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WELCOME Issue 29
Welcome
5
essential skills you will learn in this issue
Turn to p24 to discover how to get stronger shots
03 CAPTURE CLOSE-UPS
Head to p44 to read our top tips for great macro photos
04 PERFECT LIGHTING
Make the most of natural lighting on p52 Learn to batch edit and quickly x shots on p58
When we are learning to take better photos, its important to keep practising, but that neednt become a chore. You can get some great shots around your home with a bit of know-how, so this issue we give you a beginners guide to still life photography on page 22. We also help you to take standout landscapes on page 40, as well as show you the best photography apps on page 30. Find out how to speed up your editing with some easy tricks on page 60 and read our review of the smallest ever DSLR, the Canon EOS 100D, over on page 86. Theres so much to explore within the world of photography, and with our help youll be shooting like a pro in no time at all!
Amy Squibb
Editor
Follow us at @PFBMag
@PFBMag
PFBMag
PFB Magazine
pfbteam@imagine-publishing.co.uk
photoforbeginners.com
Photography for Beginners 3
Contents
Issue 29
ESSENTIALS
06 Your photos
A showcase of photos sent in by PFB readers for you to be inspired by
AUTO
CAMERA SCHOO
Learn how to use your camera and take your best photos ever!
Get to know your camera Work with natural light What is colour calibration?
22
10 Readers challenge
Win some slideshow software by getting involved in our monthly shooting challenge
13 Win a camera!
Enter to be in with a chance of winning Samsungs WB250F compact camera
14 Need to know
Get closer with Panasonics 60x optical zoom and discover a 41MP cameraphone
76 Subscribe!
Save money on your copy of Photography for Beginners with our exclusive offer
40 Effortless landscapes
Easy ways to vistas that really stand out
86 Upgrade
We test out Canons EOS 100D, the worlds smallest DSLR, among others
94 Accessory reviews
Which is the best photobook for you?
Speed up editing
Fast ways to x shots
58
What the icons mean Your quick-start guide to all the icons youll see in Photography for Beginners
Cameraphone: Smartphones that are always with you Compact: Small, low-cost and easyto-use cameras DSLR: Usually more expensive, but good image quality Compact system camera: Good image quality, lightweight Shutter speed: The time your shutter is open for, in seconds Aperture: The depth of field of an image, as an f-number
A fantastic selection of inspirational images sent in by our readers. Send us your best shots for a chance to see them in print!
Your photos
A Samsung 16GB memory ca rd
Every issue, Samsung 16one winner will receive GB SD a or a prize of HC memory card equal value www.samsu
WIN!
Warm Country Fields This shot was taken just a ve minute drive from my home in Machen near Caerphilly. I sat in the eld alone waiting for the sunset before taking several shots. It was difcult to get the photograph right as it was done without a lens hood to reduce are or the use of any lters. Shot on: Nikon D7000, ISO 250, f13, 1/400sec Sent in via: PFB website
From The Rocks With the tide out, the sun setting and the backdrop of the derelict Hastings Pier, this shot was just too good not to take. Shot on: Nikon D3100, ISO 100, f9, 20sec
Fistral Beach, Newquay I saw the clouds coming in after a sunny day, so I headed down to Newquay on the lookout for some great sunset shots! Shot on: Canon EOS 40D, ISO 100, f18, 2sec
The Boathouse This was taken at Loch Leven, Kinross. I was out taking photos on a lovely sunny day when this scene captured my eye. Shot on: Canon EOS 1100D, ISO 100, f22, 1/50sec
Knotted I was playing with the focus at close range and took this picture. I then used Photoshop to add a little contrast and vibrancy. Shot on: Nikon D5000, ISO 400, f6.3, 1/60sec
Ferrari 308 I took this picture back in 1988 at the F40 launch event. I scanned it into my computer and set to work using the tips from the magazine to edit the image." Shot on: Kodak Pocket Instamatic
Sunset On The Reservoir We were waiting for Keane to come on stage at a festival when a few balloons started to inate in the eld nearby." Shot on: iPhone 5
Outdoor portraits
Our Beginners Guide to outdoor portraits can be found in PFB Issue 28. Get back issues from
the main focus of your photo, so watch that the background isnt too distracting. In our Beginners Guide in Issue 28, we showed you exactly how to take a stunning portrait on location. We then challenged PhotoStory on you to send in your DVD software best shots. Here is Send us your shots for a chance to win a copy of MAGIX PhotoStory on DVD, courtesy of www. a small selection of magix.com. This software, which allows you to turn your photos into fantastic slideshows, is worth 70/$70. the beautiful images we received.
WIN!
Little Fairy This picture is one of many from a photo shoot at Tollymore Forest Park, Northern Ireland. The little model is my beautiful niece Lukne. Shot on: Canon EOS 5D, ISO 200, f3.5, 1/250sec Sent in via: PFB website
Prize may be substituted for an item of equal value. Full T&Cs available online.
Reader: Jolanta Macionczyk Title: Julia Reader: Sudad Al-Ajili Title: Sinan 6
Reader: Benjamin Dupont Title: Thithi Happy Reader: Vipul Chejara Title: At The Old Fort
PFBMag
Click the Compose New Tweet box and select Add An Image. Find your shot and click Open. Write some text, include @PFBMag, then click Tweet and we will see your photo!
@PFBMag
Hit Upload to add images. Click on the image you want to share, then click Share>Grab the link. Email it to pfbteam@imagine-publishing. co.uk or post it to us on Facebook or Twitter.
Be inspired
Browse through all the different categories to be inspired by other readers photos and get ideas of your own.
ALSO ONLINE
Your shots are entered into our Face-Off section and pitted against other peoples have fun watching your score rise!
Our website is piled high with step-by-step tutorials and useful tips to help you take better photos of any subject.
We help you keep up to date with the latest industry news and releases. You can also get stuck into hot topics with our debates!
! IN WA Samsung WB250F
PLUS! An 8G
Plus three lucky runners-up will each get a Samsung 8GB SDHC memory card
Samsungs new SMART Camera WB250F puts great photo power at your ngertips. You can shoot fantastic images for larger prints with its 14MP sensor, plus instantly share them with built-in Wi-Fi options. Send shots when youre out and about or back up images to your phone with MobileLink. You can even control the camera from your smartphone, which is handy for avoiding camera shake. The WB250F boasts a slim and sleek body, which houses a great
touch screen interface, full auto or manual controls and full-HD video. The 18x optical zoom will allow you to get in close, while its 24mm lens is great for framing wide vistas. Plus theres Low Light Shot mode, which selects the best settings and merges three shots for great performance in dim conditions. To nd out more about this new SMART camera, simply visit www. samsung.com/uk. For a chance to get your hands on this fantastic camera, enter our competition now!
HOW TO ENTER:
Send your name, contact details and your best shot to us by 19 September 2013. Email: pfbteam@imagine-publishing.co.uk Website: www.photoforbeginners.com
Need to know
A snapshot of whats exciting us this month
THE TOP 3
Reasons why we cant wait to get our hands on this camera
01
Were going to see if images taken at full zoom are still of high quality, even when the camera is pushed into digital Intelligent Zoom territory. We will nd out if the Power Optical Image Stabiliser really keeps shots steady and helps prevent blurry images at night.
Capture HD movies
02 03
Shoot Full HD video with Dolby Digital Stereo Creator and the Wind Shield Zoom Microphone that minimises wind noise
The Light Speed AF will be put though its paces to see if it really can keep up with fast-moving subjects and keep them in focus.
Take control
Full manual controls are available with P/A/S/M modes so you can get creative and practice your photography skills
Start up quickly
The fast start-up time of 0.9 seconds means that you wont ever miss an unexpected photo opportunity
Discover how to convert your photo to black and white, but keep your main subject in colour using Photoshop Elements. Our easy-to-follow guide tells you how to achieve this fantastic creative effect in just nine quick steps.
Top advice for taking photos through glass Master white balance News, debates and competitions
THE TOP 3
New camera accessories to help you get great shots Handy additions to any beginners kit bag
From 35/$54 approx These multi-coated lters are water and stainresistant, making them durable, easy to clean and guaranteed to last for years.
99/$150 approx Meet Sid, a new three-section magnesium alloy monopod that is super-strong, yet very lightweight and portable.
Sid Monopod
Things we love
#PFBLoves
01
Web: www.lytro.com Price: 400/$400 Lytros camera is now available in the UK. You can refocus and change the perspective of an image after taking it.
02
Web: www.yfcanvas.com Price: From 44 You can now create a waterproof canvas print of your photos. Perfect for displaying your shots outside or in the bathroom.
03
Web: www.xsories.eu Price: 239 This portable projector from XSories attaches to your smartphone so you can display your photos and videos on the go.
04
Jenna MacPhee
Id rather keep it natural. Some photos are edited so much that they basically become digital paintings, not photographs.
Mark McGimpsey
I would ideally prefer to leave my photos natural, but to me editing is like chocolate sprinkles; it makes a good thing better.
Richard Neal
No one ever has issues with people manipulating images when developing lm, so why should digital manipulation be considered different?
Web: www.metro-print.co.uk Price: Free Photo printing company Metro Imagings app lets you order high-quality prints from your Android or iOS device.
The poll stands at 73% edit, 27% keep them natural. Cast your vote today!
16 Photography for Beginners
photoforbeginners.com
18-270mm
F/3.5-6.3 Di II VC PZD
This Tamron Megazoom-Lens is an unbeatable combination of flexibility and performance. Thanks to the 15x zoom the right focal length for every situation is available anytime. The VC image stabilization and fast, almost silent PZD autofocus completes the package. The low weight and compactness of this lens leaves even enough room in your travel bag for souvenirs. Available for your digital APS-C SLR from Canon, Nikon or Sony *.
* The Sony mount does not include the VC image stabilizer.
www.tamron.co.uk www.facebook.com/TamronUK
4 OF THE BEST
Viewnders are found at the top of many cameras. Just put your eye up to them to look through and compose your shots
Many cameras have handy modes to help you produce photos with bright colours. The Landscape scene mode will enhance blues and greens, while Vivid mode boosts all of the colours in the scene.
Getting the exposure right will ensure that your colours are true to life. If your scene looks a little dark for your liking, then locate the Exposure Compensation function on your camera and set it to +1 or +2.
Use a lter
Polarising lters help to increase the intensity, saturation and contrast of the colours in your photos. Screw one of them onto the end of your lens and shoot at a 90-degree angle from your light source.
Live View
You can see the scene with no time lag and at full resolution It doesnt use any charge, so your battery lasts for longer It shows a smaller portion of a frame included in your nal image A lot of space is taken up, so the camera will be bigger and bulkier
It displays all your shot info, in addition to a lot of other handy functions You can ip it out on some models in order to compose from unusual angles Glare makes it hard to compose your shots while in bright sunlight Displaying images on the screen is quite taxing on the battery life
You can magnify an area of the image in order to check its sharp It displays a larger eld of view, enabling you to see the whole frame It can lag a little at times, meaning you may miss out on a great action shot Despite its smaller size, it uses up a surprisingly large amount of battery
Shooting when a lot of light is available will have the effect of making your entire photo appear brighter. Shoot on a bright day or in a well-lit room in order to capture realistic colours with lots of punch.
This month we
Like
Create a fantastic miniature look using editing software in just three easy steps!
Post your photo to our Facebook page and well share it with the world
Russ Lewis
Russ has fantastically captured the golden glow created by a sunset in this shot.
I have seen some brilliant images using the miniature effect to make people and other objects look like tiny models. I know that some cameras have a special mode for creating these images, but mine doesnt. Is there another way to get similar results?
Valerie Moore, via email The miniature effect, also know as tilt-shift photography, is a creative way to make the subjects in your photo look smaller. The term
derives from the tilt-shift lens typically used to produce this effect, but these days many cameras have a miniature lter for achieving similar results. It works by blurring the top and bottom of the photo to simulate a shallow depth of eld that is commonly associated with close-up photography. It is best used on photos taken from a high angle to emphasise the illusion that you are looking down on a miniature scene. The miniature look is easy to re-create in editing software, so let us show you how.
Karen Gilks
Darren Hoyland
Adding miniature gures can create a fun image that plays tricks on the mind.
Go to Layer>Duplicate layer and rename it Blur. Then go to Filter>Blur>Gaussian Blur and set the Radius slider to around 28px before clicking OK.
Double-click on the Background layer to unlock it and then drag it to the top of the Layers palette. Now, select the Rectangular Marquee tool.
Adjust the Feather slider to 100px and draw a rectangle over the centre of your shot. After this, click the Add Layer Mask option in the Layers palette.
e mak nset a su adave t s lic gain es a ots @ce uett h Silho amatic s r for d
Let us recommend
External ashguns
Use a speedlight to create a powerful burst of light to illuminate your subject
Ive started to take lots of portrait photos, but when I use the pop-up ash on my camera the results are often harsh and unattering, and I have lots of problems with red-eye. Ive heard that an external ashgun is good for combating these issues, so can you recommend any?
Laura Collins, via Facebook Flashguns give you lots of exibility as they often come with different settings. Many can also be angled to bounce the light, or used off-camera to light your subject in a more attering way. When choosing between models, compare how powerful they are by looking at the guide number. Here we give you our recommendations, so read on to nd out which is best for you.
It fully swivels 300 degrees and has a ip-out reector card, so it is perfect for bouncing ash The straightforward control panel with illuminated keys on the back makes it easy to use Many functions are subject to the camera you have, so you may not be able to use them all There is no screen on the back for viewing your settings, but it is still easy to use
The power zoom function covers a wide 24-120mm zoom range There is an LCD screen on the back, and the controls layout is designed for intuitive operation The guide number of 28 could be better, so you may need to stand closer to your subject Horizontal rotation is 180 degrees, but it tilts 90 degrees and it is easy to bounce the ash
When used with an EOS DSLR, it detects the cameras sensor size and zooms the ash head It emits an infrared focusing beam, providing contrast for the lens to focus on in low light It only swivels 180 degrees horizontally, but you can still bounce the ash off a wall or ceiling The price is quite high for a beginner, but there are plenty of functions to explore
Shooting
Master the skills needed for se ing up a fantastic still life shot
The best thing about still life photography is that you can really take your time to get it perfect. When shooting moving subjects, it can be tempting to stick your camera in Auto mode for fear of missing a shot, but if your subject is stationary then you can experiment until you get it right. Thats why it is a fantastic genre for practising with manual modes. Whats more, there are subjects wherever you look. You dont have to stick to a bowl of fruit or vase of owers, although they do make for beautiful shots; just let your imagination run wild and get creative with whatever you can nd. Still life photography is also a great way of showing off your kitchen or craft creations, as once you have taken your shot you can share it with the world online. Once you have found your subject, you can experiment with ways of shooting it. Try making use of shadows or reections and look for interesting angles. You can even give your shot an added wow factor with a bit of creative editing. Let us guide you through the process of capturing a still life masterpiece.
Still life
BEGINNERS GUIDE TO
Over the next seven pages: Discover how to master still life settings and lighting, create your own studio and edit your shots
Control of things like depth of eld by using manual. This Nikon D5200 (720/$800) is a 24.1MP DSLR with P, A, S, M modes and a vari-angle LCD for composing.
A wide aperture lens like the Nikon AF-S DX NIKKOR 35mm f1.8G (208/$200) lets you create a shallow depth of eld. Find out more at www.nikon.co.uk.
Whatever your light source, a reector will let you bounce it back on your subject. This compact Intert 56cm reector (20/$20) achieves a subtle effect.
Sturdy tripod
Use a tripod to compose your shot and keep it straight. The Manfrotto 055XPROB tripod (175/$223) with 804RC2 pan tilt head (75/$89) is a solid option.
In association with
1/200sec
F8
Think of ways to position your subject, considering patterns, shapes and symmetry. Once youve taken it, rearrange!
In association with
01
Make sure the background is clear of any clutter, otherwise it will distract attention from your subject. Find a clear surface or put up a piece of card to act as a plain backdrop.
Remove distractions
your photo for a special oc ca its a birthd sion, whether ay and then tu or Christmas, rn th a unique gr e shot into eeting card
02
Get up close or zoom in to make your subject ll the frame. This will make for a more dramatic shot. Make sure you dont cut off an important part of your subject, though.
1/200sec
F5
Take you time to focus your shot and make sure the most important element is perfectly sharp. Zoom in on your LCD screen to check
FOCUS CAREFULLY
03
Once you have taken a shot, move around and shoot the same subject from a different angle. You can also try rearranging your scene, or perhaps use another backdrop.
04
Rather than just placing a few random objects together, try to include subjects that follow a particular theme. You could work around an item you have already found, or decide on a theme rst and then nd subjects that will t it.
Choose a theme
05
Shooting certain objects can help you create a still life image with a specic mood: for example, happy or melancholic. The colours and backdrop can also give character to your photo, so think carefully about these as well as your subject.
Create a mood
04
Introducing a prop such as a fork or vase can add context to your image. Think about what will work with your existing subject and position it so it looks natural.
Add a prop
02. LIGHTING
Set your white balance to suit the lighting condition, otherwise your shot will have an unusual colour cast
1/4sec
F16
If light comes from behind your subject it will appear underexposed so reposition it or reect light back in
LIGHT POSITION
In association with
01
A desk-top lamp is a cheap alternative to studio lights and is a great option as you can bend the neck to position it just how you want it to be.
Studio lighting
02
Studios use softboxes to reduce the harshness of a light. There are home alternatives you can use, though, such as putting tracing paper in front of your lamp.
Light diffuser
03
An innity wall is a seamless backdrop where you cant see any creases or folds. In studios they have expensive setups like coloramas but a large piece of paper works too!
Innity wall
Your subject
04
Position your subject exactly where you want it to be. You dont need to worry about the background, as it is all taken care of.
03 02 01 04
Get creativ e with you r lighting Place colo ured tran
sluc sweet wra ppers in fr ent ont of your lamp to alte colour. This r the lights can create some unus ual ef fects
01
Get a large sheet of plain paper or card. It will need to be A3 size or larger, depending on the size of your subject. Tape one end of it to the wall and the other end to the table so that the paper curves.
02
Position your desk lamp to the side to produce some dramatic shadows or put it at the front to light your subject more evenly. Moving it closer or further away will also affect the strength of the light and shadows.
03
The light from your desk lamp can sometimes be a bit harsh, so tape some tracing paper in front of it to diffuse it. This will soften the light and make any shadows appear much more subtle.
In association with
04. EDITING
01 Floating gure Fix problem shots Make simple editing tweaks in Photoshop Elements
pt u
Adjust the levels Correct the curves Boost the saturation
01
Go to Enhance>Adjust Lighting>Levels. To automatically correct the exposure of your shot, use the black, grey or white dropper tool to click on an area that is supposed to be the corresponding colour. Alternatively, adjust the arrows underneath the histogram graph.
02
Now go to Enhance>Adjust Colour>Adjust Colour Curves. Select the Increase Midtones option from the Select a Style box and then boost the brightness and contrast sliders a little. Also, adjust the highlights and shadows until you are happy with the results.
03
To bring out the colours in your still life shots, go to Enhance>Adjust Colour>Adjust Hue/Saturation. Boost the saturation slider just a little while making sure you dont go too far. You can also experiment with adjusting the hue to correct your colours.
Get creative
01
Add a new Adjustment layer in the Layers palette and select Gradient from the drop-down menu. Change the Style to Radial, the Angle to 180 degrees and tick the Reverse box, then change the colour to black and adjust the scale.
Create a vignette
02
Go to Filter>Adjustments>Photo Filter and either choose a preset lter such as Warming, Cooling or Sepia, or a specic colour to layer on to your shot. You can then adjust the density slider in order to strengthen or weaken the resulting effect.
03
Experiment with a variety of different creative effects by going to Filter>Artistic and choosing from the menu. You can select a specic preset, such as Film Grain, and subsequently make adjustments using the sliders to get it looking just right.
20
R O F S APP
hotography for or Beginne Beginners
R E T T BE
S T O SH
Make time to clean the lens whenever you can, because even a small amount of dirt can cause dust spots to appear on your photos
Try to nd good lighting in which to take your shot, as you will nd that most smartphone and tabletbased cameras struggle in low-light scenarios
If possible, avoid zooming in on your scene using the digital zoom. Doing so will degrade the overall quality of the photo, so move in closer if you can
If your app has this option available, set the resolution and picture quality settings as high as possible in order to get the best quality you can in your photos
PowerCam
PowerCam hides its featurepacked functionality behind a simplistic interface, but it comes with eight modes, lots of effects, great editing features and the ability to create a collage. The list of options
is huge, but the capturing process is as natural as you could wish for, with a large shutter button and clear visual indicators. It could be slightly quicker when capturing difcult shots, but besides that it is hard to criticise in any area.
3 OF THE BEST
01
Many resolutions
This great app lets you choose from a number of possible resolutions.
02
Every mode
It also offers multiple focus and scene modes to help create the perfect shot.
03
Great exposure
3 OF THE BEST
01
Big focusing
The huge focus button is excellent thanks to its size and transparency.
02
So many options
03
Special effects
iPhoto
iPhoto is a highly ambitious app from Apple that packs in a huge number of features. It lets you edit your photos in myriad ways, and everything from simple cropping to advanced colour management is available. It will take some time to work out where everything is, as not every feature is presented in a clear and intuitive manner. Some tapping is required to locate tools, but once you know where they are, you will be able to make many fantastic changes. Touch is used throughout to great effect, and with some patience, pin-point changes can be made to make every photo as perfect as you originally intended. The Events and Journals features enable you to organise your collection in a more personal fashion, and you can share these with friends with a couple of taps. This app works best when combined with iPhoto on a Mac, and can act as a mirror image of your collection, but one that you can manage and edit no matter where you are. It is complex, but impressive nonetheless.
Color Splash
AVAILABLE ON: iOS PRICE: 0.69/$0.99
Color Splash turns any photo into a black-and white version by default, after which you can choose which parts to return to their original colours. With some patient use of your nger, you will be able to create artistic masterpieces from your photos. Its a one-trick pony, but a good one all the same.
From crop and rotation options to hair dyeing and lipstick, there are a huge number of editing features. A great app if you have lots of people-centric snaps, and a free version with ads is available on Android too.
Jazz! is designed to let you edit your photos and attach different lters. The engine behind it is extremely fast, and the results can be impressive, but the lack of control may lead some to look for a more serious option. Its sheer speed and usefulness for social networking, however, make it a winner.
Photography for Beginners 35
Mobli
AVAILABLE ON: iOS/Android PRICE: Free
3 OF THE BEST
01 Personalise
One compelling feature is the ability to snap photos and adjust them.
Use the social screens to view others images, which is great for inspiration.
Mobli allows you to share your photos over multiple networks in seconds, as well as view other peoples shots
Muzy
AVAILABLE ON: iOS/Android PRICE: Free
01 Photo editing
An excellent feature of Muzy is the photo editing mode, which offers you the opportunity to play around with frames, lters and much more.
02 Create collages
The app also lets you create attractive-looking collages in seconds, simply by selecting photos and positioning them in a certain manner.
Once your personalised creation is complete, you can share it instantly over multiple social networks, giving it a wider level of exposure.
Story
behind
the
What made you decide to take this lovely photo?
I went for a day out at Exbury Gardens in Hampshire back in May. I had heard that the spring flowers were in full bloom, so I took my camera to get some colourful floral shots. I came across these pink azaleas, and decided that they would make a great macro subject due to the beautiful detail on the petals and in the centre of the flower.
Photographer James Sheppard lets us in on the secrets behind his beautiful ower shot
What camera and settings did you use to get these results?
I was using my Nikon D800 and Tamron 90mm f2.8 macro lens. I didnt have my tripod, so had to set a fast shutter speed of 1/250sec to keep the shot sharp while shooting handheld. The aperture I used was f5, which kept the important parts of the flower in focus but created a shallow depth of field to blur out the background.
shot
Did you have any problems when taking the shot?
My first attempt came out a little underexposed as the flower was in the shade, so I boosted my ISO up to 400 to brighten it. Focusing was also a little tricky as I was so close to my subject. It took a bit of time to manually focus on the correct part of the flower, but I am pleased that I managed to keep the flowers stigma sharp.
1/250sec
F5
Use a macro lens, close-up lters or your cameras Macro mode to focus while you are close to your subject and capture the intricate details
Unique landscapes
Foreground interest
shallow depth of A eld draws attention to the main foreground subject. In this case, it is a bright and colourful poppy facing the camera
Digital camera Lens with a wide aperture (f4 is ne) Tripod Editing software Canon EOS 5D MkIII 24-105mm lens Adobe Photoshop Elements 11 Any digital camera with AP mode Adobe Photoshop Lightroom Shoot landscapes with a difference
WE USED
The lens aperture is one of the three settings (along with shutter speed and ISO) that control exposure, as it determines how much light falls on the sensor. However, it also has an effect on the creative look of the image because it controls the depth of eld too the zone of sharpness either side of the point of focus. The principle is quite simple: the smaller the aperture, the greater the depth of eld. While that bit is straightforward, a little confusion is caused by the way apertures are measured in f-stops. As these numbers get bigger, the aperture gets smaller. For example,
f4 is a large aperture and f22 is a small aperture. Normally, portraits are shot with wide apertures and a narrow depth of eld, while landscapes are most often shot with small apertures and an extensive depth of eld. However, this is not a hard and fast rule, and in the right circumstances, using a narrow depth of eld can really add impact to a landscape. Follow our guide to discover how to shoot scenery with a shallow depth of eld, for a shot that really stands out from the crowd. Then learn how to transform it into a lovely canvas that you can display at home.
01
Choose a location
Youll need an interesting foreground, ideally one where there is a single strong focal point. Even though it will be out of focus, the background is also important. Look for something that provides enough interest, but doesnt have any distracting features.
02
Use a tripod this allows you to make small adjustments to framing and will result in a better composition. Arrange the key elements in the shot according to the rule of thirds. If your camera has gridlines, turn these on to help you compose correctly.
03
Shooting in Aperture Priority mode (A or Av on the mode dial) is the best choice for landscapes, as you select the aperture, which controls the depth of eld. The camera will set the shutter speed for you. Choose the widest aperture (smallest f-number) available.
04
Focus on the part of the foreground you want to be sharp. If you have Live View, zoom in, and with the camera in Manual Focus mode, turn the focusing ring until the image is sharp. Otherwise, use Autofocus and select the AF point on the part you want in focus.
05
Take the shot and use Image Review to check the focus and exposure. The histogram will show if your exposure is correct or not. If the histogram is bunched too far to the left, the shot is underexposed and if its too far to the right, the shot is overexposed.
06
If it is under or overexposed, apply Exposure Compensation and re-shoot. This usually involves holding down the +/button and turning the dial. Add positive compensation to brighten and negative to darken, then check your histogram again.
Photography for Beginners 41
4 OF THE BEST
Mount on aluminium
A great way to show off your shots in style is to mount them onto aluminium and hang them on your wall. PhotoBox.co.uk lets you order affordable aluminium prints in a variety of shapes and sizes, including rectangular, square and panoramic.
07
If your photo has an unusual colour cast, or if you think it could be a little warmer or cooler, go to Filter>Adjustments>Photo Filter. Select a Warming or Cooling Filter depending on your preference, and then adjust the Density slider until you are happy.
08
To make the colours in your shot a bit brighter, go to Enhance>Adjust Color> Adjust Hue/Saturation. Boost the Saturation slider until the colours look how you want them to, but avoid pushing it too far as your photo will look unnatural and cartoon-like.
You can get your photo printed and placed behind a layer of acrylic for a high-quality, glossy nish that makes your photo appear as though it is oating on your wall. WhiteWall.co.uk has an excellent range of acrylic printing options.
09
Frame your shots
You can brighten up or darken your shot by going to Enhance>Adjust Lighting> Levels. Use the Color Picker tool to correct automatically, or adjust the arrows under the histogram. Moving them right will darken it, and moving them to the left will brighten it.
10
Now go to Enhance>Adjust Color>Adjust Color Curves and choose Increase Midtones from the Select a Style menu. Boost the Midtone Brightness and Midtone Contrast, then adjust Highlights and Shadows until your image has plenty of depth in the foreground.
The traditional option of printing your photo and placing it in a frame gives you plenty of control over how your piece of wall art will look. Bonusprint.co.uk has a great range of frames and mounting options that can be delivered to your door.
A cheap yet attractive way to display your photos is on foam board two thin plastic boards with a layer of rigid foam in between. Your prints will be incredibly light and have a lovely silk matte look. Pixum.co.uk offers forex prints in plenty of different sizes.
11
In the Layers palette on the right-hand side of the screen, click the Add New Fill Layer button at the top. Select Gradient from the drop-down menu and in the Gradient Fill box that appears, set the Style to Linear, the Angle to -90 degrees, and the Scale to 100%.
Add a gradient
12
Double-click on the Gradient menu in the Gradient Fill box to open up the Gradient Editor. Adjust the colour of your gradient and the Color and Opacity sliders to change its look. You can also change the Opacity and Location percentages. Click OK.
13
You can share your shallow depth of eld landscape photo in a number of ways, such as online or by framing it to go on your wall. We have chosen to turn our shot into a canvas print, and we will show you how to do the same using www.PhotoBox.co.uk.
14
Click on the Canvas tab at the top of the PhotoBox home page to see the variety of canvas prints on offer. Each has a different thickness of frame and is printed on a different material. Select the one that suits your budget and click Create Canvas.
15
Now choose a rectangular, square or panoramic canvas and pick the size you want it to be. Consider the shape of your photo, the space available on your wall and how much money you wish to spend to help you choose. Then click Create Canvas Now.
16
Upload your landscape photo and you will see it displayed on a virtual canvas print. You can change the orientation of your canvas and select whether you would like the image to wrap around the edges of the canvas, or display the entire photo with a white border.
Leave enough space around the edge of your photo so that the important areas are not lost
Special place
You could choose a location that is personal to you, helping you to create a really special canvas print
Bright colours
A scene with bold and bright colours will really stand out, and add interest to a blank wall
17
If you click on your photo, another menu will appear. Zoom in or out and rotate your photo to reposition it, or open up the Photo Editing menu. This lets you adjust the contrast and brightness, ip the photo or add effects. You can then order your canvas.
Avoid clashes
Make sure that the colours in your photo will not clash with the colour scheme of your room
Learn how to shoot natures fascinating level of detail by ge ing creative with light
A camera with Macro mode A desk lamp A see-through surface A translucent subject
WE USED
A glass dish A leaf Canon EOS 100D A camera with a macro lens A ower petal How to capture a macro shot with lots of detail
3 OF THE BEST
Focus manually
Your cameras autofocus function can sometimes struggle when it is in close proximity to your subject, so switch to manual focus if you can.
Shoot up close
Camera shake becomes more evident when taking close-up photos, so rest your camera on a sturdy surface or use a tripod in order to combat this issue.
01
Find a translucent macro subject and secure it to a see-through surface with sticky tape. You could x it to a glass table or dish that you can easily position your light source behind or underneath, or tape it to a window with plenty of light shining through.
02
Position a desk lamp behind your subject so that the light shines through it. The closer it is to your subject, the stronger the effect will be, so move it closer if theres not enough light. If your subject is taped to the window, use the natural light from the sun.
Try to keep your ISO low to avoid noise creeping into the shot. However, you may need to raise it if you ever need to use a fast shutter speed in low-light conditions.
03
Switch to Macro mode to focus up close. It is usually indicated by a small ower icon on a button on the back of your camera, your mode dial or in your cameras menu. If you have a macro lens, close-up lters or extension tubes, use these instead.
04
If you can control your camera settings while in Macro mode, select a narrow aperture (high f-number) to keep your frame in focus. This is important, as you will need to shoot with your subject lling the frame so as not to capture any of your light source.
05
Use a fast shutter speed to prevent your shots being overexposed. If you are in a semi-manual mode, your camera may be fooled into thinking the scene is too bright and underexposed. If so, set your Exposure Compensation to +1 to brighten it up.
Photography for Beginners 45
A low ISO is preferable to stop noise in your shot. You may need to raise it if light is weak, and a small amount of noise can be okay in black and white, but keep an eye on the amount
If you use a wide focal length you will nd their features begin to distort. Stand further back and zoom in so you are using a length of around 80-120mm for more attering results
Without colour to draw the eye around the shot, you should think about shapes, tones and textures. We have framed her face with her hands, but experiment until you get the pose you want
In Elements, go to Enhance>Convert to Black & White, where you will nd a preset portrait option. You can adjust the colour sliders until you get the desired result
You can use an in-camera picture mode, but youll have more control if you shoot in colour and edit it afterwards
Personal selection
Try and choose props that are personal to your model, whether its something from a hobby of theirs or their favourite ower. This will make the portrait speak more about who they are and what they enjoy.
Suggest a tone
The props you are using can help to shape the mood of the image, so think about what they are adding to the shot. Something like a bright umbrella might add a fun feel to the shoot, for instance.
Consider colours
Check that colours dont clash with other elements in the shot, like the models clothing or the background. Ideally, you dont want more than three in the frame. Try contrasting colours for more impact.
Get creative
Props dont always have to be objects. Why not use chalk to draw designs around your model, create patterns in the sand or use a mothers hands to form a heart over her baby bump? Get creative for a unique shot.
48 Photography for Beginners
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your camera
Menu
For options such as formatting your memory card An optical viewnder shows the image through the lens
Viewnder
Zoom
Make sure your camera is always on the correct se ing by following this guide
Landscape
Auto
If all else fails, let your camera do the hard work for you
Program
AUTO
LCD screen
Displays an electronic view of the scene in front of the lens Use the control panel to change settings, scroll through menu options or move around a photo when in Playback mode
Controls Macro
For shooting close-ups such as owers and insects Select the shutter speed and the camera will change the aperture
Jargon buster
Aperture
Affects the amount of your image that is in focus the depth of eld
Focal lengths
CSC
Wide-angle a wider angle of view than normal, eg 28mm Telephoto a magnied view of distant subjects, eg 200mm
Megapixels Noise
Sports
DSLR
Focus
For super-attering Select the aperture shots of your friends while the camera and family chooses shutter speed
Portrait
A
Drive modes including Burst Metering modes
+
Autofocus means your camera focuses for you; Manual puts you in control
Shutter speed
Drive mode
ISO
Fast speeds freeze action while longer ones blur any motion
Delete found on all cameras Playback use to review photos Flash switch it on or off Night-time/ low-light scenes
Dynamic range
The term used to refer to the amount of detail in the highlights and shadows
LCD
Optical shows you the view through the camera lens and is good for accurate framing Electronic shows the view on an LCD in the viewnder
Refers to how sensitive the sensor is to light and affects the visible grain or noise in a photo
Viewnder
Exposure
The display screen on the rear of the camera used to compose images
Exposure compensation Video mode on stills cameras Macro or closeup modes Sports or Action mode
White balance
Exposure compensation
Affected by the ambient light around you, your camera can alter this to ensure a natural colour result
Zoom
Refers to the way the camera reads the light in the scene
Optical the magnication provided by the camera lens Digital a camera crop factor
S
Shutter priority Aperture
Self-timer for self-portraits etc Image stabilisation Landscapes for wide angles Portrait perfect for people Manual mode for control
CAMERA SCHOO
LIGHT
Discover how to get great photos using only natural light
Good lighting is the key to great photography. Fortunately, theres an abundance of natural light surrounding us. The trick is to work with it, and learn how it can be used effectively to illuminate your subjects in the best possible way. In this feature, we will reveal what techniques, equipment and exposure settings you will need to get great shots. You will discover how to work around the sun so that your subjects stand out and your nal shots look professional. Theres no
52 Photography for Beginners
NATURAL
need to pop up your in-built ash or invest in expensive studio lighting or ashguns. With the right knowledge and skills, youre guaranteed to get some great shots. To help get you started, well be looking into the best time of day to shoot, how the sun compares to shade, reecting light, working with white balance and shooting stunning portraits indoors. So grab your camera and follow along as we uncover how to capture your shots using only natural light.
Golden hours Waiting until the evening or early morning to shoot, when the sun is lowest in the sky, will result in more picturesque shots
TIME OF DAY
The sun naturally shifts its position throughout the day, which will affect the direction, colour and strength of the light. Working around the position of the sun will enable you to get better shots on location. The golden hours (early morning as the sun rises and late evening as it sets) are considered the best time of day to photograph a landscape, as the light is softer and the sky is full of vibrant and warm hues. As the sun sits lower in the sky at this time, it will also cast longer shadows, which will add depth to your shot. Midday, on the other hand, can be a lot more challenging to shoot in, given that the sun is positioned directly overhead, so shots can look a little at. You will nd that as the light is a lot stronger at this time of day, bright objects can overexpose easily and shadows will also appear much darker. If possible, return later in the afternoon with a tripod to get the best results using a longer exposure.
TOP TIP
IF YOURE SHOOTING AT SUNSET OR EARLY MORNING, YOU MAY NEED TO SET A LONGER EXPOSURE. ALWAYS SET YOUR CAMERA UP ON A TRIPOD WHEN DOING THIS TO AVOID CAPTURING CAMERA SHAKE.
Bright, sunny days are great for shooting portraits outdoors, but be wary of working in direct sunlight. Positioning your model opposite the sun, for example, will cause them to squint and make overexposing your image much more likely. Improve your portrait shots by positioning your model in front of the sun so that it sits directly behind them. This will enable you to get attering backlit shots. To avoid your model appearing as a silhouette, use a reector to bounce light back into their face or use your ash to ll in the light. Alternatively, move your model out of the sun altogether and work in open shade. Trees are fantastic to shoot under as shafts of light can still stream through the leaves and light up the surroundings of your shot. Always experiment on a shoot and adjust your models position so that you get a selection of shots from a range of perspectives with different directions of light.
TOP TIP
Midday Shooting at midday gives a
stronger overhead light that creates shadows and overexposed highlights
WORK IN APERTURE PRIORITY MODE WITH A SMALL F-NUMBER (F4.5-5.6) TO BRIGHTEN UP YOUR PORTRAIT SHOTS AND CREATE AN ARTISTIC SHALLOW DEPTH OF FIELD EFFECT IN THE BACKGROUND.
CAMERA SCHOO
It is still possible to get some great natural light shots indoors. Provided its a sunny day, you can work with whats available inside while near to a window. You may nd that on occasion when youre shooting indoors, the cameras built-in ash will re to compensate for the lack of light. Results can be disappointing, with many shots appearing overexposed and some portraits even having red-eye. To avoid this in the future, work in a scene mode that enables you to turn off the ash or explore one of the manual modes such as Aperture Priority. You will need to position your model or still life subject next to a well-lit window and use a reector to bounce light into the shadow areas of the shot. Windows that have direct sunlight streaming through are great if you want to capture a backlit effect, just remember to meter the light on your model and use a reector in order to highlight their features.
WINDOW LIGHTING
TOP TIP
IF YOURE SHOOTING A PORTRAIT INDOORS BY A WINDOW AND YOUR SHOTS ARE STILL LOOKING A LITTLE UNDEREXPOSED, UP YOUR CAMERAS ISO SETTING TO INCREASE ITS SENSITIVITY TO LIGHT, WHICH WILL RESULT IN BRIGHTER SHOTS.
Your camera may automatically select ash if youre working indoors with limited light, which can have an unattering effect
54 Photography for Beginners
Positioning your model next to a window means youll be able to make use of all the natural light and get some great results
REFLECTING LIGHT
The direction of natural light can have a considerable impact on the contrast in your images. Side lighting will create dark shadows on one side of your subject, while overhead lighting will cast them below. Reecting light back into the shadow areas will help reduce overall contrast by subtly illuminating them, allowing more detail to be captured. To do this effectively, youll need to use a reector. Some varieties come with different sides, including white, silver and gold. Use white for a softer ll-in and silver for a harder and cooler effect. The gold side is ideal if you want to reect light and warm up the shot. For the best results, always position your reector opposite the direction of incoming light to bounce it directly into the shadows. You may need a second pair of hands or a stand to hold it in place while you shoot.
Use a reector to lighten the shadows in side-lit shots & help brighten up the overall exposure
TOP TIP
IF YOU DONT HAVE A REFLECTOR, YOU CAN ALWAYS IMPROVISE. WEAR WHITE OR POSITION YOUR MODEL NEAR A WHITE WALL. ALTERNATIVELY, USE WHITE PAPER OR TIN FOIL.
Natural side lighting can cast strong shadows on one side of your subject, like this
An incorrect white balance mode will create a strong colour cast in your photographs
With the correct white balance, all colours will appear accurate in the highlight and shadow areas of your shot
Photography for Beginners 55
Its not uncommon to nd that your photo prints lack a little vibrancy when comparing them to the edited image on your computer screen. Some colours may even appear incorrect, with reds seemingly more magenta and greens looking a little yellow. This is often the result of your computer monitor not having been calibrated. Colour calibration is important if you want perfect print results, as it will ensure the colour hues that you see on screen match those that are produced by the printer. All computer screens differ slightly in their level of brightness, contrast and colour representation. Although they are manufactured to produce the best possible picture, they still require some tuning. There are two methods you can employ to do this: one being by eye,
using built-in software within the screen; or the other, using hardware, which will do it automatically. You can calibrate your computer screen to an extent by adjusting the monitors brightness and contrast settings. Some let you adjust resolution and calibrate colours using specialist settings. Serious shooters may want to invest in hardware, such as a ColorMunki or Spyder device, which attaches to your screen and automatically calibrates it for you with accuracy. It works by using a colorimeter sensor, which is placed on top of the screen. This communicates with software that will then make any necessary adjustments to the monitor. For complete colour accuracy, you should calibrate around once every two months.
A calibration tool can be used to automatically adjust your monitor, so that colours can be edited accurately
COLOUR ACCURACY
The environment you are editing in can have a considerable impact on how colours appear on screen. Ambient light and even window light can have an effect on how your eyes perceive colour tones. For complete colour accuracy while editing, work in a darkened room with only the light emitted from the monitor.
TM
A clear, comprehensive series for people who want to start learning about iPhone, iPad, Mac, Photoshop, photography and more
Print edition available at www.imagineshop.co.uk Digital edition available at www.greatdigitalmags.com
Available on the following platforms
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JARGON BUSTER
This is the term used to mean making edits to multiple photos at the same time. If you use Photoshop, you can apply an Action to multiple photos, but in Elements you can only make basic adjustments to a batch.
Batch processing
Editing program Computer, tablet or cameraphone Photoshop Elements 11 & Lightroom 5 Snapseed app Photoshop CS Lightroom 4
WE USED
We unveil tips and tricks for speeding up common photo editing tasks over multiple platforms
01
What is an Action?
An Action is an automated series of edits applied to an image. When you add photo effects in Elements, you are essentially running an Action. There is a dedicated panel found in Window>Actions.
02
This is the Actions panel, where you will nd some built-in Actions. These are categorised by what they do: some have practical applications and some have more fun effects. Click on the folders to see them.
03
To see what an Action does, open a photo in the main window and click on the Action that you are interested in. Next, hit the Play button in the top-right of the panel. The Action will run and you will see the effect.
Run an Action
04
See how they work by expanding the Action to view the steps involved. Do this by clicking on the arrow next to the Action title. You will then see a list of everything that takes place and the settings used.
05
There are a limited number of Actions built into Elements, but luckily there are thousands more to download. The Adobe website has some, or you can do a search. Many of these are free, but some will cost you.
06
Photoshop CS users can create their own Actions. Hit the Record button to capture all settings and tools applied to an image, and when you are done press the Stop button. You can then save it as an Action.
07
When you nd an Action that you want to use, you need to download it and save it to your computer. In the Actions panel, hit the top-right drop-down menu and select Load Action, then browse to the one you want.
08
Any Actions that you load will appear in the Actions panel. You select them in the same way as the built-in Actions and run them to apply the effect. This gives you loads of options to customise your snaps quickly.
09
You can choose to reset your Actions at any time, which clears all of the loaded Actions and reverts to just the built-in ones. This means you can experiment as much as you like without clogging up your Actions panel.
01
Presets in Lightroom are essentially the same as Actions in Elements. Open your image in Lightroom, then go to the Develop window. Presets are found on the left-hand side of the main window.
01
Open Elements and go to File>Process Multiple Files. This will let you batch edit a folder of photos in one go. You cant make major edits, but you can apply automatic corrections, rename les and resize them.
02
Select the source folder where the images you want to edit are kept, and a destination to save your edited images to. If you tick Same as Source, then your original les will be overwritten.
02
Preview effects
A handy feature of the Presets that you cant do with Actions is being able to hover over them to see a preview of the effect before you apply it, meaning you can experiment before committing.
03
You might want to give all your les a consistent title. You can enter a name for them and then they will be numbered as well, so you would have MyFile1, MyFile2, etc. This can be useful for organising your pictures.
04
You can resize all your images in one go by entering a new resolution or size. By default, the size of the image is constrained to prevent distortion, but you can turn this off. You can also save them as a different le type.
03
Click on a Preset to apply it to your image. You can also edit the effect using the tools in the right-hand window. As with Actions, you can download new Presets from the web.
05
The Quick Fix box lets you apply automatics edits to all your images at once. Just tick the check boxes for the edits that you wish to run. Auto Levels and Auto Contrast are the most commonly used here.
06
Add a copyright
Finally, you can add a watermark to your photos by choosing the text, position and font. When you are happy with your edits, hit OK and they will be made. The les will be saved to your chosen destination.
Fast xes with Snapseed Make quick changes with this free photo editing app
01
Click the camera icon in the top-left of the window to select a photo from your Library. You can also choose to take a photo. This will then open in Snapseed. You will see all of the edits down the left-hand side.
02
Automatic adjustments
Opt for Automatic for a quick edit. Pick Color Correction or Contrast Correction by swiping up and down, and left and right to alter the effect. Hit the bottom-right arrow to apply and the bottom-left one to cancel.
03
For more in-depth edits, select from a range of tools including Selective Adjust, which lets you edit just part of your image. There is a handy help menu (the question mark in the top-left) to show you the controls.
Manual adjustments
04
If you want to get creative, you can add loads of effects, such as Black & White, Vintage (shown here), Drama, Grunge, Tilt-Shift, Retrolux and Frames. Any changes can be undone if you dont like them.
Special effects
05
When complete, use the Share icon in the top-right of the window and you will see many options, including Google+, Twitter, Email and Facebook. You can also use the Save option to keep your edited version.
Reduce noise
WHAT YOULL NEED
Digital noise is the grain that can sometimes appear in photos and reduce their quality. Its a particular problem when shooting in low light. Increasing your ISO to make the sensor more sensitive to light and brighten up the shot can help to create a well-exposed image, but it
also has the side effect of creating digital noise. However, this also depends on the camera. You could brighten up your shots by using a slower shutter speed or wider aperture instead, but if this isnt possible, editing software can help save the day.
01
02
03
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02
With the Layers palette on view, click the black and white circle button at the top of the palette in order to create a new adjustment layer and select Brightness/ Contrast. Move the Brightness slider all the way down to -150.
03
We want the darkening vignette to be applied outside the selection, not inside, so invert the layer mask with the shortcut Cmd/Ctrl+I. The edge is too sharp, so the next step should be to feather it for a gradual transition.
04
Go to Filter>Blur>Gaussian Blur and run 500px of blur for a high-resolution image. This is the maximum, but may not be enough, so you can run it again with the keyboard shortcut Cmd/Ctrl+F. Drop the opacity of the layer if it looks too heavy.
02
Hit Enter and the image will fall black. Next, select the Elliptical Marquee tool (second button along in the Toolbox) and click and drag to draw an ellipse the full width and height of the image. You can drag the side handles to extend.
03
With the selection still active, hit the Delete key to reveal the dog in the centre. We need to feather the edges now for a gradual transition. Go to Filters>Blur> Gaussian Blur. Enter 1000 for Height and Width for a high-res image and press Enter.
04
The transition should now be nicely smooth. The effect is perhaps a little heavy, so we can reduce its strength by dropping the layer opacity. Click in the middle of the Opacity slider at the top of the Layers palette to set it to 50%.
02
A random effect will be applied as default. Bring up the sub-menu and choose Effect (currently set to Random). In the dialog box that appears, scroll all the way up to the Filter section and change Filter from Normal to Vignette.
03
Next, choose Customise Filter and set Vignette Amount to half and Filter Intensity to full. Go back to the previous menu, choose Frame Type and select None (dont crop the picture). Save this effect for future use if you wish.
04
Close the menu in order to see the results. To make changes, hit the Back button and click Effect again. Otherwise, press Save and close, use Adjust to make other alterations and then Share, or simply press Discard to close without saving.
Make digital photos look like they have been processed from lm with DxO FilmPack 4
WE USED
3 OF THE BEST
Give your cameraphone photos one of 62 different colour or black-andwhite lm looks, as well as applying interesting textures, patterns and grain to your images.
Add various retro-looking lters to your shot that give them an analogue lm look, then share them with the millions of other Instagram users, who are doing the exact same thing.
01
Choose a lm preset
Select one of the preset lm effects from the menu and click on the side-by-side preview button at the top. Now adjust the intensity of the effect under the Effects tab of the toolbar.
02
Add a lter
Staying in the Effects tab, click on the arrow next to Filter. Select a lter to add to your photo and adjust its density. Similarly, you can apply a toning effect like Sepia and adjust the strength of that.
03
Create a vignette
Under the Creative vignetting heading in the Effects toolbar, adjust the intensity slider. You can then change the Midpoint, Transition and Roundness of the vignette and even set your own centre point.
04
Increase the intensity slider under the Creative blur vignetting heading to blur the edges of your shot and give it depth. Just like with the standard vignette, you can ne-tune the effect with the various sliders.
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05
Boost composition
Use the gridlines displayed when using the Crop tool to see if your image is straight and has a balanced composition. The rule of thirds suggests that your main subject should fall where the lines cross.
EXIF data tells you what settings you used so you can nd out where you went wrong
68 Photography for Beginners
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WE USED
4 Lomography Smartphone Film Scanner 4 iPhone or Android 4 Epson Perfection V700 Scanner 4 To scan negatives
When cameras went digital, every area of photography was completely revolutionised. We are now able to view, edit and eliminate photographs on the device itself; we can store our photo collections on a computer; but perhaps most signicant is the fact that many of us have stopped printing our memories. The need to travel to a photo developing shop has diminished, and although it is easy enough to print digital photos, more and more people are creating digital albums and sharing their snaps on their computer, television, smartphone, tablet
or online. Consequently, photos from yesteryear remain in albums or developers packets collecting dust. Its now possible, however, to resurrect those pre-digital shots, and store and share them just like new images you capture. At only 49/$59 (http://shop.lomography. com), the Lomography Smartphone Film Scanner is a compact device that requires a couple of batteries, your 35mm negatives and a smartphone that is all! Once set up, it can scan as many negatives as you like, storing them on your smartphone for you to do with as you wish.
3 OF THE BEST
Free (Android) Digitising your old negatives is just one of the many features of this fantastic app. Sharing your old memories is easy too.
Use the apps light table to view and organise negatives and slides and capture them on camera. You can then make adjustments to enhance your shots before sharing them with the world.
01
In order to set up the Lomography smartphone lm scanner, rst remove the stackers from the scanner base. Lift the battery door and insert two AA batteries. Remove the black light panel while you are there so you are left with a white square.
02
Place the negative into the lm-loading slit where it says Insert Film Here. Turn the wheel anti-clockwise to reel it through. You can tweak this later on to position it more accurately. If you keep turning the wheel, the negative will come out the other end.
01
If you want the image that you capture to have a rectangular shape, like a standard photograph, press the lm negative icon above the red camera icon (as shown above).
03
Place the stackers back on top of one another and turn the switch on. Press the button to open the clamp wings and secure your smartphone between them. Move the clamp until the phones camera lens lines up with the hole.
04
Open your smartphones camera to check its in the right position. Best results will be achieved with the LomoScanner app. Free on iTunes and Google Play, open the app and make sure this is also lined up. Press the red camera icon.
02
Zoom in or out
Zoom in or out of the negative by pressing the + or - symbol, and move the phone via the clamp for greater accuracy. Be aware that this may weaken the quality, though.
05
Once captured, press the lm reel icon to the left of the red camera icon in order to edit and add effects, such as monochrome. Here, we want the negative to be reversed so that the shot appears the same as the original, therefore we press Neg.
06
Now you are able to digitally store your old images alongside your recent ones in your Camera Roll or digital albums. You can easily share them with friends and relatives, whether to embarrass or reminisce. Attach your photos to email, Facebook or Twitter.
03
Add an effect
Press the lm reel icon below the red camera to add effects to your image. You can choose to revert to the negative effect, convert to black and white, add a slide effect and more.
4 Plenty of images 4 Internet connection 4 SlickPic.com 4 Flickr.com 4 Picasa 4 Photobucket.com 4 How to go about creating and sharing albums on SlickPic.com
WE USED
Theres nothing quite like the feeling of capturing a head-turning shot. While youre learning the ropes of photography, that feeling will occur more and more often as your skills constantly improve. But its a huge shame to get so much satisfaction from taking a photo without sharing the beauty of it with other people. When youve got something to shout about, why not tell the world? This is where the photo-sharing website SlickPic.com can help you out. Its completely free to sign up to and provides you with a versatile and intuitive platform on which to showcase your growing photo talents. You can upload albums, compile them into collections and share these on all manner of social networks. You can also
create your own personal photo blog alongside your image galleries and interact with the SlickPic community at the same time. Or, if you prefer, you can keep your shots private and share them with family and friends, or even simply use SlickPic as an online storage and organisation tool. If you decide that you like SlickPic, download the free apps for iPhone and Android. You can also upgrade your account to take advantage of extra benets such as more storage, video uploads and no pesky adverts. A yearly Plus account will cost you approximately 16/$25, and a Pro account is about 65/$100. Here, well show you just a few of SlickPics brilliant features.
01
Head to SlickPic.com and click Sign Up to create an account or log in with Facebook or Google. Youll then be taken to My Home. Here, you can access SlickPics features and privacy options. Your content is public by default, so change this if you want.
02
Above your prole info, hit Upload Photos. This takes you to a screen where you can drag and drop images or select multiple les to upload. Give your album a name, and as each image loads you can ll in extra information about it in the boxes below.
Create an album
03
Share it!
Once your album has uploaded, youll see it under My Albums/Web Gallery in the My Organizer screen. This contains all your options. Click on the bullseye next to your album for more actions, then hit Share Album for a choice of display methods.
7 OF THE BEST
04
To blog about an album, hit the bullseye symbol again and select Create Photoblog Post. Youll be taken to the editor, where you can add text and decide what images to use. Hit Publish and then click Share to let everyone know youve blogged.
05
To share shots, create a collection. In My Organizer, click the My Collections options, then Create New Collection. Go back to an album, select shots to add and in the Actions tab hit Add To Collection. Then customise and share via Share Collection.
Compile collections
06
All of the images youve uploaded are shown in your Web Gallery, which is how your SlickPic albums appear to viewers. Check it out via the My Web Gallery tab in the top-right. You can view albums, edit captions, customise the layout, share and much more.
07
Hit the Community button in the top-left corner to discover hundreds of excellent images from SlickPics community of photographers. Explore a bit to search and favourite images, as well as message and follow other users.
You cant beat the mighty Instagram app for the iconic retro edit option, not to mention the thousands of photos that are shared and loved by people every day.
SHARING Scrapbooking
WE USED
4 White sketchbook 4 Paper pack by American Crafts 4 Stickers or stamps 4 Maps 4 How to scrapbook
SHARING Scrapbooking
01
Decide on a theme for your scrapbook. This could be a colour or genre, such as travel or your wedding day. Collect all of your papers, stamps and embellishments up so you can check that the colours and textured elements work well together.
02
Photograph fun
Next choose the shots that youd like to print out and feature in your scrapbook. Consider their colours, subject matter and orientation (whether theyre landscape or portrait), as this will make an impact on the page. Try to avoid picking similar images.
03
Now you need to plan where everything is going to go. Do this before you glue so you can change your mind or swap things around if they dont t the space. We worked with a spread (two pages facing one another) at a time for a unied look across the two.
7 OF THE BEST
Scrapbooking resources
Rhonna Designs 1.49/$1.99 (iOS)
The Rhonna Designs app is gorgeous and enables you to add personality to your phone photos. Apply masks to any photo using the various designs. There are free video tutorials on her site too.
Time to trim
04
Now you have a rough layout, you can trim any images down to size. We rounded the corners of our shots to add a quirky, vintage style to them. Do this with a craft knife, or buy a corner rounder (pictured) for a few pounds from your local craft store.
05
Attach the larger elements onto your pages. Use glue, 3D sticky pads or washi tape, depending on what youre sticking down. Put adhesive in the corners rather than the middle of photos, as the latter can warp the surface of the images.
Get gluing
Free (iOS) This free scrapbooking audio show features guests in the community and covers all areas of the craft. An informative, inspiring and often funny podcast!
Free (Android & iOS) Tweak your images on the go with Adobe Photoshop Express. Features include auto correct, red eye removal, effects and sharing functionality.
06
Apply embellishments
Now the bigger pieces are in place, you can see what room you have to play with. Embellishments include things like mini pockets, 3D shapes and buttons. Be mindful of where youre placing 3D elements if its opposite a photograph, itll leave an imprint.
07
Scrapbooks are personal and creative accounts of your or your loved ones adventures, so dont forget to add captions, annotations and doodles onto the pages to make it your own. Do it in pencil rst and then go over in pen to avoid making any mistakes.
0.62/$0.99 (Android) If youd like to combine a few different photos into one slick photo collage, check out PicFrame. It supports up to nine photos, plus lots of fun editing features.
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WE USED
The size of an image refers to how large it is in dimension, as well as how much information it has. Digital images are made up of thousands of tiny dots, otherwise known as pixels. The more pixels you have, the better the quality of the image and the bigger its size. If youre working with images in print, its vital to use pictures that are of extremely high quality. When using them on the web, for example uploading and sharing images via Flickr or Facebook, or even sending an email, you want images that look great but are as small as possible. When you upload an image, youre transferring all the information that its made up of over your internet connection, so keeping the amount of information to a
minimum means itll take up less time and data. Some sharing sites such as Flickr automatically resize your images to make them web-friendly, but doing it yourself is easy through web services such as JPEGmini. Youll nd the online software at www.jpegmini.com. To get the full benet of the software, youll need to create a free account. Once you sign in, you can upload full albums and process images in batches instead of one by one. The key function of JPEGmini is to preserve the look of your image while trimming its size. This means you should be able to see your original and compressed image next to each other without noticing a difference in the visual quality.
Space saver
Make images smaller Reduce your le sizes with online compression software
01
Sign up to JPEGmini
Open a new browser window and type in www.jpegmini.com. Click the Try It Now option, followed by Sign Up Now. You can choose to log in through Gmail or Facebook, otherwise enter your email address and a unique password to create a new account.
02
JPEGmini will send you an email. To complete the sign up process, verify your address by clicking on the link contained within the email. You will be redirected to your new account. To start, click on the blue button at the top that reads Upload Your Photos.
03
Upload images
Click on Select Photos. A nder window will open, so navigate to the image or album you want to compress. Select and click Open. To choose more than one image, hold down Cmd/Ctrl and then click on each image until they are all selected. Again, choose Open.
3 OF THE BEST
Features of JPEGmini
Start the process Download compressed shot
04
The compression process starts as soon as youve uploaded the image or image selection. You have the option to name your album while you wait for the image to process. Once completed, you will be sent an email to say that your photo is compressed.
05
Once processed, youll see your image or album displayed in your account. Youll be able to see how much smaller the software has made it compared to the original image. To use the image, click the Download option to save it to your computer.
Reduce by a third
Take your le down to up to a third of its size with one easy click. While results may vary depending on the image, you will be given the smallest possible le without losing quality.
Instant upload
Use the software without creating an account. Simply upload a single image, wait for it to process and then download the result once the compression process is complete.
06
With JPEGmini, you can upload your image directly to Flickr and Picasa without having to save it to your computer rst. Click Send To Flickr and log in to your account. Once signed in, your resized image will start uploading to your Photostream.
07
Delete images
Your account gives you the option to keep all your compressed images online, ready to use from any location. If youd rather not have them saved, click the small Dustbin icon on each image to remove it from your account. Conrm your choice to delete.
Desktop version
Download a desktop version of the software thats compatible with Mac and Windows from the B&H Store or Mac App Store. This is capable of compressing images by ve times.
Learn to inspire
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ON SALE NOW > Improve your portraits > Better lighting > Superzooms on test
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Bamboo Loop app iOS device iPhone 5 Wacom Bamboo Stylus mini iPhone 3GS/4/4S iPad iPod touch 3rd/4th/5th generation How to share photos using Bamboo Loop
WE USED
Personalise pics
When youre taking photos on your smartphone, its easier than ever to share them with friends and family. Theres always the opportunity to post them to social networks directly from your device, but sometimes your favourite photos are the ones you might only want to share with one or two people. Fortunately, photo sharing apps like Wacoms Bamboo Loop are designed to solve this exact problem, allowing you to take any photos youve shot, draw on designs and annotate them, and then send them to a friend or family member. The drawing tools that Bamboo Loop provides make it the ideal step up from sending photos via a regular messaging app, creating personalised and funny results. Bamboo Loop is available on iOS for the iPhone, iPad and iPod touch. We also used Wacoms Bamboo Stylus mini a miniature stylus that attaches to your key chain to draw on our photos, as this part of the process can get a little ddly. When youre choosing a photo to send via Bamboo Loop, its worth remembering that the app will crop them into a square format, so choose one with your subject fairly central to avoid losing any important details. When you receive a photo, its also possible to add your own messages and designs to it before sending it back to your friend. Alternatively, you can just send them a smile to show your appreciation. Bamboo Loop is free, so let your friends and family know about it and youll soon have a whole list of contacts to share your favourite snaps with. Once youve grabbed the app and selected the photo you want to share rst, read on and well show you to transform them into Aft r how personalised digital cards.
01
Tap on the Loop logo and select a friend from Facebook, your contacts or your friends list. If they dont use the app it will invite them.
02
Select the Photo icon to choose a way to add an image to your Loop. If youve already taken a photo, select Photo Library.
03
Use the drawing tools to add some style and a unique message to your photo. It might take a little practice to get this part right.
04
Tap the tick in the bottom-right to review your image before you send it on. Once youre ready to send, tap the tick in the middle.
Use a combination of both the Pen and Highlighter tools to help make your drawings really stand out from the image
If youre struggling to add detail, try using a two-nger spread to zoom in on your drawing for more accuracy
If you make a mistake while drawing on your Loop, tap the Eraser icon to erase, undo or clear everything youve done
3 OF THE BEST
Bonfyre lets you share your photos privately and create a group chat. You can share a picture gallery of your shots with just a select few people, which is great for your baby or wedding photos for example.
Rando puts a unique twist on photo sharing by making it all anonymous. You can end up with some incredibly interesting images! But remember you must send a rando before you can receive one!
As well as being able to shoot, edit and share retro-style photos, Hipstamatic Oggl lets you curate photos you love. You can also preview the effects on an image before youve taken the shot!
Bamboo Loop gives you a selection of colours to choose from as well as a choice of pen types to work with
Get colourful
02Portable backpack
Having something secure to carry kit in is a must, and a backpack allows you to evenly distribute weight on your back.
03Compact tripod
A sturdy tripod is needed for long exposures, but if its too heavy you may not want to carry it around all day!
04Wide-angle lens
Using a wide-angle lens like this 10-20mm will help you to t more of the landscape into the frame.
02
y ook on sizes. L r the diameter t fo l wha e rr a b nd out ( ) to . symbol lter it requires size
03
01 04
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THE INFO
Megapixels | 18MP Zoom | By lens
An admirable megapixel count means this is capable of producing large prints Take advantage of the extensive range of EOS lenses available
Capable of long and fast exposures, making it great for night and action Gives photographers greater exibility to shoot handheld
Auto modes for beginners, along with semi-manual/manual modes Aperture............... Lens dependent Flash modes .... A, M Weight .................... 407g Dimensions....... 116.8 x 90.7 x 69.4mm Batteries.............. Lithium-ion Screen .................... 3 inches Storage.................. SD, SDHC, SDXC
Currently the worlds smallest and lightest DSLR, the 100D impresses in the entry-level market
The Canon EOS 100D steps into the entry-level market as the most compact APS-C DSLR in the world. Keen to impress those looking for their rst DSLR, Canon has tted a great wealth of features aimed at aspiring enthusiasts, such as the high-resolution touch screen LCD, 4fps high-speed shooting, 1080p movie mode and a sensitivity range that extends from ISO 100 to 25600. In terms of design, the 100D looks every inch the part, tted with easy-to-understand and reach controls and functions. As the unit is the smallest and lightest of its kind, it does have the trade off of feeling less durable than some of its competitors, but during our review the camera was as rugged and reliable as any of its peers. The only real downside to its size is that it can become uncomfortable to hold, especially when shooting for longer periods or for those with a larger grip. As well as a bevy of creative lters and commonly used scene modes, photographers have the ability to utilise the full range of semi-manual and manual shooting modes, making it perfect for when they are ready to develop their skill set. The 1,040,000-dot touch screen is a pleasure to operate, and images are presented with heightened clarity in almost all lighting environments and angles. Handling the device is relatively straightforward, and thanks to the logical layout of its commands and menu structure, photographers previously using rival brands cameras are unlikely to have problems with the DSLR. The nine-point AF system is simple to control and effective in its execution, focusing reliably and quickly on a range of scenarios. Canon has a reputation for producing cameras with outstanding image quality, and the 100D upholds that tradition. Noise is expertly managed to a level of ISO 3200, but captures taken as high as ISO 12800 are arguably still usable. Captures are impressively sharp straight out of the camera and colours are exceptionally faithful, but as users have the facility to shoot in RAW, these aspects can also be tweaked later.
Macro Users will appreciate the ability to focus with the touch screen
The superb touch screen LCD offers a very high resolution It is capable of producing fantastically strong image quality
The viewnder only presents an 80 per cent eld of view lower than expected Due to its small stature, shooting for long periods can be uncomfortable
An easy-to-use, feature-packed DSLR capable of shooting highquality images, making it the Features................................................. ideal choice for photographers Design and handling...... stepping up to the DSLR format Build quality................................ Image quality.............................. Value for money.....................
Hands-on Its small size can make shooting uncomfortable. The highresolution touch screen goes some way to helping with this issue, though.
Above The worlds smallest and lightest DSLR produces images that are incredibly sharp, with faithful interpretations of colours and tone
Samsung NX300
600/$700 including 20-50mm lens | 20.3MP | 3.3 screen | P/A/S/M modes
THE INFO
Megapixels | 20.3MP Zoom | By lens
A whopping number of megapixels for printing big with plenty of detail Whatever you shoot, theres an NX grade lens made for it
Quick enough for sports and capable of long exposures too There are plenty of sensitivity settings suitable for low-light shots
Beginners and experienced users will be satised with the modes available on the NX300 Aperture............... By lens Flash modes .... A, A+RE, Fill-in, Fill-in+RE, 1st curtain, 2nd curtain, Foff, Smart Flash Weight .................... 284g without battery Dimensions....... 122 x 63.7 x 40.7mm Batteries.............. Lithium-ion Screen .................... 3.3 inches Storage.................. SD, SDHC, SDXC
Does this retro-styled camera from Samsung push all the right bu ons for beginners?
Among a steady wave of releases, the Samsung NX300 stands out for its DSLR quality and sheer usability. It comes with most of the features you could want from a compact system camera (CSC) touch screen, large sensor and wireless connectivity making it a superb option for anyone upgrading from a point-and-shoot. Its easy to switch shooting modes via the dial on top. The usual Auto, Program, and Manual modes are all present, joined by a new Lens Priority mode. This makes it easy for beginners to control how much of the frame is in focus. Just press the iFn button on the lens and use the slider to determine how sharp or defocused the image will be. You can achieve this by using the cameras touch screen, which can be used like a smartphone to swipe through shots in playback and capture images. This slice of 21st Century tech extends to the cameras built-in Wi-Fi that comes with features such as remote shooting, emailing and social sharing. The NX300s motto is shoot fast, share faster for a reason, with Samsung claiming the 1/6000sec shutter speed is the fastest in its class. It takes 8.6 frames per second in burst mode and captures the entire sequence of action with a series of sharp shots, making it suited to shots of your kids, pets or a sporting event. It can be tricky to see the images on the screen in sunny conditions, but on the computer the scenes were just how we remembered them. This is thanks to the 20.3MP sensor, delivering DSLR quality in a compactsized body. Theres a broad range of ISO settings, producing sharp shots with little noise until the far end of the sensitivity scale. Incidentally, the design is completely on trend, with its retro-inspired chassis thats curved and textured in all the right places. Put simply, the NX300 looks a million dollars, but it costs quite a bit too, and we would liked to have seen a built-in ash, viewnder and articulated screen for this price. If youre after a compact model that delivers, however, its worth every penny.
Macro This camera is denitely ready for a close-up, packing in plenty of detail
The fast continuous shooting is great for sports, children and fast critters Its 20.3MP sensor is the largest used in amirrorlesscamera currently
Wed have liked a fully articulating AMOLED screen for added exibility A built-in ash mode would be useful for shedding some light on scenes
This CSC has a large sensor, top-quality features and stunning design. An articulating screen and built-in ash would have made it the perfect package
Above The large sensor records stunningly detailed images with excellent colour rendition. It was great to see so many scene modes among the advanced features
630/$750 including 14-42mm lens | Touch screen | 23 scene modes | Near Field Communication
THE INFO
Megapixels | 16.05MP
Not as high as the NX300, but still able to produce high-quality larger prints
Zoom | By lens
A variety of lenses are available, including Olympuss MFT range
The broad range allows for low-light shots and it handles noise well
With the looks of a small DSLR and many helpful features, is this the perfect beginners camera?
The Panasonic LUMIX DMC-G6 looks, on paper, like a feature-packed camera thats perfect for the aspiring amateur, and it certainly lived up to our expectations. The 16.05MP sensor might not be winning the megapixel race, and its Micro Four Thirds size is smaller than the APS-C sensors found in the likes of Samsungs NX300, but its feature set makes up for that. While the smaller sensor may mean a small drop in image quality, this does mean its compatible with other MFT lenses. In terms of design, the G6s 1440K-dot touch screen is on an articulated joint, meaning it can fold out for difcult angles. Its responsive and you can touch to shoot and focus. Unlike a lot of CSCs, it also comes with a built-in ash and electronic viewnder that is bright and clear, and allows you to see the effect that changes to settings have on the image. It has a matte plastic nish with a rubberised grip that feels of a high quality. The large moulded grip on the front allows for a rm purchase, and there are buttons for often-used options. Its a camera stacked with plenty of manual options for those wanting more control, as well as auto modes for beginners. These include 23 scene modes and Intelligent Auto mode, which determines the scene for you. It also works out whether to turn on Face Detection, Image Stabilisation and more. Theres Time Lapse for taking shots at intervals, Multi Exposure for combining exposures in one shot, a silent electronic shutter for quieter shooting and 1080p HD Video mode that lets you control aperture and shutter speed. There are 19 effects that you can add (to panoramas and RAW les as well) and it comes with built-in Wi-Fi and NFC (see boxout). The G6 doesnt let us down in terms of image quality either. The camera was quick to focus, with accurate results. Shots were noise-free up to ISO 800, with only a small amount appearing at 1600, so its great for low light. Colours were bright and details were rich. If youre looking for a compact model that doesnt skimp on options, this is a fantastic choice whatever your level.
Macro Detail and colours are rich, but you need a macro lens to get in really close
Its feature-packed, including a great NFC option for sharing It has high image quality for the sensor size, with rich detail and colour
The Tracking AF could be slightly improved but it copes most of the time The many function buttons may confuse beginners, but they can be customised
A great all-rounder that suits any genre and level of photographer, either beginners looking to take more control or enthusiasts wanting a smaller camera
and control settings using the lever on the top and control wheel on the back.
Above Images were of a high quality and you could create some really fun shots using the creative lters too. The colours have plenty of punch and images were sharp too
Samsung DV150F
100/$130 | Wi-Fi connectivity | Creative modes | Dual LCD screens
THE INFO
Megapixels | 16.2MP
This is a great megapixel count for printing in larger sizes
Suitable for both action shots and long exposures A good range for shooting in lowlight conditions
A small choice of modes for beginners wanting more control Aperture............... f2.5-6.3 Flash modes .... A, A+RE, Fon, Foff, SS Weight .................... 116.3g without battery Dimensions....... 95.5 x 55.2 x 18.4mm Batteries.............. Lithium-ion Screen .................... 2.7 inches Storage.................. micro SD, micro SDHC, micro SDXC
Is the front-facing LCD screen the only exciting thing this Samsung compact has to oer?
Self-portraits have become a popular phenomenon of late, with people putting themselves in the picture. Samsung has responded with a camera that has dual LCD screens: one on the back, and one on the front for framing shots of yourself. The front display has some other useful functions too. In Children mode it plays an animation to hold your kids attention and in Self Timer and Jump mode it displays a countdown so your subject knows exactly when to smile or leap. These are not the only fun and useful modes available either: you can put your face on a billboard or postcard thanks to Magic Frame; Split Shot lets you create a photo collage and Motion Photo helps you animate a section of a still image. There is also an extensive range of creative lters that can be applied before or after you take the shot. Sadly, this compact does not have full manual controls for beginners looking to advance their skills, but Program mode will let you change some manual settings such as exposure compensation and white balance. You can also manually adjust the shutter speed in Night mode so that you can capture enough detail in low-light conditions. The number of actual scene modes available is low, with just a few of the useful ones included, but the extensive range of additional modes should be enough to aid you in most shooting situations. The camera handles well, with useful pop-up explanations for most of the functions, but there is no mode dial, so scrolling through all the menus to nd the mode you want can be quite a slow process. The image quality is good, with strong colours and detail, but a lot of noise appears at ISO 800. A longer focal reach would be useful, as going beyond the 5x optical zoom into digital leaves you with grainy shots. The DV150F is certainly a very well-connected camera, with a dedicated Wi-Fi button on the back. You can link it to your smartphone to transfer images wherever you are, or share shots straight from the camera via email or social networks when you have a Wi-Fi connection.
Putting yourself in the frame is easy thanks to the forward-facing LCD You can have fun with the creative modes and share your shots instantly
Selecting a shooting mode takes time, as you have to scroll though the menus Some useful scene modes are missing, and there are no full manual modes
With plenty of shooting, editing and sharing options available, this camera is great whether Features................................................. you want to get in front of the Design and handling...... lens or not Build quality................................. Image quality.............................. Value for money.....................
buttons are a small but well placed for accessing important camera functions.
Above Images are vibrant and detailed, and there are plenty of creative lters that you can apply in order to enhance them further
Photobook services
1 Albelli Price From 7/approx $11
Albelli has just two options for creating your photobook: you can download the software to have full control over your book and use up to 120 pages, or create it online with readymade layouts and up to 70 pages. You can also choose to create a Speedy Book where 24 of your photos are placed for you, but you cant add any text. Ten photobook sizes are available, including a tiny pocket book, but there are only two paper options. You also have to pay extra if you want to put a photo or text on the cover. Creating your photobook is easy and we were impressed with the price and quality. Head to www.albelli.com for more information on the service.
02 01
A Book Design service lets a professional designer create your photobook for you
04 03
Cleaning kit
Give your gear a good spring clean to keep it at its best
1 Vanguard 3-in-1 Cleaning Kit
Price 19/$19
As well as a microbre cloth and 30ml bottle of cleaning solution for wiping your lens, the pack also includes a triple-function lens cleaner. Unscrew the cap at one end and you will nd a exible polishing tip, which you can use to get right into the lens edges, then rell it with cleaning solution provided in the cap. The other end features a retractable brush for sweeping away dirt, which can also be unscrewed to reveal an air blower with a soft rubber tip that wont scratch your lens. Simply squeeze the cleaning tool to blow away any dust. It is very easy to use, compact and excellent value for money. Find out more at www.vanguardworld.co.uk.
01
02
3 Just Lens & Body Cleaning Kit Price 28/approx $43
You certainly get a lot for your money with the Just Lens & Body Cleaning Kit (www.cameraclean.co.uk). It includes large and anti-static microbre cleaning cloths for wiping away dust and dirt, as well as a twin pack of lens cleaning tissues that you can easily keep in your pocket. There is also a 59ml bottle of Photographic Solutions Eclipse Cleaner to drop onto one of the 25 Pec*Pads and clean your lens. All of this comes with a handy multi-pocket travel case, so you can store the kit in your bag. Unfortunately there are no instructions, and with so many items included, it is a little confusing and overwhelming for a beginner.
Imagine Publishing Ltd Richmond House, 33 Richmond Hill, Bournemouth, Dorset, BH2 6EZ +44 (0)1202 586200 Web: www.photoforbeginners.com www.greatdigitalmags.com
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Magazine team
Editor Amy Squibb
amy.squibb@imagine-publishing.co.uk 01202 586210
Senior Designer Annabelle Sing Staff Writer Joanna Stass Sub Editor Alicea Francis Editor in Chief Dan Hutchinson Photographer James Sheppard Senior Art Editor Duncan Crook Head of Publishing Aaron Asadi Head of Design Ross Andrews
Contributors
Julie Bassett, Mark Bauer, Ella Carter, Natalie Denton, Sarah Gane, Freddie Harrison, Sarah Harrison, Matt Henry, Angelica Jopson, Shaun McGill, Hayley Paterek, Jodie Tyley
Locations
With thanks to BoConcept for the use of their premises. Digital or printed media packs are available on request. Head of Sales Hang Deretz 01202 586442 Advertising Manager Jennifer Farrell 01202 586430 jennifer.farrell@imagine-publishing.co.uk Photography for Beginners is available for licensing. Contact the International department to discuss partnership opportunities. Head of International Licensing Cathy Blackman +44 (0)1202 586401 licensing@imagine-publishing.co.uk Head of Subscriptions Gill Lambert subscriptions@imagine-publishing.co.uk For all subscription enquiries Email: p4bsubs@servicehelpline.co.uk (UK) 0844 245 6957 (Overseas) +44 (0)1795 592 815 13-issue subscription (UK) 52 13-issue subscription (Europe) 70 13-issue subscription (ROW) 80
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Production Founders
Production Director Jane Hawkins 01202 586200 Group Managing Director Damian Butt Group Finance & Commercial Director Steven Boyd Group Creative Director Mark Kendrick
Printed by Wyndeham Heron, The Bentall Complex, Colchester Road, Heybridge, Maldon, Essex CM9 4NW Distributed in the UK & Eire by Seymour Distribution, 2 East Poultry Avenue, London, EC1A 9PT 0207 429 4000 Distributed in Australia by Gordon & Gotch Corporate Centre, 26 Rodborough Road, Frenchs Forest, NSW 2086 + 61 2 9972 8800 Distributed in the Rest of the World by Marketforce, Blue Fin Building, 110 Southwark Street, London, SE1 0SU 0203 148 8105
Disclaimer
The publisher cannot accept responsibility for any unsolicited material lost or damaged in the post. All text and layout is the copyright of Imagine Publishing Ltd. Nothing in this magazine may be reproduced in whole or part without the written permission of the publisher. All copyrights are recognised and used specifically for the purpose of criticism and review. Although the magazine has endeavoured to ensure all information is correct at time of print, prices and availability may change. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. If you submit material to Imagine Publishing via post, email, social network or any other means, you automatically grant Imagine Publishing an irrevocable, perpetual, royalty-free license to use the images across its entire portfolio, in print, online and digital, and to deliver the images to existing and future clients, including but not limited to international licensees for reproduction in international, licensed editions of Imagine products. Any material you submit is sent at your risk and, although every care is taken, neither Imagine Publishing nor its employees, agents or subcontractors shall be liable for the loss or damage.
ISSN 2046-9845
A zoom lens lets you use a wide angle to t in buildings and also zoom into details
Our cities make for great photography subjects, with a wealth of nooks and crannies that can give us some fantastic shots. There are towering buildings, statues and memorials, transportation and more. You can even have a go at street photography and grab some candid shots of people. Send us your city snaps to be in with a chance of winning a great prize!
Crouch down to get low-angle shots, or nd a vantage point for skylines
For a chance to win, send us your best city shot by 19 September 2013. Winning entries will receive an 18 x 12-inch aluminium print of one of your photos from Pixum. Visit www. pixum.co.uk for more info.
Please note, Imagine Publishing has the right to substitute the prize for a similar item of equal or higher value. Full terms and conditions available online.
98 Photography for Beginners
WIN!
pfbteam@imagine-publishing.co.uk