0 9 . Wh i t e r T h a n S n o w
6 6 8 6 6 6 8 6
1 4 4 . D i a d e m a t a
Wi e S o l l i c hD i c hE m p f a n g e
3 2 . OL o r d , H o wS h a l l I Me e t T h e e
6 6 8 8 6 6
5 7 . S t i l l e N a c h t
Wi n c h e s t e r N e w
1 2 3 . OL o r d My S o u l C o n v i c t e d
6 6 1 1 6 6 1 1
9 9 . D o w n A m p n e y
7 7 7 7 7 7 7 7
5 6 . H u m i l i t y 6 5 . S t . G e o r g e ` s Wi n d s o r 7 5 . A b e r y s t w y t h ( P a r r y )
6 6 1 2 6 6 1 2 Wi r G l a u b e na l l a nE i n e nG o t t , 2 2 9 . Y i g d a l o r L e o n i S c h o e p f e r 6 7 6 7 6 6 6 6 1 0 8 . We A l l B e l i e v e i n O n e T r u e G o d 2 3 3 . N u n D a n k e t Wi r k s wo r t h 7 6 5 7 5 9 8 . B r e a t h e o n Me , B r e a t h o f G o d 9 3 . J e s u s C h r i s t u s U n s e r H e i l a n d , D e r D e n WoG o t t Z u mH a u s
6 7 . T h e S t a r P r o c l a i m s t h e K i n g i s H e r e 2 1 0 . H a p p y t h e Ma n Wh o F e a r e t h G o d 2 1 1 . H a p p y t h e Ma n Wh o F e a r e t h G o d 2 6 3 . O h , B l e s t t h e H o u s e T o d ( K l u g )
7 7 7 7 7 7 7 7 7 7
4 6 . Me n d e l s s o h n
7 7 7 7 7 7 7 7 7 7 7 7 7 7
1 0 5 . G o t t D e r V a t e r , Wo h n U n s B e i
7 6 7 6
1 3 2 . N o n D i g n u s
7 7 7 7 1 0 1 1
1 3 5 . u n t i t l e d
7 6 7 6 6 6 6 6
8 6 . A u f , A u f , Me i n H e r z m i t F r e u d e n
7 7 7 8
1 4 5 . H a l l e l u j a h Wh a t a S a v i o r
WoG o t t Z u mH a u s ( Wa l t e r )
2 1 0 . H a p p y t h e Ma n Wh o F e a r e t h G o d
7 6 7 6 6 7 6
3 6 . E s I s t E i n R o s E n t s p r u n g e n ( R h y t h m i c ) 5 2 . E s I s t E i n R o s E n t s p r u n g e n ( R h y t h m i c )
7 7 8 8 7 7
2 4 1 . We i l I c h J e s u S c h f l e i n B i n
WoI s t J e s u s , Me i nV e r l a n g e n
8 5 . S t r i c k e n , S m i t t e n , a n d A f f l i c t e d
7 8 7 8 7 7
1 0 6 . T e D e u mo r H u r s l e y o r G r o s s e r G o t t , w i r L o b e n D i c h
Wo o d b i r d
2 3 4 . OD a y o f R e s t A n d G l a d n e s s 2 4 3 . I f G o d H i m s e l f B e F o r Me
7 6 7 6 6 7 7 6
9 5 . V o n G o t t w i l l i c h N i c h t L a z e n
Wo r d s o nt h e C r o s s T h e L i t a n y
8 3 . J e s u s , I n T h y D y i n g Wo e s
W r G o t t n i c h t m i t u n s d i e s e Z e i t ( 1 5 2 4 )
1 1 1 . I f G o d H a d N o t B e e n o n O u r S i d e
1 8 . L i e b s t e r J e s u w i r S i n d H i e r 3 2 . Wi e S o l l i c h D i c h E m p f a n g e 8 4 8 4 8 8 8 4 4 4 . T e m p u s A d e s t F l o r i d u m 2 7 0 . A r H y d YN o s 7 7 . V a l e t Wi l l I c h D i r G e b e n o r S t . T h e o d u l p h 8 5 8 4 7 7 7 8 . E l l a c o m b e 2 1 . Mi t F r i e d u n d F r e u d i c h F a r D a h i n 8 4 . P a s s i o n C h o r a l e o r H e r z l i c h T u t Mi c h 8 5 8 5 V e r l a n g e n 2 1 3 . B l e s s e d A r e T h e y 1 6 6 . A n t h e s
7 6 7 6 7 6 7 6
7 8 7 8 8 8
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
8 5 8 5 8 7
2 2 3 . A n g e l V o i c e s ( Mo n k ) 1 5 6 . P r a i s e My S o u l o r L a u d a A n i m a o r S t . P a u l 9 4 . V i c t o r y
8 5 8 5 9 8 5
2 0 5 . P a s s Me N o t OG e n t l e S a v i o r
8 7 8 7 8 7 7
1 9 8 . C w mR h o n d d a
8 8 8 4
2 3 5 . E s I s t K e i n T a g
8 5 8 8 5 8 7 8 5
8 7 8 7 8 7 8 7
8 8 8 7
4 1 . Q u e mP a s t o r e s 1 0 1 . K o m m , G o t t S c h o e p f e r H e i l i g e r G e i s t
3 . J e f f e r s o n 2 1 6 . S t o c k b r i d g e o r D i d Y o u T h i n k T o P r a y 2 6 9 . B e a c h S p r i n g 8 6 7 6 8 6 8 4 8 8 5 . O Me i n J e s u , I c h Mu s s S t e r b e n o r Wo I s t 4 5 . G o d R e s t Y e Me r r y G e n t l e m e n J e s u s , Me i n V e r l a n g e n 8 6 8 6 9 7 . R e x G l o r i a e 2 6 . C h e s t e r f i e l d o r R i c h m o n d ( H a w e i s ) o r S p a1 0 3 . E b e n e z e r o r T o n Y B o t e l F i e l d s C h a p e l 1 4 2 . H y F r y d o l 3 5 . C o n s o l a t i o n o r Mo r n i n g S o n g 1 5 2 . G w a l i a 7 4 . S t . F l a v i a n 1 5 4 . E b e n e z e r o r T o n Y B o t e l 9 6 . A z m o n 1 9 4 . R e x G l o r i a e 1 3 4 . S t . A n n e 1 9 7 . N e t t l e t o n 1 3 6 . S t . A g n e s 2 0 6 . B r a d b u r y 1 5 3 . A z m o n 2 2 0 . u n t i t l e d 1 6 8 . N e wB r i t a i n 2 2 2 . O d e t o J o y 1 7 6 . I c h S i n g e d i r m i t H e r z 2 2 5 . O d e t o J o y 2 0 4 . E v a n o r E v a 2 4 8 . I n B a b i l o n e 2 4 7 . S t . A n n e 2 5 4 . G a l i l e a n 2 6 1 . L e a 2 5 9 . H y F r y d o l
8 8 8 7 4
1 3 7 . D i e s s i n d d i e h e i l ` g e n z e h u G e b o t o r I n G o t t e s N a m e n f a h r e n w i r 1 4 0 . Me n s c h , Wi l l t d u L e b e nS e l i g i c h
8 8 8 8
8 6 8 6 6
6 6 . L o b t G o t t , i h r C h r i s t e n A l l z u g l e i c h
8 6 8 6 6 8
5 0 . A n t i o c h
8 6 8 6 6 8 6 6
2 3 8 . Ma r t i n
8 6 8 6 7 6 8 6
5 5 . S t . L o u i s
8 6 8 6 8 6
1 4 1 . C o r o n a t i o n
8 6 8 6 8 6 8 6
4 9 . C a r o l 1 2 1 . T h i r d Mo d e Me l o d y 1 5 7 . O l d 1 3 7 t h o r N o r w i c h 2 4 9 . K i n g s f o l d 2 6 2 . S t . U r s u l a
8 6 8 6 9 1 0 8 7
2 4 2 . I K n o wWh o mI H a v e B e l i e v e d
8 7 8 7
2 6 4 . B a t t y o r R i n g e r e c h t 2 7 1 . E v e n i n g P r a y e r
2 9 . U f f i n g h a m 3 1 . P u e r N o b i s N a s c i t u r 4 3 . V o mH i m m e l H o c h 4 7 . Wa l t h a m( C a l k i n ) 5 3 . C h r i s t u m Wi r S o l l e n L o b e n S c h o n 6 0 . V o mH i m m e l H o c h 6 4 . P u e r N o b i s N a s c i t u r 6 7 . Wo G o t t Z u mH a u s 7 0 . D e o G r a c i a s o r A g i n c o u r t 7 6 . R o c k i n g h a mO l d 8 0 . S t . C r o s s 8 1 . S t . C r o s s 8 7 8 7 8 7 8 7 7 9 1 . D u k e S t r e e t 6 8 . C h r i s t , U n s e r H e r r 1 1 5 . E r h a l t U n s , H e r r , b e i d e i n e m Wo r t 2 5 7 . E s Wo l l t u n s G o t t G e n d i g 1 2 3 . Wi n c h e s t e r N e w 8 7 8 7 8 8 7 1 2 6 . F e d e r a l S t r e e t 3 8 . H e r r J e s u C h r i s t , D i c t Z u U n s We n d 1 1 1 . W r G o t t n i c h t m i t u n s d i e s e Z e i t ( 1 5 2 4 )1 3 9 . E r h a l t U n s , H e r r , b e i d e i n e m Wo r t 1 1 2 . W r G o t t n i c h t m i t u n s d i e s e Z e i t ( 1 5 3 7 )1 1 4 8 . D u k e S t r e e t 1 1 3 . A c h G o t t v o mH i m m e l 1 6 2 . T a l l i s ` C a n o n 1 1 4 . E s i s t d a s H e i l u n s K o m m e n H e r 1 6 3 . D e o G r a c i a s o r A g i n c o u r t 1 1 6 . E s s p r i c h t d e r U n w e i s e n Mu n d 2 1 0 . Wo G o t t Z u mH a u s ( Wa l t e r ) 1 1 7 . E s i s t d a s H e i l u n s K o m m e n H e r 2 1 1 . Wo G o t t Z u mH a u s 1 2 0 . E s i s t G e w i s s l i c h a n d e r Z e i t 2 7 . O l d 1 0 0 t h 1 2 4 . A u s T i e f e r N o t ( L u t h e r ) o r A f D y b s e n s 2 2 5 8 . N u n L a s s t U n s D e n L e i b B e g r a b e n N d 2 6 3 . Wo G o t t Z u mH a u s 1 2 5 . A u s T i e f e r N o t ( S t r a s s b u r g ) o r S t r a s s b u r g 2 6 5 . H e r r J e s u C h r i s t , D i c t Z u U n s We n d 1 6 0 . E s i s t G e w i s s l i c h a n d e r Z e i t 2 6 7 . O l d 1 0 0 t h 1 6 1 . N u n F r e u t E u c h 2 6 8 . OH e i l i g e D r e i f a l t i g k e i t o r S t e h t A u f , I h r 1 6 5 . E s i s t d a s H e i l u n s K o m m e n H e r L i e b e n K i n d e r l e i n 1 8 2 . E s i s t G e w i s s l i c h a n d e r Z e i t 2 6 9 . T a l l i s ` C a n o n 8 7 8 7 8 8 7 8 8 7 2 7 4 . OL u x B e a t a T r i n i t a s 7 3 . A n Wa s s e r f l s s e n B a b y l o n
8 7 8 7 1 2 7
2 8 . H e l m s l e y
8 8 8 8 8 8
8 7 8 7 5 5 5 6 7
1 1 0 . E i n F e s t e B u r g ( R h y t h m i c )
8 7 8 7 1 2 1 2 1 1 1 1
1 5 5 . E i n s i s t N o t
8 7 8 7 6 8 6 7
6 1 . G r e e n s l e e v e s
8 7 8 8 w i t hA l l e l u i a
3 7 . G e l o b e t S e i s t D u
8 7 8 7 7 7
1 9 . U n s e r H e r r s c h e r o r N e a n d e r
8 8 4 4 6 8 8 4 4 6 8 8 4 4 6
1 8 7 . D e n S t o r e H v i d e F l o k o r G r e a t Wh i t e H o s t
8 7 8 7 A l l e l u i a s 7 7
1 5 0 . B r y n C a l f a r i a
3 0 . V e n i E m m a n u e l 1 4 9 . Y o a k l e y 1 7 2 . F i l l m o r e 1 7 9 . D i e s I r a e ( D y k e s ) 1 9 1 . S t . C a t h e r i n e 2 1 7 . V a t e r U n s e r i mH i m m e l r e i c h 2 3 0 . F i l l m o r e 2 4 0 . Me l i t a 2 4 6 . Me l i t a
8 7 8 7 7 7 8 8
2 4 . F r e u d i c h s e h r , o m e i n e S e e l e 7 2 . D e r A mK r e u z 7 9 . O v e r K e d r o n J e s u s T r a e d e r
8 8 6 8 8 6 8 8 7 8
8 8 8 8 8 8 w i t hA l l e l u i a s 8 8 8 8 8 8 8
2 3 7 . K o m m t h e r z u m i r , s p r i c h t G o t t e s S o h n 2 2 1 . L a s s t U n s E r f r e u e n 1 2 9 . J e s u s C h r i s t u s U n s e r H e i l a n d , D e r V o n 1 9 0 . K i r k e n D e n E r E t G a m m e l t H u s U n s ( Wa l t e r ) 8 8 8 8 8 8 8 8 1 3 0 . J e s u s C h r i s t u s U n s e r H e i l a n d , D e r V o n 1 1 9 . S t . P a t r i c k s B r e a s t p l a t e U n s ( K l u g ) 1 8 0 . A d d i s o n ` s o r L o n d o n ( A d d i s o n s ) 8 8 7 8 7 8 1 9 9 . H e L e a d e t h Me 2 6 6 . Me l i s m a t a 2 2 8 8 8 8 8 8 8 8 8 8
8 7 8 7 7 8 7 w i t hA l l e l u i a
8 8 . C h r i s t l a g i n T o b e s B a n d e n o r T o r g a u
8 7 8 7 8
2 4 5 . V e r l e i h u n s F r i e d e n G n d i g l i c h
8 7 8 7 8 7
2 2 . R e g e n t S q u a r e 2 7 . S i e h , h i e r b i n i c h , E h r e n k o e n i g 3 8 . R e g e n t S q u a r e 6 3 . We s t m i n s t e r A b b e y 1 3 1 . P i c a r d y
8 8 7 8 8 7
2 3 6 . A l l e s i s t a n G o t t e s S e g e n
1 0 8 . Wi r G l a u b e n a l l a n E i n e n G o t t , S c h o e p f e r o r A p o s t o l i c C r e e d
8 8 7 8 8 7 8 8 8 8 8 4 8
2 0 1 . H e r z l i c h L i e b h a b i c h D i c h OH e r r
8 8 8 8 8 9 8 8
2 4 4 . H a l y T r u s t
8 8 8 w i t hA l l e l u i a s
8 8 8 9 8 8 8 9
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
2 1 5 . B l a n d y o r N o r r i s 1 0 4 . T h e C o m f o r t e r H a s C o m e
8 8 9 7 8 8 9 9 w i t hA l l e l u i a s
1 0 0 . K o m mH e i l i g e r G e i s t , H e r r e G o t t
1 2 1 2 1 2 7 1 4 1 4 6
1 7 8 . C h r i s t R e t u r n e t h
B e h m , Ma r t i n( 1 5 5 7 1 6 2 2 )
2 6 8 . OH o l y , B l e s s e d T r i n i t y
8 9 8 8 9 8 6 6 4 8 8
1 8 4 . Wa c h e t A u f
1 4 1 4 4 7 8
2 2 8 . L o b e d e n H e r r e n
b e nJ u d a h , D a n i e l ( c i r c a1 4 0 0 )
2 2 9 . T h e G o d o f A b r a h a mP r a i s e
9 8 9 8 8 8
1 1 8 . OD a s s I c h T a u s e n d Z u n g e n H t t e ( D r e t z e l ) 1 2 8 . I c h S t e r b e T g l i c h 1 5 8 . OD a s s I c h T a n s e n d Z u n g e n
1 5 1 1 1 5 1 1 8 8 8 1 1
1 9 5 . Wh e n T h e R o l l I s C a l l e d U p Y o n d e r
B e n n a r d , G e o r g e ( 1 8 7 3 1 9 5 8 )
1 7 7 . T h e O l d R u g g e d C r o s s
I r r e g u l a r
4 8 . C r a n h a m 5 4 . A d e s t e F i d e l e s o r P o r t u g u e s e H y m n 5 9 . T h e F i r s t N o e l 8 7 . C h r i s t A r o s e
B e r n a r do f C l a i r v a u x( 1 0 9 1 1 1 5 3 )
8 4 . OS a c r e d H e a d , N o wWo u n d e d
9 9 8 8 7 7
4 2 . F a r , F a r A w a y O n J u d e a ` s P l a i n s
B e r n a r do f C l u n y a k a . B e r n a r d o f Mo r l a i x( 1 2 t hC e n t u r y )
1 8 6 . J e r u s a l e mt h e G o l d e n
9 9 9 9 9 9 1 1 1 0 4
2 1 9 . N u n B i t t e n w i r d e n H e i l i g e n G e i s t
P e c u l i a r
5 0 . Mi t t e n w i r i mL e b e n S i n d 2 5 2 . I a m Mo e s t a o r J a m Mo e s t a o r D e s p a i r 2 N o t OH e a r t o r Me d S o r g e n O g K l a g e n
B i a n c oo f S i e n a( ? 1 4 3 4 )
9 9 . C o m e D o w n , OL o v e D i v i n e
I n d e xo f A u t h o r s a n dT r a n s l a t o r s
B i c k e r s t e t h , E d w a r dH e n r y J r . ( 1 8 2 5 1 9 0 6 )
1 7 5 . N e a r e r , My G o d , T o T h e e 2 0 3 . N o t Wo r t h y , L o r d , t o G a t h e r U p t h e C r u m b s
9 1 0 9 9 9 9 9 9
1 7 1 . B l e s s e d A s s u r a n c e o r A s s u r a n c e
T r a n s l a t e d h y m n s i n i t a l i c s
1 0 6 1 0 6 9 8 1 0 6
1 5 1 . N o , N o t O n e
A d a m s , R i c h a r dW. ( 1 9 5 2 )
2 4 0 . H o wS h a l l We A n s w e r T e r r o r ' s C r y ?
1 0 1 0 7 6 1 1
1 4 6 . I N e e d T h e e E v e r y H o u r
A d a m s , S a r a hF u l l e r F l o w e r ( 1 8 0 5 1 8 4 8 )
1 7 5 . N e a r e r , My G o d , T o T h e e
B l a c k , J a m e s Mi l t o n( 1 8 5 6 1 9 3 8 )
1 9 5 . Wh e n T h e R o l l I s C a l l e d U p Y o n d e r
B l a n d y , E d w a r dWi l l i a m
2 1 5 . Wh e r e H e L e a d s Me
1 0 1 0 1 0 wi t hA l l e l u i a s
1 1 1 1 1 1 1 1 9 1 1
2 0 9 . Wh i t e r T h a n S n o w
B a k e r , T h e o d o r e ( 1 8 5 1 1 9 3 4 ) B a r t o n , B e r n a r d( 1 7 8 4 1 8 4 9 )
1 3 6 . L a m p o f O u r F e e t
1 9 6 . B e T h o u My V i s i o n
C a m p b e l l , R o b e r t ( 1 8 1 4 1 8 6 8 )
1 2 7 . A t T h e L a m b ' s H i g h F e a s t
1 1 1 1 1 2 1 1
2 1 2 . Mo n k s G a t e
C a s w a l l , E d wa r d( 1 8 1 4 1 8 7 8 )
5 6 . S e e A m i d t h e Wi n t e r ' s S n o w
1 2 8 1 2 9 9 9 9 9
1 7 7 . T h e O l d R u g g e d C r o s s
B a s q u e
2 5 . G a b r i e l ' s Me s s a g e
C a wo o d , J o h n( 1 7 7 5 1 8 5 2 )
1 3 4 . A l m i g h t y G o d Y o u r Wo r d I s C a s t
1 2 1 2 1 2 6 1 2 1 2 1 2 6
C e n n i c k , J o h n( 1 7 1 8 1 7 5 5 )
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
2 8 . L o ! H e C o m e s Wi t h C l o u d s D e s c e n d i n g
C h a d wi c k , J a m e s ( 1 8 1 3 1 8 8 2 )
3 9 . A n g e l s We H a v e H e a r d O n H i g h
D r a p e r , Wi l l i a mH e n r y ( 1 8 5 5 1 9 3 3 )
2 2 1 . A l l C r e a t u r e s o f O u r G o d a n d K i n g
2 7 2 . N o wR e s t B e n e a t h N i g h t ' s S h a d o w
G e r m a n
3 6 . AG r e a t a n d Mi g h t y Wo n d e r 3 7 . A l l P r a i s e t o J e s u s ' H a l l o w e d N a m e 5 2 . L o , H o wAR o s e E ' e r B l o o m i n g 1 4 3 . B e a u t i f u l S a v i o r 2 1 9 . We N o wI m p l o r e G o d t h e H o l y G h o s t
C h a n d l e r , J o h n( 1 8 0 6 1 8 7 6 )
3 1 . O n J o r d a n ' s B a n k t h e B a p t i s t ' s C r y 3 4 . T h e A d v e n t o f O u r G o d
D u m o n t , B r i a nJ a m e s ( 1 9 7 1 )
6 9 . A u t h o r o f A l l L i f e 9 6 . T h e C l o u d R e c e i v e d C h r i s t F r o mT h e i r C h a r l e m a g n e ( 7 4 2 8 1 4 ) S i g h t 1 2 0 . Y o u P e o p l e Wh o N o wA r e B a p t i z e d 1 0 1 . C o m e , G o d C r e a t o r , H o l y G h o s t 1 2 6 . Wh i l e O ' e r O u r G u i l t y L a n d , OL o r d C h a t f i e l d , A l l e nWi l l i a m( 1 8 0 8 2 1 3 . J e s u s Wa n t s A l l O f H i s C h i l d r e n 1 8 9 6 ) 2 3 2 . H i s G i f t s 1 2 2 . L o r d J e s u s T h i n k O n M e
G e r m a nJ e s u i t s
1 4 3 . B e a u t i f u l S a v i o r
C l a r k s o n , E d i t hMa r g a r e t ( 1 9 1 5 2 0 0 8 )
1 7 4 . My S o n g S h a l l B e O f J e s u s 2 7 8 . My S o n g S h a l l B e O f J e s u s 1 8 . B l e s s e d J e s u s a t T h y Wo r d
G e r m a n u s o f C o n s t a n t i n o p l e ( 6 3 4 7 3 4 ) D u n c a n , Ma r y L u n d i e ( 1 8 1 4 1 8 4 0 ) 3 6 . AG r e a t a n d Mi g h t y Wo n d e r 2 7 1 . J e s u s , T e n d e r S h e p h e r d , H e a r Me G i l m o r e , J o s e p hH e n r y ( 1 8 3 4 D v i n g , C a r l ( 1 8 6 7 1 9 3 7 ) 1 9 1 8 )
1 9 0 . B u i l t o n t h e R o c k 1 9 9 . H e L e a d e t h Me 4 5 . G o d R e s t Y e Me r r y G e n t l e m e n 5 9 . T h e F i r s t N o e l
n g l i s h C l a u s n i t z e r , T o b i a s ( 1 6 1 9 1 6 8 4 )E C l e p h a n e , E l i z a b e t hC e c e l i a D o u g l a s ( 1 8 3 0 1 8 6 9 )
G o u l d , S a b i n e B a r i n g( 1 8 3 4 1 9 2 4 )
2 5 . G a b r i e l ' s Me s s a g e 1 9 4 . T h r o u g h t h e N i g h t o f D o u b t a n d S o r r o w
C r o s b y , F a n n y J a n e ( 1 8 2 0 1 9 1 5 )
1 7 1 . B l e s s e d A s s u r a n c e 1 7 4 . My S o n g S h a l l B e O f J e s u s 2 0 5 . P a s s Me N o t , OG e n t l e S a v i o r 2 7 8 . My S o n g S h a l l B e O f J e s u s
H e b e r , R e g i n a l d( 1 7 8 3 1 8 2 6 ) F r a n c i s o f A s s i s i ( 1 1 8 1 / 1 1 8 2 1 2 2 6 ) 1 0 9 . H o l y , H o l y , H o l y
2 2 1 . A l l C r e a t u r e s o f O u r G o d a n d K i n g
F r a n c i s , S a m u e l T r e v o r ( 1 8 3 4 1 9 2 5 )
1 5 4 . OT h e D e e p , D e e p L o v e o f J e s u s
2 7 0 . G o d , T h a t Ma d e s t E a r t h a n d H e a v e n
H e e r m a n n , J o h a n n( 1 5 8 5 1 6 4 7 )
7 2 . J e s u s G r a n t T h a t B a l ma n d H e a l i n g
C r u l l , A u g u s t ( 1 8 4 5 1 9 2 3 )
1 1 8 . B a p t i z e d I n t o T h y N a m e Mo s t H o l y
F r a n z , I g n a z ( 1 7 1 9 1 7 9 0 )
3 9 . A n g e l s We H a v e H e a r d O n H i g h
H e l m b o l d , L u d w i g( 1 5 3 2 1 5 9 8 )
2 6 5 . Y o u P a r e n t s H e a r Wh a t J e s u s T a u g h t
0 6 . H o l y G o d , We P r a i s e T h y N a m e C u s h i n g , Wi l l i a mO r c u t t ( 1 8 2 3 -1 F r e n c h 1 9 0 2 ) 2 5 1 . U n d e r H i s Wi n g s
H e r n a m a n , C l a u d i aF r a n c e s I b o t s o n( 1 8 3 8 1 8 9 8 )
7 4 . L o r d Wh o T h r o u g h o u t T h e s e F o r t y D a y s
C z a m a n s k e , Wi l l i a mMa r t i n ( 1 8 7 3 1 9 6 4 )
2 6 5 . Y o u P a r e n t s H e a r Wh a t J e s u s T a u g h t
f r o mL a n d s h u t e r G e s a n g b u c h ,H e y d e r , F r i e d r i c hC h r i s t i a n 1 7 7 7 ( 1 6 7 7 1 7 5 4 )
1 3 2 . OL o r d , I A mN o t Wo r t h y
D a v i e s , S a m u e l ( 1 7 2 3 1 7 6 1 )
1 2 6 . Wh i l e O ' e r O u r G u i l t y L a n d , OL o r d
f r o mL i t u r g y o f S t . J a m e s
1 3 1 . L e t A l l Mo r t a l F l e s h K e e p S i l e n c e
1 2 8 . I C o m e , OS a v i o r , T o T h y T a b l e
D a v i s o n , W. H o p e ( 1 8 2 7 1 8 9 4 )
1 4 7 . J e s u s , K i n g o f G l o r y
f r o mS y m p h o n i aS i r e n u m S e l e c t a r u m , K l n , 1 6 9 5
9 4 . T h e S t r i f e I s O ' e r , T h e B a t t l e D o n e
H o r s t m a n n , J u l i u s H e r m a n E d wa r d( 1 8 6 9 1 9 5 4 )
2 0 8 . T a k e T h o u My H a n d a n d L e a d Me
D e a r m e r , P e r c y ( 1 8 6 7 1 9 3 6 )
2 1 2 . H e Wh o Wo u l d V a l i a n t B e
G a n s e , H e r v e y D o d d r i d g e ( 1 8 2 2 -1 9 2 . F o r A l l T h e S a i n t s 8 9 1 ) D i x , Wi l l i a mC h a t t e r t o n( 1 8 3 7 - 1 2 6 0 . We G i v e T h e e B u t T h i n e O w n 1 7 5 . N e a r e r , My G o d , T o T h e e 1 8 6 5 ) H u l l , E l e a n o r H e n r i e t t a( 1 8 6 0 G e r h a r d t , P a u l ( 1 6 0 7 1 6 7 6 ) 6 1 . Wh a t C h i l d I s T h i s ? 1 9 3 5 )
6 2 . A s Wi t h G l a d n e s s Me n o f O l d 1 4 2 . A l l e l u i a , S i n g T o J e s u s ! 2 6 . H a r k t h e G l a d S o u n d
H o w, Wi l l i a mWa l s h a m( 1 8 2 3 1 8 9 7 )
D o d d r i d g e , P h i l i p ( 1 7 0 2 1 7 5 1 ) D o u g l a s , C h a r l e s Wi n f r e d ( 1 8 6 7 1 9 4 4 )
6 4 . OC h i e f o f C i t i e s B e t h l e h e m
3 2 . OL o r d , H o wS h a l l I Me e t T h e e 4 1 . C o m e , Y o u r H e a r t a n d V o i c e s R a i s i n g 7 3 . AL a m b G o e s U n c o m p l a i n i n g F o r t h 8 6 . A w a k e , My H e a r t , Wi t h G l a d n e s s 1 2 0 . Y o u P e o p l e Wh o N o wA r e B a p t i z e d 1 4 9 . J e s u s , T h y B o u n d l e s s L o v e T o Me 1 7 6 . R e j o i c e , My H e a r t , B e G l a d a n d S i n g 2 4 3 . I f G o d H i m s e l f B e F o r Me
1 9 6 . B e T h o u My V i s i o n
H u s , J o h n( 1 3 6 9 1 4 1 5 )
1 2 9 . J e s u s C h r i s t , O u r B l e s s e d S a v i o r 1 3 0 . J e s u s C h r i s t , O u r B l e s s e d S a v i o r
I n g e m a n n , B e r n h a r d t S e v e r i n ( 1 7 8 9 1 8 6 2 )
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
0 0 . C o m e H o l y S p i r i t , L o r d O u r G o d 1 9 4 . T h r o u g h t h e N i g h t o f D o u b t a n d S o r r o w1 1 0 1 . C o m e , G o d C r e a t o r , H o l y G h o s t I r o n s , Wi l l i a mJ o s i a h( 1 8 1 2 1 8 8 3 ) 1 0 5 . G o d t h e F a t h e r B e O u r S t a y 1 7 9 . D a y o f Wr a t h , OD a y o f M o u r n i n g 1 0 7 . I s a i a h , Mi g h t y S e e r , I n D a y s o f O l d J a n u s , Ma r t i n( 1 6 2 0 1 6 8 2 ) 1 0 8 . We A l l B e l i e v e i n O n e T r u e G o d 2 7 6 . J e s u s , J o y o f Ma n ' s D e s i r i n g 1 1 0 . AMi g h t y F o r t r e s s I s O u r G o d J e f f r e y , J . ( 1 9 t hC e n t u r y ) 1 1 1 . I f G o d H a d N o t B e e n o n O u r S i d e 7 9 . O v e r K i d r o n J e s u s T r e a d e t h 1 1 2 . I f G o d H a d N o t B e e n o n O u r S i d e K e l l y , J o h n( 1 8 3 3 1 8 9 0 ) 1 1 3 . L o o k D o w n , OL o r d , F r o mH e a v e n 8 6 . A w a k e , My H e a r t , Wi t h G l a d n e s s B e h o l d 1 1 4 . L o o k D o w n , OL o r d , F r o mH e a v e n K e l l y , T h o m a s ( 1 7 6 9 1 8 5 5 ) B e h o l d 8 5 . S t r i c k e n , S m i t t e n , a n d A f f l i c t e d 1 1 5 . L o r d , K e e p U s S t e a d f a s t i n T h y Wo r d K e n , T h o m a s ( 1 6 3 7 1 7 1 1 ) 1 6 . T h e Mo u t h o f F o o l s D o t h G o d C o n f e s s 2 2 7 . P r a i s e G o d F r o m Wh o mA l l B l e s s i n g s 1 1 2 4 . O u t o f t h e D e e p I C r y t o T h e e F l o w 1 2 5 . O u t o f t h e D e e p I C r y t o T h e e 2 6 7 . A w a k e , My S o u l , A n d Wi t h T h e S u n 1 2 9 . J e s u s C h r i s t , O u r B l e s s e d S a v i o r 2 6 9 . A l l P r a i s e T o T h e e , My G o d , T h i s N i g h t 1 3 0 . J e s u s C h r i s t , O u r B l e s s e d S a v i o r K i d d e r , Ma r y A n nP e p p e r ( 1 8 2 0 1 3 7 . T h a t Me n a g o d l y L i f e Mi g h t L i v e 1 9 0 5 ) 1 4 0 . Wi l t T h o u , OMa n , L i v e H a p p i l y 2 1 6 . D i d Y o u T h i n k T o P r a y ? 1 6 0 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e K i n g o , T h o m a s H a n s e n( 1 6 3 4 - 1 6 1 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e 2 1 0 . H a p p y t h e Ma n Wh o F e a r e t h G o d 1 7 0 3 ) 2 1 1 . H a p p y t h e Ma n Wh o F e a r e t h G o d 7 9 . O v e r K i d r o n J e s u s T r e a d e t h 2 1 7 . O u r F a t h e r T h o u i n H e a v e n A b o v e 1 1 7 . A l l Wh o B e l i e v e a n d A r e B a p t i z e d 2 1 9 . We N o w I m p l o r e G o d t h e H o l y G h o s t K i t c h i n , G e o r g e Wi l l i a m( 1 8 2 7 2 2 6 . OL o r d We P r a i s e T h e e 1 9 1 2 ) 2 4 5 . I n T h e s e O u r D a y s S o P e r i l o u s 2 5 6 . L i f t H i g h T h e C r o s s 2 5 0 . T h o u g h i n t h e Mi d s t o f L i f e We B e K r a u t h , H a r r i e t R e y n o l d s ( 1 8 4 5 2 5 7 . Ma y G o d B e s t o wo n U s H i s G r a c e 1 9 2 5 ) 2 7 7 . L o r d G o d , T h y P r a i s e We S i n g 5 2 . L o , H o wAR o s e E ' e r B l o o m i n g L y t e , H e n r y F . ( 1 7 9 3 1 8 4 7 ) K r o p f , L o r e nJ . ( 1 9 8 9 ) 1 5 6 . P r a i s e My S o u l T h e K i n g O f H e a v e n 1 6 7 . A b i d e Wi t h Me 2 4 4 . I P l a c e My T r u s t I n G o d 2 5 0 . T h o u g h i n t h e Mi d s t o f L i f e We B e 2 5 7 . M a y G o d B e s t o wo n U s H i s G r a c e 2 7 7 . L o r d G o d , T h y P r a i s e We S i n g
Ma t t e s , J o h nC a s p e r ( 1 8 7 6 1 9 4 8 )
5 2 . L o , H o wAR o s e E ' e r B l o o m i n g
Ma u r u s , R h a b a n u s ( 7 7 6 8 5 6 )
1 0 1 . C o m e , G o d C r e a t o r , H o l y G h o s t
Ma x w e l l , J a m e s
1 2 3 . OL o r d My S o u l C o n v i c t e d
Me d i e v a l
1 0 8 . We A l l B e l i e v e i n O n e T r u e G o d 2 5 0 . T h o u g h i n t h e Mi d s t o f L i f e We B e
Me d l e y , S a m u e l ( 1 7 3 8 1 7 9 9 )
9 1 . I K n o wT h a t My R e d e e m e r L i v e s
Me r c e r , Wi l l i a m( 1 8 1 1 1 8 7 3 )
2 7 0 . G o d , T h a t Ma d e s t E a r t h a n d H e a v e n
Me y e r , L u c y J a n e R i d e r ( 1 8 4 9 1 9 2 2 )
2 5 5 . H e Wa s N o t Wi l l i n g
Mo h r , J o s e f ( 1 7 9 2 1 8 4 8 )
5 7 . S i l e n t N i g h t
Mo n t g o m e r y , J a m e s ( 1 7 7 1 1 8 5 4 )
3 8 . A n g e l s F r o mt h e R e a l m s o f G l o r y 8 2 . G o T o D a r k G e t h s e m a n e
Mo r i s o n , J o h n( 1 7 4 6 1 7 9 8 )
6 6 . T h e P e o p l e T h a t i n D a r k n e s s S a t
Mo t e , E d w a r d( 1 7 9 7 1 8 7 4 )
2 4 6 . My H o p e I s B u i l t
Mo u l t r i e , G e r a r d( 1 8 2 9 1 8 8 5 )
1 3 1 . L e t A l l M o r t a l F l e s h K e e p S i l e n c e
L a t i n
7 0 . OWo n d r o u s T y p e , OV i s i o n F a i r 1 0 0 . C o m e H o l y S p i r i t , L o r d O u r G o d 1 2 7 . A t T h e L a m b ' s H i g h F e a s t 2 4 5 . I n T h e s e O u r D a y s S o P e r i l o u s
M h l e n b e r g , Wi l l i a mA u g u s t u s ( 1 7 9 6 1 8 7 7 ) Ma c F a r l a n d , J o h nT . ( 1 8 5 1 1 9 1 3 )
4 0 . A w a y I n AMa n g e r 2 6 4 . S a v i o r , Wh o T h y F l o c k A r t F e e d i n g
Ma c F a r l a n e , J o h nMe n z i e s ( 1 8 3 3 1 8 9 2 )
4 2 . F a r , F a r A w a y O n J u d e a ' s P l a i n s
N a t h a n , E l i a s ( 1 8 4 0 1 9 0 1 )
2 4 2 . I K n o wWh o mI H a v e B e l i e v e d
L a y r i z , F r i d r i c h( 1 8 0 8 1 8 5 9 )
5 2 . L o , H o wAR o s e E ' e r B l o o m i n g
N e a l e , J o h nMa s o n( 1 8 1 8 1 8 6 6 )
3 0 . OC o m e OC o m e E m m a n u e l 3 6 . A G r e a t a n d M i g h t y Wo n d e r 2 5 4 . H a r k , t h e V o i c e o f J e s u s C a l l i n g 6 7 . T h e S t a r P r o c l a i m s t h e K i n g i s H e r e L i t t l e d a l e , R i c h a r dF r e d e r i c k Ma r q u e s s o f B u t e , J o h nP a t r i c k7 0 . OWo n d r o u s T y p e , OV i s i o n F a i r ( 1 8 3 3 1 8 9 0 ) C r i c h t o n S t u a r t ( 1 8 4 7 1 9 0 0 )7 7 . A l l G l o r y , L a u d , a n d H o n o r 9 9 . C o m e D o w n , OL o v e D i v i n e 6 4 . OC h i e f o f C i t i e s B e t h l e h e m 1 8 6 . J e r u s a l e mt h e G o l d e n L o n g f e l l o w, H e n r y Wa d s wo r t h Ma 2 7 4 . OT r i n i t y o f B l e s s e d L i g h t r r i o t t , J o h n( 1 7 8 0 1 8 2 5 ) ( 1 8 0 7 1 8 8 2 ) 2 5 3 . G o d , Wh o s e A l m i g h t y Wo r d N e a n d e r , J o a c h i m( 1 6 5 0 1 6 8 0 ) 4 7 . I H e a r d T h e B e l l s O n C h r i s t m a s D a y 2 8 . P r a i s e T o T h e L o r d , T h e A l m i g h t y Ma r t i n , C i v i l l aD u r f e e ( 1 8 6 6 - 2 1 7 2 . B l i n d B a r t i m a e u s
Ma r c h , D a n i e l ( 1 8 1 6 1 9 0 9 )
1 9 4 8 ) L o n g f e l l o w, S a m u e l ( 1 8 1 9 1 8 9 2 )2 3 8 . G o d Wi l l T a k e C a r e o f Y o u
1 0 2 . H o l y G h o s t , w i t h L i g h t D i v i n e
N e wb o l t , Mi c h a e l R o b e r t ( 1 8 7 4 1 9 5 6 )
2 5 6 . L i f t H i g h T h e C r o s s
L o w r y , R o b e r t ( 1 8 2 6 1 8 9 9 )
Ma s s i e , R i c h a r d( 1 8 0 0 1 8 8 7 )
N e wt o n , J o h n( 1 7 2 5 1 8 0 7 )
1 6 8 . A m a z i n g G r a c e
N i c h o l s o n , J a m e s L . ( 1 8 2 8 1 8 7 6 )
2 0 9 . Wh i t e r T h a n S n o w
N i c o l a i , P h i l l i p p ( 1 5 5 6 1 6 0 8 )
1 8 4 . Wa k e , A w a k e , f o r N i g h t I s F l y i n g
O a k e l e y , F r e d e r i c k( 1 8 0 2 1 8 8 0 )
5 4 . OC o m e , A l l Y e F a i t h f u l
O a t m a n , J r . , J o h n s o n( 1 8 5 6 1 9 2 2 )
1 5 1 . N o , N o t O n e !
O l e a r i u s ( O e l s c h l a e g e r ) , J o h a n n( 1 6 1 1 1 6 8 4 )
2 4 . C o m f o r t , C o m f o r t Y e My P e o p l e
O l i v e r s , T h o m a s ( 1 7 2 5 1 7 9 9 )
2 2 9 . T h e G o d o f A b r a h a mP r a i s e
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
P a l m e r , R a y ( 1 8 0 8 1 8 8 7 )
2 0 2 . My F a i t h L o o k s U p T o T h e e 4 8 . I n T h e B l e a k Mi d Wi n t e r 1 8 5 . I ' mB u t AS t r a n g e r H e r e
R u s s e l l , A r t h u r T o z e l ( 1 8 0 6 1 8 7 4 ) P a t r i c ko f I r e l a n d( c i r c a3 8 7 1 0 0 . C o m e H o l y S p i r i t , L o r d O u r G o d 4 9 3 )
1 1 9 . I B i n d U n t o My s e l f T o d a y
T h e o d u l f o f O r l e a n s ( 7 6 0 8 2 1 )
7 7 . A l l G l o r y , L a u d , a n d H o n o r
P e n n e y , B r i a nL . ( 1 9 5 1 )
2 9 . Ma g n i f i c a t 1 2 1 . H a v e Me r c y O n Me , OMy G o d 1 5 2 . OB e G l a d A l l N a t i o n s o n E a r t h 2 1 8 . T h e L o r d ' s P r a y e r ( n e w ) 2 6 6 . A w a k e My S o u l , A n O f f e r i n g B r i n g
1 2 4 . O u t o f t h e D e e p I C r y t o T h e e 1 2 5 . O u t o f t h e D e e p I C r y t o T h e e
T h o m a s o f C e l a n o( 1 3 t h C e n t u r y )
1 7 9 . D a y o f Wr a t h , OD a y o f Mo u r n i n g
R y g h , G e o r g e A l f r e dT a y l o r ( 1 8 6 0 1 9 4 2 )
1 1 7 . A l l Wh o B e l i e v e a n d A r e B a p t i z e d
T h o m p s o n , Wi l l L a m a r t i n e ( 1 8 4 7 1 9 0 9 )
1 8 3 . T h e r e ' s a G r e a t D a y C o m i n g
P e r r o n e t , E d w a r d( 1 7 2 6 1 7 9 2 )
1 4 1 . A l l H a i l T h e P o w e r O f J e s u s ' N a m e
S a c e r , G o t t f r i e dWi l h e l m( 1 6 3 5 T h r e l f a l l , J e a n e t t e ( 1 8 2 1 1 8 8 0 ) 1 6 9 9 ) 7 8 . H o s a n n a , L o u d H o s a n n a 9 5 . L o , G o d T o H e a v ' n A s c e n d e t h T h r i n g , G o d f r e y ( 1 8 2 3 1 9 0 3 ) S a n d e n , O . T . ( 1 8 5 3 1 9 1 7 ) 2 2 . L o r d , D i s m i s s U s Wi t h T h y B l e s s i n g
R a m b a c h , J o h a n nJ a k o b ( 1 6 9 3 - 6 7 . T h e S t a r P r o c l a i m s t h e K i n g i s H e r e v o nP f e i l , C h r i s t o p hK a r l 1 7 3 5 ) S e i s s , J o s e p hA u g u s t ( 1 8 2 3 1 9 0 4 ) L u d w i g( 1 7 1 2 1 7 8 4 )
1 1 8 . B a p t i z e d I n t o T h y N a m e Mo s t H o l y
5 3 . N o wP r a i s e We C h r i s t , t h e H o l y O n e
2 4 1 . I A mJ e s u s ' L i t t l e L a m b
R e e d , A n d r e w( 1 7 8 7 1 8 6 2 )
1 0 2 . H o l y G h o s t , w i t h L i g h t D i v i n e
1 4 3 . B e a u t i f u l S a v i o r
R e e s , T i m o t h y ( 1 8 7 4 1 9 3 9 )
1 0 3 . H o l y S p i r i t , E v e r D w e l l i n g
S m i t h , Wa l t e r C h a l m e r s ( 1 8 2 4 -v o nS c h l e g e l , K a t h a r i n a 1 9 0 8 ) A m a l i aD o r o t h e a( 1 6 9 7 1 7 6 8 )
2 2 4 . I m m o r t a l , I n v i s i b l e , G o d O n l y Wi s e
2 6 3 . O h , B l e s t t h e H o u s e
R e y n o l d s , Wi l l i a mMo r t o n ( 1 8 1 2 1 8 7 6 )
3 3 . S a v i o r O f T h e N a t i o n s C o m e
S m i t h e r s , N a t h a n i e l B a r r a t t ( 1 8 1 8 1 8 9 6 )
6 4 . OC h i e f o f C i t i e s B e t h l e h e m
1 6 9 . B e S t i l l My S o u l
Wa d e , J o h nF r a n c i s ( c i r c a1 7 1 0 1 7 8 6 )
5 4 . OC o m e , A l l Y e F a i t h f u l
R i n g wa l d t , B a r t h o l o m u s ( 1 5 3 2 1 5 9 9 )
1 8 2 . T h e D a y i s S u r e l y D r a w i n g N e a r
R i n k a r t , Ma r t i n( 1 5 8 6 1 6 4 9 )
2 3 3 . N o wT h a n k We A l l O u r G o d
R i p p o n , J o h n( 1 7 5 1 1 8 3 6 )
2 3 9 . H o wF i r m AF o u n d a t i o n
R o b e r t s o n , A n t h o n y ( 1 9 3 2 )
S t o n e , S a m u e l J o h n( 1 8 3 9 1 9 0 0 ) Wa r n e r , A n n aB . ( 1 8 2 7 1 9 1 5 ) 1 8 0 . T h e A p o s t l e L o o k e d a n d H e a r d a V o i c e 1 9 3 . T h e C h u r c h ' s O n e F o u n d a t i o n 1 3 5 . J e s u s L o v e s Me R o b i n s o n , J o s e p hA r m i t a g e S y n e s i u s o f C y r e n e ( 3 7 5 4 3 0 ) Wa t t s , I s a a c ( 1 6 7 4 1 7 4 8 ) ( 1 8 5 8 1 9 3 3 ) 1 2 2 . L o r d J e s u s T h i n k O n Me 5 0 . J o y t o t h e Wo r l d 7 1 . T i s G o o d , L o r d , T o B e H e r e T a p p a n , Wi l l i a mB i n g h a m( 1 7 9 4 7 6 . Wh e n I S u r v e y t h e Wo n d r o u s C r o s s R o b i n s o n , R o b e r t ( 1 7 3 5 1 7 9 0 ) 8 1 . ' T w a s O n T h a t D a r k , T h a t D o l e f u l N i g h t 1 8 4 9 )
1 9 7 . C o m e T h o u F o u n t O f E v e r y B l e s s i n g
R o s s e t t i , C h r i s t i n aG e o r g i n a ( 1 8 3 0 1 8 9 4 )
8 0 . ' T i s Mi d n i g h t a n d O n O l i v e ' s B r o w
T a y l o r , T h o m a s R a ws o n( 1 8 0 7 1 8 3 5 )
1 4 8 . J e s u s S h a l l R e i g n 2 0 4 . OT h a t T h e L o r d Wo u l d G u i d e My Wa y s 2 4 7 . O u r G o d , O u r H e l p I n A g e s P a s t
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
2 6 1 . L e t C h i l d r e n H e a r T h e Mi g h t y D e e d s
We b b , B e n j a m i n( 1 8 1 9 1 8 8 5 ) We s l e y , C h a r l e s ( 1 7 0 7 1 7 8 8 )
2 3 . C o m e , T h o u L o n g E x p e c t e d J e s u s 2 8 . L o ! H e C o m e s Wi t h C l o u d s D e s c e n d i n g 4 6 . H a r k ! T h e H e r a l d A n g e l s S i n g 8 9 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) 9 0 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) 9 2 . J e s u s C h r i s t I s R i s e n T o d a y 1 5 3 . OF o r AT h o u s a n d T o n g u e s 2 3 0 . A n d C a n I t B e
( 1 8 1 2 ? )
1 6 6 . T o d a y T h y Me r c y C a l l s Me
9 5 . L o , G o d T o H e a v ' n A s c e n d e t h 2 3 3 . N o wT h a n k We A l l O u r G o d
1 6 3 . OL o v e , H o wD e e p , H o wB r o a d , H o wH i g hB a c h , J o h a n nS e b a s t i a n( 1 6 8 5 -
1 7 5 0 )
7 1 . T i s G o o d , L o r d , T o B e H e r e 8 4 . OS a c r e d H e a d , N o wWo u n d e d 9 3 . J e s u s C h r i s t Wh o C a m e t o S a v e 1 0 1 . C o m e , G o d C r e a t o r , H o l y G h o s t 1 2 4 . O u t o f t h e D e e p I C r y t o T h e e 2 7 2 . N o wR e s t B e n e a t h N i g h t ' s S h a d o w 2 7 6 . J e s u s , J o y o f M a n ' s D e s i r i n g
C u m m i n g s , Wi l l i a mH a y m a n ( 1 8 3 1 1 9 1 5 )
4 6 . H a r k ! T h e H e r a l d A n g e l s S i n g
C z e c h , K i r c h e n g e s e n g , 1 5 6 6
1 2 7 . A t T h e L a m b ' s H i g h F e a s t
D a c h s t e i n , Wo l f g a n gE g e n o l f ( c i r c a1 4 8 7 1 5 5 3 )
7 3 . AL a m b G o e s U n c o m p l a i n i n g F o r t h
We s l e y , J o h n( 1 7 0 3 1 7 9 1 )
1 4 9 . J e s u s , T h y B o u n d l e s s L o v e T o M e
D e w e y , Ma r kH a m i l t o n( 1 9 8 0 ) B a c o n , L e o n a r dWo o l s e y ( 1 8 3 0 -1 9 6 . B e T h o u My V i s i o n 1 9 0 7 ) D o a n e , Wi l l i a mH o wa r d( 1 8 3 2 1 0 0 . C o m e H o l y S p i r i t , L o r d O u r G o d
Wh a t e l y , R i c h a r d( 1 7 8 7 1 8 6 3 )
2 7 0 . G o d , T h a t Ma d e s t E a r t h a n d H e a v e n
B a r n b y , J o s e p h( 1 8 3 8 1 8 9 6 )
2 5 4 . H a r k , t h e V o i c e o f J e s u s C a l l i n g
1 9 1 5 )
2 0 0 . Mo r e L o v e t o T h e e 2 0 5 . P a s s Me N o t , OG e n t l e S a v i o r
Wh i t t l e , D a n i e l We b s t e r ( 1 8 4 0 -B a r n e s , E d w a r d( o r E d w i n ) S . 1 9 0 1 ) ( 1 8 8 7 1 9 5 8 )
2 4 2 . I K n o wWh o mI H a v e B e l i e v e d
Wi l l i a m s , P e t e r ( 1 7 2 3 1 7 9 6 )
1 9 8 . G u i d e Me , OT h o u G r e a t J e h o v a h 1 9 8 . G u i d e Me , OT h o u G r e a t J e h o v a h
3 9 . A n g e l s We H a v e H e a r d O n H i g h
D o u g l a s , C h a r l e s Wi n f r e d ( 1 8 6 7 1 9 4 4 )
7 0 . OWo n d r o u s T y p e , OV i s i o n F a i r 1 6 3 . OL o v e , H o wD e e p , H o wB r o a d , H o wH i g h
B a s q u e
2 5 . G a b r i e l ' s Me s s a g e 1 7 7 . T h e O l d R u g g e d C r o s s
Wi l l i a m s , Wi l l i a m( 1 7 1 7 1 7 9 1 ) B e n n a r d , G e o r g e ( 1 8 7 3 1 9 5 8 ) Wi n g a r d , J a y C .
1 5 9 . C h r i s t My K i n g O n H i g h
D r e t z e l , K o r n e l i u s H e i n r i c h ( 1 6 9 7 1 7 7 5 )
1 1 8 . B a p t i z e d I n t o T h y N a m e Mo s t H o l y
D u m o n t , B r i a nJ a m e s ( 1 9 7 1 ) 1 2 7 . A t T h e L a m b ' s H i g h F e a s t Wi n k wo r t h , C a t h e r i n e ( 1 8 2 7 - 2 2 8 . P r a i s e T o T h e L o r d , T h e A l m i g h t y 2 3 2 . H i s G i f t s 1 8 7 8 ) B l a c k , J a m e s Mi l t o n( 1 8 5 6 1 9 3 8 )2 7 5 . C a n o n i n D 1 8 . B l e s s e d J e s u s a t T h y Wo r d 1 9 5 . Wh e n T h e R o l l I s C a l l e d U p Y o n d e r D u t c h 1 9 . O p e n N o wT h y G a t e s o f B e a u t y B l i s s , P h i l i p P a u l ( 1 8 3 8 1 8 7 6 ) 2 0 . We G a t h e r T o g e t h e r 2 4 . C o m f o r t , C o m f o r t Y e My P e o p l e
4 3 . F r o mH e a v e n A b o v e T o E a r t h I C o m e 1 1 5 . L o r d , K e e p U s S t e a d f a s t i n T h y Wo r d 1 1 8 . B a p t i z e d I n t o T h y N a m e Mo s t H o l y 1 8 4 . Wa k e , A w a k e , f o r N i g h t I s F l y i n g 2 0 1 . L o r d , T h e e I L o v e w i t h A l l My H e a r t 2 2 8 . P r a i s e T o T h e L o r d , T h e A l m i g h t y 2 3 3 . N o wT h a n k We A l l O u r G o d 2 3 6 . A l l D e p e n d s O n O u r P o s s e s s i n g 2 3 7 . F e a r N o t , OL i t t l e F l o c k 2 6 3 . O h , B l e s t t h e H o u s e 1 4 5 . H a l l e l u j a h , Wh a t a S a v i o r ! 1 7 3 . I t I s We l l Wi t h My S o u l 2 1 5 . Wh e r e H e L e a d s Me 2 4 8 . S o u l s o f Me n ! Wh y Wi l l Y e S c a t t e r
B e n n e t t , Wi l l i a mS t e r n d a l e ( 1 8 1 6 1 8 7 5 )
D y k e s , J o h nB a c c h u s ( 1 8 2 3 1 8 7 6 )
8 0 . ' T i s Mi d n i g h t a n d O n O l i v e ' s B r o w 8 1 . ' T w a s O n T h a t D a r k , T h a t D o l e f u l N i g h t 1 0 9 . H o l y , H o l y , H o l y 1 3 6 . L a m p o f O u r F e e t 1 4 7 . J e s u s , K i n g o f G l o r y 1 7 9 . D a y o f Wr a t h , OD a y o f Mo u r n i n g 2 4 0 . H o wS h a l l We A n s w e r T e r r o r ' s C r y ? 2 4 6 . My H o p e I s B u i l t
B o h e m i a n
5 1 . L e t O u r G l a d n e s s H a v e N o E n d
B o u r g e o i s , L o u i s ( 1 5 1 0 1 5 6 1 )
2 2 7 . P r a i s e G o d F r o m Wh o mA l l B l e s s i n g s F l o w 2 6 7 . A w a k e , My S o u l , A n d Wi t h T h e S u n
Wo o d , Mr s . J a m e s W.
2 1 3 . J e s u s Wa n t s A l l O f H i s C h i l d r e n
B r a c k e t t , J o s e p h( 1 7 9 7 1 8 8 2 )
2 3 2 . H i s G i f t s
E l v e y , G e o r g e J o b ( 1 8 1 6 1 8 9 3 )
Wo r d s wo r t h , C h r i s t o p h e r ( 1 8 0 7 1 8 8 5 )
5 8 . S i n g , OS i n g , T h i s B l e s s e d Mo r n 6 5 . S o n g s o f T h a n k f u l n e s s a n d P r a i s e 9 7 . S e e , T h e L o r d A s c e n d s I n T r i u m p h 1 5 7 . T h e G a l i l e a n F i s h e r s T o i l 2 2 2 . A l l e l u i a , A l l e l u i a ! H e a r t s t o H e a v e n a n d V o i c e s R a i s e 2 3 4 . OD a y o f R e s t A n d G l a d n e s s 2 3 5 . OL o r d o f H e a v ' na n d E a r t h a n d S e a 5 7 . S i l e n t N i g h t
5 . S o n g s o f T h a n k f u l n e s s a n d P r a i s e B r a d b u r y , Wi l l i a mB a t c h e l d e r 6 1 4 4 . C r o w n H i m Wi t h Ma n y C r o w n s ( 1 8 1 6 1 8 6 8 ) E n g l i s h 1 3 5 . J e s u s L o v e s Me 1 9 9 . H e L e a d e t h Me 2 0 6 . S a v i o r , L i k e AS h e p h e r d L e a d U s
C a l k i n , J o h nB a p t i s t e ( 1 8 2 7 1 9 0 5 )
4 7 . I H e a r d T h e B e l l s O n C h r i s t m a s D a y
C a r r e l l , J a m e s P . ( 1 7 8 7 1 8 5 4 )
1 6 8 . A m a z i n g G r a c e 2 9 . Ma g n i f i c a t
4 5 . G o d R e s t Y e Me r r y G e n t l e m e n 5 9 . T h e F i r s t N o e l 6 1 . Wh a t C h i l d I s T h i s ? 7 0 . OWo n d r o u s T y p e , OV i s i o n F a i r 1 6 3 . OL o v e , H o wD e e p , H o wB r o a d , H o w H i g h 2 1 2 . H e Wh o Wo u l d V a l i a n t B e 2 4 9 . T h i n e A r m , OL o r d , i n D a y s o f O l d
C l a r k e , J e r e m i a h( 1 6 5 9 1 7 0 7 ) Y o u n g , J o h nF r e e m a n( 1 8 2 0 1 8 8 5 ) Z a v o r k a , T o b i a s
5 1 . L e t O u r G l a d n e s s H a v e N o E n d
E r y t h r a e u s
1 0 0 . C o m e H o l y S p i r i t , L o r d O u r G o d 1 0 7 . I s a i a h , M i g h t y S e e r , I n D a y s o f O l d 2 4 5 . I n T h e s e O u r D a y s S o P e r i l o u s 2 5 0 . T h o u g h i n t h e Mi d s t o f L i f e We B e
C l a y t o n , D a v i dL .
1 6 8 . A m a z i n g G r a c e
o n v e r s e , C h a r l e s C r o z a t ( 1 8 3 4 E v a n s , D a v i d( 1 8 7 4 1 9 4 8 ) I n d e xo f C o m p o s e r sC 1 9 1 8 ) 1 5 2 . OB e G l a d A l l N a t i o n s o n E a r t h 2 0 . Wh a t AF r i e n d We H a v e I n J e s u s a n dA r r a n g e r s 2 2 1 8 . T h e L o r d ' s P r a y e r ( n e w ) C r o f t , Wi l l i a m( 1 6 7 8 1 7 2 7 )
1 3 4 . A l m i g h t y G o d Y o u r Wo r d I s C a s t 2 4 7 . O u r G o d , O u r H e l p I n A g e s P a s t 1 8 6 . J e r u s a l e mt h e G o l d e n
A r r a n g e d h y m n s i n i t a l i c s
E wi n g , A l e x a n d e r C . ( 1 8 3 0 1 8 9 5 ) E x c e l l , E d wi nO t h e l l o( 1 8 5 1 1 9 2 1 )
1 6 8 . A m a z i n g G r a c e
A h l e , J o h a n nR u d o l p h( 1 6 2 5 1 6 7 3 )
1 8 . B l e s s e d J e s u s a t T h y Wo r d
C r g e r , J o h a n n( 1 5 9 8 1 6 6 2 )
3 2 . OL o r d , H o wS h a l l I Me e t T h e e 8 6 . A w a k e , My H e a r t , Wi t h G l a d n e s s
A n t h e s , F r i e d r i c hK o n r a d
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
F i s c h e r , Wi l l i a mG u s t a v u s ( 1 8 3 5 1 9 1 2 )
2 0 9 . Wh i t e r T h a n S n o w
Ma r i aT h e r e s a , 1 7 7 4
1 0 6 . H o l y G o d , We P r a i s e T h y N a m e
2 6 7 . A w a k e , My S o u l , A n d Wi t h T h e S u n
G e r m a n
4 1 . C o m e , Y o u r H e a r t a n d V o i c e s R a i s i n g 1 3 8 . T h e G o s p e l S h o w s T h e F a t h e r ' s G r a c e 2 1 9 . We N o wI m p l o r e G o d t h e H o l y G h o s t 2 2 6 . OL o r d We P r a i s e T h e e 2 3 4 . OD a y o f R e s t A n d G l a d n e s s 2 3 7 . F e a r N o t , OL i t t l e F l o c k 2 4 3 . I f G o d H i m s e l f B e F o r Me 2 5 7 . Ma y G o d B e s t o wo n U s H i s G r a c e 2 6 5 . Y o u P a r e n t s H e a r Wh a t J e s u s T a u g h t
F r e n c h
3 0 . OC o m e OC o me E m m a n u e l 3 9 . A n g e l s We H a v e H e a r d O n H i g h 9 0 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) 1 3 1 . L e t A l l Mo r t a l F l e s h K e e p S i l e n c e
f r o mK l u g ' s G e i s t l i c h e L i e d e r a u f f s n e wg e b e s s e r t , Wi t t e n b e r g , 1 5 4 3
1 1 5 . L o r d , K e e p U s S t e a d f a s t i n T h y Wo r d 1 3 9 . T h e L a wO f G o d I s G o o d A n d Wi s e
f r o mA l t e s C a t h o l i s c h e G e i s t l i c h e K i r c h e n g e s e n g , K l n , 1 5 9 9
3 6 . AG r e a t a n d Mi g h t y Wo n d e r 5 2 . L o , H o wAR o s e E ' e r B l o o m i n g
f r o mA n d e r T h e i l d e s f r o mK p f e l ' s G e s a n g b u c h , E r n e u e r t e nG e s a n g b u c h , 1 6 6 5 S t r a s s b u r g , 1 5 2 5 2 2 8 . P r a i s e T o T h e L o r d , T h e A l m i g h t y f r o mB r u d e r C h o r a l B u c h , 1 7 8 4
2 4 1 . I A mJ e s u s ' L i t t l e L a m b 1 2 5 . O u t o f t h e D e e p I C r y t o T h e e
9 3 . J e s u s C h r i s t Wh o C a m e t o S a v e 1 2 0 . Y o u P e o p l e Wh o N o wA r e B a p t i z e d 1 3 0 . J e s u s C h r i s t , O u r B l e s s e d S a v i o r 1 6 0 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e 1 8 2 . T h e D a y i s S u r e l y D r a w i n g N e a r 2 1 1 . H a p p y t h e Ma n Wh o F e a r e t h G o d 2 6 3 . O h , B l e s t t h e H o u s e
G e s i u s , B a r t o l o m u s ( 1 5 5 5 1 6 1 3 )
2 1 0 . H a p p y t h e M a n Wh o F e a r e t h G o d
G i a r d i n i , F e l i c e d e ( 1 7 1 6 1 7 9 6 )
2 5 3 . G o d , Wh o s e A l m i g h t y Wo r d
G i b b o n s , O r l a n d o( 1 5 8 3 1 6 2 5 )
1 0 2 . H o l y G h o s t , w i t h L i g h t D i v i n e
G l s e r , C a r l G o t t h e l f ( 1 7 8 4 1 8 2 9 )
9 6 . T h e C l o u d R e c e i v e d C h r i s t F r o mT h e i r S i g h t 1 5 3 . OF o r AT h o u s a n d T o n g u e s
f r o mL i e d e r b u c hf r K l e i n k i n d e r S c h u l e n , 1 8 4 2 f r o mC a n t i o n a l e G e r m a n i c u m , 2 7 3 . N o wt h e L i g h t H a s G o n e A w a y D r e s d e n , 1 6 2 8 f r o mL y r aD a v i d i c a , 1 7 0 8 1 3 8 . T h e G o s p e l S h o w s T h e F a t h e r ' s G r a c e
2 6 5 . Y o u P a r e n t s H e a r Wh a t J e s u s T a u g h t 9 2 . J e s u s C h r i s t I s R i s e n T o d a y
G o s s , J o h n( 1 8 0 0 1 8 8 0 )
5 6 . S e e A m i d t h e Wi n t e r ' s S n o w 7 1 . T i s G o o d , L o r d , T o B e H e r e 1 5 6 . P r a i s e My S o u l T h e K i n g O f H e a v e n
f r o mS c h u m a n n ' s G e i s t l i c h e L i e d e r , L e i p z i g , 1 5 3 9 7 4 . L o r d Wh o T h r o u g h o u t T h e s e F o r t y D a y s f r o mD a y ' s P s a l t e r , 1 5 6 3
1 5 7 . T h e G a l i l e a n F i s h e r s T o i l
G r i e g , E d v a r dH a g e r u p ( 1 8 4 3 1 9 0 7 )
4 3 . F r o mH e a v e n A b o v e T o E a r t h I C o m e 1 8 7 . B e h o l d , AH o s t , A r r a y e d i n Wh i t e 6 0 . T o S h e p h e r d s A s T h e y Wa t c h e d B y N i g h t G r u b e r , F r a n z X a v e r ( 1 7 8 7 1 8 6 3 ) f r o mE m s k i r c h n e r C h o r a l b u c h ,
f r o mS o u t h e r nH a r m o n y , 1 8 3 5 5 7 . S i l e n t N i g h t 2 3 . C o m e , T h o u L o n g E x p e c t e d J e s u s H a n d e l , G e o r g e F r e d e r i c k( 1 6 8 5 1 2 8 . I C o me , OS a v i o r , T o T h y T a b l e f r o m S t r a s s b u r g , 1 5 7 7 1 7 5 9 ) f r o mE r f u r t E n c h i r i d i o n , 1 5 2 4 1 7 5 6
5 3 . N o wP r a i s e We C h r i s t , t h e H o l y O n e 1 1 3 . L o o k D o w n , OL o r d , F r o mH e a v e n B e h o l d 1 3 7 . T h a t Me n a g o d l y L i f e Mi g h t L i v e 2 0 1 . L o r d , T h e e I L o v e w i t h A l l My H e a r t
f r o mS we d i s hP i a e C a n t o n e s , 1 5 8 2
4 4 . G e n t l e Ma r y L a i d H e r C h i l d
5 0 . J o y t o t h e Wo r l d
H a s s l e r , H a n s L e o( 1 5 6 4 1 6 1 2 )
8 4 . OS a c r e d H e a d , N o wWo u n d e d 1 1 5 . L o r d , K e e p U s S t e a d f a s t i n T h y Wo r d
f r o mG e i s t r e i c h e s G e s a n g b u c h D a r m s t a d t , 1 6 9 8
2 7 . J e s u s C a m e , t h e H e a v e n s A d o r i n g
f r o mWa l t e r ' s H y m n a l , 1 5 3 7
H a we i s , T h o m a s ( 1 7 3 4 1 8 2 0 )
1 7 1 8
9 8 . B r e a t h e o n Me , B r e a t h o f G o d
G e n e v a nP s a l t e r
1 9 1 . F a i t h o f O u r F a t h e r s
2 2 7 . P r a i s e G o d F r o m Wh o mA l l B l e s s i n g s l o w f r o mK a t h o l i s c h e s G e s a n g b u c h , F
H e r m a n n , N i k o l a u s ( 1 5 0 0 1 5 6 1 )
6 6 . T h e P e o p l e T h a t i n D a r k n e s s S a t 2 6 8 . OH o l y , B l e s s e d T r i n i t y
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
1 4 6 . I N e e d T h e e E v e r y H o u r u t h e r , Ma r t i n( 1 4 8 3 1 5 4 6 ) 2 2 2 . A l l e l u i a , A l l e l u i a ! H e a r t s t o H e a v e n a n dL 1 0 7 . I s a i a h , Mi g h t y S e e r , I n D a y s o f O l d V o i c e s R a i s e 1 0 8 . We A l l B e l i e v e i n O n e T r u e G o d 2 2 5 . J o y f u l , J o y f u l , We A d o r e T h e e 1 1 0 . AMi g h t y F o r t r e s s I s O u r G o d H o l d e n , O l i v e r ( 1 7 6 5 1 8 4 4 ) 1 2 4 . O u t o f t h e D e e p I C r y t o T h e e 1 4 1 . A l l H a i l T h e P o w e r O f J e s u s ' N a m e 1 4 0 . Wi l t T h o u , O Ma n , L i v e H a p p i l y H o l s t , G u s t a vT h e o d o r e ( 1 8 7 4 1 6 1 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e 1 9 3 4 ) 2 1 7 . O u r F a t h e r T h o u i n H e a v e n A b o v e 4 8 . I n T h e B l e a k Mi d Wi n t e r 2 4 5 . I n T h e s e O u r D a y s S o P e r i l o u s H o p k i n s , J o h n( ? 1 5 7 0 ) 2 5 0 . T h o u g h i n t h e Mi d s t o f L i f e We B e 2 2 7 . P r a i s e G o d F r o m Wh o mA l l B l e s s i n g s F l o w2 5 2 . D e s p a i r N o t , OH e a r t 2 6 7 . A w a k e , My S o u l , A n d Wi t h T h e S u n 2 5 7 . Ma y G o d B e s t o wo n U s H i s G r a c e 7 7 . L o r d G o d , T h y P r a i s e We S i n g H u g g , G e o r g e C r a wf o r d( 1 8 4 8 - 2
H o d g e s , E d wa r d( 1 7 9 6 1 8 6 7 )
Mo z a r t , Wo l f g a n gA m a d e u s ( 1 7 5 6 1 7 9 1 )
2 0 7 . T a k e My L i f e A n d L e t I t B e
Mu r r a y , J a m e s R a m s e y ( 1 8 4 1 1 9 0 5 )
4 0 . A w a y I n AMa n g e r
N e a n d e r , J o a c h i m( 1 6 5 0 1 6 8 0 )
1 9 . O p e nN o wT h y G a t e s o f B e a u t y
N e t t l e t o n , A s a h e l ( 1 7 8 3 1 8 4 4 )
1 9 7 . C o m e T h o u F o u n t O f E v e r y B l e s s i n g
N i c h o l s o n , S y d n e y H u g o( 1 8 7 5 1 9 4 7 )
2 5 6 . L i f t H i g h T h e C r o s s
1 9 0 7 )
1 5 1 . N o , N o t O n e !
L y o n , Me y e r ( 1 7 5 1 1 7 9 7 )
2 2 9 . T h e G o d o f A b r a h a mP r a i s e
N i c o l a i , P h i l l i p p ( 1 5 5 6 1 6 0 8 )
1 8 4 . Wa k e , A w a k e , f o r N i g h t I s F l y i n g
H u g h e s , J o h n( 1 8 7 3 1 9 3 2 )
1 9 8 . G u i d e Me , OT h o u G r e a t J e h o v a h
Ma c F a r l a n e , J o h nMe n z i e s ( 1 8 3 3 1 8 9 2 )
N o r r i s , J o h nS a m u e l ( 1 8 4 4 1 9 0 7 )
2 1 5 . Wh e r e H e L e a d s Me
2 . F a r , F a r A w a y O n J u d e a ' s P l a i n s H u t c h i n s , C h a r l e s L e wi s ( 1 8 3 8 - 4 N o r w e g i a n Ma k e r , F r e d e r i c kC . ( 1 8 4 4 1 9 2 7 )1 1 9 2 0 ) 8 7 . B e h o l d , AH o s t , A r r a y e d i n Wh i t e 1 7 0 . B e n e a t h T h e C r o s s O f J e s u s 1 2 3 . OL o r d My S o u l C o n v i c t e d N g e l i , H a n s G e o r g( 1 7 7 3 1 8 3 6 ) r t i n , Wa l t e r S t i l l m a n( 1 8 6 2 -1 I n g a l l s , J e r e m i a h( 1 7 6 4 1 8 2 8 ) Ma 8 9 . B l e s t B e T h e T i e T h a t B i n d s 1 7 2 . B l i n d B a r t i m a e u s 1 9 3 5 ) O l i v e r , H e n r y K e m b l e ( 1 8 0 0 1 8 8 5 ) 2 3 0 . A n d C a n I t B e 2 3 8 . G o d Wi l l T a k e C a r e o f Y o u
I r i s h
1 9 6 . B e T h o u My V i s i o n
Ma s o n , L o w e l l ( 1 7 9 2 1 8 7 2 )
1 2 6 . Wh i l e O ' e r O u r G u i l t y L a n d , OL o r d
I s a a c , H e i n r i c h( 1 4 5 0 1 5 1 7 )
2 7 2 . N o wR e s t B e n e a t h N i g h t ' s S h a d o w
K i r k p a t r i c k , Wi l l i a mJ a m e s ( 1 8 3 8 1 9 2 1 )
1 0 4 . T h e C o m f o r t e r H a s C o m e
K n a p p , P h o e b e P . ( 1 8 3 9 1 9 0 8 )
1 7 1 . B l e s s e d A s s u r a n c e
K o c h e r , C o n r a d( 1 7 8 6 1 8 7 2 )
6 2 . A s Wi t h G l a d n e s s Me n o f O l d 2 3 1 . F o r T h e B e a u t y O f T h e E a r t h
5 0 . J o y t o t h e Wo r l d 2 8 . L o ! H e C o m e s Wi t h C l o u d s D e s c e n d i n g 9 6 . T h e C l o u d R e c e i v e d C h r i s t F r o mT h e i r O we n , Wi l l i a m( 1 8 1 3 1 8 9 3 ) S i g h t 1 5 0 . L o r d , E n t h r o n e d i n H e a v e n l y S p l e n d o r 1 5 3 . OF o r AT h o u s a n d T o n g u e s P a c h e l b e l , J o h a n n ( 1 6 5 3 1 7 0 6 ) 1 7 5 . N e a r e r , My G o d , T o T h e e 2 7 5 . C a n o n i n D 1 8 8 . B l e s t B e T h e T i e T h a t B i n d s P a l e s t r i n a , G i o v a n n i P i e r l u i g i 2 0 2 . My F a i t h L o o k s U p T o T h e e 2 0 4 . OT h a t T h e L o r d Wo u l d G u i d e My Wa y s d a( 1 5 2 5 1 5 9 4 ) 4 . T h e S t r i f e I s O ' e r , T h e B a t t l e D o n e Mc G r a n a h a n , J a m e s ( 1 8 4 0 1 9 0 7 )9 1 7 8 . C h r i s t R e t u r n e t h P a r r y , J o s e p h( 1 8 4 1 1 9 0 3 ) 2 4 2 . I K n o wWh o mI H a v e B e l i e v e d 7 5 . S a v i o r Wh e n I n D u s t T o T h e e
O l i v e r s , T h o m a s ( 1 7 2 5 1 7 9 9 )
K r e m s e r , E d u a r d( 1 8 3 8 1 9 1 4 )
2 0 . We G a t h e r T o g e t h e r
Me d i e v a l
1 0 8 . We A l l B e l i e v e i n O n e T r u e G o d 2 5 0 . T h o u g h i n t h e Mi d s t o f L i f e We B e 4 6 . H a r k ! T h e H e r a l d A n g e l s S i n g
P a x t o n , K e n n e t hW.
1 7 4 . My S o n g S h a l l B e O f J e s u s 2 7 8 . My S o n g S h a l l B e O f J e s u s 2 6 6 . A w a k e My S o u l , A n O f f e r i n g B r i n g
K r i e g e r , A d a m( 1 6 3 4 1 6 6 6 )
1 5 5 . O n e T h i n g ' s N e e d f u l
Me n d e l s s o h n , F e l i x( 1 8 0 9 1 8 4 7 ) P e n n e y , B r i a nL . ( 1 9 5 1 )
K r o p f , L o r e nJ . ( 1 9 8 9 )
Me y e r , J o h a n nD a v i d( 1 6 3 6 1 6 9 6 ) P e r k i n s , Wi l l i a mO s c a r ( 1 8 3 1 2 4 4 . I P l a c e My T r u s t I n G o d 2 3 5 . OL o r d o f H e a v ' n a n d E a r t h a n d S e a 1 9 0 2 ) K n i g , J o h a n nB a l t h a s a r ( 1 6 9 1 -Me y e r , L u c y J a n e R i d e r ( 1 8 4 9 - 2 1 6 . D i d Y o u T h i n k T o P r a y ? 1 7 5 8 ) 1 9 2 2 ) P e t t m a n , E d g a r ( 1 8 6 6 1 9 4 3 )
7 2 . J e s u s G r a n t T h a t B a l ma n d H e a l i n g 1 5 8 . B y G r a c e I ' mS a v e d 1 7 6 . R e j o i c e , My H e a r t , B e G l a d a n d S i n g 2 3 6 . A l l D e p e n d s O n O u r P o s s e s s i n g 2 5 5 . H e Wa s N o t Wi l l i n g 2 5 . G a b r i e l ' s Me s s a g e
Mi l l e r , E d w a r d( 1 7 3 5 1 8 0 7 )
7 6 . Wh e n I S u r v e y t h e Wo n d r o u s C r o s s 2 2 3 . A n g e l V o i c e s , E v e r S i n g i n g
P r a e t o r i u s , Mi c h a e l ( 1 5 7 1 1 6 2 1 )
2 1 . I n P e a c e a n d J o y I N o wD e p a r t 3 6 . AG r e a t a n d M i g h t y Wo n d e r 5 2 . L o , H o wAR o s e E ' e r B l o o m i n g 5 3 . N o wP r a i s e We C h r i s t , t h e H o l y O n e 6 4 . OC h i e f o f C i t i e s B e t h l e h e m 1 1 1 . I f G o d H a d N o t B e e n o n O u r S i d e 1 1 6 . T h e Mo u t h o f F o o l s D o t h G o d C o n f e s s 1 2 0 . Y o u P e o p l e Wh o N o wA r e B a p t i z e d 1 3 7 . T h a t Me n a g o d l y L i f e Mi g h t L i v e 1 6 0 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e 1 8 1 . T h e B r i d e g r o o mS o o n Wi l l C a l l U s
L a t i n
5 3 . N o wP r a i s e We C h r i s t , t h e H o l y O n e 1 0 0 . C o m e H o l y S p i r i t , L o r d O u r G o d 1 0 1 . C o m e , G o d C r e a t o r , H o l y G h o s t 2 7 4 . OT r i n i t y o f B l e s s e d L i g h t 2 7 7 . L o r d G o d , T h y P r a i s e We S i n g
1 . O n J o r d a n ' s B a n k t h e B a p t i s t ' s C r y Mo n k , E d wi nG e o r g e ( 1 8 1 9 1 9 0 0 )3
Mo n k , Wi l l i a mH e n r y ( 1 8 2 3 1 8 8 9 )
5 8 . S i n g , OS i n g , T h i s B l e s s e d Mo r n 6 2 . A s Wi t h G l a d n e s s Me n o f O l d 8 3 . J e s u s , I nT h y D y i n g Wo e s 9 4 . T h e S t r i f e I s O ' e r , T h e B a t t l e D o n e 1 3 3 . T h o u , Wh o a t T h y F i r s t E u c h a r i s t 1 6 7 . A b i d e Wi t h Me 2 0 3 . N o t Wo r t h y , L o r d , t o G a t h e r U p t h e C r u m b s 2 6 0 . We G i v e T h e e B u t T h i n e O w n
L a y r i z , F r i d r i c h( 1 8 0 8 1 8 5 9 )
1 8 . B l e s s e d J e s u s a t T h y Wo r d 9 5 . L o , G o d T o H e a v ' n A s c e n d e t h 1 5 5 . O n e T h i n g ' s N e e d f u l 2 6 4 . S a v i o r , Wh o T h y F l o c k A r t F e e d i n g
L i n d e m a n , L u d v i gMa t h i a s ( 1 8 1 2 1 8 8 7 )
7 9 . O v e r K i d r o n J e s u s T r e a d e t h 1 9 0 . B u i l t o n t h e R o c k
P r i c h a r d , R o wl a n dH . ( 1 8 1 1 1 8 8 7 )
1 4 2 . A l l e l u i a , S i n g T o J e s u s ! 2 5 9 . L o r d o f G l o r y , Wh o H a s t B o u g h t U s
Mo r i t z v o nH e s s e n , L a n d g r a f ( 1 5 7 2 1 6 2 7 )
1 0 5 . G o d t h e F a t h e r B e O u r S t a y 2 7 7 . L o r d G o d , T h y P r a i s e We S i n g
L o w r y , R o b e r t ( 1 8 2 6 1 8 9 9 )
8 7 . C h r i s t A r o s e
P u r c e l l , H e n r y ( 1 6 5 8 1 6 9 5 )
6 3 . I n H i s T e m p l e N o wB e h o l d H i m
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
8 2 7 ) R a v e n s c r o f t , T h o m a s ( 1 5 9 2 1 6 3 5 ) 1
2 6 6 . A w a k e My S o u l , A n O f f e r i n g B r i n g
R e d h e a d , R i c h a r d( 1 8 2 0 1 9 0 1 )
8 2 . G o T o D a r k G e t h s e m a n e
2 7 0 . G o d , T h a t Ma d e s t E a r t h a n d H e a v e n 1 2 9 . J e s u s C h r i s t , O u r B l e s s e d S a v i o r 5 5 . OL i t t l e T o w no f B e t h l e h e m G e n 1 : 1 2 1 0 3 . H o l y S p i r i t , E v e r D w e l l i n g v o nWe b e r , C a r l Ma r i a R h a u , G e o r g e ( 1 4 8 8 1 5 4 8 ) G e n 1 : 3 2 7 4 . O T r i n i t y o f B l e s s e d L i g h t F r i e d r i c hE r n s t ( 1 7 8 6 1 8 2 6 ) 2 5 8 . ' T a k e U p T h y C r o s s ' , t h e S a v i o r S a i d 2 3 4 . OD a y o f R e s t A n d 2 1 4 . My J e s u s , A s T h o u Wi l t R o b e r t s , J o h n( 1 8 2 2 1 8 7 7 ) G e n 2 : 2 3 G l a d n e s s Wa d e , J o h nF r a n c i s ( c i r c a1 7 1 0 8 9 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) G e n 2 : 7 6 9 . A u t h o r o f A l l L i f e 2 2 4 . I m m o r t a l , I n v i s i b l e , G o d O n l y Wi s e 1 7 8 6 ) 9 8 . B r e a t h e o n Me , B r e a t h o f R n t g e n , J u l i u s ( 1 8 5 5 1 9 3 2 ) 5 4 . OC o m e , A l l Y e F a i t h f u l G e n 2 : 7 G o d 2 4 8 . S o u l s o f Me n ! Wh y Wi l l Y e S c a t t e r Wa l t h e r , J o h a n n( 1 4 9 6 1 5 7 0 ) S a n k e y , I r aD a v i d( 1 8 4 0 1 9 0 8 ) 6 5 1 . L e t O u r G l a d n e s s H a v e N o 8 . T o J o r d a n C a m e O u r L o r d , T h e C h r i s t G e n 3 : 1 5 E n d 2 5 1 . U n d e r H i s Wi n g s Wa l t o n , J a m e s G e o r g e ( 1 8 2 1 S c h e i n , J o h a n nH e r m a n n( 1 5 8 6 4 9 . I t C a m e U p o n AMi d n i g h t 1 9 0 5 ) G e n 1 1 : 9 C l e a r 1 6 3 0 ) 1 9 1 . F a i t h o f O u r F a t h e r s 1 4 0 . Wi l t T h o u , OMa n , L i v e H a p p i l y 2 0 5 . P a s s Me N o t , OG e n t l e We l s h G e n 1 8 : 1 5 1 6 1 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e S a v i o r 1 5 2 . OB e G l a d A l l N a t i o n s o n E a r t h 2 2 6 . OL o r d We P r a i s e T h e e 2 1 8 . T h e L o r d ' s P r a y e r ( n e w ) 2 1 . I n P e a c e a n d J o y I N o w G e n 4 9 : 1 8 S c h o p , J o h a n n( 1 5 9 0 1 6 6 4 ) 2 2 4 . I m m o r t a l , I n v i s i b l e , G o d O n l y Wi s e D e p a r t 2 7 0 . G o d , T h a t Ma d e s t E a r t h a n d H e a v e n 2 7 6 . J e s u s , J o y o f Ma n ' s D e s i r i n g 2 2 9 . T h e G o d o f A b r a h a m x 3 : 1 4 1 5 We s l e y , S a m u e l S e b a s t i a n( 1 8 1 0 -E S h e e l e s , J o h n( 1 6 8 8 1 7 6 1 ) P r a i s e 1 8 0 . T h e A p o s t l e L o o k e d a n d H e a r d a V o i c e 1 8 7 6 ) 7 3 . AL a m b G o e s E x 1 2 : 5 S i b e l i u s , J e a n( 1 8 6 5 1 9 5 7 ) 1 9 3 . T h e C h u r c h ' s O n e F o u n d a t i o n U n c o m p l a i n i n g F o r t h 1 6 9 . B e S t i l l My S o u l We s t l a k e , F r e d e r i c k( 1 8 4 0 1 8 9 8 )E x 1 2 : 2 1 2 71 2 7 . A t T h e L a m b ' s H i g h F e a s t S i l c h e r , F r i e d r i c h( 1 7 8 9 1 8 6 0 ) 2 6 2 . L o r d , Wh o a t C a n a ' s We d d i n g F e a s t 1 9 8 . G u i d e Me , O T h o u G r e a t 2 0 8 . T a k e T h o u My H a n d a n d L e a d Me E x 1 3 : 2 1 2 2 Wh i t e , B e n j a m i nF r a n k l i n J e h o v a h S i l e s i a n ( 1 8 0 0 1 8 7 9 ) 2 0 8 . T a k e T h o u My H a n d a n d 1 4 3 . B e a u t i f u l S a v i o r E x 1 3 : 2 1 6 9 . A u t h o r o f A l l L i f e L e a d Me S m a r t , H e n r y T h o m a s ( 1 8 1 3 1 8 7 9 ) Wi l l i a m s , A a r o n( 1 7 3 1 1 7 7 6 ) 9 6 . T h e C l o u d R e c e i v e d C h r i s t 2 2 . L o r d , D i s m i s s U s Wi t h T h y B l e s s i n g E x 1 4 : 1 9 2 5 3 4 . T h e A d v e n t o f O u r G o d F r o mT h e i r S i g h t 3 8 . A n g e l s F r o mt h e R e a l m s o f G l o r y Wi l l i a m s , R a l p hV a u g h a n( 1 8 7 2 E x 1 5 : 1 1 1 32 6 8 . OH o l y , B l e s s e d T r i n i t y 9 7 . S e e , T h e L o r d A s c e n d s I n T r i u m p h 1 9 5 8 ) 1 9 4 . T h r o u g h t h e N i g h t o f D o u b t a n d S o r r o w 1 9 8 . G u i d e Me , O T h o u G r e a t 9 9 . C o m e D o w n , OL o v e D i v i n e E x 1 5 : 1 3 S n e l l , D o n n a J e h o v a h 1 9 2 . F o r A l l T h e S a i n t s 1 8 9 . B l e s t B e T h e T i e T h a t B i n d s 1 3 9 . T h e L a wO f G o d I s G o o d 2 1 2 . H e Wh o Wo u l d V a l i a n t B e E x 1 8 : 2 0 2 0 8 . T a k e T h o u My H a n d a n d L e a d Me A n d Wi s e 2 2 1 . A l l C r e a t u r e s o f O u r G o d a n d K i n g S t a i n e r , J o h n( 1 8 4 0 1 9 0 1 ) 2 4 9 . T h i n e A r m , OL o r d , i n D a y s o f O l d 9 6 . T h e C l o u d R e c e i v e d C h r i s t E x 1 9 : 1 6 2 0 2 7 1 . J e s u s , T e n d e r S h e p h e r d , H e a r Me Wi l l i a m s , R o b e r t ( 1 7 8 2 1 8 1 8 ) F r o mT h e i r S i g h t S t a n f o r d , C h a r l e s V i l l i e r s 8 9 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) 1 3 7 . T h a t Me n a g o d l y L i f e x 2 0 : 1 1 7 ( 1 8 5 2 1 9 2 4 ) Wi l l i a m s , T h o m a s J . ( 1 8 6 9 1 9 4 4 ) E Mi g h t L i v e 1 1 9 . I B i n d U n t o My s e l f T o d a y 1 0 3 . H o l y S p i r i t , E v e r D w e l l i n g 1 4 0 . Wi l t T h o u , OMa n , L i v e E x 2 0 : 1 1 7 S t e r n h o l d , T h o m a s ( 1 5 0 0 1 5 4 9 ) 1 5 4 . OT h e D e e p , D e e p L o v e o f J e s u s H a p p i l y 2 2 7 . P r a i s e G o d F r o m Wh o mA l l B l e s s i n g s F l o w Wi l l i s , R i c h a r dS t o r r s ( 1 8 1 9 2 3 4 . OD a y o f R e s t A n d 2 6 7 . A w a k e , My S o u l , A n d Wi t h T h e S u n E x 2 0 : 1 0 1 9 0 0 ) G l a d n e s s S u l l i v a n , A r t h u r S e y m o u r ( 1 8 4 2 4 9 . I t C a m e U p o n AMi d n i g h t C l e a r 2 6 0 . We G i v e T h e e B u t T h i n e E x 2 3 : 1 9 1 9 0 0 ) 1 4 3 . B e a u t i f u l S a v i o r O w n 1 8 5 . I ' mB u t AS t r a n g e r H e r e Wi n g a r d , J a y C . 9 6 . T h e C l o u d R e c e i v e d C h r i s t S u m m e r s , J a m e s L e a( 1 8 3 7 1 8 8 1 ) 1 E x 2 5 : 1 0 5 9 . C h r i s t My K i n g O n H i g h F r o mT h e i r S i g h t 2 6 1 . L e t C h i l d r e n H e a r T h e Mi g h t y D e e d s Wo o d , Mr s . J a m e s W. 9 6 . T h e C l o u d R e c e i v e d C h r i s t T a l l i s , T h o m a s ( 1 5 0 5 1 5 8 5 ) 2 1 3 . J e s u s Wa n t s A l l O f H i s C h i l d r e n E x 3 1 : 1 8 F r o mT h e i r S i g h t 1 2 1 . H a v e Me r c y O n Me , OMy G o d Wo o d w a r d , G e o r g e R a t c l i f f e 9 6 . T h e C l o u d R e c e i v e d C h r i s t 1 6 2 . My N e i g h b o r E x 3 4 : 4 5 ( 1 8 4 8 1 9 3 4 ) F r o mT h e i r S i g h t 2 6 9 . A l l P r a i s e T o T h e e , My G o d , T h i s N i g h t3 1 . O n J o r d a n ' s B a n k t h e B a p t i s t ' s C r y 7 4 . L o r d Wh o T h r o u g h o u t T e s c h n e r , Me l c h i o r ( 1 5 8 4 1 6 3 5 ) 6 4 . OC h i e f o f C i t i e s B e t h l e h e m L v 9 : 2 3 T h e s e F o r t y D a y s 7 7 . A l l G l o r y , L a u d , a n d H o n o r 2 3 4 . OD a y o f R e s t A n d G l a d n e s s 9 6 . T h e C l o u d R e c e i v e d C h r i s t T h o m p s o n , Wi l l L a m a r t i n e 2 4 3 . I f G o d H i m s e l f B e F o r Me L v 1 6 : 1 2 F r o mT h e i r S i g h t Wy e t h , J o h n( 1 7 7 0 1 8 5 8 ) ( 1 8 4 7 1 9 0 9 ) L v 1 9 : 1 7 1 81 6 2 . My N e i g h b o r 3 5 . T h e K i n g S h a l l C o m e 1 8 3 . T h e r e ' s a G r e a t D a y C o m i n g Y o a k l e y , Wi l l i a m t r a d i t i o n a l L v 2 5 : 9 1 0 2 6 . H a r k t h e G l a d S o u n d 1 4 9 . J e s u s , T h y B o u n d l e s s L o v e T o Me 1 3 2 . OL o r d , I A mN o t Wo r t h y L v 2 6 : 1 8 1 94 8 . I n T h e B l e a k Mi d Wi n t e r
2 2 2 . A l l e l u i a , A l l e l u i a ! H e a r t s t o H e a v e n a n d V o i c e s R a i s e 2 2 5 . J o y f u l , J o y f u l , We A d o r e T h e e
S c r i p t u r e R e f e r e n c e I n d e x
G e n 1 : 1
o nT u c h e r R e d n e r , L e w i s H e n r y ( 1 8 3 0 1 9 0 8 )V
v a nB e e t h o v e n , L u d w i g( 1 7 7 0 -
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
N u m6 : 2 2 - 2 2 . L o r d , D i s m i s s U s Wi t h T h y P s 4 : 8 2 7 B l e s s i n g N u m6 : 2 4 2 6 8 . OH o l y , B l e s s e d T r i n i t y P s 4 : 8 2 6 1 2 0 . Y o u P e o p l e Wh o N o wA r eP s 5 : 3 N u m6 : 2 7 B a p t i z e d P s 8 : 1 9 6 2 . A s Wi t h G l a d n e s s Me n o f N u m7 : 8 9 O l d P s 9 : 9 1 0 N u m1 2 : 6 1 9 6 . B e T h o u My V i s i o n P s 1 2 2 6 1 . L e t C h i l d r e n H e a r T h e D e u t 4 : 9 1 0 P s 1 4 : 1 7 Mi g h t y D e e d s 2 7 2 . N o wR e s t B e n e a t h N i g h t ' s 2 3 8 . G o d Wi l l T a k e C a r e o f P s 3 4 : 9 1 0 S h a d o w Y o u 2 7 3 . N o wt h e L i g h t H a s G o n e 2 4 5 . I n T h e s e O u r D a y s S o P s 3 5 : 2 3 A w a y P e r i l o u s 2 1 6 . D i d Y o u T h i n k T o P r a y ? 1 5 4 . OT h e D e e p , D e e p L o v e o f P s 3 6 : 6 J e s u s 1 7 6 . R e j o i c e , My H e a r t , B e G l a d a n d S i n g 1 9 7 . C o m e T h o u F o u n t O f P s 3 6 : 9 1 1 E v e r y B l e s s i n g 2 4 4 . I P l a c e My T r u s t I n G o d 7 5 . S a v i o r Wh e n I n D u s t T o 2 1 6 . D i d Y o u T h i n k T o P r a y ? P s 3 9 : 1 2 T h e e 1 1 6 . T h e Mo u t h o f F o o l s D o t h P s 4 0 : 8 2 1 4 . My J e s u s , A s T h o u Wi l t G o d C o n f e s s 1 3 7 . T h a t Me n a g o d l y L i f e 3 2 . OL o r d , H o wS h a l l I Me e t 2 7 3 . N o wt h e L i g h t H a s G o n e P D e u t 5 : 6 2 1 s 4 2 : 1 2 P s 1 6 : 7 Mi g h t L i v e T h e e A w a y 1 4 0 . Wi l t T h o u , OMa n , L i v e P P s 4 6 : 1 1 1 2 4 3 . I f G o d H i m s e l f B e F o r Me s 1 7 : 7 9 2 5 1 . U n d e r H i s Wi n g s D e u t 5 : 6 2 1 H a p p i l y P s 4 6 : 1 0 1 6 9 . B e S t i l l My S o u l 2 6 9 . A l l P r a i s e T o T h e e , My P s 1 7 : 8 2 6 1 . L e t C h i l d r e n H e a r T h e G o d , T h i s N i g h t 4 5 . G o d R e s t Y e Me r r y D e u t 6 : 7 P s 4 6 : 1 0 Mi g h t y D e e d s G e n t l e m e n 2 6 7 . A w a k e , My S o u l , A n d P s 1 7 : 1 5 D e u t 8 : 3 1 3 6 . L a m p o f O u r F e e t Wi t h T h e S u n 9 5 . L o , G o d T o H e a v ' n P s 4 7 : 1 9 D e u t 1 1 : 1 9 -2 6 1 . L e t C h i l d r e n H e a r T h e A s c e n d e t h 2 2 7 . P r a i s e G o d F r o m Wh o m P s 1 7 : 1 5 2 0 Mi g h t y D e e d s A l l B l e s s i n g s F l o w 1 7 9 . D a y o f Wr a t h , OD a y o f P s 4 9 : 1 2 0 D e u t 3 0 : 6 4 8 . I n T h e B l e a k Mi d Wi n t e r Mo u r n i n g 1 1 0 . AMi g h t y F o r t r e s s I s O u r P s 1 8 : 1 2 D e u t 3 2 : 1 41 6 4 . R o c k o f A g e s G o d 1 2 1 . H a v e Me r c y O n Me , OMy P s 5 1 : 1 1 9 G o d J o s h 2 4 : 1 5 2 6 3 . O h , B l e s t t h e H o u s e P s 1 8 : 2 2 4 6 . My H o p e I s B u i l t 1 2 6 . Wh i l e O ' e r O u r G u i l t y 1 9 7 . C o m e T h o u F o u n t O f 2 7 2 . N o wR e s t B e n e a t h N i g h t ' sP s 5 1 : 1 1 9 1 S a m7 : 3 1 2 P s 1 9 : 1 L a n d , O L o r d E v e r y B l e s s i n g S h a d o w s 5 1 : 1 1 2 2 0 9 . Wh i t e r T h a n S n o w 2 5 0 . T h o u g h i n t h e Mi d s t o f 1 3 9 . T h e L a wO f G o d I s G o o d P 1 S a m2 0 : 3 P s 1 9 : 8 L i f e We B e A n d Wi s e 1 2 0 . Y o u P e o p l e Wh o N o wA r e P s 5 1 : 5 1 0 B a p t i z e d 2 S a m1 5 : 1 3 8 4 . OS a c r e d H e a d , N o w 7 9 . O v e r K i d r o n J e s u s T r e a d e t hP s 2 2 : 6 8 2 3 Wo u n d e d P s 5 1 : 6 1 2 1 2 2 . L o r d J e s u s T h i n k O nMe 1 1 0 . AMi g h t y F o r t r e s s I s O u r P s 2 2 : 1 4 1 82 5 5 . H e Wa s N o t Wi l l i n g 1 1 8 . B a p t i z e d I n t o T h y N a m e 2 S a m2 2 : 2 3 P s 5 1 : 1 0 1 2 G o d Mo s t H o l y P s 2 3 : 1 3 1 9 9 . H e L e a d e t h Me 1 K g s 8 : 2 2 - 2 0 1 . L o r d , T h e e I L o v e w i t h A l lP P s 5 1 : 1 5 2 2 6 . OL o r d We P r a i s e T h e e s 2 3 : 1 6 1 5 5 . O n e T h i n g ' s N e e d f u l 2 4 My H e a r t 1 1 6 . T h e Mo u t h o f F o o l s D o t h 2 0 6 . S a v i o r , L i k e AS h e p h e r d P s 5 3 : 1 6 s 2 3 1 K g s 8 : 2 7 4 8 . I n T h e B l e a k Mi d Wi n t e r P G o d C o n f e s s L e a d U s 1 K g s 8 : 4 6 - 1 2 6 . Wh i l e O ' e r O u r G u i l t y 1 0 5 . G o d t h e F a t h e r B e O u r 2 4 8 . S o u l s o f Me n ! Wh y Wi l l P s 5 5 : 2 2 P s 2 3 : 1 6 5 3 L a n d , OL o r d S t a y Y e S c a t t e r 1 K g s 1 9 : 1 1 s 5 6 : 1 1 3 2 3 7 . F e a r N o t , OL i t t l e F l o c k P s 2 3 : 4 1 0 4 . T h e C o m f o r t e r H a s C o m e P 2 3 0 . A n d C a n I t B e 1 2 1 3 7 . T h a t Me n a g o d l y L i f e 2 2 8 . P r a i s e T o T h e L o r d , T h e P s 6 0 : 1 1 1 2 s 2 3 : 6 2 6 0 . We G i v e T h e e B u t T h i n e P Mi g h t L i v e A l m i g h t y 1 C h r 2 9 : 1 4 O w n P s 6 3 : 6 8 1 6 7 . A b i d e Wi t hMe 9 5 . L o , G o d T o H e a v ' n P s 2 4 : 1 1 0 2 2 9 . T h e G o d o f A b r a h a m A s c e n d e t h 2 7 1 . J e s u s , T e n d e r S h e p h e r d , 1 C h r 2 9 : 1 8 P s 6 3 : 8 P r a i s e H e a r Me P s 2 4 : 8 1 4 7 . J e s u s , K i n g o f G l o r y 2 C h r 5 : 1 1 - 9 6 . T h e C l o u d R e c e i v e d C h r i s t 2 5 7 . Ma y G o d B e s t o wo n U s P s 2 5 : 1 9 2 4 4 . I P l a c e My T r u s t I n G o d P s 6 7 : 1 2 1 4 F r o mT h e i r S i g h t H i s G r a c e 2 0 8 . T a k e T h o u My H a n d a n d 1 2 6 . Wh i l e O ' e r O u r G u i l t y P s 2 5 : 1 2 2 3 3 . S a v i o r O f T h e N a t i o n s E z r a 9 : 5 1 5 L e a d Me P s 6 7 : 1 2 L a n d , OL o r d C o m e P s 2 5 : 4 6 2 6 8 . OH o l y , B l e s s e d T r i n i t y 9 1 . I K n o wT h a t My R e d e e m e r 1 5 2 . OB e G l a d A l l N a t i o n s o n J o b 1 9 : 2 5 P s 6 7 : 2 4 P s 2 7 : 1 1 4 2 3 7 . F e a r N o t , O L i t t l e F l o c k L i v e s E a r t h P s 2 7 : 1 3 2 4 3 . I f G o d H i m s e l f B e F o r Me 2 1 0 . H a p p y t h e Ma n Wh o 9 7 . S e e , T h e L o r d A s c e n d s I n J o b 2 8 : 2 8 P s 6 8 : 1 8 F e a r e t h G o d 1 7 6 . R e j o i c e , My H e a r t , B e T r i u m p h P s 2 7 : 1 6 G l a d a n d S i n g 2 1 1 . H a p p y t h e Ma n Wh o 2 6 6 . A w a k e My S o u l , A n J o b 2 8 : 2 8 P s 6 9 : 3 3 3 6 F e a r e t h G o d 1 0 5 . G o d t h e F a t h e r B e O u r O f f e r i n g B r i n g P s 3 1 : 1 3 S t a y J o b 3 8 : 2 9 3 04 8 . I n T h e B l e a k Mi d Wi n t e r 2 2 1 . A l l C r e a t u r e s o f O u r G o d P s 6 9 : 3 4 P s 3 1 : 3 1 9 9 . H e L e a d e t h Me 1 2 6 . Wh i l e O ' e r O u r G u i l t y a n d K i n g J o b 4 2 : 1 6 L a n d , OL o r d P s 3 2 : 1 5 1 5 9 . C h r i s t My K i n g O n H i g h 2 2 5 . J o y f u l , J o y f u l , We A d o r e P s 7 1 : 2 3 7 5 . S a v i o r Wh e n I n D u s t T o T h e e 2 3 1 . F o r T h e B e a u t y O f T h e J o b 4 2 : 6 P s 3 3 : 1 6 T h e e E a r t h P s 7 1 : 2 4 1 7 1 . B l e s s e d A s s u r a n c e 2 6 9 . A l l P r a i s e T o T h e e , My P s 3 4 : 1 1 7 4 . My S o n g S h a l l B e O f J e s u s P s 7 2 : 8 1 4 8 . J e s u s S h a l l R e i g n P s 4 : 8 G o d , T h i s N i g h t P s 3 4 : 1 2 7 8 . My S o n g S h a l l B e O f J e s u sP s 7 3 : 2 3 2 61 6 7 . A b i d e Wi t hMe
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
1 7 6 . R e j o i c e , My H e a r t , B e 1 1 5 . L o r d , K e e p U s S t e a d f a s t i n P s 7 3 : 2 5 2 6 P s 1 1 9 : 5 1 0 I s 6 : 1 4 G l a d a n d S i n g T h y Wo r d 2 6 1 . L e t C h i l d r e n H e a r T h e 2 0 4 . OT h a t T h e L o r d Wo u l d P s 7 8 : 5 8 P s 1 1 9 : 5 I s 6 : 3 Mi g h t y D e e d s G u i d e My Wa y s 7 5 . S a v i o r Wh e n I n D u s t T o P s 1 1 9 : 1 0 5 1 3 6 . L a m p o f O u r F e e t I s 6 : 3 P s 8 6 : 3 T h e e 2 0 8 . T a k e T h o u My H a n d a n d P s 1 1 9 : 1 0 5 I s 6 : 8 P s 8 9 : 2 6 1 6 4 . R o c k o f A g e s L e a d Me 2 4 7 . O u r G o d , O u r H e l p I n 1 9 4 . T h r o u g h t h e N i g h t o f I s 6 : 9 1 0 P s 9 0 : 1 P s 1 1 9 : 1 0 5 A g e s P a s t D o u b t a n d S o r r o w I s 7 : 1 4 1 4 0 . Wi l t T h o u , OMa n , L i v e P s 1 1 9 : 1 3 3 1 2 2 . L o r d J e s u s T h i n k O n Me P s 9 0 : 1 H a p p i l y 2 7 0 . G o d , T h a t Ma d e s t E a r t h P s 1 2 1 : 1 8 I s 9 : 1 6 2 6 9 . A l l P r a i s e T o T h e e , My a n d H e a v e n P s 9 1 : 1 1 6 G o d , T h i s N i g h t 1 1 1 . I f G o d H a d N o t B e e n o n P s 1 2 4 : 1 8 I s 9 : 2 2 7 2 . N o wR e s t B e n e a t h N i g h t ' s O u r S i d e P s 9 1 : 1 1 6 S h a d o w 1 1 2 . I f G o d H a d N o t B e e n o n P s 1 2 4 : 1 8 I s 9 : 2 7 P s 9 1 : 4 1 1 9 . I B i n d U n t o My s e l f T o d a y O u r S i d e 2 7 0 . G o d , T h a t Ma d e s t E a r t h P s 1 2 7 : 1 2 6 3 . O h , B l e s t t h e H o u s e P s 9 1 : 9 1 2 I s 9 : 2 a n d H e a v e n 1 2 8 . I C o m e , OS a v i o r , T o T h y P s 1 3 0 2 6 9 . A l l P r a i s e T o T h e e , My T a b l e P s 9 2 : 1 2 I s 9 : 6 G o d , T h i s N i g h t 1 2 4 . O u t o f t h e D e e p I C r y t o P s 1 3 0 2 3 1 . F o r T h e B e a u t y O f T h e T h e e I s 9 : 6 7 P s 9 5 : 1 6 E a r t h 1 2 5 . O u t o f t h e D e e p I C r y t o P s 1 3 0 I s 9 : 6 5 3 . N o wP r a i s e We C h r i s t , t h e T h e e P s 9 5 : 1 6 H o l y O n e 1 3 3 . T h o u , Wh o a t T h y F i r s t P s 1 3 3 I s 1 1 : 1 1 0 6 5 . S o n g s o f T h a n k f u l n e s s a n d E u c h a r i s t P s 9 5 : 2 P r a i s e 2 7 2 . N o wR e s t B e n e a t h N i g h t ' s P s 1 3 9 : 1 1 1 4 I s 1 1 : 1 3 9 . A n g e l s We H a v e H e a r d O n S h a d o w P s 9 5 : 6 H i g h 1 5 6 . P r a i s e My S o u l T h e K i n g I s 1 1 : 1 0 P s 1 4 5 1 5 3 . OF o r AT h o u s a n d O f H e a v e n I s 1 2 : 1 6 P s 9 6 : 1 3 T o n g u e s 2 3 5 . OL o r d o f H e a v ' n a n d I s 1 2 : 1 6 P s 1 4 5 : 1 5 1 9 2 5 7 . Ma y G o d B e s t o wo n U s E a r t h a n d S e a P s 9 6 : 1 0 1 3 H i s G r a c e I s 1 2 : 1 6 2 1 0 . H a p p y t h e Ma n Wh o P s 1 4 6 : 5 P s 9 7 : 1 5 0 . J o y t o t h e Wo r l d F e a r e t h G o d I s 2 4 : 5 1 6 0 . D e a r C h r i s t i a n s , O n e a n d 2 1 1 . H a p p y t h e Ma n Wh o P s 9 8 : 1 3 P s 1 4 6 : 5 A l l R e j o i c e F e a r e t h G o d s 2 5 : 7 9 1 6 1 . D e a r C h r i s t i a n s , O n e a n d P s 1 4 7 : 1 6 2 0 4 8 . I n T h e B l e a k Mi d Wi n t e r I P s 9 8 : 1 3 A l l R e j o i c e 2 2 1 . A l l C r e a t u r e s o f O u r G o d P s 1 4 8 I s 2 6 : 1 4 P s 9 8 : 4 9 5 0 . J o y t o t h e Wo r l d a n d K i n g 1 9 . O p e n N o wT h y G a t e s o f P s 1 4 8 7 7 . A l l G l o r y , L a u d , a n d H o n o rI s 2 6 : 3 P s 1 0 0 : 1 5 B e a u t y 2 2 3 . A n g e l V o i c e s , E v e r P s 1 4 8 : 1 2 I s 2 6 : 8 1 5 6 . P r a i s e My S o u l T h e K i n g S i n g i n g P s 1 0 3 : 1 O f H e a v e n 2 6 7 . A w a k e , My S o u l , A n d P s 1 4 8 : 1 2 I s 3 1 : 4 5 2 4 8 . S o u l s o f Me n ! Wh y Wi l l Wi t h T h e S u n P s 1 0 3 : 1 2 2 Y e S c a t t e r 2 2 7 . P r a i s e G o d F r o m Wh o m P s 1 4 8 : 1 2 I s 3 8 : 1 9 2 0 1 0 6 . H o l y G o d , We P r a i s e T h y A l l B l e s s i n g s F l o w P s 1 0 3 : 3 N a me 2 2 8 . P r a i s e T o T h e L o r d , T h e P s 1 5 0 : 1 2 I s 4 0 : 1 8 9 1 . I K n o wT h a t My R e d e e m e r A l m i g h t y P s 1 0 4 : 3 3 3 4 L i v e s 2 3 6 . A l l D e p e n d s O n O u r I s 4 0 : 1 2 P r 1 0 : 2 2 4 1 . C o m e , Y o u r H e a r t a n d P o s s e s s i n g P s 1 0 7 : 1 0 2 2 I s 4 0 : 1 1 V o i c e s R a i s i n g P r 1 4 : 2 1 1 6 2 . My N e i g h b o r P s 1 0 7 : 1 3 1 42 6 . H a r k t h e G l a d S o u n d I s 4 0 : 1 1 1 7 0 . B e n e a t h T h e C r o s s O f P r 1 4 : 2 6 2 6 6 . A w a k e My S o u l , A n J e s u s P s 1 0 8 : 1 6 O f f e r i n g B r i n g I s 4 1 : 1 2 0 P r 1 8 : 2 4 1 5 1 . N o , N o t O n e ! P s 1 1 3 : 2 3 2 7 4 . OT r i n i t y o f B l e s s e d L i g h tP r 2 3 : 2 6 4 8 . I n T h e B l e a k Mi d Wi n t e r I s 4 1 : 8 1 0 1 5 2 . OB e G l a d A l l N a t i o n s o n S o 6 : 1 0 1 4 3 . B e a u t i f u l S a v i o r P s 1 1 7 E a r t h I s 4 1 : 9 1 3 1 6 6 . T o d a y T h y Me r c y C a l l s s 1 : 1 8 1 1 6 . T h e Mo u t h o f F o o l s D o t h I Me P s 1 1 8 : 4 6 I s 4 1 : 1 0 G o d C o n f e s s I s 1 : 1 8 2 0 9 . Wh i t e r T h a n S n o w 1 9 . O p e n N o wT h y G a t e s o f I s 4 1 : 1 3 P s 1 1 8 : 1 9 2 6 1 0 7 . I s a i a h , Mi g h t y S e e r , I n B e a u t y I s 6 : 1 4 D a y s o f O l d 2 7 7 . L o r d G o d , T h y P r a i s e We S i n g 2 3 1 . F o r T h e B e a u t y O f T h e E a r t h 1 0 9 . H o l y , H o l y , H o l y 2 5 4 . H a r k , t h e V o i c e o f J e s u s C a l l i n g 1 3 2 . OL o r d , I A mN o t Wo r t h y 3 0 . OC o m e OC o m e E m m a n u e l 4 9 . I t C a m e U p o n AMi d n i g h t C l e a r 3 7 . A l l P r a i s e t o J e s u s ' H a l l o w e d N a m e 6 6 . T h e P e o p l e T h a t i n D a r k n e s s S a t 6 0 . T o S h e p h e r d s A s T h e y Wa t c h e d B y N i g h t 2 3 . C o m e , T h o u L o n g E x p e c t e d J e s u s 1 4 8 . J e s u s S h a l l R e i g n 5 8 . S i n g , OS i n g , T h i s B l e s s e d Mo r n 5 2 . L o , H o wAR o s e E ' e r B l o o m i n g 3 0 . OC o m e OC o m e E m m a n u e l 2 5 6 . L i f t H i g h T h e C r o s s 1 7 4 . My S o n g S h a l l B e O f J e s u s 2 7 8 . My S o n g S h a l l B e O f J e s u s 9 4 . T h e S t r i f e I s O ' e r , T h e B a t t l e D o n e 2 0 4 . OT h a t T h e L o r d Wo u l d G u i d e My Wa y s 2 2 2 . A l l e l u i a , A l l e l u i a ! H e a r t s t o H e a v e n a n d V o i c e s R a i s e 1 9 . O p e n N o wT h y G a t e s o f B e a u t y 1 7 3 . I t I s We l l Wi t h My S o u l 2 7 6 . J e s u s , J o y o f Ma n ' s D e s i r i n g 2 4 5 . I n T h e s e O u r D a y s S o P e r i l o u s 2 7 7 . L o r d G o d , T h y P r a i s e We S i n g 2 4 . C o m f o r t , C o m f o r t Y e My P e o p l e 1 0 4 . T h e C o m f o r t e r H a s C o m e 2 4 1 . I A mJ e s u s ' L i t t l e L a m b 2 6 4 . S a v i o r , Wh o T h y F l o c k A r t F e e d i n g 8 6 . A w a k e , My H e a r t , Wi t h G l a d n e s s 1 5 1 . N o , N o t O n e ! 1 0 8 . We A l l B e l i e v e i n O n e T r u e G o d 2 3 9 . H o wF i r m AF o u n d a t i o n 4 7 . I H e a r d T h e B e l l s O n C h r i s t m a s D a y
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
9 8 . B r e a t h e o n Me , B r e a t h o f 2 6 4 . S a v i o r , Wh o T h y F l o c k Mt 5 : 4 3 4 8 1 6 2 . My N e i g h b o r I s 4 2 : 5 E z 3 4 : 1 1 2 4 G o d A r t F e e d i n g 1 0 5 . G o d t h e F a t h e r B e O u r Mt 6 : 7 1 3 2 1 . I n P e a c e a n d J o y I N o w E z 3 6 : 2 5 2 84 8 . I n T h e B l e a k Mi d Wi n t e r S t a y I s 4 2 : 6 7 D e p a r t 2 0 4 . OT h a t T h e L o r d Wo u l d 2 1 7 . O u r F a t h e r T h o u i n E z 3 6 : 2 5 2 9 Mt 6 : 9 1 3 I s 4 3 : 2 5 2 3 9 . H o wF i r m AF o u n d a t i o n G u i d e My Wa y s H e a v e n A b o v e 1 2 1 . H a v e Me r c y O n Me , OMy 9 9 . C o m e D o w n , OL o v e Mt 6 : 9 1 3 2 1 8 . T h e L o r d ' s P r a y e r ( n e w ) I s 4 3 : 2 5 2 8 E z 3 6 : 2 6 2 8 G o d D i v i n e Mt 6 : 1 0 2 1 4 . My J e s u s , A s T h o u Wi l t 1 0 5 . G o d t h e F a t h e r B e O u r 9 8 . B r e a t h e o n Me , B r e a t h o f Mt 6 : 1 3 1 9 9 . H e L e a d e t h Me I s 4 6 : 4 E z 3 7 : 5 9 S t a y G o d 1 4 9 . J e s u s , T h y B o u n d l e s s L o v e Mt 6 : 1 9 2 1 2 1 . I n P e a c e a n d J o y I N o w 2 6 6 . A w a k e My S o u l , A n T o Me I s 4 9 : 6 D a n 6 : 2 7 D e p a r t O f f e r i n g B r i n g Mt 6 : 2 5 3 4 1 5 5 . O n e T h i n g ' s N e e d f u l I s 5 0 : 7 9 2 4 3 . I f G o d H i m s e l f B e F o r Me D a n 7 : 1 3 1 43 4 . T h e A d v e n t o f O u r G o d Mt 6 : 2 9 1 4 3 . B e a u t i f u l S a v i o r 1 9 4 . T h r o u g h t h e N i g h t o f 1 9 5 . Wh e n T h e R o l l I s C a l l e d I s 5 1 : 1 1 1 6 D a n 1 2 : 1 3 2 2 0 . Wh a t AF r i e n d We H a v e D o u b t a n d S o r r o w U p Y o n d e r Mt 7 : 7 8 I n J e s u s 7 3 . AL a m b G o e s 6 4 . OC h i e f o f C i t i e s I s 5 3 : 1 1 2 Mi c 5 : 2 4 2 6 5 . Y o u P a r e n t s H e a r Wh a t U n c o m p l a i n i n g F o r t h B e t h l e h e m Mt 7 : 7 1 1 J e s u s T a u g h t I s 5 3 : 1 6 6 1 . Wh a t C h i l d I s T h i s ? Mi c 5 : 2 5 5 . OL i t t l e T o w n o f B e t h l e h e m 6 2 . A s Wi t h G l a d n e s s Me n o f Mt 7 : 1 3 1 4 I s 5 3 : 3 1 4 5 . H a l l e l u j a h , Wh a t a S a v i o r ! 6 0 . T o S h e p h e r d s A s T h e y O l d Mi c 5 : 2 Wa t c h e d B y N i g h t 8 5 . S t r i c k e n , S m i t t e n , a n d Mt 7 : 2 4 2 5 1 9 0 . B u i l t o n t h e R o c k I s 5 3 : 3 6 A f f l i c t e d 1 7 6 . R e j o i c e , My H e a r t , B e Mi c 7 : 1 8 1 9 Mt 7 : 2 4 2 7 2 4 6 . My H o p e I s B u i l t G l a d a n d S i n g 9 4 . T h e S t r i f e I s O ' e r , T h e I s 5 3 : 3 5 Mt 8 : 8 1 3 2 . OL o r d , I A mN o t Wo r t h y B a t t l e D o n e H a b 1 : 1 2 1 6 4 . R o c k o f A g e s 2 4 9 . T h i n e A r m , OL o r d , i n 1 1 7 . A l l Wh o B e l i e v e a n d A r e 1 3 1 . L e t A l l Mo r t a l F l e s h K e e p Mt 9 : 3 5 3 6 I s 5 3 : 4 5 H a b 2 : 2 0 D a y s o f O l d B a p t i z e d S i l e n c e 2 5 4 . H a r k , t h e V o i c e o f J e s u s 7 2 . J e s u s G r a n t T h a t B a l ma n d Z e p h 1 : 1 4 3 5 . T h e K i n g S h a l l C o m e Mt 9 : 3 7 3 9 I s 5 3 : 4 5 C a l l i n g H e a l i n g Z e p h 3 : 1 4 2 0 . We G a t h e r T o g e t h e r 2 5 3 . G o d , Wh o s e A l m i g h t y 8 4 . OS a c r e d H e a d , N o w 2 0 Mt 1 0 : 2 6 2 7 I s 5 3 : 4 5 Wo r d Wo u n d e d 2 7 . J e s u s C a m e , t h e H e a v e n s Z e c h 9 : 9 2 5 3 . G o d , Wh o s e A l m i g h t y 2 5 7 . Ma y G o d B e s t o wo n U s A d o r i n g Mt 1 1 : 4 6 I s 5 5 : 1 0 1 1 Wo r d H i s G r a c e Z e c h 9 : 9 1 01 4 8 . J e s u s S h a l l R e i g n 6 5 . S o n g s o f T h a n k f u l n e s s a n d I s 5 7 : 1 8 1 9 1 3 2 . OL o r d , I A mN o t Wo r t h y Z Mt 1 1 : 4 5 e c h 1 0 : 8 92 0 . We G a t h e r T o g e t h e r P r a i s e I s 5 9 : 1 1 1 4 4 8 . I n T h e B l e a k Mi d Wi n t e r 2 4 8 . S o u l s o f Me n ! Wh y Wi l l Mt 1 1 : 1 9 1 5 1 . N o , N o t O n e ! Z e c h 1 3 : 7 9 I s 6 0 : 1 9 2 0 1 8 6 . J e r u s a l e mt h e G o l d e n Y e S c a t t e r 2 7 0 . G o d , T h a t Ma d e s t E a r t h Mt 1 1 : 2 8 2 3 . C o m e , T h o u L o n g E x p e c t e d 6 6 . T h e P e o p l e T h a t i n a n d H e a v e n I s 6 1 : 1 2 Ma l 4 : 1 6 J e s u s D a r k n e s s S a t 2 5 8 . ' T a k e U p T h y C r o s s ' , t h e Mt 1 1 : 2 8 3 0 4 1 . C o m e , Y o u r H e a r t a n d 5 2 . L o , H o wAR o s e E ' e r S a v i o r S a i d I s 6 1 : 1 Mt 1 : 2 0 2 1 V o i c e s R a i s i n g B l o o m i n g Mt 1 1 : 2 8 2 5 1 . U n d e r H i s Wi n g s I s 6 1 : 1 2 2 6 . H a r k t h e G l a d S o u n d 3 8 . A n g e l s F r o mt h e R e a l m s o f Mt 2 : 1 1 1 2 1 3 . J e s u s Wa n t s A l l O f H i s G l o r y Mt 1 1 : 2 9 6 5 . S o n g s o f T h a n k f u l n e s s a n d C h i l d r e n I s 6 1 : 1 3 P r a i s e 6 2 . A s Wi t h G l a d n e s s Me n o f Mt 2 : 1 1 2 1 3 4 . A l m i g h t y G o d Y o u r Wo r d O l d Mt 1 3 : 3 9 2 6 2 . L o r d , Wh o a t C a n a ' s I s C a s t I s 6 2 : 1 5 We d d i n g F e a s t 6 4 . OC h i e f o f C i t i e s Mt 2 : 1 1 1 2 0 3 . N o t Wo r t h y , L o r d , t o B e t h l e h e m Mt 1 5 : 2 2 2 8 2 5 7 . Ma y G o d B e s t o wo n U s G a t h e r U p t h e C r u m b s I s 6 2 : 1 2 H i s G r a c e 6 7 . T h e S t a r P r o c l a i m s t h e Mt 2 : 1 1 2 Mt 1 6 : 1 3 1 81 9 0 . B u i l t o n t h e R o c k K i n g i s H e r e 2 2 . L o r d , D i s m i s s U s Wi t h T h y I s 6 3 : 9 7 0 . OWo n d r o u s T y p e , O B l e s s i n g Mt 2 : 1 1 1 6 1 . Wh a t C h i l d I s T h i s ? Mt 1 7 : 1 1 3 V i s i o n F a i r I s 6 4 : 6 1 5 8 . B y G r a c e I ' mS a v e d 3 1 . O n J o r d a n ' s B a n k t h e Mt 3 : 1 1 2 9 6 . T h e C l o u d R e c e i v e d C h r i s t B a p t i s t ' s C r y Mt 1 7 : 1 5 I s 6 4 : 6 1 6 2 . My N e i g h b o r F r o mT h e i r S i g h t 6 8 . T o J o r d a n C a m e O u r L o r d , I s 6 6 : 1 1 4 2 . A l l e l u i a , S i n g T o J e s u s ! Mt 3 : 1 3 1 7 Mt 1 7 : 1 1 3 7 1 . T i s G o o d , L o r d , T o B e H e r e T h e C h r i s t I s 6 6 : 1 2 1 4 1 0 4 . T h e C o m f o r t e r H a s C o m e 1 3 4 . A l m i g h t y G o d Y o u r Wo r d 7 4 . L o r d Wh o T h r o u g h o u t Mt 1 8 3 0 Mt 4 : 1 2 J e r 1 0 : 2 3 2 42 0 . We G a t h e r T o g e t h e r I s C a s t T h e s e F o r t y D a y s J e r 3 0 : 1 1 2 0 . We G a t h e r T o g e t h e r 2 6 2 . L o r d , Wh o a t C a n a ' s 6 6 . T h e P e o p l e T h a t i n Mt 1 9 : 6 Mt 4 : 1 2 1 7 We d d i n g F e a s t 2 0 8 . T a k e T h o u My H a n d a n d D a r k n e s s S a t J e r 3 1 : 9 1 4 L e a d Me Mt 1 9 : 2 8 1 4 7 . J e s u s , K i n g o f G l o r y 2 5 3 . G o d , Wh o s e A l m i g h t y 4 : 1 6 2 0 4 . OT h a t T h e L o r d Wo u l d Mt Mt 2 0 : 2 6 2 81 6 2 . My N e i g h b o r Wo r d E z 1 1 : 1 9 2 0 G u i d e My Wa y s 2 0 5 . P a s s Me N o t , OG e n t l e 2 1 3 . J e s u s Wa n t s A l l O f H i s Mt 2 0 : 3 0 3 4 Mt 5 : 3 1 2 7 5 . S a v i o r Wh e n I n D u s t T o S a v i o r C h i l d r e n E z 1 8 : 3 0 3 2 T h e e 3 2 . OL o r d , H o wS h a l l I Me e t 2 4 0 . H o wS h a l l We A n s w e r Mt 2 1 : 1 9 Mt 5 : 4 3 4 8 T h e e T e r r o r ' s C r y ?
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
Mt 2 1 : 9 7 7 . A l l G l o r y , L a u d , a n d H o n o r Mk 4 : 1 9 2 01 5 5 . O n e T h i n g ' s N e e d f u l L k 2 : 7 1 1 Mt 2 1 : 1 5 7 8 . H o s a n n a , L o u d H o s a n n a 2 0 3 . N o t Wo r t h y , L o r d , t o Mk 7 : 2 7 2 9 G a t h e r U p t h e C r u m b s L k 2 : 7 Mt 2 2 : 3 4 4 61 2 3 . OL o r d My S o u l C o n v i c t e d 2 5 8 . ' T a k e U p T h y C r o s s ' , t h e 2 0 1 . L o r d , T h e e I L o v e w i t h A l lMk 8 : 3 4 L k 2 : 8 1 5 Mt 2 2 : 3 7 S a v i o r S a i d My H e a r t Mk 8 : 3 4 3 82 1 5 . Wh e r e H e L e a d s Me Mt 2 2 : 3 7 4 02 0 0 . Mo r e L o v e t o T h e e L k 2 : 8 1 4 7 0 . O Wo n d r o u s T y p e , O 1 7 9 . D a y o f Wr a t h , OD a y o f Mk 9 : 2 1 3 Mt 2 4 : 1 5 2 8 V i s i o n F a i r Mo u r n i n g L k 2 : 8 1 5 Mk 9 : 2 1 3 7 1 . T i s G o o d , L o r d , T o B e H e r e 1 8 3 . T h e r e ' s a G r e a t D a y Mt 2 5 : 1 1 3 L k 2 : 8 9 C o m i n g 2 0 5 . P a s s Me N o t , OG e n t l e Mk 9 : 2 1 2 5 S a v i o r L k 2 : 8 9 1 8 1 . T h e B r i d e g r o o mS o o n Mt 2 5 : 6 Wi l l C a l l U s 2 6 5 . Y o u P a r e n t s H e a r Wh a t Mk 1 0 : 1 3 1 6 L k 2 : 8 1 5 J e s u s T a u g h t 1 8 4 . Wa k e , A w a k e , f o r N i g h t I s Mt 2 5 : 6 F l y i n g Mk 1 0 : 4 6 5 21 7 2 . B l i n d B a r t i m a e u s L k 2 : 1 0 1 1 1 7 9 . D a y o f Wr a t h , OD a y o f Mk 1 1 : 2 4 2 52 1 6 . D i d Y o u T h i n k T o P r a y ? Mt 2 5 : 3 1 4 6 Mo u r n i n g k 2 : 1 0 1 3 4 . A l m i g h t y G o d Y o u r Wo r dL Mk 1 3 2 0 2 7 . J e s u s C a m e , t h e H e a v e n s I s C a s t Mt 2 5 : 3 1 3 4 L k 2 : 1 3 1 4 A d o r i n g 2 7 . J e s u s C a m e , t h e H e a v e n s Mk 1 3 : 2 6 1 8 3 . T h e r e ' s a G r e a t D a y A d o r i n g Mt 2 5 : 3 1 4 6 L k 2 : 1 3 1 4 C o m i n g 1 2 8 . I C o m e , OS a v i o r , T o T h y Mk 1 4 : 2 2 2 5 1 8 2 . T h e D a y i s S u r e l y T a b l e Mt 2 5 : 3 2 4 6 L k 2 : 1 3 1 4 D r a w i n g N e a r 8 1 . ' T w a s O n T h a t D a r k , T h a t Mk 1 4 : 2 2 2 5 2 5 9 . L o r d o f G l o r y , Wh o H a s t D o l e f u l N i g h t Mt 2 5 : 4 0 L k 2 : 1 4 B o u g h t U s Mk 1 4 : 3 2 6 58 2 . G o T o D a r k G e t h s e m a n e 2 6 0 . We G i v e T h e e B u t T h i n e Mk 1 4 : 3 2 4 27 9 . O v e r K i d r o n J e s u s T r e a d e t hL Mt 2 5 : 4 0 k 2 : 1 5 O w n 8 0 . ' T i s Mi d n i g h t a n d O n 1 4 : 3 2 4 1 Mt 2 6 : 2 6 2 81 2 7 . A t T h e L a m b ' s H i g h F e a s t Mk L k 2 : 1 5 1 6 O l i v e ' s B r o w 1 2 8 . I C o m e , OS a v i o r , T o T h y Mk 1 5 : 2 0 3 98 2 . G o T o D a r k G e t h s e m a n e L Mt 2 6 : 2 6 2 8 k 2 : 2 2 3 8 T a b l e 1 1 7 . A l l Wh o B e l i e v e a n d A r e 1 6 : 1 6 Mt 2 6 : 2 6 2 82 2 6 . OL o r d We P r a i s e T h e e Mk B a p t i z e d L k 2 : 2 9 3 2 8 1 . ' T w a s O n T h a t D a r k , T h a t L k 1 : 1 4 1 3 6 . L a m p o f O u r F e e t Mt 2 6 : 2 6 2 8 D o l e f u l N i g h t L k 2 : 3 0 3 2 L k 1 : 2 6 3 8 2 5 . G a b r i e l ' s Me s s a g e Mt 2 6 : 3 3 3 51 5 7 . T h e G a l i l e a n F i s h e r s T o i l 5 3 . N o wP r a i s e We C h r i s t , t h e k 1 : 2 6 3 1 Mt 2 6 : 3 6 6 88 2 . G o T o D a r k G e t h s e m a n e L L k 4 : 1 1 3 H o l y O n e Mt 2 6 : 3 6 4 67 9 . O v e r K i d r o n J e s u s T r e a d e t hL k 1 : 4 2 4 8 2 5 . G a b r i e l ' s Me s s a g e L k 4 : 1 7 2 1 8 0 . ' T i s Mi d n i g h t a n d O n L k 1 : 4 6 5 5 2 9 . Ma g n i f i c a t Mt 2 6 : 3 6 4 5 O l i v e ' s B r o w 2 3 . C o m e , T h o u L o n g E x p e c t e dL k 4 : 1 8 1 9 k 1 : 6 7 7 5 Mt 2 6 : 6 9 7 51 5 7 . T h e G a l i l e a n F i s h e r s T o i l L J e s u s L k 4 : 3 2 1 9 3 . T h e C h u r c h ' s O n e 4 1 . C o m e , Y o u r H e a r t a n d Mt 2 7 : 2 4 2 5 L k 5 : 1 1 1 L k 1 : 6 8 7 1 F o u n d a t i o n V o i c e s R a i s i n g L k 5 : 8 Mt 2 7 : 3 1 5 68 2 . G o T o D a r k G e t h s e m a n e 2 7 2 . N o wR e s t B e n e a t h N i g h t ' s L k 1 : 7 6 7 9 L k 7 : 6 Mt 2 7 : 4 6 8 3 . J e s u s , I n T h y D y i n g Wo e s S h a d o w Mt 2 8 : 1 1 0 8 2 . G o T o D a r k G e t h s e m a n e L k 2 : 1 2 0 8 9 . C h r i s t T h e L o r d I s R i s e n Mt 2 8 : 5 6 T o d a y ( L y r a ) L k 2 : 1 2 0 9 0 . C h r i s t T h e L o r d I s R i s e n Mt 2 8 : 5 6 T o d a y ( L y r a ) L k 2 : 1 1 8 Mt 2 8 : 6 8 7 . C h r i s t A r o s e Mt 2 8 : 6 9 2 . J e s u s C h r i s t I s R i s e n T o d a yL k 2 : 1 2 0 1 1 8 . B a p t i z e d I n t o T h y N a m e Mt 2 8 : 1 9 L k 2 : 4 1 6 Mo s t H o l y Mt 2 8 : 1 9 1 1 9 . I B i n d U n t o My s e l f T o d a y L k 2 : 6 2 0 1 2 0 . Y o u P e o p l e Wh o N o wA r e Mt 2 8 : 1 9 2 0 B a p t i z e d L k 2 : 6 2 0 2 0 1 . L o r d , T h e e I L o v e w i t h A l l Mt 2 8 : 2 0 My H e a r t L k 2 : 7 1 4 Mt 2 8 : 2 0 1 5 1 . N o , N o t O n e ! L k 2 : 7 1 3 4 . A l m i g h t y G o d Y o u r Wo r d Mk 4 : 3 8 L k 2 : 7 1 4 I s C a s t 5 3 . N o wP r a i s e We C h r i s t , t h e H o l y O n e 6 1 . Wh a t C h i l d I s T h i s ? 4 2 . F a r , F a r A w a y O n J u d e a ' s P l a i n s 4 9 . I t C a m e U p o n AMi d n i g h t C l e a r 1 3 1 . L e t A l l Mo r t a l F l e s h K e e p S i l e n c e 5 7 . S i l e n t N i g h t 5 9 . T h e F i r s t N o e l 6 0 . T o S h e p h e r d s A s T h e y Wa t c h e d B y N i g h t 4 5 . G o d R e s t Y e Me r r y G e n t l e m e n 5 0 . J o y t o t h e Wo r l d 3 9 . A n g e l s We H a v e H e a r d O n H i g h 4 6 . H a r k ! T h e H e r a l d A n g e l s S i n g 4 7 . I H e a r d T h e B e l l s O n C h r i s t m a s D a y 2 7 . J e s u s C a m e , t h e H e a v e n s A d o r i n g 4 1 . C o m e , Y o u r H e a r t a n d V o i c e s R a i s i n g 5 4 . OC o m e , A l l Y e F a i t h f u l 6 3 . I n H i s T e m p l e N o wB e h o l d H i m 2 1 . I n P e a c e a n d J o y I N o w D e p a r t 3 3 . S a v i o r O f T h e N a t i o n s C o m e 7 4 . L o r d Wh o T h r o u g h o u t T h e s e F o r t y D a y s 1 1 6 . T h e Mo u t h o f F o o l s D o t h G o d C o n f e s s 2 6 . H a r k t h e G l a d S o u n d 1 3 6 . L a m p o f O u r F e e t 1 5 7 . T h e G a l i l e a n F i s h e r s T o i l 1 3 2 . OL o r d , I A mN o t Wo r t h y 1 3 2 . OL o r d , I A mN o t Wo r t h y 7 0 . O Wo n d r o u s T y p e , O 3 6 . AG r e a t a n d Mi g h t y L k 9 : 2 8 3 6 V i s i o n F a i r Wo n d e r L k 9 : 2 8 3 6 7 1 . T i s G o o d , L o r d , T o B e H e r e 4 4 . G e n t l e Ma r y L a i d H e r C h i l d 2 5 4 . H a r k , t h e V o i c e o f J e s u s L k 1 0 : 2 9 C a l l i n g 5 2 . L o , H o wAR o s e E ' e r B l o o m i n g 2 6 5 . Y o u P a r e n t s H e a r Wh a t L k 1 0 : 2 1 J e s u s T a u g h t 5 6 . S e e A m i d t h e Wi n t e r ' s S n o w L k 1 0 : 2 5 3 76 9 . A u t h o r o f A l l L i f e 5 5 . OL i t t l e T o w n o f B e t h l e h e mL k 1 0 : 3 0 3 71 6 2 . My N e i g h b o r 3 8 . A n g e l s F r o mt h e R e a l m s o fL k 1 0 : 4 1 4 21 5 5 . O n e T h i n g ' s N e e d f u l G l o r y L k 1 1 : 1 4 2 1 8 . T h e L o r d ' s P r a y e r ( n e w ) 4 3 . F r o mH e a v e n A b o v e T o 2 1 7 . O u r F a t h e r T h o u i n L k 1 1 : 2 4 E a r t h I C o m e H e a v e n A b o v e 3 7 . A l l P r a i s e t o J e s u s ' 1 0 0 . C o m e H o l y S p i r i t , L o r d L k 1 1 : 1 3 H a l l o w e d N a m e O u r G o d 4 0 . A w a y I n AMa n g e r 2 3 8 . G o d Wi l l T a k e C a r e o f L k 1 2 : 3 0 3 2 4 8 . I n T h e B l e a k Mi d Wi n t e r Y o u
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
L k 1 2 : 3 2 2 3 7 . F e a r N o t , OL i t t l e F l o c k J n 1 : 1 2 1 3 9 6 . T h e C l o u d R e c e i v e d C h r i s t L k 1 2 : 5 9 F r o mT h e i r S i g h t J n 1 : 1 4 1 7 2 0 3 . N o t Wo r t h y , L o r d , t o L k 1 4 : 7 1 1 G a t h e r U p t h e C r u m b s J n 1 : 1 4 5 8 . S i n g , OS i n g , T h i s B l e s s e d L k 1 5 : 2 0 Mo r n J n 1 : 1 4 1 6 6 . T o d a y T h y Me r c y C a l l s L k 1 5 : 2 0 2 4 J n 1 : 1 4 Me 2 0 3 . N o t Wo r t h y , L o r d , t o L k 1 7 : 7 1 0 J n 1 : 1 4 1 7 G a t h e r U p t h e C r u m b s 1 1 3 . L o o k D o w n , OL o r d , F r o m L k 1 8 : 7 8 J n 1 : 1 4 H e a v e n B e h o l d 1 1 4 . L o o k D o w n , OL o r d , F r o m L k 1 8 : 7 8 J n 1 : 2 3 H e a v e n B e h o l d L k 1 8 : 8 1 5 7 . T h e G a l i l e a n F i s h e r s T o i l J n 1 : 2 9 7 5 . S a v i o r Wh e n I n D u s t T o L k 1 8 : 1 3 T h e e J n 1 : 2 9 L k 1 8 : 1 5 1 74 0 . A w a y I n AMa n g e r L k 1 8 : 3 5 4 31 7 2 . B l i n d B a r t i m a e u s J n 1 : 2 9 2 4 9 . T h i n e A r m , OL o r d , i n L k 1 9 : 9 1 0 D a y s o f O l d J n 1 : 2 9 L k 1 9 : 2 8 4 03 4 . T h e A d v e n t o f O u r G o d J n 1 : 3 6 1 8 2 . T h e D a y i s S u r e l y L k 2 1 : 2 5 3 6 D r a w i n g N e a r n 2 : 1 1 1 8 1 . ' T w a s O n T h a t D a r k , T h a t J L k 2 2 : 1 4 2 0 D o l e f u l N i g h t J n 2 : 1 9 2 2 1 2 8 . I C o m e , OS a v i o r , T o T h y L k 2 2 : 1 7 2 0 T a b l e J n 3 : 1 6 1 8 L k 2 2 : 3 9 4 68 2 . G o T o D a r k G e t h s e m a n e J n 3 : 1 6 L k 2 2 : 3 9 4 67 9 . O v e r K i d r o n J e s u s T r e a d e t h J n 3 : 1 6 8 0 . ' T i s Mi d n i g h t a n d O n L k 2 2 : 3 9 4 6 O l i v e ' s B r o w J n 4 : 1 0 L k 2 2 : 6 6 7 18 2 . G o T o D a r k G e t h s e m a n e n 4 : 1 3 1 4 L k 2 3 : 2 6 4 98 2 . G o T o D a r k G e t h s e m a n e J 2 4 0 . H o wS h a l l We A n s w e r T e r r o r ' s C r y ? L k 2 3 : 3 4 8 3 . J e s u s , I n T h y D y i n g Wo e s L k 2 3 : 3 9 4 31 5 7 . T h e G a l i l e a n F i s h e r s T o i l L k 2 3 : 4 2 4 31 2 2 . L o r d J e s u s T h i n k O n Me L k 2 3 : 4 3 8 3 . J e s u s , I n T h y D y i n g Wo e s L k 2 3 : 4 6 8 3 . J e s u s , I n T h y D y i n g Wo e s L k 2 4 : 1 1 2 8 2 . G o T o D a r k G e t h s e m a n e 8 9 . C h r i s t T h e L o r d I s R i s e n L k 2 4 : 4 7 T o d a y ( L y r a ) 9 0 . C h r i s t T h e L o r d I s R i s e n L k 2 4 : 4 7 T o d a y ( L y r a ) L k 2 4 : 5 7 9 2 . J e s u s C h r i s t I s R i s e n T o d a y L k 2 4 : 2 9 1 6 7 . A b i d e Wi t h Me 9 7 . S e e , T h e L o r d A s c e n d s I n L k 2 4 : 5 0 3 5 T r i u m p h J n 1 : 1 5 1 8 . B l e s s e d J e s u s a t T h y Wo r d J n 1 : 1 5 1 3 6 . L a m p o f O u r F e e t 3 3 . S a v i o r O f T h e N a t i o n s J n 1 : 1 4 C o m e 5 8 . S i n g , OS i n g , T h i s B l e s s e d J n 1 : 1 3 Mo r n 2 5 3 . G o d , Wh o s e A l m i g h t y J n 1 : 4 5 Wo r d L k 2 3 : 3 4 J n 4 : 1 4 J n 4 : 2 4 J n 4 : 3 4 3 8 J n 5 : 2 4 J n 6 : 1 6 2 1 J n 6 : 3 2 3 5 J n 6 : 3 2 3 5 J n 6 : 4 0 J n 6 : 4 7 5 1 J n 6 : 5 0 5 7 J n 6 : 5 0 5 7 2 6 5 . Y o u P a r e n t s H e a r Wh a t J n 8 : 1 2 J e s u s T a u g h t 3 6 . AG r e a t a n d Mi g h t y J n 8 : 3 1 3 2 Wo n d e r J n 8 : 3 1 3 7 . A l l P r a i s e t o J e s u s ' H a l l o w e d N a m e J n 9 : 2 5 1 3 6 . L a m p o f O u r F e e t J n 1 0 : 1 1 6 5 1 . L e t O u r G l a d n e s s H a v e N o E n d J n 1 0 : 1 1 8 5 8 . S i n g , OS i n g , T h i s B l e s s e d Mo r n J n 1 0 : 3 1 0 8 . We A l l B e l i e v e i n O n e T r u e G o d J n 1 0 : 9 3 1 . O n J o r d a n ' s B a n k t h e B a p t i s t ' s C r y J n 1 0 : 1 0 7 3 . AL a m b G o e s U n c o m p l a i n i n g F o r t h J n 1 0 : 1 1 1 5 2 0 2 . My F a i t h L o o k s U p T o J n 1 0 : 1 1 T h e e 5 6 . S e e A m i d t h e Wi n t e r ' s J n 1 0 : 1 1 S n o w 6 7 . T h e S t a r P r o c l a i m s t h e J n 1 0 : 1 4 1 5 K i n g i s H e r e 2 0 2 . My F a i t h L o o k s U p T o J n 1 0 : 2 7 3 0 T h e e J n 1 0 : 2 7 2 8 2 6 2 . L o r d , Wh o a t C a n a ' s We d d i n g F e a s t J n 1 0 : 2 7 3 0 8 7 . C h r i s t A r o s e J n 1 0 : 2 8 3 0 4 3 . F r o mH e a v e n A b o v e T o J n 1 1 : 5 2 E a r t h I C o m e J n 1 2 : 1 2 1 3 2 5 6 . L i f t H i g h T h e C r o s s J n 1 2 : 2 6 1 3 8 . T h e G o s p e l S h o w s T h e J n 1 2 : 2 6 F a t h e r ' s G r a c e 2 3 2 . H i s G i f t s J n 1 2 : 4 6 1 9 7 . C o m e T h o u F o u n t O f J n 1 3 : 3 7 3 8 E v e r y B l e s s i n g n 1 4 : 1 6 1 9 8 . G u i d e Me , OT h o u G r e a t J J e h o v a h J n 1 4 : 1 4 1 0 2 . H o l y G h o s t , w i t h L i g h t J n 1 4 : 1 7 D i v i n e n 1 4 : 1 3 2 5 4 . H a r k , t h e V o i c e o f J e s u s J C a l l i n g J n 1 4 : 1 3 1 3 6 . L a m p o f O u r F e e t 1 5 7 . T h e G a l i l e a n F i s h e r s T o i l J n 1 4 : 1 1 1 1 2 7 . A t T h e L a m b ' s H i g h F e a s t 1 9 8 . G u i d e Me , OT h o u G r e a t J n 1 4 : 5 1 1 J e h o v a h 2 1 4 . My J e s u s , A s T h o u Wi l t J n 1 4 : 1 6 1 7 1 5 0 . L o r d , E n t h r o n e d i n H e a v e n l y S p l e n d o r J n 1 4 : 1 6 1 2 9 . J e s u s C h r i s t , O u r B l e s s e d S a v i o r J n 1 4 : 1 6 1 7 1 3 0 . J e s u s C h r i s t , O u r B l e s s e d J n 1 4 : 1 6 S a v i o r 5 8 . S i n g , OS i n g , T h i s B l e s s e d Mo r n 1 8 . B l e s s e d J e s u s a t T h y Wo r d 1 1 5 . L o r d , K e e p U s S t e a d f a s t i n T h y Wo r d 1 6 8 . A m a z i n g G r a c e 2 0 6 . S a v i o r , L i k e AS h e p h e r d L e a d U s 2 6 4 . S a v i o r , Wh o T h y F l o c k A r t F e e d i n g 2 0 6 . S a v i o r , L i k e AS h e p h e r d L e a d U s 1 6 6 . T o d a y T h y Me r c y C a l l s Me 2 4 9 . T h i n e A r m , OL o r d , i n D a y s o f O l d 2 4 1 . I A mJ e s u s ' L i t t l e L a m b 2 7 1 . J e s u s , T e n d e r S h e p h e r d , H e a r Me 1 3 3 . T h o u , Wh o a t T h y F i r s t E u c h a r i s t 8 4 . OS a c r e d H e a d , N o w Wo u n d e d 2 3 2 . H i s G i f t s 8 4 . OS a c r e d H e a d , N o w Wo u n d e d 2 1 5 . Wh e r e H e L e a d s Me 2 4 3 . I f G o d H i m s e l f B e F o r Me 2 0 . We G a t h e r T o g e t h e r 7 8 . H o s a n n a , L o u d H o s a n n a 2 1 2 . H e Wh o Wo u l d V a l i a n t B e 2 1 5 . Wh e r e H e L e a d s Me 2 2 5 . J o y f u l , J o y f u l , We A d o r e T h e e 2 1 5 . Wh e r e H e L e a d s Me 1 5 9 . C h r i s t My K i n g O n H i g h 2 5 2 . D e s p a i r N o t , OH e a r t 1 8 5 . I ' mB u t AS t r a n g e r H e r e 9 5 . L o , G o d T o H e a v ' n A s c e n d e t h 2 7 3 . N o wt h e L i g h t H a s G o n e A w a y 9 7 . S e e , T h e L o r d A s c e n d s I n T r i u m p h 2 4 2 . I K n o wWh o mI H a v e B e l i e v e d 9 9 . C o m e D o w n , OL o v e D i v i n e 1 0 1 . C o m e , G o d C r e a t o r , H o l y G h o s t 1 0 2 . H o l y G h o s t , w i t h L i g h t D i v i n e 1 0 4 . T h e C o m f o r t e r H a s C o m e 2 7 . J e s u s C a m e , t h e H e a v e n s A d o r i n g 9 9 . C o m e D o w n , OL o v e D i v i n e 9 6 . T h e C l o u d R e c e i v e d C h r i s t F r o mT h e i r S i g h t
J n 6 : 6 7 6 8 1 8 . B l e s s e d J e s u s a t T h y Wo r d J n 1 4 : 1 8 J n 7 : 7 1 7 7 . T h e O l d R u g g e d C r o s s J n 8 : 1 2 1 8 . B l e s s e d J e s u s a t T h y Wo r d J n 1 4 : 2 6 2 5 3 . G o d , Wh o s e A l m i g h t y J n 8 : 1 2 Wo r d J n 1 4 : 2 6
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
2 1 9 . We N o wI m p l o r e G o d t h e 1 0 2 . H o l y G h o s t , w i t h L i g h t R o m3 : 2 4 - 1 5 0 . L o r d , E n t h r o n e d i n J n 1 4 : 2 6 A c t s 2 : 2 4 H o l y G h o s t D i v i n e 2 5 H e a v e n l y S p l e n d o r J n 1 4 : 2 7 2 81 7 3 . I t I s We l l Wi t h My S o u l 9 4 . T h e S t r i f e I s O ' e r , T h e 1 6 0 . D e a r C h r i s t i a n s , O n e a n d A c t s 2 : 2 2 2 4 R o m3 : 2 8 B a t t l e D o n e A l l R e j o i c e J n 1 5 : 1 2 1 31 3 5 . J e s u s L o v e s Me 8 8 . C h r i s t J e s u s L a y I n D e a t h ' s 1 6 1 . D e a r C h r i s t i a n s , O n e a n d J n 1 5 : 1 3 1 51 5 1 . N o , N o t O n e ! A c t s 2 : 2 4 R o m3 : 2 8 S t r o n g B a n d s A l l R e j o i c e 2 2 0 . Wh a t AF r i e n d We H a v e J n 1 5 : 1 3 6 8 . T o J o r d a n C a m e O u r L o r d , 8 5 . S t r i c k e n , S m i t t e n , a n d I n J e s u s A c t s 2 : 3 8 R o m4 : 2 5 T h e C h r i s t A f f l i c t e d 2 2 0 . Wh a t AF r i e n d We H a v e J n 1 5 : 1 4 1 6 1 2 0 . Y o u P e o p l e Wh o N o wA r eR o m5 : 1 1 7 1 . B l e s s e d A s s u r a n c e I n J e s u s A c t s 2 : 3 8 3 9 B a p t i z e d R o m5 : 1 1 7 3 . I t I s We l l Wi t h My S o u l J n 1 5 : 2 0 2 4 3 . I f G o d H i m s e l f B e F o r Me A c t s 2 : 4 6 4 71 3 2 . OL o r d , I A mN o t Wo r t h y 1 6 5 . S a l v a t i o n U n t o U s H a s 2 5 3 . G o d , Wh o s e A l m i g h t y R o m5 : 1 1 1 J n 1 5 : 2 6 2 7 1 2 1 . H a v e Me r c y O n Me , OMy C o m e Wo r d A c t s 3 : 1 8 2 1 G o d 9 9 . C o m e D o w n , OL o v e J n 1 6 : 1 3 1 9 6 . B e T h o u My V i s i o n R o m5 : 5 8 5 . S t r i c k e n , S m i t t e n , a n d D i v i n e A c t s 4 : 1 1 1 2 1 0 0 . C o m e H o l y S p i r i t , L o r d A f f l i c t e d J n 1 6 : 1 3 1 4 1 0 0 . C o m e H o l y S p i r i t , L o r d O u r G o d R o m5 : 5 2 1 0 . H a p p y t h e Ma n Wh o O u r G o d A c t s 9 : 3 1 J n 1 6 : 1 3 1 9 9 . H e L e a d e t h Me F e a r e t h G o d R o m5 : 8 1 02 3 0 . A n d C a nI t B e 2 1 9 . We N o wI m p l o r e G o d t h e 2 1 1 . H a p p y t h e Ma n Wh o J n 1 6 : 1 3 1 5 4 3 . F r o mH e a v e n A b o v e T o A c t s 9 : 3 1 H o l y G h o s t R o m5 : 8 F e a r e t h G o d E a r t h I C o m e 2 4 2 . I K n o wWh o mI H a v e A c t s 1 2 : 7 2 3 0 . A n d C a n I t B e J n 1 7 : 3 2 0 6 . S a v i o r , L i k e AS h e p h e r d B e l i e v e d R o m5 : 8 2 3 5 . OL o r d o f H e a v ' n a n d L e a d U s A c t s 1 4 : 1 5 9 6 . T h e C l o u d R e c e i v e d C h r i s t E a r t h a n d S e a J n 1 7 : 3 1 2 9 . J e s u s C h r i s t , O u r B l e s s e d F r o mT h e i r S i g h t R o m5 : 9 1 0 A c t s 1 6 : 2 5 S a v i o r 2 6 . H a r k t h e G l a d S o u n d 1 3 3 . T h o u , Wh o a t T h y F i r s t 3 4 J n 1 7 : 1 1 1 3 0 . J e s u s C h r i s t , O u r B l e s s e d E u c h a r i s t R o m5 : 9 1 0 A c t s 1 6 : 3 1 S a v i o r 2 6 3 . O h , B l e s t t h e H o u s e J n 1 7 : 1 7 1 3 6 . L a m p o f O u r F e e t 3 4 R o m5 : 1 0 - 9 4 . T h e S t r i f e I s O ' e r , T h e J n 1 8 : 1 7 9 . O v e r K i d r o n J e s u s T r e a d e t h A c t s 1 7 : 2 4 1 9 0 . B u i l t o n t h e R o c k 1 1 B a t t l e D o n e 6 7 . T h e S t a r P r o c l a i m s t h e A c t s 2 0 : 2 8 -1 1 3 . L o o k D o w n , OL o r d , F r o m 5 1 . L e t O u r G l a d n e s s H a v e N o J n 1 8 : 3 6 3 7 R o m5 : 1 1 K i n g i s H e r e 3 2 H e a v e n B e h o l d E n d J n 1 9 : 1 6 3 08 2 . G o T o D a r k G e t h s e m a n e A c t s 2 0 : 2 8 -1 1 4 . L o o k D o w n , OL o r d , F r o m R o m5 : 1 2 1 6 2 . My N e i g h b o r J n 1 9 : 2 6 2 78 3 . J e s u s , I n T h y D y i n g Wo e s 3 2 H e a v e n B e h o l d 1 9 J n 1 9 : 2 8 8 3 . J e s u s , I n T h y D y i n g Wo e s A c t s 2 0 : 2 9 R o m5 : 1 5 1 5 7 . T h e G a l i l e a n F i s h e r s T o i l 2 3 2 . H i s G i f t s 0 1 7 J n 1 9 : 3 0 1 4 5 . H a l l e l u j a h , Wh a t a S a v i o r ! 3 c t s 2 2 : 1 4 R o m5 : 2 0 - 1 2 4 . O u t o f t h e D e e p I C r y t o J n 1 9 : 3 0 8 3 . J e s u s , I n T h y D y i n g Wo e s A 2 1 4 . My J e s u s , A s T h o u Wi l t 1 6 2 1 T h e e J n 1 9 : 3 4 1 2 7 . A t T h e L a m b ' s H i g h F e a s t 1 2 0 . Y o u P e o p l e Wh o N o wA r eR o m5 : 2 0 - 1 2 5 . O u t o f t h e D e e p I C r y t o J n 1 9 : 3 4 1 6 4 . R o c k o f A g e s A c t s 2 2 : 1 6 B a p t i z e d 2 1 T h e e J n 2 0 : 1 1 8 8 2 . G o T o D a r k G e t h s e m a n e R o m1 1 1 2 4 3 . I f G o d H i m s e l f B e F o r Me 8 6 . A w a k e , My H e a r t , Wi t h R o m6 : 1 1 1 J n 2 0 : 1 9 2 31 5 7 . T h e G a l i l e a n F i s h e r s T o i l G l a d n e s s 1 3 4 . A l m i g h t y G o d Y o u r Wo r d o m1 : 1 6 2 8 . L o ! H e C o m e s Wi t h C l o u d sR I s C a s t 1 1 8 . B a p t i z e d I n t o T h y N a m e J n 2 0 : 2 4 3 1 R o m6 : 2 4 D e s c e n d i n g Mo s t H o l y R o m1 : 1 6 - 1 3 8 . T h e G o s p e l S h o w s T h e J n 2 1 : 1 1 4 1 5 7 . T h e G a l i l e a n F i s h e r s T o i l 1 7 F a t h e r ' s G r a c e 1 1 7 . A l l Wh o B e l i e v e a n d A r e R o m6 : 3 4 2 5 4 . H a r k , t h e V o i c e o f J e s u s B a p t i z e d 2 2 4 . I m m o r t a l , I n v i s i b l e , G o d J n 2 1 : 1 5 1 7 R o m1 : 2 0 C a l l i n g O n l y Wi s e 1 2 0 . Y o u P e o p l e Wh o N o wA r e R o m6 : 3 1 1 J n 2 1 : 2 2 2 1 5 . Wh e r e H e L e a d s Me B a p t i z e d R o m2 : 3 5 1 6 9 . B e S t i l l My S o u l 9 5 . L o , G o d T o H e a v ' n 9 3 . J e s u s C h r i s t Wh o C a m e t o 1 3 9 . T h e L a wO f G o d I s G o o d R A c t s 1 : 6 1 1 o m6 : 4 1 1 R o m2 : 1 2 A s c e n d e t h S a v e A n d Wi s e 9 7 . S e e , T h e L o r d A s c e n d s I n R 2 3 3 . N o wT h a n k We A l l O u r o m3 : 1 0 - 1 6 5 . S a l v a t i o n U n t o U s H a s A c t s 1 : 6 1 1 R o m6 : 7 T r i u m p h G o d 3 1 C o m e 9 6 . T h e C l o u d R e c e i v e d C h r i s tR 9 4 . T h e S t r i f e I s O ' e r , T h e o m3 : 1 9 - 1 3 9 . T h e L a wO f G o d I s G o o d R A c t s 1 : 9 1 1 o m6 : 9 1 0 F r o mT h e i r S i g h t B a t t l e D o n e 2 6 A n d Wi s e A c t s 1 : 1 0 1 11 7 8 . C h r i s t R e t u r n e t h 2 0 7 . T a k e My L i f e A n d L e t I t R o m3 : 2 1 R o m6 : 1 3 2 3 2 . H i s G i f t s B e 1 3 1 . L e t A l l Mo r t a l F l e s h K e e p 2 6 A c t s 1 : 1 0 1 1 S i l e n c e R o m6 : 2 3 2 3 2 . H i s G i f t s R o m3 : 2 1 1 6 2 . My N e i g h b o r 2 8 . L o ! H e C o m e s Wi t h C l o u d s 2 6 7 6 . Wh e n I S u r v e y t h e A c t s 1 : 1 1 R o m7 : 2 4 D e s c e n d i n g Wo n d r o u s C r o s s R o m3 : 2 3 1 5 8 . B y G r a c e I ' mS a v e d 1 0 1 . C o m e , G o d C r e a t o r , H o l y 2 4 R o m8 : 9 1 06 9 . A u t h o r o f A l l L i f e A c t s 2 : 1 4 G h o s t R o m3 : 2 3 - 8 1 . ' T w a s O n T h a t D a r k , T h a t R o m8 : 2 3 - 2 1 9 . We N o wI m p l o r e G o d t h e 9 9 . C o m e D o w n , OL o v e 2 5 D o l e f u l N i g h t 2 7 H o l y G h o s t A c t s 2 : 2 3 D i v i n e
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
R o m8 : 2 6 2 7 R o m8 : 3 1 3 9 R o m8 : 3 1 3 9 R o m8 : 3 1 3 9 1 C o r 3 : 1 6 - 1 9 . O p e n N o wT h y G a t e s o f 1 C o r 1 5 : 5 4 -9 4 . T h e S t r i f e I s O ' e r , T h e 1 7 B e a u t y 5 7 B a t t l e D o n e 8 8 . C h r i s t J e s u s L a y I n D e a t h ' s1 C o r 1 5 : 5 5 -1 1 0 . AMi g h t y F o r t r e s s I s O u r 1 C o r 5 : 7 b S t r o n g B a n d s 5 7 G o d 1 5 0 . L o r d , E n t h r o n e d i n 1 C o r 1 5 : 5 5 -8 9 . C h r i s t T h e L o r d I s R i s e n 1 C o r 5 : 7 H e a v e n l y S p l e n d o r 5 7 T o d a y ( L y r a ) 2 0 7 . T a k e My L i f e A n d L e t I t 1 C o r 1 5 : 5 5 -9 0 . C h r i s t T h e L o r d I s R i s e n 2 4 3 . I f G o d H i m s e l f B e F o r Me 1 C o r 6 : 2 0 B e 5 7 T o d a y ( L y r a ) 2 3 8 . G o d Wi l l T a k e C a r e o f 1 C o r 1 0 : 4 1 6 4 . R o c k o f A g e s 1 C o r 1 5 : 5 5 -6 0 . T o S h e p h e r d s A s T h e y R o m8 : 3 2 Y o u 5 7 Wa t c h e d B y N i g h t 1 C o r 1 0 : 1 3 1 6 7 . A b i d e Wi t h Me R o m8 : 3 2 - 5 1 . L e t O u r G l a d n e s s H a v e N o 7 2 . J e s u s G r a n t T h a t B a l ma n d 7 2 . J e s u s G r a n t T h a t B a l ma n d 2 C o r 1 : 3 7 1 C o r 1 0 : 1 3 3 3 E n d H e a l i n g H e a l i n g 2 5 9 . L o r d o f G l o r y , Wh o H a s t 1 2 5 0 . T h o u g h i n t h e Mi d s t o f C o r 1 0 : 1 6 -1 3 3 . T h o u , Wh o a t T h y F i r s t 2 R o m8 : 3 2 C o r 1 : 9 1 0 B o u g h t U s L i f e We B e 1 7 E u c h a r i s t 2 3 5 . OL o r d o f H e a v ' n a n d 2 3 3 . N o wT h a n k We A l l O u r 1 C o r 1 0 : 2 4 6 9 . A u t h o r o f A l l L i f e R o m8 : 3 2 2 C o r 2 : 1 4 E a r t h a n d S e a G o d 1 C o r 1 1 : 2 3 -1 2 8 . I C o m e , OS a v i o r , T o T h y R o m8 : 3 5 - 8 6 . A w a k e , My H e a r t , Wi t h 2 C o r 3 : 4 6 2 4 6 . My H o p e I s B u i l t 2 9 T a b l e 3 9 G l a d n e s s 2 C o r 4 : 6 2 7 4 . O T r i n i t y o f B l e s s e d L i g h t 1 C o r 1 1 : 2 3 -1 2 9 . J e s u s C h r i s t , O u r B l e s s e d R o m8 : 3 7 - 1 1 0 . AMi g h t y F o r t r e s s I s O u r 2 9 S a v i o r 2 C o r 4 : 1 7 1 8 6 . J e r u s a l e mt h e G o l d e n 3 9 G o d 1 8 1 C o r 1 1 : 2 3 -1 3 0 . J e s u s C h r i s t , O u r B l e s s e d R o m8 : 3 8 2 9 S a v i o r 2 C o r 5 : 1 1 01 8 5 . I ' mB u t AS t r a n g e r H e r e 2 5 6 . L i f t H i g h T h e C r o s s 3 9 1 C o r 1 1 : 2 3 -1 3 1 . L e t A l l Mo r t a l F l e s h K e e p 1 9 4 . T h r o u g h t h e N i g h t o f 2 C o r 5 : 1 1 0 R o m8 : 3 8 - 1 6 3 . OL o v e , H o wD e e p , H o w 2 6 S i l e n c e D o u b t a n d S o r r o w 3 9 B r o a d , H o wH i g h 1 C o r 1 1 : 2 3 2 0 2 . My F a i t h L o o k s U p T o 2 2 6 . OL o r d We P r a i s e T h e e 2 C o r 5 : 7 2 1 9 . We N o wI m p l o r e G o d t h e 2 6 T h e e R o m9 : 1 H o l y G h o s t 1 C o r 1 1 : 2 3 -8 1 . ' T w a s O n T h a t D a r k , T h a t 2 0 7 . T a k e My L i f e A n d L e t I t 2 C o r 5 : 1 5 R o m1 0 : 1 4 2 6 D o l e f u l N i g h t B e 2 5 5 . H e Wa s N o t Wi l l i n g 1 5 1 0 8 . We A l l B e l i e v e i n O n e 2 C o r 6 : 4 6 1 9 1 . F a i t h o f O u r F a t h e r s C o r 1 2 : 3 R o m1 1 : 3 3 -1 5 4 . OT h e D e e p , D e e p L o v e o f1 T r u e G o d 2 3 6 . A l l D e p e n d s O n O u r 3 6 J e s u s 2 C o r 6 : 1 0 2 1 9 . We N o wI m p l o r e G o d t h e P o s s e s s i n g C o r 1 2 : 3 2 0 7 . T a k e My L i f e A n d L e t I t 1 H o l y G h o s t R o m1 2 : 1 2 2 C o r 1 3 : 1 4 1 1 9 . I B i n d U n t o My s e l f T o d a y B e 1 C o r 1 2 : 7 - 1 0 1 . C o m e , G o d C r e a t o r , H o l y 2 C o r 1 3 : 1 4 2 6 8 . OH o l y , B l e s s e d T r i n i t y R o m1 2 : 1 82 0 9 . Wh i t e r T h a n S n o w 1 1 G h o s t 1 1 8 . B a p t i z e d I n t o T h y N a m e R o m1 3 : 8 G a l 3 : 2 6 2 7 1 C o r 1 2 : 1 2 1 6 2 . My N e i g h b o r Mo s t H o l y 1 0 3 . H o l y S p i r i t , E v e r D w e l l i n g 1 0 1 4 1 2 0 . Y o u P e o p l e Wh o N o wA r e 2 6 7 . A w a k e , My S o u l , A n d G a l 3 : 2 7 1 0 0 . C o m e H o l y S p i r i t , L o r d R o m1 3 : 1 1 B a p t i z e d 1 C o r 1 2 : 1 3 Wi t h T h e S u n O u r G o d 1 6 5 . S a l v a t i o n U n t o U s H a s 2 2 7 . P r a i s e G o d F r o m Wh o m 1 a l 4 : 1 2 5 C o r 1 5 : 2 1 4 6 . H a r k ! T h e H e r a l d A n g e l s G R o m1 3 : 1 1 C o m e A l l B l e s s i n g s F l o w 2 2 S i n g 1 6 0 . D e a r C h r i s t i a n s , O n e a n d 2 5 0 . T h o u g h i n t h e Mi d s t o f G a l 4 : 4 5 2 6 6 . A w a k e My S o u l , A n R o m1 4 : 7 8 A l l R e j o i c e 1 C o r 1 5 : 2 2 L i f e We B e O f f e r i n g B r i n g 1 6 1 . D e a r C h r i s t i a n s , O n e a n d 1 1 8 . B a p t i z e d I n t o T h y N a m e 1 G a l 4 : 4 5 C o r 1 5 : 2 2 R o m1 4 : 8 9 A l l R e j o i c e 1 4 8 . J e s u s S h a l l R e i g n Mo s t H o l y 2 8 1 8 8 . B l e s t B e T h e T i e T h a t 1 8 8 . B l e s t B e T h e T i e T h a t a l 6 : 1 5 1 C o r 1 5 : 2 5 -9 3 . J e s u s C h r i s t Wh o C a m e t o G R o m1 5 : 1 7 B i n d s B i n d s 2 6 S a v e 1 8 9 . B l e s t B e T h e T i e T h a t 1 8 9 . B l e s t B e T h e T i e T h a t G a l 6 : 1 5 1 C o r 1 5 : 3 5 R o m1 5 : 1 7 B i n d s 2 5 2 . D e s p a i r N o t , OH e a r t B i n d s 3 8 1 7 0 . B e n e a t h T h e C r o s s O f R o m1 5 : 9 1 4 2 . A l l e l u i a , S i n g T o J e s u s ! 1 G a l 6 : 1 4 C o r 1 5 : 4 2 -8 6 . A w a k e , My H e a r t , Wi t h J e s u s 1 C o r 6 9 . A u t h o r o f A l l L i f e 5 8 G l a d n e s s G a l 6 : 1 4 2 4 3 . I f G o d H i m s e l f B e F o r Me 1 3 3 . T h o u , Wh o a t T h y F i r s t 1 C o r 1 5 : 5 1 1 C o r 1 : 1 3 1 7 8 . C h r i s t R e t u r n e t h G a l 6 : 1 4 1 7 7 . T h e O l d R u g g e d C r o s s E u c h a r i s t 5 7 7 6 . Wh e n I S u r v e y t h e 1 C o r 1 : 1 7 - 1 7 0 . B e n e a t h T h e C r o s s O f 1 C o r 1 5 : 5 3 G a l 6 : 1 4 1 2 7 . A t T h e L a m b ' s H i g h F e a s t Wo n d r o u s C r o s s 1 8 J e s u s 5 7 2 6 7 . A w a k e , My S o u l , A n d 1 C o r 1 : 1 8 1 3 6 . L a m p o f O u r F e e t 1 C o r 1 5 : 5 3 -2 5 0 . T h o u g h i n t h e Mi d s t o f E p h 1 : 3 Wi t h T h e S u n 4 L i f e We B e 1 C o r 2 : 1 4 1 8 . B l e s s e d J e s u s a t T h y Wo r d 5 2 2 7 . P r a i s e G o d F r o m Wh o m 1 C o r 1 5 : 5 4 2 2 2 . A l l e l u i a , A l l e l u i a ! H e a r t s E p h 1 : 3 1 C o r 3 : 1 1 A l l B l e s s i n g s F l o w 1 9 0 . B u i l t o n t h e R o c k 5 7 t o H e a v e n a n d V o i c e s R a i s e 1 6 6 7 . T h e S t a r P r o c l a i m s t h e 1 C o r 1 5 : 5 4 8 8 . C h r i s t J e s u s L a y I n D e a t h ' sE p h 1 : 9 1 9 3 . T h e C h u r c h ' s O n e K i n g i s H e r e 1 C o r 3 : 1 1 5 7 S t r o n g B a n d s F o u n d a t i o n 1 9 7 . C o m e T h o u F o u n t O f 1 C o r 1 5 : 5 4 -2 2 . L o r d , D i s m i s s U s Wi t h T h yE p h 1 : 1 3 1 4 E v e r y B l e s s i n g 5 7 B l e s s i n g 1 0 8 . We A l l B e l i e v e i n O n e T r u e G o d 1 1 1 . I f G o d H a d N o t B e e n o n O u r S i d e 1 1 2 . I f G o d H a d N o t B e e n o n O u r S i d e
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
1 6 5 . S a l v a t i o n U n t o U s H a s E p h 6 : 2 4 2 0 0 . Mo r e L o v e t o T h e e 2 4 5 . I n T h e s e O u r D a y s S o E p h 2 : 1 1 0 2 T h e s s 3 : 1 6 C o m e P e r i l o u s 5 6 . S e e A m i d t h e Wi n t e r ' s P h i l 2 : 3 8 9 4 . T h e S t r i f e I s O ' e r , T h e S n o w 1 T i m1 : 1 2 -1 5 4 . OT h e D e e p , D e e p L o v e o f E p h 2 : 1 6 B a t t l e D o n e 1 7 J e s u s 4 4 . G e n t l e Ma r y L a i d H e r P h i l 2 : 5 1 1 E p h 2 : 4 9 1 6 8 . A m a z i n g G r a c e C h i l d 1 T i m1 : 1 4 2 5 6 . L i f t H i g h T h e C r o s s E p h 2 : 4 9 1 5 8 . B y G r a c e I ' mS a v e d 2 7 7 . L o r d G o d , T h y P r a i s e We 1 2 4 . O u t o f t h e D e e p I C r y t o P h i l 2 : 5 8 1 T i m1 : 1 4 S i n g T h e e 2 0 6 . S a v i o r , L i k e AS h e p h e r d E p h 2 : 4 5 L e a d U s 5 3 . N o wP r a i s e We C h r i s t , t h e 1 2 5 . O u t o f t h e D e e p I C r y t o P h i l 2 : 5 7 1 T i m1 : 1 4 H o l y O n e T h e e E p h 2 : 6 1 5 9 . C h r i s t My K i n g O n H i g h P h i l 2 : 5 1 1 3 4 . T h e A d v e n t o f O u r G o d 1 T i m1 : 1 7 7 7 . A l l G l o r y , L a u d , a n d H o n o r E p h 2 : 8 1 0 2 3 2 . H i s G i f t s P h i l 2 : 5 8 6 1 . Wh a t C h i l d I s T h i s ? 2 2 4 . I m m o r t a l , I n v i s i b l e , G o d 1 5 3 . OF o r AT h o u s a n d 1 T i m1 : 1 7 E p h 2 : 8 9 O n l y Wi s e T o n g u e s 1 4 1 . A l l H a i l T h e P o w e r O f P h i l 2 : 9 1 1 J e s u s ' N a m e 3 6 . A G r e a t a n d Mi g h t y 1 2 4 . O u t o f t h e D e e p I C r y t o 1 T i m2 : 5 6 E p h 2 : 8 9 Wo n d e r T h e e 1 4 1 . A l l H a i l T h e P o w e r O f P h i l 2 : 9 1 0 J e s u s ' N a m e 1 T i m2 : 5 6 1 4 5 . H a l l e l u j a h , Wh a t a S a v i o r ! 1 2 5 . O u t o f t h e D e e p I C r y t o E p h 2 : 8 9 T h e e P h i l 3 : 7 1 1 1 5 5 . O n e T h i n g ' s N e e d f u l 2 7 7 . L o r d G o d , T h y P r a i s e We 1 T i m2 : 5 6 S i n g E p h 2 : 1 3 2 21 7 5 . N e a r e r , My G o d , T o T h e e 2 4 2 . I K n o wWh o mI H a v e P h i l 3 : 8 1 1 B e l i e v e d 1 T i m2 : 5 6 1 7 4 . My S o n g S h a l l B e O f J e s u s E p h 2 : 1 9 2 21 9 0 . B u i l t o n t h e R o c k P h i l 3 : 2 0 1 8 5 . I ' m B u t A S t r a n g e r H e r e 1 T i m 2 : 5 6 2 7 8 . My S o n g S h a l l B e O f J e s u s E p h 2 : 1 9 1 8 5 . I ' mB u t AS t r a n g e r H e r e P h i l 4 : 5 7 1 7 2 . B l i n d B a r t i m a e u s 1 3 7 . T h a t Me n a g o d l y L i f e E p h 2 : 1 9 2 22 4 6 . My H o p e I s B u i l t 1 T i m2 : 5 6 Mi g h t L i v e h i l 4 : 5 7 1 5 5 . O n e T h i n g ' s N e e d f u l E p h 3 : 7 9 1 0 3 . H o l y S p i r i t , E v e r D w e l l i n gP 3 6 . A G r e a t a n d Mi g h t y P h i l 4 : 6 1 4 6 . I N e e d T h e e E v e r y H o u r 1 T i m3 : 1 6 E p h 3 : 8 1 2 2 3 0 . A n d C a n I t B e Wo n d e r 2 3 8 . G o d Wi l l T a k e C a r e o f 2 0 2 . My F a i t h L o o k s U p T o P h i l 4 : 1 9 3 7 . A l l P r a i s e t o J e s u s ' E p h 3 : 1 2 Y o u 1 T i m3 : 1 6 T h e e H a l l o w e d N a m e o l 1 : 1 2 1 35 7 . S i l e n t N i g h t 1 6 3 . OL o v e , H o wD e e p , H o w C 9 5 . L o , G o d T o H e a v ' n E p h 3 : 1 4 2 1 T i m3 : 1 6 B r o a d , H o wH i g h 4 2 . F a r , F a r A w a y O n J u d e a ' s 1 A s c e n d e t h C o l 1 : 1 9 2 0 P l a i n s E p h 3 : 1 7 1 81 3 5 . J e s u s L o v e s Me 1 T i m6 : 1 2 1 9 1 . F a i t h o f O u r F a t h e r s 5 8 . S i n g , OS i n g , T h i s B l e s s e d 1 5 4 . OT h e D e e p , D e e p L o v e o fC o l 2 : 9 1 0 2 T i m 1 : 3 1 9 1 . F a i t h o f O u r F a t h e r s E p h 3 : 1 7 1 8 Mo r n J e s u s 1 6 0 . D e a r C h r i s t i a n s , O n e a n d 1 1 7 . A l l Wh o B e l i e v e a n d A r e 2 T i m1 : 9 1 0 1 4 9 . J e s u s , T h y B o u n d l e s s L o v eC o l 2 : 1 1 1 4 A l l R e j o i c e E p h 3 : 1 8 B a p t i z e d T o Me 1 6 1 . D e a r C h r i s t i a n s , O n e a n d 1 2 0 . Y o u P e o p l e Wh o N o wA r e2 T i m1 : 9 1 0 1 8 8 . B l e s t B e T h e T i e T h a t C o l 2 : 1 1 1 5 A l l R e j o i c e E p h 4 : 1 6 B a p t i z e d B i n d s 2 2 2 . A l l e l u i a , A l l e l u i a ! H e a r t s 8 6 . A w a k e , My H e a r t , Wi t h 2 T i m1 : 1 0 1 8 9 . B l e s t B e T h e T i e T h a t C o l 2 : 1 3 1 5 t o H e a v e n a n d V o i c e s R a i s e E p h 4 : 1 6 G l a d n e s s B i n d s 8 8 . C h r i s t J e s u s L a y I n D e a t h ' s 1 2 1 . H a v e Me r c y O n Me , OMy 2 T i m1 : 1 0 1 3 3 . T h o u , Wh o a t T h y F i r s t C o l 2 : 1 3 1 4 S t r o n g B a n d s E p h 4 : 1 7 G o d E u c h a r i s t 9 4 . T h e S t r i f e I s O ' e r , T h e o l 2 : 1 3 1 41 5 5 . O n e T h i n g ' s N e e d f u l 2 T i m1 : 1 0 1 1 5 . L o r d , K e e p U s S t e a d f a s t i nC B a t t l e D o n e E p h 4 : 3 6 T h y Wo r d 1 8 8 . B l e s t B e T h e T i e T h a t C o l 3 : 1 2 1 7 2 4 2 . I K n o wWh o mI H a v e B i n d s 2 T i m1 : 1 2 2 1 9 . We N o wI m p l o r e G o d t h e B e l i e v e d E p h 4 : 3 6 H o l y G h o s t 1 8 9 . B l e s t B e T h e T i e T h a t C o l 3 : 1 2 1 7 1 0 0 . C o m e H o l y S p i r i t , L o r d B i n d s 2 T i m1 : 1 4 E p h 4 : 4 8 2 3 2 . H i s G i f t s O u r G o d o l 3 : 1 6 1 3 6 . L a m p o f O u r F e e t 9 7 . S e e , T h e L o r d A s c e n d s I n C 2 T i m2 : 1 9 2 3 9 . H o wF i r m AF o u n d a t i o n E p h 4 : 8 1 5 T r i u m p h 1 T h e s s 2 8 . L o ! H e C o m e s Wi t h C l o u d s 2 T i m 3 : 1 6 4 : 1 3 1 8 D e s c e n d i n g 1 6 2 . My N e i g h b o r 1 3 3 . T h o u , Wh o a t T h y F i r s t 1 7 E p h 4 : 1 1 1 6 E u c h a r i s t 1 T h e s s 1 8 2 . T h e D a y i s S u r e l y 1 8 2 . T h e D a y i s S u r e l y 4 : 1 3 1 8 D r a w i n g N e a r 2 T i m4 : 1 E p h 4 : 1 7 2 46 9 . A u t h o r o f A l l L i f e D r a w i n g N e a r 1 T h e s s 1 9 5 . Wh e n T h e R o l l I s C a l l e d E p h 4 : 2 2 2 43 4 . T h e A d v e n t o f O u r G o d 1 3 3 . T h o u , Wh o a t T h y F i r s t 4 : 1 3 1 7 U p Y o n d e r 2 T i m4 : 3 4 E p h 5 : 1 2 1 6 2 . My N e i g h b o r E u c h a r i s t 1 T h e s s 1 7 8 . C h r i s t R e t u r n e t h 1 2 9 . J e s u s C h r i s t , O u r B l e s s e d 2 T i m4 : 7 8 1 9 2 . F o r A l l T h e S a i n t s 4 : 1 5 1 7 E p h 5 : 6 1 4 S a v i o r 2 T i m 4 : 8 1 7 7 . T h e O l d R u g g e d C r o s s 1 T h e s s 1 3 1 . L e t A l l Mo r t a l F l e s h K e e p 1 3 0 . J e s u s C h r i s t , O u r B l e s s e d 4 : 1 6 1 7 S i l e n c e 2 7 0 . G o d , T h a t Ma d e s t E a r t h E p h 5 : 6 1 4 2 T i m4 : 1 8 S a v i o r a n d H e a v e n 1 T h e s s 2 0 1 . L o r d , T h e e I L o v e w i t h A l l E p h 5 : 8 1 4 2 7 4 . OT r i n i t y o f B l e s s e d L i g h t 4 : 1 6 1 7 My H e a r t 1 1 7 . A l l Wh o B e l i e v e a n d A r e T i t u s 3 : 4 7 2 6 6 . A w a k e My S o u l , A n B a p t i z e d 1 T h e s s E p h 5 : 1 4 2 4 6 . My H o p e I s B u i l t O f f e r i n g B r i n g 4 : 1 6 1 7 T i t u s 3 : 4 7 1 5 8 . B y G r a c e I ' mS a v e d E p h 5 : 1 5 2 11 2 3 . OL o r d My S o u l C o n v i c t e d 1 T h e s s 6 : 1 72 1 6 . D i d Y o u T h i n k T o P r a y ? T i t u s 3 : 4 7 2 3 2 . H i s G i f t s 1 0 5 . G o d t h e F a t h e r B e O u r 2 T h e s s 3 : 5 2 0 0 . Mo r e L o v e t o T h e e E p h 6 : 1 0 1 7 S t a y
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
2 4 7 . O u r G o d , O u r H e l p I n H e b 1 : 1 2 J a s 1 : 2 7 A g e s P a s t 5 8 . S i n g , OS i n g , T h i s B l e s s e d H e b 1 : 8 1 2 J a s 3 : 1 7 Mo r n 1 4 1 . A l l H a i l T h e P o w e r O f J a s 5 : 1 3 H e b 2 : 9 J e s u s ' N a m e 1 P t 1 : 3 9 3 6 . AG r e a t a n d Mi g h t y H e b 2 : 1 4 1 5 Wo n d e r 1 P t 1 : 6 9 5 2 . L o , H o wAR o s e E ' e r H e b 2 : 1 4 1 5 B l o o m i n g 1 P t 1 : 6 9 H e b 4 : 1 2 1 8 . B l e s s e d J e s u s a t T h y Wo r d H e b 4 : 1 4 1 61 4 5 . H a l l e l u j a h , Wh a t a S a v i o r ! 1 P t 1 : 1 7 1 9 9 3 . J e s u s C h r i s t Wh o C a m e t o H e b 4 : 1 5 1 6 S a v e 1 P t 1 : 1 7 2 1 H e b 4 : 1 5 1 61 2 2 . L o r d J e s u s T h i n k O n Me 2 2 0 . Wh a t AF r i e n d We H a v e 1 P t 1 : 1 8 2 1 H e b 4 : 1 5 I n J e s u s H e b 4 : 1 6 1 4 6 . I N e e d T h e e E v e r y H o u r 1 P t 1 : 1 8 2 1 H e b 6 : 1 7 1 91 7 3 . I t I s We l l Wi t h My S o u l P t 1 : 1 8 1 9 H e b 7 : 1 6 1 91 7 5 . N e a r e r , My G o d , T o T h e e 1 2 6 0 . We G i v e T h e e B u t T h i n e 1 1 3 . L o o k D o w n , OL o r d , F r o m 1 J n 2 : 1 8 2 3 O w n H e a v e n B e h o l d 2 1 3 . J e s u s Wa n t s A l l O f H i s 1 1 4 . L o o k D o w n , OL o r d , F r o m 1 J n 2 : 1 8 2 3 C h i l d r e n H e a v e n B e h o l d 1 4 2 . A l l e l u i a , S i n g T o J e s u s ! 4 4 . G e n t l e Ma r y L a i d H e r 1 J n 3 : 5 C h i l d 8 6 . A w a k e , My H e a r t , Wi t h G l a d n e s s 2 5 9 . L o r d o f G l o r y , Wh o H a s t 1 J n 3 : 1 6 1 9 B o u g h t U s 1 6 0 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e 2 6 0 . We G i v e T h e e B u t T h i n e 1 J n 3 : 1 6 1 8 O w n 1 6 1 . D e a r C h r i s t i a n s , O n e a n d A l l R e j o i c e 1 8 8 . B l e s t B e T h e T i e T h a t 1 J n 4 : 7 2 1 B i n d s 2 0 1 . L o r d , T h e e I L o v e w i t h A l l My H e a r t 1 8 9 . B l e s t B e T h e T i e T h a t 1 J n 4 : 7 2 1 B i n d s 1 9 4 . T h r o u g h t h e N i g h t o f D o u b t a n d S o r r o w 1 6 3 . OL o v e , H o wD e e p , H o w 1 J n 4 : 7 1 0 B r o a d , H o wH i g h 8 9 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) 1 3 8 . T h e G o s p e l S h o w s T h e 1 J n 4 : 9 1 0 F a t h e r ' s G r a c e 9 0 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) 1 0 8 . We A l l B e l i e v e i n O n e 1 J n 4 : 9 1 0 T r u e G o d 1 9 7 . C o m e T h o u F o u n t O f E v e r y B l e s s i n g 2 7 3 . N o wt h e L i g h t H a s G o n e 1 J n 4 : 1 0 H e b 9 : 1 3 1 41 5 5 . O n e T h i n g ' s N e e d f u l A w a y 1 5 3 . OF o r AT h o u s a n d 1 P t 1 : 1 8 1 9 H e b 9 : 1 3 1 41 6 4 . R o c k o f A g e s T o n g u e s 8 1 . ' T w a s O n T h a t D a r k , T h a t 1 J n 4 : 1 0 D o l e f u l N i g h t 1 8 7 . B e h o l d , AH o s t , A r r a y e d 6 5 . S o n g s o f T h a n k f u l n e s s a n d H e b 9 : 1 4 1 P t 1 : 2 0 i n Wh i t e P r a i s e 1 6 0 . D e a r C h r i s t i a n s , O n e a n d 1 J n 4 : 1 4 A l l R e j o i c e 1 6 6 . T o d a y T h y Me r c y C a l l s 1 P t 1 : 2 5 1 3 6 . L a m p o f O u r F e e t H e b 9 : 1 4 Me 1 6 1 . D e a r C h r i s t i a n s , O n e a n d 1 P t 2 : 5 8 2 4 6 . My H o p e I s B u i l t 1 J n 4 : 1 4 A l l R e j o i c e 2 2 . L o r d , D i s m i s s U s Wi t h T h y 2 4 9 . T h i n e A r m , OL o r d , i n H e b 9 : 1 5 1 P t 2 : 9 1 0 B l e s s i n g 1 J n 4 : 1 6 2 12 0 0 . Mo r e L o v e t o T h e e D a y s o f O l d 1 3 8 . T h e G o s p e l S h o w s T h e 2 0 1 . L o r d , T h e e I L o v e w i t h A l l 1 P t 2 : 1 9 2 42 1 2 . H e Wh o Wo u l d V a l i a n t B e1 H e b 9 : 2 8 J n 4 : 1 8 2 1 F a t h e r ' s G r a c e My H e a r t 1 P t 2 : 2 4 1 7 2 . B l i n d B a r t i m a e u s H e b 1 0 : 2 1 1 J n 5 : 1 0 1 22 3 2 . H i s G i f t s 1 7 1 . B l e s s e d A s s u r a n c e 7 2 . J e s u s G r a n t T h a t B a l ma n d 2 3 1 P t 2 : 2 4 1 0 8 . We A l l B e l i e v e i n O n e H e a l i n g 1 J n 5 : 2 0 2 3 6 . A l l D e p e n d s O n O u r T r u e G o d H e b 1 0 : 3 4 1 P t 2 : 2 4 2 2 6 . OL o r d We P r a i s e T h e e P o s s e s s i n g 1 1 5 . L o r d , K e e p U s S t e a d f a s t i n J n 1 : 9 2 2 0 . Wh a t A F r i e n d We H a v e 2 H e b 1 1 : 1 2 1 9 1 . F a i t h o f O u r F a t h e r s T h y Wo r d 1 P t 2 : 2 4 I n J e s u s H e b 1 1 2 1 2 . H e Wh o Wo u l d V a l i a n t B e J u d e 1 : 3 1 9 1 . F a i t h o f O u r F a t h e r s 1 P t 3 : 1 2 1 62 1 2 . H e Wh o Wo u l d V a l i a n t B e H e b 1 1 : 1 3 -1 9 4 . T h r o u g h t h e N i g h t o f 1 1 7 . A l l Wh o B e l i e v e a n d A r e J u d e 1 : 2 0 2 1 1 P t 3 : 1 3 1 72 3 7 . F e a r N o t , OL i t t l e F l o c k 1 6 D o u b t a n d S o r r o w B a p t i z e d 1 2 0 . Y o u P e o p l e Wh o N o wA r e H e b 1 1 : 1 6 1 8 5 . I ' mB u t AS t r a n g e r H e r e 1 1 5 0 . L o r d , E n t h r o n e d i n P t 3 : 2 1 2 2 R e v 1 : 5 6 B a p t i z e d H e a v e n l y S p l e n d o r H e b 1 2 : 1 2 1 4 5 . H a l l e l u j a h , Wh a t a S a v i o r ! 1 6 3 . OL o v e , H o wD e e p , H o w R e v 1 : 7 1 7 8 . C h r i s t R e t u r n e t h 1 P t 5 : 6 7 H e b 1 2 : 1 1 51 4 7 . J e s u s , K i n g o f G l o r y B r o a d , H o wH i g h 2 8 . L o ! H e C o m e s Wi t h C l o u d s 2 0 2 . My F a i t h L o o k s U p T o e v 1 : 7 2 3 . C o m e , T h o u L o n g E x p e c t e dR H e b 1 2 : 2 3 D e s c e n d i n g 2 P t 1 : 3 4 T h e e J e s u s R e v 1 : 1 6 7 1 . T i s G o o d , L o r d , T o B e H e r e 8 4 . OS a c r e d H e a d , N o w 2 P t 1 : 1 9 2 11 3 6 . L a m p o f O u r F e e t H e b 1 2 : 2 Wo u n d e d 2 0 2 . My F a i t h L o o k s U p T o R e v 2 : 1 0 1 1 2 P t 3 : 9 1 8 2 5 5 . H e Wa s N o t Wi l l i n g T h e e H e b 1 2 : 2 2 -1 9 4 . T h r o u g h t h e N i g h t o f 3 7 . A l l P r a i s e t o J e s u s ' 2 4 D o u b t a n d S o r r o w 1 2 0 . Y o u P e o p l e Wh o N o wA r e 1 J n 1 : 1 3 R e v 3 : 1 2 H a l l o w e d N a m e B a p t i z e d H e b 1 3 : 5 2 3 9 . H o wF i r m AF o u n d a t i o n 1 J n 1 : 1 3 1 3 6 . L a m p o f O u r F e e t 1 0 6 . H o l y G o d , We P r a i s e T h y H e b 1 3 : 5 1 5 1 . N o , N o t O n e ! e v 4 6 1 J n 1 : 5 7 2 7 4 . OT r i n i t y o f B l e s s e d L i g h tR N a m e H e b 1 3 : 6 2 3 7 . F e a r N o t , OL i t t l e F l o c k 1 8 7 . B e h o l d , AH o s t , A r r a y e d R e v 4 : 4 1 1 1 0 9 . H o l y , H o l y , H o l y J n 1 : 7 1 0 6 . H o l y G o d , We P r a i s e T h y 1 i n Wh i t e H e b 1 3 : 1 5 1 5 2 . OB e G l a d A l l N a t i o n s o n N a me e v 4 : 4 1 1 2 7 3 . N o wt h e L i g h t H a s G o n e R E a r t h 1 J n 1 : 7 9 H e b 1 3 : 1 5 2 0 9 . Wh i t e r T h a n S n o w A w a y R e v 4 : 8 1 1 7 7 . A l l G l o r y , L a u d , a n d H o n o r 2 5 9 . L o r d o f G l o r y , Wh o H a s t 1 2 9 . J e s u s C h r i s t , O u r B l e s s e d H e b 1 3 : 1 6 1 0 7 . I s a i a h , Mi g h t y S e e r , I n 1 J n 1 : 9 B o u g h t U s R e v 4 : 8 S a v i o r D a y s o f O l d H e b 1 3 : 2 0 -1 9 7 . C o m e T h o u F o u n t O f 1 3 0 . J e s u s C h r i s t , O u r B l e s s e d 1 8 0 . T h e A p o s t l e L o o k e d a n d 1 J n 1 : 9 2 1 E v e r y B l e s s i n g R e v 5 : 6 S a v i o r H e a r d a V o i c e J a s 1 : 1 7 1 8 2 3 2 . H i s G i f t s 1 J n 2 : 1 2 1 4 5 . H a l l e l u j a h , Wh a t a S a v i o r !
O p e nH y m n a l I n d e x e s E d i t i o n2 0 1 2 . 1 0
2 2 3 . A n g e l V o i c e s , E v e r 1 8 4 . Wa k e , A w a k e , f o r N i g h t I sA n g e l s R e v 5 : 8 1 4 R e v 2 1 : 2 S i n g i n g F l y i n g 2 5 . G a b r i e l ' s Me s s a g e 6 . AG r e a t a n d Mi g h t y Wo n d e r [ 2 , 3 ] 1 4 1 . A l l H a i l T h e P o w e r O f 1 8 0 . T h e A p o s t l e L o o k e d a n d 3 R e v 5 : 9 1 4 R e v 2 1 : 3 7 3 7 . A l l P r a i s e t o J e s u s ' H a l l o w e d N a m e [ 1 , 6 ] J e s u s ' N a m e H e a r d a V o i c e 3 8 . A n g e l s F r o mt h e R e a l m s o f G l o r y [ 1 ] 8 9 . C h r i s t T h e L o r d I s R i s e n 2 2 2 . A l l e l u i a , A l l e l u i a ! H e a r t s R e v 5 : 9 1 3 R e v 2 1 : 4 3 9 . A n g e l s We H a v e H e a r d O nH i g h [ 1 , 3 , 4 ] T o d a y ( L y r a ) t o H e a v e n a n d V o i c e s R a i s e 4 2 . F a r , F a r A w a y O n J u d e a ' s P l a i n s 9 0 . C h r i s t T h e L o r d I s R i s e n R e v 2 1 : 1 8 4 3 . F r o mH e a v e n A b o v e T o E a r t h I C o m e R e v 5 : 9 1 3 1 8 6 . J e r u s a l e mt h e G o l d e n T o d a y ( L y r a ) 2 3 4 4 . G e n t l e Ma r y L a i d H e r C h i l d [ 2 ] 4 6 . H a r k ! T h e H e r a l d A n g e l s S i n g R e v 5 : 1 1 1 22 6 . H a r k t h e G l a d S o u n d R e v 2 1 : 2 2 7 1 . T i s G o o d , L o r d , T o B e H e r e 4 8 . I n T h e B l e a k Mi d Wi n t e r [ 3 , 4 ] 2 7 1 5 0 . L o r d , E n t h r o n e d i n R e v 5 : 1 1 1 4 9 . I t C a m e U p o n AMi d n i g h t C l e a r H e a v e n l y S p l e n d o r R e v 2 1 : 2 3 - 6 2 . A s Wi t h G l a d n e s s Me n o f 4 5 2 . L o , H o wAR o s e E ' e r B l o o m i n g [ 3 ] 2 7 O l d 1 5 3 . OF o r AT h o u s a n d 5 3 . N o wP r a i s e We C h r i s t , t h e H o l y O n e [ 7 ] R e v 5 : 1 1 1 3 T o n g u e s R e v 2 1 : 2 6 - 1 9 5 . Wh e n T h e R o l l I s C a l l e d 5 4 . OC o m e , A l l Y e F a i t h f u l [ 1 , 3 ] 2 7 U p Y o n d e r 1 4 4 . C r o w n H i m Wi t h Ma n y 5 5 . OL i t t l e T o w n o f B e t h l e h e m[ 2 ] R e v 5 : 1 3 C r o w n s R e v 2 2 : 3 5 1 4 8 . J e s u s S h a l l R e i g n 5 6 . S e e A m i d t h e Wi n t e r ' s S n o w[ 2 , 4 ] 6 0 . T o S h e p h e r d s A s T h e y Wa t c h e d B y N i g h t 1 8 7 . B e h o l d , AH o s t , A r r a y e d 1 9 4 . T h r o u g h t h e N i g h t o f R e v 6 : 1 1 1 3 R e v 2 2 : 5 6 1 . Wh a t C h i l d I s T h i s ? [ 1 ] i n Wh i t e D o u b t a n d S o r r o w 9 . O v e r K i d r o n J e s u s T r e a d e t h [ 3 ] 1 7 9 . D a y o f Wr a t h , OD a y o f R e v 2 2 : 1 7 - 1 8 0 . T h e A p o s t l e L o o k e d a n d 7 R e v 6 : 1 2 1 7 8 0 . ' T i s Mi d n i g h t a n d O n O l i v e ' s B r o w[ 3 ] Mo u r n i n g 2 0 H e a r d a V o i c e 8 9 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) 1 8 7 . B e h o l d , AH o s t , A r r a y e d R e v 2 2 : 2 0 1 7 8 . C h r i s t R e t u r n e t h [ 1 , 9 ] R e v 7 : 9 1 7 i n Wh i t e 2 8 . L o ! H e C o m e s Wi t h C l o u d s9 0 . C h r i s t T h e L o r d I s R i s e n T o d a y ( L y r a ) R e v 2 2 : 2 0 R e v 7 : 9 1 7 1 8 6 . J e r u s a l e mt h e G o l d e n D e s c e n d i n g [ 1 , 9 ] 9 7 . S e e , T h e L o r d A s c e n d s I n T r i u m p h [ 1 , 5 , 7 ] 2 8 . L o ! H e C o m e s Wi t h C l o u d s 3 0 . OC o m e OC o m e R e v 7 : 9 1 2 R e v 2 2 : 2 0 1 0 7 . I s a i a h , Mi g h t y S e e r , I n D a y s o f O l d D e s c e n d i n g E m m a n u e l 1 2 7 . A t T h e L a m b ' s H i g h F e a s t [ 3 ] 1 5 0 . L o r d , E n t h r o n e d i n R e v 2 2 : 2 0 3 5 . T h e K i n g S h a l l C o m e R e v 7 : 9 1 7 1 2 8 . I C o m e , OS a v i o r , T o T h y T a b l e [ 1 0 ] H e a v e n l y S p l e n d o r 2 5 7 . Ma y G o d B e s t o wo n U s 1 3 1 . L e t A l l Mo r t a l F l e s h K e e p S i l e n c e [ 3 , 4 ] R e v 2 2 : 2 1 1 5 2 . OB e G l a d A l l N a t i o n s o n H i s G r a c e 1 3 2 . OL o r d , I